348:, American producer Steve Canfield wants Russian composer Peter Ilyitch Boroff to compose the score for his next picture. Three Soviet commissars Brankov, Bibinski, and Ivanov attempt to escort the composer back to Russia. To keep Boroff in Paris, Steve contests the composer's Russian citizenship by producing an affidavit disputing his parentage and insists it be resolved in court. Steve further convinces the commissars that Boroff's collaboration will earn them promotions in Moscow. Despite their initial resistance, the commissars consent to the collaboration.
389:
1010:
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refuses to musicalize his compositions, but accepts the idea. Later that afternoon, Ninotchka locks herself in her room and dresses in
Parisian lingerie. The same night, Ninotchka, dressed in a silky evening gown, joins Steve for a romantic evening. When Ninotchka returns to the commissars' room, they confess that Boroff's "Ode to a Tractor" is being rewritten into popular music for the film. Contrary to their suspicions, Ninotchka is delighted by the idea and dismisses them.
364:. The next morning, Steve escorts Ninotchka on a tour of Paris, alternating between boiler rooms and beauty salons. When they return to his hotel room, Steve sets a romantic mood with lower lights and music, but Ninotchka insists that romantic attraction is purely "electro-chemical". Steve and Ninotchka contrast their beliefs on romantic attraction, and after a waltz around the room, the two kiss.
557:
and somebody should declare a holiday ... For the simple fact is that this 'Silk
Stockings' is an all-round refreshing show, blessed with a bright book, delicious music and the dancing of Miss Charisse and Mr. Astaire. Whether it would be as good without them—without the two principals, that is—is a purely subversive speculation. They are in it, and you can take it from there."
372:
arriving on set. As Peggy begins singing Boroff's revised music, he and
Ninotchka are insulted by the changes. Steve defends it, asserting that Americans make popular songs out of classical music for audiences to enjoy. Angered, Ninotchka tells Steve that she is neglecting her duty and decides to return to Russia immediately with Boroff and the commissars.
355:, Vassili Markovitch becomes the new commissar of art. He sends Russian agent Nina "Ninotchka" Yoschenko to retrieve Boroff from Paris. She meets the commissars in the hotel lobby. In their suite, Steve shows Ninotchka the affidavit and attempts to charm her with the locale, but Ninotchka insists that she will not be persuaded by the city's bourgeois.
376:
his new composition on the piano, prompting
Ninotchka, the commissars, and the tenants to dance. Shortly after, Markovitch sends Ninotchka back to Paris to retrieve the commissars, who have been sent there to sell Russian films. When she arrives, the commissars take Ninotchka to their new Russian café, where Steve performs a top hat routine.
31:
379:
Back at the hotel room, Ninotchka states she will return to Russia that night. Steve arrives in the room, revealing that he wrote the anonymous report in order to get her out of Russia. He also reminds her of the marriage proposal contained in his censored letter. In love, Ninotchka rips up her plane
579:
felt the film has "the benefit of delightful and clever Cole Porter music derived from the stage version"; he further praised the cast writing "Astaire, Miss
Charisse and Miss Paige are evidently ready, willing and able to avail themselves of every opportunity presented. As one of the trio of Soviet
375:
Months later, Boroff and the commissars, who have been saved from punishment by
Ninotchka's report, visit her at her apartment. Ninotchka attempts to read Steve's letter, which has been so heavily censored that only the salutation remains. Soon after, Boroff, now fascinated with Western music, plays
556:
wrote: "There should be legislation requiring that Fred
Astaire and Cyd Charisse appear together in a musical picture at least once every two years. Previously they were together in 'The Band Wagon' and the world was brightened. That was away back in 1953. Now they are together in 'Silk Stockings,'
367:
Peggy walks into the room and insults Boroff, causing
Ninotchka to leave. She tries to back out of the project because it's not a musical, to which Steve suggests she seduce Boroff into adapting his music to sound contemporary. At a costume fitting, Boroff, who is infatuated with Peggy, initially
371:
Alone with Steve, Ninotchka raves about Paris' beauty, convinced that love, not utilitarianism, leads to happiness. The next day, on a soundstage, Steve confesses to
Ninotchka the affidavit was faked, and proposes to her. Swept away by their love, the two dance from one stage to another, finally
522:
had been considered. Director Rouben
Mamoulian was determined that the film would rely less on dialogue to dramatize the Astaire-Charisse screen relationship, but instead delivered largely through “rhythm and dancing.” Silk Stockings would be Mamoulian’s last completed picture. Biographer Marc
626:
is so crammed with delights that it seems incredible that anybody, let alone the entire pack of British critics, should have failed to respond. The catalog is endless...Perhaps, one day, critics, historians, and those who write about cinema will at last realize that is one of the great
572:
wrote: "Astaire delivers his customary style, and Miss Charisse brings a fascinating brightness to her role. Miss Paige shares top honors with the stars for a knock-'em-dead type of performance", but felt the film could have been shorter. Edwin Schallert of the
1061:
Danks, 2007: “Music and dance are integral to the rhythm and meaning of Mamoulian’s work and provide an emphasis on movement that marks his great contribution to the cinema...This is probably the reason why Milne promotes Mamoulian’s final film,
635:: “Audiences and critics praised the film as an inventive, enjoyable entertainment, and Mamoulian restored his value as a marketable commodity.” Spergel cautions that Mamoulian’s revival was achieved at a price: “In
335:
music genre. The number ends with Astaire symbolically smashing his top hat, considered one of his trademarks, signaling the retirement from movie musicals that he announced following the film's release.
526:
MGM purchased the film rights to the musical for $ 300,000. Dance rehearsals started on September 18, 1956 and filming ended on January 31, 1957. The film was completed “on time and on budget.”
906:
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felt the story "is not as mirthful as the original and its running time is somewhat overlong, but on the whole it keeps one chuckling throughout and has some very funny moments."
1279:
994:
2042:
358:
Later that night, Hollywood actress Peggy Dayton arrives at the hotel, where several reporters interview her about her first serious role in an adaptation of
580:
Ambassadors Jules Munshin maintains a high pace of humor, with Peter Lorre providing hilarious counterpoint and Joseph Buloff supplying some antic fun."
2067:
896:
539:
According to MGM records, the film earned $ 1,740,000 in the U.S. and Canada and $ 1,060,000 in other markets, resulting in a loss of $ 1,399,000.
2047:
1084:
Callahan, 2007: “Most seriously, Mamoulian has absolutely no idea what to do with the Cinemascope frame...The dances, though, are wonderful.”
1097:“is marred by an excessive and often frontal presentation of its performances, as well as an uncomfortable use of the Cinemascope frame...”
2052:
1378:
692:
2027:
722:
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Spergel reports that the effort “earned him only $ 53, 090, while the film’s star, Fred Astaire, received $ 150,000 for his work.”
2057:
2022:
2017:
2012:
1555:
788:
2037:
2002:
1168:
1031:
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619:: “Mamoulian improved on the these versions by giving it an emotional depth in line with the originals” Milne continues:
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2007:
1992:
986:
631:
Film historian Marc Spergel notes that director Malmoulian’s stock among Hollywood executives rose with the release of
1812:
1203:
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Milne, 1969 p. 147-148, p. 149: “...remaining very faithful to the stage version, made several important changes…”
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587:, the film has an aggregate score of 100% based on five critics' reviews, with an average of 7.9/10.
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1956:
1884:
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The score was embellished with the new song "The Ritz Roll and Rock", a parody of the emerging
809:
Jensen, 2024 p. 263: Astaire “bids farewell to his top hat, white tie, and tails” in the song.
1932:
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718:
559:
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688:
8:
1987:
1940:
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Callahan, 2007: “Silk Stockings (1957), a musicalization of Lubitsch’s Ninotchka (1939).”
388:
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1852:
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nominations for Best Film and Best Actress (Charisse) in the Comedy/Musical category.
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Jensen, 2024 p 265: Pan worked strictly with Astaire, Loring with the other dancers.
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Spergel, 1993 p. 178: “...Hermes Pan, Fred Astaire’s career-long choreographer…”
1828:
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304:
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639:, plot and character development, now replaced by music and dance, are lost.”
1981:
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Spergel, 1993 p. 283: Filmography, “based on the book of the musical play by
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Jensen, 2024 p. 269: The film lost “nearly $ 1.4 million” on its release.
600:
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193:
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https://www.slantmagazine.com/film/the-strange-case-of-rouben-mamoulian/
676:, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study
1151:
https://www.sensesofcinema.com/2007/great-directors/mamoulian/Mamoulian
318:
514:(1934) was the first to be cast. Fred Astaire was enlisted only after
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Jensen, 2024 p. 263: Astaire “reluctant” to join the movie project.
929:"'Silk Stockings' with Fred Astaire, Cyd Charisse and Janis Paige"
508:
Cid Charisse, a “screen dancing star” acclaimed for her role in
352:
1163:, Wisconsin Film Studies, Patrick McGilligan, series editor.
1128:
Callahan, Dan. 2007. "The Strange Case of Rouben Mamoulian".
345:
1189:
Reinventing Reality: The Art and Life of Rouben Mamoulian.
380:
ticket and embraces him while the commissars celebrate.
1386:
1158:
Peerless: Rouben Mamoulian, Hollywood, and Broadway.
595:Film historian Tom Milne emphasizes that even if
1979:
987:"'Silk Stockings' Amusing Colorful Musical Show"
865:Final Cuts: The Last Films of 50 Great Directors
2043:Films about the Soviet Union in the Stalin era
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1066:, as the crowning achievement of his career.”
1563:
1149:, February, 2007. Great Directors Issue 42
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984:
1184:Limited, London. Catalog no. 500-47012 X
957:
894:
707:
668:
666:
664:
387:
2068:Films with screenplays by Harry Kurnitz
307:, which had been adapted from the film
2048:Films based on musicals based on films
1980:
1034:from the original on November 14, 2022
897:"The Screen: 'Silk Stockings' Arrives"
471:"It's a Chemical Reaction, That's All"
439:as Vassili Markovitch, Commisar of Art
313:(1939). The film was choreographed by
1537:
1360:
1268:
997:from the original on February 2, 2024
909:from the original on February 2, 2024
818:Milne, 1969 pp. 148-153: Plot summary
725:from the original on October 13, 2022
661:
542:
857:
827:Milne, 1969 p. 172-173: Filmography
13:
2053:Films directed by Rouben Mamoulian
1153:, Rouben Retrieved 19 June, 2024.
985:Schallert, Edwin (July 25, 1957).
958:Williams, Whitney (May 22, 1957).
895:Crowther, Bosley (July 19, 1957).
791:from the original on March 3, 2016
787:. Sijmen's List of Film Classics.
14:
2089:
1209:
867:, Bear Manor Media 2013 p 182-184
695:from the original on May 18, 2023
1008:
583:On the review aggregate website
2028:American romantic musical films
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1100:
1087:
1078:
1069:
1055:
1046:
1016:
978:
951:
921:
888:
879:
870:
848:
839:
830:
821:
812:
2058:Films produced by Arthur Freed
2023:American romantic comedy films
960:"Film Reviews: Silk Stockings"
803:
777:
768:
759:
750:
737:
681:
649:List of American films of 1957
305:stage musical of the same name
1:
2018:American musical comedy films
2013:American films based on plays
1161:University of Wisconsin Press
1122:
974:– via Internet Archive.
534:
503:
16:1957 film by Rouben Mamoulian
2038:1950s English-language films
2003:1950s romantic musical films
1749:Take Me Out to the Ball Game
1256:AFI Catalog of Feature Films
1194:, Filmmakers series No. 57,
529:
7:
1005:– via Newspapers.com.
642:
10:
2094:
1998:1957 romantic comedy films
935:. May 25, 1957. p. 82
603:’s Broadway production of
303:. It is based on the 1955
2073:Metro-Goldwyn-Mayer films
2008:Remakes of American films
1993:1957 musical comedy films
1924:
1895:
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691:. Broadway Musical Home.
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35:Theatrical release poster
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23:
1845:It's Always Fair Weather
1757:The Barkleys of Broadway
1138:Retrieved 19 June, 2024.
654:
499:"The Ritz Roll and Rock"
449:
228:1957-07-18TUnited States
1861:Invitation to the Dance
1701:Till the Clouds Roll By
1473:High, Wide and Handsome
1417:Dr. Jekyll and Mr. Hyde
1180:The Cinema One Series,
845:Jensen, 2024 p. 263-264
674:The Eddie Mannix Ledger
591:Retrospective appraisal
445:as Peter Ilyitch Boroff
383:
339:
224:July 18, 1957
1075:Milne, 1969 p. 159-160
629:
599:is not a facsimile of
409:as Ninotchka Yoschenko
396:
395:as Ninotchka Yoschenko
1813:The Belle of New York
1677:Yolanda and the Thief
1187:Spergel, Mark. 1993.
1141:Danks, Adrian. 2007.
1134:, September 4, 2007.
854:Spergel, 1993 p. 207:
719:Turner Classic Movies
621:
391:
2078:1950s American films
1805:An American in Paris
1669:Meet Me in St. Louis
1505:Rings on Her Fingers
1156:Jensen, Kurt. 2024.
1115:Spergel, 1993 p. 219
1106:Spergel, 1993 p. 219
785:"Golden Globes 1957"
566:Whitney Williams of
468:"Stereophonic Sound"
465:"Paris Loves Lovers"
454:Music and lyrics by
1965:Light in the Piazza
1941:Any Number Can Play
1821:Singin' in the Rain
1645:Du Barry Was a Lady
1597:Little Nellie Kelly
1192:The Scarecrow Press
876:Jensen, 2024 p. 264
487:"Fated to Be Mated"
284:is a 1957 American
213:Metro-Goldwyn-Mayer
2063:Films set in Paris
1773:Annie Get Your Gun
1589:Strike Up the Band
1387:Films directed by
1244:TCM Movie Database
993:. Part IV, p. 10.
933:Harrison's Reports
902:The New York Times
745:George S. Kaufmann
560:Harrison's Reports
553:The New York Times
397:
326:Golden Globe Award
324:The film received
63:Leonard Spigelgass
2033:CinemaScope films
1975:
1974:
1957:The Subterraneans
1885:Bells Are Ringing
1653:Best Foot Forward
1629:For Me and My Gal
1613:Babes on Broadway
1531:
1530:
1489:The Mark of Zorro
1465:The Gay Desperado
1433:The Song of Songs
1354:
1353:
1182:Thames and Hudson
1178:Rouben Mamoulian.
1169:978-0-299-34820-5
991:Los Angeles Times
576:Los Angeles Times
543:Critical reaction
403:as Steve Canfield
291:film directed by
277:
276:
172:Robert J. Bronner
93:George S. Kaufman
2085:
1906:The Wizard of Oz
1693:Ziegfeld Follies
1685:The Harvey Girls
1637:Cabin in the Sky
1558:
1551:
1544:
1535:
1534:
1389:Rouben Mamoulian
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1347:
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1296:Melchior Lengyel
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1147:Senses of Cinema
1143:Rouben Mamoulian
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689:"Silk Stockings"
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481:"Satin and Silk"
293:Rouben Mamoulian
231:
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45:Rouben Mamoulian
33:
21:
20:
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2092:
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1978:
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1920:
1914:Meet the People
1897:
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1781:Pagan Love Song
1741:Words and Music
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1441:Queen Christina
1425:Love Me Tonight
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585:Rotten Tomatoes
548:Bosley Crowther
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496:"The Red Blues"
452:
415:as Peggy Dayton
386:
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289:romantic comedy
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181:Harold F. Kress
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1298:'s "Ninotchka"
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1131:Slant Magazine
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905:. p. 11.
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58:Leonard Gershe
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333:rock and roll
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315:Eugene Loring
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273:$ 2.8 million
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265:$ 2.6 million
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27:
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1939:
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1925:Non-musicals
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1409:City Streets
1407:
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1038:November 13,
1036:. Retrieved
1027:
1018:
999:. Retrieved
990:
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968:. Retrieved
963:
953:
943:– via
937:. Retrieved
932:
923:
911:. Retrieved
900:
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850:
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832:
823:
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795:September 8,
793:. Retrieved
779:
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739:
727:. Retrieved
709:
697:. Retrieved
683:
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407:Cyd Charisse
401:Fred Astaire
393:Cyd Charisse
378:
374:
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359:
357:
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343:
330:
323:
308:
301:Cyd Charisse
297:Fred Astaire
280:
279:
278:
237:Running time
220:Release date
201:(uncredited)
135:Cyd Charisse
130:Fred Astaire
117:Arthur Freed
82:
70:(uncredited)
18:
1898:as producer
1896:Uncredited
1765:On the Town
1573:As producer
1567:productions
1457:Becky Sharp
1346:(1960 film)
1336:(1957 film)
1316:(1939 film)
1304:Adaptations
1001:February 1,
970:February 1,
966:. p. 6
939:February 1,
913:February 2,
729:October 12,
715:"Ninotchka"
601:Cole Porter
520:Howard Keel
516:Bing Crosby
490:"Josephine"
456:Cole Porter
427:as Bibinski
419:Peter Lorre
413:Janis Paige
241:117 minutes
194:Cole Porter
145:Peter Lorre
140:Janis Paige
113:Produced by
103:Abe Burrows
41:Directed by
1988:1957 films
1982:Categories
1725:The Pirate
1661:Girl Crazy
1481:Golden Boy
1198:, editor.
1174:Milne, Tom
1123:References
699:August 19,
627:musicals.”
609:(1955) or
535:Box office
504:Production
476:All of You
421:as Brankov
319:Hermes Pan
270:Box office
1933:The Clock
1837:Brigadoon
1797:Show Boat
1709:Good News
1343:Ninotchka
1313:Ninotchka
616:Ninotchka
530:Reception
511:Brigadoon
493:"Siberia"
462:"Too Bad"
433:as Ivanov
310:Ninotchka
177:Edited by
1401:Applause
1233:AllMovie
1176:. 1969.
1032:Archived
995:Archived
907:Archived
789:Archived
723:Archived
693:Archived
643:See also
611:Lubitsch
351:Back in
254:Language
187:Music by
123:Starring
78:Based on
1253:at the
1242:at the
964:Variety
569:Variety
286:musical
257:English
246:Country
226: (
1968:(1962)
1960:(1960)
1952:(1950)
1949:Crisis
1944:(1949)
1936:(1945)
1917:(1944)
1909:(1939)
1888:(1960)
1880:(1958)
1872:(1957)
1864:(1956)
1856:(1955)
1853:Kismet
1848:(1955)
1840:(1954)
1832:(1953)
1824:(1952)
1816:(1952)
1808:(1951)
1800:(1951)
1792:(1951)
1784:(1950)
1776:(1950)
1768:(1949)
1760:(1949)
1752:(1949)
1744:(1948)
1736:(1948)
1728:(1948)
1720:(1948)
1712:(1947)
1704:(1946)
1696:(1946)
1688:(1946)
1680:(1945)
1672:(1944)
1664:(1943)
1656:(1943)
1648:(1943)
1640:(1943)
1632:(1942)
1624:(1942)
1616:(1941)
1608:(1941)
1600:(1940)
1592:(1940)
1584:(1939)
1524:(1957)
1516:(1948)
1508:(1942)
1500:(1941)
1492:(1940)
1484:(1939)
1476:(1937)
1468:(1936)
1460:(1935)
1452:(1934)
1444:(1933)
1436:(1933)
1428:(1932)
1420:(1931)
1412:(1931)
1404:(1929)
1202:
1167:
353:Moscow
262:Budget
655:Notes
450:Songs
346:Paris
1877:Gigi
1222:IMDb
1200:ISBN
1165:ISBN
1040:2022
1003:2024
972:2024
941:2024
915:2024
797:2017
731:2022
701:2016
518:and
384:Cast
340:Plot
317:and
299:and
1231:at
1220:at
613:’s
550:of
458:.:
344:In
88:by
1984::
1145:.
1030:.
1026:.
989:.
962:.
931:.
899:.
747:.”
721:.
717:.
663:^
321:.
1557:e
1550:t
1543:v
1380:e
1373:t
1366:v
1288:e
1281:t
1274:v
1042:.
947:.
917:.
799:.
733:.
703:.
678:.
478:"
474:"
230:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
