379:, named after the last line of the email her ex sent her. Calle asked friends, acquaintances, and recommended women of all agesâincluding a parrot and a hand puppetâto interpret the break-up e-mail and presented the results in the French pavilion. Calle explains the piece as follows: "I received an email telling me it was over. I didn't know how to respond. It was almost as if it hadn't been meant for me. It ended with the words, 'take care of yourself.' And so I did. I asked 107 women, chosen for their profession or skills, to interpret this letter. To analyze it, comment on it, dance it, sing it. Exhaust it. Understand it for me. Answer for me. It was a way of taking the time to break up. A way of taking care of myself." Jessica Lott, winner of the Frieze Writer's Prize for her review of the piece, described it thus: "Take Care of Yourself is a break-up letter (Calle's) then-boyfriend (
383:, dubbed âXâ) sent her via e-mail. Calle took the e-mail, and the paralyzing confusion that accompanies the mind's failure to comprehend heartbreak, and distributed it to 107 women of various professions, skills and talents to help her understand it â to interpret, analyze, examine and perform it to gain perspective on her perplexing situation. Calle insists that she did not need the other women's sentiments for herself, but to ensure that the piece was well-rounded. The result of this seemingly obsessive, schoolyard exercise is paradoxically one of the most expansive and telling pieces of art on women and contemporary feminism to pass through (the major art centres) in recent years". At her gallery shows, Calle frequently supplies suggestion forms on which visitors are encouraged to furnish ideas for her art, while she sits beside them with an uninterested expression.
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Calle added photographs of the man's favorite activities, creating a portrait of a man she never met, by way of his acquaintances. The articles were published, but upon discovering them, the owner of the address book, a documentary filmmaker named Pierre Baudry, threatened to sue the artist for invasion of privacy. As Calle reports, the owner discovered a nude photograph of her, and demanded the newspaper publish it, in retaliation for what he perceived to be an unwelcome intrusion into his private life.
213:(1981), she was hired as a chambermaid at a hotel in Venice where she was able to explore the writings and objects of the hotel guests. Insight into her process and its resulting aesthetic can be gained through her account of this project: "I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs, and I spent one day deciding it would be this size and this frame...it's the last thought in the process."
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349:"Douleur Exquise" (exquisite pain) was commissioned in 2003. She reluctantly chose to spend three months in Japan, deciding to make the journey take a month by taking the train through Moscow and through Siberia, then through Beijing, then to Hong Kong. She was supposed to meet her lover in New Delhi, but he didn't turn up, instead sending her a telegram which said he was in an accident and couldn't come. She found out that he only had an infected finger, a
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250:(2006). According to Bouillier, the premise of his story was that "A woman who has left a man without saying why calls him years later and asks him to be the 'mystery guest' at a birthday party thrown by the artist Sophie Calle. And by the end of this fashionableâand utterly humiliatingâparty, the narrator figures out the secret of their breakup."
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invited her to publish a series of 28 articles. Having recently found an address book on the street (which she photocopied and returned to its owner), she decided to call some of the telephone numbers in the book and speak with the people about its owner. To the transcripts of these conversations,
436:, is furnished with historic furniture as it was in the mid-19th century. The artist inserted her own, personal historical objects and ephemera, with short, narrative explanatory text, into the scenes, affecting the notion that she had occupied the house shortly before the viewers' arrival.
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and
Harrison Streets in Manhattan with a note pad, a bottle of water, a pack of cigarettes, flowers, cash, and sundry other items. Every day, Calle cleaned the booth and restocked the items, until the telephone company removed and discarded them. This project is documented in
101:. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like tendency to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing.
501:'s 2011 list "The 10 Most Important Artists of Today", with Gopnik arguing, "It is the unartiness of Calle's workâits refusal to fit any of the standard pigeonholes, or over anyone's sofaâthat makes it deserve space in museums."
306:. This mingling of fact and fiction so intrigued Calle that she created the works of art created by the fictional character, which included a series of color-coordinated meals. These works are documented in her publication
337:. She invited people to come to her and read her bedtime stories in order to keep her awake through the night. The same year, Calle had her first one-woman show, a retrospective, at the Musée National d'Art Moderne at
195:, where she disguised herself and followed him around the city, photographing him. Calle's surveillance of the man, who she identifies only as Henri B., includes black and white photographs accompanied by text.
239:(1986), for which she interviewed blind people, and asked them to define beauty. Their responses were accompanied by her photographic interpretation of their ideas of beauty, and portraits of the interviewees.
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was displayed at the
Episcopal Church of Heavenly Rest in New York City. It involved video Calle took of her mother, Monique Sindler, on her deathbed, as well as excerpts of her diary, read by actress
458:. Calle took her mother's portrait and jewelry and buried them at the North Pole. Portraits of her doing so were also on exhibition. In 2017, Calle was commissioned to create a public artwork for
206:), a project in which she invited passers-by to occupy her bed. Some were friends, or friends of friends, and some were strangers to her. She served them food and photographed them every hour.
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which she created in collaboration with
American photographer Gregory Shephard. The film documents their road trip across America, which ends in a wedding chapel in
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of a road trip or a romance, the film is designed to document the result of a man and woman who barely knew each other, embarking on an intimate journey together.
266:, the Jewish law that permits to turn a public space into a private area by surrounding it with wires, making it possible to carry objects during the Sabbath, the
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Auster later challenged Calle to create and maintain a public amenity in New York City. The artist's response was to augment a telephone booth on the corner of
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to take her to public places that became part of their private sphere, exploring how one's personal story can create an intimacy with a place. Inspired by the
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1209:(Triple LP, 2018). Produced for an exhibition at Galerie Perrotin. 38 tracks by different artist about Calle's cat of 18 years. Artists include
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to "invent a fictive character which I would attempt to resemble" and served as the model for the character Maria in Auster's 1992 novel
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Calle has created elaborate display cases of birthday presents given to her throughout her life; this process was detailed by
97:. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement known as
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1918:"L'exposition temporaire « «Sophie Calle et son invitée Serena Carone» » du 10 octobre 2017 au 11 février 2018"
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The piece will remain in the cemetery for 25 years. In 2017â2018, Calle had a public art installation at
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1648:"Experiential Lit: Grégoire Bouillier with Yann Nicol Translated by Violaine Huisman and Lorin Stein"
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Gabrielle Moser, 'Working-through' public and private labour: Sophie Calle's Prenez soin de vous'
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Greenough, Sarah; Nelson, Andrea; Kennel, Sarah; Waggoner, Diane; Ureña, Leslie (2015).
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1768:"Sophie Calle: Take Care of Yourself â Installation Views | Paula Cooper Gallery"
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In 1999 Calle exhibited the installation "Appointment" especially conceived for the
147:, SESC Pompeia, SĂŁo Paulo, Brazil; Museum of Modern Art of Bahia, Salvador, Brazil;
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The artist talks about her contributions to the 2007 Venice
Biennale. 29 June 2007
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Moving
Pictures: Contemporary Photography and Video from the Guggenheim Collection
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Dallow, Jessica, "CALLE, Sophie: French photographer and installation artist,"
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1836:"In 'Rachel, Monique,' Sophie Calle Eulogizes Her Mother - The New York Times"
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2071:"The artist Sophie Calle: 'People think they know me. But they know nothing'"
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The Memory of Time: Contemporary
Photographs at the National Gallery of Art
1868:"Sophie Calle | North Pole / Pole Nord (2009) | Available for Sale | Artsy"
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MusĂ©e d'art et d'histoire du JudaĂŻsme, Paris. 7 March 2001â 28 June 2001
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Since 2005, Calle has taught as a professor of film and photography at
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French writer, photographer, installation artist, and conceptual artist
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Program of the festival Centre
Pompidou in the State Hermitage Museum.
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In 2009/2010, a major retrospective exhibition of her work, including
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2096:"French artist Sophie Calle among winners of 2024 Praemium Imperiale"
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in London. In 2010 another major exhibition opened in
Denmark at the
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333:(2002), Calle spent the night in a bed installed at the top of the
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1363:"Strangers, secrets and desire: the surreal world of Sophie Calle"
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One of Calle's first projects to generate public controversy was
641:. G+B Arts International and Arndt & Partner Gallery, 1996.
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Couple in The Cage: Two
Undiscovered Amerindians Visit the West
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1712:"Sophie Calle:'What attracts me is absence, missing, death...'"
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432:. The house, an historic museum that is managed as part of the
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in the French
Quarter of New Orleans, Louisiana as part of the
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Christine Macel described Calle's work as a rejection of the
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in London, working with the ideas of her private desires. In
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Here Lie the Secrets of the Visitors of Green-Wood Cemetery.
191:(1979), Calle followed a man she met at a party in Paris to
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was published for the first time in its entirety. In 2015,
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of emotional dirty laundry". She was among the names in
170:(Actes Sud, 2016). In 2019 she was the recipient of the
89:(born 9 October 1953) is a French writer, photographer,
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Significant contributions by other authors are noted.
155:, Tilburg, Netherlands. She represented France at the
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in the Visual Arts Department. She has also taught at
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1612:. (Hardcover) Solomon R. Guggenheim Foundation (2003)
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Arles, France: Actes Sud, 2005. With Fabio Balducci.
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London: Thames & Hudson; London: Violette, 2005.
1203:. Tetine vs Sophie Calle. (CD, Sulfur Records, 2002)
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In 1996, Calle asked Israelis and Palestinians from
2007:"Sophie Calle: 'I asked for the moon and I got it'"
1492:"Deutsche Börse Photograpohy Foundation Prize 2017"
1428:. Visual Arts Department and MCASD. 15 January 2009
718:à Suivre: Préambule; Suite Vénitienne; La Filature.
1547:Bois, Yve-Alain, "Character Study: Sophie Calle."
1398:. Farmington Hills, MI: St. James Press. pp.
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2168:, Sans et Bourriaud. Presses du réel Dijon, 2007.
1788:Sophie Calle, Paula Cooper Gallery, New York, USA
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1625:. Munich: Prestel Publishing. 2003. p. 377.
235:Another of Calle's noteworthy projects is titled
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2207:Sophie Calle at Galerie Emmanuel Perrotin Museum
1946:. Munich: Prestel Publishing. 2003. p. 17.
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1564:. Munich: Prestel Publishing. 2003. p. 15.
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671:Arles, France: Actes Sud, 1998. Seven volumes:
1810:"Exhibitions - Louisiana Museum of Modern Art"
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1440:Hermitage 20/21 Project. October/November 2010
123:Exhibitions of Calle's work took place at the
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2173:n.paradoxa:international feminist art journal
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704:Les Panoplies: La Garde-Robe; Le Strip-Tease.
470:(the Museum of Hunting and Nature) in Paris.
2164:, Delvoye, D.F.-G. Hou Hanru, Sophie Calle,
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1450:Sophie Calle. Public Places â Private Space.
782:. With Paul Auster. London: Violette, 1999.
281:The same year, Calle released a film titled
174:'s Centenary Medal and Honorary Fellowship.
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3495:Academic staff of European Graduate School
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1893:"Sophie Calle's "Here Lie the Secrets...""
796:, second edition. London: Violette, 2007.
360:was adapted into a performance in 2004 by
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2391:Mattress Performance (Carry That Weight)
1981:"The 10 Most Important Artists of Today"
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1669:Doubles-jeux: Gotham Handbook, livre VII
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760:Gotham Handbook: New York Mode d'Emploi
112:, Switzerland. She has lectured at the
82:Sophie Calle (left) and Alexandra Cohen
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2367:How to Explain Pictures to a Dead Hare
2152:Fabian Stech, J'ai parlé avec Lavier,
1978:
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2004:
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276:Musée d'Art et d'Histoire du Judaïsme
133:Musée d'Art et d'Histoire du Judaïsme
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1034:True Stories: Hasselblad Award 2010.
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430:Prospect 2 Contemporary Art Festival
162:In 2017 she was shortlisted for the
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2221:Tate: Venice Biennale: Sophie Calle
1588:. Phaidon Press. 2019. p. 82.
1426:University of California, San Diego
565:Paris: Editions de l'Etoile, 1984.
521:Paris: Editions de l'Etoile, 1983.
396:and others, was held opened at the
225:(1983). The French daily newspaper
114:University of California, San Diego
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2175:vol.27 January 2011 pp. 5â13.
1922:Musée de la Chasse et de la Nature
1423:Sophie Calle. 2009 Russel Lecture.
1390:Hillstrom, Laurie Collier (1999).
1383:
900:. Arles, France: Actes Sud, 2000.
884:. Arles, France: Actes Sud, 2013.
840:. Arles, France: Actes Sud, 2013.
611:. Arles, France: Actes Sud, 2013.
468:Musée de la Chasse et de la Nature
153:De Pont Museum of Contemporary Art
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3490:21st-century French women artists
3485:20th-century French women artists
3480:20th-century French photographers
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1844:. 3 December 2023. Archived from
1478:Frieze Magazine. JuneâAugust 2009
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296:Calle asked writer and filmmaker
3530:21st-century women photographers
3525:20th-century women photographers
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2028:– via www.theguardian.com.
2005:Calle, Sophie (9 January 2011).
1646:Nicol, Yann (2 September 2006).
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1251:Deutsche Börse Photography Prize
1168:Arles, France: Actes Sud, 2019.
1110:Arles, France: Actes Sud, 2016.
1096:Arles, France: Actes Sud, 2013.
1054:Arles, France: Actes Sud, 2011.
1022:Arles, France: Actes Sud, 2007.
956:Arles, France: Actes Sud, 2003.
870:Arles, France: Actes Sud, 2000.
856:Arles, France: Actes Sud, 2000.
826:Arles, France: Actes Sud, 2000.
812:Arles, France: Actes Sud, 1999.
657:Arles, France: Actes Sud, 1996.
627:Dresden: Verl. der Kunst, 1996.
579:New York: Thea Westreich, 1991.
489:Angelique Chrisafis, writing in
447:was redesigned and republished.
364:, a theatrical company based in
209:In order to execute her project
198:Calle's first artistic work was
164:Deutsche Börse Photography Prize
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1967:"He loves me not", 16 June 2007
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988:Appointment with Sigmund Freud.
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3091:Survival Research Laboratories
2069:Jobey, Liz (10 January 2020).
1741:Neri, Louise (24 March 2009).
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416:was installed at the historic
402:Louisiana Museum of Modern Art
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1979:Gopnik, Blake (5 June 2011).
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1166:Que Faites-Vous de Vos Morts?
248:The Mystery Guest: An Account
2988:LaBeouf, Rönkkö & Turner
2040:"The RPS Annual Awards 2019"
1469:Sophie Calle. Questionnaire.
1182:Catskill, NY: Siglio, 2021.
1154:Paris: Xavier Barral, 2018.
1124:Paris: Xavier Barral, 2016.
1082:Paris: Xavier Barral, 2012.
549:. Los Angeles: Siglio, 2015
535:. Seattle: Bay Press, 1988.
289:. Rather than following the
182:
7:
3505:French contemporary artists
2131:. National Gallery of Art.
1969:. Retrieved 7 November 2017
1710:Eva Wiseman (2 July 2017).
1068:Los Angeles: Siglio, 2012.
10:
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3515:French women photographers
2295:Breathing in/breathing out
2147:Contemporary Women Artists
2118:
1772:www.paulacoopergallery.com
1608:Hanhardt, John G. et al.,
1496:The Photographers' Gallery
1394:Contemporary Women Artists
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1262:Royal Photographic Society
1249:2017: Shortlisted for the
172:Royal Photographic Society
131:, St. Petersburg, Russia;
3510:French conceptual artists
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2993:Los Angeles Urban Rangers
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1944:Sophie Calle, M'as-tu vue
1623:Sophie Calle, M'as-tu vue
1562:Sophie Calle, M'as-tu vue
1551:, April 2000, pp. 126â31.
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1138:. Munich: Prestel, 2016.
690:Le Rituel d'Anniversaire.
375:, Calle showed her piece
62:
42:
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3520:Women conceptual artists
3086:Performance art in China
2351:Empathy and Prostitution
2149:. St. James Press, 1999.
1323:"Sophie Calle born 1953"
810:Souvenirs de Berlin-Est.
509:
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274:is exhibited at Paris's
253:
177:
120:in Oakland, California.
106:European Graduate School
2479:The Death of The Artist
2375:I'm too sad to tell you
2212:Profile of Sophie Calle
1474:23 October 2010 at the
1260:2019: Centenary Medal,
916:Centre Georges Pompidou
339:Centre Georges Pompidou
125:Centre Georges Pompidou
3500:Fine art photographers
3318:Bernd and Hilla Becher
2927:Mierle Laderman Ukeles
2319:Ceci N'est Pas Un Viol
450:In 2014, Calle's work
434:Louisiana State Museum
388:Take Care of Yourself,
83:
3170:Henri Cartier-Bresson
2519:Untitled (Rape Scene)
2471:The Artist Is Present
2281:Amen or The Pederasty
1785:Jessica Lott (2009),
1686:"Maria, Myself and I"
1667:Auster, Paul et al.,
1016:Take Care of Yourself
936:. Munich and London:
746:Le Carnet d'Adresses.
655:L'Erouv de JĂ©rusalem.
591:Des Histoires Vraies.
377:Take Care of Yourself
143:, Brussels, Belgium;
141:Palais des Beaux-Arts
81:
3176:Manuel Ălvarez Bravo
2662:Guillermo Gómez-Peña
2194:at Wikimedia Commons
1816:on 28 September 2011
1455:18 July 2011 at the
1036:Göttingen, Germany:
1020:Prenez Soin de Vous.
577:La Fille du Docteur.
362:Forced Entertainment
166:for her publication
137:Paula Cooper Gallery
2717:Natalie Jeremijenko
2359:Food for the Spirit
2102:. 11 September 2024
2050:on 5 September 2019
1586:Great women artists
972:Thames & Hudson
484:death of the author
460:Green-Wood Cemetery
398:Whitechapel Gallery
320:The Gotham Handbook
217:Mid- and late 1980s
149:Whitechapel Gallery
91:installation artist
3265:Christer Strömholm
3096:Viennese Actionism
2973:COUM Transmissions
2892:Carolee Schneemann
2737:Ragnar Kjartansson
2511:Three Weeks in May
1848:on 3 December 2023
1841:The New York Times
1502:on 9 January 2017.
1268:Praemium Imperiale
1257:(Actes Sud, 2016).
1080:Rachel, Monique...
493:, called her "the
381:Grégoire Bouillier
270:Erouv de JĂ©rusalem
244:Grégoire Bouillier
151:, London; and the
84:
3457:
3456:
3395:Wolfgang Tillmans
3342:Graciela Iturbide
3271:William Eggleston
3206:SebastiĂŁo Salgado
3142:Laureates of the
3109:
3108:
3081:Participatory art
2922:Melati Suryodarmo
2807:Charlotte Moorman
2455:Seven Easy Pieces
2190:Media related to
2138:978-0-500-54449-5
1953:978-3-7913-3035-8
1652:The Brooklyn Rail
1632:978-3-7913-3035-8
1595:978-0-7148-7877-5
1571:978-3-7913-3035-8
1409:978-1-55862-372-9
1227:Pharrell Williams
1223:Jean-Michel Jarre
1201:Samba de Monalisa
1188:978-1-938221-29-3
1174:978-2-330-11364-3
1160:978-2-36511-207-9
1144:978-3-7913-8204-3
1130:978-2-36511-046-4
1116:978-2-330-05369-7
1102:978-2-330-01616-6
1088:978-2-915173-78-9
1074:978-0-9799562-9-4
1066:The Address Book.
1060:978-2-330-00058-5
1046:978-3-86930-156-3
1028:978-2-7427-6835-6
1010:978-2-7427-5177-8
996:978-0-500-51199-2
980:978-0-500-51198-5
962:978-2-7427-4513-5
946:978-3-7913-3035-8
928:978-2-84426-220-2
906:978-2-7427-2801-5
890:978-2-330-02014-9
876:978-2-7427-2802-2
862:978-2-7427-3038-4
846:978-2-330-01980-8
832:978-2-7427-2803-9
818:978-2-7427-2602-8
802:978-1-900828-28-4
788:978-1-900828-06-2
772:978-2-7427-1870-2
753:978-2-7427-1869-6
739:978-2-7427-1868-9
725:978-2-7427-1867-2
711:978-2-7427-1863-4
697:978-2-7427-1865-8
683:978-2-7427-1864-1
663:978-2-7427-0964-9
617:978-2-330-02341-6
603:978-2-7427-0342-5
571:978-2-86642-015-4
555:978-1-938221-09-5
541:978-0-941920-09-4
527:978-2-86642-005-5
519:Suite VĂ©nitienne.
480:Poststructuralist
474:Critical analysis
439:In 2012, Calle's
422:Pontalba Building
412:In 2011 her work
291:genre conventions
283:No Sex Last Night
95:conceptual artist
76:
75:
3537:
3448:Carrie Mae Weems
3383:Joan Fontcuberta
3300:Hiroshi Sugimoto
3144:Hasselblad Award
3136:
3129:
3122:
3113:
3112:
3028:Kusama: Infinity
2907:Barbara T. Smith
2882:Rachel Rosenthal
2827:Pauline Oliveros
2547:Marina AbramoviÄ
2251:
2244:
2237:
2228:
2227:
2217:
2214:at Arndt Berlin
2189:
2154:Annette Messager
2142:
2112:
2111:
2109:
2107:
2092:
2086:
2085:
2083:
2081:
2066:
2060:
2059:
2057:
2055:
2046:. Archived from
2036:
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2025:
2002:
1996:
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1812:. Archived from
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1519:(1 March 2017).
1513:
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1498:. Archived from
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1435:
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1361:(4 March 2017).
1355:
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1335:
1333:
1318:
1302:
1293:
1284:
1245:Hasselblad Award
1122:Ainsi de Suite.
954:Douleur Exquise.
676:De l'Obéissance.
547:Suite VĂ©nitienne
533:Suite VĂ©nitienne
445:Suite VĂ©nitienne
441:The Address Book
331:Room with a View
272:
271:
189:Suite Venitienne
129:Hermitage Museum
71:installation art
53:
51:
35:
21:
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3407:Rineke Dijkstra
3389:Miyako Ishiuchi
3353:
3330:David Goldblatt
3324:Lee Friedlander
3294:Boris Mikhailov
3282:
3211:
3158:Lennart Nilsson
3146:
3140:
3110:
3105:
3034:
3007:
2951:
2687:Newton Harrison
2627:James Lee Byars
2587:Rebecca Belmore
2562:Laurie Anderson
2533:
2527:Untitled , 2008
2399:One & Other
2260:
2258:Performance art
2255:
2215:
2182:
2139:
2121:
2116:
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2105:
2103:
2094:
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2075:Financial Times
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1240:
1211:Laurie Anderson
1197:
934:Did You See Me?
625:Die Entfernung.
593:Arles, France:
512:
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482:notion of the "
476:
452:Rachel, Monique
410:
373:Venice Biennale
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3419:DaidĆ Moriyama
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3253:Robert HĂ€usser
3250:
3247:Susan Meiselas
3244:
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3235:Josef Koudelka
3232:
3229:Richard Avedon
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3200:Ădouard Boubat
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2942:Robert Whitman
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2867:Dorothy Podber
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2862:Petr Pavlensky
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2707:Tehching Hsieh
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2617:Nancy Buchanan
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2607:Stuart Brisley
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2582:Matthew Barney
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2180:External links
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2160:, Hirschhorn,
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1743:"Sophie Calle"
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1671:. (Paperback)
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968:Exquisite Pain
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495:Marcel Duchamp
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358:Exquisite Pain
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246:in his memoir
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67:Conceptual art
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63:Known for
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3475:Living people
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2188:
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2174:
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2167:
2163:
2162:Pierre Huyghe
2159:
2158:Sylvie Fleury
2155:
2151:
2148:
2144:
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2134:
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2097:
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2076:
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2065:
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2020:
2016:
2012:
2008:
2001:
1986:
1982:
1975:
1968:
1963:
1955:
1949:
1945:
1939:
1923:
1919:
1913:
1898:
1897:Creative Time
1894:
1888:
1873:
1872:www.artsy.net
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1522:
1518:
1517:O'Hagan, Sean
1512:
1510:
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1359:O'Hagan, Sean
1354:
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1231:Jarvis Cocker
1228:
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1220:
1219:Michael Stipe
1216:
1212:
1208:
1205:
1202:
1199:
1198:
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1123:
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1103:
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1007:
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1000:
997:
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989:
986:
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977:
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966:
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963:
959:
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952:
947:
943:
939:
935:
932:
931:
929:
925:
921:
920:Xavier Barral
917:
913:
910:
907:
903:
899:
896:
891:
887:
883:
880:
879:
877:
873:
869:
866:
863:
859:
855:
854:Les Dormeurs.
852:
847:
843:
839:
836:
835:
833:
829:
825:
824:Disparitions.
822:
819:
815:
811:
808:
803:
799:
795:
792:
791:
789:
785:
781:
778:
773:
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747:
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740:
736:
733:
729:
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715:
712:
708:
705:
701:
698:
694:
691:
687:
684:
680:
677:
673:
672:
670:
669:Doubles-Jeux.
667:
664:
660:
656:
653:
648:
644:
640:
637:
636:
634:
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623:
618:
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462:in Brooklyn,
461:
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448:
446:
442:
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435:
431:
427:
423:
419:
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405:
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399:
395:
392:
391:The Sleepers,
389:
384:
382:
378:
374:
369:
367:
363:
359:
356:Calle's text
354:
352:
342:
340:
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207:
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200:The Sleepers
196:
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160:
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150:
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118:Mills College
115:
111:
107:
102:
100:
96:
92:
88:
80:
72:
68:
65:
61:
57:Paris, France
54:(age 70)
45:
41:
37:Calle in 2015
34:
29:
22:
19:
3436:Alfredo Jaar
3401:Stan Douglas
3365:Sophie Calle
3364:
3348:Robert Adams
3259:Robert Frank
3241:Sune Jonsson
3056:Feminist art
3026:
3018:
2983:General Idea
2978:Fallen Fruit
2947:Hannah Wilke
2937:Wolf Vostell
2857:Mark Pauline
2812:Bruce Nauman
2792:Kent Monkman
2762:Suzanne Lacy
2757:Yayoi Kusama
2732:Andy Kaufman
2727:Allan Kaprow
2702:Rebecca Horn
2692:Sharon Hayes
2672:Ann Hamilton
2647:Bob Flanagan
2642:Valie Export
2632:Sophie Calle
2631:
2622:Chris Burden
2597:David Blaine
2592:Joseph Beuys
2557:Bas Jan Ader
2552:Vito Acconci
2525:
2517:
2509:
2501:
2493:
2485:
2477:
2469:
2461:
2453:
2445:
2437:
2429:
2421:
2413:
2406:
2397:
2389:
2381:
2373:
2365:
2357:
2349:
2341:
2333:
2325:
2317:
2309:
2301:
2293:
2279:
2271:
2198:Sophie Calle
2192:Sophie Calle
2172:
2166:Yan Pei-Ming
2146:
2127:
2106:11 September
2104:. Retrieved
2099:
2090:
2078:. Retrieved
2074:
2064:
2052:. Retrieved
2048:the original
2043:
2034:
2022:. Retrieved
2011:The Guardian
2010:
2000:
1988:. Retrieved
1984:
1974:
1962:
1943:
1938:
1926:. Retrieved
1921:
1912:
1900:. Retrieved
1896:
1887:
1875:. Retrieved
1871:
1862:
1850:. Retrieved
1846:the original
1839:
1830:
1818:. Retrieved
1814:the original
1804:
1793:, retrieved
1787:
1780:
1771:
1762:
1750:. Retrieved
1721:11 September
1719:. Retrieved
1716:The Observer
1715:
1705:
1693:. Retrieved
1689:
1680:
1668:
1651:
1641:
1622:
1617:
1609:
1604:
1585:
1580:
1561:
1556:
1548:
1543:
1531:. Retrieved
1526:The Guardian
1524:
1500:the original
1464:
1445:
1433:
1418:
1393:
1385:
1373:. Retrieved
1368:The Guardian
1366:
1330:. Retrieved
1326:
1316:
1254:
1207:Souris Calle
1206:
1200:
1179:
1165:
1151:
1136:And So Forth
1135:
1121:
1107:
1094:Voir la Mer.
1093:
1079:
1065:
1051:
1033:
1019:
1015:
1001:
987:
967:
953:
933:
912:M'as-Tu Vue.
911:
897:
881:
867:
853:
837:
823:
809:
793:
779:
759:
745:
731:
717:
703:
689:
675:
668:
654:
638:
624:
609:True Stories
608:
590:
576:
562:
546:
532:
518:
513:
505:Publications
499:Blake Gopnik
491:The Guardian
490:
488:
477:
463:
456:Kim Cattrall
451:
449:
444:
440:
438:
414:True Stories
413:
411:
394:Address Book
393:
390:
387:
385:
376:
371:At the 2007
370:
357:
355:
348:
335:Eiffel Tower
330:
327:Freud Museum
324:
319:
312:
307:
302:
295:
282:
280:
267:
257:
247:
241:
236:
234:
226:
223:Address Book
222:
220:
210:
208:
204:Les Dormeurs
203:
199:
197:
188:
186:
167:
161:
139:, New York;
122:
103:
87:Sophie Calle
86:
85:
25:Sophie Calle
18:
3470:1953 births
3413:Oscar Muñoz
3377:Paul Graham
3182:Irving Penn
3164:Ansel Adams
3101:Process art
3031:(2018 film)
3023:(1988 film)
3003:The Yes Men
2897:Tino Sehgal
2872:Jim Pomeroy
2822:Pat Oleszko
2802:Frank Moore
2747:Terence Koh
2612:GĂŒnter Brus
2572:Abel Azcona
2487:The Fathers
2407:Rest Energy
2394:(2014â2015)
2216:(in German)
2054:6 September
1928:8 September
1924:(in French)
794:Double Game
780:Double Game
764:Paul Auster
368:, England.
308:Double Game
298:Paul Auster
145:Videobrasil
3464:Categories
3371:Walid Raad
3336:Nan Goldin
3188:Ernst Haas
2968:Concept 21
2877:Duke Riley
2842:Eiko Otaki
2832:Mihai Olos
2777:Miki Malör
2772:James Luna
2742:Yves Klein
2722:Joan Jonas
2712:Zhang Huan
2657:Coco Fusco
2602:Mark Bloch
2495:The Shadow
2383:Luminosity
1902:5 February
1308:References
1152:Parce Que.
970:. London:
838:Detachment
418:1850 House
341:in Paris.
228:Libération
50:1953-10-09
3306:Jeff Wall
3076:monochrom
3066:Happening
2852:Gina Pane
2682:Jo Hanson
2652:Terry Fox
2637:Papo Colo
2567:Ron Athey
2503:The Shame
2415:Rhythm 10
2378:(1970â71)
2335:Cut Piece
2330:(1992â93)
2273:7000 Oaks
2019:0261-3077
1747:Interview
1673:Actes Sud
1332:7 January
1180:The Hotel
1002:En Finir.
898:L'Absence
868:FantĂŽmes.
633:248791020
595:Actes Sud
366:Sheffield
315:Greenwich
303:Leviathan
287:Las Vegas
260:Jerusalem
237:The Blind
211:The Hotel
183:1979â1981
159:in 2007.
135:, Paris;
127:, Paris;
3046:Body art
2963:Ant Farm
2837:Yoko Ono
2752:Paul Kos
2577:Franko B
2439:Rhythm 0
2431:Rhythm 2
2423:Rhythm 5
2100:euronews
2080:26 March
1990:25 April
1985:Newsweek
1795:27 April
1791:, Frieze
1549:Artforum
1529:. London
1472:Archived
1453:Archived
1371:. London
1040:, 2010.
974:, 2004.
940:, 2004.
922:, 2003.
732:L'HĂŽtel.
647:38067246
597:, 1994.
585:24809451
563:L'HĂŽtel.
322:(1998).
310:(1999).
110:Saas-Fee
2917:Stelarc
2539:Artists
2447:Seedbed
2202:Twitter
2119:Sources
2044:rps.org
1877:8 March
1852:8 March
1820:21 July
1752:4 March
1695:1 April
1533:2 March
1400:107â110
1375:4 March
1274:Gallery
1108:My All.
938:Prestel
914:Paris:
420:at the
48: (
3450:(2023)
3444:(2022)
3438:(2020)
3421:(2019)
3415:(2018)
3409:(2017)
3403:(2016)
3397:(2015)
3391:(2014)
3385:(2013)
3379:(2012)
3373:(2011)
3367:(2010)
3350:(2009)
3344:(2008)
3338:(2007)
3332:(2006)
3326:(2005)
3320:(2004)
3314:(2003)
3308:(2002)
3302:(2001)
3296:(2000)
3279:(1999)
3273:(1998)
3267:(1997)
3261:(1996)
3255:(1995)
3249:(1994)
3243:(1993)
3237:(1992)
3231:(1991)
3225:(1990)
3208:(1989)
3202:(1988)
3196:(1987)
3190:(1986)
3184:(1985)
3178:(1984)
3172:(1982)
3166:(1981)
3160:(1980)
3061:Fluxus
2956:Groups
2530:(2008)
2522:(1973)
2514:(1977)
2506:(2018)
2498:(2014)
2490:(2016)
2482:(2018)
2474:(2010)
2466:(1964)
2458:(2005)
2450:(1972)
2442:(1974)
2434:(1974)
2426:(1974)
2418:(1973)
2410:(1980)
2402:(2009)
2386:(1997)
2370:(1965)
2362:(1971)
2354:(2013)
2346:(2012)
2343:Eating
2338:(1964)
2322:(2015)
2314:(2015)
2311:Buried
2306:(1974)
2298:(1977)
2290:(1969)
2288:Bed-in
2284:(2015)
2276:(1982)
2135:
2024:7 June
2017:
1950:
1675:, 1998
1629:
1592:
1568:
1406:
1321:Tate.
1255:My All
1243:2010:
1238:Awards
1186:
1172:
1158:
1142:
1128:
1114:
1100:
1086:
1072:
1058:
1052:Blind.
1044:
1038:Steidl
1026:
1008:
994:
978:
960:
944:
926:
904:
888:
882:Ghosts
874:
860:
844:
830:
816:
800:
786:
770:
762:(with
751:
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723:
709:
695:
681:
661:
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631:
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601:
583:
569:
553:
539:
525:
193:Venice
168:My All
99:Oulipo
93:, and
3429:2020s
3358:2010s
3287:2000s
3216:1990s
3151:1980s
3039:Other
3012:Media
1266:2024
758:VII.
702:III.
510:Books
408:2010s
351:felon
345:2000s
254:1990s
178:Works
2998:Mavo
2932:Ulay
2265:Work
2133:ISBN
2108:2024
2082:2020
2056:2019
2026:2020
2015:ISSN
1992:2021
1948:ISBN
1930:2024
1904:2024
1879:2024
1854:2024
1822:2017
1797:2010
1754:2017
1723:2017
1697:2017
1627:ISBN
1590:ISBN
1566:ISBN
1535:2017
1404:ISBN
1377:2017
1334:2019
1327:Tate
1253:for
1215:Bono
1184:ISBN
1170:ISBN
1156:ISBN
1140:ISBN
1126:ISBN
1112:ISBN
1098:ISBN
1084:ISBN
1070:ISBN
1056:ISBN
1042:ISBN
1024:ISBN
1006:ISBN
992:ISBN
976:ISBN
958:ISBN
942:ISBN
924:ISBN
918:and
902:ISBN
886:ISBN
872:ISBN
858:ISBN
842:ISBN
828:ISBN
814:ISBN
798:ISBN
784:ISBN
768:ISBN
749:ISBN
744:VI.
735:ISBN
721:ISBN
716:IV.
707:ISBN
693:ISBN
688:II.
679:ISBN
659:ISBN
643:OCLC
629:OCLC
613:ISBN
599:ISBN
581:OCLC
567:ISBN
551:ISBN
537:ISBN
523:ISBN
264:eruv
43:Born
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766:).
730:V.
674:I.
424:at
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202:(
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