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that was added later. The area separated in the western part is used as a parish hall and winter church. The area visually separated from the outside in the southern view, namely the towers and the adjoining intermediate bay with the portal zone and the
Maurice chapel, is also recognizable in the interior layout. The western extension of the central nave has a flat-beamed ceiling. The northern part, i.e. the extension of the northern aisle to the west, is connected to the chancel by two pointed arches running along the length of the church. The arches, the adjoining two-bay groined vault to the north and the corner of the north tower are supported by a square pillar one meter thick. The first floor of the north tower, with the adjoining intermediate bay, thus forms an optically separate part of the community room, in which a kitchenette is installed. Corresponding columns on the south side of the presbytery and the bricked arches between them indicate a similar construction method. However, while the eastern vault on the south side of the entrance hall has been preserved, the western vault in the south tower has been removed. In 1966, a staircase was installed there, with a toilet room below. The other two supports of the belt arches are a pillar in the extension of the partition wall between the parish hall and the nave, which originally separated the side and main naves of the church, and the western outer wall.
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Baroque pulpit-altar wall, the church received a winged altar made of the remains of the medieval altar of the Virgin Mary and supplemented with new parts, which have served as the main altar ever since. To protect the walls of the choir from moisture, a second wall was built in front of the lower part of the walls. Another fundamental restoration of the church interior took place between 1963 and 1967 when a sacristy and a boiler room were added to the north of the choir. During the reconstruction and renovation of the church, archaeological excavations were carried out between 1965 and 1968, and the existing structure of the church was precisely measured and examined by Ulfrid Müller. Since the building history research began long after the reconstruction work began, no further excavations could be carried out in the western part of the church. Therefore, it was not possible to obtain information about a possible tower or a differently designed western end of the original church building. The façade of the tower was renovated in 1990/1991.In
February 2011, the Church Building Society St. Christopher Reinhausen Association was founded to raise funds for the maintenance and renovation of the church.
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at her former ancestral seat in
Reinhausen Abbey. The steep slope of the terrain did not allow for a portal in the west façade, so the entrance for visitors not coming from the monastery was moved to its present location in an intermediate bay on the south side to the east of the tower. The entrance from the monastery area was on the opposite side of the north wall. Opinions differ as to whether a gallery was already built into the central building when the west transept was constructed: Ulfrid Müller suggests that a gallery was almost certainly present since it could have served as a gallery for the Abbess and Countess Eilika, allowing her to attend services in the monks' church in the manner of a nun's gallery. Furthermore, there is a connection between the later wall paintings and the northern access to the gallery from the upper floor of the monastery building. Tobias Ulbrich does not necessarily see these references and disputes the compelling dating of a gallery system to the time before 1400. In addition to the clerestory windows, the nave was lit by two large arched windows in the west transept, which were later altered and reconstructed in 1893.
294:, could have been built in the same way as the front part of the nave, which corresponds to it today, but the floor level was raised by three steps compared to the nave so that the floor level of the nave was correspondingly lower. The aisles were separated from the transept by a wall - probably with an opening - the foundations of which were found on the south side of the church. According to the foundation finds, the eastern pillars of the central nave originally had a cruciform floor plan. There is no information about the design of the western front of the first monastery church, such as a tower or a westwork; the present Romanesque western building is more recent. However, according to the report of the first Abbot Reinhard on the history of the Reinhausen monastery, the monastery was moved from the south side to the north side and extended due to lack of space, contrary to the plan of the monastery. This information may refer to the monastery church, as there is only about 10 meters of space south of the church to the cliff. During its time as a monastery church, several alterations were made, chapels were built and added, and altars were donated.
278:, based on the results of their architectural research, assume that this form of the castle and collegiate church can also be assumed for the original building of the monastery church, i.e. that major alterations took place only after the monastery had already existed for some time. Although the church was unusually large for a castle chapel, it was and is very small compared to other Romanesque monastery churches. There is almost no evidence of architectural ornamentation in the building fabric from the oldest monastic period, and the church was not vaulted - unlike the church of Lippoldsberg Monastery, which was an architectural pioneer in the region and was built in the mid-12th century. This suggests that the church was built much earlier. Parts of this first monastery church have been preserved in the north and south walls of the chancel, possibly in the chancel arch including the crossbeams, in the eastern pair of pillars, and in the lower half of the two western pillars that stand in the central nave of the present church. According to reconstructions, the church was a pillar basilica with a
718:, which are further accentuated by a color scheme that matches the red sandstone against the white plaster. The large Baroque windows in the side aisles and the choir are glazed with small clear panes between wooden mullions. The internal jambs of the window niches end with segmental arches and are slightly sloped, while the window sills are strongly sloped. The added door and window jambs from earlier phases of construction, visible on the exterior, are not visible on the interior; on the south wall, this is indicated only by the absence of the interior mural painting. The upper end of this mural also indicates the former height of the aisles. The interior has a Baroque character due to the large arched windows, but the basic Romanesque structure is still fully expressed. The eastern part of the central nave and the side aisles in front of the eastern pillars are one step higher than the seating area of the nave and are therefore at the same level as the choir. There are the pulpit and the lectern.
625:. The Gothic lancet windows, which belong to the Maurice Chapel above the entrance hall, are arranged in close proximity at a slight distance above the portal. The outer wall area of the chapel is constructed from coarsely hewn sandstone blocks, with only large-format and carefully smoothed stones present on the originally exposed eastern edge. The larger stones of the Maurice Chapel exhibit pincer holes, in contrast to the ashlars on the older west transom and in the portal zone. On the north side of the church, opposite the Moritz Chapel and portal zone, one wall area has a mixed masonry structure. Only the upper part of a walled arched door, measuring 82 centimetres in width, is still visible. This originally provided a direct passageway between the church and the cloister. Another, now walled-up arched door on the north side led from the upper floor of the cloister to the second floor of the tower.
1167:. According to the current color scheme, the heraldic right coat of arms shows an upright red lion covered with golden balls in silver, on the red-silver beaded helmet four silver bars crossed at right angles, each with different tips at both ends, helmet covers red-silver. The heraldic left coat of arms shows in silver a red saddled and bridled, jumping black steed, on the silver beaded helmet a red saddled and bridled, jumping black steed in front of five black and silver plumes arranged in a fan shape, helmet covers black and silver. On older photos, showing the state before 1945, the relief of the coat of arms is recognizable without or with different painting. Hans Georg Gmelin suggests that the arms belong to the von Werder and von Pentz families, but is not sure. On both outer sides, next to the coats of arms, the text of the
221:. However, the dating of the conversion to a monastery to the year 1079 in older literature is contradicted by more recent research. Instead, based on possible dates of death of one of the founders, Count Konrad von Reinhausen, the years 1089 or 1086 are assumed as the latest date of foundation. According to the historical building research by Ulfrid Müller in the years 1963-1967, it is considered certain that the building substance of the private church was used for its church after the castle was converted into a collegiate church and later into a monastery. This is indicated, among other things, by the design of the southern choir wall. Thus, the layout of the castle church in the Ottonian period can be seen as the basic concept of the later collegiate church. The southern wall of the
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Melchior von Uslar and his wife
Margarete von Ohle, who died on September 8, 1574. On the east wall of the choir is a painted wooden plaque from 1735 commemorating Maria Magdalena Hinüber, born from Bush. The two cast-iron memorial plaques were placed side by side on the south wall of the choir until after the Second World War; the wooden plaque hung together with another wooden epitaph above the plaques. The second wooden plaque was also in the form of a medallion with side vines and a crown; it commemorated the bailiff Christian Erich Hinüber, who died in 1752 and is also named on the surviving plaque as the husband of the deceased. Another stone gravestone from 1706 for Veit Andreas Hornhardt on the east wall of the north aisle is heavily weathered. Hornhardt was
586:. The masonry of the towers rises 5.50 meters above that of the central wing, between them lies the sloping roof of the nave roof, which slopes down to the west. The 5.75-meter-high upper story is divided into two stories below the towers, which are lit at the top by a slightly wider arched window with a central pillar and a single narrow arched window below. Only the upper story between the towers, which was reconstructed during a major renovation at the end of the 19th century, has two significantly larger arched windows. On the first floor of the west façade, there are another four arched windows, each 45 centimeters wide and 1.40 meters high. A door is broken into the base of the south tower under the southern of these windows.
1244:, and a hunting horn under his left hand. Both saints are depicted sitting on rocks, with St. James wearing a long beard. Two scenes from the legend of the St. Judoc are depicted on the inside: in the upper picture, St. Judoc's miracle at the spring, through which he saved Count Heymo, who was out hunting, from death; in the lower picture, the miraculous preservation of his corpse. In the representation of the spring miracle, St. Judoc is depicted as a beardless young man in pilgrim's clothing, his cap lying on the ground and bearing the pilgrim's shell. A single more recent description of the Reinhausen St. Judoc's retable recognizes only this one wing and describes not only the right wing but also the middle section as lost.
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monastery courtyard below. Between the western and the central window of the south wall, the strongly chamfered jambs of a much smaller, simple arched window from the
Romanesque period, which was later walled up, are clearly visible. This former window also corresponds to a bricked-up window of the same size in the northern wall of the church. On the left, below the central window of the southern wall of the nave, the jambs of a small ogival door, also walled up, can be seen; the only decorative feature is a simple chamfer on the edge of the jamb. The east wall of the south aisle and the side walls of the choir are now windowless. There is only a wooden hatch above the edge of the side aisle roof.
1232:. It is no longer typically associated with the main altar, but rather with the St. Judoc shrine, and is attributed to the painter Hans Raphon. This altar wing was the outer left wing of the St. Judoc retable, which, according to some published sources, originally comprised two pairs of wings. Both the right wing and an inner pair of wings are missing. However, the scenes depicted on the preserved wing are more clearly recognizable since the restoration, as there are two images arranged one above the other on each side. On the exterior, an image of the apostle James the Great is depicted at the top, accompanied by a staff, book, and the shell on the forehead of his hat. Below this is an image of
667:. Its walls are also faced with sandstone. To the east of the sanctuary, a retaining wall was built to prevent the ground from rising to the east and north of the sanctuary, creating a trench towards the sanctuary. In the area of the heating extension, this trench is about 1.80 meters deep, so that only the roof of the extension is visible from the cemetery. To the north of the extension is an old sandstone wall that shows the consoles of a former cross-ribbed vault and the lower bases of the ribs facing the pit. Above the extension, the wall separates the church property from that of the Forest Service. The eastern extension of the wall, built later, forms the retaining wall of the cemetery.
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209:, up to 3.30 meters thick, was discovered along a nine-meter stretch at the edge of the spur. The wall was demolished in the 12th century, as evidenced by small finds from the High Middle Ages in the building remains and demolition debris. Towards the gently rising slope, the fortification comprised two section ditches and a three-meter-thick mortared wall. Reconstructing the interior of the castle is challenging due to the site being built over by the monastery in the High Middle Ages. Excavations inside the monastery church revealed remains of the castle church of the Counts of Reinhausen. However, the exact structural design of the castle church remains unknown.
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1072:. In addition to their attributes, they are labeled with their names on the top edge and the ledge separating the two rows. Eight figures also have their names on the hem of their robes. The paintings are attributed to an unknown master, who is called the "Master of the Reinhausen Apostles" because of this work. Other publications attribute the wing paintings to a student of Hans von Geismar or the Hildesheim Epiphanius Master, or assume that the Master of the Reinhausen Apostles was a direct student of Hans von Geismar. Some of these works were probably based on engravings by Martin Schongauer. On the outside, the lower edge bears the inscription "
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floating in the air, which the king had shot at St. Christopher. This scene also features a banner that is only partially legible. Once again, the backgrounds are decorated with red flowers and stars. There are fragments of further paintings on the left towards the eastern part of the south wall. Some of the wall paintings were destroyed by subsequent alterations, particularly the installation of the large
Baroque windows and the removal of the transept. The upper wall area of the side aisle walls is not painted; it was subsequently bricked up when the church was given a uniform gable roof and the basilical elevation was abandoned.
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and, like the stem, decorated with engraved ornaments. The small, steeply rising bowl is ten centimeters in diameter. A reclining gilded crucifix is placed on one segment of the base, while the four-part
Brunswick-Calenberg coat of arms of Duke Erich is engraved on the opposite segment. The inscription "TEMPLO REINHVSANO SACRVM" is engraved on the edge next to the crucifix, proving that it belonged to the Reinhausen church. The segment of the base bears the initials of the bailiff: "M(ATTHIAS) - S(CHILLING) - A(MT)M(ANN) - Z(V) - R(EIN)H(AVSEN)-", which allows an approximate dating: Matthias Schilling took office as ducal
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creating a separate entrance hall under the chapel. The altar of St. Maurice's Chapel had its brick foundation, visible as a column in the northeastern corner of the vaulted entrance hall. The altar, and thus the chapel, was first documented in 1415 on the occasion of the establishment of a mass for the souls. According to the Göttingen chronicler
Franciscus Lubecus, another chapel was built by Abbot Gunter von Roringen before he died in 1300 as a burial place for the abbots of Reinhausen monastery. This dating is questionable because Gunter was still abbot of the monastery in 1382 and 1385.
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the office of Count of
Leinegau and were therefore of supra-regional importance. Their ancestral castle in Reinhausen was accordingly sizable. The residential area with the church in the west covered approximately 1.5 hectares, while the adjoining farmyard to the northeast covered an additional hectare. The current location of the church, churchyard, and adjoining areas were included. Since 1980, smaller areas of the castle grounds have undergone archaeological investigation through several individual excavations and surveys. A double-shell
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1212:".DVSENT.VNDE.VIF.HVNDERT.SEFVEN.". (1507). The figure of Judoc also has inscriptions on the hem of his robe, interrupted by creases and folds in the hem of the robe: "CRISTVS" on the right arm holding the book, "MARIE" under that hand, "IHESVS" on the right collar (facing left from the viewer's perspective), "M" on the left collar, "SANCTVS" on the lower hem of the robe, "(...)OCVS" and "FA" after a folded section of the hem, and "MANG" at the bottom right. All the inscriptions on the Judoc shrine are in early humanist
906:, which has served as the main altar since the end of the 19th century, is composed of a central shrine with carved figures against a golden background and two hinged wings painted on both sides. Both the paintings on the wing panels and the lines of text on the front and back indicate that it was originally a Marian altar. During a restoration in 1885-1887, it was redesigned as a crucifixion altarpiece. The inscription on the altar wings indicates that the altar was consecrated in 1498. The altar was consecrated by
1223:. Ulbrich justifies this interpretation with the inscription mentioned by Mithoff, with the figure's pilgrim insignia including the scallop shell on the headdress, as well as with an alleged second pair of wings on the main altar, which prove a veneration of this saint in Reinhausen through figurative and pictorial representations of the legend of St. James. In the nineteenth century, however, only a single wing was preserved as an additional altar wing alongside the two wings of the main altar, which was owned by
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supported the altar, the top of which was one meter above the floor. The
Maurice Chapel contains the weathered central columns of the vaulted sound openings of the towers, which had to be replaced with new ones. There are also two keystones from a ribbed vault, dated 1522 by their inscription. The Maurice Chapel forms the passage to the gallery and contains a wooden staircase as an access to the south tower, the shaft of which is empty. In the north tower, a ladder leads to the belfry.
725:, which is simply plastered in a light color, is separated from the central nave by a round arch that rests on wall supports at the corners of the choir. With a width of 5.50 meters and a length of 5.50 meters, it is almost square in plan, but slightly lower than the main body of the nave due to its elevated position by one step. The back of the altar table, with the winged altar in the center of the choir arch, is illuminated by the large Baroque window in the east wall of the choir.
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they are today. The new walls of the side aisles were constructed with greater thickness. Their thickness, similar to that of the west transept, is approximately 1.30 meters, while the older walls are only approximately 90 centimeters thick. Ulfrid Müller also postulates that the central nave was significantly elevated during this construction phase, yet this theory is contested by others. The separated crossing remained unaltered during the late Romanesque construction phase.
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vertical rim of the foot is decorated with a row of dots and crosses, while the shaft has a surrounding ornament of crosses at the top and bottom. The inscription on the top of the foot reads "- CVRT - HANS - HENRICH - VON - VSLER - MARIA - VON - VSLER - ELSABET - SOPHIÆ - VON - VSLER - PIGATA - MAGDALENA - VON - VSLER - SCHONETTE - LISABETH - VON - VSLER". Based on the names mentioned, the inscription can most likely be dated to the second quarter of the 17th century, as the
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744:. The organ is located in the central nave, the northern part of which is accessible from the central gallery through an arched doorway. South of the gallery, next to the tower, is the former Maurice Chapel with three lancet windows placed side by side. Up to the level of the window sill, the outer wall of the room is considerably thicker than above. The resulting wall ledge, 58 centimeters deep, is covered with sandstone slabs and still has a
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time, there are reused stones from older construction phases. They can be recognized by their profiling or pincer holes and were reworked with a pointed chisel for reuse. A Baroque window in the middle of the eastern wall of the choir corresponds in its design to the windows of the side aisles. On the north side of the choir, there is a low extension built in 1965 during the renovation of the church for the heating system and the
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clearly offset to the left. The sandstone ashlar masonry next to the protruding portal zone is attached to the masonry of the tower without a building seam. The round-arched portal itself is characterized by several stepped jambs and laterally placed columns with cube capitals and an attic base; the transition from the lateral portal jambs to the high arched field above the portal is designed as a profiled
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historians assume an unknown, less advanced painter with no other known works in Lower Saxony. The backgrounds of the paintings are painted in gold, which identifies these pages as festive pages. Additionally, the horizontal strips on the upper and lower edges of the wings and the shrine, as well as in the middle of the wings, which serve to delimit the depictions, are also gold-colored.
1947:. The Reinhausen congregation has nearly 900 members and maintains the church, the cemetery to the south and east, and the local kindergarten. The church also serves as a branch of the Catholic parish of St. Michael in Göttingen. Until January 2010, Catholic Mass was celebrated in the monastery church twice a month, but since then, only on four holidays a year.
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also made in the side aisle walls. The western facade also received a Baroque window. A shortening of the church reported by Mithoff in 1861, which is said to have taken place 150 years earlier, will refer to these measures. The basilica was fundamentally transformed into a hall church by installing a lower ceiling over all the naves.
1132:(English: "Hail, most holy Mary, Mother of God, Queen of Heaven, Gateway to Paradise, Mistress of the world! You are a uniquely pure virgin, you conceived Jesus without sin, you gave birth to the Creator and Redeemer of the world, in whom I have no doubt"). In the center of the left wing is a verse from the Latin translation of the
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recent reading of the inscriptions on the two keystones in the Maurice Chapel, it is likely that a major expansion or rebuilding of the monastery took place in 1522, and that a vault was added to one of the buildings. This could also be indicated by the inscription on a stone, now lost, which was set into the cemetery wall as a
1216:. The inscriptions for the figures mentioned by Hector Wilhelm Heinrich Mithoff as "S.JACOB.MAJ" in the center, "SCS.BLASIVS" on the right, and "S.BARTHOLOMEVS" on the left no longer exist in this form; Tobias Ulbrich thinks it possible that the inscription for James is on the invisible back of the base of the center figure.
267:, the initiator of the foundation of the monastery, had hoped for a generous donation from Bishop Reinhard, but this was not granted. In the Lower Saxony Monastery Book, the probable date of the consecration is assumed to be December 3, 1111. The information about the consecration of the monastery most likely refers to the
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of the pulpit altar wall and the reconstruction of the main altar, the shrine was placed on the east wall of the south aisle; since the renovations of 1963-1967, it has been placed in the north aisle. The shrine is inscribed with the date 1507 and is considered to be the work of the Epiphanius Master from Hildesheim.
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southeast of the church. The church's location on a spur of the Knüll, which extends to the west and rises steeply above the village, makes it highly exposed. In contrast to the village center, the location is visible from the adjacent hills to the west and even from the western slope of the Leinetal valley.
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Curt Hans Heinrich von Uslar married Maria von Uslar in 1627 and had daughters Elisabeth Sophie, Beate Magdalena and Schonetta Elisabeth with her. The latter was already married in 1661, so the inscription was probably added well before that date. The inscription "FB / 1908" from a more recent period
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On the east wall of the north aisle is the so-called St. Judoc shrine, the central part of a former winged altarpiece, whose carved figures were integrated into a Baroque pulpit altar wall above the sounding board until the main altar was restored at the end of the 19th century. After the dismantling
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The Romanesque west façade with its two towers, which is the most distinctive feature of the exterior, was built around 1170. The mid-12th-century alterations were probably influenced by Abbess Eilika von Ringelheim, who came from the family of the Counts of Reinhausen and spent several months a year
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of the mountain above the village of Kirchberg, which was naturally protected by rockfalls towards the valley. Numerous archaeological discoveries from the vicinity of the monastery church have been dated to the 9th and 10th centuries. During the 10th and 11th centuries, the Counts of Reinhausen held
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German Documentation Center for Art History - Image Archive Photo Marburg - In the note there on the photo, which is not easily legible everywhere, the name and year are reproduced incorrectly (the correct year of death is also calculated from the year of birth and age at death); see also Hanoverian
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The second silver goblet is 18 centimeters high and dates from the end of the 16th century. The base and the foot, which is 14 centimeters in diameter, are in the shape of a hexagon, above which is a hexagonal stem with a flattened nodus on the side, bearing the letters "I H E S V S" in diamond form
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The gilded horizontal moldings on the inside of the wings above and below the paintings, and the upper and lower horizontal moldings of the central shrine are embossed with lettering that originally formed a continuous set running across the wings and shrine. During the reconstruction of the central
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on his shoulders are depicted on the walls of the entrance hall. The text of a banner in the image of St. Christopher is difficult to read. Another figure can be seen on the edge of the vault near the entrance to the south aisle. A three-line banner, also difficult to read, is painted on the pointed
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pillars at the western beginning of the transept - each have a base area of 87 centimeters wide and 1.60 meters long, and a much more elongated cross-section than the western pair of pillars, which are the same width but only one meter long. The transition from the piers to the arches is accentuated
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are attached to the outside corners of the choir. The fact that this is a later addition can be seen in the seam between the wall and the choir and in the ashlars that run through the wall. In the Baroque eastern choir wall, as well as in the eastern end of the aisles, which were altered at the same
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and less surface treatment. In the southeastern corner of the nave, the usual careful corner ashlar work is missing because the former transept was demolished at this point. The three baroque arched windows are approximately 2 meters wide and 3.35 meters high. They are framed by simple but carefully
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in 1542 and the establishment of a manor house on the monastery grounds. 20 years after the introduction of the Lutheran monastic order, the inventory of the monastery and the church was listed because the monastery was to be handed over to Ludolf Fischer, who was appointed bailiff. The last monk of
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The monastery church is situated at an altitude of approximately 210 meters above sea level on the Kirchberg. It is located about 30 meters north of a cliff edge that drops steeply down to the valley of the Wendebach stream and the village center of Reinhausen, which is situated in the valley to the
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there was another attempt at re-Catholicization, but it lasted only from 1629 to 1631. During this time the Lutheran pastor was expelled from the church. The inhabitants of Reinhausen were forced to accept Catholic holidays and services. It was also forbidden to attend the Protestant church service
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was also created at that time, others suggest that the figure of the crucified Christ was crafted during the Baroque period, while the cross itself was renewed at a later date. Still others hypothesize that the entire crucifixion group is Baroque in origin. The pedestals of the figures accompanying
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in the church of St. Martin in Geismar, which can be attributed to Bartold Kastrop on the basis of an inscription. On the other hand, the year in which the Reinhausen altarpiece was created - 1498 - argues against Kastrop as the master carver, since he was naturalized in Göttingen only a year later
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at the command of King Dagnus: above the entrance on the west wall of the south aisle is a depiction of the pagan King Dagnus falling from his throne at the sight of Christopher, with the scourging of Christopher on the right. Below this are fragments of male figures on the left and male and female
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The western part of the church, with the basements of both towers, the eastern intermediate bays and the western extension of the central nave up to the second pair of piers, is separated from the main space of the church. To the north of the Gothic entrance hall, this separation consists of a wall
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The interior of the church is divided into a western and an eastern section. The entrance is through a small hall with a painted ogival vault in the south of the western part of the building. From there, a door leads to the west to the south tower and the staircase to the upper floors, to the north
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on the south wall, which differs from the less regular layered masonry on the east end of the aisles and on the east wall of the choir. A small Romanesque window, now closed, can also be seen in the south wall of the choir. The masonry of the northern choir wall above the later extension is similar
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stone surrounds of red and light sandstone, with the lintels and keystones projecting slightly from the rest of the jambs. The window openings on the south wall correspond to the opposite ones on the north wall, although the eastern window has been reduced in height in favor of a door to the former
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To the east of the portal zone, the south wall of the nave is predominantly of roughly hewn sandstone, with the eastern section, about 7.50 meters wide, bounded by a building seam and where the transept was located until the beginning of the 18th century, having an even more irregular stone setting
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in 1446, more late Gothic furnishings were donated. The last written donation specifically for the construction of the church and monastery was made by the Lords of Uslar in 1451. In 1498 and 1507 a late Gothic carved altar was donated, large parts of which are still preserved today. According to a
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built there. It belonged to a Gothic side chapel with a 3/8 end. There was a narrow corridor between the northern arm of the transept and the chapel, which provided direct access to the choir from the monastery building. The remains of the chapel are related to the chapel to the north of the choir,
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Access to the church from the village was only possible on foot via three steps carved into the rock until the early 19th century. The road leading from the village to the church hill was built during this time. The steps are now very worn out. Carts could only access the church from the north-east
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Strasbourg: J. H. Ed. Heitz 1931 ("Studies in German Art History"; H. 288 286), p. 185; here cited after Karin Hahn: The work of the Lower Saxon painter Hans Raphon, in particular the altar of the Göttingen Pauline Monastery found again in the Národní Gallery in Prague. In: Historical Society for
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The slightly raised pulpit to the left of the choir is a modern, very simple piece of furniture, as is the lectern to the right. The baroque pulpit, built into the former altar wall, was removed in 1885-1887. Until the renovation in the 1960s, the pulpit stood on four neo-Romanesque columns on the
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and until then had a workshop in Northeim, which was much further away. There are also differences in the facial expression and liveliness of the figures compared to Kastrop's Geismar carvings. Antje Middeldorf Kosegarten sees similarities to the figures on the carved altar in St. John's Church in
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The clear protrusion of the side aisle foundation on the inside leads to the assumption that the side aisles were widened slightly in the second half of the 12th century. Based on the walled-up arched windows and the interior paintings, it can be determined that they were three-quarters as high as
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Floor plan showing the age of the building (after Ulfrid Müller): dark blue: original building, castle and collegiate church blue: Romanesque extension and addition red: Gothic additions and extensions orange: baroque alterations during the conversion to a hall church yellow: 19th and 20th century
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For a long time there was only one large bell in the church, cast in bronze by the Radler bell foundry in Hildesheim in 1890. In 1948, the company J.F. Weule from Bockenem made an hour bell weighing 60 kilograms and a quarter-hour bell weighing 45 kilograms for the church. These smaller bells are
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tombstone on both the north and south walls of the choir. Both date from the second half of the 16th century. The slab on the south wall of the choir was made for the monastery's pledge holder Christoph Wolff von Gudenberg, who died on February 15, 1569, and the one on the north wall was made for
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preaching at the top left, and St. Christopher praying at the bottom right. To the left of St. Christopher in the prayer scene are King Dagnus and another person; the explanatory banner can only be partially deciphered. At the bottom left, King Dagnus is depicted seated on his throne, with arrows
748:
on the right side. In the northeastern corner of the Maurice Chapel, a wall pillar, which runs vertically across the entire height of the room in the entrance hall and is decorated with mural paintings, breaks off irregularly above the floor. The interlocking with the walls indicates that it once
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At the beginning of the 18th century, the cruciform floor plan was abandoned by demolishing the transept walls and building the side aisle walls in a continuous line. The east wall of the choir was rebuilt with old stones and received a large Baroque window, and large Baroque window openings were
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in the noble castle of the Counts of Reinhausen, which has been archaeologically documented at this location since the 10th century. Accordingly, the construction history of the church can be dated back to the 10th century. Despite the lack of written evidence from the early period, it is almost
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on the lower right. These carved and painted figures are described in most publications as carvings from the workshop of Master Bartold Kastrop. Other authors, however, reject the attribution to Kastrop's workshop, or at least discuss it critically. The figures of the saints, the tracery and the
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is 5.50 meters wide. The side aisles are each 3.50 meters wide, although the north aisle narrows to 2.70 meters due to the considerably thicker wall of the north wall in the central area. The aisles are separated from the central nave by two rectangular piers, each of which supports round-arched
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In the years 1885-1887, extensive renovations were carried out, during which the connecting floor between the towers was reconstructed. The western gallery was also rebuilt, the dormers were removed, and the roof was constructed without the previous cornice. In addition, after the removal of the
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document of 1290, Archbishop Gerhard II of Mainz granted a forty-day indulgence to anyone who contributed to the construction of the Reinhausen church. At the end of the 13th century, the northern and southern bays of the west transept and the two adjoining intermediate bays were given a simple
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and was brought to Hamburg during the war to be melted down. This bell is 60 centimeters high, 73.5 centimeters high with the crown, and has a diameter of 84.5 centimeters. It weighs 360 kilograms and bears the following inscription on its shoulder: "DVRCHS - FEVWR - BIN - ICH - GEFLOSSEN - MIT
1296:
On the southern wall of the choir there is a stone sculpture of St. Christopher on a newer stone base, a relic of the worship of the church's patron saint, which dates back to the Romanesque period. The saint is depicted with the Christ Child on his shoulders and a staff in his hand. Before the
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served as a model, at least for the last scene. The authorship of the paintings is a matter of contention. According to more recent information, they originate from the same workshop as the backs of the wings, but cannot be attributed with certainty to the master himself. In contrast, older art
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The older goblet, made of gilded silver, has been dated to the 14th century. The 16.4-centimeter (5.9-inch) tall goblet has a flat, simple, round 14-centimeter (6-inch) diameter foot, a six-sided stem, a ribbed nodus, and a broadly flared, simple 11.7-centimeter (4-inch) diameter bowl. The low
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at the time. It was assigned to a single altar by Mithoff together with the Gothic works of art installed in a pulpit altar wall at the time – the St. Judoc shrine, both wings of the main altar, four carved figures of saints from the shrine of the main altar. This wing painting, which suffered
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The Romanesque main portal on the south side, just behind the western transom, is particularly striking, projecting slightly from the building line; the projecting wall section is slightly rectangular, finished and emphasized at the top by a simple cornice, the portal is not in the middle, but
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Like the pre-monastic history, the early history of Reinhausen Monastery is mainly known from a report written by Reinhausen's first monk, Reinhard, between 1152 and 1156. The transformation from a monastery to a convent was probably a process that took several decades. The consecration of the
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emphasizing the lower base of the arch, and the lower parts of the pillars in the nave are considered to be the remains of the castle church. Ulfrid Müller assumed that the original church had a west portal, on the site of which the present tower front was later built. Compared to other castle
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at an angle of approximately 23 degrees to the north, but its truthfulness is not relevant to this description. The west wing of the church faces west-southwest and borders a paved parking lot where the current access road ends. The terrain slopes significantly to this side. To the west of the
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and the wall of the side aisle was raised for the chapel at this point.Access was through the gallery. Due to the size of the chapel room, the east wall was not on the axis of the existing pillar, but one meter east of it. The wall on the first floor was supported by a wall directly below it,
1833:
The predecessor of the present organ was moved from Osterode am Harz to Reinhausen in 1841. When the castle church of St. Jacobi in Osterode received a new organ from the master organ builder Johann Andreas Engelhardt, the old organ was given free of charge to the St. Christopher Church in
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The north side of the church abuts the neighboring property and is not visible to visitors. After a fire in April 1955, only the west wall of a former forestry office building attached to the north side of the west wall of the church remains, aligned with the lower west wall of the church.
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behind their heads on a gold background with the inscriptions: "SANCTVS.BARTHoLOMEVS.", "SANCTVS.JODOCVS." and "SACTVS.BLASIVS." (sic!). The pedestal inscriptions read "SANCTVS.BARTOLOMEVS" on the left and "SANCTVS.BLASIVS.EPISC" on the right, although below the central figure is the year
4086:, photo with image description of the Institute for Monument Preservation in Lower Saxony, today the State Office for Monument Preservation, at the Image Index of Art and Architecture. German Documentation Center for Art History - Image Archive Photo Marburg, retrieved on January 22, 2017
1950:
The church also serves as a venue for church music and (sacred) concerts. In 2015, the parish formed a concert team to plan and organize musical events. The church is open daily from 10 a.m. to 6 p.m. for viewing and prayer and is marked as a "reliably open church". It is located on the
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is enclosed, with the south and east sides bordering it, while the north side is not accessible to the public. It is adjacent to the former monastery grounds, which now house the Reinhausen forestry office in the former office building, separated from the churchyard by a sandstone wall.
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figures on the right. The white background of the paintings is decorated with red flowers, in the scourging scene with red stars. Above the upper left image, a two-line banner describes the scene, which is no longer fully legible. The scenes on the south wall of the side aisle depict
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during drainage works in 1993. Neither in the adjacent area of the cloister nor in the area of the door threshold under the medieval wall was there any continuation of the tiling or any evidence of it. Hildegard Krösche thinks that these tiles belong to the chapel north of the choir.
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Prior to the restoration, the wings and the outer parts of the central shrine were incorporated separately from the central part into a Baroque altar wall, a practice that continued until the end of the 19th century. This was also the case with the figures of the Judoc shrine. The
1908:, and an abbot was appointed in the person of Peter of Utrecht. At the end of the Interim in 1553, he refused to accept the new Lutheran doctrine and was arrested and expelled from Reinhausen. Jacob Pheffer was the last monk of the old monastery to die in Reinhausen in 1564.
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of the church were still being used in 1865 for the Reinhausen office, which was housed in the adjacent former cloister. Interest crops were stored and sold from there. In 1956 the church was handed over to the parish in accordance with the provisions of the Loccum Treaty.
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the cross are significantly taller than those of the older figures. They bridge a painted decorative strip at the lower edge of the altar centerpiece and raise the two figures to the level of the foot of the cross. These pedestals are not beveled and bear the inscriptions "
1962:
In 2014, special services, concerts, lectures, guided tours and other events have been planned and held to celebrate the church's thousand years of history. Since the exact date of the church's construction is not known and written records date back to a later period, the
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The oldest bell in the church was cast in 1585 by a bell founder named Rofmann, who is not listed in the relevant directories, but was hung in the tower of St. Christopher's Church only after the Second World War. It originally came from East Prussia in the district of
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Unfortunately, the intermediate building that connected the west front of the church with the Amtshaus was destroyed by fire in 1955, leaving only the outer walls of the two massive basement levels. The Reinhausen estate is located to the northeast of the cemetery.
447:", which differs from the earlier reading, argues against this early dating of the keystones. The attribution of these keystones to the burial chapel of the Lords of Uslar is therefore no longer probable, and the dating of this chapel to 1322 is no longer valid.
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was made later than the altarpieces. The date of origin ranges from the late 16th century to the Baroque period and the 19th century. It bears two shields with upper coats of arms in intertwined rings in the center, which in some publications are interpreted as
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renovations in 1963-1967, the sculpture was located in a niche on the eastern wall of the southern aisle, below the shrine of St. Judoc. It is one of the works of art in the church since the 19th century; before that it was located in the monastery courtyard.
4437:"Gleichen-Reinhausen, ehem. Stiftskirche St. Christophorus, vier Epitaphien: E.Chr. Wulff von Gudenberg † 1569 (u.lk.) Gußeisen, Melchior von Uslar, † 1574 (u.re.) Grußeisen, Chr. Humber (?), † 1762 (o.lk.) und Maria M.A.F. von Busch, † 1735 (Aufn. vor 1945)"
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In several places in the interior of the church, there are large remnants of colored murals on the plaster. These paintings date back to the turn of the 14th and 15th centuries. All the murals were restored during a renovation project in 1965-1967.
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1300:
On the north wall of the choir is a detailed sculpture of Christ carrying his cross. The well-preserved stone carving in the central area shows Christ rising from under the cross, a man in front of the cross holding Christ by a rope, and probably
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4171:
1276:
On the east wall of the choir there is a semicircular Romanesque stone relief. It depicts a cross on a hemisphere in an arch and below it a lion with a human head that appears to be devouring another human head. The relief probably served as a
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which was mentioned in a document in 1394 and served as the burial place of the Lords of Uslar. It is also called St. John's Chapel because tradition mentions it as the site of an altar dedicated to St. John the Evangelist: A new altar in the
1114:(English: "Hail, Queen, Mother of Mercy, life, happiness and our hope, hail! To you we call, exiled children of Eve; to you we sigh, mourning and weeping in this valley of tears. Well then, our intercessor"), the lower, an antiphon set by
4011:. Lecture by Sebastian Heim on May 15, 2014 in the St. Christopher's Church. In Ulfrid Müller: Reinhausen Monastery Church, p. 9, a dependence "on the copper engravings by Martin Schongauer" is generally stated for the wing interiors. (
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From the beginning of the 14th century until the dissolution of the monastery in 1574, construction work was mainly devoted to the decoration of the church and its chapels. Between 1387 and 1442, the interior walls were decorated with
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with transverse ridges, giving them a somewhat squat appearance, especially when viewed from a distance. The roof of the south tower is slightly lower than that of the north tower. Under the roofs, the sound openings are arranged as
4323:
Meister Wolter und sein Kreis. Teil: 1. Kirchliche Holzskulptur und Malerei des 16. Jahrhundert in Hildesheim vor der Einführung der Reformation (1542): (Mit einem Exkurs über Hans Raphon und die südniedersächsische Malerei seiner
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that has a crown carried by two angels instead of a finial. Its original function is interpreted as the crowning of a sacramental niche. It is said to be a much cruder copy of a sacrament niche from St. John's Church in Göttingen.
522:. At that time, the basilica form was no longer recognizable from the outside. The transept was combined with the transept, choir and nave under a gabled roof. The towers were crowned with high pointed spires and there was also a
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A crucifixion group is the central element in the 1.86-meter-high by 1.78-meter-wide central shrine. Originally, according to the dedication of the altar, there was certainly a representation of the Virgin Mary, probably as a
1975:
Since the introduction of the Reformation in 1542, the congregation has been served by Evangelical Lutheran pastors with brief interruptions. Many of the pastors who have served St. Christopher's since that time are known by
1542:
from the second quarter of the 17th century is also made of gilded silver and has a diameter of 15.8 centimeters. It bears an inscription on the rim, identical to that of the chalice except for two letters, and a disk cross.
70:
in 1542, the monastery was gradually dissolved, and the church was then solely used as a parish church, with brief interruptions. Today, it belongs to the Göttingen church district in the Hildesheim-Göttingen branch of the
2600:. Archaeological and architectural studies of medieval churches and monasteries in southern Lower Saxony. (Penultimate paragraph: Benedictine monastery and monastery church of St. Christopher). Retrieved December 20, 2013
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that are wide in relation to the dimensions of the church interior. The span of each of the three bays is just over five meters. The pillars stand on the floor without bases. The two eastern pillars - originally the
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groined vault, the belt arches of the lower tower floors were redesigned as pointed arches, as were the arches on the east side of the first upper floor in the tower. The main entrance on the south side lost the
1554:
The accompanying silver paten measures 15.1 centimeters in diameter. It bears the same engraved inscription as the chalice, "TEMPLO REINHVSANO SACRVM," on the bottom of the rim, and a disk cross on the top.
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of a ribbed vault with inscriptions that were found in the area in the 19th century and attributed to this chapel. They are now kept in the Maurice Chapel. The recent deciphering of the inscriptions "
3500:
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was walled up from the inside already in the Middle Ages. On the outside, a niche was created, the lower part of which was later also walled up. Four Gothic tracery tiles were found under a layer of
4751:
Urkundenbuch des Klosters Reinhausen (= Veröffentlichungen der Historischen Kommission für Niedersachsen und Bremen, XXXVII: Quellen und Untersuchungen zur Geschichte Niedersachsens im Mittelalter.
4513:
Urkundenbuch des Klosters Reinhausen (= Veröffentlichungen der Historischen Kommission für Niedersachsen und Bremen, XXXVII: Quellen und Untersuchungen zur Geschichte Niedersachsens im Mittelalter.
3779:
Urkundenbuch des Klosters Reinhausen (= Veröffentlichungen der Historischen Kommission für Niedersachsen und Bremen, XXXVII: Quellen und Untersuchungen zur Geschichte Niedersachsens im Mittelalter.
3294:
Urkundenbuch des Klosters Reinhausen (= Veröffentlichungen der Historischen Kommission für Niedersachsen und Bremen, XXXVII: Quellen und Untersuchungen zur Geschichte Niedersachsens im Mittelalter.
597:. With a length of 28.60 meters, excluding the choir, the church is significantly smaller than other monastery churches in the region. The entire building is unplastered on the outside. The simple
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that had originally filled the vaulted field of the round-arched portal and received a pointed arch doorway. On the south side, west of the transept, a second portal, now closed, was broken in.
1900:, the monastery under Abbot Johann Dutken had to convert to the Lutheran confession. The abbot died in 1549. From 1548 to 1553, the monastery and church were re-catholicized by Elizabeth's son
98:
monastery church remains prominent. This is especially evident in the west facade with its double tower. The building type underwent several construction phases, transforming from a Romanesque
5254:. In: 1000 years of the church on the Kirchberg in Reinhausen. The millennium book on 1000 years of church, culture and life. Edited by Henning Behrmann and others, Reinhausen 2015, pp. 18-35.
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and to a stone sacrament niche in St. John's Church in Göttingen. Each carved figure is situated on a pedestal with beveled corners at the front, on which it is inscribed in black lettering: "
3320:. In: 1000 years of the church on the Kirchberg in Reinhausen. The millennium book on 1000 years of church, culture and life. Edited by Henning Behrmann and others, Reinhausen 2015, p. 33.
1897:
1575:
in St. Christopher Church was built in 1967 by Rudolf Janke to replace an older organ. It has a five-stop manual division flanked by two freestanding pedal towers. The instrument has 16
4846:
Dissertation for the degree of doctor of the Faculty of Forestry of the Georg-August-University of Göttingen. Göttingen 1976, 3.14 Reformation and Counter-Reformation, pp. 34-36.
1155:
from an antiphon by Hermann von Reichenau. Older literature also mentions deviant readings and other errors, especially for the script in places that are difficult to recognize.
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The main eastern section of St. Christopher's is a brightly plastered, three-aisled hall with a flat, unadorned wooden ceiling. The interior is 7.10 meters high and the central
826:
Other murals can be found in the south aisle of the church. Some of the murals are only partially preserved. They depict scenes from the legend of Christopher according to the
4811:
Niedersächsisches Klosterbuch. Verzeichnis der Klöster, Stifte, Kommenden und Beginenhäuser in Niedersachsen und Bremen von den Anfängen bis 1810, Teil 3: Marienthal bis Zeven
4776:
Niedersächsisches Klosterbuch. Verzeichnis der Klöster, Stifte, Kommenden und Beginenhäuser in Niedersachsen und Bremen von den Anfängen bis 1810, Teil 3: Marienthal bis Zeven
4723:
Niedersächsisches Klosterbuch. Verzeichnis der Klöster, Stifte, Kommenden und Beginenhäuser in Niedersachsen und Bremen von den Anfängen bis 1810, Teil 3: Marienthal bis Zeven
3891:
Niedersächsisches Klosterbuch. Verzeichnis der Klöster, Stifte, Kommenden und Beginenhäuser in Niedersachsen und Bremen von den Anfängen bis 1810, Teil 3: Marienthal bis Zeven
3122:
Niedersächsisches Klosterbuch. Verzeichnis der Klöster, Stifte, Kommenden und Beginenhäuser in Niedersachsen und Bremen von den Anfängen bis 1810, Teil 3: Marienthal bis Zeven
2673:
Niedersächsisches Klosterbuch. Verzeichnis der Klöster, Stifte, Kommenden und Beginenhäuser in Niedersachsen und Bremen von den Anfängen bis 1810, Teil 3: Marienthal bis Zeven
1889:
of Halberstadt. In addition to being a monastery church, the church also served as a place of worship for the people of Reinhausen, with the monastery holding parish rights.
106:. The interior of the church contains several late medieval works of art, such as two late Gothic altars, extensive remains of wall paintings, and stone sculptures depicting
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columns and is octagonal. It bears the following inscription: "He who believes and is baptized shall be saved (Mark. 16:16)" On the eighth side there is a vine decoration.
1885:
was converted into a Benedictine monastery at the beginning of the 12th century, the church became a monastery church. It was consecrated between 1107 and 1115 by Bishop
4859:
Dissertation for the degree of doctor of the Faculty of Forestry of the Georg-August-University of Göttingen. Göttingen 1976, 3.4 History of the office building, p. 52.
4813:(= Publications of the Institute for Regional Historical Research at the University of Göttingen, Volume 56,3). Publishing house for regional history, Bielefeld 2012,
4778:(= Publications of the Institute for Regional Historical Research at the University of Göttingen, Volume 56,3). Publishing house for regional history, Bielefeld 2012,
4725:(= Publications of the Institute for Regional Historical Research at the University of Göttingen, Volume 56,3). Publishing house for regional history, Bielefeld 2012,
3893:(= Publications of the Institute for Regional Historical Research at the University of Göttingen, Volume 56,3). Publishing house for regional history, Bielefeld 2012,
3124:(= Publications of the Institute for Regional Historical Research at the University of Göttingen, Volume 56,3). Publishing house for regional history, Bielefeld 2012,
2675:(= Publications of the Institute for Regional Historical Research at the University of Göttingen, Volume 56,3). Publishing house for regional history, Bielefeld 2012,
200:
period. However, continuous settlement was not evident until the early Middle Ages. Beginning in the 9th century, the Counts of Reinhausen had a castle complex on the
512:
The further reconstruction of the church building after the dissolution of the monastery can be seen only in the first pictorial representation on an engraving by
431:
in 1378, and a donation by the four sons of Ernst of Uslar for the altar of St. John in the new chapel in the ambulatory in 1399. The Uslar burial chapel is still
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blocks of low strength, it is divided, apart from narrow window openings that hardly disturb the unity of the overall impression, only by a very narrow, simple
683:
Ground plan of the church. A: Nave; B: Choir room; C: Parish hall; D: Entrance hall; E: Sacristy; F: Staircase in the south tower; G: Cemetery; H: Parking lot
3505:
779:
The murals in the vestibule at the southern main entrance to the monastery church were uncovered in 1909/1910. The vault of the vestibule is decorated with
632:
Eastern part of the south wall with bricked up pointed arch doorway and in the right half of the picture with irregular masonry in place of the old transept
238:
certain that the church has a history of over a thousand years. Müller's research initially suggested that the castle church was built in the 11th century.
217:
At the end of the 11th century, the Counts Konrad, Heinrich, and Hermann von Reinhausen and their sister Mathilde converted their ancestral castle into a
5272:
4105:
in the image index of art and architecture. German Documentation Center for Art History - Image Archive Photo Marburg, retrieved on January 21, 2017
496:
Even before the Reformation, the monastery was already in a downward economic and personnel trend, which was accelerated by the introduction of the
230:
chapels in the region, the church is unusually large, reflecting the regional supremacy of the Counts of Reinhausen in the 10th and 11th centuries.
5127:, Parish newsletter of the Evangelical Lutheran parishes of Diemarden and Reinhausen, September-November 2014, p. 5. Retrieved June 17, 2015 (PDF)
4502:, photo from the 1950s from the Wolfgang Bachmann collection, published on www.unser-reinhausen.de by Christian Schade, accessed February 6, 2019.
555:
The appearance of the monastery church is dominated by the monumental Romanesque double-tower façade on the west side. Built of locally quarried
2900:
Landkreis Göttingen, Teil 2. Altkreis Duderstadt mit den Gemeinden Friedland und Gleichen und den Samtgemeinden Gieboldehausen und Radolfshausen
2768:
Landkreis Göttingen, Teil 2. Altkreis Duderstadt mit den Gemeinden Friedland und Gleichen und den Samtgemeinden Gieboldehausen und Radolfshausen
2736:
Landkreis Göttingen, Teil 2. Altkreis Duderstadt mit den Gemeinden Friedland und Gleichen und den Samtgemeinden Gieboldehausen und Radolfshausen
2217:
Landkreis Göttingen, Teil 2. Altkreis Duderstadt mit den Gemeinden Friedland und Gleichen und den Samtgemeinden Gieboldehausen und Radolfshausen
4409:, photo from around 1950 from the L. Petersen Collection, published on www.unser-reinhausen.de by Christian Schade, retrieved on July 17, 2018.
1915:. The parish of Reinhausen was dissolved and the parish was looked after by the priest of Diemarden as a mother church without its own parish (
5184:
of the monastery church and its furnishings on the website www.unser-reinhausen.de by Christian and Karin Schade, accessed on January 24, 2019
4223:, retrieved on January 15, 2016, the inscriptions on the hem of the garment read: "- SANCTVS - // - CRISTVS - MARIE // IHE-SVS // - M // MANG"
5141:, Parish newsletter of the Evangelical Lutheran parishes of Diemarden and Reinhausen, June-August 2020, 4. retrieved on August 2, 2021 (PDF)
914:
of Mainz. There is no written record of the donor or donors of the altar. The newly consecrated panel with carved and painted images of the
382:
A renewed economic upswing at the monastery between 1245 and 1309 brought with it new construction work on the monastery church. In a Mainz
1872:
The Counts of Reinhausen owned their ancestral castle on the rock above the village, now known as "Kirchberg", which they converted into a
406:
with three Gothic lancet windows was built above the entrance on the south side of the church. The chapel of St. Maurice extended over two
5189:
4025:
1911:
During the Reformation, the church was used by the parish of Reinhausen as a parish church and the parish was merged with the parish of
1076:" as the date of production. (In the year of our Lord 1498 this tablet was completed / In honor of the glorious Virgin Mary). The l in "
475:, at least in the entrance hall, on the side walls of the gallery, and in the southern aisle. After the Reinhausen monastery joined the
5267:
612:
The entrance portal on the south side is joined to the masonry of the tower without a seam and dates from the same construction period.
5137:
4935:
4911:
1967:
of the church refers to a time when the existence of the church can be considered certain based on the existing structural substance.
1171:
for Holy Communion is written in gold on a black background. These text panels are not yet present in photographs taken before 1945.
5082:
2293:
the fire at the official residence, on the website www.unser-reinhausen.de by Christian and Karin Schade, accessed on March 27, 2020
1325:
1416:
1388:
4612:
303:
4012:
1935:
The former monastery church now serves as the parish church of the Evangelical Lutheran Church and, together with the church in
930:
decorated with coats of arms and inscriptions above the sandstone ashlar altar table, which is two steps higher than the choir.
247:
monastery church is dated between 1107 and 1115 and was performed by Bishop Reinhard of Halberstadt. Reinhausen belonged to the
1944:
1551:
of Reinhausen in 1578, Duke Erich died in 1584. Since both are named on the goblet, it must have been made during this period.
72:
4286:
Die Jacobusseite des Göttinger Retabels. Kult und Ikonographie Jacobus d. Ä. und die Entstehungsgeschichte des Altaraufsatzes.
3993:
1939:, is served by a parish office that has been located in Reinhausen since 1962. Both parishes belong to the church district of
1901:
1339:
274:
The appearance of the monastery church can be roughly reconstructed for the first half of the 12th century. Ulfrid Müller and
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4825:
4790:
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4374:
4349:
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3905:
3765:
3277:
3136:
2687:
2618:
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at the end of the 11th century. The former private church on this castle was thus given the function of a collegiate church.
3997:
251:, so the consecration of the church was the responsibility of the archbishop of Mainz. Since the archbishopric of Mainz was
5150:
5027:
4363:
Das Kreuzigungsretabel von 1506 aus der St. Jürgens-Kapelle samt einem Anhang der Werke Hans Raphons und seiner Werkstatt.
4167:
1305:
standing behind Christ. Only the heads and parts of the upper bodies of three other persons in the background can be seen.
327:
1353:
1088:
section, the lettering was replaced by a decorative band, so a larger portion is missing. At the top of the altar is the
649:
South wall of the choir: the masonry of the original building is different from the younger masonry of the adjacent walls
458:
According to recent findings, the passage from the northern bay of the church to the southwestern corner of the adjacent
5123:
3656:
3201:
3037:
4596:
4580:
4548:
4327:
Göttingen and the surrounding area (ed.): Göttinger Yearbook. Volume 13, publisher: Heinz-Reise, Göttingen 1965, p. 62.
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4212:
4208:
4204:
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4196:
4192:
4188:
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2390:
Die Gründungsgeschichte des Klosters Reinhausen – Die Gründung des Klosters – Die Genealogie der Grafen von Reinhausen,
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to that of the southern wall. These choir side walls date from the time of the church's construction. Wide, unadorned
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4520:
4297:
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3832:
3786:
3392:, Volume 9, ed.: Harald Seiler, German Art Publishers Munich Berlin 1970, p. 41. However, Ulfrid Müller writes here "
3301:
3253:
2975:
2911:
2779:
2747:
2646:
2481:
2433:
2368:
2363:
Chapter 2: Reinhausen: Kirchberg (early to high medieval castle wall). In: Göttingen Yearbook 38 (1990), p. 261-264.
2231:
1927:
The church building had been owned by the Dukes of Braunschweig-Lüneburg since the Reformation. The first and second
1264:
at the eastern end of the south aisle, which was later reworked, is also late Gothic and is said to have served as a
2651:
Stiftung und Reform von Reinhausen und die Burgenpolitik der Grafen von Winzenburg im hochmittelalterlichen Sachsen,
3727:
2438:
Stiftung und Reform von Reinhausen und die Burgenpolitik der Grafen von Winzenburg im hochmittelalterlichen Sachsen
653:
The recessed eastern choir, 6.40 meters deep and 7.30 meters wide, with a straight end, has small, regular layered
526:
on the choir. This is confirmed by an inventory of the monastery from 1707, which mentions a bell above the choir.
4936:
Ev.-luth. Kirchengemeinde Christophorus, Reinhausen auf der Internetseite des Ev.--luth. Kirchenkreises Göttingen.
196:
The Reinhausen Kirchberg's oldest archaeological evidence of human activity is a fragment of a stone axe from the
62:
monastery of Reinhausen that emerged from it in the 12th century. The church in Reinhausen, commonly known as the
5052:
4886:
1453:
1219:
Since Mithoff's description, various authors have identified the eponymous figure in the center of the shrine as
248:
66:, has served as the parish church of the village of Reinhausen for many years. Following the introduction of the
5059:
4817:
4782:
4729:
3967:. In: Yearbook of the Hamburg Art Collections 25, Hamburg 1980, p. 30. Quoted from Antje Middeldorf Kosegarten:
3897:
4625:
1924:
in the neighboring village of Diemarden under threat of punishment, and the way there was strictly controlled.
351:
339:
315:
1519:
1228:
significant deterioration in the 19th century and has since undergone restoration, is currently housed in the
363:
4912:"Church districts in the parish. From Peine to the Kassel mountains and from the Weser to the Harz mountains"
3242:
Fürstentümer Göttingen und Grubenhagen nebst dem hannoverschen Teile des Harzes und der Grafschaft Hohnstein.
3101:
Gotische Maßwerkfliesen in Südniedersachsen. Ihr geschichtlicher Hintergrund und Überlegungen zur Produktion.
2953:, Volume 9, Ed.: Harald Seiler, German Art Publishers Munich Berlin 1970, p. 12, p. 38 and footnote 69, p. 44
1452:
is made of dark-stained wood. The base is four-sided, the basin with the baptismal font is supported by four
1060:
1001:
under the cross were newly created during the altar's restoration in 1885. While some authors posit that the
589:
The simple basic form of today's appearance over a longitudinal rectangular floor plan looks like that of an
264:
3936:
1000 Jahre Kirche auf dem Kirchberg zu Reinhausen. Das Milleniumsbuch zu 1000 Jahre Kirche, Kultur und Leben
3246:
Beiträge zur Geschichte, Landes- und Volkskunde von Niedersachsen und Bremen. Serie A: Nachdrucke (Reprints)
3063:
Die Baugeschichte der Klosterkirche in ihren bisherigen Überlieferungen und Die Bauepochen der Klosterkirche
2290:
1402:
1203:
on the right. The central figure of Judoc is a good head taller than the flanking saints. They all stand on
2700:
1208:
1311:
688:
to the community room, and to the east to the actual interior of the church, which is three steps higher.
621:
zone. The innermost jamb, on the other hand, has a smooth transition from the transom zone and a slightly
513:
4406:
3128:
2679:
2286:
4499:
2346:
2322:
Section 5: Reinhausen, Gleichen parish, Göttingen district: Early to high medieval count's castle. In:
1514:
and two matching paten chalices have been preserved, but they are not on public display in the church.
1494:, a pair of which belonged to the hospital, as well as a chalice kept outside. There was also a gilded
1144:(English: "You are perfectly beautiful, my friend, and there is no blemish on you"), on the right wing:
1107:(et) SPES NOSTER (salve / ad te clamamus exsules filii Evae / ad te suspiramus ge)MENTES · ET FLENTES ·
427:
is mentioned in writing in 1360, a burial place for the knight Ernst of Uslar in front of the altar of
5181:
5153:(Memento from January 21, 2021 in the Internet Archive), archived website, retrieved on August 2, 2021
4876:, Volume 9, Ed.: Harald Seiler, German Art Publishers Munich Berlin 1970, p. 12 and footnote 29, p. 43
4466:
169:
church, there is a former school and the village kindergarten located on a spur of the Kirchberg. The
3082:, retrieved on June 18, 2015. According to Ulfrid Müller 1971 and Tobias Ulbrich 1993, it would read
2361:
Grabungen und größere Geländearbeiten der Kreisdenkmalpflege des Landkreises Göttingen im Jahre 1989.
1430:
1268:. It is 2.92 meters high and was placed on the lower floor of the west transept in the 19th century.
1025:
4310:„Anno Domini 1498 pictum est hec tabella“ – Die spätgotischen Altäre in der St. Christophorus-Kirche
4030:„Anno Domini 1498 pictum est hec tabella“ – Die spätgotischen Altäre in der St. Christophorus-Kirche
4009:„Anno Domini 1498 pictum est hec tabella“ – Die spätgotischen Altäre in der St. Christophorus-Kirche
605:
over the tower connecting floor and over the choir emphasize the simplicity of the building's form.
4102:
942:
787:
583:
4098:
4083:
3677:
2302:
It is included in the exhibition of archaeological finds in the church and is labeled accordingly.
1125:
PORTA · PARADISI (domina mundi / tu es singularis virgo pura / tu concepisti Jesum) SINE · PECCATO
5192:
with historical photos of the monastery church and its furnishings, retrieved on January 24, 2019
1886:
1278:
1196:
954:
935:
710:
679:
436:
394:
388:
291:
165:
1049:
39:
4669:
2388:
Ed.: Evangelical Lutheran parish of Reinhausen, church council. Reinhausen 1993, Chapter 3.1.7
1179:
911:
858:
The side walls of the gallery depict scenes relating to stories from the New Testament and the
579:
476:
271:
of the monastery church, since the appointment of an abbot took place in 1116 at the earliest.
268:
187:
1057:
The outer sides of the wings are the working side of the altar and have a red background. The
1017:
The interior of the 88-centimetre-wide panels each depicts a scene from the life of Mary. The
691:
3490:
Church Building Association St. Christopher Reinhausen e. V., retrieved on December 20, 2013.
2580:. Ed.: Evangelical Lutheran parish of Reinhausen, church council. Reinhausen 1993, Chap. 1.1
1252:
1229:
1037:
863:
728:
705:
618:
518:
450:
226:
4702:
4600:
4584:
4568:
4552:
4536:
4220:
4175:
4154:
3731:
3472:
Ed.: Evangelical Lutheran parish of Reinhausen, church council. Reinhausen 1993, Chap. 1.5
2936:
Ed.: Evangelical Lutheran parish of Reinhausen, church council. Reinhausen 1993, Chap. 1.3
2270:
1920:
1590:
1168:
1097:
1065:
878:
722:
645:
565:
at the base. The total width of the west building is 16.30 meters. The towers end with low-
282:. It had a transept that extended north and south beyond today's outer walls and a central
222:
3660:
3205:
3079:
3041:
732:
Parish room in the western part of the church with a view to the north of the vaulted part
8:
1842:
1530:
867:
628:
428:
5113:, notice as part of the exhibition for the 1000th anniversary celebrations in the church
5058:. St. James Pilgrim Community Göttingen Inc. October 22, 2014. p. 4. Archived from
4281:
2597:
2582:
Die Baugeschichte der ehemaligen Klosterkirche – Der ursprüngliche Kirchenbau (bis 1156)
2282:
1475:
818:
762:
435:
of 1707. Older literature dates the chapel to 1322. The dating is based on two damaged
225:, with a still recognizable added arched window, its northern wall, the choir arch with
133:
4983:. Evangelical Media Service Center (EMSZ) of the Evangelical Lutheran Church of Hanover
4290:
Das Hochaltarretabel der St. Jacobi-Kirche in Göttingen (= Studien zur Germania Sacra).
3272:. Göttingen-Grubenhagener document book, 3rd section. Hahnsche bookshop, Hanover 1991,
2452:
on the website of the church building association Reinhausen, accessed February 2, 2019
1956:
907:
715:
407:
234:
78:
2340:
894:
263:, an external, neighboring bishop was commissioned to perform the consecration. Count
5229:
5228:
Göttingen-Grubenhagener document book, 3rd section. Hahnsche bookshop, Hanover 1991,
5173:
4821:
4786:
4754:
4733:
4516:
4482:. Göttingen 1976 (Dissertation), Appendix pp. 1-6. Here given after Wolfgang Lustig:
4370:
4345:
4293:
4252:
3976:
3965:
Eine Magdalenenfigur und andere Arbeiten des Göttinger Bildschnitzers Bartold Kastrop
3901:
3828:
3782:
3761:
3297:
3273:
3249:
3132:
2971:
2907:
2775:
2743:
2683:
2642:
2614:
2477:
2429:
2364:
2227:
1042:
1030:
947:
On either side of the central shrine are two figures of saints, one above the other:
903:
804:
260:
201:
107:
55:
54:
by the Counts of Reinhausen in the 10th century and later served as a church for the
608:
5086:
4963:
3486:
2613:
Göttingen-Grubenhagen document book, 3rd section. Hahnsche bookshop, Hanover 1991,
1905:
1164:
590:
256:
2938:
Die Baugeschichte der ehemaligen Klosterkirche – Die dritte Bauperiode (1290–1400)
2449:
5176:
on the website of the church building association, accessed on September 18, 2013
4436:
4122:. Aloys Mecke Druck and Publishers, Duderstadt 1927, new edition 1989, p. 185-192
3474:
Die Baugeschichte der ehemaligen Klosterkirche – Die fünfte Bauperiode (18. Jh.),
1860:
1490:
made after the introduction of the Reformation in 1542 listed seven chalices and
1302:
1265:
1220:
158:
4807:
Reinhausen – Kollegiatstift, dann Benediktiner (Vor 1086 bis 2. Hälfte 16. Jh.).
4772:
Reinhausen – Kollegiatstift, dann Benediktiner (Vor 1086 bis 2. Hälfte 16. Jh.).
4719:
Reinhausen – Kollegiatstift, dann Benediktiner (Vor 1086 bis 2. Hälfte 16. Jh.).
3887:
Reinhausen – Kollegiatstift, dann Benediktiner (Vor 1086 bis 2. Hälfte 16. Jh.).
3118:
Reinhausen – Kollegiatstift, dann Benediktiner (Vor 1086 bis 2. Hälfte 16. Jh.).
2951:
Die Klosterkirche in Reinhausen. In: Niederdeutsche Beiträge zur Kunstgeschichte
1128:
TV · PEPERISTI · CREATOREM · ET · SALVATOREM · MVNDI · IN QVO (ego non dubito)“
1014:". The design of the letters is based on the older carved figures on the altar.
822:
Mural painting of the Resurrection on the south central nave wall of the gallery
547:
148:
3375:, Volume 9, Ed.: Harald Seiler, German Art Publishers Munich Berlin 1970, p. 41
2318:
1584:
1580:
1523:
1449:
1224:
1115:
1080:" (completed) is missing the ascender; this word has also been interpreted as "
1069:
949:
795:
783:
95:
192:
alterations. semi-transparent/pale (pale blue/pale red-pink): demolished today
5261:
4914:. Hildesheim-Göttingen District of the Evangelical Lutheran Church of Hanover
3508:(no longer available online) on December 24, 2013; retrieved on May 16, 2012.
2701:
Die Geschichte der Klosterkirche Lippoldsberg. 12. Der Bau der Klosterkirche.
1882:
1133:
960:
859:
828:
740:
The upper floor above the chancel is open to the interior of the church as a
557:
403:
51:
50:
rock of the Kirchberg above the village center. It was originally built as a
31:
19:
5003:"Welcome to the Evangelical Lutheran St. Christopher's Parish in Reinhausen"
4893:. Evangelical Media Work (EMA) of the Evangelical Lutheran Church of Hanover
4394:, Volume 9, German Art Publishers Munich Berlin 1970, p. 27 and photo p. 31.
4367:
Kunst und Frömmigkeit in Göttingen. Die Altarbilder des späten Mittelalters.
4342:
Kunst und Frömmigkeit in Göttingen. Die Altarbilder des späten Mittelalters.
4312:. Lecture by Sebastian Heim on May 15, 2014 in the St. Christopher's Church.
4032:. Lecture by Sebastian Heim on May 15, 2014 in the St. Christopher's Church.
3758:
Kunst und Frömmigkeit in Göttingen. Die Altarbilder des späten Mittelalters.
2904:
Denkmaltopographie Bundesrepublik Deutschland. Baudenkmale in Niedersachsen.
2772:
Denkmaltopographie Bundesrepublik Deutschland. Baudenkmale in Niedersachsen.
2740:
Denkmaltopographie Bundesrepublik Deutschland. Baudenkmale in Niedersachsen.
5168:, website of the parish at "We are evangelical", accessed on April 13, 2016
3973:
Kunst und Frömmigkeit in Göttingen. Die Altarbilder des späten Mittelalters
1510:
and only one chalice, which was not described in detail. Today, two silver
1200:
1089:
1019:
638:
622:
523:
252:
127:
111:
59:
43:
5098:
1563:
3504:
Evangelical-Lutheran District of Hildesheim-Göttingen, archived from the
3155:
Ulfrid Müller: Die Klosterkirche in Reinhausen. In: Harald Seiler (Ed.):
2593:
1893:
1852:
1213:
594:
497:
275:
152:
Eastern rock staircase as one of the historic access routes to the church
103:
67:
5165:
5002:
4891:
We are Protestant: Evangelical Lutheran Church District Göttingen-Münden
3361:
Lutherische und reformierte Kirchen und Capellen im Fürstentum Göttingen
886:. These murals were only uncovered during the restoration in 1963-1967.
3161:
Die Baugeschichte der Klosterkirche in ihren bisherigen Überlieferungen
1826:
1576:
1572:
1507:
1495:
1285:
1074:
Anno dni 1498 pletum est hec tabella / Jn honore gloriose marie virgini
654:
598:
424:
383:
287:
87:
35:
5252:
Von Burg, Kloster und Kirche Reinhausen – und von deutscher Geschichte
4292:
Volume 27. Vandenhoeck & Ruprecht Ltd. & Co., Göttingen 2005,
4120:
Historisches und Literarisches aus der Südostecke des Göttinger Landes
3318:
Von Burg, Kloster und Kirche Reinhausen – und von deutscher Geschichte
122:
4465:
Compare the partially recognizable remains of the inscription on the
3342:
Volume 9. Volume 9, German Art Publishers, Munich Berlin 1970, chap.
3248:, Volume 2, published by Harro v. Hirschheydt, Hannover-Döhren 1974,
3103:
In: Historical Society for Göttingen and the surrounding area (ed.):
1936:
1912:
1485:
1372:
741:
415:
197:
47:
4976:
766:
Murals depicting St. Christopher on the west wall above the entrance
504:
3459:
Volume 9. German Art Publishers, Munich Berlin 1970, note 1, p. 42.
3256:, original: Helwingsche Court Bookshop, Hanover 1873. pages 180-182
1289:
1261:
1233:
1204:
1159:
1093:
967:
927:
791:
664:
659:
602:
566:
459:
419:
279:
206:
170:
99:
3682:
2669:
Kollegiatstift, dann Benediktiner (Vor 1086 bis 2. Hälfte 16. Jh.)
2514:
Volume 9. German Art Publishers Ltd., Munich Berlin 1970, Chapter
2194:. Large monuments. Munich Berlin: German Art Publisher. p. 2.
1284:
In the eastern wall of the choir, there are also the remains of a
5210:. Volume IX. German Art Publishers, Munich Berlin 1970, pp. 9-44.
4249:
Veröffentlichungen der Niedersächsischen Landesgalerie Hannover).
4013:
Schongauer's model for the depiction of the Adoration of the Magi
3434:. Volume 9. German Art Publishers Ltd, Munich Berlin 1970, chap.
2350:" of the European Castle Institute, retrieved on January 1, 2019.
2254:. Volume 9. German Art Publishers Ltd., Munich Berlin 1970, Kap.
1511:
1378:
1237:
1140:„TOTA · PVLCRA · ES · AMICA · MEA · ET · M(acula non est in te)“
923:
745:
714:
by profiled transom plates with circumferential corrugations and
571:
562:
91:
5083:
1000 years of the church on the Kirchberg Reinhausen - Our dates
4338:
Das Retabel der Göttinger Paulinerkirche, gemalt von Hans Raphon
3825:
Veröffentlichungen der Niedersächsischen Landesgalerie Hannover)
3012:
Volume 9. German Art Publishers GmbH, Munich Berlin 1970, chap.
2836:
Volume 9. German Art Publishers Ltd., Munich Berlin 1970, Chap.
1110:
IN · HAC · LACRIMARVM · VALLE · EYA · ERGO · ADVOC(ata nostra)“
3605:
Volume 9. German Art Publisher Ltd., Munich Berlin 1970, Chap.
3573:
Volume 9. German Art Publisher Ltd., Munich Berlin 1970, Chap.
3528:
Volume 9. German Art Publishers Ltd, Munich Berlin 1970, chap.
3061:
Volume 9. German Art Publishers Ltd, Munich Berlin 1970, chap.
2550:. Volume 9. German Kunstverlag GmbH, Munich Berlin 1970, chap.
833:
575:
481:
4670:"Church music at St. Jacobi Castle Church in Osterode am Harz"
2966:
Edited by Reinhard Vogelsang. Edited by: City of Göttingen (=
1498:. Twenty years later, when the monastery was handed over to a
910:, the titular bishop of Sidon and vicar general of Archbishop
290:
above the aisles. The transept, with its strong architectural
4761:, preface (Göttingen-Grubenhagener document book; section 3).
3367:, Year 1861, p. 411. Listed here according to Ulfrid Müller:
3159:. Volume 9, German Art Publishers, Munich Berlin 1970, chap.
2978:, pp. 99-100. Cf. also footnote 5, ibid. and Tobias Ulbrich:
1928:
1874:
1597:
1539:
1491:
1241:
1195:
as a pilgrim with a scallop shell on his head in the center,
1192:
1041:
is shown on the right-hand panel. A copperplate engraving by
978:
837:
780:
472:
463:
218:
137:
3954:. No. 257). German Art Publishers, Munich Berlin 1971, p. 9.
3789:, p. 301 (Göttingen-Grubenhagener Document Book; section 3).
3501:
Verein in Reinhausen nimmt sich der Christopherus-Kirche an.
2906:
Volume 5.3). CW Niemeyer Book Publishers Ltd., Hameln 1997,
2774:
Volume 5.3). CW Niemeyer Book Publishers Ltd., Hameln 1997,
2742:
Volume 5.3). CW Niemeyer Book Publishers Ltd., Hameln 1997,
2319:
Untersuchungen und Befunde im südniedersächsischen Bergland.
2226:
Volume 5.3). CW Niemeyer Book Publishers Ltd., Hameln 1997,
1035:
is depicted at the bottom of the left-hand panel, while the
298:
Construction phase reconstruction according to Ulfrid Müller
5053:"Pilgrimage route. From Göttingen to Creuzburg in 5 stages"
4814:
4779:
4726:
4426:, Volume 9, German Art Publishers Munich Berlin 1970, p. 27
4074:
No. 257). German Art Publishers, Munich Berlin 1971, p. 16.
3894:
3180:
Volume 9, German Art Publishers, Munich Berlin 1970, chap.
3125:
2676:
700:
283:
4178:, retrieved on June 18, 2015, the last word reads "SEVEN".
4138:
No. 257). German Art Publishers, Munich Berlin 1971, p. 8.
3703:
No. 257). German Arts Publisher, Munich Berlin 1971, p. 7.
3678:
Legenda Aurea: Artikel Legenda aurea - Sanct Christophorus
3629:
No. 257). German Art Publishers, Munich Berlin 1971, p. 6.
2806:
No. 257). German Art Publishers, Munich Berlin 1971, p. 4.
2412:
No. 257). German Art Publishers, Munich Berlin 1971, p. 3.
1122:„AVE · SANCTISSI(m)A · MARIA · MATER · DEI · REGINA · CELI
3549:
No. 257). German Art Publisher, Munich Berlin 1971, p. 5.
3304:, 468 (Göttingen-Grubenhagener document book; section 3).
2970:. Volume 1). Wallstein Publishing House, Göttingen 1994,
1104:„SALVE · REGINA · MATER · MISERICORDIE · VITA · DVLCED(o)
1023:
is depicted at the top of the left-hand panel, while the
418:
were found to the north of the choir, in the area of the
414:
During the renovation works in 1965, the beginnings of a
4701:
in: www.inschriften.net ("German inscriptions online"),
4599:
in: www.inschriften.net ("German inscriptions online"),
4583:
in: www.inschriften.net ("German inscriptions online"),
4567:
in: www.inschriften.net ("German inscriptions online"),
4551:
in: www.inschriften.net ("German inscriptions online"),
4535:
in: www.inschriften.net ("German inscriptions online"),
4523:, 464 (Göttingen-Grubenhagener Urkundenbuch; section 3).
4219:
in: www.inschriften.net ("German inscriptions online"),
4174:
in: www.inschriften.net ("German inscriptions online"),
4153:
in: www.inschriften.net ("German inscriptions online"),
3932:
Die spätgotischen Altäre in St. Christophorus Reinhausen
3730:
in: www.inschriften.net ("German Inscriptions Online"),
3659:
in: www.inschriften.net ("German inscriptions online"),
3204:
in: www.inschriften.net ("German inscriptions online"),
3078:
in: www.inschriften.net ("German inscriptions online"),
3040:
in: www.inschriften.net ("German inscriptions online"),
1864:
GOTTES - HILF HAT - MICH - ROFMAN - GEGOSSEN - 1585 -".
5151:
Introducing Julia Kettler - our new pastor from 02/2021
4454:
Die Pfarrchronik der Kirchengemeinde Obernjesa-Dramfeld
3861:
Zur Geschichte der Klosterkirche Reinhausen. Reinhausen
918:
is mentioned in a certificate of indulgence from 1499.
233:
The monastery church of Reinhausen thus goes back to a
4597:
DI 66, district of Göttingen, no. 205 (Sabine Wehking)
4581:
DI 66, district of Göttingen, no. 204 (Sabine Wehking)
4565:
DI 66, district of Göttingen, no. 406 (Sabine Wehking)
4549:
DI 66, district of Göttingen, no. 405 (Sabine Wehking)
3969:
Das Marienretabel aus St. Martini in Göttingen-Geismar
3835:, Master of the Reinhausen Apostles, 1498, p. 534-537.
3754:
Das Marienretabel aus St. Martini in Göttingen-Geismar
3365:
Zeitschrift des historischen Vereins für Niedersachsen
2641:, Book publisher Göttinger Tageblatt, Göttingen 2001,
454:
Gothic tracery tiles from the north side of the church
4699:
Sabine Wehking, DI 66, district of Göttingen, No. 206
4245:
Spätgotische Tafelmalerei in Niedersachsen und Bremen
4217:
Sabine Wehking, DI 66, district of Göttingen, no. 114
4172:
Sabine Wehking, DI 66, district of Göttingen, no. 114
4151:
Sabine Wehking, DI 66, district of Göttingen, no. 114
4043:
Spätgotische Tafelmalerei in Niedersachsen und Bremen
3938:, published by the planning group P14, 2015, p. 40–53
3821:
Spätgotische Tafelmalerei in Niedersachsen und Bremen
2964:
Göttinger Annalen von den Anfängen bis zum jahr 1588.
2273:
on navigator.geolife.de, retrieved on August 22, 2017
843:
St. Christopher and the Christ Child on the riverbank
182:
140:
of St. Christopher in the entrance hall of the church
5219:
No. 257). German Art Publishers, Munich Berlin 1971.
5099:
1000 years of the church on the Kirchberg Reinhausen
4533:
DI 66, Göttingen district, no. 146† (Sabine Wehking)
2428:
Book publisher Göttinger Tageblatt, Göttingen 2001,
1846:
Striking bells of the tower clock in the north tower
5089:), archived website, retrieved on December 15, 2014
4939:(Memento from May 17, 2014 in the Internet Archive)
2470:
Führer zu archäologischen Denkmälern in Deutschland
2106:
1916–1926: Heinrich Friedrich Wilhelm Stumpenhausen
1943:in the Hildesheim-Göttingen branch of the regional
794:, are embedded. The figures may represent the four
3487:Kirch-Bauverein St. Christophorus Reinhausen e. V.
3107:, Volume 43, Göttingen 1995, p. 19–40, here p. 28.
1898:Duchess Elisabeth of Brunswick-Calenberg-Göttingen
4857:Ein Beitrag zur Geschichte des Reinhäuser Waldes.
4844:Ein Beitrag zur Geschichte des Reinhäuser Waldes.
2285:of the Kirchberg in Reinhausen, including photos
1152:(English: "O blooming rose, mother of the Lord")
402:During the same construction period, a chapel of
5259:
4480:Ein Beitrag zur Geschichte des Reinhäuser Waldes
4340:. In: Thomas Noll, Carsten-Peter Warncke (Ed.):
3971:. In: Thomas Noll, Carsten-Peter Warncke (Ed.):
3756:. In: Thomas Noll, Carsten-Peter Warncke (Ed.):
3074:According to recent research by Sabine Wehking:
5217:Klosterkirche Reinhausen (= Große Baudenkmäler.
4136:Klosterkirche Reinhausen (= Große Baudenkmäler.
4072:Klosterkirche Reinhausen (= Große Baudenkmäler.
3701:Klosterkirche Reinhausen (= Große Baudenkmäler.
3627:Klosterkirche Reinhausen (= Große Baudenkmäler.
3547:Klosterkirche Reinhausen (= Große Baudenkmäler.
2410:Klosterkirche Reinhausen (= Große Baudenkmäler.
898:Altar retable of the high altar, feast day side
4981:We are evangelical: St. Christopher Reinhausen
4365:In: Thomas Noll, Carsten-Peter Warncke (Ed.):
4187:This reading is based on photos of the altar:
3952:Klosterkirche Reinhausen (= Große Baudenkmäler
3781:Volume 14). Hahnsche bookshop, Hannover 1991,
3607:Der heutige bauliche Bestand der Klosterkirche
3575:Der heutige bauliche Bestand der Klosterkirche
3530:Der heutige bauliche Bestand der Klosterkirche
3436:Der heutige bauliche Bestand der Klosterkirche
3238:Kunstdenkmale und Altertümer im Hannoverschen.
3014:Der heutige bauliche Bestand der Klosterkirche
2256:Der heutige bauliche Bestand der Klosterkirche
2221:Denkmaltopographie Bundesrepublik Deutschland.
2091:1826–1852: Johann Christian Heinrich Braukmann
501:the old monastery died in Reinhausen in 1564.
86:Despite significant structural changes in the
23:Parish church of St. Christopher in Reinhausen
4887:"Church District Göttingen-Münden - Parishes"
4753:Volume 14). Hahnsche Bookshop, Hanover 1991,
4515:Volume 14). Hahnsche bookshop, Hanover 1991,
3975:. German Arts Publisher, Berlin Munich 2012,
3296:Volume 14). Hahnsche bookshop, Hanover 1991,
2111:1926–1936: Hermann Heinrich Friedrich Aulbert
1506:was drawn up, in which there were hardly any
1382:of the Reinhausen district from 1680 to 1705.
5243:Zur Geschichte der Klosterkirche Reinhausen.
4270:Zur Geschichte der Klosterkirche Reinhausen.
3827:. German Art Publisher, Munich/Berlin 1974,
3603:Niederdeutsche Beiträge zur Kunstgeschichte.
3571:Niederdeutsche Beiträge zur Kunstgeschichte.
3526:Niederdeutsche Beiträge zur Kunstgeschichte.
3470:Zur Geschichte der Klosterkirche Reinhausen.
3457:Niederdeutsche Beiträge zur Kunstgeschichte.
3340:Niederdeutsche Beiträge zur Kunstgeschichte.
3178:Niederdeutsche Beiträge zur Kunstgeschichte.
3059:Niederdeutsche Beiträge zur Kunstgeschichte.
3010:Niederdeutsche Beiträge zur Kunstgeschichte.
2934:Zur Geschichte der Klosterkirche Reinhausen.
2834:Niederdeutsche Beiträge zur Kunstgeschichte.
2512:Niederdeutsche Beiträge zur Kunstgeschichte.
2466:Die mittelalterlichen Anlagen in Reinhausen.
2386:Zur Geschichte der Klosterkirche Reinhausen.
2326:Klaus Grote, retrieved on December 30, 2018.
2121:1937–1946: Theodor Bruno Georg Wilhelm Hoppe
1281:in the vaulted area of the church's portal.
1191:Three figures - all holding a book - depict
286:that was raised above the aisles and lit by
5208:Niederdeutsche Beiträge zur Kunstgeschichte
4874:Niederdeutsche Beiträge zur Kunstgeschichte
4626:"Information on the organ at organindex.de"
4424:Niederdeutsche Beiträge zur Kunstgeschichte
4392:Niederdeutsche Beiträge zur Kunstgeschichte
4369:German Art Publishers, Berlin Munich 2012,
4344:German Art Publishers, Berlin Munich 2012,
4251:German Art Publishers, Munich/Berlin 1974,
4024:Thus for the depiction of St. Bartholomew (
3432:Niederdeutsche Beiträge zur Kunstgeschichte
3390:Niederdeutsche Beiträge zur Kunstgeschichte
3373:Niederdeutsche Beiträge zur Kunstgeschichte
3157:Niederdeutsche Beiträge zur Kunstgeschichte
3065:and footnotes 15 and 17, pp. 11, 40 and 43.
2980:Zur Geschichte der Klosterkirche Reinhausen
2802:Ulfrid Müller: Klosterkirche Reinhausen (=
2578:Zur Geschichte der Klosterkirche Reinhausen
2548:Niederdeutsche Beiträge zur Kunstgeschichte
2476:, Konrad Theiss Publisher, Stuttgart 1988,
2252:Niederdeutsche Beiträge zur Kunstgeschichte
1855:and hang in the north tower of the church.
488:." ("1522 / St. George (?), pray for us.")
5273:Gothic Revival church buildings in Germany
4959:Vorerst letzte Sonntagsmesse in Reinhausen
4288:In: Bernd Carqué, Hedwig Röckelein (Ed.):
4084:High altar, predella with arms of alliance
3760:German Art Publisher, Berlin Munich 2012,
2968:Quellen zur Geschichte der Stadt Göttingen
2061:1772–1777: Johann Christoph Conrad Weipken
1527:is carved under the foot of the chalice.
16:10th-century church in Göttingen, Germany
5085:(Memento from December 24, 2013, in the
5009:. Evangelical Lutheran Church of Hanover
4962:(Memento from November 13, 2016, in the
4448:advertisements ... of October 13, 1752,
4189:photo with inscriptions "IHESVS" and "M"
3992:Cf. photos of the altar, especially the
1841:
1589:
1562:
1529:
1474:
1251:
1178:
1148:„O · FLORE(n)S · ROSA · MATER · DOMINI“
1048:
893:
877:Jesus and the sleeping disciples in the
817:
761:
727:
690:
678:
644:
627:
607:
546:
542:
503:
491:
449:
393:
186:
147:
132:
121:
77:
18:
4930:
4928:
4838:
4836:
4834:
4801:
4799:
4713:
4711:
4694:
4692:
4690:
4651:
4649:
4647:
4645:
4643:
4641:
4168:photo of the right side of the pedestal
3815:
2894:
2892:
2890:
2888:
2886:
2884:
2882:
2880:
2878:
2876:
2874:
2872:
2870:
2006:1627–1633: Heinrich Kahle (auch: Kalen)
875:are depicted, while on the north side,
695:Interior view of the church to the east
5260:
4948:Göttinger journal from January 9, 2010
4402:
4400:
4239:
4237:
4235:
4233:
4231:
4229:
4146:
4144:
4130:
4128:
4094:
4092:
4053:
4051:
3946:
3944:
3926:
3924:
3922:
3920:
3918:
3916:
3914:
3881:
3879:
3877:
3875:
3873:
3855:
3853:
3851:
3849:
3847:
3845:
3843:
3841:
3813:
3811:
3809:
3807:
3805:
3803:
3801:
3799:
3797:
3795:
3748:
3746:
3744:
3742:
3740:
3723:
3721:
3719:
3717:
3715:
3713:
3711:
3709:
3695:
3693:
3691:
3671:
3669:
3651:
3649:
3647:
3645:
3643:
3641:
3639:
3637:
3635:
3621:
3619:
3593:
3591:
3589:
3587:
3561:
3559:
3557:
3555:
3516:
3514:
3422:
3420:
3418:
3416:
3414:
3412:
3410:
3408:
3406:
3330:
3328:
3326:
3312:
3310:
3288:
3286:
3264:
3262:
3232:
3230:
3228:
3226:
3224:
3222:
3220:
3218:
3216:
3214:
3151:
3149:
3147:
3145:
3032:
3030:
3028:
3026:
3000:
2998:
2996:
2994:
2992:
2990:
2988:
2928:
2926:
2924:
2922:
2920:
2868:
2866:
2864:
2862:
2860:
2858:
2856:
2854:
2852:
2850:
2824:
2822:
2820:
2818:
2816:
2814:
2812:
2798:
2796:
2794:
2792:
2790:
2788:
2762:
2760:
2758:
2756:
2730:
2728:
2726:
2724:
2722:
2720:
2718:
2716:
2714:
2663:
2661:
2659:
2633:
2631:
2629:
2627:
2502:
2500:
2498:
2496:
2494:
2492:
2490:
2189:
2167:
1174:
1064:are depicted in groups of three, with
1029:is shown on the right-hand panel. The
972:pedestals are similar to those on the
798:, but the attribution is not certain.
484:in the 19th century: "M.ccccc.xxii. /
94:styles, the overall appearance of the
5226:Urkundenbuch des Klosters Reinhausen.
2611:Urkundenbuch des Klosters Reinhausen.
2572:
2570:
2568:
2566:
2564:
2538:
2536:
2534:
2532:
2530:
2528:
2460:
2458:
2420:
2418:
2404:
2402:
2400:
2398:
2380:
2378:
2376:
2242:
2240:
2185:
2183:
2096:1852–1888: Wilhelm Hermann Münchmeyer
1981:List of pastors since the Reformation
4925:
4831:
4796:
4708:
4687:
4676:. District cantor Jörg Ehrenfeuchter
4638:
3270:Urkundenbuch des Klosters Reinhausen
2426:Burgenforschung in Südniedersachsen,
2334:
2332:
2312:
2310:
2308:
2266:
2264:
2211:
2209:
2207:
2205:
2203:
2201:
2101:1889–1916: Heinrich Ferdinand Heller
2066:1777–1783: Heinrich Christoph Dissen
508:Merian engraving of Reinhausen, 1654
212:
5190:Image index of art and architecture
5000:
4397:
4226:
4141:
4125:
4089:
4048:
3941:
3911:
3870:
3838:
3792:
3737:
3706:
3688:
3666:
3632:
3616:
3584:
3552:
3511:
3403:
3323:
3307:
3283:
3259:
3211:
3142:
3023:
2985:
2917:
2847:
2809:
2785:
2753:
2711:
2656:
2639:Burgenforschung in Südniedersachsen
2624:
2487:
2056:1763–1772: Heinrich Adolf Reichmann
1587:. The specification is as follows:
1271:
987:S(an)c(t)a katerina ora p(ro nobis)
398:Windows of the Saint Maurice Chapel
241:
13:
4211:(on the fold of the vestment) and
4166:This can be read on the pedestal (
3865:Die Ausstattung der Klosterkirche,
2561:
2525:
2455:
2415:
2395:
2373:
2237:
2180:
2081:1805–1807: Hermann Rudolf Jungblut
1247:
441:•an(n)o•1•5•22•d(omi)n(u)s•mhias•
183:Castle of the Counts of Reinhausen
30:Church is the Protestant-Lutheran
14:
5284:
5268:Lutheran churches in Lower Saxony
5159:
4703:urn:nbn:de:0238-di066g012k0020603
4601:urn:nbn:de:0238-di066g012k0020506
4585:urn:nbn:de:0238-di066g012k0020409
4569:urn:nbn:de:0238-di066g012k0040603
4553:urn:nbn:de:0238-di066g012k0040506
4537:urn:nbn:de:0238-di066g012k0014602
4484:Reinhausen durch die Jahrhunderte
4259:, Hans Raphon, 1507, pp. 560-562.
4221:urn:nbn:de:0238-di066g012k0011400
4176:urn:nbn:de:0238-di066g012k0011400
4155:urn:nbn:de:0238-di066g012k0011400
3983:. Notes 75 and 5, p. 160 and 156.
3732:urn:nbn:de:0238-di066g012k0008203
3661:urn:nbn:de:0238-di066g012k0004905
3359:Hector Wilhelm Heinrich Mithoff:
3236:Hector Wilhelm Heinrich Mithoff:
3206:urn:nbn:de:0238-di066g012k0013101
3080:urn:nbn:de:0238-di066g012k0013004
3042:urn:nbn:de:0238-di066g012k0013004
2552:Die Bauepochen der Klosterkirche,
2329:
2305:
2261:
2198:
2156:from February 2021: Julia Kettler
2076:1794–1805: Johann Christian Dille
1443:
5144:
5130:
5116:
5104:
5101:, retrieved on December 20, 2013
5092:
5076:
5045:
5020:
4994:
4969:
4951:
4942:
4904:
4879:
4862:
4849:
4764:
4743:
4674:www.kirchenmusik-suedwestharz.de
4662:
4618:
4606:
4603:, retrieved on February 15, 2017
4590:
4587:, retrieved on February 15, 2017
4574:
4571:, retrieved on February 15, 2017
4558:
4555:, retrieved on February 15, 2017
4539:, retrieved on February 21, 2017
4201:photo with inscription "SANCTVS"
4193:photo with inscription "CRISTVS"
4041:Hans Georg Gmelin, for example:
3599:Die Klosterkirche in Reinhausen.
3453:Die Klosterkirche in Reinhausen.
3428:Die Klosterkirche in Reinhausen.
3344:Die Bauepochen der Klosterkirche
3182:Die Bauepochen der Klosterkirche
3174:Die Klosterkirche in Reinhausen.
2838:Die Bauepochen der Klosterkirche
2667:Hildegard Krösche: Reinhausen –
2516:Die Bauepochen der Klosterkirche
2248:Die Klosterkirche in Reinhausen.
2071:1784–1794: Georg August Borchers
2046:1753–1760: Johann Nicolaus Fuchs
2041:1742–1752: Clemens Caspar Schaar
2036:1723–1742: Johann Daniel Schramm
1429:
1415:
1401:
1387:
1352:
1338:
1324:
1310:
774:
601:with a continuous ridge and the
362:
350:
338:
326:
314:
302:
5204:Die Klosterkirche in Reinhausen
5196:
4870:Die Klosterkirche in Reinhausen
4657:Klöster im Landkreis Göttingen.
4542:
4526:
4505:
4493:
4488:Amtmänner und Drosten 1542–1885
4472:
4459:
4429:
4420:Die Klosterkirche in Reinhausen
4412:
4388:Die Klosterkirche in Reinhausen
4380:
4355:
4330:
4315:
4303:
4275:
4262:
4181:
4160:
4108:
4077:
4064:
4059:Klöster im Landkreis Göttingen.
4035:
4018:
4002:
3986:
3957:
3771:
3734:, retrieved on January 21, 2017
3685:, retrieved on January 31, 2019
3683:Ecumenical Dictionary of Saints
3567:Die Klosterkirche in Reinhausen
3539:
3522:Die Klosterkirche in Reinhausen
3493:
3479:
3462:
3445:
3386:Die Klosterkirche in Reinhausen
3378:
3369:Die Klosterkirche in Reinhausen
3353:
3336:Die Klosterkirche in Reinhausen
3194:
3166:
3110:
3093:
3068:
3055:Die Klosterkirche in Reinhausen
3047:
3006:Die Klosterkirche in Reinhausen
2956:
2943:
2830:Die Klosterkirche in Reinhausen
2693:
2603:
2587:
2544:Die Klosterkirche in Reinhausen
2508:Die Klosterkirche in Reinhausen
2443:
2353:
2026:1672–1687: Johann Hilmar Zindel
1288:stone sculpture with a central
537:
259:and before the consecration of
4197:photo with inscription "MARIE"
2902:(= Christiane Segers-Glocke :
2770:(= Christiane Segers-Glocke :
2738:(= Christiane Segers-Glocke :
2708:. Retrieved on March 17, 2019.
2296:
2276:
2219:(= Christiane Segers-Glocke :
2151:2014–2020: Christiane Scheller
2086:1807–1824: Heinrich August Ost
2031:1688–1722: Johann Wilhelm Fein
1395:Christoph Wolff from Gudenberg
1366:
943:group crowning the Virgin Mary
1:
4615:, retrieved on July 29, 2020.
4213:photo with inscription "MANG"
4205:photo with inscription "OCVS"
4099:Photo of the altar, left half
3752:Antje Middeldorf Kosegarten:
3728:Sabine Wehking, DI 66, no. 82
3208:, retrieved on April 13, 2016
2649:. Chapter 2: Wolfgang Petke:
2474:Stadt und Landkreis Göttingen
2436:. Chapter 2: Wolfgang Petke:
2224:Baudenkmale in Niedersachsen.
2161:
2051:1761: Johann Heinrich Froböse
1892:With the introduction of the
1468:
995:S(an)c(tu)s ciriacus mar(tyr)
940:with a crown of rays or as a
4705:, retrieved on June 28, 2014
4486:. Göttingen 1991, Appendix:
4045:. Munich/Berlin 1974, p. 357
3663:, accessed November 16, 2013
2344:in the scientific database "
2141:2004–2006 Pfarrstelle vakant
2016:1667–1668: Christoph Fischer
1332:Remains of a sacrament niche
813:
551:Southeast view of the church
7:
5206:. In: Harald Seiler (Ed.):
4659:Neustadt/Aisch 1961, p. 26.
4422:. In: Harald Seiler (Ed.):
4390:. In: Harald Seiler (Ed.):
4209:photo with inscription "FA"
4157:. accessed on June 18, 2015
3569:. In: Harald Seiler (Ed.):
3524:. In: Harald Seiler (Ed.):
3338:. In: Harald Seiler (Ed.):
3057:. In: Harald Seiler (Ed.):
3044:, accessed on June 18, 2015
3008:. In: Harald Seiler (Ed.):
2832:. In: Harald Seiler (Ed.):
2546:. In: Harald Seiler (Ed.):
2510:. In: Harald Seiler (Ed.):
2338:Entry by Stefan Eismann on
2131:1973–1993: Henning Behrmann
1991:1555–1566: Johannes Gödeken
1767:
1690:
1601:
1479:Chalice, 14th/17th century.
1465:front freestanding pillar.
1423:M. Hinüber, born from Busch
1207:with inscriptions and have
752:
674:
576:Romanesque dividing columns
516:, published in 1654 in the
117:
64:Reinhausen monastery church
46:. The church stands on the
10:
5289:
5174:St. Christopher Reinhausen
5166:St. Christopher Reinhausen
5034:. House of Church Services
4272:Reinhausen 1993, p. 27–28.
4061:Neustadt/Aisch 1961, p. 23
4026:model by Martin Schongauer
2982:, p. 15–16 and footnote 45
2706:Klosterkirche Lippoldsberg
2324:www.grote-archaeologie.de.
2001:1576–1627: Valentin Hunolt
1986:16th cent: Wilhelm Krummel
1970:
1534:Chalice, late 16th century
1522:district commissioner and
1053:Everyday side of the altar
983:S(an)c(t)a maria magdalena
882:are shown, as well as the
853:
810:arch above this entrance.
255:after the death of Bishop
177:
73:Hanoverian regional church
34:located in the village of
5032:www.kirchliche-dienste.de
3601:In: Harald Seiler (Ed.):
3455:In: Harald Seiler (Ed.):
3430:In: Harald Seiler (Ed.):
3176:In: Harald Seiler (Ed.):
2250:In: Harald Seiler (Ed.):
2126:1947–1972: Günther Heinze
2116:1937: P. Schüler (?)
2011:1633–1666: Henning Sipken
1770:
1693:
1604:
1459:
997:". The carved figures of
862:. On the south side, the
757:
82:Ground plan of the church
4456:, Göttingen 2016, p. 62.
4452:, also Dagmar Kleineke:
2637:Peter Aufgebauer (Ed.):
2598:Churches and monasteries
2424:Peter Aufgebauer (Ed.):
2192:Klosterkirche Reinhausen
1867:
1837:
1558:
1068:the Apostle in place of
991:S(an)c(t)a barbara virgo
965:on the upper right, and
889:
4467:photo of the grave slab
2898:Peter Ferdinand Lufen:
2766:Peter Ferdinand Lufen:
2734:Peter Ferdinand Lufen:
2215:Peter Ferdinand Lufen:
2190:Müller, Ulfrid (1971).
486:S.georivs ora pro nobis
433:listed in the inventory
429:St. John the Evangelist
333:End of the 13th century
126:View of the church and
5028:"Map of open churches"
4300:, p. 179 (footnote 9).
4116:An den Ufern der Garte
2146:2006–2013: Uwe Raupach
2136:1994–2004: Götz Brakel
2021:1668–1671: Johann Hase
1965:millennium celebration
1847:
1595:
1568:
1535:
1488:of the church treasury
1480:
1257:
1236:, who is shown with a
1184:
1054:
899:
873:as the Weeper of Souls
823:
767:
733:
696:
684:
650:
633:
613:
552:
509:
477:Bursfelde Congregation
455:
445:frater•reÿnerus•prior•
399:
249:archbishopric of Mainz
193:
153:
141:
130:
83:
24:
4500:View from the gallery
3675:Jacobus de Voragine:
3088:frater remigius prior
3084:dominus matthias 1322
2671:. Josef Dolle (Ed.):
2316:Klaus Grote: Burgen.
1845:
1593:
1566:
1533:
1478:
1255:
1230:Landesmuseum Hannover
1182:
1098:Hermann von Reichenau
1052:
1038:Adoration of the Magi
897:
821:
807:with the Christ Child
796:Fathers of the Church
765:
731:
694:
682:
648:
631:
611:
550:
543:External construction
519:Topographia Germaniae
507:
492:Since the Reformation
453:
397:
265:Hermann of Winzenburg
190:
151:
136:
125:
81:
22:
2962:Franciscus Lubecus:
1360:Station of the Cross
1169:Words of Institution
879:Garden of Gethsemane
832:, in particular his
800:Mary under the cross
704:arches above narrow
280:cruciform floor plan
4809:Josef Dolle (Ed.):
4805:Hildegard Krösche:
4774:Josef Dolle (Ed.):
4770:Hildegard Krösche:
4721:Josef Dolle (Ed.):
4717:Hildegard Krösche:
4613:Organ in Reinhausen
4247:(= Harald Seiler :
4243:Hans Georg Gmelin:
3963:Wolfgang Eckhardt:
3889:Josef Dolle (Ed.):
3885:Hildegard Krösche:
3823:(= Harald Seiler :
3819:Hans Georg Gmelin:
3120:Josef Dolle (Ed.):
3116:Hildegard Krösche:
2804:Große Baudenkmäler.
2621:, No. 11, S. 34–37.
2175:Topografische Karte
1996:1567: Georg Hetling
1959:routes in Germany.
1409:Melchior from Uslar
1183:Shrine of St. Judoc
1175:Shrine of St. Judoc
959:on the upper left,
953:on the lower left,
721:Like the nave, the
38:in the district of
5250:Peter Aufgebauer:
5007:We are evangelical
4977:"The concert team"
4361:Götz J. Pfeiffer:
3316:Peter Aufgebauer:
3105:Göttinger Jahrbuch
2450:Tour of the church
1957:Camino de Santiago
1945:church of Hannover
1848:
1596:
1569:
1536:
1520:Brunswick-Lüneburg
1512:communion chalices
1481:
1258:
1185:
1055:
1026:visit to Elizabeth
900:
845:at the top right,
824:
768:
734:
697:
685:
651:
634:
614:
553:
510:
456:
400:
235:proprietary church
207:fortification wall
194:
154:
142:
131:
84:
58:monastery and the
25:
5234:978-3-7752-5860-9
5182:Historical photos
4855:Klaus Kürschner:
4842:Klaus Kürschner:
4826:978-3-89534-959-1
4791:978-3-89534-959-1
4738:978-3-89534-959-1
4478:Klaus Kürschner:
4407:View of the altar
4375:978-3-422-07089-9
4350:978-3-422-07089-9
3981:978-3-422-07089-9
3906:978-3-89534-959-1
3766:978-3-422-07089-9
3278:978-3-7752-5860-9
3137:978-3-89534-959-1
2688:978-3-89534-959-1
2619:978-3-7752-5860-9
2283:Historical photos
2177:) 1:25.000 series
1921:Thirty Years' War
1883:canons' monastery
1829:: II/I, I/P, II/P
1823:
1822:
1819:
1818:
1764:
1763:
1687:
1686:
1567:View of the organ
1199:on the left, and
1043:Martin Schongauer
1003:crucifixion group
869:archangel Michael
309:Original building
213:Collegiate church
5280:
5245:Reinhausen 1993.
5241:Tobias Ulbrich:
5224:Manfred Hamann:
5154:
5148:
5142:
5134:
5128:
5120:
5114:
5108:
5102:
5096:
5090:
5087:Internet Archive
5080:
5074:
5073:
5071:
5070:
5064:
5057:
5049:
5043:
5042:
5040:
5039:
5024:
5018:
5017:
5015:
5014:
5001:Gessler, Frank.
4998:
4992:
4991:
4989:
4988:
4973:
4967:
4964:Internet Archive
4955:
4949:
4946:
4940:
4932:
4923:
4922:
4920:
4919:
4908:
4902:
4901:
4899:
4898:
4883:
4877:
4866:
4860:
4853:
4847:
4840:
4829:
4803:
4794:
4768:
4762:
4749:Manfred Hamann:
4747:
4741:
4715:
4706:
4696:
4685:
4684:
4682:
4681:
4666:
4660:
4655:Heinrich Lücke:
4653:
4636:
4635:
4633:
4632:
4622:
4616:
4610:
4604:
4594:
4588:
4578:
4572:
4562:
4556:
4546:
4540:
4530:
4524:
4511:Manfred Hamann:
4509:
4503:
4497:
4491:
4476:
4470:
4463:
4457:
4446:
4444:
4443:
4433:
4427:
4416:
4410:
4404:
4395:
4384:
4378:
4359:
4353:
4334:
4328:
4319:
4313:
4307:
4301:
4282:Hedwig Röckelein
4279:
4273:
4268:Tobias Ulbrich:
4266:
4260:
4241:
4224:
4185:
4179:
4170:). According to
4164:
4158:
4148:
4139:
4132:
4123:
4114:Heinrich Lücke:
4112:
4106:
4096:
4087:
4081:
4075:
4068:
4062:
4057:Heinrich Lücke:
4055:
4046:
4039:
4033:
4022:
4016:
4006:
4000:
3990:
3984:
3961:
3955:
3948:
3939:
3930:Sebastian Heim:
3928:
3909:
3883:
3868:
3859:Tobias Ulbrich:
3857:
3836:
3817:
3790:
3777:Manfred Hamann:
3775:
3769:
3750:
3735:
3725:
3704:
3697:
3686:
3673:
3664:
3655:Sabine Wehking:
3653:
3630:
3623:
3614:
3595:
3582:
3563:
3550:
3543:
3537:
3518:
3509:
3497:
3491:
3483:
3477:
3468:Tobias Ulbrich:
3466:
3460:
3449:
3443:
3424:
3401:
3382:
3376:
3357:
3351:
3332:
3321:
3314:
3305:
3292:Manfred Hamann:
3290:
3281:
3268:Manfred Hamann:
3266:
3257:
3234:
3209:
3200:Sabine Wehking:
3198:
3192:
3170:
3164:
3153:
3140:
3114:
3108:
3099:Thomas Küntzel:
3097:
3091:
3072:
3066:
3051:
3045:
3036:Sabine Wehking:
3034:
3021:
3002:
2983:
2960:
2954:
2947:
2941:
2932:Tobias Ulbrich:
2930:
2915:
2896:
2845:
2842:Bauperiode III A
2826:
2807:
2800:
2783:
2764:
2751:
2732:
2709:
2697:
2691:
2665:
2654:
2635:
2622:
2609:Manfred Hamann:
2607:
2601:
2591:
2585:
2576:Tobias Ulbrich:
2574:
2559:
2540:
2523:
2504:
2485:
2462:
2453:
2447:
2441:
2422:
2413:
2406:
2393:
2384:Tobias Ulbrich:
2382:
2371:
2357:
2351:
2336:
2327:
2314:
2303:
2300:
2294:
2280:
2274:
2268:
2259:
2244:
2235:
2213:
2196:
2195:
2187:
2178:
2171:
1953:Via Scandinavica
1941:Göttingen-Münden
1906:Augsburg Interim
1768:
1742:
1741:
1737:
1734:
1691:
1674:
1673:
1669:
1666:
1645:
1644:
1640:
1637:
1602:
1598:
1433:
1419:
1405:
1391:
1356:
1342:
1328:
1314:
1272:Stone sculptures
1165:arms of alliance
591:aisleless church
366:
354:
342:
330:
318:
306:
242:Monastery church
5288:
5287:
5283:
5282:
5281:
5279:
5278:
5277:
5258:
5257:
5215:Ulfrid Müller:
5202:Ulfrid Müller:
5199:
5162:
5157:
5149:
5145:
5135:
5131:
5121:
5117:
5109:
5105:
5097:
5093:
5081:
5077:
5068:
5066:
5062:
5055:
5051:
5050:
5046:
5037:
5035:
5026:
5025:
5021:
5012:
5010:
4999:
4995:
4986:
4984:
4975:
4974:
4970:
4956:
4952:
4947:
4943:
4933:
4926:
4917:
4915:
4910:
4909:
4905:
4896:
4894:
4885:
4884:
4880:
4868:Ulfrid Müller:
4867:
4863:
4854:
4850:
4841:
4832:
4804:
4797:
4769:
4765:
4748:
4744:
4716:
4709:
4697:
4688:
4679:
4677:
4668:
4667:
4663:
4654:
4639:
4630:
4628:
4624:
4623:
4619:
4611:
4607:
4595:
4591:
4579:
4575:
4563:
4559:
4547:
4543:
4531:
4527:
4510:
4506:
4498:
4494:
4477:
4473:
4464:
4460:
4441:
4439:
4435:
4434:
4430:
4418:Ulfrid Müller:
4417:
4413:
4405:
4398:
4386:Ulfrid Müller:
4385:
4381:
4360:
4356:
4335:
4331:
4320:
4316:
4308:
4304:
4280:
4276:
4267:
4263:
4242:
4227:
4215:. According to
4186:
4182:
4165:
4161:
4149:
4142:
4134:Ulfrid Müller:
4133:
4126:
4113:
4109:
4097:
4090:
4082:
4078:
4070:Ulfrid Müller:
4069:
4065:
4056:
4049:
4040:
4036:
4023:
4019:
4007:
4003:
3994:central section
3991:
3987:
3962:
3958:
3950:Ulfrid Müller:
3949:
3942:
3929:
3912:
3884:
3871:
3858:
3839:
3818:
3793:
3776:
3772:
3751:
3738:
3726:
3707:
3699:Ulfrid Müller:
3698:
3689:
3674:
3667:
3654:
3633:
3625:Ulfrid Müller:
3624:
3617:
3597:Ulfrid Müller:
3596:
3585:
3565:Ulfrid Müller:
3564:
3553:
3545:Ulfrid Müller:
3544:
3540:
3520:Ulfrid Müller:
3519:
3512:
3498:
3494:
3484:
3480:
3467:
3463:
3451:Ulfrid Müller:
3450:
3446:
3426:Ulfrid Müller:
3425:
3404:
3384:Ulfrid Müller:
3383:
3379:
3358:
3354:
3334:Ulfrid Müller:
3333:
3324:
3315:
3308:
3291:
3284:
3267:
3260:
3235:
3212:
3199:
3195:
3172:Ulfrid Müller:
3171:
3167:
3154:
3143:
3115:
3111:
3098:
3094:
3073:
3069:
3053:Ulfrid Müller:
3052:
3048:
3035:
3024:
3004:Ulfrid Müller:
3003:
2986:
2961:
2957:
2949:Ulfrid Müller:
2948:
2944:
2931:
2918:
2897:
2848:
2828:Ulfrid Müller:
2827:
2810:
2801:
2786:
2765:
2754:
2733:
2712:
2698:
2694:
2666:
2657:
2636:
2625:
2608:
2604:
2592:
2588:
2575:
2562:
2542:Ulfrid Müller:
2541:
2526:
2506:Ulfrid Müller:
2505:
2488:
2463:
2456:
2448:
2444:
2423:
2416:
2408:Ulfrid Müller:
2407:
2396:
2383:
2374:
2358:
2354:
2337:
2330:
2315:
2306:
2301:
2297:
2281:
2277:
2269:
2262:
2246:Ulfrid Müller:
2245:
2238:
2214:
2199:
2188:
2181:
2172:
2168:
2164:
2159:
1973:
1917:mater coniuncta
1904:as part of the
1870:
1840:
1804:Noisy pipe III
1775:
1739:
1735:
1732:
1730:
1698:
1671:
1667:
1664:
1662:
1659:Mixture III-IV
1642:
1638:
1635:
1633:
1609:
1561:
1473:
1462:
1446:
1439:
1438:
1437:V. A. Hornhardt
1434:
1425:
1424:
1420:
1411:
1410:
1406:
1397:
1396:
1392:
1369:
1362:
1361:
1357:
1348:
1347:
1346:St. Christopher
1343:
1334:
1333:
1329:
1320:
1319:
1315:
1303:Simon of Cyrene
1274:
1266:triumphal cross
1256:Triumphal cross
1250:
1248:Triumphal cross
1221:James the Great
1197:St. Bartholomew
1177:
1150:
1142:
1130:
1127:
1126:
1124:
1123:
1112:
1109:
1108:
1106:
1105:
892:
856:
847:St. Christopher
816:
805:St. Christopher
777:
760:
755:
677:
545:
540:
514:Matthäus Merian
494:
370:
367:
358:
355:
346:
343:
334:
331:
322:
319:
310:
307:
244:
215:
185:
180:
159:State ownership
120:
114:of the church.
108:St. Christopher
28:St. Christopher
17:
12:
11:
5:
5286:
5276:
5275:
5270:
5256:
5255:
5247:
5246:
5238:
5237:
5221:
5220:
5212:
5211:
5198:
5195:
5194:
5193:
5186:
5185:
5178:
5177:
5170:
5169:
5161:
5160:External links
5158:
5156:
5155:
5143:
5138:Kirche im Dorf
5129:
5124:Kirche im Dorf
5115:
5103:
5091:
5075:
5044:
5019:
4993:
4968:
4950:
4941:
4924:
4903:
4878:
4861:
4848:
4830:
4795:
4763:
4742:
4707:
4686:
4661:
4637:
4617:
4605:
4589:
4573:
4557:
4541:
4525:
4504:
4492:
4471:
4458:
4428:
4411:
4396:
4379:
4354:
4329:
4321:Harald Busch:
4314:
4302:
4274:
4261:
4225:
4180:
4159:
4140:
4124:
4107:
4088:
4076:
4063:
4047:
4034:
4017:
4001:
3985:
3956:
3940:
3910:
3869:
3863:1993, Chap. 2
3837:
3791:
3770:
3736:
3705:
3687:
3665:
3631:
3615:
3583:
3551:
3538:
3510:
3492:
3478:
3461:
3444:
3402:
3396:" instead of "
3377:
3352:
3322:
3306:
3282:
3258:
3210:
3202:DI 66, no. 131
3193:
3186:Bauperiode III
3165:
3141:
3109:
3092:
3076:DI 66, no. 130
3067:
3046:
3038:DI 66, No. 130
3022:
2984:
2955:
2942:
2916:
2846:
2808:
2784:
2752:
2710:
2692:
2655:
2623:
2602:
2586:
2560:
2524:
2486:
2454:
2442:
2414:
2394:
2372:
2352:
2328:
2304:
2295:
2275:
2260:
2236:
2197:
2179:
2165:
2163:
2160:
2158:
2157:
2153:
2152:
2148:
2147:
2143:
2142:
2138:
2137:
2133:
2132:
2128:
2127:
2123:
2122:
2118:
2117:
2113:
2112:
2108:
2107:
2103:
2102:
2098:
2097:
2093:
2092:
2088:
2087:
2083:
2082:
2078:
2077:
2073:
2072:
2068:
2067:
2063:
2062:
2058:
2057:
2053:
2052:
2048:
2047:
2043:
2042:
2038:
2037:
2033:
2032:
2028:
2027:
2023:
2022:
2018:
2017:
2013:
2012:
2008:
2007:
2003:
2002:
1998:
1997:
1993:
1992:
1988:
1987:
1978:
1972:
1969:
1919:). During the
1869:
1866:
1853:striking bells
1839:
1836:
1831:
1830:
1821:
1820:
1817:
1816:
1813:
1809:
1808:
1805:
1801:
1800:
1797:
1793:
1792:
1789:
1785:
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1781:
1777:
1776:
1765:
1762:
1761:
1759:
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1752:
1749:
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1744:
1728:
1724:
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1720:
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1704:
1700:
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1688:
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1684:
1681:
1677:
1676:
1660:
1656:
1655:
1652:
1648:
1647:
1631:
1627:
1626:
1623:
1619:
1618:
1615:
1611:
1610:
1560:
1557:
1524:war commissary
1508:sacred objects
1472:
1467:
1461:
1458:
1454:neo-Romanesque
1450:baptismal font
1445:
1444:Baptismal font
1442:
1441:
1440:
1436:
1435:
1428:
1426:
1422:
1421:
1414:
1412:
1408:
1407:
1400:
1398:
1394:
1393:
1386:
1368:
1365:
1364:
1363:
1359:
1358:
1351:
1349:
1345:
1344:
1337:
1335:
1331:
1330:
1323:
1321:
1317:
1316:
1309:
1273:
1270:
1249:
1246:
1225:Carl Oesterley
1176:
1173:
1146:
1138:
1120:
1116:Heinrich Isaac
1102:
1070:Judas Iscariot
1032:birth of Jesus
974:Marian retable
950:Mary Magdalene
891:
888:
855:
852:
815:
812:
790:, each with a
786:in which four
776:
773:
759:
756:
754:
751:
676:
673:
544:
541:
539:
536:
493:
490:
372:
371:
368:
361:
359:
356:
349:
347:
344:
337:
335:
332:
325:
323:
320:
313:
311:
308:
301:
299:
243:
240:
214:
211:
184:
181:
179:
176:
164:The church is
119:
116:
15:
9:
6:
4:
3:
2:
5285:
5274:
5271:
5269:
5266:
5265:
5263:
5253:
5249:
5248:
5244:
5240:
5239:
5235:
5231:
5227:
5223:
5222:
5218:
5214:
5213:
5209:
5205:
5201:
5200:
5191:
5188:
5187:
5183:
5180:
5179:
5175:
5172:
5171:
5167:
5164:
5163:
5152:
5147:
5140:
5139:
5133:
5126:
5125:
5119:
5112:
5111:Pastorenliste
5107:
5100:
5095:
5088:
5084:
5079:
5065:on 2021-02-08
5061:
5054:
5048:
5033:
5029:
5023:
5008:
5004:
4997:
4982:
4978:
4972:
4965:
4961:
4960:
4954:
4945:
4938:
4937:
4931:
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4913:
4907:
4892:
4888:
4882:
4875:
4871:
4865:
4858:
4852:
4845:
4839:
4837:
4835:
4827:
4823:
4819:
4816:
4812:
4808:
4802:
4800:
4792:
4788:
4784:
4781:
4777:
4773:
4767:
4760:
4759:3-7752-5860-4
4756:
4752:
4746:
4739:
4735:
4731:
4728:
4724:
4720:
4714:
4712:
4704:
4700:
4695:
4693:
4691:
4675:
4671:
4665:
4658:
4652:
4650:
4648:
4646:
4644:
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4627:
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4614:
4609:
4602:
4598:
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4582:
4577:
4570:
4566:
4561:
4554:
4550:
4545:
4538:
4534:
4529:
4522:
4521:3-7752-5860-4
4518:
4514:
4508:
4501:
4496:
4489:
4485:
4481:
4475:
4468:
4462:
4455:
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4438:
4432:
4425:
4421:
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4403:
4401:
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4383:
4376:
4372:
4368:
4364:
4358:
4351:
4347:
4343:
4339:
4333:
4325:
4318:
4311:
4306:
4299:
4298:3-525-36284-6
4295:
4291:
4287:
4283:
4278:
4271:
4265:
4258:
4257:3-422-00665-6
4254:
4250:
4246:
4240:
4238:
4236:
4234:
4232:
4230:
4222:
4218:
4214:
4210:
4206:
4202:
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4190:
4184:
4177:
4173:
4169:
4163:
4156:
4152:
4147:
4145:
4137:
4131:
4129:
4121:
4117:
4111:
4104:
4100:
4095:
4093:
4085:
4080:
4073:
4067:
4060:
4054:
4052:
4044:
4038:
4031:
4027:
4021:
4014:
4010:
4005:
3999:
3995:
3989:
3982:
3978:
3974:
3970:
3966:
3960:
3953:
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3846:
3844:
3842:
3834:
3833:3-422-00665-6
3830:
3826:
3822:
3816:
3814:
3812:
3810:
3808:
3806:
3804:
3802:
3800:
3798:
3796:
3788:
3787:3-7752-5860-4
3784:
3780:
3774:
3768:, p. 151–152.
3767:
3763:
3759:
3755:
3749:
3747:
3745:
3743:
3741:
3733:
3729:
3724:
3722:
3720:
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3714:
3712:
3710:
3702:
3696:
3694:
3692:
3684:
3680:
3679:
3672:
3670:
3662:
3658:
3657:DI 66, no. 49
3652:
3650:
3648:
3646:
3644:
3642:
3640:
3638:
3636:
3628:
3622:
3620:
3612:
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3600:
3594:
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3590:
3588:
3580:
3576:
3572:
3568:
3562:
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3558:
3556:
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3531:
3527:
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3517:
3515:
3507:
3503:
3502:
3496:
3489:
3488:
3482:
3475:
3471:
3465:
3458:
3454:
3448:
3441:
3437:
3433:
3429:
3423:
3421:
3419:
3417:
3415:
3413:
3411:
3409:
3407:
3399:
3395:
3391:
3387:
3381:
3374:
3370:
3366:
3362:
3356:
3349:
3348:Bauperiode IV
3345:
3341:
3337:
3331:
3329:
3327:
3319:
3313:
3311:
3303:
3302:3-7752-5860-4
3299:
3295:
3289:
3287:
3279:
3275:
3271:
3265:
3263:
3255:
3254:3-7777-0813-5
3251:
3247:
3243:
3239:
3233:
3231:
3229:
3227:
3225:
3223:
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3219:
3217:
3215:
3207:
3203:
3197:
3190:
3187:
3183:
3179:
3175:
3169:
3162:
3158:
3152:
3150:
3148:
3146:
3138:
3134:
3130:
3127:
3123:
3119:
3113:
3106:
3102:
3096:
3089:
3085:
3081:
3077:
3071:
3064:
3060:
3056:
3050:
3043:
3039:
3033:
3031:
3029:
3027:
3019:
3015:
3011:
3007:
3001:
2999:
2997:
2995:
2993:
2991:
2989:
2981:
2977:
2976:3-89244-088-3
2973:
2969:
2965:
2959:
2952:
2946:
2939:
2935:
2929:
2927:
2925:
2923:
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2913:
2912:3-8271-8257-3
2909:
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2780:3-8271-8257-3
2777:
2773:
2769:
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2759:
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2749:
2748:3-8271-8257-3
2745:
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2723:
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2717:
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2702:
2696:
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2662:
2660:
2652:
2648:
2647:3-924781-42-7
2644:
2640:
2634:
2632:
2630:
2628:
2620:
2616:
2612:
2606:
2599:
2595:
2590:
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2573:
2571:
2569:
2567:
2565:
2557:
2553:
2549:
2545:
2539:
2537:
2535:
2533:
2531:
2529:
2521:
2520:Bauperiode II
2517:
2513:
2509:
2503:
2501:
2499:
2497:
2495:
2493:
2491:
2483:
2482:3-8062-0544-2
2479:
2475:
2472:, Volume 17:
2471:
2467:
2464:Klaus Grote:
2461:
2459:
2451:
2446:
2439:
2435:
2434:3-924781-42-7
2431:
2427:
2421:
2419:
2411:
2405:
2403:
2401:
2399:
2391:
2387:
2381:
2379:
2377:
2370:
2369:3-88452-368-6
2366:
2362:
2359:Klaus Grote:
2356:
2349:
2348:
2343:
2342:
2335:
2333:
2325:
2321:
2320:
2313:
2311:
2309:
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2288:
2284:
2279:
2272:
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2265:
2257:
2253:
2249:
2243:
2241:
2233:
2232:3-8271-8257-3
2229:
2225:
2222:
2218:
2212:
2210:
2208:
2206:
2204:
2202:
2193:
2186:
2184:
2176:
2173:Relief maps (
2170:
2166:
2155:
2154:
2150:
2149:
2145:
2144:
2140:
2139:
2135:
2134:
2130:
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2125:
2124:
2120:
2119:
2115:
2114:
2110:
2109:
2105:
2104:
2100:
2099:
2095:
2094:
2090:
2089:
2085:
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2079:
2075:
2074:
2070:
2069:
2065:
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2060:
2059:
2055:
2054:
2050:
2049:
2045:
2044:
2040:
2039:
2035:
2034:
2030:
2029:
2025:
2024:
2020:
2019:
2015:
2014:
2010:
2009:
2005:
2004:
2000:
1999:
1995:
1994:
1990:
1989:
1985:
1984:
1983:
1982:
1977:
1968:
1966:
1960:
1958:
1955:, one of the
1954:
1948:
1946:
1942:
1938:
1933:
1930:
1925:
1922:
1918:
1914:
1909:
1907:
1903:
1899:
1895:
1890:
1888:
1884:
1879:
1877:
1876:
1865:
1862:
1856:
1854:
1844:
1835:
1828:
1825:
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1814:
1811:
1810:
1806:
1803:
1802:
1798:
1795:
1794:
1790:
1787:
1786:
1782:
1779:
1778:
1773:
1769:
1766:
1760:
1758:
1755:
1754:
1750:
1748:Sharp II-III
1747:
1746:
1729:
1726:
1725:
1721:
1718:
1717:
1713:
1710:
1709:
1705:
1702:
1701:
1696:
1692:
1689:
1682:
1679:
1678:
1661:
1658:
1657:
1653:
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1632:
1629:
1628:
1624:
1621:
1620:
1616:
1613:
1612:
1607:
1603:
1600:
1599:
1594:Organ console
1592:
1588:
1586:
1582:
1578:
1574:
1565:
1556:
1552:
1550:
1544:
1541:
1538:The matching
1532:
1528:
1525:
1521:
1515:
1513:
1509:
1505:
1501:
1497:
1493:
1489:
1487:
1477:
1471:
1466:
1457:
1455:
1451:
1432:
1427:
1418:
1413:
1404:
1399:
1390:
1385:
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1374:
1355:
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1341:
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1327:
1322:
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1308:
1307:
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1282:
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1263:
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1231:
1226:
1222:
1217:
1215:
1210:
1206:
1202:
1198:
1194:
1189:
1181:
1172:
1170:
1166:
1161:
1156:
1153:
1149:
1145:
1141:
1137:
1135:
1134:Song of Songs
1129:
1119:
1117:
1111:
1101:
1099:
1095:
1091:
1085:
1084:" (painted).
1083:
1079:
1075:
1071:
1067:
1063:
1062:
1051:
1047:
1044:
1040:
1039:
1034:
1033:
1028:
1027:
1022:
1021:
1015:
1013:
1009:
1004:
1000:
999:Mary and John
996:
992:
988:
984:
980:
975:
970:
969:
964:
963:
958:
957:
952:
951:
946:
944:
939:
938:
931:
929:
925:
924:altar retable
919:
917:
913:
909:
905:
896:
887:
885:
884:Hell's Dragon
881:
880:
874:
871:
870:
865:
861:
860:Last Judgment
851:
848:
844:
839:
835:
831:
830:
829:Legenda aurea
820:
811:
808:
806:
801:
797:
793:
789:
785:
782:
775:Entrance hall
772:
764:
750:
747:
743:
738:
730:
726:
724:
719:
717:
712:
707:
702:
693:
689:
681:
672:
668:
666:
661:
656:
647:
643:
640:
630:
626:
624:
620:
610:
606:
604:
600:
596:
592:
587:
585:
581:
580:cube capitals
577:
573:
568:
564:
560:
559:
558:buntsandstein
549:
535:
531:
527:
525:
521:
520:
515:
506:
502:
499:
489:
487:
483:
478:
474:
468:
465:
461:
452:
448:
446:
442:
438:
434:
430:
426:
421:
417:
412:
409:
405:
404:Saint Maurice
396:
392:
390:
385:
380:
376:
365:
360:
353:
348:
341:
336:
329:
324:
317:
312:
305:
300:
297:
296:
295:
293:
289:
285:
281:
277:
272:
270:
266:
262:
258:
254:
250:
239:
236:
231:
228:
224:
220:
210:
208:
203:
199:
189:
175:
172:
167:
162:
160:
150:
146:
139:
135:
129:
124:
115:
113:
109:
105:
101:
97:
93:
89:
80:
76:
74:
69:
65:
61:
57:
53:
52:castle chapel
49:
45:
41:
37:
33:
32:parish church
29:
21:
5251:
5242:
5225:
5216:
5207:
5203:
5197:Bibliography
5146:
5136:
5132:
5122:
5118:
5110:
5106:
5094:
5078:
5067:. Retrieved
5060:the original
5047:
5036:. Retrieved
5031:
5022:
5011:. Retrieved
5006:
4996:
4985:. Retrieved
4980:
4971:
4957:
4953:
4944:
4934:
4916:. Retrieved
4906:
4895:. Retrieved
4890:
4881:
4873:
4869:
4864:
4856:
4851:
4843:
4810:
4806:
4775:
4771:
4766:
4750:
4745:
4722:
4718:
4678:. Retrieved
4673:
4664:
4656:
4629:. Retrieved
4620:
4608:
4592:
4576:
4560:
4544:
4528:
4512:
4507:
4495:
4487:
4483:
4479:
4474:
4461:
4453:
4450:IV. Vacanzen
4449:
4440:. Retrieved
4431:
4423:
4419:
4414:
4391:
4387:
4382:
4366:
4362:
4357:
4341:
4337:
4336:Karl Arndt:
4332:
4322:
4317:
4309:
4305:
4289:
4285:
4277:
4269:
4264:
4248:
4244:
4183:
4162:
4135:
4119:
4115:
4110:
4079:
4071:
4066:
4058:
4042:
4037:
4029:
4020:
4008:
4004:
3988:
3972:
3968:
3964:
3959:
3951:
3935:
3931:
3890:
3886:
3864:
3860:
3824:
3820:
3778:
3773:
3757:
3753:
3700:
3676:
3626:
3610:
3606:
3602:
3598:
3578:
3574:
3570:
3566:
3546:
3541:
3533:
3529:
3525:
3521:
3499:
3495:
3485:
3481:
3473:
3469:
3464:
3456:
3452:
3447:
3439:
3435:
3431:
3427:
3398:Hallenkirche
3397:
3393:
3389:
3385:
3380:
3372:
3368:
3364:
3360:
3355:
3347:
3343:
3339:
3335:
3317:
3293:
3280:, pp. 14-15.
3269:
3245:
3241:
3240:2nd Volume:
3237:
3196:
3188:
3185:
3181:
3177:
3173:
3168:
3160:
3156:
3121:
3117:
3112:
3104:
3100:
3095:
3087:
3083:
3070:
3062:
3058:
3054:
3049:
3017:
3013:
3009:
3005:
2979:
2967:
2963:
2958:
2950:
2945:
2937:
2933:
2903:
2899:
2841:
2837:
2833:
2829:
2803:
2771:
2767:
2739:
2735:
2705:
2699:
2695:
2672:
2668:
2650:
2638:
2610:
2605:
2589:
2581:
2577:
2556:Bauperiode I
2555:
2551:
2547:
2543:
2519:
2515:
2511:
2507:
2484:, p. 212–214
2473:
2469:
2465:
2445:
2437:
2425:
2409:
2389:
2385:
2360:
2355:
2345:
2339:
2323:
2317:
2298:
2278:
2255:
2251:
2247:
2223:
2220:
2216:
2191:
2174:
2169:
1980:
1979:
1974:
1964:
1961:
1952:
1949:
1940:
1934:
1926:
1916:
1910:
1891:
1880:
1873:
1871:
1857:
1849:
1834:Reinhausen.
1832:
1771:
1756:
1711:Pedal flute
1694:
1606:I Main organ
1605:
1571:The current
1570:
1553:
1548:
1545:
1537:
1516:
1503:
1499:
1484:
1482:
1469:
1463:
1447:
1377:
1370:
1299:
1295:
1283:
1275:
1259:
1234:St. Hubertus
1218:
1201:Saint Blaise
1190:
1186:
1157:
1154:
1151:
1147:
1143:
1139:
1131:
1121:
1113:
1103:
1090:Salve Regina
1086:
1081:
1077:
1073:
1058:
1056:
1036:
1031:
1024:
1020:Annunciation
1018:
1016:
1011:
1007:
1002:
998:
994:
990:
986:
982:
973:
966:
961:
955:
948:
941:
936:
932:
926:stands on a
920:
915:
904:winged altar
901:
883:
876:
872:
868:
864:Resurrection
857:
846:
842:
827:
825:
803:
799:
778:
769:
739:
735:
720:
698:
686:
669:
652:
635:
623:pointed arch
615:
588:
556:
554:
538:Architecture
532:
528:
524:ridge turret
517:
511:
495:
485:
469:
457:
444:
440:
432:
413:
401:
381:
377:
373:
357:17th century
345:14th century
321:12th century
288:clerestories
273:
269:consecration
245:
232:
216:
195:
163:
155:
143:
128:die Gleichen
112:patron saint
85:
63:
44:Lower Saxony
27:
26:
3681:, from the
3613:, p. 16–20.
3581:, p. 21–23.
3536:, p. 14–16.
3442:, p. 23–26.
3350:, p. 40–41.
3020:, p. 20–21.
2940:, p. 12–16.
2844:, p. 38–40.
2594:Klaus Grote
2558:, p. 30–34.
2522:, p. 35–38.
2440:, p. 65–71.
2258:, p. 13–14.
1896:in 1542 by
1894:Reformation
1727:Tercian II
1614:Reed flute
1371:There is a
1367:Gravestones
1012:Scs Ioannes
916:Virgin Mary
792:half-figure
595:hall church
498:Reformation
369:Around 1800
276:Klaus Grote
104:hall church
68:Reformation
60:Benedictine
5262:Categories
5069:2021-02-08
5038:2023-01-13
5013:2016-08-12
4987:2016-04-13
4918:2023-01-13
4897:2023-01-13
4680:2020-07-29
4631:2021-10-01
4442:2014-07-02
4103:right half
3609:, Section
3577:, Section
3532:, Section
3438:, Section
3394:Saalkirche
3346:, Section
3184:, Section
3163:, S. 9–13.
3016:, Section
2840:, Section
2518:, Section
2341:Reinhausen
2271:Online map
2162:References
1788:Principal
1719:Principal
1622:Principal
1502:, another
1496:monstrance
1470:Vasa sacra
788:medallions
723:east choir
660:buttresses
655:stone wall
599:gable roof
593:or simple
582:and attic
425:ambulatory
384:indulgence
171:churchyard
96:Romanesque
56:collegiate
36:Reinhausen
4828:, p. 1292
4818:0436-1229
4793:, p. 1290
4783:0436-1229
4740:, p. 1293
4730:0436-1229
4377:, p. 234.
4352:, p. 196.
3908:, p. 1297
3898:0436-1229
3867:p. 21–29.
3579:Nordseite
3534:Westseite
3476:p. 18–20.
3440:Innenraum
3139:, p. 1296
3129:0436-1229
2914:, p. 279.
2782:, p. 277.
2750:, p. 277.
2690:, p. 1291
2680:0436-1229
2653:p. 71–74.
2584:, p. 2–8.
2392:p. 50–54.
2234:, p. 280.
1937:Diemarden
1913:Diemarden
1881:When the
1861:Mohrungen
1780:Sub bass
1757:Tremulant
1651:Sifflute
1504:inventory
1486:inventory
1373:cast iron
1205:pedestals
1193:St. Judoc
1008:Sca Maria
956:Catherine
834:martyrdom
814:Main room
784:ornaments
567:hip roofs
437:keystones
416:rib vault
219:monastery
198:Neolithic
48:sandstone
40:Göttingen
4028:) after
3998:predella
3996:and the
3611:Südseite
3506:original
3191:, p. 40.
3018:Ostseite
2554:Section
1902:Erich II
1887:Reinhard
1827:Couplers
1812:Bassoon
1695:II Chest
1680:Trumpet
1318:Tympanum
1290:pinnacle
1279:tympanum
1262:crucifix
1240:, book,
1214:capitals
1160:predella
1094:antiphon
1066:Matthias
1061:Apostles
968:Cyriacus
928:predella
912:Berthold
908:Johannes
866:and the
753:Features
711:crossing
675:Interior
665:sacristy
603:hip roof
572:mullions
460:cloister
420:sacristy
389:tympanum
292:crossing
261:Adalbert
166:oriented
118:Location
100:basilica
1971:Pastors
1796:Octave
1738:⁄
1670:⁄
1641:⁄
1630:Nasate
1581:manuals
1579:on two
1549:Amtmann
1500:Amtmann
1379:Amtmann
1238:crozier
1059:Twelve
1010:" and "
993:" and "
962:Barbara
937:Madonna
854:Gallery
746:piscina
742:gallery
716:fillets
706:arcades
563:cornice
443:" and "
257:Ruthard
227:imposts
178:History
92:Baroque
5232:
4872:. In:
4824:
4789:
4757:
4736:
4519:
4373:
4348:
4324:Zeit).
4296:
4255:
3979:
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3904:
3831:
3785:
3764:
3388:. In:
3371:. In:
3363:. In:
3300:
3276:
3252:
3135:
2974:
2910:
2778:
2746:
2686:
2645:
2617:
2480:
2432:
2367:
2347:EBIDAT
2287:before
2230:
1929:floors
1703:Pedal
1460:Pulpit
1286:Gothic
1082:pictum
1078:pletum
781:floral
758:Murals
639:carved
619:impost
574:whose
482:spolia
473:murals
253:vacant
110:, the
88:Gothic
5063:(PDF)
5056:(PDF)
2291:after
1976:name.
1875:Stift
1868:Usage
1838:Bells
1772:Pedal
1585:pedal
1577:stops
1573:organ
1559:Organ
1540:paten
1492:paten
1242:mitre
1209:halos
1092:, an
979:Uslar
890:Altar
838:Lycia
584:bases
578:have
464:humus
223:choir
138:Mural
102:to a
5230:ISBN
4822:ISBN
4815:ISSN
4787:ISBN
4780:ISSN
4755:ISBN
4734:ISBN
4727:ISSN
4517:ISBN
4371:ISBN
4346:ISBN
4294:ISBN
4253:ISBN
4101:and
3977:ISBN
3902:ISBN
3895:ISSN
3829:ISBN
3783:ISBN
3762:ISBN
3298:ISBN
3274:ISBN
3250:ISBN
3244:In:
3133:ISBN
3126:ISSN
3086:and
2972:ISBN
2908:ISBN
2776:ISBN
2744:ISBN
2704:In:
2684:ISBN
2677:ISSN
2643:ISBN
2615:ISBN
2478:ISBN
2468:In:
2430:ISBN
2365:ISBN
2289:and
2228:ISBN
1815:16′
1783:16′
1774:C–f
1697:C–g
1608:C–g
1583:and
1448:The
1260:The
1158:The
989:", "
985:", "
902:The
802:and
701:nave
408:bays
284:nave
202:spur
157:via
90:and
1807:2′
1799:4′
1791:8′
1751:1′
1722:2′
1714:4′
1706:8′
1683:8′
1654:2′
1625:4′
1617:8′
1483:An
1096:by
836:in
5264::
5030:.
5005:.
4979:.
4927:^
4889:.
4833:^
4820:,
4798:^
4785:,
4732:,
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4689:^
4672:.
4640:^
4399:^
4284::
4228:^
4207:,
4203:,
4199:,
4195:,
4191:,
4143:^
4127:^
4118:.
4091:^
4050:^
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3913:^
3900:,
3872:^
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3690:^
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3400:".
3325:^
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2849:^
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2682:,
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2596::
2563:^
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1743:′
1675:′
1646:′
161:.
75:.
42:,
5236:.
5072:.
5041:.
5016:.
4990:.
4966:)
4921:.
4900:.
4683:.
4634:.
4490:.
4469:.
4445:.
4015:)
3189:B
3090:.
1740:5
1736:3
1733:+
1731:1
1672:3
1668:1
1665:+
1663:1
1643:3
1639:2
1636:+
1634:2
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945:.
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