702:, which readily flaunted a more stripped-down, tight production quality. Producer ZAK and writer Sato would often work together on the record to create songs that were more stripped down to their most basic elements, instead of flooding them with lush backgrounds, which contributed to a simpler, cleaner and more crisp output. This, along with the group's much more mature dream pop sensibilities helped to cement the group as a serious, legitimate rock act in the wider world stage. This would become a consistent style of Fishmans' music for the remainder of their career, further separating them from their earlier days of simple reggae music. The album was also printed on limited edition colored vinyl, making this the first of Fishmans' albums to be printed on vinyl records. In celebration of a successful album release, the group embarked on a 10-show tour titled
1033:, whose original drummer died around the same time as Sato. He eventually became a full-fledged member of the band and plays drums and sings lead vocals with them. Kashiwabara, who had originally planned to abandon the music industry, eventually joined forces with Yusuke Oya (ex-LabLife) to form Polaris, whose spacey and dubby tracks bear significant resemblance to Fishmans' sound in the late '90s. Both Motegi and Kashiwabara would later join forces with Takashi Kato of Tokyo Ska Paradise Orchestra and Losalios to form rock group So Many Tears, whose music leans further towards indie rock and alternative rock productions than that of Fishmans' more dub-influenced sound.
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Decade-In Fake (later Honzi's World) and Shinya Kogure (guitar) of
Hicksville. The further solidification of ZAK on sound mixing rounded out this second phase of the band, which further evolved its sound to incorporate space rock, ambient and psychedelic elements. Song length and scope continued to grow as well, as these new tendencies blended with their dub foundation. Following this significant lineup change, Fishmans released what is possibly the band's most recognizable single, "Nightcruising
598:-oriented direction. The single included a popular alternate mix of "Smilin' Days, Summer Holiday" that transformed the laid-back dub track into an energetic and bombastic jam that foreshadowed the sensibilities coming in their next album. This time of rapid maturation led to guitarist Kensuke Ojima leaving the group in May of that year, letting the band of four continue without him. Despite this sudden departure, the group released their second maxi-single on June 17 entitled
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most recognizable studio album among underground music communities for its experimentation and truly unique structure. Following the album's release, Fishmans performed the song live on its own for the first time, and with every consecutive performance of the song, the band intended to change the composition so that it would never be played the same twice. Towards the year's end, Fishmans played in Kobe, Nagoya and Tokyo for a new tour entitled
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1157:. In 2016, the group played 3 shows in Nagoya, Tokyo and Osaka featuring a number of original band members and guests. Most recently in February 2019, Fishmans collaborated live with Japanese jazz-rock group cero at Zepp Tokyo, a venue Fishmans would visit for the first time in 20 years. This was in similar fashion to a live show Fishmans had recorded with Japanese J-pop group
602:, a groovy piano-based production that served as one of Fishmans' most important singles going forward. The maxi-single also marked the first time Fishmans printed any of their material on vinyl as well as CD, the single being printed on 12" analogue vinyl in a limited quantity of 1000 to be offered only at live venues. After this release, the group managed to recruit
786:, was released on July 24 and took the group in a much more ambient pop direction than their previous LPs. Lyrically, the album focused on personal everyday life while retaining a wide worldview that inspired the title of the record, steadily magnifying from space, down to Japan, and down to the city of Setagaya. The album included single
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in 1987. They were founded by vocalist Shinji Sato, guitarist
Kensuke Ojima, and drummer Kin-Ichi Motegi. Bassist Yuzuru Kashiwabara joined the band in 1988, followed by keyboardist Hakase-Sun in 1990. Kensuke Ojima left the band in 1994, and Hakase-Sun followed suit in 1995. They are known for their
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was released, cataloging many rare videos of live performances
Fishmans made over the years with Sato. The following month, a live event was held at Shinjuku Liquid Room to synchronize with the video performances where a band played over the video, including Motegi on drums. The event was held again
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on
February 22, 1998. Fishmans proceeded to make numerous appearances on Space Shower TV throughout 1998, after which in 2007 three "episodes" were released on DVD cataloging their complete broadcasts on the program. These mostly consisted of a multitude of rare live concerts and interviews, as well
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was only released on
September 25 and its accompanying album on October 25. Recorded in their Waikiki Beach private studio, the lyrics and melodies presented on the album are intended to be incredibly personal to Sato and to present a dreamlike musical experience. This would ultimately become their
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style, tinged with pleasant melodies and mellow sounds throughout. The band would follow the release of this record with many live performances, including appearances at
Shibuya Parco, Shinsaibashi Club Quattro, and Nissin Power Station. They would proceed to tour around Tokyo from November 1 until
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From May to June 1992, Fishmans recorded with
Japanese musician Haruo Kubota. Not much is known of these attempts to record, however it is known that after a night of getting drunk on sake, Kubota called the group to record in the studio in the middle of the night, causing significant confusion and
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album". After the record, Kodama would no longer appear on any
Fishmans project, leaving the record to live on as their most straightforward reggae outing in their discography by many fans. Producer ZAK would make his first of many appearances with Fishmans for a live concert performed that year in
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Japan (which would later be renamed to Media
Remoras) would approach Fishmans with a record deal, which they promptly accepted. In November, Hakase-Sun officially joined the band, completing the band's original lineup before their first performance at Shibuya Club Quattro in March 1991. Roughly two
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In 1999, lead vocalist and songwriter Shinji Sato suddenly passed away, forcing the band to suspend activities. However, in 2005, leader Kin-Ichi Motegi's passion led to the band reuniting. The band continues to perform Shinji Sato's songs. While never achieving widespread commercial success during
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On
November 22, 2005 the remaining members of Fishmans paid tribute to their fans and Shinji Sato by performing live at the Rising Sun Rock Festival. The show lasted three and a half hours, and featured many guest singers, who performed on vocals. The following month, a tribute art exhibition
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was held to encourage the move away from Media Remoras. Unfortunately, Hakase-Sun was to leave the group immediately following this concert, and the resulting trio would work with a series of guest musicians on their next records, primarily Honzi (keyboards, violin, accordion and vocals) of A
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s release. The album isn't a "true live" album however, as much of the content presented was remixed by ZAK in studio to improve sound quality and add interesting sounds to create a unique home listening experience. The recordings included on the album originated from a total of 11 different
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which would much later be printed on DVD video. During these tours, support guitarist Michigo "Darts" Sekiguchi would agree to permanently accompany Fishmans for support during the remainder of their career. Following this on March 27, Fishmans released the mellow, yet popular single
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Through February to June 1997, Fishmans would consistently record new material in their Waikiki Beach studio, making this the longest continuous period of time they spent actively recording. At a very early stage during these recordings, the group began recording with music software
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Beginning at the start of the year, the group began organizing a new live album after their 1997 live performances at their private studio, as well as at Polydor's studios. Meanwhile, in March, the group performed in concert again at four locations in Japan in their
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by Sato, remaining incomplete to this day. In May 1988, Fishmans would start performing live in small venues in Tokyo, and bassist Yuzuru Kashiwabara would join their ranks in August of the same year. Their first recorded appearance was on the 1989 compilation
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take on reggae than their previous music, allowing the band to better experiment and brainstorm more complex compositions. The project was meant to express "a feeling of winter" within its four track runtime, and bears an only faint resemblance to their first
900:, although not nearly on the same grandiose scale. Following the single's December 2 release, however, band member Yuzuru Kashiwabara expressed disinterest in continuing his musical career, electing to leave the band with the coming of the new year.
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was released to tease their next project, coupled with a B-side remixed by Hiroshi Kawabe of Tokyo No. 1 Soul Set fame. Fishmans had been growing a friendship with the group, and this remix solidified that relationship between the two bands.
996:, a song Fishmans had been working on at the time of Sato's death. The following month, Motegi was supported by Kashiwabara, Honzi, Darts, as well as former members Hakase-Sun and Kensuke Ojima on a three-show live event in Japan titled
1130:), which contained a nearly complete live video of Fishmans' tribute concert on November 22 of the previous year. A complete performance of "Long Season" was conducted at the concert, however for unknown reasons it is not present on
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where two of their earliest songs make an appearance among four other ska-punk groups. In March 1990, keyboardist Hakase-Sun would join the band for their first solo live performance at Shibuya La.mama. In October of the same year,
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Despite their relatively wide success, Sato and company found it attractive to experiment with alternative sounds and projects they had never attempted before. Starting in July, the band began to record standalone single
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on February 19. This was to much acclaim, which led the producer to continue working with them in another recording session in May. Multiple others would follow as the band worked to create their following single
790:, as well as standout tracks "Walking in the Rhythm", "Weather Report" and others, pushing much of the record to stand out as a classic in their discography. To coincide with the album's release, a tour entitled
628:" foreshadowed their turn towards dream pop which would follow in the later 90s. These advancements in musical style would only advance further with the coming of 1995, showing the group's versatility in sound.
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for streaming purposes, although much of their lesser-known material remains obscure. Nevertheless, this has helped to significantly increase Fishmans' fanbase, especially overseas in North America and Europe.
942:. This was to be Kashiwabara's final performance with the band, and Sato with Motegi planned to continue working as Fishmans. Sato died on March 15, 1999. Fishmans' last concert was released as the live album
574:, a shockingly popular song that pushed the group to significant radio play at release, becoming their first breakout song. Naturally, this led to more collaborations with ZAK and the release of their third LP
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was also released on October 22, showing the group's prowess in revitalizing their compositions in new and interesting ways, as well as the group's fondness for that particular song. This was followed by the
867:, a remixed and newly produced compilation of Fishmans' best live performances from 1996 to 1998. This style of remixed live performances bore significant resemblance to their previous live output
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TV (Japanese Internet broadcaster for Japanese indies, music videos and other video productions) in similar fashion to the Fishmans Space Shower TV episodes printed in 2007. The DVD was titled
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Since 2006, the band has played a number live shows at festivals. On May 3, 2011, Fishmans held a three-hour-long revival concert at Hibiya Nozon which was recorded and distributed on DVD by
871:, leaving the two albums to be easily compared as sibling releases. A tour was conducted by the same name in August to coincide with the live album's release, concluding on October 10 at
667:. Polydor had supplied the group with their own recording studio, Waikiki Beach, where they began recording new material in August. That September, a celebratory live concert titled
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The passing of Sato was so sudden that Polydor, their record label had already prematurely scheduled the release of two compilation releases for only two days after his death.
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to grant bass player Kashiwabara a last hurrah with the group. The tour concluded with two back-to-back shows, one on December 27 and the other on the 28th, both performed at
553:". Despite this experimentation, Fishmans always succeeded in avoiding reggae cliches, keeping a dub foundation powered by Motegi and Kashiwabara's rocksteady rhythm section.
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Fishmans would be formed by founding members Shinji Sato (vocals, guitar, trumpet), Kin-Ichi Motegi (drums, vocals, sampler), and Kensuke Ojima (guitar and vocals) out of
533:, throwing multiple styles at the wall to see what would stick. This included a reimagined version of "100ミリちょっとの", as well as introducing newer classics like "Nantettano
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1134:. The live video was originally only screened in theatres and it featured the original members of the band together with a cast of supporting musicians such as
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Breaking into the twenty-first century was difficult for Fishmans with the loss of their lead vocalist and writer. On October 25, 2000, the live video album
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embarrassment within the band members. This marked the end of the group's relations with the musician as they released their second album on October 21,
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due to its experimental nature. The band quickly developed a very easy-going sound (mainly influenced by reggae and dub, but also including elements of
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1087:, a 10-minute long post-rock track only ever performed live by Fishmans finally released to the public. This song was later remixed by tribute project
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487:, etc.), which was always coupled with Sato's distinctive androgynous vocals, slowly earning them significant acceptance in Japan's underground scene.
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tour through Osaka, Nagoya and Tokyo, one such full concert (conducted on December 12) being broadcast in full by Japanese music television program
578:, including both aforementioned tracks, as well as the classic "Smilin' Days, Summer Holiday". The record cemented Fishmans' sound in a distinctly
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517:". The song aired on the program as an opener from January to March of that year, and the group released the track as a single on February 5.
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reverie. Their music is distinguished by the distinctive vocals of the late lead singer Shinji Sato, the drumming of Kin-Ichi Motegi, and
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the end of the year, changing their sound to approach a more rock-laiden style in preparation for the release of a fourth album.
892:", a 13-minute long movement not found on any studio album of theirs, although taking the same sonic style as their previous LP
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which included a complete performance of unreleased song "A Piece of Future", a song that seemed to foreshadow a turn towards
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sound, along with a newly redefined version of "Melody". Certain tracks on the release, such as "Kaerimichi
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Fishmans' popularity only continued to grow, even after Sato's untimely passing. In 2004, a tribute album
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The following year in 1993, Fishmans collaborated with ZAK in the studio for the first time to release
2832:(Video Jingle for Space Shower TV, Japanese Music TV Channel) (1998) (Directed by Kensuke Kawamura)
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guitarist suGar Yoshinaga for further recording intended for their next album. On October 21, single
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In July of that year, the band began work on a longer length, new song titled "Yurameki in the Air
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which reminded of Fishmans' more sensible, soft side contrasting with their new dream pop sound.
525:. The record took a much more experimental direction with their sound, featuring everything from
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was released, produced by musician Kazufumi Kodama. This followed the April 21 release of single
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in 2005, which included rare and unreleased tracks alongside their best hits. Among these was
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June, marking the beginning of a long collaborative history between him and band writer Sato.
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and many other Japanese musicians, as well as a large majority of original Fishmans members.
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was released, featuring many of Fishmans' Polydor-era songs as well as an unreleased demo of
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3170:"The Long Season Revue : Fishmans | HMV&BOOKS online [English Site]"
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2862:"Twenty years after frontman Shinji Sato's death, Fishmans is still walking in the rhythm"
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in April 2001 at Nagoya and Osaka, spreading awareness of the video album's release.
763:, completing their new material entirely within the program. On July 2, their single
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with contributions from various artists. In the same month, live compilation single
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507:, and in response the band produced the first of many renditions of "100mm-Chottono
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on September 29, 1999. It has gone on to receive strong critical and fan praise.
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tour. Their live album was completed in May and released on August 19, titled
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on Episode 2 and a half-hour long live dub mix of "Walking in the Rhythm" and
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3213:"Fishmans & Sakanaction at Earth x Heart Live 2012 | Music in Tokyo"
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was released, featuring three remixed live performed songs courtesy of ZAK.
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After Sato's death, Kin-Ichi Motegi began working as a stand-in drummer for
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Honzi – keyboard, violin, accordion, backing vocals (1995–1999; died 2007)
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were released simultaneously, taking the group towards a more defined
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On February 1, 1996, Fishmans would release their fifth studio album
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their active years, Fishmans gradually accumulated an international
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682:" on November 25. The song was a sudden yet welcome shift towards
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Live 2011/5.3 At Hibiya Open-Air Concert Hall "A Piece of Future"
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Live 2011/5.3 at Hibiya Open-Air Concert Hall "A Piece of Future"
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2819:「ゆらめき in the Air」 (1998, Polydor) (Directed by Kensuke Kawamura)
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approached the group to write a theme song for television show
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Go Go Round This World! ~ Fishmans 25th Anniversary Record Box
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3042:"Fishmans – A PIECE OF FUTURE Live 98.10.10 @日比谷野外音楽堂 VIDEO"
2740:(2005, Universal Music Japan) (Directed by Kensuke Kawamura)
1921:"Smilin' Days, Summer Holiday (Kick the Space Echo Session)"
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On March 17, 1995, Fishmans released their first live album
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with Fishmans was simply stating to the group "let's make a
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3235:
3130:"Fishmans Setlist at Rising Sun Rock Festival in Ezo 2005"
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2783:「ナイトクルージング」 (1995, Polydor) (Directed by Kensuke Kawamura)
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In August 2018, all of Fishmans' music was contributed to
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was conducted, which included twelve shows across Japan.
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On February 2, 1994, Fishmans released their maxi-single
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1485:(2016) (vinyl box set of all Media Remoras-era releases)
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was released, including covers by artists as diverse as
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In December 1998, Fishmans held five concerts for the
1196:– lead vocals, guitar, trumpet (1987–1999; died 1999)
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2004–present: Reunions, cult popularity, and reissues
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Later in the year on June 30, the compilation album
458:
would be released. The record was a profoundly more
3148:"The Fishmans Exhibition ～THE LONG SEASON REWIND ～"
1091:, a project whose membership includes the likes of
451:Later the same year, Fishmans' self-produced first
60:. Unsourced material may be challenged and removed.
3064:"「泣き笑いの感動をずっと追いかけてる」東京スカパラダイスオーケストラが語る、デビュー25年の歩み"
3006:"木暮晋也 EZ LISTENING (@kogureshinya) | Twitter"
2746:(2006, Pony Canyon) (Directed by Kensuke Kawamura)
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1473:(2007) (vinyl box set of all Polydor-era releases)
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2459:"Walking in the Rhythm (Shinjuku-Version 2 Mix)"
152:Yuzuru Kashiwabara, Shinji Sato, Kin-ichi Motegi
2770:(2012, kampsite) (Directed by Kensuke Kawamura)
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2813:(1997, Polydor) (Directed by Kensuke Kawamura)
2807:(1997, Polydor) (Directed by Kensuke Kawamura)
2801:(1996, Polydor) (Directed by Kensuke Kawamura)
2795:(1996, Polydor) (Directed by Kensuke Kawamura)
2789:(1995, Polydor) (Directed by Kensuke Kawamura)
2728:(2000, Polydor) (Directed by Kensuke Kawamura)
2722:(2000, Polydor) (Directed by Kensuke Kawamura)
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972:on VHS (later re-pressed on DVD) recorded by
651:following a five-city tour in celebration of
2923:"Fishmans official website ｜ フィッシュマンズ公式サイト"
2734:(11/09/2005) (Directed by Kensuke Kawamura)
1235:– keyboards (1990–1995, 1999, 2005–present)
490:In 1992, the Japanese broadcasting company
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1932:"Go Go Round This World! (Naked Funk Mix)"
1248:– guitar, backing vocals (1987–1994, 1999)
3243:HMV Japan "Top 100 Japanese pops Artists"
2927:Fishmans official website ｜ フィッシュマンズ公式サイト
2448:"Walking in the Rhythm (Hang-Glider Mix)"
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120:Learn how and when to remove this message
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1420:Long Season '96～7 96.12.26 Akasaka Blitz
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3052:from the original on December 21, 2021.
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2437:"Walking in the Rhythm (Prototype Mix)"
1489:BLUE SUMMER ~Selected Tracks 1991–1995~
1274:ZAK – production, sound mix (1995–1999)
732:to tease their upcoming full-length LP
659:It was the spring after the release of
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2762:Fishmans in Space Shower TV: Episode.3
2756:Fishmans in Space Shower TV: Episode.2
2750:Fishmans in Space Shower TV: Episode.1
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3195:"フィッシュマンズ『闘魂』約20年ぶりに開催 ceroと来年2月に対バン"
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2860:Hadfield, James (February 13, 2019).
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1447:Fishmans 1991–1994 Singles & More
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58:adding citations to reliable sources
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3254:The Long Season Revue on bounce.com
2720:The Three Birds & More Feelings
1477:Golden Best Fishmans: Polydor Years
966:The Three Birds & More Feelings
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2539:"ゆらめき in the Air (Backing Track) "
366:basslines of Yuzuru Kashiwabara.
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3279:Japanese dream pop musical groups
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2890:"A Beginner's Guide: Shibuya-kei"
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2732:若いながらも歴史あり96.3.2 @ 新宿 Liquid Room
2566:いかれたBaby / 感謝(驚) / Weather Report
1113:いかれたBaby / 感謝(驚) / Weather Report
806:The four-track remix maxi-single
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908:, death of Sato, and disbandment
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2714:Videos (Live and Compiled Live)
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2241:"Sunny Blue (Hicksville Mix)"
1416:(2021, Universal Music Group)
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945:98.12.28 Otokotachi no Wakare
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1783:"いなごが飛んでる (Tokyo Tower Mix)"
1144:Tokyo Ska Paradise Orchestra
1031:Tokyo Ska Paradise Orchestra
873:Hibiya Open-Air Concert Hall
771:Their final studio project,
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1378:(1997, Polydor) #121 Oricon
1361:(1996, Polydor) #100 Oricon
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3274:Japanese rock music groups
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1353:(1996, Polydor) #88 Oricon
1335:(1994, Media Remoras) #97
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820:as a full music video for
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3100:"PROFILE – So many tears"
2738:男達の別れ 98.12.28 @ 赤坂 Blitz
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1893:
1832:
1829:
1824:
1748:
1745:
1740:
1699:"あの娘が眠ってる (P.W.M.ヴァージョン)"
1679:
1676:
1671:
1610:
1607:
1602:
1541:
1538:
1533:
1372:
1347:
1281:
1262:
1242:
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1216:
1203:
1190:
1076:
1063:
1043:Sweet Dreams for Fishmans
1018:
1009:under the Fishmans name.
1002:
989:
950:
918:
914:Otokotachi no Wakare Tour
886:
860:
847:
830:
796:
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136:
3024:"live shower 1997.12.12"
2650:
2570:
2501:
2410:
2341:
2272:
2203:
2134:
2043:
1974:
1883:
1814:
1730:
1661:
1592:
1523:
1258:Michio "Darts" Sekiguchi
985:Sore wa Tada no Kibun sa
826:Sore wa Tada no Kibun sa
1879:Go Go Round This World!
1287:– guitar (1995–present)
1268:– guitar (1996–present)
588:Go Go Round This World!
543:" and "Tayorinai Tenshi
397:Meiji Gakuin University
374:and wider recognition.
3259:The Long Season Rewind
3249:Unofficial discography
1471:Fishmans Rock Festival
1382:
1105:The Long Season Rewind
792:Uchū Nippon Okudaizumu
755:
383:1987–1995: Early years
158:Background information
3294:Shibuya-kei musicians
2811:WALKING IN THE RHYTHM
2744:The Long Season Revue
2406:Walking in the Rhythm
1410:(1995, Media Remoras)
1329:(1993, Media Remoras)
1323:(1992, Media Remoras)
1315:(1991, Media Remoras)
1132:The Long Season Revue
1120:The Long Season Revue
808:Walking in the Rhythm
753:
3082:"Yuzuru Kashiwabara"
2775:Videos (Music Video)
2379:"Magic Love (Remix)"
1852:"Blue Summer (Live)"
1366:Uchū Nippon Setagaya
1327:Neo Yankees' Holiday
998:Fishmans-teki Kumiai
906:Otokotachi no Wakare
813:Walking In the 奥田イズム
774:Uchū Nippon Setagaya
704:Young but Historical
642:Uchū Nippon Setagaya
592:Neo Yankees' Holiday
576:Neo Yankees' Holiday
418:, their first album
54:improve this article
3289:Pony Canyon artists
3152:NANZUKA UNDERGROUND
3086:Elrick Bass Guitars
2970:"Fishmans – Melody"
2817:Yurameki in the Air
1495:Night Cruising 2018
1491:(2018, Pony Canyon)
1449:(1999, Pony Canyon)
1337:Oricon Albums Chart
745:Long Season '96～'97
496:90 Days Totenam Pub
213:–1999, 2005–present
3284:Dub musical groups
3070:. August 12, 2014.
3068:Real Sound｜リアルサウンド
2988:"A Decade-In Fake"
2976:. October 4, 1994.
1465:空中 ベスト・オブ・フィッシュマンズ
1459:宇宙 ベスト・オブ・フィッシュマンズ
1320:King Master George
1313:Chappie, Don't Cry
1253:Supporting members
1212:Yuzuru Kashiwabara
756:
523:King Master George
269:Yuzuru Kashiwabara
3158:on June 30, 2007.
3110:on April 11, 2021
2992:Music.metason.net
2711:
2710:
2706:
2705:
2631:
2630:
2626:
2625:
2551:
2550:
2546:
2545:
2528:"ゆらめき in the Air"
2482:
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2317:
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2019:
2018:
1955:
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1705:
1642:
1641:
1637:
1636:
1630:"It's Be Alright"
1573:
1572:
1568:
1567:
1497:(2018, Universal)
1479:(2012, Universal)
1085:A Piece of Future
754:Fishmans in 1997.
441:Chappie Don't Cry
420:Chappie Don't Cry
319:
318:
130:
129:
122:
104:
27:Japanese pop band
16:(Redirected from
3306:
3239:
3238:
3236:Official website
3221:
3220:
3219:. July 22, 2015.
3209:
3203:
3202:
3191:
3185:
3184:
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3180:
3166:
3160:
3159:
3154:. Archived from
3144:
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3126:
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3119:
3117:
3115:
3106:. Archived from
3096:
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2939:
2938:
2936:
2934:
2919:
2910:
2909:
2907:
2905:
2900:on July 31, 2019
2896:. Archived from
2894:Drowned in Sound
2888:Rosean, Samuel.
2885:
2879:
2878:
2876:
2874:
2857:
2663:
2658:
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2619:"Weather Report"
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2025:
2012:"救われる気持ち (Live)"
1987:
1982:
1981:
1975:
1968:
1967:
1962:
1957:
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1943:"Future (Remix)"
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1561:"Little Flapper"
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1128:Kensuke Kawamura
1122:was released on
1097:Ryuichi Sakamoto
1081:
1079:
1078:
1068:
1066:
1065:
1023:
1021:
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1007:
1005:
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974:Kensuke Kawamura
955:
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923:
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920:
891:
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865:
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862:
856:8 Gatsu no Genjō
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604:Buffalo Daughter
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243:Milestone Crowds
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3104:Somanytears.net
3098:
3097:
3093:
3088:. July 2, 2017.
3080:
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2870:
2867:The Japan Times
2858:
2847:
2842:
2830:Nobody in Tokyo
2826:
2777:
2716:
2707:
2649:
2641:
2639:
2636:
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2569:
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2559:
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2497:ゆらめき in the Air
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1509:
1504:
1467:(2005, Polydor)
1461:(2005, Polydor)
1455:(1999, Polydor)
1443:
1436:(1999, Polydor)
1428:(1998, Polydor)
1422:(2016, Polydor)
1404:
1389:Corduroy's Mood
1385:
1369:
1344:
1309:
1304:
1299:
1297:
1294:
1278:
1259:
1255:
1239:
1226:
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1200:
1199:Kin-ichi Motegi
1187:
1183:
1073:
1060:
1039:
1015:
999:
986:
947:
915:
910:
887:ゆらめき in the Air
883:
857:
844:
827:
817:Space Shower TV
793:
776:
705:
692:
673:
665:Polydor Records
645:
619:
594:towards a more
564:
544:
534:
508:
497:
456:Corduroy's Mood
425:
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324:
307:
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266:Kin-ichi Motegi
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15:
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5:
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3256:
3251:
3246:
3240:
3229:
3228:External links
3226:
3223:
3222:
3217:Time Out Tokyo
3204:
3186:
3161:
3139:
3121:
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3073:
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2836:
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2822:
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2796:
2790:
2784:
2781:Night Cruising
2776:
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2646:Seasons (Life)
2629:
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2617:
2613:
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2104:
2103:"Wedding Baby"
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1433:98.12.28 男達の別れ
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1179:
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1035:
1014:Kioku no Zōdai
951:98.12.28 男達の別れ
909:
902:
879:for the band.
837:on Episode 3.
644:
630:
610:and new album
416:Panic Paradise
411:Virgin Records
406:Panic Paradise
384:
381:
379:
376:
372:cult following
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2929:(in Japanese)
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2699:"Long Season"
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1453:Aloha Polydor
1451:
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1310:
1307:Studio albums
1277:Shinya Kogure
1276:
1273:
1270:
1257:
1256:
1238:Kensuke Ojima
1237:
1224:
1211:
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1129:
1126:(directed by
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982:
981:Aloha Polydor
977:
975:
971:
967:
963:
958:
956:
946:
941:
940:
935:
930:
928:
927:Akasaka Blitz
924:
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687:
685:
670:
669:Let's Polydor
666:
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477:drum and bass
474:
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358:rhythms, and
357:
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347:Minato, Tokyo
341:
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306:
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293:Kensuke Ojima
292:
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229:Media Remoras
228:
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167:Minato, Tokyo
165:
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113:
110:February 2019
102:
99:
95:
92:
88:
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81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
3216:
3207:
3198:
3189:
3177:. Retrieved
3173:
3164:
3156:the original
3151:
3142:
3133:
3124:
3112:. Retrieved
3108:the original
3103:
3094:
3085:
3076:
3067:
3058:
3036:
3027:
3018:
3009:
3000:
2991:
2982:
2973:
2964:
2956:wFishmans.jp
2955:
2931:. Retrieved
2926:
2902:. Retrieved
2898:the original
2893:
2883:
2873:February 22,
2871:. Retrieved
2865:
2829:
2816:
2810:
2804:
2798:
2792:
2786:
2780:
2767:
2761:
2755:
2749:
2743:
2737:
2731:
2725:
2719:
2688:"I Dub Fish"
2645:
2642:
2565:
2562:
2496:
2493:
2405:
2402:
2368:"Magic Love"
2336:
2333:
2310:"I Dub Fish"
2267:
2264:
2198:
2195:
2161:"ナイト クルージング"
2129:
2126:
2038:
2035:
1969:
1966:
1878:
1875:
1809:
1806:
1725:
1722:
1688:"100ミリちょっとの"
1656:
1653:
1587:
1584:
1518:
1515:
1494:
1488:
1482:
1476:
1470:
1464:
1458:
1452:
1446:
1441:Compilations
1431:
1425:
1419:
1413:
1408:Oh! Mountain
1407:
1394:
1388:
1364:
1356:
1341:
1332:
1326:
1318:
1312:
1163:
1154:
1148:
1131:
1119:
1117:
1112:
1107:was held in
1104:
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1088:
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931:
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905:
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881:
869:Oh! Mountain
868:
855:
843:Teion Basshu
842:
839:
825:
821:
812:
807:
805:
791:
787:
772:
770:
764:
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744:
739:
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726:
721:
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703:
690:
688:
668:
661:Oh! Mountain
660:
658:
652:
649:Oh! Mountain
648:
646:
641:
637:
633:
611:
607:
599:
591:
587:
585:
575:
563:Ikareta Baby
562:
557:
555:
531:sunshine pop
522:
519:
495:
489:
455:
450:
440:
423:
419:
415:
405:
400:
386:
368:
321:
320:
284:Past members
225:Virgin Japan
201:Years active
131:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
3010:twitter.com
2974:Discogs.com
2230:"Baby Blue"
2092:"オアシスへようこそ"
1402:Live albums
1358:Long Season
1342:Aerial Camp
1302:Discography
1186:Shinji Sato
1159:Sakanaction
1003:フィッシュマンズ的組合
939:Long Season
929:in Minato.
904:1998–2004:
898:Long Season
822:Long Season
797:宇宙 日本 奥田イズム
735:Long Season
638:Long Season
632:1995–1998:
460:shibuya-kei
401:Blue Summer
352:psychedelic
340:Fisshumanzu
290:Shinji Sato
233:Pony Canyon
191:Shibuya-kei
18:Shinji Sato
3268:Categories
3245:(Japanese)
3134:setlist.fm
2952:"fishmans"
2840:References
2805:MAGIC LOVE
2597:"いかれたBaby"
2337:Magic Love
2130:ナイト クルージング
1841:"いかれたBaby"
1657:100ミリちょっとの
1619:"いなごが飛んでる"
1395:I Dub Fish
1225:Hakase-Sun
788:Magic Love
765:Magic Love
722:Kūchū Camp
709:若いながらも歴史あり
691:Kūchū Camp
656:concerts.
634:Kūchū Camp
512:100ミリちょっとの
501:90日間トテナムパブ
445:rocksteady
364:rocksteady
272:Hakase-Sun
80:newspapers
69:"Fishmans"
3199:CINRA.NET
3174:Hmv.co.jp
3114:April 10,
2793:Baby Blue
2787:Slow Days
2199:Baby Blue
2001:"My Life"
1373:宇宙 日本 世田谷
1161:in 2012.
1140:Asa-Chang
1118:In 2006,
1093:Cornelius
1089:Fishmans+
990:それはただの気分さ
932:Fishmans
894:宇宙 日本 世田谷
877:post-rock
831:それはただの気分さ
780:宇宙 日本 世田谷
761:Pro Tools
718:Baby Blue
684:dream pop
677:ナイトクルージング
616:funk rock
527:jazz rock
437:Mute Beat
360:dream-pop
311:.fishmans
248:Universal
186:dream pop
3050:Archived
2904:June 15,
2677:"Season"
2299:"Season"
2070:"Melody"
1810:いかれたBaby
1772:"青空のように"
1588:いなごが飛んでる
1292:Timeline
1151:Kampsite
919:男達の別れツアー
568:いかれたBaby
331:フィッシュマンズ
327:Japanese
322:Fishmans
138:Fishmans
3179:July 6,
3046:YouTube
2933:July 7,
2834:YouTube
2608:"感謝(驚)"
1970:My Life
1757:"Walkin
1726:Walkin'
1502:Singles
1181:Members
1174:YouTube
1166:Spotify
1109:Shibuya
1051:Bonobos
653:Orange'
608:My Life
492:Fuji TV
481:hip hop
424:Hikouki
378:History
354:sound,
350:unique
335:Hepburn
304:Website
261:Members
238:Polydor
207: (
169:, Japan
94:scholar
2799:SEASON
2764:(2007)
2758:(2007)
2752:(2007)
2669:Length
2648:(2006)
2637:
2589:Length
2568:(2005)
2557:
2520:Length
2499:(1998)
2488:
2429:Length
2408:(1997)
2397:
2360:Length
2339:(1997)
2328:
2291:Length
2270:(1996)
2268:Season
2259:
2222:Length
2201:(1996)
2190:
2153:Length
2132:(1995)
2121:
2081:"静かな朝"
2062:Length
2041:(1994)
2039:Melody
2030:
1993:Length
1972:(1994)
1961:
1902:Length
1881:(1994)
1870:
1833:Length
1812:(1993)
1801:
1749:Length
1728:(1993)
1717:
1680:Length
1659:(1992)
1648:
1611:Length
1590:(1991)
1579:
1550:"ひこうき"
1542:Length
1521:(1991)
1510:
1397:(2016)
1391:(1991)
1348:空中キャンプ
1333:Orange
1170:iTunes
1053:, and
848:低音バッシュ
740:Season
730:Season
696:空中キャンプ
640:, and
612:Orange
600:Melody
558:Walkin
548:頼りない天使
538:なんてったの
389:Minato
218:Labels
174:Genres
163:Origin
96:
89:
82:
75:
67:
3028:Imgur
2726:記憶の増大
2702:10:18
2666:Title
2622:11:28
2586:Title
2542:13:31
2531:13:31
2517:Title
2462:14:42
2451:10:04
2426:Title
2357:Title
2288:Title
2219:Title
2150:Title
2059:Title
1990:Title
1899:Title
1830:Title
1759:'
1746:Title
1677:Title
1608:Title
1539:Title
1426:8月の現状
1282:木暮 晋也
1263:ダーツ関口
1243:小嶋 謙介
1204:茂木 欣一
1191:佐藤 伸治
1059:Kūchū
1047:OOIOO
1019:記憶の増大
861:8月の現状
720:from
393:Tokyo
101:JSTOR
87:books
3181:2020
3116:2019
2935:2024
2906:2019
2875:2019
2691:7:13
2680:5:44
2611:7:15
2600:5:45
2473:7:44
2440:4:49
2382:3:44
2371:4:56
2313:7:08
2302:5:44
2244:3:46
2233:6:08
2175:7:39
2164:6:02
2106:4:19
2095:6:27
2084:5:55
2073:5:18
2015:3:55
2004:3:50
1946:4:45
1935:3:34
1924:7:15
1913:3:38
1855:6:05
1844:4:50
1786:3:42
1775:2:34
1764:5:18
1702:3:59
1691:4:03
1633:5:00
1622:3:42
1564:4:59
1553:5:06
1519:ひこうき
1217:柏原 譲
1172:and
1072:Uchū
1070:and
596:funk
469:rock
429:ひこうき
209:1987
205:1987
73:news
2662:No.
2582:No.
2513:No.
2422:No.
2353:No.
2284:No.
2215:No.
2146:No.
2055:No.
1986:No.
1895:No.
1826:No.
1742:No.
1673:No.
1604:No.
1535:No.
1383:EPs
1230:ハカセ
1124:DVD
970:PVs
623:帰り道
580:dub
529:to
485:ska
473:pop
356:dub
313:.jp
309:www
181:Dub
56:by
3270::
3215:.
3197:.
3172:.
3150:.
3132:.
3102:.
3084:.
3066:.
3048:.
3044:.
3026:.
3008:.
2990:.
2972:.
2954:.
2943:^
2925:.
2914:^
2892:.
2864:.
2848:^
2696:3.
2685:2.
2674:1.
2616:3.
2605:2.
2594:1.
2536:2.
2525:1.
2467:4.
2456:3.
2445:2.
2434:1.
2376:2.
2365:1.
2307:2.
2296:1.
2238:2.
2227:1.
2169:2.
2158:1.
2100:4.
2089:3.
2078:2.
2067:1.
2009:2.
1998:1.
1940:4.
1929:3.
1918:2.
1907:1.
1849:2.
1838:1.
1780:3.
1769:2.
1754:1.
1696:2.
1685:1.
1627:2.
1616:1.
1558:2.
1547:1.
1168:,
1138:,
1136:UA
1095:,
1077:宇宙
1064:空中
1055:UA
1049:,
976:.
747:.
636:,
483:,
479:,
475:,
471:,
465:LP
453:EP
391:,
337::
333:,
329::
3201:.
3183:.
3136:.
3118:.
3030:.
3012:.
2994:.
2958:.
2937:.
2908:.
2877:.
2640:●
2560:●
2491:●
2400:●
2331:●
2262:●
2193:●
2124:●
2033:●
1964:●
1873:●
1804:●
1761:"
1720:●
1651:●
1582:●
1513:●
1376:)
1370:(
1351:)
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112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
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