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released, one in 1973 and one in 1974, both self-titled. This line-up achieved success, appearing in several TV broadcasts, and remains highly influential today. Matogrosso's unusual high-pitched voice helped create a distinct identity as well as the band's eccentric heavy make-up and outfits (developed by
Matogrosso himself, with influences ranging from Brazilian indigenous peoples to kabuki theater). In typical Tropicália fashion, Secos & Molhados's style was one marked by a broad fusion of genres, including glam rock, MPB, fado, and experimental music, among others. Most lyrics for both studio albums were adapted from the work of poets such as Manuel Bandeira and Vinicius de Moraes.
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From 1974 onwards, the group remained active, with only João
Ricardo as the only steady member. They have released several albums through the years. Their most recent release is an autobiographic album called "Chato-boy", featuring founding member João Ricardo with the addition of a new member -
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The first line-up, consisting of João
Ricardo, Gérson Conrad, and Ney Matogrosso, plus various musicians such as John Flavin (guitar), Willy Verdaguer (electric guitar), Marcelo Frias (drums), Sergio Rosadas (flute), plus special participation of Zé Rodrix was short-lived - only two albums were
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MACIEL, Luiz Carlos. SÉRIE DOIS MOMENTOS - Secos & Molhados, CD booklet.
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167:'s career. The other two members were
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78:folk rock
71:glam rock
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