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Slowcore

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611: 411: 1076: 745: 858: 238: 5676: 2809:: "Red House Painters emerged from San Francisco's Bay Area in 1992, and proceeded to release a string of exceptional - and determinedly uncommercial - albums on the British label 4AD. Long, rambling reflections on death, love and drugs, invariably to a spartan backing of folk guitar and brushed drums, Kozelek's work has been described as slow fi, slowcore, lo-fi and even snorecore". 1510:'s article, most of the artists and albums included in his piece were tucked under the umbrella of 'New Weird America,' which flowed into the slightly more descriptive 'free-folk,' which became 'freak-folk,' and subsequently devolved, as more and more diverse artists were swept up in the wave, into the catchall 'indie-folk'". 901:. This album was different from its predecessors: while it maintained stylistic similarities with other bands' sparse instrumentation, it was more difficult to categorise into the other associated genres, like dream pop or shoegaze. Due to this unique sound, Low are heralded as pioneers of the genre; in their review of 2647:, p. 640: "Opposition and fluidity reside at the core of the genre’s aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band’s origins within indie." 1367:, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker". 740:
While many of the bands that influenced the concept of slowcore existed before the 1990s, this decade is often cited as being when the genre began, as well as being its heyday. Throughout this period, the amount of bands and albums associated with the genre grew greatly, establishing its fundamental
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Through the success of several bands in the mid-to-late 1990s, the slowcore sound had been conceptually established by the commencement of the 2000s. Through this, the genre continued to grow with releases from both existing and new artists. This era also saw bands experiment by amalgamating the
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While albums archetypical of the mid-to-late-1990s slowcore sound were still being released during the 2000s—such as those by Carissa's Wierd and Low—some bands were experimenting with introducing slowcore elements to other genres. For example, in 2002, several Red House Painters members formed
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became ever-more constricting over time, began with a specific set of goals and expanded outward. Perhaps because slowcore was always more about a feeling and less a particular set of sonic parameters, it was always more open to interpretation than some of its fellow spawn of the underground.
226:. "Sadcore" imitates similar etymology, and the names are used interchangeably. The term itself has an unclear origin, though sources suggest "slowcore"'s use started in the early 1990s. Scholars and bands alike have shown ambivalence towards the name, with some deeming it pejorative. 707:(1989), strongly influenced the genre, as did the rest of their discography, although their dream pop style was not entirely indicative of how slowcore would develop. Regardless, the band is frequently cited as one of slowcore's leading antecedents. Andrew Earles, in his 2014 book 1152:. Early on, pundits noted that this band departed from the slowcore sound present in Red House Painters releases to instead opt for folk-inspired song construction. Despite this, others continued to find similarities between Sun Kil Moon's music and slowcore: a 2009 article in 361:
and a sombre and atmospheric approach to both the songwriting and composition. Backing instrumentation is sparse, contrasting with the genres from which slowcore is derived. Slowcore uses simple melodies over a prolonged period to evoke saddening emotions; Andrea Swensson of
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as examples of "post-slow" bands in his timeline of slowcore, a category "reflecting a broadening and a deepening of the sound". Chick stated the "genre's influence is subtle but pervasive" in modern music. Reviewers have described and labeled releases from contemporary
2443:, p. 124: "Like many bands featured in this book, Galaxie 500 was a big influence on a successive subgenre of band within indie rock. In the case of this seminal Boston trio, they are seen as progenitors of what the music press came to call 'slowcore'". 2426:, p. 124: " what the music press came to call 'slowcore,' an unfortunate term often attached to bands such as Codeine, Low, Seam, Mazzy Star, Bedhead, and Rex known for really slow tempos and a general prettiness or melancholy tendencies." 2833:: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album". 590:
resisted the term and continuously told music critics that his band was "not slowcore". Similarly, members of Low disliked the label: in 1998, Sparhawk called it "cheesy". Regardless, the term grew in popularity and in an interview with
895:, Minnesota, would ultimately create the genre's archetypical sound. Formed in 1993 by Alan Sparhawk and Mimi Parker, the band started by experimenting with slow and quiet rock music and in December of 1994, released their debut album 884:
were producing slow songs that, on the outset, appeared to relate to slowcore but were better categorised under these other emerging genres. These elements resulted in slowcore being an unclearly defined and confusing genre.
1231:". Together, this usage increased public interest in slowcore, and its newfound growth allowed both existing bands—like Duster—to receive a resurgence in success and enabled new bands to emerge onto the scene. Rubsam listed 4380: 923:(1995) "drew the blueprint for slowcore as we know it today". Low would continue to release slowcore albums throughout the rest of the decade and the early 2000s, after which they transitioned towards other genres. 3239:, p. 796: "By the mid-1990s, the independent music scenes in North America and Europe were thriving and cycling through microgenres, such as shoegaze, slowcore, and psychobilly, at an exceedingly rapid rate". 2334: 2259: 1000:. She writes, in respect of the first three: "the genre grew to encompass the blue lullabies of Spain; the hypnotic intimacy of the For Carnation ; the whispered confessions of early Cat Power". She also cites 786:, their 1994 sophomore and ultimate album, Codeine had cemented themselves as a prominent band within the scene. Two years after Codeine's debut, Red House Painters, having formed in 1988, released their debut: 3769: 3128:, p. 177: "Of the bands grouped into 'sadcore' and 'slowcore' classifications by critics in the early '90s, none were lower—or perhaps sadder (though Red House Painters might win that contest)—than Low." 3115:
and two eponymous titled full-lengths recorded in 1993 together form a linear block of music from which emotes, with unequivocal intensity, authentic sadness, disenchantment, desperation, regret, and general
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has been described as slowcore because of "her sadly beautiful little-girl whisper" style of singing. Emotion is a core component of slowcore, and the sparse instrumentation emphasises the singer's voice.
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in the later stages of the century, both of which influenced slowcore to different extents. Alongside these core influences, artists often take influence from a variety of other musical genres, including
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describes it more generally as a "productive suffix for aesthetic trends". "Slow" refers to the pace of the music. For "sadcore", the same applies, except "sad" refers to the emotion of the lyrics.
812:(1993), have been described as instilling feelings of "desperation, regret, and general darkness". Earles contended that Red House Painters was the saddest band within slowcore in the early 1990s. 1144:, the band's final album. This lattermost release was their most notable with respect to slowcore. Despite this, Carissa's Wierd remained obscure throughout their existence, disbanding in 2003. 759:
In these early years, the genre was defined by bands that had a style of minimalist and prolonged instrumentation with melancholic vocal performances. Codeine, having formed in 1989, released
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The sound that would become known as "slowcore" began emerging in the United States in the late 1980s and early 1990s as a counterpoint to the rapid growth of louder rock genres, especially
837:(1998), which maintained the same slow sound as their debut but deviated in technique. After this, the band disbanded and fell out of public discourse. A year after Bedhead's formation, 3579: 3978: 3437: 563:
Journalists dubbed this genre "slowcore", much to the musicians' chagrin. "It was an insult," says Bedhead's Matt Kadane. "We never saw slowness as the essence of what we were doing."
1956: 1037:(2000), before disbanding until 2018. Despite this, Duster's initial cult following and later resurgence would ultimately make them one of the most influential bands within slowcore. 219:, were more experimental but remained within the genre's confines. Because of slowcore's broad interpretation, observers have described several other musicians and bands as slowcore. 3172: 2226: 1186:(2001). The album was reminiscent of dream pop, given the members' past work with other bands, but was still recognisable as slowcore. This trend continued with their second album, 1196:
in 2012, with their single "Nothing's Gonna Hurt You Baby". The song would go relatively unnoticed until it went viral several years later, following which the band released their
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There is no definitive origin of the label "slowcore" outside of the agreement between scholars that its use began in the 1990s. The first instance of "slowcore" cited in the
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wrote that "The best thing about slowcore is that they demand the listener pay attention. The worst thing about them is that sometimes you fall asleep by the third song".
2597:– what's the cheesiest? slow-core. I hate that word. the most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that. 1240: 2249: 1863: 1562: 199:, among others, all followed Low and furthered the reach of the genre, and by the 2000s, slowcore had an obvious sound, even without clear categorisation. Artists like 3759: 1602: 4170: 2161: 1908: 255: 4147: 994:'s self-titled debut album was released. These latter four bands were mentioned by Stevie Chick as examples of the way slowcore evolved after Low in an article for 2998: 2021: 3800: 1391: 796:
label, this album consisted of a select handful of demos that had been polished before their official release. The album is bleak in both lyrics and composition;
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in 1990, which incorporated "tortured lyrics and tired vocal melodies". Codeine's music received attention over the following years, and after the release of the
272:. This album is considered foundational within slowcore, a genre that "stretch a simple melody into a 10-minute meditation that gently pulls out of linear time". 2740: 1244: 1644: 2887: 4078: 720:
There were other early bands that formed in the 1980s that would help define slowcore, however many would not release anything until the 1990s. These include
2193: 4347: 2704: 542:. Another claim to the origin of the term is from Alan Sparhawk of Low, a band often considered monumental in the growth of the genre. In an interview with 2854: 2773: 4314: 3614: 3484:
But elsewhere the band began to experiment with harsher audio tones. For the first time, the previously snug-fitting 'slowcore' tag stopped making sense.
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Purdom, Clayton; McLevy, Alex; Adams, Erik; Rife, Katie; Gerardi, Matt; Adamczyk, Laura; Ihnat, Gwen; Dowd, A.A.; Anthony, David (20 August 2018).
2548: 549:, Sparhawk said his friend had coined the term "slowcore" as a joke and that he had humorously mentioned it in one of his band's earliest shows ( 222:
The term "slowcore" derives from "slow", referring to the tempo and energy of the music, and "-core", which refers to a scene, style, or musical
4403: 2397: 2128: 2920: 207:, and Duster incorporated its archetypical sound in their music throughout the introductory years of the 21st century, while others, including 4208: 3565: 3030: 3968: 3427: 1749:, p. 235: "" characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing 3509: 1946: 3471: 3300: 3182: 4807:"Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths" 4010: 2216: 1438:
That music is quiet, stripped-down, intensely atmospheric folk rock with occasional psychedelic touches, played at a hypnotic dirge tempo.
1213:) have been used to soundtrack viral videos to heighten the emotion. Similarly, televisions programs used slowcore to similar effect; the 3215: 944:
in 1996, which Rubsam considered a slowcore "classic". Ida continued to release music throughout the 1990s and into the late 2000s, with
468: 3250: 2367: 1722: 1027:(1998). By this point, the band had already released a few EPs but had failed to garner a notable reputation. The album was reviewed by 5230: 3333: 4446:, p. 12: "Rock fans do not relax but rather despair when they listen to 'slow core,' songs that are not only slow but also long." 4234: 3656: 653:
that destroyed the morals of a generation". Grunge, in the form that it came to be known, emerged during the mid-1980s in and around
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Slowcore increased in popularity in the early 2020s, partly through social media trends. Songs like Duster's "Constellations" (from
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that typically fails to appeal to mainstream audiences. Similarly, contemporary folk refers to a musical style representative of
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characterised by subdued tempos with typically minimalist instrumentation alongside solemn and melancholic lyrical performances.
2581: 1452: 1008:, as another influential band. By the years surrounding 1996, "slowcore" was no longer solely an esoteric phrase; an article in 825:
in 1994. This album consisted of soft vocals and dynamic instrumentation, and the band would release two further studio albums,
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to be synonymous. When distinguished, the differences are attributed to a heightened melancholy in the lyrics of sadcore songs.
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facetiously remarked that he could "play a snare hit, go get a drink and be back at the drumkit before the next beat". In 1998,
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in May jested that Spain, among others, were playing a sort of music that "new-trend-every-week folk are calling slowcore".
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1993). He said that after he used it in an interview, the popularity of the phrase increased, as did Low's media attention.
181:—widely considered to be the genre's first act—formed in 1982. Regardless, the mellow and restrained sound of Low's debut, 2151: 1898: 402:, said "You weren't going to play at parties, but it was beautiful: the lyrics bare and honest, the musicality sparing". 4137: 3575: 2506: 165:; however, despite their retrospective acclamation as slowcore pioneers, Low was not the first band to produce slowcore. 4281: 2988: 410: 3792: 1852: 1381: 1092: 802: 458: 2730: 5717: 4787: 4762: 4737: 4681: 4640: 4601: 4572: 4547: 4522: 1634: 2877: 5707: 5619: 5319: 4277: 1082:
at a reunion show in 2010. Commentators have used this band as an example of how slowcore continued into the 2000s.
610: 3935: 2490:, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush." 841:, another prominent band in these preliminary years, formed, and began releasing music in 1993 after signing with 4729: 4337: 2694: 247: 2844: 2763: 5223: 4430: 4304: 3624: 1228: 389:
Lyrics within slowcore are often melancholic, with the vocal performances subdued. For example, Swedish singer
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Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary
3969:"Carissa's Wierd: Ugly But Honest: 1996-1999 / You Should Be at Home Here / Songs About Leaving Album Review" 2610: 931: 4812: 3734: 1935:, p. 235: "The gloomy lyrical content rather than the acoustic effects led to the synonymous sadcore." 1197: 2085: 4033: 2943: 1086:
The first few years of the century saw multiple bands release staple slowcore albums, including Duster's
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The history of slowcore began in the late-1980s with bands forming in reaction to the abrasive sounds of
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Slowcore is occasionally referred to as "sadcore", and many journalists and scholars consider the
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The mid-1990s were an experimental period in music throughout North America and Europe, with new
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but with modern—the 20th century and onwards—interpretations, ultimately spawning subgenres like
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The "slowcore" label has been criticised by scholars and bands, who have called it pejorative.
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There is no definitive characterisation of the genre, however it is typically defined by slow
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in 2018, Sparhawk recognised his band as being influential in slowcore's growth and success.
579: 187:(1994), and their albums that followed over the next several years, came to define slowcore. 3323: 5524: 4613: 4593: 3251:"A New Box Set Unearths Acetone, the Greatest '90s Rock Band You've (Probably) Never Heard" 2123: 1193: 1182: 897: 751:
are considered to be one of the first slowcore bands. They are pictured here performing at
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in 1985, the band's music was slow and with characteristics akin to genres like folk and
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elemental folky music spearheaded by Low, the acclaimed pioneers of 'Slocore' [
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wrote that the genre "gently pulls out of linear time". While the songs can implement
212: 200: 170: 5199: 3464:"Low – 'Hey What' review: Minnesota duo shake off the 'slowcore' tag once and for all" 3065: 845:. Like Bedhead, they released slowcore albums throughout the decade—their debut being 157:, laid the groundwork for the genre in the early years and until the mid 1990s, where 5702: 5636: 5566: 5539: 5473: 5341: 5123: 5078: 5033: 4988: 4947: 4910: 4874: 4783: 4758: 4733: 4719: 4705: 4697:
It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music
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The sadcore categorisation saw considerable use in the early 2000s. Mentions include
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Cold World: The Aesthetics of Dejection and the Politics of Militant Dysphoria
4338:"On Preacher's Daughter, Ethel Cain's Jarring, Beautiful Vision Comes to Life" 3760:"The Low-Key Legacy Of Duster, Your Favorite Indie Band's Favorite Indie Band" 2500: 499:'s music has also been called sadcore, a descriptor she dislikes: speaking to 5696: 5432: 5400: 5273: 5268: 5160: 5127: 5104: 5082: 5059: 5037: 5014: 4992: 4973: 4951: 4914: 4564: 4476: 4267: 4083: 3619: 2882: 2735: 2672: 2594: 2473: 2301: 2156: 2090: 1998: 1903: 1814: 1771: 1593: 1432: 1169: 1018: 771: 701:, Massachusetts and began releasing dream pop albums. Their sophomore album, 686: 668: 518: 351: 306: 192: 90: 3260: 5656: 5631: 5556: 5373: 5368: 5351: 5110: 4971:
Clayton, Richard; Cairns, Dan; Nash, Rob; Edwards, Mark (11 January 2009).
3432: 2699: 2221: 1557: 1507: 1458: 1224: 1149: 1110: 1101: 1005: 996: 961: 881: 838: 776: 671:, California, are considered an early slowcore band. Releasing their debut 638: 570: 486: 414: 373: 216: 204: 188: 4673: 4535:
Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996
2250:"Phoebe Bridgers on Lorde, Laneway, and the 'sad girl' label: 'I hate it'" 709:
Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996
5651: 5410: 5393: 5358: 5305: 4457: 2454: 2282: 2152:"Low: A Lifetime Of Temporary Relief: 10 Years Of B-Sides & Rarities" 1979: 1795: 1752: 1105: 991: 767: 694: 681:. This style was echoed by other bands at the time, such as the Canadian 587: 435: 347: 335: 110: 105: 711:, described them as slowcore's "progenitor". Robert Rubsam, writing for 650: 417:, pictured in 2013, has self-described her music as "Hollywood sadcore". 5574: 5549: 5534: 5490: 5478: 5427: 5422: 5417: 5295: 5290: 5278: 5263: 5253: 4005: 3537: 1257: 1001: 927: 888: 869: 861: 729: 535: 473: 318: 298: 290: 281: 263: 196: 162: 158: 154: 139: 54: 621:
in 2008. They are considered to be one of the earliest slowcore bands.
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self-described her music as "Hollywood sadcore" in an interview with
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Stewart, Allison (2004). Brackett, Nathan; Hoard, Christian (eds.).
4079:"Inside Hope Sandoval and the Warm Inventions' Mysterious Chemistry" 5584: 5505: 5449: 5378: 5208: 5176: 5139: 5094: 5070: 5049: 5004: 4963: 4825: 4408: 4272: 3684: 3651: 3504: 3454: 1951: 1947:"The music subgenre sadcore finds a new life with a new generation" 1717: 1126:(2003). Alongside these, new bands began venturing into the genre. 976: 713: 343: 223: 161:
played a pivotal role in establishing slowcore as one of the era's
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Alan Sparhawk from Low tells the story of the origin of 'Slowcore'
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Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe
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from 2005 also often highlighted as an exemplary slowcore album.
852: 717:, called Galaxie 500 the "fountainhead for all that would come". 654: 642: 546: 540:
Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe
477: 369: 3173:"Slowcore Week: Other highlights of slowcore - a brief round-up" 5405: 5074: 4984: 4939: 4906: 4620: 4142: 3295: 2217:"Lana Del Rey review – 'Hollywood sadcore' shines in Australia" 892: 626: 399: 146: 5483: 4837: 4775:
Electric Folk: The Changing Face of English Traditional Music
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For a brief analysis of Low's work post-2000 in a review for
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and other zines, and the band would release one final album,
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The Ballad in American Popular Music: From Elvis to Beyoncé
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Slowcore prominently incorporates stylings and traits from
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all released influential albums earlier that decade, while
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Rethinking Art and Visual Culture: The Poetics of Opacity
4199:"Cigarettes After Sex: Cigarettes After Sex Album Review" 3467: 2768: 1635:"Slowcore isn't making a comeback, it's always been here" 1589:"The slow and steady perfection of Galaxie 500's On Fire" 1338: 1048: 793: 780:
described them as having a "unique 'slowcore' sound". By
4970: 4064: 4034:"Sun Kil Moon: Ghosts of the Great Highway Album Review" 2525: 849:(1993); however, Idaho persisted into the next century. 4228: 4226: 3793:"How Millennials Rescued Duster's Music From The Abyss" 3255: 1382:"Remembering Low's Mimi Parker With 6 Essential Tracks" 1325: 1323: 1321: 1319: 1317: 5015:"Pop Notes: Future of Parachute Club is up in the air" 372:, they often lack intense changes in instrumentation. 3936:"Songs: Ohia: The Magnolia Electric Co. Album Review" 2935: 2538:"Mimi Parker, Moody Alt-Rock Vocalist, Is Dead at 55" 1896: 1706: 1704: 1702: 1700: 1698: 1696: 1694: 1180:
formed this duo in 2001, and shortly after, released
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Following Low, several bands emerged. Among them was
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Goldberg, Michael (16 September 1993). "New Faces".
1314: 1138:(2001). These albums were then succeeded in 2002 by 3754: 3752: 2878:"Reconsidering Codeine, a '90s band frozen in time" 2119:"Shearwater: Everybody Makes Mistakes Album Review" 1628: 1626: 1624: 1622: 1620: 1282: 960:) a year after Ida's debut, in 1995. Also in 1995, 735: 398:, a founding member of the renowned post-rock band 5148: 5103: 5058: 5013: 4972: 4927: 4894: 4846: 4805: 4612: 4456: 4455: 4437: 3422:For an exploration of Low's work until 2018, see: 3385: 3383: 2536: 2453: 2452: 2281: 1978: 1851: 1794: 1793: 1751: 1750: 1546: 1544: 1542: 1540: 1538: 1536: 1451: 4138:"The Diehard Romanticism of Cigarettes After Sex" 4103: 4101: 3315: 3284: 3282: 2695:"Ten myths about grunge, Nirvana and Kurt Cobain" 1977: 1742: 1740: 1671: 1534: 1532: 1530: 1528: 1526: 1524: 1522: 1520: 1518: 1516: 505:in 2023, she said "I hate the 'sad girl' label". 301:that emerged in the 1980s and encapsulates music 5694: 5565: 4718: 3815: 3749: 3716: 2611:"Low's Alan Sparhawk Ranks the Band's 11 Albums" 1617: 1479: 1375: 1373: 1206:as a "slowcore collection borders on ambient". 1108:(later called Magnolia Electric Co.), releasing 934:and Daniel Littleton, who released their debut, 819:, which formed in 1991 and released their debut 605: 3962: 3960: 3958: 3380: 2989:"Ida at Iota: Showing Indie Rock's Softer Side" 2845:"6 Great Albums Named After Other Great Albums" 2821:: " country- blues minimalists Cowboy Junkies". 2686: 2436: 2434: 2432: 2419: 2417: 2415: 2280: 1845: 1843: 1841: 1839: 1360: 1358: 1356: 1354: 1352: 1350: 1330:Chick, Stevie (11 January 2003). "Pop albums". 4974:"Your definitive guide to today's music scene" 4611:Grønstad, Asbjørn SkarsvĂĄg (29 October 2020). 4268:"Mascara: What is the TikTok trend all about?" 4098: 3824:"Low: Things We Lost in the Fire Album Review" 3279: 2640: 2638: 2505:. The Paper Crane Podcast. 20 September 2021. 1928: 1926: 1737: 1582: 1580: 1513: 1425: 1423: 1421: 1334:. No. 67657. London. col e, p. 110. 1192:(2009). This dream pop sound was revisited by 853:1994-1999: Refinement of an archetypical sound 442:, the "reluctant king of sadcore" in 2002 and 5224: 4803: 3324:"Mimi Parker Was Indie Rock's Guardian Angel" 3236: 2568: 2566: 1443: 1370: 517:" infers a scene or style, originating with " 5060:"Little-known Junkies' remarkable LP a find" 4259: 3955: 2724: 2722: 2659:"Low, Turning Its Slowcore Fidelity to High" 2429: 2412: 2358:"When Indie-Rock Genres Outnumber the Bands" 1836: 1347: 954:, an Australian band, released their debut ( 29:Subgenre of alternative and indie rock music 4235:"TikTok Has Made Shoegaze Bigger Than Ever" 4001:"Sun Kil Moon: Ghosts Of The Great Highway" 3677: 3416: 3164: 2635: 1923: 1577: 1418: 5231: 5217: 4804:Arsel, Zeynep; Thompson, Craig J. (2011). 3966: 3908:"Songs: Ohia: Didn't It Rain Album Review" 3784: 3566:"Lost Albums: Bluetile Lounge - lowercase" 3140:"Bedhead: Bedhead: 1992-1998 Album Review" 3137: 3066:"Red House Painters: Box Set Album Review" 2764:"American Music Club: 'Slowcore' and More" 2563: 2019: 1945:Collington, Christian (10 December 2022). 1944: 4690: 4031: 3821: 3612: 3248: 2719: 2083: 1787: 1503: 5146: 4887:Newspaper articles and magazine excerpts 4610: 4136:Cacouris, Christina (17 February 2016). 4135: 4076: 3879:"Songs: Ohia: Ghost Tropic Album Review" 3321: 2842: 2794: 2534: 2390:"Nominations for Words of the Year 2021" 2214: 2086:"Red House Painters: Red House Painters" 1938: 1853:"Slowcore: Encyclopedia of Modern Music" 1429: 1379: 1364: 1074: 872:rapidly appearing. Other bands, such as 856: 743: 609: 586:called it an "insult" and Jim Putnam of 409: 5056: 4925: 4746: 4506: 4335: 4032:Goldstein, Hartley (19 November 2003). 3967:M. Deusner, Stephen (2 December 2010). 3852:"Songs: Ohia's Didn't It Rain Turns 20" 3790: 3722: 3710: 3600: 3530: 3461: 3389: 3170: 2908: 2830: 2728: 2608: 2355: 2247: 1932: 1849: 1746: 1586: 1166:Hope Sandoval & the Warm Inventions 645:, described as "gritty vocals, roaring 209:Hope Sandoval & the Warm Inventions 14: 5695: 5101: 4892: 4844: 4771: 4657: 4531: 4443: 4368: 4303:Codiga, Jacqueline (7 November 2022). 4302: 4168: 4107: 3933: 3905: 3425: 3125: 3108: 3096: 3063: 3051: 2974: 2875: 2806: 2644: 2440: 2423: 2337:from the original on 13 September 2021 2322: 2149: 1884: 1710: 1565:from the original on 15 September 2023 1491: 1412: 792:(1992). Similar to other bands on the 5212: 5011: 4401: 4383:from the original on 31 December 2021 4284:from the original on 6 September 2023 4265: 3981:from the original on 15 November 2023 3849: 3692:from the original on 14 November 2023 3659:from the original on 14 November 2023 3582:from the original on 14 November 2023 3563: 3512:from the original on 14 November 2023 3474:from the original on 15 November 2023 3440:from the original on 23 November 2023 3426:Hopper, Jessica (21 September 2018). 3336:from the original on 23 November 2023 3303:from the original on 23 November 2023 3288: 3267:from the original on 22 November 2023 3218:from the original on 14 November 2023 3206:"Idaho: You Were a Dick Album Review" 3138:Richardson, Mark (14 November 2014). 2986: 2942:Tudor, Alexander (16 February 2009). 2941: 2911:"Low: The Invisible Way Album Review" 2818: 2116: 2098:from the original on 19 December 2022 2084:Hawthorne, Marc (25 September 2007). 2052: 1550: 1449: 1329: 448:calling Charlyn Marshall (stage name 5238: 4556: 4532:Earles, Andrew (15 September 2014). 4485:participating institution membership 4232: 4196: 4150:from the original on 24 January 2021 3462:McMahon, James (13 September 2021). 3249:Scordelis, Alex (17 November 2023). 3203: 3171:Dowling, Jordan (21 February 2009). 2857:from the original on 21 January 2024 2692: 2656: 2487: 2482:participating institution membership 2310:participating institution membership 2248:Reitsma, Bethany (28 January 2023). 2007:participating institution membership 1823:participating institution membership 1780:participating institution membership 1647:from the original on 4 December 2023 1632: 1587:Naftule, Ashley (12 February 2019). 1380:Swensson, Andrea (7 November 2022). 1296:. Rarely, the genre will be spelled 297:. Indie rock is a broad subgenre of 5147:Schoemer, Karen (1 February 1989). 5102:Punter, Jennie (11 November 1993). 4797: 4722:; L. Hart, Mary (1 December 2010). 4658:Metzer, David (21 September 2017). 4581: 4077:Exposito, Suzy (16 December 2016). 3822:Schreiber, Ryan (21 January 2001). 3576:Australian Broadcasting Corporation 3390:Haywood, Brad (29 September 2002). 2761: 2551:from the original on 29 August 2023 2535:Williams, Alex (11 November 2022). 2509:from the original on 2 October 2021 2323:Judkis, Maura (13 September 2021). 2215:Trimboli, Isabella (3 April 2018). 2020:Harrington, Richard (24 May 2002). 1665: 800:, alongside their following albums 24: 4772:Sweers, Britta (13 January 2005). 4495: 4247:from the original on 27 March 2024 4169:Divola, Barry (28 November 2017). 4110:"My Bloody Valentine Side Project" 3934:Heller, Jason (12 November 2013). 3791:Lorusso, Marissa (22 March 2019). 3531:LaBrack, Jill (16 February 2005). 3404:from the original on 27 March 2024 3322:Corcoran, Nina (8 November 2022). 2909:Deusner, Stephen (21 March 2013). 2743:from the original on 11 April 2024 2729:Azerrad, Michael (16 April 1992). 2707:from the original on 11 April 2024 2131:from the original on 18 March 2009 2065:from the original on 29 April 2020 1605:from the original on 27 March 2024 1453:"How Indie Rock Changed the World" 1200:debut album in 2017, described by 1168:comprised members of other bands. 1072:slowcore sound with other genres. 1041:2000s–present: Continued expansion 236: 229: 25: 5754: 5184: 5167:, United States. pp. 66–67. 4929:"Spain, a band on another planet" 4750:The New Rolling Stone Album Guide 4402:Byrne, Niall (27 February 2024). 4350:from the original on 15 June 2023 4317:from the original on 16 June 2023 4266:James, Imogen (2 February 2023). 4046:from the original on 27 June 2023 4013:from the original on 27 June 2023 3906:Heller, Jason (1 December 2014). 3803:from the original on 27 July 2023 3497: 3289:Baker, Aidan (26 February 2013). 3078:from the original on 27 June 2023 2956:from the original on 14 June 2023 2843:Sodomsky, Sam (24 January 2018). 2776:from the original on 9 April 2023 2400:from the original on 26 June 2023 2370:from the original on 26 June 2023 2356:Sisario, Ben (31 December 2009). 2034:from the original on 18 July 2020 1866:from the original on 15 June 2011 1850:Edwards, Mark (1 February 2009). 1134:(2000), followed a year later by 641:, co-founder of the record label 354:are also cited as being similar. 5675: 5674: 4449: 4395: 4362: 4329: 4296: 4278:British Broadcasting Corporation 4211:from the original on 2 July 2023 3772:from the original on 23 May 2023 3647:"The For Carnation: Fight Songs" 3613:Sheffield, Rob (10 April 2010). 3564:Hazel, Andy (17 February 2015). 3152:from the original on 27 May 2023 3033:from the original on 27 May 2023 3001:from the original on 27 May 2023 2987:Lewis, Catherine (28 May 2008). 2944:"Slowcore Week: An Introduction" 2923:from the original on 20 May 2023 2890:from the original on 20 May 2023 2731:"Grunge City: The Seattle Scene" 2693:True, Everett (25 August 2011). 2623:from the original on 20 May 2023 2584:from the original on 22 May 2023 2262:from the original on 21 May 2023 2229:from the original on 21 May 2023 2196:from the original on 22 May 2016 2164:from the original on 21 May 2023 2117:James, Brian (9 February 2003). 2053:Payne, John (13 February 2003). 2022:"The Melancholy Man Lightens Up" 1959:from the original on 19 May 2023 1911:from the original on 21 May 2023 1725:from the original on 24 May 2023 1711:Rubsam, Robert (27 April 2017). 1394:from the original on 6 June 2023 1252:as slowcore, including those of 990:the same year. Two years later, 736:1990s: Peak growth and evolution 280:Problems playing this file? See 252: 5057:Griffin, John (24 March 1988). 4730:University Press of Mississippi 4190: 4162: 4129: 4070: 4058: 4025: 3993: 3927: 3899: 3871: 3843: 3704: 3671: 3639: 3606: 3594: 3557: 3524: 3491: 3348: 3242: 3230: 3197: 3131: 3119: 3102: 3090: 3057: 3045: 3013: 2980: 2968: 2902: 2869: 2836: 2824: 2812: 2800: 2788: 2762:Dye, David (27 February 2008). 2755: 2650: 2609:Lindsay, Cam (5 October 2018). 2602: 2493: 2446: 2382: 2349: 2316: 2274: 2241: 2208: 2176: 2143: 2110: 2077: 2046: 2013: 1971: 1890: 1878: 1659: 1551:Chick, Stevie (2 August 2023). 1497: 1017:Nearing the end of the decade, 755:during their 2012 reunion tour. 685:, who were creating minimalist 4987:, United Kingdom. p. 26. 4896:"Almost famous for 15 minutes" 4336:Chodzin, Devon (11 May 2022). 4233:Enis, Eli (18 December 2023). 3064:Stosuy, Brandon (6 May 2015). 2580:. Silber Media. October 1998. 2150:Modell, Josh (2 August 2004). 1485: 1473: 1406: 938:in 1994. This was followed by 482:A Lifetime of Temporary Relief 13: 1: 5012:Dafoe, Chris (20 July 1988). 4369:Kaplan, Ilana (29 May 2018). 4197:Cook, Cameron (8 June 2017). 4108:Murray, Robin (9 July 2009). 3850:Terry, Chris (3 March 2022). 3204:Howe, Brian (8 August 2011). 2876:Heller, Jason (25 May 2012). 2657:Heim, Joe (2 February 2005). 1307: 968:released their debut albums: 606:Late 1980s: Stylistic origins 550: 5159:. Vol. 4, no. 11. 4926:Casimir, Jon (30 May 1996). 4813:Journal of Consumer Research 3356:"Top 100 Albums of the '90s" 2574:"Low interview from QRD #14" 1713:"Slowcore: A Brief Timeline" 1633:Kahn, Jamie (13 June 2022). 1480:R. Ferris & L. Hart 2010 1450:Cohen, Deborah (June 2015). 1223:featured Codeine's cover of 661:or any geographic hotspots. 556: 508: 266:from their 1994 debut album 7: 4893:Cairns, Dan (27 May 2001). 4725:Folk Music and Modern Sound 3364:. p. 6. Archived from 1288:Occasionally hyphenated as 1176:of the shoegaze pioneering 1004:, which included Codeine's 629:. Grunge fused elements of 149:. Slow rock music, akin to 10: 5759: 5364:Christian alternative rock 4666:Cambridge University Press 4429:: CS1 maint: url-status ( 3678:Thomas Erlewine, Stephen. 3500:"Ida - Tales of Brave Ida" 1506:, p. 225: "Following 1136:You Should Be at Home Here 1132:Ugly But Honest: 1996-1999 1093:Things We Lost in the Fire 600: 513:Within music, the suffix " 405: 5670: 5602: 5318: 5246: 4935:The Sydney Morning Herald 4867:10.1080/10304310802311618 4633:10.1007/978-3-030-46176-8 4464:Oxford English Dictionary 4176:The Sydney Morning Herald 3680:"Radar Bros.: Radar Bros" 3533:"Ida: Heart Like a River" 3392:"Low: Trust Album Review" 3237:Arsel & Thompson 2011 2461:Oxford English Dictionary 2289:Oxford English Dictionary 1986:Oxford English Dictionary 1802:Oxford English Dictionary 1759:Oxford English Dictionary 1123:The Magnolia Electric Co. 1047:Whereas subcultures like 1011:The Sydney Morning Herald 984:released their debut EP, 531:Oxford English Dictionary 81: 76: 68: 47: 39: 34: 5718:American styles of music 5647:Independent record label 4500: 3615:"Cat Power: Album Guide" 3291:"The Value of Sad Music" 2394:American Dialect Society 1275: 1189:Through the Devil Softly 907:(2002), Brad Haywood of 637:to create a scene which 523:American Dialect Society 469:Everybody Makes Mistakes 5708:Alternative rock genres 5191:Slowcore genre overview 4780:Oxford University Press 4515:Oxford University Press 4507:Crystal, David (2014). 4469:Oxford University Press 2466:Oxford University Press 2294:Oxford University Press 1991:Oxford University Press 1807:Oxford University Press 1764:Oxford University Press 971:The Blue Moods of Spain 815:Another early band was 295:contemporary folk music 5200:Sadcore genre overview 4477:10.1093/OED/7503491735 3725:"Duster: Stratosphere" 2474:10.1093/OED/7503491735 2302:10.1093/OED/8451760115 2255:The New Zealand Herald 2055:"The Queen of Sadcore" 1999:10.1093/OED/2515705092 1815:10.1093/OED/7503491735 1772:10.1093/OED/7503491735 1083: 1058: 865: 756: 622: 565: 502:The New Zealand Herald 418: 311:traditional folk music 305:or through low-budget 303:released independently 241: 5150:"American Music Club" 4674:10.1017/9781316676400 4582:Fox, Dominic (2009). 3797:National Public Radio 1270:Sign Crushes Motorist 1088:Contemporary Movement 1078: 1045: 1034:Contemporary Movement 860: 747: 674:The Restless Stranger 613: 561: 438:, the lead singer of 413: 240: 5525:New wave of new wave 4879:Taylor & Francis 4845:Rogers, Ian (2008). 4755:Simon & Schuster 4594:John Hunt Publishing 4557:Eddy, Chuck (1991). 3768:. 23 February 2018. 1494:, pp. 4, 29–31. 1194:Cigarettes After Sex 1183:Bavarian Fruit Bread 915:I Could Live in Hope 898:I Could Live in Hope 485:(2004). Since then, 269:I Could Live in Hope 184:I Could Live in Hope 72:1980s, United States 5610:Alternative Airplay 5580:Neue Deutsche Härte 5438:Paisley Underground 5330:Alternative country 4467:(Online ed.). 4065:Clayton et al. 2009 4009:. 22 January 2004. 3737:on 16 February 2001 3723:Richard-San, Mark. 3627:on 27 November 2010 3545:on 11 November 2012 3368:on 25 February 2003 3185:on 14 November 2023 2994:The Washington Post 2664:The Washington Post 2464:(Online ed.). 2330:The Washington Post 2292:(Online ed.). 2192:. 20 October 2011. 2184:"Meet Lana Del Rey" 2027:The Washington Post 1989:(Online ed.). 1805:(Online ed.). 1762:(Online ed.). 1254:Nicole Dollanganger 1241:Kowloon Walled City 1233:Planning for Burial 1178:My Bloody Valentine 1141:Songs About Leaving 1061:Robert Rubsam, 834:Transaction de Novo 665:American Music Club 615:American Music Club 440:American Music Club 431:The Washington Post 179:American Music Club 138:, is a subgenre of 5021:The Globe and Mail 4909:, United Kingdom. 4720:R. Ferris, William 4694:(26 August 2008). 4625:Palgrave Macmillan 3887:. 13 November 2000 3113:Down Colorful Hill 2544:The New York Times 2396:. 7 January 2022. 2363:The New York Times 1415:, pp. 4, 124. 1250:singer-songwriters 1172:of Mazzy Star and 1084: 947:Heart Like a River 936:Tales of Brave Ida 932:Elizabeth Mitchell 866: 798:Down Colorful Hill 789:Down Colorful Hill 757: 726:Red House Painters 649:amps, ultra-loose 623: 568:Stevie Chick, 454:Red House Painters 419: 396:Stuart Braithwaite 242: 171:Red House Painters 5713:Rock music genres 5690: 5689: 5637:Independent music 5598: 5597: 5567:Alternative metal 5540:Post-punk revival 5474:Latin alternative 5342:Alternative dance 4711:978-0-86547-950-0 4702:Faber & Faber 4692:Petrusich, Amanda 4483:(Subscription or 3099:, pp. 253–4. 2480:(Subscription or 2308:(Subscription or 2005:(Subscription or 1821:(Subscription or 1778:(Subscription or 982:The For Carnation 741:sound and style. 679:singer-songwriter 257: 151:singer-songwriter 129: 128: 60:contemporary folk 48:Stylistic origins 16:(Redirected from 5750: 5678: 5677: 5563: 5562: 5467:Industrial metal 5240:Alternative rock 5233: 5226: 5219: 5210: 5209: 5180: 5152: 5143: 5107: 5098: 5062: 5053: 5017: 5008: 4980:The Sunday Times 4976: 4967: 4931: 4922: 4902:The Sunday Times 4898: 4882: 4850: 4841: 4809: 4798:Journal articles 4793: 4768: 4753:(4th ed.). 4743: 4715: 4687: 4654: 4618: 4607: 4578: 4563:(1st ed.). 4553: 4528: 4489: 4488: 4480: 4460: 4453: 4447: 4441: 4435: 4434: 4428: 4420: 4418: 4416: 4399: 4393: 4392: 4390: 4388: 4366: 4360: 4359: 4357: 4355: 4333: 4327: 4326: 4324: 4322: 4300: 4294: 4293: 4291: 4289: 4263: 4257: 4256: 4254: 4252: 4230: 4221: 4220: 4218: 4216: 4194: 4188: 4187: 4185: 4183: 4166: 4160: 4159: 4157: 4155: 4133: 4127: 4126: 4124: 4122: 4105: 4096: 4095: 4093: 4091: 4074: 4068: 4062: 4056: 4055: 4053: 4051: 4029: 4023: 4022: 4020: 4018: 3997: 3991: 3990: 3988: 3986: 3964: 3953: 3952: 3950: 3948: 3931: 3925: 3924: 3922: 3920: 3903: 3897: 3896: 3894: 3892: 3875: 3869: 3868: 3866: 3864: 3847: 3841: 3840: 3838: 3836: 3819: 3813: 3812: 3810: 3808: 3788: 3782: 3781: 3779: 3777: 3756: 3747: 3746: 3744: 3742: 3733:. 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No. 665. 1427: 1416: 1410: 1404: 1403: 1401: 1399: 1377: 1368: 1362: 1345: 1344: 1327: 1301: 1286: 1155:The Sunday Times 1067: 980:, respectively. 941:I Know About You 843:Caroline Records 753:Alexandra Palace 574: 552: 391:Stina Nordenstam 324:alternative rock 259: 258: 239: 134:, also known as 86:Alternative rock 69:Cultural origins 32: 31: 21: 5758: 5757: 5753: 5752: 5751: 5749: 5748: 5747: 5693: 5692: 5691: 5686: 5666: 5594: 5561: 5496:Neo-psychedelia 5462:Industrial rock 5321: 5314: 5242: 5237: 5187: 4944:New South Wales 4889: 4800: 4790: 4765: 4740: 4712: 4684: 4643: 4604: 4575: 4550: 4525: 4503: 4498: 4496:Further reading 4493: 4492: 4482: 4454: 4450: 4442: 4438: 4422: 4421: 4414: 4412: 4400: 4396: 4386: 4384: 4376:The Independent 4367: 4363: 4353: 4351: 4334: 4330: 4320: 4318: 4301: 4297: 4287: 4285: 4264: 4260: 4250: 4248: 4231: 4224: 4214: 4212: 4195: 4191: 4181: 4179: 4167: 4163: 4153: 4151: 4134: 4130: 4120: 4118: 4106: 4099: 4089: 4087: 4075: 4071: 4063: 4059: 4049: 4047: 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2746: 2744: 2727: 2720: 2710: 2708: 2691: 2687: 2677: 2675: 2655: 2651: 2643: 2636: 2626: 2624: 2607: 2603: 2587: 2585: 2572: 2571: 2564: 2554: 2552: 2533: 2526: 2512: 2510: 2499: 2498: 2494: 2479: 2451: 2447: 2439: 2430: 2422: 2413: 2403: 2401: 2388: 2387: 2383: 2373: 2371: 2354: 2350: 2340: 2338: 2321: 2317: 2307: 2279: 2275: 2265: 2263: 2246: 2242: 2232: 2230: 2213: 2209: 2199: 2197: 2182: 2181: 2177: 2167: 2165: 2148: 2144: 2134: 2132: 2115: 2111: 2101: 2099: 2082: 2078: 2068: 2066: 2051: 2047: 2037: 2035: 2018: 2014: 2004: 1976: 1972: 1962: 1960: 1943: 1939: 1931: 1924: 1914: 1912: 1895: 1891: 1883: 1879: 1869: 1867: 1848: 1837: 1820: 1792: 1788: 1777: 1745: 1738: 1728: 1726: 1709: 1672: 1664: 1660: 1650: 1648: 1631: 1618: 1608: 1606: 1585: 1578: 1568: 1566: 1549: 1514: 1502: 1498: 1490: 1486: 1482:, pp. 3–5. 1478: 1474: 1464: 1462: 1448: 1444: 1428: 1419: 1411: 1407: 1397: 1395: 1378: 1371: 1363: 1348: 1328: 1315: 1310: 1305: 1304: 1287: 1283: 1278: 1128:Carissa's Wierd 1080:Carissa's Wierd 1069: 1060: 1043: 952:Bluetile Lounge 891:, hailing from 855: 847:Year After Year 783:The White Birch 762:Frigid Stars LP 738: 667:, hailing from 608: 603: 576: 567: 559: 544:The Paper Crane 511: 497:Phoebe Bridgers 408: 287: 286: 278: 276: 275: 274: 273: 260: 253: 250: 243: 237: 232: 230:Characteristics 201:Carissa's Wierd 125: 64: 30: 23: 22: 15: 12: 11: 5: 5756: 5746: 5745: 5743:2020s in music 5740: 5738:2010s in music 5735: 5733:2000s in music 5730: 5728:1990s in music 5725: 5723:1980s in music 5720: 5715: 5710: 5705: 5688: 5687: 5685: 5684: 5671: 5668: 5667: 5665: 5664: 5662:Outsider music 5659: 5654: 5649: 5644: 5639: 5634: 5629: 5622: 5617: 5612: 5606: 5604: 5603:Related topics 5600: 5599: 5596: 5595: 5593: 5592: 5587: 5582: 5577: 5571: 5569: 5560: 5559: 5554: 5553: 5552: 5542: 5537: 5532: 5527: 5522: 5521: 5520: 5519: 5518: 5513: 5503: 5493: 5488: 5487: 5486: 5476: 5471: 5470: 5469: 5459: 5458: 5457: 5452: 5447: 5442: 5441: 5440: 5435: 5425: 5415: 5414: 5413: 5403: 5398: 5397: 5396: 5386: 5381: 5376: 5371: 5366: 5361: 5356: 5355: 5354: 5344: 5339: 5338: 5337: 5335:Gothic country 5326: 5324: 5316: 5315: 5313: 5312: 5311: 5310: 5309: 5308: 5298: 5293: 5288: 5283: 5282: 5281: 5276: 5266: 5256: 5250: 5248: 5244: 5243: 5236: 5235: 5228: 5221: 5213: 5207: 5206: 5197: 5186: 5185:External links 5183: 5182: 5181: 5144: 5099: 5054: 5009: 4968: 4923: 4888: 4885: 4884: 4883: 4861:(5): 639–649. 4842: 4834:10.1086/656389 4826:10.1086/656389 4820:(5): 791–806. 4799: 4796: 4795: 4794: 4788: 4769: 4763: 4744: 4738: 4716: 4710: 4688: 4682: 4655: 4641: 4608: 4602: 4579: 4573: 4554: 4548: 4540:Voyageur Press 4529: 4523: 4502: 4499: 4497: 4494: 4491: 4490: 4448: 4436: 4394: 4361: 4328: 4295: 4258: 4222: 4189: 4161: 4128: 4097: 4069: 4057: 4024: 3992: 3954: 3926: 3898: 3870: 3842: 3814: 3783: 3748: 3715: 3703: 3670: 3638: 3605: 3603:, p. 764. 3593: 3556: 3523: 3490: 3488: 3487: 3451: 3450: 3415: 3379: 3347: 3314: 3278: 3241: 3229: 3196: 3163: 3130: 3118: 3101: 3089: 3056: 3044: 3012: 2979: 2967: 2934: 2901: 2868: 2835: 2823: 2811: 2799: 2787: 2754: 2718: 2685: 2649: 2634: 2601: 2562: 2524: 2492: 2445: 2428: 2411: 2381: 2348: 2315: 2273: 2240: 2207: 2175: 2142: 2109: 2076: 2045: 2012: 1970: 1937: 1922: 1889: 1877: 1835: 1786: 1736: 1670: 1658: 1616: 1576: 1512: 1504:Petrusich 2008 1496: 1484: 1472: 1442: 1417: 1405: 1369: 1346: 1312: 1311: 1309: 1306: 1303: 1302: 1280: 1279: 1277: 1274: 1245:Worm Ouroboros 1220:13 Reasons Why 1174:Colm Ă“ CĂ­osĂłig 1117:Didn't It Rain 1064:Bandcamp Daily 1044: 1042: 1039: 930:, composed of 854: 851: 822:WhatFunLifeWas 737: 734: 714:Bandcamp Daily 683:Cowboy Junkies 617:performing at 607: 604: 602: 599: 560: 558: 555: 534:is from 1991: 510: 507: 407: 404: 277: 261: 251: 246: 245: 244: 235: 234: 233: 231: 228: 127: 126: 124: 123: 118: 113: 108: 103: 98: 93: 88: 82: 79: 78: 74: 73: 70: 66: 65: 63: 62: 57: 51: 49: 45: 44: 41: 37: 36: 28: 9: 6: 4: 3: 2: 5755: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 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5294: 5292: 5289: 5287: 5284: 5280: 5277: 5275: 5274:Post-hardcore 5272: 5271: 5270: 5269:Hardcore punk 5267: 5265: 5262: 5261: 5260: 5257: 5255: 5252: 5251: 5249: 5245: 5241: 5234: 5229: 5227: 5222: 5220: 5215: 5214: 5211: 5205: 5201: 5198: 5196: 5192: 5189: 5188: 5178: 5174: 5170: 5166: 5162: 5161:New York City 5158: 5157: 5151: 5145: 5141: 5137: 5133: 5129: 5125: 5121: 5117: 5113: 5112: 5106: 5100: 5096: 5092: 5088: 5084: 5080: 5076: 5072: 5068: 5067: 5061: 5055: 5051: 5047: 5043: 5039: 5035: 5031: 5027: 5023: 5022: 5016: 5010: 5006: 5002: 4998: 4994: 4990: 4986: 4982: 4981: 4975: 4969: 4965: 4961: 4957: 4953: 4949: 4946:, Australia. 4945: 4941: 4937: 4936: 4930: 4924: 4920: 4916: 4912: 4908: 4904: 4903: 4897: 4891: 4890: 4880: 4876: 4872: 4868: 4864: 4860: 4856: 4855: 4849: 4843: 4839: 4835: 4831: 4827: 4823: 4819: 4815: 4814: 4808: 4802: 4801: 4791: 4789:9780198038986 4785: 4781: 4777: 4776: 4770: 4766: 4764:0-7432-0169-8 4760: 4756: 4752: 4751: 4745: 4741: 4739:9781617030994 4735: 4731: 4727: 4726: 4721: 4717: 4713: 4707: 4703: 4699: 4698: 4693: 4689: 4685: 4683:9781316676400 4679: 4675: 4671: 4667: 4663: 4662: 4656: 4652: 4648: 4644: 4642:9783030461768 4638: 4634: 4630: 4626: 4622: 4617: 4616: 4609: 4605: 4603:9781846942174 4599: 4595: 4591: 4587: 4586: 4580: 4576: 4574:9780517575413 4570: 4566: 4565:Harmony Books 4562: 4561: 4555: 4551: 4549:9781627883795 4545: 4541: 4537: 4536: 4530: 4526: 4524:9780199680474 4520: 4516: 4512: 4511: 4505: 4504: 4486: 4478: 4474: 4470: 4466: 4465: 4459: 4452: 4445: 4440: 4432: 4426: 4411: 4410: 4405: 4398: 4382: 4378: 4377: 4372: 4365: 4349: 4345: 4344: 4339: 4332: 4316: 4312: 4311: 4306: 4299: 4283: 4279: 4275: 4274: 4269: 4262: 4246: 4242: 4241: 4236: 4229: 4227: 4210: 4206: 4205: 4200: 4193: 4178: 4177: 4172: 4165: 4149: 4145: 4144: 4139: 4132: 4117: 4116: 4111: 4104: 4102: 4086: 4085: 4084:Rolling Stone 4080: 4073: 4066: 4061: 4045: 4041: 4040: 4035: 4028: 4012: 4008: 4007: 4002: 3996: 3980: 3976: 3975: 3970: 3963: 3961: 3959: 3943: 3942: 3937: 3930: 3915: 3914: 3909: 3902: 3886: 3885: 3880: 3874: 3859: 3858: 3853: 3846: 3831: 3830: 3825: 3818: 3802: 3798: 3794: 3787: 3771: 3767: 3766: 3761: 3755: 3753: 3736: 3732: 3731: 3726: 3719: 3712: 3707: 3691: 3687: 3686: 3681: 3674: 3658: 3654: 3653: 3648: 3642: 3626: 3622: 3621: 3620:Rolling Stone 3616: 3609: 3602: 3597: 3581: 3577: 3573: 3572: 3567: 3560: 3544: 3540: 3539: 3534: 3527: 3511: 3507: 3506: 3501: 3498:Ruxin, Marc. 3494: 3485: 3473: 3469: 3465: 3460: 3459: 3457: 3456: 3439: 3435: 3434: 3429: 3424: 3423: 3419: 3403: 3399: 3398: 3393: 3386: 3384: 3367: 3363: 3362: 3357: 3351: 3335: 3331: 3330: 3325: 3318: 3302: 3298: 3297: 3292: 3285: 3283: 3266: 3262: 3258: 3257: 3252: 3245: 3238: 3233: 3217: 3213: 3212: 3207: 3200: 3184: 3180: 3179: 3174: 3167: 3151: 3147: 3146: 3141: 3134: 3127: 3122: 3114: 3110: 3105: 3098: 3093: 3077: 3073: 3072: 3067: 3060: 3053: 3048: 3032: 3028: 3027: 3022: 3016: 3000: 2996: 2995: 2990: 2983: 2976: 2971: 2955: 2951: 2950: 2945: 2938: 2922: 2918: 2917: 2912: 2905: 2889: 2885: 2884: 2883:The A.V. Club 2879: 2872: 2856: 2852: 2851: 2846: 2839: 2832: 2827: 2820: 2815: 2808: 2803: 2797:, p. 67. 2796: 2795:Schoemer 1989 2791: 2775: 2771: 2770: 2765: 2758: 2742: 2738: 2737: 2736:Rolling Stone 2732: 2725: 2723: 2706: 2702: 2701: 2696: 2689: 2674: 2670: 2666: 2665: 2660: 2653: 2646: 2641: 2639: 2622: 2618: 2617: 2612: 2605: 2598: 2596: 2583: 2579: 2575: 2569: 2567: 2550: 2546: 2545: 2539: 2531: 2529: 2520: 2508: 2504: 2503: 2496: 2489: 2483: 2475: 2471: 2467: 2463: 2462: 2456: 2449: 2442: 2437: 2435: 2433: 2425: 2420: 2418: 2416: 2399: 2395: 2391: 2385: 2369: 2365: 2364: 2359: 2352: 2336: 2332: 2331: 2326: 2319: 2311: 2303: 2299: 2295: 2291: 2290: 2284: 2277: 2261: 2257: 2256: 2251: 2244: 2228: 2224: 2223: 2218: 2211: 2195: 2191: 2190: 2185: 2179: 2163: 2159: 2158: 2157:The A.V. Club 2153: 2146: 2130: 2126: 2125: 2120: 2113: 2097: 2093: 2092: 2091:The A.V. Club 2087: 2080: 2064: 2060: 2056: 2049: 2033: 2029: 2028: 2023: 2016: 2008: 2000: 1996: 1992: 1988: 1987: 1981: 1974: 1958: 1954: 1953: 1948: 1941: 1934: 1929: 1927: 1910: 1906: 1905: 1904:The A.V. Club 1900: 1893: 1886: 1881: 1865: 1861: 1860: 1854: 1846: 1844: 1842: 1840: 1833:, 6 May 1998. 1832: 1831: 1824: 1816: 1812: 1808: 1804: 1803: 1797: 1790: 1781: 1773: 1769: 1765: 1761: 1760: 1754: 1748: 1743: 1741: 1724: 1720: 1719: 1714: 1707: 1705: 1703: 1701: 1699: 1697: 1695: 1693: 1691: 1689: 1687: 1685: 1683: 1681: 1679: 1677: 1675: 1667: 1662: 1646: 1642: 1641: 1636: 1629: 1627: 1625: 1623: 1621: 1604: 1600: 1596: 1595: 1594:The A.V. Club 1590: 1583: 1581: 1564: 1560: 1559: 1554: 1547: 1545: 1543: 1541: 1539: 1537: 1535: 1533: 1531: 1529: 1527: 1525: 1523: 1521: 1519: 1517: 1509: 1505: 1500: 1493: 1488: 1481: 1476: 1461: 1460: 1454: 1446: 1439: 1435: 1434: 1433:Rolling Stone 1426: 1424: 1422: 1414: 1409: 1393: 1389: 1388: 1383: 1376: 1374: 1366: 1365:Grønstad 2020 1361: 1359: 1357: 1355: 1353: 1351: 1343: 1341: 1340: 1333: 1326: 1324: 1322: 1320: 1318: 1313: 1299: 1295: 1292:or spaced as 1291: 1285: 1281: 1273: 1271: 1267: 1263: 1259: 1255: 1251: 1246: 1242: 1238: 1234: 1230: 1226: 1222: 1221: 1217:drama series 1216: 1212: 1207: 1205: 1204: 1199: 1195: 1191: 1190: 1185: 1184: 1179: 1175: 1171: 1170:Hope Sandoval 1167: 1163: 1162: 1157: 1156: 1151: 1145: 1143: 1142: 1137: 1133: 1129: 1125: 1124: 1119: 1118: 1113: 1112: 1107: 1103: 1099: 1095: 1094: 1089: 1081: 1077: 1073: 1068: 1066: 1065: 1057: 1054: 1050: 1038: 1036: 1035: 1030: 1026: 1025: 1020: 1015: 1013: 1012: 1007: 1003: 999: 998: 993: 989: 988: 983: 979: 978: 973: 972: 967: 963: 959: 958: 953: 949: 948: 943: 942: 937: 933: 929: 924: 922: 921: 920:Long Division 916: 912: 911: 906: 905: 900: 899: 894: 890: 886: 883: 879: 875: 871: 863: 859: 850: 848: 844: 840: 836: 835: 830: 829: 824: 823: 818: 813: 811: 810: 805: 804: 803:Rollercoaster 799: 795: 791: 790: 785: 784: 779: 778: 774:in 1992, the 773: 772:extended play 770: 769: 764: 763: 754: 750: 746: 742: 733: 731: 727: 723: 718: 716: 715: 710: 706: 705: 700: 696: 692: 688: 684: 680: 676: 675: 670: 669:San Francisco 666: 662: 660: 656: 652: 648: 644: 640: 636: 632: 628: 620: 616: 612: 598: 596: 595: 589: 585: 581: 575: 573: 572: 564: 554: 548: 545: 541: 537: 533: 532: 526: 524: 520: 516: 506: 504: 503: 498: 494: 493: 488: 484: 483: 479: 475: 471: 470: 465: 461: 460: 459:Rollercoaster 455: 451: 447: 446: 441: 437: 433: 432: 426: 424: 416: 412: 403: 401: 397: 392: 387: 385: 384: 379: 375: 371: 367: 366: 360: 355: 353: 352:ambient music 349: 345: 341: 337: 333: 329: 325: 320: 316: 312: 308: 307:record labels 304: 300: 296: 292: 285: 283: 271: 270: 265: 262:"Lullaby" by 249: 227: 225: 220: 218: 214: 210: 206: 202: 198: 194: 190: 186: 185: 180: 176: 172: 168: 164: 160: 156: 152: 148: 143: 141: 137: 133: 122: 119: 117: 114: 112: 109: 107: 104: 102: 99: 97: 94: 92: 91:ambient music 89: 87: 84: 83: 80: 75: 71: 67: 61: 58: 56: 53: 52: 50: 46: 42: 38: 33: 27: 19: 5679: 5657:Lollapalooza 5632:Campus radio 5624: 5557:Slacker rock 5454: 5374:Dark cabaret 5369:College rock 5352:Post-Britpop 5175:– via 5154: 5138:– via 5111:Toronto Star 5109: 5093:– via 5064: 5048:– via 5019: 5003:– via 4978: 4962:– via 4933: 4917:– via 4900: 4877:– via 4858: 4852: 4836:– via 4817: 4811: 4774: 4749: 4724: 4696: 4660: 4614: 4584: 4559: 4534: 4509: 4462: 4451: 4439: 4413:. Retrieved 4407: 4397: 4385:. Retrieved 4374: 4364: 4352:. Retrieved 4341: 4331: 4319:. Retrieved 4308: 4298: 4286:. Retrieved 4271: 4261: 4249:. Retrieved 4238: 4213:. Retrieved 4202: 4192: 4180:. Retrieved 4174: 4164: 4152:. Retrieved 4141: 4131: 4119:. Retrieved 4113: 4088:. Retrieved 4082: 4072: 4060: 4048:. Retrieved 4037: 4027: 4015:. Retrieved 4004: 3995: 3983:. Retrieved 3972: 3945:. Retrieved 3939: 3929: 3917:. Retrieved 3911: 3901: 3889:. Retrieved 3882: 3873: 3861:. Retrieved 3855: 3845: 3833:. Retrieved 3827: 3817: 3805:. Retrieved 3786: 3774:. Retrieved 3763: 3739:. Retrieved 3735:the original 3728: 3718: 3711:Casimir 1996 3706: 3694:. Retrieved 3683: 3673: 3661:. Retrieved 3650: 3641: 3629:. Retrieved 3625:the original 3618: 3608: 3601:Stewart 2004 3596: 3584:. Retrieved 3569: 3559: 3547:. Retrieved 3543:the original 3536: 3526: 3514:. Retrieved 3503: 3493: 3483: 3476:. Retrieved 3453: 3442:. Retrieved 3433:The Guardian 3431: 3418: 3406:. Retrieved 3395: 3370:. 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Index

Slow-core
Indie rock
contemporary folk
Alternative rock
ambient music
Americana
dream pop
drone
Midwest emo
post-rock
shoegaze
indie rock
grunge
singer-songwriter
folk
Low
microgenres
Codeine
Red House Painters
Bedhead
American Music Club
I Could Live in Hope
Spain
Duster
Ida
Carissa's Wierd
Jason Molina
Hope Sandoval & the Warm Inventions
Grouper
Sun Kil Moon

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