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Skewball

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United States. Aufray's version takes the perspective of a man recalling an experience as a ten-year-old boy. His father believes that Stewball will win a race, so he puts all his money and assets into this venture. Toward the end of the race, Stewball tragically falls. The veterinarian finishes him off with a single shot. This is the first time that the narrator witnesses his father cry. Aufray's song is very different in that it features Stewball not winning his race and dying due to an injury. This version was also later translated into the Czech language by Milan Dvořák, becoming widely known as a campfire song.
172:. In both songs the title horse is the underdog in the race, up against a favored grey mare (usually called either "Griselda" or "Molly"), and although in most versions of Stewball the winning horse triumphs due to the stumbling of the lead horse, Skewball wins simply by being the faster horse in the end. Probably the most significant lyrical difference in the songs is the conversation Skewball has with his jockey, while Stewball behaves more like a typical horse and does not speak. 188:. British and Irish versions, when the setting is mentioned, usually place the race in Kildare, Ireland, leading some to believe that the song is actually Irish in origin. The grey mare was owned by Sir Ralph Gore, whose family had gained a great deal of land in Ireland with the Protestant Cromwellian invasion (starting in 1650), which probably accounts for the delight in Skewball's win "breaking Sir Gore" in the final lines of this Irish-based broadside. 25: 144:, and later sold. His name has been recorded as "Squball", "Sku-ball", or "Stewball". He won many races in England and was sent to Ireland. The Irish turf calendar states that he won six races worth £508 in 1752, when he was eleven years old, and was the top-earning runner of that year in Ireland. His most famous race took place on the plains of 175:
The oldest broadside identified with the ballad is dated 1784 and is held by the Harding Collection of the Bodleian Library of the University of Oxford. The song had spread to America by 1829 when it was published in a songbook in Hartford. American versions were sung and adapted by slaves in the
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in 1966, becoming one of Aufray's biggest hits. However, this song (written by Hugues Aufray and Pierre Delanoë) is unlike the English-language songs of the same name, although the adaptation was created after Aufray met Peter, Paul, and Mary, along with others such as Bob Dylan in a trip to the
488:"The book of the horse : thorough-bred, half-bred, cart-bred, saddle and harness, British and foreign, with hints on horsemanship; the management of the stable; breeding, breaking and training for the road, the park, and the field" 168:, generally titled either "Skewball" or "Stewball"; the latter is more popular in America. There are multiple variations within the two major divisions. Versions date at least as far back as the 18th century, appearing on numerous 148:, Ireland, which is generally the subject of the song of the same name. The early ballad about the event has Skewball belonging to an Arthur Marvell or Mervin. Based on the horse's name, Skewball was likely a 290:. Their version, however, has lyrics from a different perspective, where the singer wishes he had bet on Stewball, as opposed to Johnny Herald, who encourages others to do so, because he "never did lose." 296:
described the Peter, Paul and Mary version as "a hard-driving, rhythmic ditty about a race-horse who has a preference for wine." Other versions of this version of "Stewball" include
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An early mention of the horse is found in an early 20th century folk song, "When I Go Out" by Buster Red, who references seeing no horse like "Stewball" at the
882: 1150: 359: 1145: 741: 864: 141: 1076: 988: 967: 907: 320: 1155: 304:(1969), which differs in a number of lyrical changes (including the grey mare stumbling) from Peter, Paul, and Mary's version, 584: 1165: 1083: 801: 270:. Guthrie's cowboy version of the British ballad, with the same lyrics but a different tune, was recorded in 1961 on the 734: 89: 673: 1055: 981: 572: 108: 61: 1114: 1160: 889: 68: 1140: 829: 46: 727: 1180: 794: 75: 1175: 932: 914: 243:. Lead Belly recorded several versions of this song, and the music and lyrics from his version appear in 402: 1016: 228: 57: 42: 1170: 822: 418: 1002: 857: 216: 35: 1090: 1069: 1037: 995: 960: 946: 373: 364: 714: 709: 541: 516: 463: 850: 235:, and sung to a cowboy waltz tune. The American interpretation has Stewball as being born in 750: 287: 204: 192: 624:"Wake up dead man; Afro-American worksongs from Texas prisons : Jackson, Bruce, comp" 8: 1023: 704: 1030: 1009: 843: 442: 335: 598: 255:. John and Ruby Lomax also recorded a version by a "Group of Convicts" in their 1939 82: 939: 568: 487: 232: 169: 129: 1097: 815: 430: 384:
song called "Stewball" (or also known as "Il s'appelait Stewball") was recorded by
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Lead Belly's American chain-gang version of "Stewball" was covered in the 1950s by
623: 231:' style, while the English interpretation is derived from the traditional British 1119: 381: 283: 1062: 267: 145: 1134: 407: 385: 354: 350: 297: 240: 208: 165: 776: 769: 762: 648: 808: 422: 346: 315: 310: 279: 263: 153: 211:, who included an English and an American interpretation (both entitled 836: 719: 368: 252: 248: 236: 224: 220: 177: 953: 393: 330: 305: 125: 24: 433:, which has become a Christmas standard since its release in 1971. 426: 400:: a solo version released on the American edition of her CD-album 292: 185: 149: 599:"Jazz catalogue vol. 9 & 10 1970 : Cherrington, George" 181: 641: 239:
with the famed race against the grey mare taking place in
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that she had recorded in 1985/1986 for her TV series
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The horse was foaled in 1741 and originally owned by
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The Best of Peter, Paul and Mary: Ten Years Together
591: 406:(2011) as well as a duet version with her late son 176:
Southern United States, and have Stewball racing in
392:Also of interest are the renditions of the song by 49:. Unsourced material may be challenged and removed. 207:. A notable recording is by American folk legend 1132: 360:Ten Man Mop, or Mr. Reservoir Butler Rides Again 259:, available online at the American Memory site. 345:Popular British versions include recordings by 219:(1930–1940). The American interpretation is a 715:Thoroughbred Heritage on Skewball: The Ballads 371:as "The Plains of Kildare" on their duo album 286:, and subsequently covered and popularized by 164:There are two major different versions of the 152:horse though he was listed in stud books as a 735: 710:Thoroughbred Heritage on Skewball: the horse 514: 417:The melody was also the basis for the song " 742: 728: 705:Old Town School of Folk Music on Skewball 649:"1939 Southern Recording Trip Fieldnotes" 540:Heritage, Patricia Erigero Thoroughbred. 510: 508: 462:Heritage, Patricia Erigero Thoroughbred. 109:Learn how and when to remove this message 1151:Racehorses trained in the United Kingdom 749: 533: 142:Francis Godolphin, 2nd Earl of Godolphin 124:was the name of an 18th-century British 455: 215:) on tape, and recorded in Volume 4 of 1133: 505: 227:and Guthrie with an African American ' 1146:Racehorses bred in the United Kingdom 723: 266:, and then by British skiffle singer 539: 461: 47:adding citations to reliable sources 18: 1084:The First Time Ever I Saw Your Face 567:, ed. Hugh Shields (Dublin, 1988), 16:British-bred Thoroughbred racehorse 13: 666: 616: 480: 128:, most famous as the subject of a 14: 1192: 968:Don't Think Twice, It's All Right 698: 410:released in 2014 on the CD-album 1056:Where Have All the Flowers Gone? 546:Welcome to Thoroughbred Heritage 468:Welcome to Thoroughbred Heritage 23: 974: 890:Songs of Conscience and Concern 683:. 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Index


verification
improve this article
adding citations to reliable sources
"Skewball"
news
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books
scholar
JSTOR
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racehorse
broadsheet ballad
Francis Godolphin, 2nd Earl of Godolphin
Kildare
skewbald
bay
sporting ballad
broadsides
California
Texas
Kentucky
Roud Folk Song Index
Saratoga Race Course
Woody Guthrie
The Asch Recordings
chain-gang
Lead Belly
call and response
broadside ballad

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