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2809:: "Red House Painters emerged from San Francisco's Bay Area in 1992, and proceeded to release a string of exceptional - and determinedly uncommercial - albums on the British label 4AD. Long, rambling reflections on death, love and drugs, invariably to a spartan backing of folk guitar and brushed drums, Kozelek's work has been described as slow fi, slowcore, lo-fi and even snorecore".
1510:'s article, most of the artists and albums included in his piece were tucked under the umbrella of 'New Weird America,' which flowed into the slightly more descriptive 'free-folk,' which became 'freak-folk,' and subsequently devolved, as more and more diverse artists were swept up in the wave, into the catchall 'indie-folk'".
901:. This album was different from its predecessors: while it maintained stylistic similarities with other bands' sparse instrumentation, it was more difficult to categorise into the other associated genres, like dream pop or shoegaze. Due to this unique sound, Low are heralded as pioneers of the genre; in their review of
2647:, p. 640: "Opposition and fluidity reside at the core of the genre’s aesthetic. For example, as US rock band Nirvana succeeded commercially, indie fans grew more interested in post-rock and slow-core, both minimalist genres antithetical to Nirvana despite that band’s origins within indie."
1367:, p. 176: "I Could Live in Hope is of course seen as one of the albums that were key in ushering in the so-called 'slowcore' genre of alternative rock, which comprise artists such as Codeine, Red House Painters, Bedhead, and Blue Tile Lounge. The members of Low appear to disapprove of this moniker".
740:
While many of the bands that influenced the concept of slowcore existed before the 1990s, this decade is often cited as being when the genre began, as well as being its heyday. Throughout this period, the amount of bands and albums associated with the genre grew greatly, establishing its fundamental
1071:
Through the success of several bands in the mid-to-late 1990s, the slowcore sound had been conceptually established by the commencement of the 2000s. Through this, the genre continued to grow with releases from both existing and new artists. This era also saw bands experiment by amalgamating the
1147:
While albums archetypical of the mid-to-late-1990s slowcore sound were still being released during the 2000s—such as those by
Carissa's Wierd and Low—some bands were experimenting with introducing slowcore elements to other genres. For example, in 2002, several Red House Painters members formed
1055:
became ever-more constricting over time, began with a specific set of goals and expanded outward. Perhaps because slowcore was always more about a feeling and less a particular set of sonic parameters, it was always more open to interpretation than some of its fellow spawn of the underground.
226:. "Sadcore" imitates similar etymology, and the names are used interchangeably. The term itself has an unclear origin, though sources suggest "slowcore"'s use started in the early 1990s. Scholars and bands alike have shown ambivalence towards the name, with some deeming it pejorative.
707:(1989), strongly influenced the genre, as did the rest of their discography, although their dream pop style was not entirely indicative of how slowcore would develop. Regardless, the band is frequently cited as one of slowcore's leading antecedents. Andrew Earles, in his 2014 book
1152:. Early on, pundits noted that this band departed from the slowcore sound present in Red House Painters releases to instead opt for folk-inspired song construction. Despite this, others continued to find similarities between Sun Kil Moon's music and slowcore: a 2009 article in
361:
and a sombre and atmospheric approach to both the songwriting and composition. Backing instrumentation is sparse, contrasting with the genres from which slowcore is derived. Slowcore uses simple melodies over a prolonged period to evoke saddening emotions; Andrea
Swensson of
1247:
as examples of "post-slow" bands in his timeline of slowcore, a category "reflecting a broadening and a deepening of the sound". Chick stated the "genre's influence is subtle but pervasive" in modern music. Reviewers have described and labeled releases from contemporary
2443:, p. 124: "Like many bands featured in this book, Galaxie 500 was a big influence on a successive subgenre of band within indie rock. In the case of this seminal Boston trio, they are seen as progenitors of what the music press came to call 'slowcore'".
2426:, p. 124: " what the music press came to call 'slowcore,' an unfortunate term often attached to bands such as Codeine, Low, Seam, Mazzy Star, Bedhead, and Rex known for really slow tempos and a general prettiness or melancholy tendencies."
2833:: "What The Trinity Session is is a country music album for people who hate country, a blues album for people who are bored to tears by blues and an album of traditional folk music for hardcore kids. Above all, it is a Cowboy Junkies album".
590:
resisted the term and continuously told music critics that his band was "not slowcore". Similarly, members of Low disliked the label: in 1998, Sparhawk called it "cheesy". Regardless, the term grew in popularity and in an interview with
895:, Minnesota, would ultimately create the genre's archetypical sound. Formed in 1993 by Alan Sparhawk and Mimi Parker, the band started by experimenting with slow and quiet rock music and in December of 1994, released their debut album
884:
were producing slow songs that, on the outset, appeared to relate to slowcore but were better categorised under these other emerging genres. These elements resulted in slowcore being an unclearly defined and confusing genre.
1231:". Together, this usage increased public interest in slowcore, and its newfound growth allowed both existing bands—like Duster—to receive a resurgence in success and enabled new bands to emerge onto the scene. Rubsam listed
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923:(1995) "drew the blueprint for slowcore as we know it today". Low would continue to release slowcore albums throughout the rest of the decade and the early 2000s, after which they transitioned towards other genres.
3239:, p. 796: "By the mid-1990s, the independent music scenes in North America and Europe were thriving and cycling through microgenres, such as shoegaze, slowcore, and psychobilly, at an exceedingly rapid rate".
2334:
2259:
1000:. She writes, in respect of the first three: "the genre grew to encompass the blue lullabies of Spain; the hypnotic intimacy of the For Carnation ; the whispered confessions of early Cat Power". She also cites
786:, their 1994 sophomore and ultimate album, Codeine had cemented themselves as a prominent band within the scene. Two years after Codeine's debut, Red House Painters, having formed in 1988, released their debut:
3769:
3128:, p. 177: "Of the bands grouped into 'sadcore' and 'slowcore' classifications by critics in the early '90s, none were lower—or perhaps sadder (though Red House Painters might win that contest)—than Low."
3115:
and two eponymous titled full-lengths recorded in 1993 together form a linear block of music from which emotes, with unequivocal intensity, authentic sadness, disenchantment, desperation, regret, and general
2031:
393:
has been described as slowcore because of "her sadly beautiful little-girl whisper" style of singing. Emotion is a core component of slowcore, and the sparse instrumentation emphasises the singer's voice.
321:
in the later stages of the century, both of which influenced slowcore to different extents. Alongside these core influences, artists often take influence from a variety of other musical genres, including
256:
525:
describes it more generally as a "productive suffix for aesthetic trends". "Slow" refers to the pace of the music. For "sadcore", the same applies, except "sad" refers to the emotion of the lyrics.
812:(1993), have been described as instilling feelings of "desperation, regret, and general darkness". Earles contended that Red House Painters was the saddest band within slowcore in the early 1990s.
1144:, the band's final album. This lattermost release was their most notable with respect to slowcore. Despite this, Carissa's Wierd remained obscure throughout their existence, disbanding in 2003.
759:
In these early years, the genre was defined by bands that had a style of minimalist and prolonged instrumentation with melancholic vocal performances. Codeine, having formed in 1989, released
625:
The sound that would become known as "slowcore" began emerging in the United States in the late 1980s and early 1990s as a counterpoint to the rapid growth of louder rock genres, especially
837:(1998), which maintained the same slow sound as their debut but deviated in technique. After this, the band disbanded and fell out of public discourse. A year after Bedhead's formation,
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3978:
3437:
563:
Journalists dubbed this genre "slowcore", much to the musicians' chagrin. "It was an insult," says
Bedhead's Matt Kadane. "We never saw slowness as the essence of what we were doing."
1956:
1037:(2000), before disbanding until 2018. Despite this, Duster's initial cult following and later resurgence would ultimately make them one of the most influential bands within slowcore.
219:, were more experimental but remained within the genre's confines. Because of slowcore's broad interpretation, observers have described several other musicians and bands as slowcore.
3172:
2226:
1186:(2001). The album was reminiscent of dream pop, given the members' past work with other bands, but was still recognisable as slowcore. This trend continued with their second album,
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in 2012, with their single "Nothing's Gonna Hurt You Baby". The song would go relatively unnoticed until it went viral several years later, following which the band released their
254:
4370:
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481:
4244:
2977:, p. 4: "It was in this loose framework that indie rock and all its various subgenres experienced its heyday from roughly 1986 to 1996, give or take a year on either end."
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528:
There is no definitive origin of the label "slowcore" outside of the agreement between scholars that its use began in the 1990s. The first instance of "slowcore" cited in the
2658:
386:
wrote that "The best thing about slowcore is that they demand the listener pay attention. The worst thing about them is that sometimes you fall asleep by the third song".
2597:– what's the cheesiest? slow-core. I hate that word. the most appropriate is anything that uses the word minimal in it, but I don't think anybody's made one up for that.
1240:
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1863:
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199:, among others, all followed Low and furthered the reach of the genre, and by the 2000s, slowcore had an obvious sound, even without clear categorisation. Artists like
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1602:
4170:
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1908:
255:
4147:
994:'s self-titled debut album was released. These latter four bands were mentioned by Stevie Chick as examples of the way slowcore evolved after Low in an article for
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2021:
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label, this album consisted of a select handful of demos that had been polished before their official release. The album is bleak in both lyrics and composition;
765:
in 1990, which incorporated "tortured lyrics and tired vocal melodies". Codeine's music received attention over the following years, and after the release of the
272:. This album is considered foundational within slowcore, a genre that "stretch a simple melody into a 10-minute meditation that gently pulls out of linear time".
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1244:
1644:
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There were other early bands that formed in the 1980s that would help define slowcore, however many would not release anything until the 1990s. These include
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542:. Another claim to the origin of the term is from Alan Sparhawk of Low, a band often considered monumental in the growth of the genre. In an interview with
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But elsewhere the band began to experiment with harsher audio tones. For the first time, the previously snug-fitting 'slowcore' tag stopped making sense.
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2095:
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3149:
1897:
Purdom, Clayton; McLevy, Alex; Adams, Erik; Rife, Katie; Gerardi, Matt; Adamczyk, Laura; Ihnat, Gwen; Dowd, A.A.; Anthony, David (20 August 2018).
2548:
549:, Sparhawk said his friend had coined the term "slowcore" as a joke and that he had humorously mentioned it in one of his band's earliest shows (
222:
The term "slowcore" derives from "slow", referring to the tempo and energy of the music, and "-core", which refers to a scene, style, or musical
4403:
2397:
2128:
2920:
207:, and Duster incorporated its archetypical sound in their music throughout the introductory years of the 21st century, while others, including
4208:
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3427:
1749:, p. 235: "" characterised by 'slow temps, a sombre, atmospheric, sometimes densely textured sound, and quiet, forlorn vocals'." Citing
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1946:
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3182:
4807:"Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths"
4010:
2216:
1438:
That music is quiet, stripped-down, intensely atmospheric folk rock with occasional psychedelic touches, played at a hypnotic dirge tempo.
1213:) have been used to soundtrack viral videos to heighten the emotion. Similarly, televisions programs used slowcore to similar effect; the
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in 1996, which Rubsam considered a slowcore "classic". Ida continued to release music throughout the 1990s and into the late 2000s, with
468:
3250:
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1722:
1027:(1998). By this point, the band had already released a few EPs but had failed to garner a notable reputation. The album was reviewed by
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3333:
4446:, p. 12: "Rock fans do not relax but rather despair when they listen to 'slow core,' songs that are not only slow but also long."
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that destroyed the morals of a generation". Grunge, in the form that it came to be known, emerged during the mid-1980s in and around
3689:
1209:
Slowcore increased in popularity in the early 2020s, partly through social media trends. Songs like Duster's "Constellations" (from
3075:
309:
that typically fails to appeal to mainstream audiences. Similarly, contemporary folk refers to a musical style representative of
142:
characterised by subdued tempos with typically minimalist instrumentation alongside solemn and melancholic lyrical performances.
2581:
1452:
1008:, as another influential band. By the years surrounding 1996, "slowcore" was no longer solely an esoteric phrase; an article in
825:
in 1994. This album consisted of soft vocals and dynamic instrumentation, and the band would release two further studio albums,
425:
to be synonymous. When distinguished, the differences are attributed to a heightened melancholy in the lyrics of sadcore songs.
380:
facetiously remarked that he could "play a snare hit, go get a drink and be back at the drumkit before the next beat". In 1998,
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208:
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4709:
1552:
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in May jested that Spain, among others, were playing a sort of music that "new-trend-every-week folk are calling slowcore".
553:
1993). He said that after he used it in an interview, the popularity of the phrase increased, as did Low's media attention.
181:—widely considered to be the genre's first act—formed in 1982. Regardless, the mellow and restrained sound of Low's debut,
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1898:
402:, said "You weren't going to play at parties, but it was beautiful: the lyrics bare and honest, the musicality sparing".
4137:
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2506:
165:; however, despite their retrospective acclamation as slowcore pioneers, Low was not the first band to produce slowcore.
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at a reunion show in 2010. Commentators have used this band as an example of how slowcore continued into the 2000s.
610:
3935:
2490:, p. 144/2: "The slowcore dirge-disco that produced said tune often devolves into this chic bored hush-hush."
841:, another prominent band in these preliminary years, formed, and began releasing music in 1993 after signing with
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247:
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5223:
4430:
4304:
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1228:
389:
Lyrics within slowcore are often melancholic, with the vocal performances subdued. For example, Swedish singer
4748:
4510:
Words in Time and Place: Exploring
Language Through the Historical Thesaurus of the Oxford English Dictionary
3969:"Carissa's Wierd: Ugly But Honest: 1996-1999 / You Should Be at Home Here / Songs About Leaving Album Review"
2610:
931:
4812:
3734:
1935:, p. 235: "The gloomy lyrical content rather than the acoustic effects led to the synonymous sadcore."
1197:
2085:
4033:
2943:
1086:
The first few years of the century saw multiple bands release staple slowcore albums, including Duster's
1023:
808:
703:
145:
The history of slowcore began in the late-1980s with bands forming in reaction to the abrasive sounds of
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1985:
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919:
530:
17:
4109:
2910:
5646:
4371:"Snail Mail's Lindsey Jordan on writing about love: 'It's good to be vulnerable, but not pathetic'"
4305:"Nicole Dollanganger's "Gold Satin Dreamer" Is an Unsettling and Beautiful Story of Doomed Romance"
4198:
3570:
3020:
2393:
1188:
1130:, having formed in 1995, did not release anything until the turn of the century, when they put out
698:
522:
421:
Slowcore is occasionally referred to as "sadcore", and many journalists and scholars consider the
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5732:
5727:
5722:
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4779:
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3499:
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1990:
1806:
1763:
1668:, p. 2-3: "Codeine's sound was not the heavy, space-filling drone of other slow-core bands".
970:
868:
The mid-1990s were an experimental period in music throughout North
America and Europe, with new
782:
313:
but with modern—the 20th century and onwards—interpretations, ultimately spawning subgenres like
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4000:
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646:
578:
The "slowcore" label has been criticised by scholars and bands, who have called it pejorative.
501:
310:
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3205:
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357:
There is no definitive characterisation of the genre, however it is typically defined by slow
5203:
5194:
5168:
5131:
5086:
5041:
4996:
4955:
4848:"'You've got to go to gigs to get gigs': Indie musicians, eclecticism and the Brisbane scene"
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3796:
2481:
2357:
2309:
2006:
1822:
1779:
1712:
1269:
1265:
1033:
673:
597:
in 2018, Sparhawk recognised his band as being influential in slowcore's growth and success.
579:
187:(1994), and their albums that followed over the next several years, came to define slowcore.
3323:
5524:
4613:
4593:
3251:"A New Box Set Unearths Acetone, the Greatest '90s Rock Band You've (Probably) Never Heard"
2123:
1193:
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897:
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are considered to be one of the first slowcore bands. They are pictured here performing at
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8:
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in 1985, the band's music was slow and with characteristics akin to genres like folk and
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614:
439:
430:
364:
178:
4404:"Sign Crushes Motorist: The Irish slowcore artist with over 4 million monthly listeners"
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elemental folky music spearheaded by Low, the acclaimed pioneers of 'Slocore' [
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2362:
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1236:
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657:, Washington, though unlike grunge, the early years of slowcore did not have a defined
453:
452:) the "Queen of Sadcore" in 2003. Reviewers also used it in passing for albums such as
395:
368:
wrote that the genre "gently pulls out of linear time". While the songs can implement
212:
200:
170:
5199:
3464:"Low – 'Hey What' review: Minnesota duo shake off the 'slowcore' tag once and for all"
3065:
845:. Like Bedhead, they released slowcore albums throughout the decade—their debut being
157:, laid the groundwork for the genre in the early years and until the mid 1990s, where
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4697:
It Still Moves: Lost Songs, Lost
Highways, and the Search for the Next American Music
4677:
4650:
4636:
4597:
4568:
4543:
4518:
4424:
2668:
2573:
1553:"'Our music didn't build. We were anti-catharsis': the glacial pleasures of slowcore"
1249:
1116:
1052:
981:
956:
903:
678:
634:
463:
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The sadcore categorisation saw considerable use in the early 2000s. Mentions include
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150:
95:
59:
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4114:
3391:
3177:
2948:
2469:
2297:
2188:
1994:
1887:, p. 14: "It is no coincidence that slow core rock is also known as sad core."
1858:
1810:
1767:
1154:
986:
940:
864:, pictured in 2013, are heralded as pioneers of slowcore with their early releases.
842:
827:
752:
491:
390:
323:
85:
3542:
2325:"Cottagecore, cluttercore, goblincore — deep down, it's about who we think we are"
5495:
5461:
5172:
5155:
4959:
4943:
4773:
4723:
4659:
4583:
4558:
4533:
4508:
4375:
3365:
2615:
2054:
1261:
1075:
951:
761:
658:
593:
496:
5135:
5090:
5045:
5000:
4895:
693:, and would come to define aspects of slowcore. Within the same period of time,
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5614:
5334:
5285:
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1219:
1063:
873:
821:
816:
748:
721:
682:
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377:
174:
166:
5149:
4928:
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4806:
4632:
4585:
Cold World: The
Aesthetics of Dejection and the Politics of Militant Dysphoria
4338:"On Preacher's Daughter, Ethel Cain's Jarring, Beautiful Vision Comes to Life"
3760:"The Low-Key Legacy Of Duster, Your Favorite Indie Band's Favorite Indie Band"
2500:
499:'s music has also been called sadcore, a descriptor she dislikes: speaking to
5696:
5432:
5400:
5273:
5268:
5160:
5127:
5104:
5082:
5059:
5037:
5014:
4992:
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4914:
4564:
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4267:
4083:
3619:
2882:
2735:
2672:
2594:
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2301:
2156:
2090:
1998:
1903:
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1771:
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1169:
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771:
701:, Massachusetts and began releasing dream pop albums. Their sophomore album,
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306:
192:
90:
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Clayton, Richard; Cairns, Dan; Nash, Rob; Edwards, Mark (11 January 2009).
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2221:
1557:
1507:
1458:
1224:
1149:
1110:
1101:
1005:
996:
961:
881:
838:
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671:, California, are considered an early slowcore band. Releasing their debut
638:
570:
486:
414:
373:
216:
204:
188:
4673:
4535:
Gimme Indie Rock: 500 Essential
American Underground Rock Albums 1981-1996
2250:"Phoebe Bridgers on Lorde, Laneway, and the 'sad girl' label: 'I hate it'"
709:
Gimme Indie Rock: 500 Essential
American Underground Rock Albums 1981-1996
5651:
5410:
5393:
5358:
5305:
4457:
2454:
2282:
2152:"Low: A Lifetime Of Temporary Relief: 10 Years Of B-Sides & Rarities"
1979:
1795:
1752:
1105:
991:
767:
694:
681:. This style was echoed by other bands at the time, such as the Canadian
587:
435:
347:
335:
110:
105:
711:, described them as slowcore's "progenitor". Robert Rubsam, writing for
650:
417:, pictured in 2013, has self-described her music as "Hollywood sadcore".
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5534:
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5427:
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in 2008. They are considered to be one of the earliest slowcore bands.
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5388:
5300:
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4239:
4171:"How The Handmaid's Tale changed everything for Cigarettes After Sex"
3856:
3764:
1899:"1998 somehow brought us boy bands, nĂĽ-metal, and Neutral Milk Hotel"
1829:
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self-described her music as "Hollywood sadcore" in an interview with
449:
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422:
382:
339:
331:
314:
115:
100:
4747:
Stewart, Allison (2004). Brackett, Nathan; Hoard, Christian (eds.).
4079:"Inside Hope Sandoval and the Warm Inventions' Mysterious Chemistry"
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4408:
4272:
3684:
3651:
3504:
3454:
1951:
1947:"The music subgenre sadcore finds a new life with a new generation"
1717:
1126:(2003). Alongside these, new bands began venturing into the genre.
976:
713:
343:
223:
161:
played a pivotal role in establishing slowcore as one of the era's
120:
2502:
Alan
Sparhawk from Low tells the story of the origin of 'Slowcore'
5515:
5346:
5119:
5115:
5029:
5025:
4560:
Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe
3428:"Low: 'We want to punch new holes in the possibilities of music'"
2518:
1214:
950:
from 2005 also often highlighted as an exemplary slowcore album.
852:
717:, called Galaxie 500 the "fountainhead for all that would come".
654:
642:
546:
540:
Stairway to Hell: The 500 Best Heavy Metal Albums in the Universe
477:
369:
3173:"Slowcore Week: Other highlights of slowcore - a brief round-up"
5405:
5074:
4984:
4939:
4906:
4620:
4142:
3295:
2217:"Lana Del Rey review – 'Hollywood sadcore' shines in Australia"
892:
626:
399:
146:
5483:
4837:
4775:
Electric Folk: The Changing Face of English Traditional Music
3452:
For a brief analysis of Low's work post-2000 in a review for
1031:
and other zines, and the band would release one final album,
877:
690:
358:
5105:"Codeine trio feeling no pain with unique 'slowcore' sound"
4886:
4661:
The Ballad in American Popular Music: From Elvis to Beyoncé
2530:
2528:
1164:(2008) as an essential slowcore record. Like Sun Kil Moon,
857:
289:
Slowcore prominently incorporates stylings and traits from
177:
all released influential albums earlier that decade, while
5625:
5383:
4615:
Rethinking Art and Visual Culture: The Poetics of Opacity
4199:"Cigarettes After Sex: Cigarettes After Sex Album Review"
3467:
2768:
1635:"Slowcore isn't making a comeback, it's always been here"
1589:"The slow and steady perfection of Galaxie 500's On Fire"
1338:
1048:
793:
780:
described them as having a "unique 'slowcore' sound". By
4970:
4064:
4034:"Sun Kil Moon: Ghosts of the Great Highway Album Review"
2525:
849:(1993); however, Idaho persisted into the next century.
4228:
4226:
3793:"How Millennials Rescued Duster's Music From The Abyss"
3255:
1382:"Remembering Low's Mimi Parker With 6 Essential Tracks"
1325:
1323:
1321:
1319:
1317:
5015:"Pop Notes: Future of Parachute Club is up in the air"
372:, they often lack intense changes in instrumentation.
3936:"Songs: Ohia: The Magnolia Electric Co. Album Review"
2935:
2538:"Mimi Parker, Moody Alt-Rock Vocalist, Is Dead at 55"
1896:
1706:
1704:
1702:
1700:
1698:
1696:
1694:
1180:
formed this duo in 2001, and shortly after, released
1040:
926:
Following Low, several bands emerged. Among them was
4223:
1692:
1690:
1688:
1686:
1684:
1682:
1680:
1678:
1676:
1674:
1430:
Goldberg, Michael (16 September 1993). "New Faces".
1314:
1138:(2001). These albums were then succeeded in 2002 by
3754:
3752:
2878:"Reconsidering Codeine, a '90s band frozen in time"
2119:"Shearwater: Everybody Makes Mistakes Album Review"
1628:
1626:
1624:
1622:
1620:
1282:
960:) a year after Ida's debut, in 1995. Also in 1995,
735:
398:, a founding member of the renowned post-rock band
5148:
5103:
5058:
5013:
4972:
4927:
4894:
4846:
4805:
4612:
4456:
4455:
4437:
3422:For an exploration of Low's work until 2018, see:
3385:
3383:
2536:
2453:
2452:
2281:
1978:
1851:
1794:
1793:
1751:
1750:
1546:
1544:
1542:
1540:
1538:
1536:
1451:
4138:"The Diehard Romanticism of Cigarettes After Sex"
4103:
4101:
3315:
3284:
3282:
2695:"Ten myths about grunge, Nirvana and Kurt Cobain"
1977:
1742:
1740:
1671:
1534:
1532:
1530:
1528:
1526:
1524:
1522:
1520:
1518:
1516:
505:in 2023, she said "I hate the 'sad girl' label".
301:that emerged in the 1980s and encapsulates music
5694:
5565:
4718:
3815:
3749:
3716:
2611:"Low's Alan Sparhawk Ranks the Band's 11 Albums"
1617:
1479:
1375:
1373:
1206:as a "slowcore collection borders on ambient".
1108:(later called Magnolia Electric Co.), releasing
934:and Daniel Littleton, who released their debut,
819:, which formed in 1991 and released their debut
605:
3962:
3960:
3958:
3380:
2989:"Ida at Iota: Showing Indie Rock's Softer Side"
2845:"6 Great Albums Named After Other Great Albums"
2821:: " country- blues minimalists Cowboy Junkies".
2686:
2436:
2434:
2432:
2419:
2417:
2415:
2280:
1845:
1843:
1841:
1839:
1360:
1358:
1356:
1354:
1352:
1350:
1330:Chick, Stevie (11 January 2003). "Pop albums".
4974:"Your definitive guide to today's music scene"
4611:Grønstad, Asbjørn Skarsvåg (29 October 2020).
4268:"Mascara: What is the TikTok trend all about?"
4098:
3824:"Low: Things We Lost in the Fire Album Review"
3279:
2640:
2638:
2505:. The Paper Crane Podcast. 20 September 2021.
1928:
1926:
1737:
1582:
1580:
1513:
1425:
1423:
1421:
1334:. No. 67657. London. col e, p. 110.
1192:(2009). This dream pop sound was revisited by
853:1994-1999: Refinement of an archetypical sound
442:, the "reluctant king of sadcore" in 2002 and
5224:
4803:
3324:"Mimi Parker Was Indie Rock's Guardian Angel"
3236:
2568:
2566:
1443:
1370:
517:" infers a scene or style, originating with "
5060:"Little-known Junkies' remarkable LP a find"
4259:
3955:
2724:
2722:
2659:"Low, Turning Its Slowcore Fidelity to High"
2429:
2412:
2358:"When Indie-Rock Genres Outnumber the Bands"
1836:
1347:
954:, an Australian band, released their debut (
29:Subgenre of alternative and indie rock music
4235:"TikTok Has Made Shoegaze Bigger Than Ever"
4001:"Sun Kil Moon: Ghosts Of The Great Highway"
3677:
3416:
3164:
2635:
1923:
1577:
1418:
5231:
5217:
4804:Arsel, Zeynep; Thompson, Craig J. (2011).
3966:
3908:"Songs: Ohia: Didn't It Rain Album Review"
3784:
3566:"Lost Albums: Bluetile Lounge - lowercase"
3140:"Bedhead: Bedhead: 1992-1998 Album Review"
3137:
3066:"Red House Painters: Box Set Album Review"
2764:"American Music Club: 'Slowcore' and More"
2563:
2019:
1945:Collington, Christian (10 December 2022).
1944:
4690:
4031:
3821:
3612:
3248:
2719:
2083:
1787:
1503:
5146:
4887:Newspaper articles and magazine excerpts
4610:
4136:Cacouris, Christina (17 February 2016).
4135:
4076:
3879:"Songs: Ohia: Ghost Tropic Album Review"
3321:
2842:
2794:
2534:
2390:"Nominations for Words of the Year 2021"
2214:
2086:"Red House Painters: Red House Painters"
1938:
1853:"Slowcore: Encyclopedia of Modern Music"
1429:
1379:
1364:
1074:
872:rapidly appearing. Other bands, such as
856:
743:
609:
586:called it an "insult" and Jim Putnam of
409:
5056:
4925:
4746:
4506:
4335:
4032:Goldstein, Hartley (19 November 2003).
3967:M. Deusner, Stephen (2 December 2010).
3852:"Songs: Ohia's Didn't It Rain Turns 20"
3790:
3722:
3710:
3600:
3530:
3461:
3389:
3170:
2908:
2830:
2728:
2608:
2355:
2247:
1932:
1849:
1746:
1586:
1166:Hope Sandoval & the Warm Inventions
645:, described as "gritty vocals, roaring
209:Hope Sandoval & the Warm Inventions
14:
5695:
5101:
4892:
4844:
4771:
4657:
4531:
4443:
4368:
4303:Codiga, Jacqueline (7 November 2022).
4302:
4168:
4107:
3933:
3905:
3425:
3125:
3108:
3096:
3063:
3051:
2974:
2875:
2806:
2644:
2440:
2423:
2337:from the original on 13 September 2021
2322:
2149:
1884:
1710:
1565:from the original on 15 September 2023
1491:
1412:
792:(1992). Similar to other bands on the
5212:
5011:
4401:
4383:from the original on 31 December 2021
4284:from the original on 6 September 2023
4265:
3981:from the original on 15 November 2023
3849:
3692:from the original on 14 November 2023
3659:from the original on 14 November 2023
3582:from the original on 14 November 2023
3563:
3512:from the original on 14 November 2023
3474:from the original on 15 November 2023
3440:from the original on 23 November 2023
3426:Hopper, Jessica (21 September 2018).
3336:from the original on 23 November 2023
3303:from the original on 23 November 2023
3288:
3267:from the original on 22 November 2023
3218:from the original on 14 November 2023
3206:"Idaho: You Were a Dick Album Review"
3138:Richardson, Mark (14 November 2014).
2986:
2942:Tudor, Alexander (16 February 2009).
2941:
2911:"Low: The Invisible Way Album Review"
2818:
2116:
2098:from the original on 19 December 2022
2084:Hawthorne, Marc (25 September 2007).
2052:
1550:
1449:
1329:
448:calling Charlyn Marshall (stage name
5238:
4556:
4532:Earles, Andrew (15 September 2014).
4485:participating institution membership
4232:
4196:
4150:from the original on 24 January 2021
3462:McMahon, James (13 September 2021).
3249:Scordelis, Alex (17 November 2023).
3203:
3171:Dowling, Jordan (21 February 2009).
2857:from the original on 21 January 2024
2692:
2656:
2487:
2482:participating institution membership
2310:participating institution membership
2248:Reitsma, Bethany (28 January 2023).
2007:participating institution membership
1823:participating institution membership
1780:participating institution membership
1647:from the original on 4 December 2023
1632:
1587:Naftule, Ashley (12 February 2019).
1380:Swensson, Andrea (7 November 2022).
1296:. Rarely, the genre will be spelled
297:. Indie rock is a broad subgenre of
5147:Schoemer, Karen (1 February 1989).
5102:Punter, Jennie (11 November 1993).
4797:
4722:; L. Hart, Mary (1 December 2010).
4658:Metzer, David (21 September 2017).
4581:
4077:Exposito, Suzy (16 December 2016).
3822:Schreiber, Ryan (21 January 2001).
3576:Australian Broadcasting Corporation
3390:Haywood, Brad (29 September 2002).
2761:
2551:from the original on 29 August 2023
2535:Williams, Alex (11 November 2022).
2509:from the original on 2 October 2021
2323:Judkis, Maura (13 September 2021).
2215:Trimboli, Isabella (3 April 2018).
2020:Harrington, Richard (24 May 2002).
1665:
800:, alongside their following albums
24:
4772:Sweers, Britta (13 January 2005).
4495:
4247:from the original on 27 March 2024
4169:Divola, Barry (28 November 2017).
4110:"My Bloody Valentine Side Project"
3934:Heller, Jason (12 November 2013).
3791:Lorusso, Marissa (22 March 2019).
3531:LaBrack, Jill (16 February 2005).
3404:from the original on 27 March 2024
3322:Corcoran, Nina (8 November 2022).
2909:Deusner, Stephen (21 March 2013).
2743:from the original on 11 April 2024
2729:Azerrad, Michael (16 April 1992).
2707:from the original on 11 April 2024
2131:from the original on 18 March 2009
2065:from the original on 29 April 2020
1605:from the original on 27 March 2024
1453:"How Indie Rock Changed the World"
1200:debut album in 2017, described by
1168:comprised members of other bands.
1072:slowcore sound with other genres.
1041:2000s–present: Continued expansion
236:
229:
25:
5754:
5184:
5167:, United States. pp. 66–67.
4929:"Spain, a band on another planet"
4750:The New Rolling Stone Album Guide
4402:Byrne, Niall (27 February 2024).
4350:from the original on 15 June 2023
4317:from the original on 16 June 2023
4266:James, Imogen (2 February 2023).
4046:from the original on 27 June 2023
4013:from the original on 27 June 2023
3906:Heller, Jason (1 December 2014).
3803:from the original on 27 July 2023
3497:
3289:Baker, Aidan (26 February 2013).
3078:from the original on 27 June 2023
2956:from the original on 14 June 2023
2843:Sodomsky, Sam (24 January 2018).
2776:from the original on 9 April 2023
2400:from the original on 26 June 2023
2370:from the original on 26 June 2023
2356:Sisario, Ben (31 December 2009).
2034:from the original on 18 July 2020
1866:from the original on 15 June 2011
1850:Edwards, Mark (1 February 2009).
1134:(2000), followed a year later by
641:, co-founder of the record label
354:are also cited as being similar.
5675:
5674:
4449:
4395:
4362:
4329:
4296:
4278:British Broadcasting Corporation
4211:from the original on 2 July 2023
3772:from the original on 23 May 2023
3647:"The For Carnation: Fight Songs"
3613:Sheffield, Rob (10 April 2010).
3564:Hazel, Andy (17 February 2015).
3152:from the original on 27 May 2023
3033:from the original on 27 May 2023
3001:from the original on 27 May 2023
2987:Lewis, Catherine (28 May 2008).
2944:"Slowcore Week: An Introduction"
2923:from the original on 20 May 2023
2890:from the original on 20 May 2023
2731:"Grunge City: The Seattle Scene"
2693:True, Everett (25 August 2011).
2623:from the original on 20 May 2023
2584:from the original on 22 May 2023
2262:from the original on 21 May 2023
2229:from the original on 21 May 2023
2196:from the original on 22 May 2016
2164:from the original on 21 May 2023
2117:James, Brian (9 February 2003).
2053:Payne, John (13 February 2003).
2022:"The Melancholy Man Lightens Up"
1959:from the original on 19 May 2023
1911:from the original on 21 May 2023
1725:from the original on 24 May 2023
1711:Rubsam, Robert (27 April 2017).
1394:from the original on 6 June 2023
1252:as slowcore, including those of
990:the same year. Two years later,
736:1990s: Peak growth and evolution
280:Problems playing this file? See
252:
5057:Griffin, John (24 March 1988).
4730:University Press of Mississippi
4190:
4162:
4129:
4070:
4058:
4025:
3993:
3927:
3899:
3871:
3843:
3704:
3671:
3639:
3606:
3594:
3557:
3524:
3491:
3348:
3242:
3230:
3197:
3131:
3119:
3102:
3090:
3057:
3045:
3013:
2980:
2968:
2902:
2869:
2836:
2824:
2812:
2800:
2788:
2762:Dye, David (27 February 2008).
2755:
2650:
2609:Lindsay, Cam (5 October 2018).
2602:
2493:
2446:
2382:
2349:
2316:
2274:
2241:
2208:
2176:
2143:
2110:
2077:
2046:
2013:
1971:
1890:
1878:
1659:
1551:Chick, Stevie (2 August 2023).
1497:
1017:Nearing the end of the decade,
755:during their 2012 reunion tour.
685:, who were creating minimalist
4987:, United Kingdom. p. 26.
4896:"Almost famous for 15 minutes"
4336:Chodzin, Devon (11 May 2022).
4233:Enis, Eli (18 December 2023).
3064:Stosuy, Brandon (6 May 2015).
2580:. Silber Media. October 1998.
2150:Modell, Josh (2 August 2004).
1485:
1473:
1406:
938:in 1994. This was followed by
482:A Lifetime of Temporary Relief
13:
1:
5012:Dafoe, Chris (20 July 1988).
4369:Kaplan, Ilana (29 May 2018).
4197:Cook, Cameron (8 June 2017).
4108:Murray, Robin (9 July 2009).
3850:Terry, Chris (3 March 2022).
3204:Howe, Brian (8 August 2011).
2876:Heller, Jason (25 May 2012).
2657:Heim, Joe (2 February 2005).
1307:
968:released their debut albums:
606:Late 1980s: Stylistic origins
550:
5159:. Vol. 4, no. 11.
4926:Casimir, Jon (30 May 1996).
4813:Journal of Consumer Research
3356:"Top 100 Albums of the '90s"
2574:"Low interview from QRD #14"
1713:"Slowcore: A Brief Timeline"
1633:Kahn, Jamie (13 June 2022).
1480:R. Ferris & L. Hart 2010
1450:Cohen, Deborah (June 2015).
1223:featured Codeine's cover of
661:or any geographic hotspots.
556:
508:
266:from their 1994 debut album
7:
4893:Cairns, Dan (27 May 2001).
4725:Folk Music and Modern Sound
3364:. p. 6. Archived from
1288:Occasionally hyphenated as
1176:of the shoegaze pioneering
1004:, which included Codeine's
629:. Grunge fused elements of
149:. Slow rock music, akin to
10:
5759:
5364:Christian alternative rock
4666:Cambridge University Press
4429:: CS1 maint: url-status (
3678:Thomas Erlewine, Stephen.
3500:"Ida - Tales of Brave Ida"
1506:, p. 225: "Following
1136:You Should Be at Home Here
1132:Ugly But Honest: 1996-1999
1093:Things We Lost in the Fire
600:
513:Within music, the suffix "
405:
5670:
5602:
5318:
5246:
4935:The Sydney Morning Herald
4867:10.1080/10304310802311618
4633:10.1007/978-3-030-46176-8
4464:Oxford English Dictionary
4176:The Sydney Morning Herald
3680:"Radar Bros.: Radar Bros"
3533:"Ida: Heart Like a River"
3392:"Low: Trust Album Review"
3237:Arsel & Thompson 2011
2461:Oxford English Dictionary
2289:Oxford English Dictionary
1986:Oxford English Dictionary
1802:Oxford English Dictionary
1759:Oxford English Dictionary
1123:The Magnolia Electric Co.
1047:Whereas subcultures like
1011:The Sydney Morning Herald
984:released their debut EP,
531:Oxford English Dictionary
81:
76:
68:
47:
39:
34:
5718:American styles of music
5647:Independent record label
4500:
3615:"Cat Power: Album Guide"
3291:"The Value of Sad Music"
2394:American Dialect Society
1275:
1189:Through the Devil Softly
907:(2002), Brad Haywood of
637:to create a scene which
523:American Dialect Society
469:Everybody Makes Mistakes
5708:Alternative rock genres
5191:Slowcore genre overview
4780:Oxford University Press
4515:Oxford University Press
4507:Crystal, David (2014).
4469:Oxford University Press
2466:Oxford University Press
2294:Oxford University Press
1991:Oxford University Press
1807:Oxford University Press
1764:Oxford University Press
971:The Blue Moods of Spain
815:Another early band was
295:contemporary folk music
5200:Sadcore genre overview
4477:10.1093/OED/7503491735
3725:"Duster: Stratosphere"
2474:10.1093/OED/7503491735
2302:10.1093/OED/8451760115
2255:The New Zealand Herald
2055:"The Queen of Sadcore"
1999:10.1093/OED/2515705092
1815:10.1093/OED/7503491735
1772:10.1093/OED/7503491735
1083:
1058:
865:
756:
622:
565:
502:The New Zealand Herald
418:
311:traditional folk music
305:or through low-budget
303:released independently
241:
5150:"American Music Club"
4674:10.1017/9781316676400
4582:Fox, Dominic (2009).
3797:National Public Radio
1270:Sign Crushes Motorist
1088:Contemporary Movement
1078:
1045:
1034:Contemporary Movement
860:
747:
674:The Restless Stranger
613:
561:
438:, the lead singer of
413:
240:
5525:New wave of new wave
4879:Taylor & Francis
4845:Rogers, Ian (2008).
4755:Simon & Schuster
4594:John Hunt Publishing
4557:Eddy, Chuck (1991).
3768:. 23 February 2018.
1494:, pp. 4, 29–31.
1194:Cigarettes After Sex
1183:Bavarian Fruit Bread
915:I Could Live in Hope
898:I Could Live in Hope
485:(2004). Since then,
269:I Could Live in Hope
184:I Could Live in Hope
72:1980s, United States
5610:Alternative Airplay
5580:Neue Deutsche Härte
5438:Paisley Underground
5330:Alternative country
4467:(Online ed.).
4065:Clayton et al. 2009
4009:. 22 January 2004.
3737:on 16 February 2001
3723:Richard-San, Mark.
3627:on 27 November 2010
3545:on 11 November 2012
3368:on 25 February 2003
3185:on 14 November 2023
2994:The Washington Post
2664:The Washington Post
2464:(Online ed.).
2330:The Washington Post
2292:(Online ed.).
2192:. 20 October 2011.
2184:"Meet Lana Del Rey"
2027:The Washington Post
1989:(Online ed.).
1805:(Online ed.).
1762:(Online ed.).
1254:Nicole Dollanganger
1241:Kowloon Walled City
1233:Planning for Burial
1178:My Bloody Valentine
1141:Songs About Leaving
1061:Robert Rubsam,
834:Transaction de Novo
665:American Music Club
615:American Music Club
440:American Music Club
431:The Washington Post
179:American Music Club
138:, is a subgenre of
5021:The Globe and Mail
4909:, United Kingdom.
4720:R. Ferris, William
4694:(26 August 2008).
4625:Palgrave Macmillan
3887:. 13 November 2000
3113:Down Colorful Hill
2544:The New York Times
2396:. 7 January 2022.
2363:The New York Times
1415:, pp. 4, 124.
1250:singer-songwriters
1172:of Mazzy Star and
1084:
947:Heart Like a River
936:Tales of Brave Ida
932:Elizabeth Mitchell
866:
798:Down Colorful Hill
789:Down Colorful Hill
757:
726:Red House Painters
649:amps, ultra-loose
623:
568:Stevie Chick,
454:Red House Painters
419:
396:Stuart Braithwaite
242:
171:Red House Painters
5713:Rock music genres
5690:
5689:
5637:Independent music
5598:
5597:
5567:Alternative metal
5540:Post-punk revival
5474:Latin alternative
5342:Alternative dance
4711:978-0-86547-950-0
4702:Faber & Faber
4692:Petrusich, Amanda
4483:(Subscription or
3099:, pp. 253–4.
2480:(Subscription or
2308:(Subscription or
2005:(Subscription or
1821:(Subscription or
1778:(Subscription or
982:The For Carnation
741:sound and style.
679:singer-songwriter
257:
151:singer-songwriter
129:
128:
60:contemporary folk
48:Stylistic origins
16:(Redirected from
5750:
5678:
5677:
5563:
5562:
5467:Industrial metal
5240:Alternative rock
5233:
5226:
5219:
5210:
5209:
5180:
5152:
5143:
5107:
5098:
5062:
5053:
5017:
5008:
4980:The Sunday Times
4976:
4967:
4931:
4922:
4902:The Sunday Times
4898:
4882:
4850:
4841:
4809:
4798:Journal articles
4793:
4768:
4753:(4th ed.).
4743:
4715:
4687:
4654:
4618:
4607:
4578:
4563:(1st ed.).
4553:
4528:
4489:
4488:
4480:
4460:
4453:
4447:
4441:
4435:
4434:
4428:
4420:
4418:
4416:
4399:
4393:
4392:
4390:
4388:
4366:
4360:
4359:
4357:
4355:
4333:
4327:
4326:
4324:
4322:
4300:
4294:
4293:
4291:
4289:
4263:
4257:
4256:
4254:
4252:
4230:
4221:
4220:
4218:
4216:
4194:
4188:
4187:
4185:
4183:
4166:
4160:
4159:
4157:
4155:
4133:
4127:
4126:
4124:
4122:
4105:
4096:
4095:
4093:
4091:
4074:
4068:
4062:
4056:
4055:
4053:
4051:
4029:
4023:
4022:
4020:
4018:
3997:
3991:
3990:
3988:
3986:
3964:
3953:
3952:
3950:
3948:
3931:
3925:
3924:
3922:
3920:
3903:
3897:
3896:
3894:
3892:
3875:
3869:
3868:
3866:
3864:
3847:
3841:
3840:
3838:
3836:
3819:
3813:
3812:
3810:
3808:
3788:
3782:
3781:
3779:
3777:
3756:
3747:
3746:
3744:
3742:
3733:. Archived from
3720:
3714:
3708:
3702:
3701:
3699:
3697:
3675:
3669:
3668:
3666:
3664:
3643:
3637:
3636:
3634:
3632:
3623:. Archived from
3610:
3604:
3598:
3592:
3591:
3589:
3587:
3561:
3555:
3554:
3552:
3550:
3541:. Archived from
3528:
3522:
3521:
3519:
3517:
3495:
3489:
3486:
3481:
3479:
3449:
3447:
3445:
3420:
3414:
3413:
3411:
3409:
3387:
3378:
3377:
3375:
3373:
3352:
3346:
3345:
3343:
3341:
3319:
3313:
3312:
3310:
3308:
3286:
3277:
3276:
3274:
3272:
3246:
3240:
3234:
3228:
3227:
3225:
3223:
3201:
3195:
3194:
3192:
3190:
3181:. Archived from
3178:Drowned in Sound
3168:
3162:
3161:
3159:
3157:
3135:
3129:
3123:
3117:
3111:, p. 253: "
3106:
3100:
3094:
3088:
3087:
3085:
3083:
3061:
3055:
3049:
3043:
3042:
3040:
3038:
3029:. 11 July 2008.
3017:
3011:
3010:
3008:
3006:
2984:
2978:
2972:
2966:
2965:
2963:
2961:
2949:Drowned in Sound
2939:
2933:
2932:
2930:
2928:
2906:
2900:
2899:
2897:
2895:
2873:
2867:
2866:
2864:
2862:
2840:
2834:
2828:
2822:
2816:
2810:
2804:
2798:
2792:
2786:
2785:
2783:
2781:
2759:
2753:
2752:
2750:
2748:
2726:
2717:
2716:
2714:
2712:
2690:
2684:
2683:
2681:
2679:
2654:
2648:
2642:
2633:
2632:
2630:
2628:
2606:
2600:
2599:
2591:
2589:
2570:
2561:
2560:
2558:
2556:
2540:
2532:
2523:
2522:
2516:
2514:
2497:
2491:
2485:
2477:
2457:
2450:
2444:
2438:
2427:
2421:
2410:
2409:
2407:
2405:
2386:
2380:
2379:
2377:
2375:
2353:
2347:
2346:
2344:
2342:
2320:
2314:
2313:
2305:
2285:
2278:
2272:
2271:
2269:
2267:
2245:
2239:
2238:
2236:
2234:
2212:
2206:
2205:
2203:
2201:
2180:
2174:
2173:
2171:
2169:
2147:
2141:
2140:
2138:
2136:
2114:
2108:
2107:
2105:
2103:
2081:
2075:
2074:
2072:
2070:
2050:
2044:
2043:
2041:
2039:
2017:
2011:
2010:
2002:
1982:
1975:
1969:
1968:
1966:
1964:
1942:
1936:
1930:
1921:
1920:
1918:
1916:
1894:
1888:
1882:
1876:
1875:
1873:
1871:
1859:The Sunday Times
1855:
1847:
1834:
1826:
1818:
1798:
1791:
1785:
1783:
1775:
1755:
1744:
1735:
1734:
1732:
1730:
1708:
1669:
1663:
1657:
1656:
1654:
1652:
1630:
1615:
1614:
1612:
1610:
1584:
1575:
1574:
1572:
1570:
1548:
1511:
1501:
1495:
1489:
1483:
1477:
1471:
1470:
1468:
1466:
1455:
1447:
1441:
1440:
1436:. No. 665.
1427:
1416:
1410:
1404:
1403:
1401:
1399:
1377:
1368:
1362:
1345:
1344:
1327:
1301:
1286:
1155:The Sunday Times
1067:
980:, respectively.
941:I Know About You
843:Caroline Records
753:Alexandra Palace
574:
552:
391:Stina Nordenstam
324:alternative rock
259:
258:
239:
134:, also known as
86:Alternative rock
69:Cultural origins
32:
31:
21:
5758:
5757:
5753:
5752:
5751:
5749:
5748:
5747:
5693:
5692:
5691:
5686:
5666:
5594:
5561:
5496:Neo-psychedelia
5462:Industrial rock
5321:
5314:
5242:
5237:
5187:
4944:New South Wales
4889:
4800:
4790:
4765:
4740:
4712:
4684:
4643:
4604:
4575:
4550:
4525:
4503:
4498:
4496:Further reading
4493:
4492:
4482:
4454:
4450:
4442:
4438:
4422:
4421:
4414:
4412:
4400:
4396:
4386:
4384:
4376:The Independent
4367:
4363:
4353:
4351:
4334:
4330:
4320:
4318:
4301:
4297:
4287:
4285:
4264:
4260:
4250:
4248:
4231:
4224:
4214:
4212:
4195:
4191:
4181:
4179:
4167:
4163:
4153:
4151:
4134:
4130:
4120:
4118:
4106:
4099:
4089:
4087:
4075:
4071:
4063:
4059:
4049:
4047:
4030:
4026:
4016:
4014:
3999:
3998:
3994:
3984:
3982:
3965:
3956:
3946:
3944:
3932:
3928:
3918:
3916:
3904:
3900:
3890:
3888:
3877:
3876:
3872:
3862:
3860:
3848:
3844:
3834:
3832:
3820:
3816:
3806:
3804:
3789:
3785:
3775:
3773:
3758:
3757:
3750:
3740:
3738:
3721:
3717:
3709:
3705:
3695:
3693:
3676:
3672:
3662:
3660:
3645:
3644:
3640:
3630:
3628:
3611:
3607:
3599:
3595:
3585:
3583:
3562:
3558:
3548:
3546:
3529:
3525:
3515:
3513:
3496:
3492:
3477:
3475:
3443:
3441:
3421:
3417:
3407:
3405:
3388:
3381:
3371:
3369:
3354:
3353:
3349:
3339:
3337:
3320:
3316:
3306:
3304:
3287:
3280:
3270:
3268:
3247:
3243:
3235:
3231:
3221:
3219:
3202:
3198:
3188:
3186:
3169:
3165:
3155:
3153:
3136:
3132:
3124:
3120:
3107:
3103:
3095:
3091:
3081:
3079:
3062:
3058:
3050:
3046:
3036:
3034:
3019:
3018:
3014:
3004:
3002:
2985:
2981:
2973:
2969:
2959:
2957:
2940:
2936:
2926:
2924:
2907:
2903:
2893:
2891:
2874:
2870:
2860:
2858:
2841:
2837:
2829:
2825:
2817:
2813:
2805:
2801:
2793:
2789:
2779:
2777:
2760:
2756:
2746:
2744:
2727:
2720:
2710:
2708:
2691:
2687:
2677:
2675:
2655:
2651:
2643:
2636:
2626:
2624:
2607:
2603:
2587:
2585:
2572:
2571:
2564:
2554:
2552:
2533:
2526:
2512:
2510:
2499:
2498:
2494:
2479:
2451:
2447:
2439:
2430:
2422:
2413:
2403:
2401:
2388:
2387:
2383:
2373:
2371:
2354:
2350:
2340:
2338:
2321:
2317:
2307:
2279:
2275:
2265:
2263:
2246:
2242:
2232:
2230:
2213:
2209:
2199:
2197:
2182:
2181:
2177:
2167:
2165:
2148:
2144:
2134:
2132:
2115:
2111:
2101:
2099:
2082:
2078:
2068:
2066:
2051:
2047:
2037:
2035:
2018:
2014:
2004:
1976:
1972:
1962:
1960:
1943:
1939:
1931:
1924:
1914:
1912:
1895:
1891:
1883:
1879:
1869:
1867:
1848:
1837:
1820:
1792:
1788:
1777:
1745:
1738:
1728:
1726:
1709:
1672:
1664:
1660:
1650:
1648:
1631:
1618:
1608:
1606:
1585:
1578:
1568:
1566:
1549:
1514:
1502:
1498:
1490:
1486:
1482:, pp. 3–5.
1478:
1474:
1464:
1462:
1448:
1444:
1428:
1419:
1411:
1407:
1397:
1395:
1378:
1371:
1363:
1348:
1328:
1315:
1310:
1305:
1304:
1287:
1283:
1278:
1128:Carissa's Wierd
1080:Carissa's Wierd
1069:
1060:
1043:
952:Bluetile Lounge
891:, hailing from
855:
847:Year After Year
783:The White Birch
762:Frigid Stars LP
738:
667:, hailing from
608:
603:
576:
567:
559:
544:The Paper Crane
511:
497:Phoebe Bridgers
408:
287:
286:
278:
276:
275:
274:
273:
260:
253:
250:
243:
237:
232:
230:Characteristics
201:Carissa's Wierd
125:
64:
30:
23:
22:
15:
12:
11:
5:
5756:
5746:
5745:
5743:2020s in music
5740:
5738:2010s in music
5735:
5733:2000s in music
5730:
5728:1990s in music
5725:
5723:1980s in music
5720:
5715:
5710:
5705:
5688:
5687:
5685:
5684:
5671:
5668:
5667:
5665:
5664:
5662:Outsider music
5659:
5654:
5649:
5644:
5639:
5634:
5629:
5622:
5617:
5612:
5606:
5604:
5603:Related topics
5600:
5599:
5596:
5595:
5593:
5592:
5587:
5582:
5577:
5571:
5569:
5560:
5559:
5554:
5553:
5552:
5542:
5537:
5532:
5527:
5522:
5521:
5520:
5519:
5518:
5513:
5503:
5493:
5488:
5487:
5486:
5476:
5471:
5470:
5469:
5459:
5458:
5457:
5452:
5447:
5442:
5441:
5440:
5435:
5425:
5415:
5414:
5413:
5403:
5398:
5397:
5396:
5386:
5381:
5376:
5371:
5366:
5361:
5356:
5355:
5354:
5344:
5339:
5338:
5337:
5335:Gothic country
5326:
5324:
5316:
5315:
5313:
5312:
5311:
5310:
5309:
5308:
5298:
5293:
5288:
5283:
5282:
5281:
5276:
5266:
5256:
5250:
5248:
5244:
5243:
5236:
5235:
5228:
5221:
5213:
5207:
5206:
5197:
5186:
5185:External links
5183:
5182:
5181:
5144:
5099:
5054:
5009:
4968:
4923:
4888:
4885:
4884:
4883:
4861:(5): 639–649.
4842:
4834:10.1086/656389
4826:10.1086/656389
4820:(5): 791–806.
4799:
4796:
4795:
4794:
4788:
4769:
4763:
4744:
4738:
4716:
4710:
4688:
4682:
4655:
4641:
4608:
4602:
4579:
4573:
4554:
4548:
4540:Voyageur Press
4529:
4523:
4502:
4499:
4497:
4494:
4491:
4490:
4448:
4436:
4394:
4361:
4328:
4295:
4258:
4222:
4189:
4161:
4128:
4097:
4069:
4057:
4024:
3992:
3954:
3926:
3898:
3870:
3842:
3814:
3783:
3748:
3715:
3703:
3670:
3638:
3605:
3603:, p. 764.
3593:
3556:
3523:
3490:
3488:
3487:
3451:
3450:
3415:
3379:
3347:
3314:
3278:
3241:
3229:
3196:
3163:
3130:
3118:
3101:
3089:
3056:
3044:
3012:
2979:
2967:
2934:
2901:
2868:
2835:
2823:
2811:
2799:
2787:
2754:
2718:
2685:
2649:
2634:
2601:
2562:
2524:
2492:
2445:
2428:
2411:
2381:
2348:
2315:
2273:
2240:
2207:
2175:
2142:
2109:
2076:
2045:
2012:
1970:
1937:
1922:
1889:
1877:
1835:
1786:
1736:
1670:
1658:
1616:
1576:
1512:
1504:Petrusich 2008
1496:
1484:
1472:
1442:
1417:
1405:
1369:
1346:
1312:
1311:
1309:
1306:
1303:
1302:
1280:
1279:
1277:
1274:
1245:Worm Ouroboros
1220:13 Reasons Why
1174:Colm Ă“ CĂosĂłig
1117:Didn't It Rain
1064:Bandcamp Daily
1044:
1042:
1039:
930:, composed of
854:
851:
822:WhatFunLifeWas
737:
734:
714:Bandcamp Daily
683:Cowboy Junkies
617:performing at
607:
604:
602:
599:
560:
558:
555:
534:is from 1991:
510:
507:
407:
404:
277:
261:
251:
246:
245:
244:
235:
234:
233:
231:
228:
127:
126:
124:
123:
118:
113:
108:
103:
98:
93:
88:
82:
79:
78:
74:
73:
70:
66:
65:
63:
62:
57:
51:
49:
45:
44:
41:
37:
36:
28:
9:
6:
4:
3:
2:
5755:
5744:
5741:
5739:
5736:
5734:
5731:
5729:
5726:
5724:
5721:
5719:
5716:
5714:
5711:
5709:
5706:
5704:
5701:
5700:
5698:
5683:
5682:
5673:
5672:
5669:
5663:
5660:
5658:
5655:
5653:
5650:
5648:
5645:
5643:
5640:
5638:
5635:
5633:
5630:
5628:
5627:
5623:
5621:
5618:
5616:
5613:
5611:
5608:
5607:
5605:
5601:
5591:
5588:
5586:
5583:
5581:
5578:
5576:
5573:
5572:
5570:
5568:
5564:
5558:
5555:
5551:
5548:
5547:
5546:
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5517:
5514:
5512:
5509:
5508:
5507:
5504:
5502:
5499:
5498:
5497:
5494:
5492:
5489:
5485:
5482:
5481:
5480:
5477:
5475:
5472:
5468:
5465:
5464:
5463:
5460:
5456:
5453:
5451:
5448:
5446:
5443:
5439:
5436:
5434:
5433:Dunedin Sound
5431:
5430:
5429:
5426:
5424:
5421:
5420:
5419:
5416:
5412:
5409:
5408:
5407:
5404:
5402:
5399:
5395:
5392:
5391:
5390:
5387:
5385:
5382:
5380:
5377:
5375:
5372:
5370:
5367:
5365:
5362:
5360:
5357:
5353:
5350:
5349:
5348:
5345:
5343:
5340:
5336:
5333:
5332:
5331:
5328:
5327:
5325:
5323:
5322:fusion genres
5317:
5307:
5304:
5303:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5280:
5277:
5275:
5274:Post-hardcore
5272:
5271:
5270:
5269:Hardcore punk
5267:
5265:
5262:
5261:
5260:
5257:
5255:
5252:
5251:
5249:
5245:
5241:
5234:
5229:
5227:
5222:
5220:
5215:
5214:
5211:
5205:
5201:
5198:
5196:
5192:
5189:
5188:
5178:
5174:
5170:
5166:
5162:
5161:New York City
5158:
5157:
5151:
5145:
5141:
5137:
5133:
5129:
5125:
5121:
5117:
5113:
5112:
5106:
5100:
5096:
5092:
5088:
5084:
5080:
5076:
5072:
5068:
5067:
5061:
5055:
5051:
5047:
5043:
5039:
5035:
5031:
5027:
5023:
5022:
5016:
5010:
5006:
5002:
4998:
4994:
4990:
4986:
4982:
4981:
4975:
4969:
4965:
4961:
4957:
4953:
4949:
4946:, Australia.
4945:
4941:
4937:
4936:
4930:
4924:
4920:
4916:
4912:
4908:
4904:
4903:
4897:
4891:
4890:
4880:
4876:
4872:
4868:
4864:
4860:
4856:
4855:
4849:
4843:
4839:
4835:
4831:
4827:
4823:
4819:
4815:
4814:
4808:
4802:
4801:
4791:
4789:9780198038986
4785:
4781:
4777:
4776:
4770:
4766:
4764:0-7432-0169-8
4760:
4756:
4752:
4751:
4745:
4741:
4739:9781617030994
4735:
4731:
4727:
4726:
4721:
4717:
4713:
4707:
4703:
4699:
4698:
4693:
4689:
4685:
4683:9781316676400
4679:
4675:
4671:
4667:
4663:
4662:
4656:
4652:
4648:
4644:
4642:9783030461768
4638:
4634:
4630:
4626:
4622:
4617:
4616:
4609:
4605:
4603:9781846942174
4599:
4595:
4591:
4587:
4586:
4580:
4576:
4574:9780517575413
4570:
4566:
4565:Harmony Books
4562:
4561:
4555:
4551:
4549:9781627883795
4545:
4541:
4537:
4536:
4530:
4526:
4524:9780199680474
4520:
4516:
4512:
4511:
4505:
4504:
4486:
4478:
4474:
4470:
4466:
4465:
4459:
4452:
4445:
4440:
4432:
4426:
4411:
4410:
4405:
4398:
4382:
4378:
4377:
4372:
4365:
4349:
4345:
4344:
4339:
4332:
4316:
4312:
4311:
4306:
4299:
4283:
4279:
4275:
4274:
4269:
4262:
4246:
4242:
4241:
4236:
4229:
4227:
4210:
4206:
4205:
4200:
4193:
4178:
4177:
4172:
4165:
4149:
4145:
4144:
4139:
4132:
4117:
4116:
4111:
4104:
4102:
4086:
4085:
4084:Rolling Stone
4080:
4073:
4066:
4061:
4045:
4041:
4040:
4035:
4028:
4012:
4008:
4007:
4002:
3996:
3980:
3976:
3975:
3970:
3963:
3961:
3959:
3943:
3942:
3937:
3930:
3915:
3914:
3909:
3902:
3886:
3885:
3880:
3874:
3859:
3858:
3853:
3846:
3831:
3830:
3825:
3818:
3802:
3798:
3794:
3787:
3771:
3767:
3766:
3761:
3755:
3753:
3736:
3732:
3731:
3726:
3719:
3712:
3707:
3691:
3687:
3686:
3681:
3674:
3658:
3654:
3653:
3648:
3642:
3626:
3622:
3621:
3620:Rolling Stone
3616:
3609:
3602:
3597:
3581:
3577:
3573:
3572:
3567:
3560:
3544:
3540:
3539:
3534:
3527:
3511:
3507:
3506:
3501:
3498:Ruxin, Marc.
3494:
3485:
3473:
3469:
3465:
3460:
3459:
3457:
3456:
3439:
3435:
3434:
3429:
3424:
3423:
3419:
3403:
3399:
3398:
3393:
3386:
3384:
3367:
3363:
3362:
3357:
3351:
3335:
3331:
3330:
3325:
3318:
3302:
3298:
3297:
3292:
3285:
3283:
3266:
3262:
3258:
3257:
3252:
3245:
3238:
3233:
3217:
3213:
3212:
3207:
3200:
3184:
3180:
3179:
3174:
3167:
3151:
3147:
3146:
3141:
3134:
3127:
3122:
3114:
3110:
3105:
3098:
3093:
3077:
3073:
3072:
3067:
3060:
3053:
3048:
3032:
3028:
3027:
3022:
3016:
3000:
2996:
2995:
2990:
2983:
2976:
2971:
2955:
2951:
2950:
2945:
2938:
2922:
2918:
2917:
2912:
2905:
2889:
2885:
2884:
2883:The A.V. Club
2879:
2872:
2856:
2852:
2851:
2846:
2839:
2832:
2827:
2820:
2815:
2808:
2803:
2797:, p. 67.
2796:
2795:Schoemer 1989
2791:
2775:
2771:
2770:
2765:
2758:
2742:
2738:
2737:
2736:Rolling Stone
2732:
2725:
2723:
2706:
2702:
2701:
2696:
2689:
2674:
2670:
2666:
2665:
2660:
2653:
2646:
2641:
2639:
2622:
2618:
2617:
2612:
2605:
2598:
2596:
2583:
2579:
2575:
2569:
2567:
2550:
2546:
2545:
2539:
2531:
2529:
2520:
2508:
2504:
2503:
2496:
2489:
2483:
2475:
2471:
2467:
2463:
2462:
2456:
2449:
2442:
2437:
2435:
2433:
2425:
2420:
2418:
2416:
2399:
2395:
2391:
2385:
2369:
2365:
2364:
2359:
2352:
2336:
2332:
2331:
2326:
2319:
2311:
2303:
2299:
2295:
2291:
2290:
2284:
2277:
2261:
2257:
2256:
2251:
2244:
2228:
2224:
2223:
2218:
2211:
2195:
2191:
2190:
2185:
2179:
2163:
2159:
2158:
2157:The A.V. Club
2153:
2146:
2130:
2126:
2125:
2120:
2113:
2097:
2093:
2092:
2091:The A.V. Club
2087:
2080:
2064:
2060:
2056:
2049:
2033:
2029:
2028:
2023:
2016:
2008:
2000:
1996:
1992:
1988:
1987:
1981:
1974:
1958:
1954:
1953:
1948:
1941:
1934:
1929:
1927:
1910:
1906:
1905:
1904:The A.V. Club
1900:
1893:
1886:
1881:
1865:
1861:
1860:
1854:
1846:
1844:
1842:
1840:
1833:, 6 May 1998.
1832:
1831:
1824:
1816:
1812:
1808:
1804:
1803:
1797:
1790:
1781:
1773:
1769:
1765:
1761:
1760:
1754:
1748:
1743:
1741:
1724:
1720:
1719:
1714:
1707:
1705:
1703:
1701:
1699:
1697:
1695:
1693:
1691:
1689:
1687:
1685:
1683:
1681:
1679:
1677:
1675:
1667:
1662:
1646:
1642:
1641:
1636:
1629:
1627:
1625:
1623:
1621:
1604:
1600:
1596:
1595:
1594:The A.V. Club
1590:
1583:
1581:
1564:
1560:
1559:
1554:
1547:
1545:
1543:
1541:
1539:
1537:
1535:
1533:
1531:
1529:
1527:
1525:
1523:
1521:
1519:
1517:
1509:
1505:
1500:
1493:
1488:
1481:
1476:
1461:
1460:
1454:
1446:
1439:
1435:
1434:
1433:Rolling Stone
1426:
1424:
1422:
1414:
1409:
1393:
1389:
1388:
1383:
1376:
1374:
1366:
1365:Grønstad 2020
1361:
1359:
1357:
1355:
1353:
1351:
1343:
1341:
1340:
1333:
1326:
1324:
1322:
1320:
1318:
1313:
1299:
1295:
1292:or spaced as
1291:
1285:
1281:
1273:
1271:
1267:
1263:
1259:
1255:
1251:
1246:
1242:
1238:
1234:
1230:
1226:
1222:
1221:
1217:drama series
1216:
1212:
1207:
1205:
1204:
1199:
1195:
1191:
1190:
1185:
1184:
1179:
1175:
1171:
1170:Hope Sandoval
1167:
1163:
1162:
1157:
1156:
1151:
1145:
1143:
1142:
1137:
1133:
1129:
1125:
1124:
1119:
1118:
1113:
1112:
1107:
1103:
1099:
1095:
1094:
1089:
1081:
1077:
1073:
1068:
1066:
1065:
1057:
1054:
1050:
1038:
1036:
1035:
1030:
1026:
1025:
1020:
1015:
1013:
1012:
1007:
1003:
999:
998:
993:
989:
988:
983:
979:
978:
973:
972:
967:
963:
959:
958:
953:
949:
948:
943:
942:
937:
933:
929:
924:
922:
921:
920:Long Division
916:
912:
911:
906:
905:
900:
899:
894:
890:
886:
883:
879:
875:
871:
863:
859:
850:
848:
844:
840:
836:
835:
830:
829:
824:
823:
818:
813:
811:
810:
805:
804:
803:Rollercoaster
799:
795:
791:
790:
785:
784:
779:
778:
774:in 1992, the
773:
772:extended play
770:
769:
764:
763:
754:
750:
746:
742:
733:
731:
727:
723:
718:
716:
715:
710:
706:
705:
700:
696:
692:
688:
684:
680:
676:
675:
670:
669:San Francisco
666:
662:
660:
656:
652:
648:
644:
640:
636:
632:
628:
620:
616:
612:
598:
596:
595:
589:
585:
581:
575:
573:
572:
564:
554:
548:
545:
541:
537:
533:
532:
526:
524:
520:
516:
506:
504:
503:
498:
494:
493:
488:
484:
483:
479:
475:
471:
470:
465:
461:
460:
459:Rollercoaster
455:
451:
447:
446:
441:
437:
433:
432:
426:
424:
416:
412:
403:
401:
397:
392:
387:
385:
384:
379:
375:
371:
367:
366:
360:
355:
353:
352:ambient music
349:
345:
341:
337:
333:
329:
325:
320:
316:
312:
308:
307:record labels
304:
300:
296:
292:
285:
283:
271:
270:
265:
262:"Lullaby" by
249:
227:
225:
220:
218:
214:
210:
206:
202:
198:
194:
190:
186:
185:
180:
176:
172:
168:
164:
160:
156:
152:
148:
143:
141:
137:
133:
122:
119:
117:
114:
112:
109:
107:
104:
102:
99:
97:
94:
92:
91:ambient music
89:
87:
84:
83:
80:
75:
71:
67:
61:
58:
56:
53:
52:
50:
46:
42:
38:
33:
27:
19:
5679:
5657:Lollapalooza
5632:Campus radio
5624:
5557:Slacker rock
5454:
5374:Dark cabaret
5369:College rock
5352:Post-Britpop
5175:– via
5154:
5138:– via
5111:Toronto Star
5109:
5093:– via
5064:
5048:– via
5019:
5003:– via
4978:
4962:– via
4933:
4917:– via
4900:
4877:– via
4858:
4852:
4836:– via
4817:
4811:
4774:
4749:
4724:
4696:
4660:
4614:
4584:
4559:
4534:
4509:
4462:
4451:
4439:
4413:. Retrieved
4407:
4397:
4385:. Retrieved
4374:
4364:
4352:. Retrieved
4341:
4331:
4319:. Retrieved
4308:
4298:
4286:. Retrieved
4271:
4261:
4249:. Retrieved
4238:
4213:. Retrieved
4202:
4192:
4180:. Retrieved
4174:
4164:
4152:. Retrieved
4141:
4131:
4119:. Retrieved
4113:
4088:. Retrieved
4082:
4072:
4060:
4048:. Retrieved
4037:
4027:
4015:. Retrieved
4004:
3995:
3983:. Retrieved
3972:
3945:. Retrieved
3939:
3929:
3917:. Retrieved
3911:
3901:
3889:. Retrieved
3882:
3873:
3861:. Retrieved
3855:
3845:
3833:. Retrieved
3827:
3817:
3805:. Retrieved
3786:
3774:. Retrieved
3763:
3739:. Retrieved
3735:the original
3728:
3718:
3711:Casimir 1996
3706:
3694:. Retrieved
3683:
3673:
3661:. Retrieved
3650:
3641:
3629:. Retrieved
3625:the original
3618:
3608:
3601:Stewart 2004
3596:
3584:. Retrieved
3569:
3559:
3547:. Retrieved
3543:the original
3536:
3526:
3514:. Retrieved
3503:
3493:
3483:
3476:. Retrieved
3453:
3442:. Retrieved
3433:The Guardian
3431:
3418:
3406:. Retrieved
3395:
3370:. Retrieved
3366:the original
3359:
3350:
3338:. Retrieved
3327:
3317:
3305:. Retrieved
3294:
3269:. Retrieved
3254:
3244:
3232:
3220:. Retrieved
3209:
3199:
3187:. Retrieved
3183:the original
3176:
3166:
3154:. Retrieved
3143:
3133:
3121:
3112:
3104:
3092:
3080:. Retrieved
3069:
3059:
3047:
3035:. Retrieved
3024:
3021:"Sub Pop 20"
3015:
3003:. Retrieved
2992:
2982:
2970:
2958:. Retrieved
2947:
2937:
2925:. Retrieved
2914:
2904:
2892:. Retrieved
2881:
2871:
2859:. Retrieved
2848:
2838:
2831:Griffin 1988
2826:
2814:
2802:
2790:
2778:. Retrieved
2767:
2757:
2745:. Retrieved
2734:
2709:. Retrieved
2700:The Guardian
2698:
2688:
2676:. Retrieved
2662:
2652:
2625:. Retrieved
2614:
2604:
2593:
2586:. Retrieved
2577:
2553:. Retrieved
2542:
2517:– via
2511:. Retrieved
2501:
2495:
2459:
2448:
2402:. Retrieved
2384:
2372:. Retrieved
2361:
2351:
2339:. Retrieved
2328:
2318:
2287:
2276:
2264:. Retrieved
2253:
2243:
2231:. Retrieved
2222:The Guardian
2220:
2210:
2198:. Retrieved
2187:
2178:
2166:. Retrieved
2155:
2145:
2133:. Retrieved
2122:
2112:
2100:. Retrieved
2089:
2079:
2069:28 September
2067:. Retrieved
2058:
2048:
2036:. Retrieved
2025:
2015:
1984:
1973:
1961:. Retrieved
1950:
1940:
1933:Crystal 2014
1913:. Retrieved
1902:
1892:
1880:
1868:. Retrieved
1857:
1828:
1800:
1789:
1757:
1747:Crystal 2014
1727:. Retrieved
1716:
1661:
1649:. Retrieved
1638:
1607:. Retrieved
1592:
1567:. Retrieved
1558:The Guardian
1556:
1499:
1487:
1475:
1463:. Retrieved
1459:The Atlantic
1457:
1445:
1437:
1431:
1408:
1396:. Retrieved
1385:
1337:
1335:
1331:
1297:
1293:
1289:
1284:
1225:Joy Division
1218:
1211:Stratosphere
1210:
1208:
1201:
1187:
1181:
1159:
1153:
1150:Sun Kil Moon
1146:
1139:
1135:
1131:
1121:
1120:(2002), and
1115:
1111:Ghost Tropic
1109:
1102:Jason Molina
1097:
1091:
1087:
1085:
1070:
1062:
1059:
1046:
1032:
1028:
1024:Stratosphere
1022:
1016:
1009:
1006:Doug Scharin
997:The Guardian
995:
985:
975:
969:
955:
945:
939:
935:
925:
918:
914:
908:
902:
896:
887:
867:
846:
832:
826:
820:
814:
807:
801:
797:
787:
781:
777:Toronto Star
775:
766:
760:
758:
739:
719:
712:
708:
702:
672:
663:
639:Bruce Pavitt
624:
592:
577:
571:The Guardian
569:
566:
562:
543:
539:
529:
527:
512:
500:
490:
487:Lana Del Rey
480:
472:(2002), and
467:
457:
443:
429:
427:
420:
415:Lana Del Rey
388:
381:
374:Chris Brokaw
363:
356:
288:
279:
267:
221:
217:Sun Kil Moon
205:Jason Molina
182:
144:
135:
131:
130:
77:Other topics
26:
5652:Lo-fi music
5411:Post-grunge
5394:Wizard rock
5359:Chamber pop
5306:Gothic rock
5066:The Gazette
4592:, England:
4444:Metzer 2017
4387:23 November
4288:19 November
3985:15 November
3696:14 November
3663:14 November
3631:14 November
3586:14 November
3549:14 November
3516:14 November
3478:15 November
3444:23 November
3340:23 November
3307:23 November
3271:23 November
3222:14 November
3189:14 November
3126:Earles 2014
3109:Earles 2014
3097:Earles 2014
3052:Punter 1993
2975:Earles 2014
2807:Cairns 2001
2772:(Podcast).
2678:23 November
2645:Rogers 2008
2555:24 November
2441:Earles 2014
2424:Earles 2014
1885:Metzer 2017
1569:14 November
1492:Sweers 2005
1413:Earles 2014
1198:self-titled
1106:Songs: Ohia
1096:(2001) and
992:Radar Bros.
987:Fight Songs
913:proclaimed
870:microgenres
831:(1996) and
806:(1993) and
768:Barely Real
695:Galaxie 500
635:heavy metal
588:Radar Bros.
580:Matt Kadane
436:Mark Eitzel
336:Midwest emo
163:microgenres
111:Midwest emo
40:Other names
5697:Categories
5575:Funk metal
5550:Post-metal
5535:Pagan rock
5491:Mangue bit
5479:Madchester
5428:Jangle pop
5423:Indie folk
5418:Indie rock
5320:Styles and
5296:Proto-punk
5291:Noise rock
5279:Riot grrrl
5264:Avant-punk
5254:Jangle pop
5247:Precursors
5173:1438700005
5122:, Canada.
5077:, Canada.
5032:, Canada.
4960:2527331742
4623:, Norway:
4487:required.)
4458:"slowcore"
4006:PopMatters
3538:PopMatters
3261:Condé Nast
2819:Dafoe 1988
2484:required.)
2455:"slowcore"
2312:required.)
2009:required.)
1870:8 December
1825:required.)
1796:"slowcore"
1782:required.)
1753:"slowcore"
1308:References
1266:Snail Mail
1258:Ethel Cain
1229:Atmosphere
730:Mazzy Star
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