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Sandra Monterroso

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The artist is standing with closed eyes inside a clear acrylic parallelepiped, inside has many black feathers, she's caught under the impossible to get out, her body is stained black, while the transparent becomes opaque. In that opacity is the border of truths. The action is based on Moctezuma's
45:. Recently Monterroso's work focuses not only in performance art. She works with different media such as video art, installations and mixed media. Her work is related to power structures, gender issues and decolonial thinking. Her work is also included in the Artist Pension Trust. 211:. On June 17, 2009, Monterroso joined other female artists from Guatemala and Bolivia for an event called Feminist Art-Action: Panorama of feminist contemporary Latin-American video-performance, which was held at the 271:
Perez-Ratton, Virginia. "Central American Women Artist in a Global Age." Global Feminisms: New Directions in Contemporary Art. Ed. Maura Reilly and Linda Nochlin. 1st ed. Brooklyn: Merrell, 2007. 123-42.
149:) in the floor in front of the Supreme Court. She then injects serum into the letters, slowly dissolving them. It speaks about cases that have gone unsolved in Guatemala due to language barriers. 222:
exhibition that traveled to Arte Actual in Quito, Ecuador. In 2014, Monterroso participated as a part of the Indigenous Voices project in the Montevideo Biennial: 500 Future Years, curated by
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writes about Monterroso's beginnings as a performance artist in Guatemala during 1999 and 2000. Alongside her were other Guatemalan female performers like
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In January 2014, Ciudad de la Imaginación, a contemporary art space in the western highlands of Guatemala, invited Monterroso to participate in the
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Penacho found in Vienna, and it is unclear whether in fact the origin and why is it still belongs to this European city.
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The video is built on the myth, a woman's body goes ash covers the public space to spread feathers.
1012: 764: 738: 350: 30: 212: 146: 1066: 548:"Performing Localities: Recent Guatemalan Performance Art on Video at Iniva at Rivington Place" 522: 34: 1056: 8: 207:, a series of lectures and videos on post-war Guatemalan artists including Monterroso at 992:"Guatemala: Racok Atin/ Do Justice - GRID: BI-ANNUAL INTERNATIONAL PHOTOGRAPHY FESTIVAL" 941: 847: 949: 920: 891: 795: 323: 295: 19: 398: 234: 230: 42: 971: 884:
http://www.proximofuturo.gulbenkian.pt/exposicoes/artistas-comprometidos-talvez
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La devolución del Penacho de Vucub Caquix. The devolution of the Vucub Caquix
183:, in Galería Piegatto in Guatemala City. The exhibit was later on shown at 145:
Using salt, the artist shapes the letters 'RAKOC ATIN' (Do justice in Maya
223: 29:(born 1974) is a Guatemalan visual artist and designer. Art historian 912: 601:. No. Print. La Hora. La Hora - Revista Artes. January 19, 2014 187:(MARTE) in 2013. In February 2014, the artist opened her solo show, 523:"Performing Localities: Recent Guatemalan Performance Art on Video" 53:
Monterroso studied Graphic Design at an undergraduate level at the
819: 827: 713:"12th Havana Biennale announces list of participating artists" 61:(UPAEP). She is currently pursuing a PhD in Practice from The 226:. In 2015 Monterroso has been invited to participate in the 208: 179:
In 2011, Ernesto Calvo curated Monterroso's solo exhibition,
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in Guatemala. She holds a Masters in Design Processes from
828:"Sandra Monterroso - Venice Biennale 2015 - Latin America" 868:"The Latin America Pavilion at the 56th Venice Biennale" 942:
http://www.secession.at/art/2014_utopian_pulse_e.html
621:"Estados de excepción: más repetición que diferencia" 792:
Global Feminisms: New Directions in Contemporary Art
59:Universidad Popular Autónoma del Estado de Puebla 1033: 790:Maura, Reilly; Linda, Nochlin (March 1, 2007). 294:. Spain: Publicacions Universitat de Valencia. 623:. No. web. El Telégrafo. January 20, 2014 371: 455:"Efectos Cruzados llega al Marte esta noche" 378:PHD in Practice: Academy of Fine Arts Vienna 316:http://fusemagazine.org/2013/11/36-4_cornejo 290:Pérez-Ratton, Virginia (November 14, 2013). 289: 1017:Hemisphere: Visual Cultures of the Americas 789: 671:. No. web. Nación. September 14, 2014 476:Mendizabal, Ana Lucía (February 6, 2014). 475: 452: 240: 1013:"Sandra Monterroso: Cultural Subversions" 453:Monterrosa, Lissette (January 16, 2013). 292:Del estrecho dudoso a un Caribe invisible 255:2006: XV Bienal de Arte Paiz, First place 18: 693:. No. web. Leedor. August 22, 2014 215:and organized by le peuple qui manque. 1034: 1010: 428:"Museo de Arte de El Salvador (MARTE)" 111: 498: 260:Museum of Contemporary Art and Design 16:Guatemalan visual artist and designer 669:"Los futuros reales de Lucía Madriz" 228:Latin American Pavilion for the 56th 194: 174: 73: 13: 969: 501:"Una muestra para abolir el deseo" 499:Elias, Angel (February 19, 2014). 478:"Sandra Monterroso exhibe en 9.99" 14: 1078: 913:http://www.bienaldemontevideo.com 870:. Biennial Foundation. 2015-02-11 812: 457:. No. online. ElSalvador.com 1062:Guatemalan contemporary artists 1019:. Vol. VIII. pp. 6–24 783: 757: 731: 705: 683: 661: 635: 613: 591: 565: 540: 515: 265: 203:and Joanne Bernstein presented 1042:Guatemalan performance artists 492: 469: 446: 420: 391: 365: 343: 308: 283: 169: 1: 769:ISSUU - Juannio Catalogo 2011 743:ISSUU - Juannio Catalogo 2012 599:"Estalla el régimen del arte" 276: 189:Actions to Abolish the Desire 185:El Museo de Arte San Salvador 820:"Sandra Monterroso on Vimeo" 48: 7: 998:. Stichting Amsterdam Photo 832:Universes in Universe Vimeo 503:. No. web. Presa Libre 406:Universidad Rafael Landivar 399:"Catálogo Efectos Cruzados" 246:2014: RD Foundation Vienna. 63:Academy of Fine Arts Vienna 10: 1083: 139:Supreme Court of Justice, 55:Rafael Landívar University 579:. Paris Art. 11 June 2009 68: 1047:Guatemalan women artists 480:. No. web. Siglo 21 258:2004: Inquieta Imagen - 252:2011: Juannio, 3rd place 249:2012: Juannio, 2nd place 649:. Dress Mix. 2014-09-22 241:Awards and recognitions 213:Centre Georges Pompidou 136:Rakoc Atin (Do Justice) 643:"BIENAL DE MONTEVIDEO" 353:. Artist Pension Trust 23: 1011:Garzón, Sara (2015). 996:GRIDphotofestival.com 972:"Regina José Galindo" 573:"Feminist Art Action" 205:Performing Localities 191:at the 9.99 Gallery. 31:Virginia Pérez-Ratton 22: 372:Monterroso, Sandra. 220:Estados de Excepción 848:"Sandra Monterroso" 351:"Sandra Monterroso" 112:Select performances 35:Regina José Galindo 842:– via Vimeo. 822:– via Vimeo. 717:Arcthemagazine.com 24: 957:Missing or empty 928:Missing or empty 899:Missing or empty 331:Missing or empty 195:Group exhibitions 167: 166: 147:Q'eqchi' language 109: 108: 27:Sandra Monterroso 1074: 1052:Feminist artists 1028: 1026: 1024: 1007: 1005: 1003: 987: 985: 983: 970:Alonso, Idurre. 966: 960: 955: 953: 945: 937: 931: 926: 924: 916: 908: 902: 897: 895: 887: 879: 877: 875: 863: 861: 859: 852:The 9.99 Gallery 843: 841: 839: 823: 806: 805: 787: 781: 780: 778: 776: 761: 755: 754: 752: 750: 735: 729: 728: 726: 724: 709: 703: 702: 700: 698: 687: 681: 680: 678: 676: 665: 659: 658: 656: 654: 639: 633: 632: 630: 628: 617: 611: 610: 608: 606: 595: 589: 588: 586: 584: 569: 563: 562: 560: 558: 544: 538: 537: 535: 533: 519: 513: 512: 510: 508: 496: 490: 489: 487: 485: 473: 467: 466: 464: 462: 450: 444: 443: 441: 439: 424: 418: 417: 415: 413: 403: 395: 389: 388: 386: 384: 369: 363: 362: 360: 358: 347: 341: 340: 334: 329: 327: 319: 312: 306: 305: 287: 233:and in the 12th 181:Efectos Cruzados 175:Solo exhibitions 116: 115: 78: 77: 74:Select video art 39:Maria Adela Díaz 1082: 1081: 1077: 1076: 1075: 1073: 1072: 1071: 1032: 1031: 1022: 1020: 1001: 999: 990: 981: 979: 958: 956: 947: 946: 940: 929: 927: 918: 917: 911: 900: 898: 889: 888: 882: 873: 871: 866: 857: 855: 846: 837: 835: 826: 818: 815: 810: 809: 802: 788: 784: 774: 772: 763: 762: 758: 748: 746: 737: 736: 732: 722: 720: 711: 710: 706: 696: 694: 689: 688: 684: 674: 672: 667: 666: 662: 652: 650: 647:dressmix.com.uy 641: 640: 636: 626: 624: 619: 618: 614: 604: 602: 597: 596: 592: 582: 580: 571: 570: 566: 556: 554: 546: 545: 541: 531: 529: 521: 520: 516: 506: 504: 497: 493: 483: 481: 474: 470: 460: 458: 451: 447: 437: 435: 426: 425: 421: 411: 409: 401: 397: 396: 392: 382: 380: 370: 366: 356: 354: 349: 348: 344: 332: 330: 321: 320: 314: 313: 309: 302: 288: 284: 279: 268: 243: 235:Havana Biennial 231:Venice Biennale 197: 177: 172: 114: 76: 71: 51: 43:Jessica Lagunas 17: 12: 11: 5: 1080: 1070: 1069: 1064: 1059: 1054: 1049: 1044: 1030: 1029: 1008: 988: 967: 938: 909: 880: 864: 844: 824: 814: 813:External links 811: 808: 807: 801:978-1858943909 800: 782: 765:"Juannio 2011" 756: 739:"Juannio 2012" 730: 719:. 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Index


Virginia Pérez-Ratton
Regina José Galindo
Maria Adela Díaz
Jessica Lagunas
Rafael Landívar University
Universidad Popular Autónoma del Estado de Puebla
Academy of Fine Arts Vienna
Guatemala City
Q'eqchi' language
El Museo de Arte San Salvador
Rosina Cazali
InIVA
Centre Georges Pompidou
Alfons Hug
Venice Biennale
Havana Biennial
Museum of Contemporary Art and Design
ISBN
978-8437090801
http://fusemagazine.org/2013/11/36-4_cornejo
cite web
help
"Sandra Monterroso"
"Black River"
"Catálogo Efectos Cruzados"
"Museo de Arte de El Salvador (MARTE)"
"Efectos Cruzados llega al Marte esta noche"
"Sandra Monterroso exhibe en 9.99"
"Una muestra para abolir el deseo"

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