237:, along with the incorporation of surveillance cameras for observation. This installation not only showcases the perishable nature of food but also explores the fleeting beauty of art, merging themes of consumption, observation, and fleeting moments. Vividly demonstrating the spirit of the "culinary art" movement, it combines cooking with visual art in a thought-provoking installation, highlighting the relationship between culinary materials and artistic expression
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and crayon by means of which she is creating distributive, all-over-like compositions of animals, fruits, vegetables, clothing, body parts, and mythological figures. Thus her oeuvre is considered a contribution to the discourse on
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In Sonja Alhäuser's work "Emsrausch," a sensory-rich scene is created, blending edible elements with artistic media such as butter sculptures and miniature watercolor paintings
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is, for a large part, characterized by the fascination of the transitory, both in materials used and in the nature of her performances and
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to paintings of kings' banquets (where one felt honoured to be invited to watch the nobility feasting) and finally the
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who likewise employed transitory materials (like fat and honey) whilst the banquet as an artistic subject reaches from
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108:From 2002 to 2005, Alhäuser taught drawing at the
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171:March 2024
148:neutrality
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81:Biography
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