971:
its episodes are written to dictate the content and direction of the program. The
Writers Guild of America has identified this as a legitimate writer's medium, so much so that they have lobbied to impose jurisdiction over writers and producers who "format" reality-based productions. Creating reality show formats involves storytelling structure similar to screenwriting, but much more condensed and boiled down to specific plot points or actions related to the overall concept and story.
880:
656:" system of filmmaking that utilized far more detailed written materials, clearly dedicated to "separating conception from execution". Film researcher Andrew Kenneth Gay posits that, "The process of scripting for the screen did not so much emerge naturally from other literary forms such as the play script, the novel, or poetry nor to meet the artistic needs of filmmakers but developed primarily to address the manufacturing needs of industrial production."
712:
60:
2211:
496:
1360:
In the UK there is no legal necessity to register your work – copyright is automatic. Registration is more important if you intend to offer your work to overseas producers. The
Writers Guild of America in New York and Los Angeles offer a cheap and easy-to-use internet-based script registration system
1079:
is a filmmaking term for the analysis and grading of screenplays, often within the script-development department of a production company. While coverage may remain entirely verbal, it usually takes the form of a written report, guided by a rubric that varies from company to company. The original idea
970:
Drama series and sitcoms are no longer the only formats that require the skills of a writer. With reality-based programming crossing genres to create various hybrid programs, many of the so-called "reality" programs are in a large part scripted in format. That is, the overall skeleton of the show and
917:
One reason for this is that, when rendered in studio format, most screenplays will transfer onto the screen at the rate of approximately one page per minute. This rule of thumb is widely contested — a page of dialogue usually occupies less screen time than a page of action, for example, and it
838:
of screenplays (that is, those distributed by producers and agencies in the hope of attracting finance or talent) are distributed printed on both sides of the paper (often professionally bound) to reduce paper waste. Occasionally they are reduced to half-size to make a small book which is convenient
979:
The script format for documentaries and audio-visual presentations which consist largely of voice-over matched to still or moving pictures is different again and uses a two-column format which can be particularly difficult to achieve in standard word processors, at least when it comes to editing or
825:
A British script may be bound by a single brad at the top left-hand side of the page, making flicking through the paper easier during script meetings. Screenplays are usually bound with a light card stock cover and back page, often showing the logo of the production company or agency submitting the
1325:
Any file may be registered to assist you in documenting the creation of your work. Some examples of registerable material include scripts, treatments, synopses, and outlines... The WGAW Registry also accepts stageplays, novels, books, short stories, poems, commercials, lyrics, drawings, music and
821:
paper is normally used, which is slightly taller and narrower than US letter size. Some UK writers format the scripts for use in the US letter size, especially when their scripts are to be read by
American producers since the pages would otherwise be cropped when printed on US paper. Because each
669:(1942), is written in this style, with detailed technical instructions interwoven with dialogue. The first use of the term "screenplay" dates to this era; the term "screen play" (two words) was used as early as 1916 in the silent era to refer to the film itself, i.e. a play shown on a screen.
663:, dialogue quickly dominated scripts, with what had been specific instructions for the filmmaker initially regressed to a list of master shots. However, screenwriters soon began to add the shot-by-shot details that characterized continuities of the films of the later silent era.
692:
productions required the explicit visual continuity and strict adherence to a budget that continuity scripts afforded, the master-scene script was more readable, which is of importance to an independent producer seeking financing for a project. By the production of
949:
or "spec script" is a script written to be sold on the open market with no upfront payment, or promise of payment. The content is usually invented solely by the screenwriter, though spec screenplays can also be based on established works or real people and events.
994:
Various screenwriting software packages are available to help screenwriters adhere to the strict formatting conventions. Detailed computer programs are designed specifically to format screenplays, teleplays, and stage plays. Such packages include BPC-Screenplay,
966:
sitcoms use a different, specialized format that derives from stage plays and radio. In this format, dialogue is double-spaced, action lines are capitalized, and scene headings, character entrances and exits, and sound effects are capitalized and underlined.
784:, occurs at the start of each scene and typically contains 3 pieces of information: whether the scene is set inside or outside (INT. or EXT.; interior or exterior), the specific location, and the time of day. Each slug line begins a new scene. In a "
601:, before the turn of the 20th century, "scripts" for films in the United States were usually a synopsis of a film of around one paragraph and sometimes as short as one sentence. Shortly thereafter, as films grew in length and complexity, film
1361:
that involves uploading a digital copy. If you are offering your work in the USA you should also register it with the US Copyright Office – if you don't, your right to legal damages for copyright infringement may be much reduced.
826:
script, covers are there to protect the script during handling which can reduce the strength of the paper. This is especially important if the script is likely to pass through the hands of several people or through the post.
913:
which stipulates how elements of the screenplay such as scene headings, action, transitions, dialogue, character names, shots and parenthetical matter should be presented on the page, as well as font size and line spacing.
764:
and is limited to what can be heard or seen by the audience, for example descriptions of settings, character movements, or sound effects. The dialogue is the words the characters speak, and is written in a center column.
619:(1903) had scenarios consisting respectively of a list of scene headings or scene headings with a detailed explication of the action in each scene. At this time, scripts had yet to include individual shots or dialogue.
842:
Although most writing contracts continue to stipulate physical delivery of three or more copies of a finished script, it is common for scripts to be delivered electronically via email. Electronic copies allow easier
1338:
Sonia
Castang; Richard Deakin; Tony Forster; Andrea Gibb; Olivia Hetreed (Chair); Guy Hibbert; Kathy Hill; Terry James; Line Langebek; Dominic Minghella; Phil Nodding; Phil O’Shea; Sam Snape (April 2016).
1080:
behind coverage was that a producer's assistant could read a script and then give their producer a breakdown of the project and suggest whether they should consider producing the screenplay or not.
1385:
867:
Screenplays and teleplays use a set of standardizations, beginning with proper formatting. These rules are in part to serve the practical purpose of making scripts uniformly readable "
822:
country's standard paper size is difficult to obtain in the other country, British writers often send an electronic copy to
American producers, or crop the A4 size to US letter.
703:
and lowered the profile of screenwriters. However, he also notes that since the screenplay is no longer a technical document, screenwriting is more of a literary endeavour.
905:
Motion picture screenplays intended for submission to mainstream studios, whether in the US or elsewhere in the world, are expected to conform to a standard
925:
There is no single standard for studio format. Some studios have definitions of the required format written into the rubric of their writer's contract. The
1660:
1374:
2906:
856:
526:
930:
607:(also called "treatments" or "synopses") were written to provide narrative coherence that had previously been improvised. Films such as
644:" allowed the increasingly powerful studio executives to more accurately budget for film productions. Movie industry revolutionary
3235:
1381:
17:
1062:. SmartKey was popular with screenwriters from 1982 to 1987, after which word processing programs had their own macro features.
2918:
1373:
Ricolfi, Marco; Morando, Federico; Rubiano, Camilo; Hsu, Shirley; Ouma, Marisella; De Martin, Juan Carlos (September 9, 2011).
1600:
1134:
2101:
1715:
844:
809:
in the top and bottom hole. The middle hole is left empty as it would otherwise make it harder to quickly read the script.
3552:
2247:
615:
585:
in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or
1248:
731:
of screen time, though this often bears little resemblance to the runtime of the final production. The standard font is
1415:
1401:
Established in 1927, Writers Guild of
America, West Registry (WGAWR) is one of the oldest private copyright registries.
1347:
1340:
1652:
3321:
2901:
1615:
1581:
1558:
1536:
1510:
1435:
1213:
1012:
699:(1974), this change was complete. Andrew Kenneth Gay argues that this shift has raised the status of directors as
519:
440:
962:
sitcoms are essentially the same as for motion pictures. The main difference is that TV scripts have act breaks.
3572:
1628:
3230:
2642:
1675:
1314:
1187:
848:
1276:
3499:
2784:
1878:
918:
depends enormously on the literary style of the writer — and yet it continues to hold sway in modern
165:
839:
to read or put in a pocket; this is generally for use by the director or production crew during shooting.
2130:
919:
512:
400:
31:
2118:
1656:
1224:
801:
American screenplays are printed single-sided on three-hole-punched paper using the standard
American
3348:
2612:
2031:
1856:
898:
302:
3562:
3521:
2716:
1839:
1708:
1107:
1016:
673:
132:
3343:
3311:
3171:
2928:
2806:
2240:
2191:
1976:
1470:
251:
1667:
3567:
3547:
3417:
3316:
3306:
3042:
2856:
2123:
1004:
989:
946:
390:
1050:, a macro program that sent strings of commands to existing word processing programs, such as
3326:
3151:
3146:
3126:
3027:
2480:
1981:
1966:
1923:
963:
885:
695:
636:
258:
230:
211:
980:
rewriting. Many script-editing software programs include templates for documentary formats.
3577:
3402:
3225:
2851:
2564:
2448:
2376:
2161:
2135:
2078:
1918:
1024:
890:
627:
428:
1502:
The
Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script
871:" of movies, and also to serve as a way of distinguishing a professional from an amateur.
8:
3557:
3489:
3331:
3281:
3249:
3188:
3141:
2913:
2896:
2891:
2884:
2844:
2796:
2704:
2607:
2589:
2460:
1883:
1787:
1701:
959:
746:
678:
172:
41:
1608:
The
Hollywood Standard: the complete and authoritative guide to script format and style.
1190:
at
Screenplayology: An Online Center for Screenplay Studies. Retrieved 15 December 2021.
3467:
3462:
3452:
3392:
3338:
3106:
3096:
2870:
2839:
2826:
2637:
2622:
2579:
2539:
2465:
2416:
2233:
2196:
1893:
1804:
1253:
1000:
926:
847:
and also documenting "authorship on a given date". Authors can register works with the
739:
736:
715:
Page from a screenplay, showing dialogue and action descriptions, as well as scene cuts
609:
470:
179:
59:
1448:
3472:
3358:
3276:
3242:
3166:
3136:
3101:
3071:
2816:
2774:
2769:
2699:
2694:
2666:
2632:
2597:
2307:
2088:
1971:
1888:
1782:
1611:
1596:
1577:
1571:
1554:
1548:
1532:
1506:
1500:
1431:
1297:
he will be barred from recovering attorneys fees or statutory damages in the lawsuit.
1209:
1095:
720:
665:
465:
367:
360:
244:
186:
1404:
3542:
3412:
3254:
3156:
3131:
3121:
3116:
3091:
2995:
2811:
2801:
2759:
2549:
2514:
2433:
2401:
2317:
2292:
2264:
2166:
2096:
1999:
1994:
1945:
1873:
1834:
1732:
1032:
649:
265:
237:
158:
151:
139:
69:
2503:
1337:
3457:
3407:
3397:
3264:
3220:
3203:
3111:
2454:
2381:
2366:
2312:
2140:
2018:
1846:
1777:
1642:
1249:"HOLLYWOOD USAGE Experts Analyze the Pros and Cons Of Time-Tested 'Master' Scene"
1128:
1071:
785:
684:
578:
552:
385:
288:
223:
1235:
3445:
3424:
3210:
3198:
3066:
3037:
2789:
2627:
2544:
2529:
2287:
2066:
2056:
2004:
1928:
1826:
1794:
1740:
1521:
1101:
1089:
1059:
1036:
806:
645:
631:
586:
337:
325:
204:
125:
105:
81:
749:
of at least one inch are employed (usually larger for the left to accommodate
3536:
3506:
3371:
3259:
3215:
3161:
3081:
3051:
2990:
2948:
2731:
2709:
2656:
2496:
2475:
2470:
2322:
2302:
2282:
2181:
2073:
1816:
1767:
1745:
1526:
1098: – Screenplay read by a person or aloud in a group rather than performed
1020:
1008:
906:
818:
761:
653:
564:
475:
347:
682:, which includes all dialogue but only rudimentary scene descriptions and a
3511:
3376:
2749:
2485:
2426:
2371:
2344:
2113:
2061:
2026:
1986:
1938:
1799:
1757:
879:
732:
418:
380:
373:
332:
295:
270:
100:
76:
756:
The major components are action (sometimes called "screen direction") and
3516:
3482:
3477:
3086:
3076:
3022:
3000:
2834:
2721:
2534:
2519:
2490:
2443:
2386:
2361:
2349:
2215:
2186:
2176:
2108:
1933:
1861:
1772:
1055:
574:
500:
480:
423:
218:
112:
1688:
1670:
Everything you wanted to know about the credits process but didn't ask.'
688:
devised by the director after a film is approved for production. While
3366:
3271:
2963:
2879:
2874:
2554:
2524:
2272:
2156:
2051:
2041:
2036:
1905:
1851:
1811:
1750:
1724:
1326:
various media work such as Web series, code, and other digital content.
1277:"Writers Guild of America-West Registration vs. Copyright Registration"
1122:
1116:
1040:
894:
802:
769:
750:
689:
676:
in the 1950s and 1960s, these continuities were gradually split into a
660:
630:
to streamline the filmmaking process. While some productions, notably
598:
560:
556:
319:
314:
309:
144:
88:
49:
3293:
3056:
2978:
2779:
2679:
2602:
2559:
2509:
2421:
2356:
2297:
2277:
2256:
1913:
1866:
868:
852:
711:
582:
460:
2438:
589:
cues may be given, as well as scene descriptions and scene changes.
3494:
3301:
2985:
2953:
2865:
2860:
2739:
2684:
2617:
2574:
2339:
2328:
2046:
1418:
from the website of the Academy of Motion Picture Arts and Sciences
1051:
1047:
788:" the slug lines are numbered consecutively for ease of reference.
757:
742:
626:, which listed a number of shots within each scene, thus providing
603:
569:
1291:
If the writer registers the script with the Copyright Office only
3429:
3193:
3061:
3017:
3012:
2942:
2764:
2754:
2569:
2391:
1950:
1375:"Survey of Private Copyright Documentation Systems and Practices"
958:
For American TV shows, the format rules for hour-long dramas and
933:, has a guide to screenplay format. A more detailed reference is
1310:
1110: – Person who writes for films, TV shows, comics, and games
3433:
3183:
2968:
2744:
2651:
2410:
700:
1546:
3440:
3007:
2958:
2936:
2689:
2674:
1693:
1550:
The Complete Guide to Standard Script Formats: The Screenplay
1028:
996:
2225:
1043:, which is available as a mobile application and a website.
1039:, such as Fade In Mobile Scripts Pro and Studio Binder, and
929:, a screenwriting competition run under the auspices of the
30:
This article is about the media object. For other uses, see
3178:
2973:
2334:
2171:
805:(8.5 x 11 inch). They are then held together with two
581:
from existing pieces of writing. A screenplay is a form of
548:
455:
567:. A screenplay written for television is also known as a
1529:, A Comprehensive Guide for Playwrights and Scritpwriters
1225:
JohnAugust.com "How accurate is the page-per-minute rule?
1372:
1112:
Pages displaying short descriptions of redirect targets
1593:
Il sistema sceneggiatura. Scrivere e descrivere i film
1092: – Phase of producing a film or television show
640:(1915), were made without a script, preapproved "
3534:
1246:
1520:
1498:
1236:JohnAugust.com "Hollywood Standard Formatting"
1131: – Visual art consisting of moving images
2241:
1709:
1428:The Complete Guide to Standard Script Formats
935:The Complete Guide to Standard Script Formats
520:
1959:
1568:
1206:Screenwriting: History, Theory and Practice.
1104: – Documentary film about screenwriters
27:Written action and dialogue for visual media
1610:Michael Weise Productions. Sheridan Press.
1341:"Writing Film : A Good Practice Guide"
931:Academy of Motion Picture Arts and Sciences
817:In the United Kingdom, double-hole-punched
2248:
2234:
1716:
1702:
1366:
1125: – Form of ordering graphics in media
768:Unique to the screenplay (as opposed to a
527:
513:
1188:"History of scripting and the screenplay"
983:
940:
1430:(2002) Cole and Haag, SCB Distributors,
1382:World Intellectual Property Organization
878:
710:
1591:Luca Bandirali, Enrico Terrone (2009),
1547:Judith H. Haag, Hillis R. Cole (1980).
1200:
1198:
1196:
1035:, accessible from any computer, and on
719:The format is structured so that (as a
14:
3535:
2919:Types of fiction with multiple endings
1274:
1182:
1180:
1178:
1176:
1174:
1172:
1170:
1119: – Written work by a screenwriter
2229:
1697:
1268:
1168:
1166:
1164:
1162:
1160:
1158:
1156:
1154:
1152:
1150:
1135:List of screenwriting awards for film
1046:The first screenwriting software was
862:
1451:. Act Four Screenplays. 29 July 2010
1247:Schumach, Murray (August 28, 1960).
1193:
622:These scenario scripts evolved into
706:
648:, a screenwriter himself, invented
547:, is a written work produced for a
24:
1689:American Screenwriters Association
1492:
1295:the infringement has taken place,
1147:
1065:
791:
25:
3589:
3322:Third-person omniscient narrative
1622:
2209:
1391:from the original on 2 June 2013
1031:. Software is also available as
974:
494:
58:
1463:
1441:
1421:
1409:
1348:Writers’ Guild of Great Britain
874:
760:. The action is written in the
2710:Conflict between good and evil
1723:
1659:(MMM) Wikibook, especially on
1331:
1303:
1240:
1229:
1218:
13:
1:
2255:
1676:Writers Guild of America West
1315:Writers Guild of America West
1140:
953:
883:Screenplay for the 1974 film
1576:. HarperCollins publishers.
7:
1531:. Le Clown & l'Enfant.
1083:
32:Screenplay (disambiguation)
10:
3594:
3553:Film and video terminology
1471:"What is Script Coverage?"
1416:Guide to screenplay format
1069:
987:
909:style known widely as the
592:
29:
3385:
3357:
3349:Stream of unconsciousness
3292:
3036:
2927:
2880:Falling action/Catastasis
2825:
2730:
2665:
2588:
2400:
2263:
2205:
2149:
2087:
2017:
1904:
1825:
1731:
1672:| BEFORE YOU MAKE A DEAL"
1668:"Credits Survival Guide:
1643:Resources in your library
1595:, Turin (Italy): Lindau.
899:National Museum of Cinema
2717:Self-fulfilling prophecy
1574:: The Man and His Movies
1208:Wallflower Press, 2009.
1017:Movie Magic Screenwriter
829:
674:end of the studio system
133:Breaking down the script
3344:Stream of consciousness
2807:Suspension of disbelief
1499:David Trottier (1998).
616:The Great Train Robbery
252:Daily production report
18:Script (recorded media)
3573:Television terminology
2885:Denouement/Catastrophe
2866:Rising action/Epitasis
1505:. Silman-James Press.
990:Screenwriting software
984:Screenwriting software
947:speculative screenplay
941:Speculative screenplay
902:
851:'s Registry, and even
845:copyright registration
716:
3231:Utopian and dystopian
1924:Principal photography
1569:Jami Bernard (1995).
1108:Screenwriter's salary
886:The Godfather Part II
882:
812:
796:
714:
637:The Birth of a Nation
573:. Screenplays can be
259:Daily progress report
231:Film inventory report
212:Principal photography
2785:Narrative techniques
2565:Story within a story
2377:Supporting character
2162:Guerrilla filmmaking
2136:Digital distribution
2079:Digital intermediate
1919:Cinematic techniques
1281:www.writersstore.com
1186:Andrew Kenneth Gay.
891:Francis Ford Coppola
782:master scene heading
429:Guerrilla filmmaking
3490:Political narrative
3332:Unreliable narrator
3189:Speculative fiction
2897:Nonlinear narrative
2845:Three-act structure
2705:Deal with the Devil
1884:Production schedule
1311:"WGA West Registry"
1275:Zerner ESQ, Larry.
727:equates to roughly
679:master-scene script
659:With the advent of
652:by introducing an "
173:Production schedule
3468:Narrative paradigm
3463:Narrative identity
3393:Dominant narrative
3339:Multiple narrators
2623:Fictional location
2466:Dramatic structure
2197:First-dollar gross
1553:. CMC Publishing.
1254:The New York Times
1015:, Movie Draft SE,
927:Nicholl Fellowship
903:
863:Screenplay formats
853:television formats
717:
624:continuity scripts
610:A Trip to the Moon
180:One liner schedule
3530:
3529:
3473:Narrative therapy
2907:television series
2852:Freytag's Pyramid
2695:Moral development
2598:Alternate history
2308:False protagonist
2223:
2222:
2013:
2012:
1889:Shooting schedule
1657:MovieMakingManual
1629:Library resources
1606:Riley, C. (2005)
1601:978-88-7180-831-4
1572:Quentin Tarantino
1096:Closet screenplay
721:ballpark estimate
559:(as opposed to a
537:
536:
245:Production report
187:Shooting schedule
16:(Redirected from
3585:
3453:Literary science
2996:Narrative poetry
2892:Linear narrative
2802:Stylistic device
2797:Show, don't tell
2760:Figure of speech
2550:Shaggy dog story
2293:Characterization
2250:
2243:
2236:
2227:
2226:
2214:
2213:
2212:
2167:Development hell
2097:Film distributor
2000:Costume designer
1977:Daily production
1957:
1956:
1951:Dailies (rushes)
1946:Daily call sheet
1874:Production board
1835:Script breakdown
1718:
1711:
1704:
1695:
1694:
1685:
1683:
1682:
1587:
1564:
1542:
1516:
1486:
1485:
1483:
1481:
1467:
1461:
1460:
1458:
1456:
1445:
1439:
1425:
1419:
1413:
1407:
1403:
1398:
1396:
1390:
1379:
1370:
1364:
1363:
1357:
1355:
1345:
1335:
1329:
1328:
1322:
1321:
1307:
1301:
1300:
1288:
1287:
1272:
1266:
1265:
1263:
1261:
1244:
1238:
1233:
1227:
1222:
1216:
1202:
1191:
1184:
1113:
1033:web applications
780:, also called a
772:) is the use of
707:Format and style
650:movie production
529:
522:
515:
499:
498:
497:
266:Daily editor log
238:Daily call sheet
159:Production strip
152:Production board
140:Script breakdown
62:
52:
37:
36:
21:
3593:
3592:
3588:
3587:
3586:
3584:
3583:
3582:
3563:Film production
3533:
3532:
3531:
3526:
3458:Literary theory
3398:Fiction writing
3381:
3353:
3288:
3040:
3032:
2923:
2821:
2726:
2661:
2584:
2455:Deus ex machina
2396:
2382:Title character
2367:Stock character
2313:Focal character
2259:
2254:
2224:
2219:
2216:Film portal
2210:
2208:
2201:
2145:
2141:Streaming media
2083:
2057:Special effects
2019:Post-production
2009:
1955:
1900:
1879:Day out of days
1847:Shooting script
1821:
1778:film adaptation
1727:
1722:
1680:
1678:
1666:
1653:Writing section
1649:
1648:
1647:
1637:
1636:
1632:
1625:
1584:
1561:
1539:
1513:
1495:
1493:Further reading
1490:
1489:
1479:
1477:
1469:
1468:
1464:
1454:
1452:
1447:
1446:
1442:
1426:
1422:
1414:
1410:
1394:
1392:
1388:
1377:
1371:
1367:
1353:
1351:
1343:
1336:
1332:
1319:
1317:
1309:
1308:
1304:
1285:
1283:
1273:
1269:
1259:
1257:
1245:
1241:
1234:
1230:
1223:
1219:
1203:
1194:
1185:
1148:
1143:
1129:Outline of film
1111:
1086:
1077:Script coverage
1074:
1072:Script coverage
1068:
1066:Script coverage
992:
986:
977:
956:
943:
877:
865:
832:
815:
799:
794:
792:Physical format
786:shooting script
709:
685:shooting script
595:
587:cinematographic
553:television show
533:
501:Film portal
495:
493:
486:
485:
451:
434:
433:
414:
406:
405:
397:
396:
363:
353:
352:
344:
343:
326:Special effects
291:
289:Post-production
281:
280:
224:Shooting script
200:
192:
191:
166:Day Out of Days
128:
118:
117:
72:
50:
35:
28:
23:
22:
15:
12:
11:
5:
3591:
3581:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3545:
3528:
3527:
3525:
3524:
3522:Verisimilitude
3519:
3514:
3509:
3504:
3503:
3502:
3492:
3487:
3486:
3485:
3475:
3470:
3465:
3460:
3455:
3450:
3449:
3448:
3438:
3437:
3436:
3427:
3425:Parallel novel
3422:
3421:
3420:
3415:
3410:
3395:
3389:
3387:
3383:
3382:
3380:
3379:
3374:
3369:
3363:
3361:
3355:
3354:
3352:
3351:
3346:
3341:
3336:
3335:
3334:
3329:
3324:
3314:
3309:
3304:
3298:
3296:
3290:
3289:
3287:
3286:
3285:
3284:
3279:
3269:
3268:
3267:
3262:
3257:
3252:
3247:
3246:
3245:
3240:
3239:
3238:
3233:
3228:
3218:
3213:
3208:
3207:
3206:
3196:
3186:
3181:
3176:
3175:
3174:
3169:
3159:
3154:
3149:
3144:
3139:
3134:
3129:
3124:
3119:
3114:
3109:
3104:
3099:
3094:
3089:
3084:
3079:
3074:
3069:
3067:Action fiction
3059:
3054:
3048:
3046:
3034:
3033:
3031:
3030:
3025:
3020:
3015:
3010:
3005:
3004:
3003:
2993:
2988:
2983:
2982:
2981:
2976:
2971:
2966:
2961:
2951:
2946:
2939:
2933:
2931:
2925:
2924:
2922:
2921:
2916:
2911:
2910:
2909:
2904:
2894:
2889:
2888:
2887:
2882:
2877:
2868:
2863:
2849:
2848:
2847:
2842:
2831:
2829:
2823:
2822:
2820:
2819:
2814:
2809:
2804:
2799:
2794:
2793:
2792:
2782:
2777:
2772:
2767:
2762:
2757:
2752:
2747:
2742:
2736:
2734:
2728:
2727:
2725:
2724:
2719:
2714:
2713:
2712:
2707:
2697:
2692:
2687:
2682:
2677:
2671:
2669:
2663:
2662:
2660:
2659:
2654:
2649:
2648:
2647:
2646:
2645:
2635:
2630:
2620:
2615:
2610:
2605:
2600:
2594:
2592:
2586:
2585:
2583:
2582:
2577:
2572:
2567:
2562:
2557:
2552:
2547:
2545:Self-insertion
2542:
2537:
2532:
2530:Poetic justice
2527:
2522:
2517:
2512:
2507:
2500:
2493:
2488:
2483:
2478:
2473:
2468:
2463:
2458:
2451:
2446:
2441:
2436:
2431:
2430:
2429:
2419:
2414:
2406:
2404:
2398:
2397:
2395:
2394:
2389:
2384:
2379:
2374:
2369:
2364:
2359:
2354:
2353:
2352:
2347:
2342:
2332:
2325:
2320:
2315:
2310:
2305:
2300:
2295:
2290:
2288:Character flaw
2285:
2280:
2275:
2269:
2267:
2261:
2260:
2253:
2252:
2245:
2238:
2230:
2221:
2220:
2206:
2203:
2202:
2200:
2199:
2194:
2189:
2184:
2179:
2174:
2169:
2164:
2159:
2153:
2151:
2147:
2146:
2144:
2143:
2138:
2133:
2128:
2127:
2126:
2121:
2116:
2106:
2105:
2104:
2093:
2091:
2085:
2084:
2082:
2081:
2076:
2071:
2070:
2069:
2064:
2054:
2049:
2044:
2039:
2034:
2029:
2023:
2021:
2015:
2014:
2011:
2010:
2008:
2007:
2005:Make-up artist
2002:
1997:
1992:
1989:
1984:
1979:
1974:
1969:
1967:Film inventory
1963:
1961:
1954:
1953:
1948:
1943:
1942:
1941:
1936:
1931:
1929:Cinematography
1921:
1916:
1910:
1908:
1902:
1901:
1899:
1898:
1897:
1896:
1886:
1881:
1876:
1871:
1870:
1869:
1864:
1854:
1849:
1844:
1843:
1842:
1831:
1829:
1827:Pre-production
1823:
1822:
1820:
1819:
1814:
1809:
1808:
1807:
1797:
1795:Film budgeting
1792:
1791:
1790:
1785:
1780:
1775:
1770:
1760:
1755:
1754:
1753:
1743:
1741:Film treatment
1737:
1735:
1729:
1728:
1721:
1720:
1713:
1706:
1698:
1692:
1691:
1686:
1664:
1646:
1645:
1639:
1638:
1627:
1626:
1624:
1623:External links
1621:
1620:
1619:
1604:
1589:
1582:
1566:
1559:
1544:
1537:
1522:Yves Lavandier
1518:
1511:
1494:
1491:
1488:
1487:
1462:
1440:
1420:
1408:
1384:. p. 24.
1365:
1330:
1302:
1267:
1239:
1228:
1217:
1204:Steven Maras.
1192:
1145:
1144:
1142:
1139:
1138:
1137:
1132:
1126:
1120:
1114:
1105:
1102:Dreams on Spec
1099:
1093:
1090:Pre-production
1085:
1082:
1070:Main article:
1067:
1064:
1060:Microsoft Word
1037:mobile devices
988:Main article:
985:
982:
976:
973:
955:
952:
942:
939:
897:, held at the
876:
873:
864:
861:
836:reading copies
834:Increasingly,
831:
828:
814:
811:
798:
795:
793:
790:
708:
705:
646:Thomas H. Ince
632:D. W. Griffith
594:
591:
575:original works
535:
534:
532:
531:
524:
517:
509:
506:
505:
504:
503:
488:
487:
484:
483:
478:
473:
468:
463:
458:
452:
449:
448:
445:
444:
436:
435:
432:
431:
426:
421:
415:
413:Related topics
412:
411:
408:
407:
404:
403:
395:
394:
388:
383:
376:
372:
371:
370:
364:
359:
358:
355:
354:
351:
350:
342:
341:
335:
328:
324:
323:
322:
317:
312:
306:
305:
299:
298:
292:
287:
286:
283:
282:
279:
278:
274:
273:
268:
262:
261:
255:
254:
248:
247:
241:
240:
234:
233:
227:
226:
221:
215:
214:
208:
207:
205:Cinematography
201:
198:
197:
194:
193:
190:
189:
183:
182:
176:
175:
169:
168:
162:
161:
155:
154:
148:
147:
142:
136:
135:
129:
126:Pre-production
124:
123:
120:
119:
116:
115:
109:
108:
106:Film budgeting
103:
97:
96:
91:
85:
84:
82:Film treatment
79:
73:
68:
67:
64:
63:
55:
54:
46:
45:
26:
9:
6:
4:
3:
2:
3590:
3579:
3576:
3574:
3571:
3569:
3568:Screenwriting
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3549:
3548:Fiction forms
3546:
3544:
3541:
3540:
3538:
3523:
3520:
3518:
3515:
3513:
3510:
3508:
3507:Screenwriting
3505:
3501:
3498:
3497:
3496:
3493:
3491:
3488:
3484:
3481:
3480:
3479:
3476:
3474:
3471:
3469:
3466:
3464:
3461:
3459:
3456:
3454:
3451:
3447:
3444:
3443:
3442:
3439:
3435:
3431:
3428:
3426:
3423:
3419:
3416:
3414:
3411:
3409:
3406:
3405:
3404:
3401:
3400:
3399:
3396:
3394:
3391:
3390:
3388:
3384:
3378:
3375:
3373:
3370:
3368:
3365:
3364:
3362:
3360:
3356:
3350:
3347:
3345:
3342:
3340:
3337:
3333:
3330:
3328:
3325:
3323:
3320:
3319:
3318:
3315:
3313:
3312:Second-person
3310:
3308:
3305:
3303:
3300:
3299:
3297:
3295:
3291:
3283:
3280:
3278:
3275:
3274:
3273:
3270:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
3248:
3244:
3241:
3237:
3234:
3232:
3229:
3227:
3224:
3223:
3222:
3219:
3217:
3216:Magic realism
3214:
3212:
3209:
3205:
3202:
3201:
3200:
3197:
3195:
3192:
3191:
3190:
3187:
3185:
3182:
3180:
3177:
3173:
3170:
3168:
3165:
3164:
3163:
3160:
3158:
3155:
3153:
3150:
3148:
3147:Psychological
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3127:Philosophical
3125:
3123:
3120:
3118:
3115:
3113:
3110:
3108:
3105:
3103:
3100:
3098:
3095:
3093:
3090:
3088:
3085:
3083:
3080:
3078:
3075:
3073:
3070:
3068:
3065:
3064:
3063:
3060:
3058:
3055:
3053:
3052:Autobiography
3050:
3049:
3047:
3044:
3039:
3035:
3029:
3026:
3024:
3021:
3019:
3016:
3014:
3011:
3009:
3006:
3002:
2999:
2998:
2997:
2994:
2992:
2991:Narrative art
2989:
2987:
2984:
2980:
2977:
2975:
2972:
2970:
2967:
2965:
2962:
2960:
2957:
2956:
2955:
2952:
2950:
2949:Flash fiction
2947:
2945:
2944:
2940:
2938:
2935:
2934:
2932:
2930:
2926:
2920:
2917:
2915:
2912:
2908:
2905:
2903:
2900:
2899:
2898:
2895:
2893:
2890:
2886:
2883:
2881:
2878:
2876:
2872:
2869:
2867:
2864:
2862:
2858:
2855:
2854:
2853:
2850:
2846:
2843:
2841:
2840:Act structure
2838:
2837:
2836:
2833:
2832:
2830:
2828:
2824:
2818:
2815:
2813:
2810:
2808:
2805:
2803:
2800:
2798:
2795:
2791:
2788:
2787:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2766:
2763:
2761:
2758:
2756:
2753:
2751:
2748:
2746:
2743:
2741:
2738:
2737:
2735:
2733:
2729:
2723:
2720:
2718:
2715:
2711:
2708:
2706:
2703:
2702:
2701:
2698:
2696:
2693:
2691:
2688:
2686:
2683:
2681:
2678:
2676:
2673:
2672:
2670:
2668:
2664:
2658:
2657:Worldbuilding
2655:
2653:
2650:
2644:
2641:
2640:
2639:
2636:
2634:
2631:
2629:
2626:
2625:
2624:
2621:
2619:
2616:
2614:
2611:
2609:
2606:
2604:
2601:
2599:
2596:
2595:
2593:
2591:
2587:
2581:
2578:
2576:
2573:
2571:
2568:
2566:
2563:
2561:
2558:
2556:
2553:
2551:
2548:
2546:
2543:
2541:
2538:
2536:
2533:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2506:
2505:
2504:KishĹŤtenketsu
2501:
2499:
2498:
2497:In medias res
2494:
2492:
2489:
2487:
2484:
2482:
2479:
2477:
2476:Foreshadowing
2474:
2472:
2471:Eucatastrophe
2469:
2467:
2464:
2462:
2459:
2457:
2456:
2452:
2450:
2447:
2445:
2442:
2440:
2437:
2435:
2434:Chekhov's gun
2432:
2428:
2425:
2424:
2423:
2420:
2418:
2415:
2413:
2412:
2408:
2407:
2405:
2403:
2399:
2393:
2390:
2388:
2385:
2383:
2380:
2378:
2375:
2373:
2370:
2368:
2365:
2363:
2360:
2358:
2355:
2351:
2348:
2346:
2343:
2341:
2338:
2337:
2336:
2333:
2331:
2330:
2326:
2324:
2323:Gothic double
2321:
2319:
2316:
2314:
2311:
2309:
2306:
2304:
2303:Deuteragonist
2301:
2299:
2296:
2294:
2291:
2289:
2286:
2284:
2283:Character arc
2281:
2279:
2276:
2274:
2271:
2270:
2268:
2266:
2262:
2258:
2251:
2246:
2244:
2239:
2237:
2232:
2231:
2228:
2218:
2217:
2204:
2198:
2195:
2193:
2190:
2188:
2185:
2183:
2182:Film industry
2180:
2178:
2175:
2173:
2170:
2168:
2165:
2163:
2160:
2158:
2155:
2154:
2152:
2148:
2142:
2139:
2137:
2134:
2132:
2129:
2125:
2122:
2120:
2117:
2115:
2112:
2111:
2110:
2107:
2103:
2100:
2099:
2098:
2095:
2094:
2092:
2090:
2086:
2080:
2077:
2075:
2074:Negative cost
2072:
2068:
2065:
2063:
2060:
2059:
2058:
2055:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2024:
2022:
2020:
2016:
2006:
2003:
2001:
1998:
1996:
1993:
1990:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1965:
1964:
1962:
1960:Daily reports
1958:
1952:
1949:
1947:
1944:
1940:
1937:
1935:
1932:
1930:
1927:
1926:
1925:
1922:
1920:
1917:
1915:
1912:
1911:
1909:
1907:
1903:
1895:
1892:
1891:
1890:
1887:
1885:
1882:
1880:
1877:
1875:
1872:
1868:
1865:
1863:
1860:
1859:
1858:
1855:
1853:
1850:
1848:
1845:
1841:
1838:
1837:
1836:
1833:
1832:
1830:
1828:
1824:
1818:
1817:Working title
1815:
1813:
1810:
1806:
1803:
1802:
1801:
1798:
1796:
1793:
1789:
1786:
1784:
1781:
1779:
1776:
1774:
1771:
1769:
1766:
1765:
1764:
1761:
1759:
1756:
1752:
1749:
1748:
1747:
1744:
1742:
1739:
1738:
1736:
1734:
1730:
1726:
1719:
1714:
1712:
1707:
1705:
1700:
1699:
1696:
1690:
1687:
1677:
1673:
1671:
1665:
1662:
1658:
1654:
1651:
1650:
1644:
1641:
1640:
1635:
1630:
1617:
1616:0-941188-94-9
1613:
1609:
1605:
1602:
1598:
1594:
1590:
1585:
1583:0-00-255644-8
1579:
1575:
1573:
1567:
1562:
1560:0-929583-00-0
1556:
1552:
1551:
1545:
1540:
1538:2-910606-04-X
1534:
1530:
1528:
1527:Writing Drama
1523:
1519:
1514:
1512:1-879505-44-4
1508:
1504:
1503:
1497:
1496:
1476:
1472:
1466:
1450:
1449:"Spec Script"
1444:
1437:
1436:0-929583-00-0
1433:
1429:
1424:
1417:
1412:
1406:
1402:
1387:
1383:
1376:
1369:
1362:
1349:
1342:
1334:
1327:
1316:
1312:
1306:
1299:
1298:
1294:
1282:
1278:
1271:
1256:
1255:
1250:
1243:
1237:
1232:
1226:
1221:
1215:
1214:9781905674824
1211:
1207:
1201:
1199:
1197:
1189:
1183:
1181:
1179:
1177:
1175:
1173:
1171:
1169:
1167:
1165:
1163:
1161:
1159:
1157:
1155:
1153:
1151:
1146:
1136:
1133:
1130:
1127:
1124:
1121:
1118:
1115:
1109:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1087:
1081:
1078:
1073:
1063:
1061:
1057:
1053:
1049:
1044:
1042:
1038:
1034:
1030:
1026:
1022:
1021:Movie Outline
1018:
1014:
1010:
1009:FiveSprockets
1006:
1002:
998:
991:
981:
975:Documentaries
972:
968:
965:
961:
960:single-camera
951:
948:
938:
936:
932:
928:
923:
921:
915:
912:
911:studio format
908:
907:typographical
900:
896:
892:
889:, written by
888:
887:
881:
872:
870:
860:
858:
854:
850:
846:
840:
837:
827:
823:
820:
810:
808:
804:
789:
787:
783:
779:
775:
771:
766:
763:
762:present tense
759:
754:
752:
748:
744:
741:
738:
734:
730:
726:
722:
713:
704:
702:
698:
697:
691:
687:
686:
681:
680:
675:
670:
668:
667:
662:
657:
655:
654:assembly line
651:
647:
643:
639:
638:
633:
629:
625:
620:
618:
617:
612:
611:
606:
605:
600:
597:In the early
590:
588:
584:
580:
576:
572:
571:
566:
565:screenwriters
562:
558:
554:
550:
546:
542:
530:
525:
523:
518:
516:
511:
510:
508:
507:
502:
492:
491:
490:
489:
482:
479:
477:
476:Screenwriting
474:
472:
469:
467:
464:
462:
459:
457:
454:
453:
447:
446:
443:
442:
438:
437:
430:
427:
425:
422:
420:
417:
416:
410:
409:
402:
399:
398:
392:
389:
387:
384:
382:
378:
377:
375:
369:
366:
365:
362:
357:
356:
349:
348:Negative cost
346:
345:
339:
336:
334:
330:
329:
327:
321:
318:
316:
313:
311:
308:
307:
304:
301:
300:
297:
294:
293:
290:
285:
284:
276:
275:
272:
269:
267:
264:
263:
260:
257:
256:
253:
250:
249:
246:
243:
242:
239:
236:
235:
232:
229:
228:
225:
222:
220:
217:
216:
213:
210:
209:
206:
203:
202:
196:
195:
188:
185:
184:
181:
178:
177:
174:
171:
170:
167:
164:
163:
160:
157:
156:
153:
150:
149:
146:
143:
141:
138:
137:
134:
131:
130:
127:
122:
121:
114:
111:
110:
107:
104:
102:
99:
98:
95:
92:
90:
87:
86:
83:
80:
78:
75:
74:
71:
66:
65:
61:
57:
56:
53:
48:
47:
43:
39:
38:
33:
19:
3512:Storytelling
3327:Subjectivity
3317:Third-person
3307:First-person
2941:
2750:Comic relief
2502:
2495:
2486:Flashforward
2453:
2427:Origin story
2409:
2372:Straight man
2327:
2207:
2109:Film release
2089:Distribution
2032:Re-recording
2027:Film editing
1939:Videographer
1800:Film finance
1762:
1758:Step outline
1679:. Retrieved
1669:
1633:
1607:
1592:
1570:
1549:
1525:
1501:
1478:. Retrieved
1475:WeScreenplay
1474:
1465:
1453:. Retrieved
1443:
1427:
1423:
1411:
1400:
1393:. Retrieved
1368:
1359:
1352:. Retrieved
1350:. p. 11
1333:
1324:
1318:. Retrieved
1305:
1296:
1292:
1290:
1284:. Retrieved
1280:
1270:
1258:. Retrieved
1252:
1242:
1231:
1220:
1205:
1076:
1075:
1045:
993:
978:
969:
964:Multi-camera
957:
944:
934:
924:
916:
910:
904:
884:
875:Feature film
866:
841:
835:
833:
824:
816:
800:
781:
777:
773:
767:
755:
751:hole punches
728:
724:
718:
694:
683:
677:
671:
664:
658:
642:continuities
641:
635:
623:
621:
614:
608:
602:
596:
568:
544:
540:
538:
439:
419:Film history
374:Film release
368:Distribution
361:Distribution
303:Re-recording
296:Film editing
271:Sound report
101:Film finance
93:
77:Step outline
3578:Screenplays
3517:Tellability
3483:Metafiction
3478:Narratology
3250:Theological
3142:Pop culture
3023:Short story
3001:Epic poetry
2722:Time travel
2535:Red herring
2520:Plot device
2491:Frame story
2444:Cliffhanger
2387:Tritagonist
2362:Protagonist
2187:Film rights
2177:Filmography
1934:Videography
1862:Scenography
1773:spec script
1733:Development
1588:- Paperback
1565:- Paperback
1543:- Paperback
1517:- Paperback
1056:WordPerfect
1005:Final Draft
859:'s system.
807:brass brads
803:letter size
613:(1902) and
579:adaptations
481:Spec script
424:Filmography
277:Cost report
219:Videography
113:Green-light
70:Development
3558:Filmmaking
3537:Categories
3403:Continuity
3272:Nonfiction
3236:Underwater
3132:Picaresque
3107:Historical
3092:Epistolary
2964:Fairy tale
2875:Peripeteia
2857:Exposition
2613:Dreamworld
2555:Stereotype
2525:Plot twist
2273:Antagonist
2192:Turnaround
2157:Box office
2042:Soundtrack
2037:Sync sound
1995:Editor log
1972:Production
1906:Production
1852:Storyboard
1812:Greenlight
1763:Screenplay
1751:scriptment
1725:Filmmaking
1681:2020-03-29
1661:formatting
1634:Screenplay
1455:August 10,
1320:2020-03-29
1286:2020-03-29
1141:References
1123:Storyboard
1117:Scriptment
1041:WriterDuet
954:Television
895:Mario Puzo
869:blueprints
855:using the
774:slug lines
770:stage play
729:one minute
690:studio era
666:Casablanca
661:sound film
628:continuity
599:silent era
561:stage play
557:video game
541:screenplay
315:Soundtrack
310:Sync sound
199:Production
145:Storyboard
94:Screenplay
89:Scriptment
51:Filmmaking
3294:Narration
3243:Superhero
3167:Chivalric
3152:Religious
3137:Political
3072:Adventure
3057:Biography
2979:Tall tale
2827:Structure
2812:Symbolism
2780:Narration
2680:Leitmotif
2608:Crossover
2603:Backstory
2560:Story arc
2510:MacGuffin
2481:Flashback
2422:Backstory
2298:Confidant
2278:Archenemy
2265:Character
2257:Narrative
1914:Film crew
1894:one-liner
1867:Rehearsal
1655:from the
1025:Scrivener
920:Hollywood
778:slug line
696:Chinatown
672:With the
604:scenarios
583:narration
461:Film crew
3500:Glossary
3495:Rhetoric
3302:Diegesis
3282:Creative
3255:Thriller
3204:Southern
3122:Paranoid
3117:Nautical
3028:Vignette
2986:Gamebook
2954:Folklore
2861:Protasis
2740:Allegory
2685:Metaphor
2643:parallel
2638:universe
2618:Dystopia
2575:Suspense
2461:Dialogue
2449:Conflict
2357:Narrator
2329:Hamartia
2131:Roadshow
2047:Timecode
1982:Progress
1746:Producer
1524:(2005).
1395:29 March
1386:Archived
1354:29 March
1260:April 6,
1084:See also
1052:WordStar
1048:SmartKey
901:in Italy
758:dialogue
743:typeface
737:10 pitch
733:12 point
725:one page
570:teleplay
450:See also
441:Glossary
401:Roadshow
42:a series
40:Part of
3543:Fiction
3430:Prequel
3386:Related
3372:Present
3265:Western
3221:Science
3194:Fantasy
3162:Romance
3112:Mystery
3097:Ergodic
3062:Fiction
3018:Parable
3013:Novella
2943:Fabliau
2914:Premise
2765:Imagery
2755:Diction
2633:country
2590:Setting
2570:Subplot
2392:Villain
2345:Byronic
2150:Related
2124:delayed
2119:limited
1857:Casting
1840:process
1768:process
1405:Alt URL
1013:Montage
1001:Fade In
747:margins
745:. Wide
740:Courier
701:auteurs
593:History
391:delayed
386:limited
3434:Sequel
3418:Retcon
3413:Reboot
3377:Future
3211:Horror
3199:Gothic
3184:Satire
3102:Erotic
2969:Legend
2871:Climax
2745:Bathos
2652:Utopia
2540:Reveal
2439:Cliché
2417:Action
2411:Ab ovo
2350:Tragic
2067:visual
1788:Option
1631:about
1614:
1599:
1580:
1557:
1535:
1509:
1480:5 July
1434:
1212:
1027:, and
545:script
338:visual
3441:Genre
3408:Canon
3359:Tense
3277:Novel
3260:Urban
3172:Prose
3157:Rogue
3082:Crime
3077:Comic
3038:Genre
3008:Novel
2959:Fable
2937:Drama
2902:films
2732:Style
2700:Motif
2690:Moral
2675:Irony
2667:Theme
2580:Trope
2062:sound
2052:Music
1987:Sound
1805:pitch
1389:(PDF)
1378:(PDF)
1344:(PDF)
1293:after
1029:Zhura
1023:3.0,
997:Celtx
857:FRAPA
830:Other
563:) by
555:, or
543:, or
471:Pitch
333:sound
320:Music
3446:List
3367:Past
3226:Hard
3179:Saga
3087:Docu
3043:List
2974:Myth
2929:Form
2817:Tone
2790:Hook
2775:Mood
2770:Mode
2628:city
2515:Pace
2402:Plot
2340:Anti
2335:Hero
2318:Foil
2172:Film
2114:wide
2102:list
1991:Cost
1783:Hook
1612:ISBN
1597:ISBN
1578:ISBN
1555:ISBN
1533:ISBN
1507:ISBN
1482:2016
1457:2012
1432:ISBN
1397:2020
1356:2020
1262:2021
1210:ISBN
1058:and
893:and
776:. A
549:film
466:Hook
456:Film
381:wide
2835:Act
849:WGA
753:).
634:'s
577:or
3539::
3432:/
1674:.
1473:.
1399:.
1380:.
1358:.
1346:.
1323:.
1313:.
1289:.
1279:.
1251:.
1195:^
1149:^
1054:,
1019:,
1011:,
1007:,
1003:,
999:,
945:A
937:.
922:.
819:A4
813:UK
797:US
735:,
723:)
551:,
539:A
44:on
3045:)
3041:(
2873:/
2859:/
2249:e
2242:t
2235:v
1717:e
1710:t
1703:v
1684:.
1663:.
1618:.
1603:.
1586:.
1563:.
1541:.
1515:.
1484:.
1459:.
1438:.
1264:.
528:e
521:t
514:v
393:)
379:(
340:)
331:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
