85:) a new academic society for the study of Asian music, the Tōyō Ongaku Gakkai (Society for Research in Asiatic Music). During this period he was supported by grants from the Imperial Academy and the Keimei Foundation and was active in colonial field research in Korea (visited in 1941) and China (visited in 1943). Upon these visits, he encountered the surviving
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Although most of his research was historical in nature and dealt with very old music, he also conducted fieldwork in various regions in Japan, China, and other parts of Asia. To his students, he emphasized the importance of having practical experience performing the music one studies. He himself
54:, to Fukuo Kishibe, an educator and children's writer. He was first exposed to music through music in his father's stories, and made his first record and stage appearance at age 9 (by
58:) and first appeared on the radio at age 14. As a teenager, he became fascinated by Asian history. At this time he also met the eminent scholar of Japanese and Asian music
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forms, as well as popular theatrical and instrumental forms. In the 1940s, he taught senior high school and lectured in Asian and
Japanese music history.
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Steven G. Nelson. "Dr. Kishibe Shigeo: his career and research." In
English Commentary on
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He married Yori Sasaki in 1941 and they had three children together. She was an eminent
70:. He graduated in 1936, with a graduate thesis on modal systems of popular music of the
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Professor upon retiring. In this retirement, he continued to teach as a professor at
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until 1994. He also lectured at numerous other universities, including
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Division of
Asiatic History of the Faculty of Letters, studying under
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His book on the musical institutions of the Tang dynasty,
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Tokyo
National Research Institute for Cultural Properties
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Tōdai ongaku no rekishiteki kenkyū: Gakusei-hen, Zokukan
132:. In 1957–58, 1962–63, and 1973–74, he visited the
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110:Tokyo National University of Fine Arts and Music
185:Tōdai ongaku no rekishiteki kenkyū: Gakusei-hen
38:specializing in the study of East Asian music.
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171:player in her own right, and was awarded the
244:. Osaka: Izumi Shoin, 2005. Pages 42–45.
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81:Upon graduation, he co-founded (with
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96:From 1949 to 1973, he taught at the
62:. In April 1933, he enrolled at the
128:. He was also a research fellow at
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32:, June 6, 1912 – January 4, 2005)
193:Edo jidai no kin-shi monogatari
136:and held visiting positions at
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195:江戸時代の琴士物語 , was awarded the
187:唐代音楽の歴史的研究, was awarded the
173:Order of the Sacred Treasure
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288:People from Chiyoda, Tokyo
283:20th-century musicologists
278:Stanford University staff
64:Tokyo Imperial University
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273:Harvard University staff
191:in 1961. His last book,
175:, fourth class in 1992.
150:University of Washington
56:East Asian age reckoning
158:Order of the Rising Sun
114:Soai Women's University
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258:Japanese musicologists
146:University of Hawaii
46:Kishibe was born in
189:Japan Academy Prize
154:Stanford University
122:Hirosaki University
98:University of Tokyo
50:in the district of
227:, and the Chinese
197:Tanabe Hisao Prize
138:Harvard University
118:Niigata University
126:Waseda University
106:Teikyo University
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29:Kishibe Shigeo
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60:Hisao Tanabe
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36:musicologist
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268:2005 deaths
263:1912 births
225:itchu-būshi
78:Dynasties.
252:Categories
235:References
213:hichiriki
211:and the
179:Research
169:shamisen
102:Emeritus
221:nagauta
215:), the
203:played
205:gagaku
152:, and
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229:guqin
217:nōkan
207:(the
91:yayue
48:Tokyo
23:岸辺 成雄
167:and
165:koto
89:and
76:Tang
74:and
42:Life
209:shō
87:aak
72:Sui
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