29:
435:
132:, which at the time was just starting to become fashionable. Although the official editorial stance was anti-gentrification, there have been arguments made that its coverage of local culture and business actually contributed to the upward trend in property values. Coverage of emerging music acts in local venues was particularly strong, with the paper being particular well known for its early coverage of the
426:, had been "founded ... by people residing within Greenwich Village, initially to provide them with cultural information about their community" and contrasted this with the SWN, stating that it had been "founded ... by an outsider" and that "Though the offices of the SoHo News were on Broadway below Houston Street, nearly all of its editors lived outside SoHo; most of its writers probably did as well".
606:
feminists and hedonistic libertines, chronic potheads and antidrug crusaders". Page described the poor physical condition of paper's office; a "plaster oven" in the summer, "drafty and underheated" in the winter, infested with "rats the size of dachshunds", and equipped with unreliable telephones and typewriters.
209:
consisted of seeing who was buying the paper at newsstands. Hank
Weintraub, vice president of ad agency DienerHauser-Greenthal, stated that the paper's circulation and effectiveness were unproven and he would only place ads there when specifically requested by clients: "It has not proven itself to be
583:
said the SWN had been "a weekly journal of counter-cultural news and opinion for New York City". Leese said the paper had lost $ 2 million in the previous year on operations with no prospects of making the paper profitable. Another spokesman put the total losses at $ 6 million. At the time of the
575:
as publisher and editor in chief. In the fall of 1981, ANG announced plans to close or sell the paper by
February 1982. Although there were negotiations with possible purchasers, which continued beyond the original deadline, continuing losses ($ 1.7 million in the previous year) forced ANG to shut
491:
New York fostered musical innovation in its varied venues, and as a global media capital it also provided the infrastructure to spread its new sounds locally, nationally, and inter-nationally. Influential print journalism and music criticism could be found in the pages of local outlets like The SoHo
462:
The local rock critic establishmentâat the
Village Voice and New York Timesâwas slow to respond to the goings-on at CBGB's and not enthusiastic when it first did. During the length of the first wave, the brunt of local support came from the alternative press, initially the SoHo Weekly News and later
534:
On
November 26, 1979, 27-year-old Manhattan resident Henry Benvenuti walked into the SWN office and asked to see art editor Gerald Marzorati. After being told he could not see Marzorati, Benvenuti took out a hatchet, stated that, "I'm doing this in the name of art," chopped off two of his fingers,
249:
feature in which they highlighted opulent residences. The first installment covered the home of fashion designer
Valerie Porr, which they described as " most fascinating spaces in SoHo". The paper touted the advantages of converted lofts, writing, "Living in a loft gives you a whole new dimension
605:
published shortly after the paper folded called SWN the "alternative to alternative papers" and "a most interesting little paper: breezy, intelligent, witty, joyously
Epicurean, wildly uneven". The paper's contributors were described as an eccentric mix of "neo-conservatives and Marxists, radical
241:
He gave as an example "a two-part series for the 1973 holiday season, the Weekly News took readers on a tour of more than two dozen neighborhood shops." Petrus also noted their "extensive classified section, listing lofts for rent or sale" which helped drive up rents, pricing artists and other
524:
There were plenty of artists of all types living there before this little boom thing in the mid-â80s. Most of the ones I knew never expected to have any type of commercial success. The biggest thing that ever happened to them was a mention in the
Village Voice or the Soho Weekly
256:
which called SoHo "The Most
Exciting Place to Live in the City", he lamented the influx of wealthy people who could "buy a loft in SoHo and send an artist to Brooklyn" and that when people came to artist's lofts, they were coming more to look at the real estate than the artwork.
210:
a viable medium or the challenge to The
Village Voice they say they are." At the time, the paper had two salesman but was looking to hire three more and double both circulation and ad revenue by the end of the year. Stephen M. Blacker, associate publisher of
570:
the previous year. A year later, Goldstein stated that the paper had an annual revenue of $ 1.1 million and their circulation was 60,000; it was reported, however, that the paper was losing money. ANG bought out the remaining stake in 1979 and named
588:
reported in their national edition that despite growing circulation, the paper had needed to increase advertising by six pages per issue, which the owners did not believe was possible. Contributing to the downfall was a pending lawsuit by
407:, saying that Weber "made men the focal point of sexual attention; for the first time, they were sold as sexual objects", noting that the image appealed to both gay and heterosexual men as well as to women. Cunningham did a style feature,
593:
which claimed that the SWN had violated her copyright when it printed a speech she had given about communism. John Leese was quoted as saying that attempts to sell the paper had been unsuccessful, even at a price described as "nominal".
387:. Weber's fashion photography was controversial for showing men clad only in underwear. Some of his earliest work in the SWN was described by the New York Times as "flagrantly erotic". He was famous for a 1983 billboard in
269:
in 1976, had notable careers before or after their association with the paper. The editorial team was led by founder
Michael Goldstein who previously had been a successful music publicist. Among his clients were
233:, Stephen Petrus argued that despite taking an editorial stance opposing gentrification, the SWN actually promoted it, "showcasing the galleries, boutiques, and restaurants", eschewing a role as neighborhood
176:, Manhattan, although the earliest issues showed the address of Goldstein's apartment on the masthead. Circulation was reported as 25,000 â 30,000. One of the more unusual topics covered was a review of
158:(1938â2018) who put out the first issue on October 11, 1973, using "his last $ 800" to fund operations. Initially published in eight pages, it eventually grew to over 100 pages and competed with
1829:
286:. Annie Flanders had been the fashion editor; very shortly after SWN closed, she organized a meeting of ex-staffers including Ronnie Cooke, Stephen Saban, Lesley Vinson, Megan Haungs, and
542:
The paper's office was once bombed by a "leader of a radical organization" who was upset that his name had been misspelled in an article. The explosion injured two employees.
576:
down the paper in March. The recent unionization of the paper was cited as a factor in the decision. The last issue, dated March 10â16, 1982, had 40,000 copies printed.
736:
125:
in 1979 and shut down three years later when AMG was unable to make it profitable. Many of the staff went on to have illustrious careers at other New York publications.
1542:
205:. Goldstein described the intended audience as "basically the 22âtoâ35âyear old group, who grew up during the 60's going to rock concerts" but conceded that his
1854:
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411:, having been recruited by Annie Flanders. He then went on to a long career at the New York Times as a photojournalist producing his famous
1839:
442:
The SWN was known for its coverage of new musical artists in downtown New York. In 1975, the SWN was one of the first papers to interview
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505:
376:
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reported that the SWN was the second largest English-language weekly in the city, was being positioned as a direct competitor of
957:
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907:
229:, the neighborhood where it was located and concentrated its coverage. In a 2003 review of the revitalization of the
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in space and space relationships to work with" Jim Stratton took a contrary stance. In response to a 1974 piece in
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shutdown, the staff numbered about 70 people, of which 25 were full-time reporters and editors. The next week, the
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Their arts coverage ranged from local talent to mainstream. One article on dance included a performance in a
1251:
535:
and walked out of the office, leaving the fingers behind. Benvenuti and his severed fingers were taken to
396:
1366:"Ramones: 'We play short songs for people who don't have a lot of spare time' â interview from the vaults"
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173:
512:. SWN was also known for their coverage of local artists struggling to make a name for themselves;
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172:, with a similar size and similarly weekly publication schedule". The paper's offices were at 111
168:, Richard Kostelanetz asserted that the SWN "was founded ... in part to exploit the success of the
1440:
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355:, and Bill Cunningham. Tannenbaum was known for his coverage of rock music, having photographed
177:
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8:
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496:, along with others with a further reach such as the Village Voice and New York Rocker.
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that were available, their street names, and commented on the relative quality.
28:
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852:"From Gritty to Chic: The Transformation of New York City's SoHo, 1962-1976"
656:
314:
columnist, was reportedly the first journalist to write a major story about
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896:
The Lofts of SoHo: Gentrification, Art, and Industry in New York, 1950â1980
590:
513:
388:
315:
271:
1416:"Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde"
1226:"American Masters: The Boomer List ~ Portraits of 19 Iconic Baby Boomers"
624:"Soho Weekly News articles, interviews and reviews from Rock's Backpages"
360:
356:
275:
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851:
925:"Michael Goldstein, Publicist Who Started SoHo Weekly News, Dies at 79"
767:"Michael Goldstein, Publicist Who Started SoHo Weekly News, Dies at 79"
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noted the paper's leading role in covering the New York music scene:
122:
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succeeded Annie Flanders as fashion editor; she and news reporter
282:; 17 of the acts he represented were eventually inducted into the
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1291:. Vol. XXII, no. 1. New York. p. 36 – via
181:
1519:"Artist has no regrets over 'Protest' that cost him 2 fingers"
873:
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Alternative weekly newspapers published in the United States
1016:"Details a Trendy Comer Among Fashion-Conscious Periodicals"
1201:"The Black List: Photographs by Timothy Greenfield-Sanders"
455:
214:, commented that he didn't "see them as real competition."
1605:
708:
384:
1069:"What It Was Like to Be Photographed by Bill Cunningham"
566:, which whom Harmsworth had been feuding, having bought
121:, it struggled financially. The paper was purchased by
799:. Internet Archive. New York: Routledge. p. 175.
180:
drug merchants; the piece described various brands of
671:"Remembering Michael Goldstein | SoHo Memory Project"
1744:"British Publisher, Citing Losses, Closes SoHo News"
154:
from 1973 to 1982. The paper was founded in 1973 by
796:
Soho : the Rise and Fall of an Artists' Colony
1127:"Pelham's Gerald Marzorati was 'Late To The Ball'"
242:renters without long term leases out of the area.
115:from 1973 to 1982. Positioned as a competitor to
958:"On City Rooftops, Scrappy Green Spaces in Bloom"
539:but doctors were unable to reattach the fingers.
1821:
1576:"Artist chops off fingers when interview denied"
458:'s. The Ramones debuted in August 1974 as did
371:Greenfield-Sanders has work on display at the
166:SoHo: The Rise and Fall of an Artists's Colony
1855:Defunct newspapers published in New York City
1774:
709:"Advertising: SoHo News Aiming at The Voice"
128:The paper was known for its coverage of the
1783:. p. 7 (Section 4, National edition).
1686:
1333:"Bill Cunningham's Columns, the Early Days"
792:
1850:1982 disestablishments in New York (state)
1775:Hoffman, Eva; Slade, Margot (1982-03-21).
429:
1631:"2 Publications Deny Tie to Esquire Sale"
707:Dougherty, Philip H. (January 20, 1976).
706:
217:The paper was an outspoken critic of the
1741:
1543:"Mutilation: The Artist's Angry Message"
1249:
922:
764:
433:
265:Many SWN staff, 80 percent of whom were
146:The SoHo Weekly News (SWN) was a weekly
141:
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1391:"Know Your New York Bands: The Ramones"
1388:
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1822:
1813:SoHo Weekly News â New York in the 70s
1606:"Alas, The Soho News Wasn't Cast-Iron"
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1205:Smithsonian: National Portrait Gallery
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1777:"Ideas and Trends; No More Soho News"
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1151:"Allan Tannenbaum : Punk / Rock"
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1041:"Details Magazine Is Officially Done"
955:
889:
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788:
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765:Mallozzi, Vincent M. (May 25, 2018).
1845:1973 establishments in New York City
1712:
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1603:
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1461:"Video Lounge: Getting the Word Out"
1305:
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562:Reportedly, this was in response to
475:In 1978, they ran an interview with
237:in favor of competing directly with
18:Defunct alternative weekly newspaper
1840:Publications disestablished in 1982
1413:
982:
949:
923:Mallozzi, Vincent M. (2018-05-25).
916:
13:
1732:
1706:
1689:"SoHo news: The death of a weekly"
1592:
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1507:
1285:"10 Pictures that Changed America"
1057:
880:
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450:A number of other groups followed
14:
1871:
1805:
1742:Friendly, Jonathan (1982-03-16).
1125:Marsh, Steven P. (May 11, 2016).
834:
753:
726:
687:
446:. According to Bernard Gendron:
1816:, Allan Tannenbaum photo gallery
1517:Byrd, Jerry (January 21, 1980).
1439:Gross, Michael (13 April 1979).
1331:Rosman, Katherine (2016-07-01).
1250:Muschamp, Herbert (1999-11-14).
1039:Hyland, VĂ©ronique (2015-11-18).
579:The day after the shutdown, the
405:10 Pictures that Changed America
381:American Master: The Boomer List
318:. Marzorati went on to work at
27:
1768:
1687:O'Brian, Dave (23 March 1982).
1680:
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1432:
1407:
1382:
1357:
1324:
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1155:The Eye of Photography Magazine
1143:
1118:
1093:
1032:
1007:
991:"Remembering Michael Goldstein"
900:The University of Chicago Press
850:Petrus, Stephen (Winter 2003).
830:– via Ephemeral New York.
422:Richard Kostelanetz noted that
343:The photography staff included
1835:Newspapers established in 1973
1664:"A Soho Weekly News Who's Who"
1465:Museum of the City of New York
1308:"A Soho Weekly News Who's Who"
1283:Edkins, Diana (January 1989).
1102:"A Soho Weekly News Who's Who"
956:Green, Penelope (2011-06-22).
813:
663:
640:
616:
485:Museum of the City of New York
294:which ran from 1982 to 2015.
1:
1449:– via Rock's Backpages.
1403:– via Rock's Backpages.
793:Kostelanetz, Richard (2003).
609:
558:, took a 25% share in the SWN
130:Manhattan's SoHo neighborhood
1715:"Soho News Ends Publication"
1713:Zito, Tom (March 16, 1982).
1604:Page, Tim (March 20, 1982).
1489:Indiana, Gary (1999-10-01).
1389:Betrock, Alan (1 May 1975).
1364:Betrock, Alan (2013-04-17).
1176:"Timothy Greenfield-Sanders"
529:
284:Rock & Roll Hall of Fame
7:
1588:– via Newspapers.com.
1531:– via Newspapers.com.
1067:Horyn, Cathy (2016-06-25).
1014:Gabree, John (1988-03-24).
245:In 1974, SWN inaugurated a
107:founded by music publicist
10:
1876:
1662:Ohta, Yukie (2021-11-30).
1306:Ohta, Yukie (2021-11-30).
1230:Public Broadcasting System
1100:Ohta, Yukie (2021-11-30).
989:Ohta, Yukie (2018-07-09).
552:Associated Newspaper Group
504:loft alongside one at the
349:Timothy Greenfield-Sanders
123:Associated Newspaper Group
1252:"Beefcake for the Masses"
550:In May 1978, the English
377:National Portrait Gallery
87:
79:
69:
61:
53:
43:
35:
26:
1574:AP (November 27, 1979).
1491:"Crime and Misdemeanors"
506:Metropolitan Opera House
409:Bill Cunningham's Sunday
260:
510:American Ballet Theater
430:Music and arts coverage
337:New York Times Magazine
1395:www.rocksbackpages.com
894:Shkuda, Aaron (2016).
628:www.rocksbackpages.com
527:
498:
473:
439:
403:featured the photo in
379:, and was featured in
201:, and was sold at 400
1580:Fort Myers News-Press
1289:American Photographer
741:Cleveland Jewish News
522:
489:
448:
437:
401:American Photographer
330:, and eventually the
148:alternative newspaper
142:Startup and operation
105:alternative newspaper
1180:Museum of Modern Art
737:"Goldstein, Michael"
649:The Soho weekly news
601:op-ed by SWN editor
546:Decline and shutdown
492:Weekly News and the
373:Museum of Modern Art
334:where he edited the
1719:The Washington Post
1668:SoHo Memory Project
1471:on October 31, 2023
1312:SoHo Memory Project
1106:SoHo Memory Project
995:SoHo Memory Project
23:
1781:The New York Times
1748:The New York Times
1693:The Boston Phoenix
1635:The New York Times
1610:The New York Times
1420:press.uchicago.edu
1414:Gendron, Bernard.
1337:The New York Times
1256:The New York Times
1073:The New York Times
962:The New York Times
929:The New York Times
771:The New York Times
713:The New York Times
440:
239:The Village Voice.
194:The New York Times
71:Ceased publication
39:Alternative weekly
21:
1020:Los Angeles Times
647:"OCLC WorldCat".
568:The Village Voice
537:Bellevue Hospital
424:The Village Voice
327:Harper's Magazine
310:, art editor and
302:went on to found
300:David Hershkovits
253:New York Magazine
231:SoHo neighborhood
219:commercialization
212:The Village Voice
199:The Village Voice
191:In January 1976,
161:The Village Voice
156:Michael Goldstein
118:The Village Voice
111:and published in
109:Michael Goldstein
95:
94:
48:Michael Goldstein
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1860:SoHo Weekly News
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1467:. Archived from
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857:New York History
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823:. March 16, 1982
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494:East Village Eye
345:Allan Tannenbaum
308:Gerald Marzorati
292:Details magazine
247:Loft of the Week
100:SoHo Weekly News
72:
57:October 11, 1973
31:
24:
22:SoHo Weekly News
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1547:Washington Post
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1441:"Talking Heads"
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556:Vere Harmsworth
548:
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469:New York Rocker
432:
369:Rolling Stones.
332:New York Times,
288:Bill Cunningham
263:
207:market research
144:
70:
19:
12:
11:
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