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Simone (2002 film)

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338:) and apply an anti-virus program to eradicate the computer virus. They restore Simone and have her appear on national television laughing while holding up a newspaper headline with her obituary along with a fake story that Simone's death was a hoax. Elaine and Taransky get back together, but Simone and Taransky get into a "public relationship" and even have a virtual baby as a publicity stunt. In a bizarre further twist of events, Simone at the end of the film enters politics so her child can have a good future. 1004: 999: 994: 944: 939: 934: 763: 758: 989: 984: 929: 924: 753: 748: 481:. Stylized elements present throughout the film and its post-credits included the use of #1 in place of any letter 'I', and a #0 in place of any letter 'O', which occurs for the entire duration of the credits, including for all cast and crew names featured. Principal photography was done by Edward Lachman, while the entirety of the production was made in 320:
intended to disgust audiences. Not only does it fail to achieve the desired effect of audience alienation, but it also serves to foster her credibility as a risk-taking, fearless and avant-garde artist. Taransky's subsequent attempts to discredit Simone by having her drink, smoke, and curse at public
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was critical of Niccol wasting his premise by giving it a broad appeal with "sitcom simplicity" and his cast a narrow direction for their characters, saying: "He wants to edge it in the direction of a Hollywood comedy, but the satire is not sharp enough and the characters, including the ex-wife, are
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was that it stank of the very thing it appeared to be mocking: it's a big-budget, commercial film taking potshots at big-budget, commercial filmmaking (as well as overripe, over-earnest indies), and although it strives constantly for a sense of knowing, winking irony, the only thing ironic about it
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In one instance, two determined tabloid reporters discover Taransky used out-of-date stock photography as a background during an interview instead of being on that site as claimed, and they blackmail him into getting Simone to make a live appearance. He arranges her to perform a song at a stadium
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When Nicola Anders, the star of the new film by disillusioned, out-of-favor director Viktor Taransky, refuses to finish the film and contractually requires her image to not be used in the film without risking a lawsuit, Taransky is forced to find a replacement actress and re-shoot scenes from the
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After being charged with her murder, he admits that Simone is not a person, but a computer program. The chest containing the computer data is brought up empty. Taransky's daughter Lainey and ex-wife Elaine enter his studio to try to help him restore Simone, as he has a change of heart. They find
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for her to appear. Taransky decides he will reveal the secret of her non-existence after the second motion picture she stars in. To satisfy demand, he executes a number of progressively ambitious stunts relying on misdirection and cinematic special effects technology. Eventually, it escalates to
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was cast later in the role of Faith, Viktor's secretary who is so obsessed with Simone that she begins dressing like Simone, dying her hair like Simone and even trying to have sex with Viktor just so that she can hear him call her "Simone". These side-actors built up much of the side comedy
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film. Instead of hiring another actress, Taransky experiments with a new computer program he inherits from late acquaintance Hank Aleno which allows the creation of a computer-generated woman which he can easily animate to play the film's central character. Taransky names his
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event appearing in a cloud of smoke and then using flawless holographic technology. The perception of being in person is reinforced with real-time visualization on the stadium's monitors. Simone becomes even more famous, simultaneously becoming a double winner for the
293:. Seamlessly incorporated into the film, Simone gives a fantastic performance, exactly controlled by Taransky. The film is immediately a huge success, and the studio and world grow confused about Simone and campaign to find out who she truly is. 325:
to erase her, dumping the hard drive and floppy disks into a steamer trunk, burying the trunk at sea, and then announcing to the press that she has died of a rare virus contracted on her Goodwill Tour of the Third World. During the funeral, the
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wrote that "It's reasonable material, but there are no real plot twists or unexpected implications; it all just rolls out easily in a Hollywood that director Niccol makes appear so unreal as to be an easy target". Marc Savlov of
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appearances and use politically incorrect statements similarly backfire when the press instead begins to see her as refreshingly honest. As a last resort, Taransky decides to dispose of Simone completely by using a
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Though initially happy about his hoax going off, Taransky grows tired of Simone constantly overshadowing him in the press, and decides to make her second film purposely bad; thus Simone's next film,
30: 266:. The story follows a fading director creating a virtual actress to star in his films and the attempts he makes to keep her non-presence a secret as she becomes more famous. 615:
said, "The writer-director Mr. Niccol is satirizing the kinds of dazzling empties he himself has made. fascinated with surfaces—the films he's been involved with (he wrote
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was Niccol's first attempt at a comedic satire with lighter moments and over-the-top drama. Niccol's first attempt at non-satire had been the earlier and more successful
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interrupt, open the coffin and find only a cardboard cutout of Simone. He is arrested and shown a security camera video where he loads a large trunk onto his yacht.
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to be used in the film for part of the basis of the Simone character, while scenic footage used for Simone's "remote interview" backgrounds was obtained from
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technique. A post-credits sequence shows Viktor creating fake footage of Simone in a supermarket, which one of her pursuers sees, believing it real.
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out of 100 top reviews from mainstream critics, calculated an average score of 49, based on 38 reviews, indicating "mixed or average reviews".
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deals with themes of the problematic aspects of technological advances being used to attempt to attain perfection. Unlike the former, however,
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were cast as obese tabloid investigator Max Sayer and his shady-looking but peculiarly childlike assistant, Milton, respectively.
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gave it a 51% approval rating based on 160 reviews, with an average rating of 5.8/10. The site's consensus reads: "The satire in
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Taransky initially claims that Simone is a recluse and requests her privacy be respected, but that only
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garnered mixed reviews from critics, grossing $ 19.6 million worldwide against its $ 10 million budget.
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surrounding the bizarre cultural phenomenon surrounding Simone. Footage of character
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3,813,463 in its opening weekend. The film grossed $ 19,576,023 worldwide.
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The film opened at #9 on the North American box office chart, grossing
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lacks bite, and the plot isn't believable enough to feel relevant."
1075: 504: 378: 259: 88: 1166: 1136: 623: 485:, using the Getty stock footage to fill in for locations such as 432: 647: 627:) are a mix of populism and deconstruction. His newest effort, 486: 316:, is her "directorial debut" and a tasteless treatment about 650:(media phenomenon centering on virtual avatar entertainment) 283:"Simone," a name derived from the computer program's title, 557:
received mixed reviews from critics. Review aggregator
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English-language science fiction comedy-drama films
1121: 525:The film shows how the fake is produced using the 513:composed the film's score, which was released on 503:", which Simone sings during a concert scene via 301:simulated remote location video live interviews. 1222: 605:is how much it resembles its supposed target." 981: 507:, and which later plays over the end credits. 1107: 921: 745: 1266:American science fiction comedy-drama films 1114: 1100: 29: 1023:"Film Review: Got It All (Except a Life)" 1256:2000s science fiction comedy-drama films 1016: 893: 334:Taransky's forgotten virus source disk ( 1321:Films with screenplays by Andrew Niccol 1316:Films shot in Santa Clarita, California 1301:Films shot in Beverly Hills, California 705: 703: 501:(You Make Me Feel Like) A Natural Woman 1223: 956: 790: 775: 666: 664: 1095: 803:from the original on January 28, 2022 791:Scheib, Richard (November 15, 2003). 709: 309:, tying with herself in the process. 16:Science fiction film by Andrew Niccol 700: 688:from the original on August 28, 2016 549: 1271:Films about artificial intelligence 983: 839:from the original on March 23, 2010 661: 238:written, produced, and directed by 13: 1311:Films shot in Pasadena, California 1036:from the original on July 18, 2020 971:from the original on July 17, 2020 911:from the original on July 18, 2020 875:from the original on June 21, 2020 731:from the original on July 19, 2020 600:said, "What really irked me about 520: 14: 1342: 1052: 923: 747: 430:Like Andrew Niccol's predecessor 1002: 997: 992: 987: 982: 957:Savlov, Marc (August 23, 2002). 942: 937: 932: 927: 922: 761: 756: 751: 746: 1286:Films directed by Andrew Niccol 1291:Films scored by Carter Burwell 1010: 950: 887: 851: 815: 784: 769: 420:Kelly Anna Cox as Young Simone 307:Academy Award for Best Actress 1: 654: 537: 425: 1296:Films set in a movie theatre 1246:2000s English-language films 532: 7: 634: 10: 1347: 405:as Hank Aleno (uncredited) 1306:Films shot in Los Angeles 1130: 298:intensifies media demands 210: 202: 194: 186: 176: 162:August 23, 2002 153: 143: 127: 117: 107: 97: 66: 58: 50: 40: 35:Theatrical release poster 28: 23: 1281:Films about telepresence 1261:American satirical films 1236:2002 comedy-drama films 959:"Simone - Movie Review" 776:Niccol, Andrew (2002), 682:Internet Movie Database 621:and wrote and directed 341: 273: 470:Breakfast At Tiffany's 1326:New Line Cinema films 1276:Films about computing 1251:2000s satirical films 725:Sun-Times Media Group 499:featured a cover of " 411:as Faith (uncredited) 231:) is a 2002 American 1241:2000s American films 964:The Austin Chronicle 897:(October 25, 2002). 797:www.moriareviews.com 597:The Austin Chronicle 236:science fiction film 1020:(August 23, 2002). 713:(August 23, 2002). 452:Pruitt Taylor Vince 399:as Simone Lookalike 385:Pruitt Taylor Vince 363:as Lainey Christian 357:as Elaine Christian 84:Pruitt Taylor Vince 1122:Films directed by 1029:The New York Times 780:, New Line Cinemas 612:The New York Times 569:, which assigns a 473:was obtained from 351:as Viktor Taransky 1218: 1217: 720:Chicago Sun-Times 550:Critical response 475:Paramount Studios 456:Jason Schwartzman 391:Jason Schwartzman 242:. The film stars 218: 217: 1338: 1211: 1201: 1191: 1181: 1171: 1161: 1151: 1141: 1116: 1109: 1102: 1093: 1092: 1046: 1045: 1043: 1041: 1025: 1014: 1008: 1007: 1006: 1005: 1001: 1000: 996: 995: 991: 990: 986: 985: 980: 978: 976: 954: 948: 947: 946: 945: 941: 940: 936: 935: 931: 930: 926: 925: 920: 918: 916: 891: 885: 884: 882: 880: 859:"S1m0ne Reviews" 855: 849: 848: 846: 844: 819: 813: 812: 810: 808: 788: 782: 781: 773: 767: 766: 765: 764: 760: 759: 755: 754: 750: 749: 744: 738: 736: 707: 698: 697: 695: 693: 668: 588: 571:weighted average 375:as Nicola Anders 361:Evan Rachel Wood 355:Catherine Keener 252:Evan Rachel Wood 248:Catherine Keener 169: 167: 79:Catherine Keener 33: 21: 20: 1346: 1345: 1341: 1340: 1339: 1337: 1336: 1335: 1221: 1220: 1219: 1214: 1204: 1194: 1184: 1174: 1164: 1154: 1144: 1134: 1126: 1120: 1087:Box Office Mojo 1055: 1050: 1049: 1039: 1037: 1018:Mitchell, Elvis 1015: 1011: 1003: 998: 993: 988: 974: 972: 955: 951: 943: 938: 933: 928: 914: 912: 895:Bradshaw, Peter 892: 888: 878: 876: 869:CBS Interactive 857: 856: 852: 842: 840: 828:Rotten Tomatoes 823:"Simone (2002)" 821: 820: 816: 806: 804: 793:"S1m0ne (2002)" 789: 785: 774: 770: 762: 757: 752: 734: 732: 708: 701: 691: 689: 677:Box Office Mojo 672:"Simone (2002)" 670: 669: 662: 657: 642:The Truman Show 637: 618:The Truman Show 586: 559:Rotten Tomatoes 552: 540: 535: 523: 521:Special effects 465:Holly Golightly 447:The Truman Show 428: 423: 381:as Hal Sinclair 344: 276: 179: 172: 165: 163: 156: 148:New Line Cinema 139: 132: 130: 93: 36: 17: 12: 11: 5: 1344: 1334: 1333: 1328: 1323: 1318: 1313: 1308: 1303: 1298: 1293: 1288: 1283: 1278: 1273: 1268: 1263: 1258: 1253: 1248: 1243: 1238: 1233: 1216: 1215: 1213: 1212: 1202: 1192: 1182: 1172: 1162: 1152: 1142: 1131: 1128: 1127: 1119: 1118: 1111: 1104: 1096: 1090: 1089: 1078: 1067: 1054: 1053:External links 1051: 1048: 1047: 1009: 949: 899:"Film: Simone" 886: 850: 833:Fandango Media 814: 783: 778:S1M0NE (movie) 768: 741:RogerEbert.com 699: 659: 658: 656: 653: 652: 651: 645: 636: 633: 607:Elvis Mitchell 591:Peter Bradshaw 580:too routine." 551: 548: 539: 536: 534: 531: 522: 519: 511:Carter Burwell 491:Great Pyramids 460:Rebecca Romijn 427: 424: 422: 421: 418: 412: 409:Rebecca Romijn 406: 400: 397:Claudia Jordan 394: 388: 382: 376: 370: 367:Rachel Roberts 364: 358: 352: 345: 343: 340: 323:computer virus 275: 272: 256:Rachel Roberts 216: 215: 214:$ 19.6 million 212: 208: 207: 204: 200: 199: 196: 192: 191: 188: 184: 183: 180: 177: 174: 173: 171: 170: 159: 157: 154: 151: 150: 145: 144:Distributed by 141: 140: 135: 133: 128: 125: 124: 122:Carter Burwell 119: 115: 114: 109: 105: 104: 102:Edward Lachman 99: 98:Cinematography 95: 94: 92: 91: 86: 81: 76: 70: 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1343: 1332: 1329: 1327: 1324: 1322: 1319: 1317: 1314: 1312: 1309: 1307: 1304: 1302: 1299: 1297: 1294: 1292: 1289: 1287: 1284: 1282: 1279: 1277: 1274: 1272: 1269: 1267: 1264: 1262: 1259: 1257: 1254: 1252: 1249: 1247: 1244: 1242: 1239: 1237: 1234: 1232: 1229: 1228: 1226: 1209: 1208: 1203: 1199: 1198: 1193: 1189: 1188: 1183: 1179: 1178: 1173: 1169: 1168: 1163: 1159: 1158: 1153: 1149: 1148: 1143: 1139: 1138: 1133: 1132: 1129: 1125: 1124:Andrew Niccol 1117: 1112: 1110: 1105: 1103: 1098: 1097: 1094: 1088: 1084: 1083: 1079: 1077: 1073: 1072: 1068: 1066: 1062: 1061: 1057: 1056: 1035: 1031: 1030: 1024: 1019: 1013: 970: 966: 965: 960: 953: 910: 906: 905: 900: 896: 890: 874: 870: 866: 865: 860: 854: 838: 834: 830: 829: 824: 818: 802: 798: 794: 787: 779: 772: 742: 730: 726: 722: 721: 716: 712: 706: 704: 687: 683: 679: 678: 673: 667: 665: 660: 649: 646: 644: 643: 639: 638: 632: 630: 626: 625: 620: 619: 614: 613: 608: 603: 599: 598: 592: 585: 584: 578: 574: 572: 568: 564: 560: 556: 547: 545: 530: 528: 518: 516: 512: 508: 506: 502: 498: 494: 492: 488: 484: 480: 476: 472: 471: 466: 461: 457: 453: 449: 448: 443: 439: 435: 434: 419: 416: 413: 410: 407: 404: 401: 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 346: 339: 337: 331: 329: 324: 319: 315: 310: 308: 302: 299: 294: 292: 291: 287: 282: 281:virtual actor 271: 269: 265: 261: 257: 253: 249: 245: 241: 240:Andrew Niccol 237: 234: 230: 229: 225:(stylized as 224: 223: 213: 209: 205: 201: 197: 193: 190:United States 189: 185: 181: 175: 161: 160: 158: 152: 149: 146: 142: 138: 134: 126: 123: 120: 116: 113: 110: 106: 103: 100: 96: 90: 87: 85: 82: 80: 77: 75: 72: 71: 69: 65: 62:Andrew Niccol 61: 57: 54:Andrew Niccol 53: 49: 46: 45:Andrew Niccol 43: 39: 32: 27: 22: 19: 1205: 1195: 1185: 1175: 1165: 1155: 1146: 1145: 1135: 1081: 1070: 1059: 1038:. Retrieved 1027: 1012: 973:. Retrieved 962: 952: 913:. Retrieved 904:The Guardian 902: 889: 877:. Retrieved 862: 853: 841:. Retrieved 826: 817: 805:. Retrieved 796: 786: 777: 771: 739:– via 733:. Retrieved 718: 711:Ebert, Roger 690:. Retrieved 675: 640: 628: 622: 616: 610: 601: 595: 583:The Guardian 581: 575: 562: 554: 553: 541: 524: 509: 496: 495: 479:Getty Images 468: 445: 441: 437: 431: 429: 403:Elias Koteas 387:as Max Sayer 373:Winona Ryder 335: 332: 313: 311: 303: 295: 289: 285: 284: 277: 267: 264:Winona Ryder 227: 226: 221: 220: 219: 206:$ 10 million 178:Running time 155:Release date 137:Niccol Films 18: 1157:Lord of War 577:Roger Ebert 415:Joel Heyman 182:118 minutes 112:Paul Rubell 59:Produced by 41:Directed by 1231:2002 films 1225:Categories 907:. London. 879:January 2, 864:Metacritic 843:October 6, 655:References 567:Metacritic 538:Box office 527:chroma key 483:California 426:Production 211:Box office 166:2002-08-23 129:Production 51:Written by 1207:I, Object 1187:Good Kill 799:. Moria. 533:Reception 393:as Milton 369:as Simone 349:Al Pacino 318:zoophilia 244:Al Pacino 233:satirical 108:Edited by 74:Al Pacino 1177:The Host 1076:AllMovie 1040:July 17, 1034:Archived 975:July 17, 969:Archived 915:July 17, 909:Archived 873:Archived 837:Archived 801:Archived 735:July 17, 729:Archived 715:"Simone" 692:July 14, 686:Archived 635:See also 505:hologram 379:Jay Mohr 314:I Am Pig 288:ulation 260:Jay Mohr 195:Language 118:Music by 89:Jay Mohr 67:Starring 1167:In Time 1137:Gattaca 624:Gattaca 433:Gattaca 417:as Male 198:English 187:Country 164: ( 131:company 1200:(2018) 1190:(2014) 1180:(2013) 1170:(2011) 1160:(2005) 1150:(2002) 1147:Simone 1140:(1997) 1082:Simone 1071:Simone 1060:Simone 807:May 9, 648:VTuber 629:Simone 602:Simone 563:S1m0ne 555:Simone 497:Simone 442:Simone 438:Simone 336:Plague 328:police 268:Simone 262:, and 228:S1M0NE 222:Simone 203:Budget 24:Simone 1210:(TBA) 587:' 487:Egypt 467:from 1197:Anon 1065:IMDb 1042:2020 977:2020 917:2020 881:2021 845:2021 809:2022 737:2020 694:2020 544:US$ 454:and 342:Cast 274:Plot 1085:at 1074:at 1063:at 609:of 489:'s 290:One 286:Sim 1227:: 1032:. 1026:. 967:. 961:. 901:. 871:. 867:. 861:. 835:. 831:. 825:. 795:. 727:. 723:. 717:. 702:^ 684:. 680:. 674:. 663:^ 589:s 517:. 515:CD 493:. 450:. 436:, 258:, 254:, 250:, 246:, 1115:e 1108:t 1101:v 1044:. 979:. 919:. 883:. 847:. 811:. 743:. 696:. 168:)

Index

A blonde woman holder her arms across her chest. Her shoulder is pixelated. Small and in the foreground a man peers up at her.
Andrew Niccol
Al Pacino
Catherine Keener
Pruitt Taylor Vince
Jay Mohr
Edward Lachman
Paul Rubell
Carter Burwell
Niccol Films
New Line Cinema
satirical
science fiction film
Andrew Niccol
Al Pacino
Catherine Keener
Evan Rachel Wood
Rachel Roberts
Jay Mohr
Winona Ryder
virtual actor
intensifies media demands
Academy Award for Best Actress
zoophilia
computer virus
police
Al Pacino
Catherine Keener
Evan Rachel Wood
Rachel Roberts

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