381:) prevailed. Toshio Kashio in particular felt strongly that the company's mission ought to be “bringing the pleasure of playing a musical instrument to everyone.” Despite the minuscule size and fiscal importance of the Musical Instrument division compared with the company's calculator division, then its main breadwinner, Toshio Kashio's defence of free use set a decisive corporate precedent. To the present day Casio's response to clearance requests for the "rock" preset has been an acknowledgement that the song “uses a sound file taken from a Casio MT-40”, and no fee.
318:. She was assigned to create several of the MT-40 consumer keyboard's presets, among them a "rock" rhythm. Okuda had been hired fresh out of music school, where she had produced one of Japan's first graduate theses on reggae. In 2022 she described herself as having been immersed in reggae for several years before her 1980 hire by Casio (the previous year, during Bob Marley's only visit to Japan, Okuda had attended more than three performances from the tour). Tellingly, the "rock" preset is not usable at a normal rock and roll tempo (around 172
249:
week trying combination after combination of the Casio's settings until Davey re-discovered the "rock" bass preset. The preset is accessed by pressing the "synchro" button and then the "D" bass button (second from left) while the MT-40 rhythm selector slider is in the "rock" position. It cannot be triggered after the rhythm function has been started.
40:
248:
Undeterred, Davey and fellow musician Wayne Smith played with the keyboard for several weeks. One day Davey accidentally triggered the "rock" bassline preset, which he heard for a few seconds before the keyboard setting was changed and the rhythm ceased playing. He and Wayne spent most of the next
376:
According to Okuda, there was some talk at the Casio corporation of attempting to defend their intellectual property from its free use in "Under Me Sleng Teng" with lawsuits. However, other voices at Casio (among them the head of the
Musical Instrument division, co-founder of the company, and
245:. This keyboard only held recordings of sound, triggered by user input, rather than waveform generators whose outputs can be extensively modified, as on more expensive keyboards like the DX7 (the 1984 retail price of the DX7 was $ 1,995, almost fourteen times the cost of the MT-40).
276:
at
Waltham Park Road on February 23, 1985. Jammy won the clash by acclamation, with the audience demanding "Under Me Sleng Teng" be played over and over. According to Jammy, the opposing sound, Black Scorpio, had to "lock off the sound" because no one wanted to hear Scorpio anymore.
293:
went on to spawn nearly 500 cover versions. Its success is widely credited with single-handedly transitioning reggae from analog to computerized production. This transition to digital music production using synthesizers, drum machines and samplers follows the computerization of
263:
While Jammy recalled knowing immediately that he had helped create something special once he listened to the final mix, he also said he was still completely unprepared for the response to Sleng Teng's first public performance. The song was unleashed as part of a now-legendary
412:) and this variation is known as "Sleng Teng Resurrection". Several new cuts on the original Sleng Teng were also released by Jammys in 2005 in celebration of the riddim's 20th anniversary. Some of Jammy's productions based on the rhythm were also released on the albums
329:
Okuda learned of her part in "Under Me Sleng Teng"'s global success more than a year and a half into the track's dominion over the reggae charts, and six years after producing its riddim. In August of 1986 an article titled “The Sleng Teng Flood” appeared in Japan's
372:
However, responding to the same question in 2022, Okuda said, “I did use to listen to a lot of
British rock, so I’m sure there must have been songs that influenced me. But really, the bassline was something I came up with myself. It wasn’t based on any other tune.”
404:
classics". Third, its success promoted the wide use of digital production methods, where "a keyboard synthesizer, sequencer, and drum machine, or access to these, could generate a new riddim, without having to spend money on studio time or studio musicians."
357:" were thought to be prime candidates, with "Somethin' Else" being widely accepted for decades by connoisseurs. In 2015 Okuda was quoted as saying the source was a track on an unnamed 1970s British rock album. This was later speculated to be the intro to
544:
American dub reggae band TATANKA did two different takes of this riddim, one being an instrumental dub version called "Show Me Love" dub and the other a full-on instrumentation version complete with their own originally written lyrics and vocals.
260:'s "Under Mi Sensi", a hit in '83. Davey and Smith brought the riddim and toast to noted producer and dub mixer King Jammy in December of 1984. Jammy slowed the riddim down, matched it to Smith's singing key and placed piano and clap tracks over it.
922:
280:
Jammy formally released this version a week later as a single on his own label. Jammy also recorded a number of other artists (in addition to Wayne Smith) on this Sleng Teng backing track. These included
735:
429:
Jammy recorded a number of other artists aside from Wayne Smith on the original backing track artists including Tenor Saw (with "Pumpkin Belly"), and Johnny
Osbourne (with "Buddy Bye").
233:. Before he left Jamaica, Buddy had promised a young musician named Noel Davey that he would buy a synthesizer while in the United States and bring it back to him. Wailing frontman
824:
766:
706:
408:
Sleng Teng is among the most versioned (rerecorded) of
Jamaican riddims, with nearly 500 versions. The riddim was updated by Jammy in 2005 (slightly speeded up, with added horn
400:, rather than reliance on vintage B-side tracks, with their occasionally problematic chord progressions." Secondly, it sounded thoroughly novel and different from the "overused
1247:
914:
367:
226:
604:
795:
384:
The preset is accessed by pressing the "synchro" button and then the "D" bass button (second from left) while the MT-40 rhythm slider is in the "rock" position.
1068:
1009:
979:
883:
732:
252:
Davey and Wayne Smith arranged the first version of the Sleng Teng riddim, which was considerably faster than the final release. Smith then rehearsed a
1038:
853:
1285:
378:
1311:
1212:
237:
had recommended Davey as an up-and-coming talent to foster. Although Davey was expecting a programmable synthesizer (he had been promised a
396:
argue that Sleng Teng "was seminal in various ways ... further consolidated the trend toward the new production of riddims based on short
202:
334:. The article detailed the wave of dozens and dozens of reggae songs being produced in Jamaica, all based on a Casiotone keyboard preset.
950:
1394:
816:
758:
703:
1362:
298:
music, which, like reggae, had been recorded with a band and traditional music instruments. Given the lasting consequences of the
596:
346:
1337:
787:
1158:
1129:
1097:
1231:
1185:
683:
657:
631:
393:
1060:
1001:
971:
875:
571:
use a remixed version of the riddim for the song "The Most Wanted Person in the United States" from their 2023 album
426:, who had originally taught Jammy how to produce music, was inspired by the track to create his own "Tempo" riddim.
1429:
1277:
1204:
Manuel, P. & Marshal, W. "The Riddim Method: Aesthetics, Practice, and
Ownership in Jamaican Dancehall."
1030:
845:
525:
1282:
17:
1424:
1303:
401:
253:
1209:
530:
496:
Wayne Smith's "Under Mi Sleng Teng" has also been used in the promotional trailer on
British TV
502:
206:
151:
126:
51:
1414:
560:
1151:"Okuda Hiroko: The Casio Employee Behind the "Sleng Teng" Riddim that Revolutionized Reggae"
1122:"Okuda Hiroko: The Casio Employee Behind the "Sleng Teng" Riddim that Revolutionized Reggae"
1090:"Okuda Hiroko: The Casio Employee Behind the "Sleng Teng" Riddim that Revolutionized Reggae"
915:"Okuda Hiroko: The Casio Employee Behind the "Sleng Teng" Riddim that Revolutionized Reggae"
1358:
476:
112:
1292:("The b-side 'Way In My Brain' employed the reggae bass line of 'Under Me Sleng Teng'...")
517:
features the famous Sleng Teng riddim from Wayne Smith's 1985 song "Under Mi Sleng Teng".
8:
1409:
1385:
464:
362:
269:
460:
322:). Only when the tempo knob is turned down to the 80-110 bpm range, home to reggae and
354:
230:
302:
riddim, the MT-40's "rock" preset has been the subject of considerable speculation.
1419:
1333:
471:
453:
319:
198:
444:, as well as many more, have sampled their own versions of the Sleng Teng riddim.
39:
1289:
1235:
1216:
1150:
1121:
1089:
744:
739:
710:
552:
recorded a cover version of this song with them providing new verses of rapping.
484:
286:
257:
138:
514:
510:
310:
The famous preset was composed in 1980 by a then newly-hired music engineer at
47:
1228:
1179:
944:
677:
651:
625:
1403:
467:
sampled the bass line for their UK hit rave track "Way in My Brain" in 1991.
342:
295:
273:
1395:
Wayne Smith's Under Mi Sleng Teng – the song that revolutionised reggae
704:
Wayne Smith's Under Mi Sleng Teng – the song that revolutionised reggae
715:
549:
315:
234:
144:
130:
106:
79:
733:
30 Years Of Sleng Teng - King Jammy
Recalls Impact Of Digital Breakthrough
817:"Wayne Smith's Under Mi Sleng Teng – the song that revolutionised reggae"
759:"Wayne Smith's Under Mi Sleng Teng – the song that revolutionised reggae"
573:
358:
350:
341:
many speculated as to the ultimate source of the "rock" preset. At first
265:
242:
74:
538:
423:
238:
210:
120:
497:
487:
references Sleng Teng in the track "Pull Up the People" on her album
441:
433:
323:
282:
83:
568:
437:
397:
1210:
http://wayneandwax.com/academic/manuel-marshall_riddim-method.pdf
489:
326:, does it become possible to play a reasonable accompaniment.
290:
194:
1389:
474:
uses a similar musical style in "Slang Tang" from their album
521:
368:
The Rise and Fall of Ziggy
Stardust and the Spiders from Mars
311:
1031:"How Casio accidentally started reggae's digital revolution"
846:"How Casio accidentally started reggae's digital revolution"
555:
409:
193:" is the name given to one of the first fully computerized
541:
also quote the lyrics in their song "Who's Got the Herb".
213:, was first released with Wayne's vocals under the title "
1281:, Volume 7. Oxford University Press, USA, Nov 20, 2006,
201:
and beyond. The riddim, which was the result of work by
1359:"- This is England Ultimate Soundtrack - Playlists.net"
908:
906:
904:
902:
900:
1208:(2006) 25:3. Cambridge University Press, pp. 447–470
1334:"- M.I.A - Pull Up the People - lyrics - Genius.com"
305:
897:
1401:
653:Sleng Teng Riddim Story by Originator Noel Davey
627:Sleng Teng Riddim Story by Originator Noel Davey
452:The "Sleng Teng" rhythm was used by British duo
1304:"An Interview With Discovery We Never Printed"
1061:"David Bowie: Father Of The Sleng Teng Riddim"
1002:"David Bowie: Father Of The Sleng Teng Riddim"
972:"David Bowie: Father Of The Sleng Teng Riddim"
876:"David Bowie: Father Of The Sleng Teng Riddim"
719:, 20 February 2014. Retrieved 23 February 2014
1229:https://riddim-id.com/riddims/18/sleng-teng
456:on their 1986 single "Perfume from Spain".
229:went on tour in the United States with the
447:
38:
256:over the riddim, with lyrics inspired by
1172:
912:
748:, 12 April 2015. Retrieved 12 April 2015
513:" by notable American reggae rock group
1314:from the original on September 23, 2015
1143:
727:
725:
14:
1402:
1301:
1181:Casio MT-40/41 - The Sleng Teng Review
946:Casio MT-40/41 - The Sleng Teng Review
679:Casio MT-40/41 - The Sleng Teng Review
597:"Noel Davey puts Sleng Teng on record"
524:references "Sleng Teng" in the track "
1116:
1114:
1058:
999:
969:
913:Yukinori, Hashino (1 February 2022).
873:
925:from the original on 2 February 2022
722:
591:
589:
1302:Yodice, Kristopher (May 31, 2012).
696:
365:", the 8th track on his 1972 album
289:(with "Buddy Bye"). The Sleng Teng
241:) Garth delivered a consumer-grade
24:
1198:
1111:
25:
1441:
1379:
618:
586:
558:covered it on their 2018 album,
1365:from the original on 2018-04-01
1351:
1340:from the original on 2018-04-01
1326:
1295:
1269:
1240:
1221:
1188:from the original on 2022-02-02
1161:from the original on 2022-02-02
1132:from the original on 2022-02-02
1100:from the original on 2022-02-02
1082:
1071:from the original on 2021-09-24
1052:
1041:from the original on 2022-02-02
1023:
1012:from the original on 2021-09-24
993:
982:from the original on 2021-09-24
963:
953:from the original on 2022-02-03
937:
886:from the original on 2021-09-24
867:
856:from the original on 2022-02-02
838:
827:from the original on 2022-02-02
798:from the original on 2022-02-02
788:"Sleng Teng Riddim | Riddim-ID"
769:from the original on 2022-02-02
686:from the original on 2022-02-02
660:from the original on 2022-02-02
634:from the original on 2022-02-02
607:from the original on 2022-02-02
432:Notable reggae/dancehall kings
337:After the worldwide success of
225:In mid-1984, Jamaican musician
809:
780:
751:
670:
644:
377:second-eldest Kashio brother,
220:
13:
1:
1278:Encyclopedia of Popular Music
580:
387:
7:
285:(with "Pumpkin Belly") and
10:
1446:
520:Swedish electronic artist
418:Sleng Teng Extravaganza 95
392:Scholars Peter Manuel and
27:1985 single by Wayne Smith
158:
150:
136:
118:
105:
89:
73:
65:
57:
46:
37:
32:
480:in a nod to Sleng Teng.
470:American electronic duo
243:Casiotone MT-40 keyboard
211:Lloyd "King Jammy" James
131:Lloyd "King Jammy" James
548:American hip-hop group
448:International influence
414:Sleng Teng Extravaganza
306:The MT-40 "rock" preset
567:American hyperpop duo
235:Rudolph "Garth" Dennis
1430:Jamaican reggae songs
919:Your Doorway to Japan
656:, 14 September 2016,
630:, 14 September 2016,
561:A Real Labour of Love
33:"Under Mi Sleng Teng"
1059:peter (2016-01-11).
1000:peter (2016-01-11).
970:peter (2016-01-11).
874:peter (2016-01-11).
702:Katz, David (2014) "
268:between Jammy's own
1037:. 4 December 2015.
852:. 4 December 2015.
731:Cooke, Mel (2015) "
601:jamaica-gleaner.com
537:American rock band
503:This Is England '86
363:Hang On to Yourself
227:George "Buddy" Haye
215:Under Mi Sleng Teng
170:Under Mi Sleng Teng
1288:2014-06-28 at the
1234:2019-01-23 at the
1215:2010-11-29 at the
738:2015-04-13 at the
709:2016-07-21 at the
509:The bass line of "
461:breakbeat hardcore
154:singles chronology
1386:Sleng Teng Riddim
1257:: 16. 5 July 1986
1184:, 30 April 2020,
949:, 30 April 2020,
682:, 30 April 2020,
483:British musician
355:Anarchy in the UK
217:" in early 1985.
207:Ian "Wayne" Smith
197:, influential in
187:
186:
183:
182:
127:Ian "Wayne" Smith
16:(Redirected from
1437:
1425:Electronic songs
1374:
1373:
1371:
1370:
1355:
1349:
1348:
1346:
1345:
1330:
1324:
1323:
1321:
1319:
1299:
1293:
1273:
1267:
1266:
1264:
1262:
1252:
1248:"A&R Talent"
1244:
1238:
1225:
1219:
1202:
1196:
1195:
1194:
1193:
1176:
1170:
1169:
1167:
1166:
1147:
1141:
1140:
1138:
1137:
1118:
1109:
1108:
1106:
1105:
1086:
1080:
1079:
1077:
1076:
1056:
1050:
1049:
1047:
1046:
1027:
1021:
1020:
1018:
1017:
997:
991:
990:
988:
987:
967:
961:
960:
959:
958:
941:
935:
934:
932:
930:
910:
895:
894:
892:
891:
871:
865:
864:
862:
861:
842:
836:
835:
833:
832:
813:
807:
806:
804:
803:
784:
778:
777:
775:
774:
755:
749:
729:
720:
700:
694:
693:
692:
691:
674:
668:
667:
666:
665:
648:
642:
641:
640:
639:
622:
616:
615:
613:
612:
593:
163:"Borrow Borrow"
160:
159:
141:
123:
101:
100:
96:
42:
30:
29:
21:
1445:
1444:
1440:
1439:
1438:
1436:
1435:
1434:
1400:
1399:
1390:riddimguide.com
1382:
1377:
1368:
1366:
1357:
1356:
1352:
1343:
1341:
1332:
1331:
1327:
1317:
1315:
1308:Death and Taxes
1300:
1296:
1290:Wayback Machine
1274:
1270:
1260:
1258:
1250:
1246:
1245:
1241:
1236:Wayback Machine
1226:
1222:
1217:Wayback Machine
1203:
1199:
1191:
1189:
1178:
1177:
1173:
1164:
1162:
1149:
1148:
1144:
1135:
1133:
1120:
1119:
1112:
1103:
1101:
1088:
1087:
1083:
1074:
1072:
1057:
1053:
1044:
1042:
1029:
1028:
1024:
1015:
1013:
998:
994:
985:
983:
968:
964:
956:
954:
943:
942:
938:
928:
926:
911:
898:
889:
887:
872:
868:
859:
857:
844:
843:
839:
830:
828:
815:
814:
810:
801:
799:
786:
785:
781:
772:
770:
757:
756:
752:
745:Jamaica Gleaner
740:Wayback Machine
730:
723:
711:Wayback Machine
701:
697:
689:
687:
676:
675:
671:
663:
661:
650:
649:
645:
637:
635:
624:
623:
619:
610:
608:
595:
594:
587:
583:
528:" on her album
526:Dancehall Queen
450:
390:
308:
287:Johnny Osbourne
258:Barrington Levy
223:
178:
173:
164:
137:
119:
98:
94:
93:
58:from the album
28:
23:
22:
15:
12:
11:
5:
1443:
1433:
1432:
1427:
1422:
1417:
1412:
1398:
1397:
1392:
1381:
1380:External links
1378:
1376:
1375:
1350:
1325:
1294:
1275:Colin Larkin:
1268:
1239:
1220:
1197:
1171:
1157:. 2022-02-01.
1142:
1128:. 2022-02-01.
1110:
1096:. 2022-02-01.
1081:
1065:Axis Chemicals
1051:
1022:
1006:Axis Chemicals
992:
976:Axis Chemicals
962:
936:
921:. Nippon.com.
896:
880:Axis Chemicals
866:
837:
823:. 2014-02-20.
808:
779:
765:. 2014-02-20.
750:
721:
695:
669:
643:
617:
603:. 2015-03-01.
584:
582:
579:
511:Caress Me Down
449:
446:
394:Wayne Marshall
389:
386:
353:' 1976 track "
347:Somethin' Else
345:'s 1958 song "
332:Music Magazine
307:
304:
222:
219:
199:Jamaican music
185:
184:
181:
180:
175:
166:
156:
155:
148:
147:
142:
134:
133:
129:, Noel Davey,
124:
116:
115:
109:
103:
102:
91:
87:
86:
77:
71:
70:
67:
63:
62:
55:
54:
44:
43:
35:
34:
26:
9:
6:
4:
3:
2:
1442:
1431:
1428:
1426:
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1407:
1405:
1396:
1393:
1391:
1387:
1384:
1383:
1364:
1360:
1354:
1339:
1335:
1329:
1313:
1309:
1305:
1298:
1291:
1287:
1284:
1280:
1279:
1272:
1256:
1249:
1243:
1237:
1233:
1230:
1224:
1218:
1214:
1211:
1207:
1206:Popular Music
1201:
1187:
1183:
1182:
1175:
1160:
1156:
1152:
1146:
1131:
1127:
1123:
1117:
1115:
1099:
1095:
1091:
1085:
1070:
1066:
1062:
1055:
1040:
1036:
1032:
1026:
1011:
1007:
1003:
996:
981:
977:
973:
966:
952:
948:
947:
940:
924:
920:
916:
909:
907:
905:
903:
901:
885:
881:
877:
870:
855:
851:
847:
841:
826:
822:
818:
812:
797:
793:
792:riddim-id.com
789:
783:
768:
764:
760:
754:
747:
746:
741:
737:
734:
728:
726:
718:
717:
712:
708:
705:
699:
685:
681:
680:
673:
659:
655:
654:
647:
633:
629:
628:
621:
606:
602:
598:
592:
590:
585:
578:
576:
575:
570:
565:
563:
562:
557:
553:
551:
546:
542:
540:
535:
533:
532:
527:
523:
518:
516:
512:
507:
505:
504:
499:
494:
493:
491:
486:
481:
479:
478:
473:
468:
466:
462:
457:
455:
445:
443:
439:
435:
430:
427:
425:
421:
419:
415:
411:
406:
403:
399:
395:
385:
382:
380:
379:Toshio Kashio
374:
371:
369:
364:
360:
356:
352:
348:
344:
343:Eddie Cochran
340:
335:
333:
327:
325:
321:
317:
313:
303:
301:
297:
292:
288:
284:
278:
275:
274:Black Scorpio
271:
267:
261:
259:
255:
250:
246:
244:
240:
236:
232:
231:Wailing Souls
228:
218:
216:
212:
208:
204:
200:
196:
192:
177:"Come Along"
176:
171:
167:
162:
161:
157:
153:
149:
146:
143:
140:
135:
132:
128:
125:
122:
121:Songwriter(s)
117:
114:
110:
108:
104:
92:
88:
85:
81:
78:
76:
72:
68:
64:
61:
56:
53:
49:
45:
41:
36:
31:
19:
1415:1985 singles
1367:. Retrieved
1353:
1342:. Retrieved
1328:
1316:. Retrieved
1307:
1297:
1276:
1271:
1259:. Retrieved
1254:
1242:
1223:
1205:
1200:
1190:, retrieved
1180:
1174:
1163:. Retrieved
1154:
1145:
1134:. Retrieved
1125:
1102:. Retrieved
1093:
1084:
1073:. Retrieved
1064:
1054:
1043:. Retrieved
1034:
1025:
1014:. Retrieved
1005:
995:
984:. Retrieved
975:
965:
955:, retrieved
945:
939:
927:. Retrieved
918:
888:. Retrieved
879:
869:
858:. Retrieved
849:
840:
829:. Retrieved
821:the Guardian
820:
811:
800:. Retrieved
791:
782:
771:. Retrieved
763:the Guardian
762:
753:
743:
716:The Guardian
714:
698:
688:, retrieved
678:
672:
662:, retrieved
652:
646:
636:, retrieved
626:
620:
609:. Retrieved
600:
572:
566:
559:
554:
550:Cypress Hill
547:
543:
536:
529:
519:
508:
501:
495:
488:
482:
475:
469:
458:
451:
431:
428:
422:
417:
413:
407:
391:
383:
375:
366:
338:
336:
331:
328:
316:Okuda Hiroko
309:
299:
279:
270:sound system
262:
251:
247:
224:
214:
190:
188:
169:
145:Prince Jammy
113:Greensleeves
59:
1227:Riddim-ID,
574:10,000 Gecs
454:Dr Calculus
359:David Bowie
351:Sex Pistols
266:sound clash
221:Composition
152:Wayne Smith
139:Producer(s)
60:Sleng Teng
52:Wayne Smith
1410:1985 songs
1404:Categories
1369:2018-03-31
1344:2018-03-31
1255:Music Week
1192:2022-02-02
1165:2022-02-02
1155:nippon.com
1136:2022-02-02
1126:nippon.com
1104:2022-02-02
1094:nippon.com
1075:2022-02-02
1045:2022-02-02
1016:2022-02-02
986:2022-02-02
957:2022-02-03
929:2 February
890:2022-02-02
860:2022-02-02
831:2022-02-02
802:2022-02-02
773:2022-02-02
690:2022-02-02
664:2022-02-02
638:2022-02-02
611:2022-02-02
581:References
424:King Tubby
402:Studio One
339:Sleng Teng
300:Sleng Teng
239:Yamaha DX7
203:Noel Davey
191:Sleng Teng
18:Sleng teng
531:Body Talk
498:Channel 4
472:Discovery
442:Yellowman
434:Super Cat
398:ostinatos
388:Influence
349:" or the
283:Tenor Saw
84:dancehall
1363:Archived
1338:Archived
1318:July 23,
1312:Archived
1286:Archived
1261:30 April
1232:Archived
1213:Archived
1186:archived
1159:Archived
1130:Archived
1098:Archived
1069:Archived
1039:Archived
1035:Engadget
1010:Archived
980:Archived
951:archived
923:Archived
884:Archived
854:Archived
850:Engadget
825:Archived
796:Archived
767:Archived
736:Archived
707:Archived
684:archived
658:archived
632:archived
605:Archived
569:100 gecs
459:British
438:Ninjaman
272:and the
111:Jammy's/
66:Released
1420:Riddims
515:Sublime
296:hip-hop
195:riddims
179:(1985)
174:(1985)
165:(1984)
1283:p. 515
490:Arular
485:M.I.A.
463:group
440:, and
291:riddim
209:, and
90:Length
80:Reggae
48:Single
1251:(PDF)
522:Robyn
500:show
312:Casio
254:toast
107:Label
75:Genre
1320:2012
1263:2023
931:2022
556:UB40
416:and
410:riff
361:'s "
69:1985
1388:at
742:",
713:",
539:311
465:SL2
324:dub
320:bpm
50:by
1406::
1361:.
1336:.
1310:.
1306:.
1253:.
1153:.
1124:.
1113:^
1092:.
1067:.
1063:.
1033:.
1008:.
1004:.
978:.
974:.
917:.
899:^
882:.
878:.
848:.
819:.
794:.
790:.
761:.
724:^
599:.
588:^
577:.
564:.
534:.
506:.
477:LP
436:,
420:.
314:,
205:,
172:"
99:06
82:,
1372:.
1347:.
1322:.
1265:.
1168:.
1139:.
1107:.
1078:.
1048:.
1019:.
989:.
933:.
893:.
863:.
834:.
805:.
776:.
614:.
492:.
370:.
189:"
168:"
97::
95:4
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
