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145:, in support of the story and characters of the script. The set decorator is responsible for each décor element inside the sets, from practical lighting, technology, art, furniture, drapery, floor coverings, books, collectables, to exterior furnishings such as satellite dishes, Old West water troughs, streetlamps, traffic lights, garden furniture and sculptures.
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Department, the Set Decorator budgets, designs, develops floor plans, sources, builds, schedules and eventually supervises the installation of the set dressing in each set, including industrial equipment, lighting fixtures, graphics, furniture, artwork, drapery, decorative accents, florals, floor coverings, and exterior décor to support the story.
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The Set
Decorator works with his or her staff to develop a schedule of fabricating and procuring the set dressing elements. Working with the Leadperson and Location Manager, the Dress/Strike schedule is developed, dictated by the shooting schedule. This defines the labor budget for the Set Decoration
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Budgeting involves projecting costs for prototypes, and educated guesswork. Set
Decorators are familiar with pricing structures for each element and labor required to complete the work within production schedules. Set Decoration budgets may be revised several times in the course of preproduction due
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Creatively, set dressing elements convey mood, style, time period, location, genre, character, and backstory, and shape the visual imagery of the project. Working with concepts from the
Production Designer, approved by the Director/ Producer and Studio, along with drawings and illustrations from the
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The SDSA – the Set
Decorators Society of America – is the organization solely devoted to Set Decoration. The SDSA promotes the highest standards of excellence in the field worldwide, and preserves the legacy of set decoration in motion pictures and television, through its online magazine SETDECOR,
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Even after the
Producer has approved the Set Decoration budget, the estimate is updated as special requests by the Director, script rewrites, or shifts in schedules bring changes during production. Overseeing creative aspects of Set Decoration while staying within the budget and delivering the sets
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The Set
Decorator creates a materials budget for the film or episode, and a labor budget based on the production schedule and scope of work. Labor costs are calculated to include overtime, fringes and kit rentals. The budget allows for equipping workshops, expendables, 2nd unit requirements, camera
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Set
Decorators are Key Department Heads, hired by the Producer , but often recommended by the Production Designer for their creative talent to implement the Production Designer’s vision and the visual interpretation of the script and its characters; and for technical skills and expertise in project
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While the Set
Decorator provides all of these elements, the Propmaster provides elements that are handled by the actor. For example: a library is decorated with set dressing such as the furniture, books, desk lamp, blotter, framed photos, personal effects, letter trays, letter opener, papers, paper
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Contracts and industry past practice. The Leadperson and Dressing crew work as a team within compressed schedules and side by side with Art Direction, Construction, Locations, Paint, Set Lighting, Grip, and Special Effects. Set maintenance plays a large part for long-term sets for many films
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The visual storytelling vocabulary of a Set Decorator includes history of design, art, architecture & interiors, photography and film, as well as geography, anthropology and psychology. The Decorator is knowledgeable about lighting, technical materials, textiles, mechanics of machinery and
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The Set Decorator begins each project by breaking down the script. This entails analyzing all scenes of the project, dividing them into sets, and detailing requirements. Each set has a creative concept behind it, partially described in the script and further developed by the Set Decorator in
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Once the set dressing is prepared, the Leadperson supervises the transportation of all elements to the sets. After delivery to the stage or location, the Set Decorator directs the Set Dressing crew in the decoration of the set, following Safety Guidelines,
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Whether on Feature Films, Television shows, Commercials, Webisodes, or emerging media formats, this work of developing, selecting, and providing the dressing elements of the set is under the direct supervision of the Set Decorator.
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The Set Decorator schedules and supervises the work of the Assistant Set Decorators, Leadperson, Buyers, Budget Tracker, On-Set Dressers, Property Persons, Drapers and Upholsterers, and all inside and outside manufacturers
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This knowledge combines with strong research, design judgment, cultural understanding, and observation skills to create interior and exterior environments rich in character and style to bring the script to visual life.
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The Set Decorator selects, acquires, and oversees designs and builds for all the set dressing, He or she supervises the Assistant Decorators and Buyers as they source elements, and gives final approval to all choices.
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Each set breakdown evolves into a series of lists of set dressing elements, all of which are budgeted, designed built and sourced. The production schedule and production budget delineate how these lists are achieved.
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technology, paint techniques, construction practices, upholstery and drapery, decorating trends, period details, color theory, and is proficient at spatial furniture layouts for film.
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on time are a key skillsets of the Set Decorator. Producers rely on the accuracy of the Set Decorators budget to ensure that the overall production budget remains within its bounds.
416:, as well as recognition by the Art Directors Guild Award. In Canada, Set Decorators are eligible to be nominated, alongside Production Designers, for the Canadian Screen Awards.
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The Set Decorator attends concept production meetings, scouts, safety classes, legal clearance briefings, product placement meetings, and ongoing conferences with the
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The Set Decorator is responsible for budgeting, hiring and managing his/her staff according to the requirements of each production including but not limited to:
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files. The Propmaster provides the props – the letter the actor is opening and reading, the pen he writes with, and the ink into which he dips his pen.
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is the head of the set decoration department in the film and television industry, responsible for selecting, designing, fabricating, and sourcing the "
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locals in the US, Canada, and Puerto Rico. In addition to IATSE in Canada, NABET 700 also represents Set Decorators and crew.
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Propshop Personnel for Set Dressing fabrication incl: Cabinetmakers/ Welders/ Painters/ Sculptors/ Moldmakers/ Graphic Artists
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The Set Decorator opens every set ensuring that the Director is satisfied, and makes any changes necessary.
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labor union, under jurisdiction of Local 44 (Los Angeles), Local 52 (New York), and various other regional
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tests, and work performed for the Set Decoration department by other departments and specialty vendors.
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management including budgeting, hiring, scheduling and organizing the Set Decoration Department staff.
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The Set Decorator maintains communication with fellow Key Department Heads, including the
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Outside Vendors include: Technical advisors/ Vehicle builders/ Custom fabricators
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INSIDE THE SET interviews, and social media presence. www.setdecorators.org .
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consultation with the Producer, Director and production designer.
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Directing and producing for television : a format approach
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Set Decorators are represented in North America by the
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Detailed description of the role of the set decorator
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894:Cinematographer / director of photography
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396:Awards, recognition, and professional associations
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16:Person in charge of the set dressing on a film
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400:Set Decorators are eligible to receive the
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518:The filmmaker's guide to production design
367:Architectural and Furniture Design History
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109:Learn how and when to remove this message
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410:Academy Award for Best Production Design
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450:The art direction handbook for film
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514:Vincent., LoBrutto (2002-01-01).
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448:Michael., Rizzo (2005-01-01).
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346:Film and television blocking
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129:" elements of each set in a
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349:Camera positions and lenses
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220:to shifting circumstances.
198:Design skills and education
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1268:Computer-generated imagery
1073:Special effects supervisor
921:Digital imaging technician
481:Ivan., Cury (2007-01-01).
382:Legal clearance parameters
327:Set Decoration Coordinator
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321:Set Dressers / Swing Gang
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315:Assistant Set Decorators
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983:Director of audiography
712:Unit production manager
249:Director of Photography
1327:Filmmaking occupations
988:Production sound mixer
717:Production coordinator
269:Production Sound Mixer
1258:Visual effects editor
1253:VFX creative director
722:Production accountant
361:Production scheduling
318:Set Decoration Buyers
1177:Intimacy coordinator
747:Production assistant
376:Visual communication
185:The script breakdown
43:improve this article
941:Lighting technician
797:Production designer
414:Production Designer
341:Technical knowledge
234:Production Designer
163:Production Designer
1235:Technical director
1008:Re-recording mixer
737:Script coordinator
727:Assistant director
666:Executive producer
522:. Allworth Press.
245:Assistant Director
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485:. Focal Press.
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54:Find sources:
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32:This article
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1220:Sound editor
1187:Stunt double
1182:Stage combat
1162:Talent agent
1132:Acting coach
1055:Orchestrator
1050:Music editor
1013:Foley artist
904:Focus puller
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802:Art director
656:Screenwriter
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352:Set lighting
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41:Please help
36:verification
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1018:Voice foley
926:Second unit
886:Photography
867:Illustrator
854:Visual arts
834:Set dresser
819:Hairdresser
788:Production
643:Cameo actor
613:Voice actor
141:episode or
1321:Categories
1293:Swing gang
1263:Compositor
1197:Under-five
958:Dolly grip
767:Storyboard
583:filmmaking
435:References
385:Fire codes
312:Leadperson
278:Scheduling
169:, and the
143:commercial
135:Television
69:newspapers
1273:Rendering
1088:Animation
1035:Subtitles
914:Steadicam
814:Greensman
638:Bit actor
579:Film crew
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379:Budgeting
261:Greensman
211:Budgeting
139:New Media
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1225:Colorist
1167:Stand-in
1106:Modeling
1096:Animator
1040:Composer
948:Key grip
538:52721856
501:69792063
370:Sourcing
364:Research
291:Staffing
265:Key Grip
238:Director
171:Producer
167:Director
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1025:Dubbing
83:scholar
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608:Actor
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421:IATSE
406:BAFTA
302:IATSE
137:, or
90:JSTOR
76:books
963:Grip
534:OCLC
524:ISBN
497:OCLC
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