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281:(original title: 'Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt', Rotterdam, 1678) which is in length and theoretical scope one of the most ambitious treatises on the art of painting published in the Dutch Republic in the seventeenth century. It covers issues such as pictorial persuasion and illusionism, the painter's moral standards and the relation of painting to philosophy, referring to various ancient and modern authors. While reacting to international, mainly Southern European ideas on painting which Van Hoogstraten may have encountered during his travels, the treatise also reflects contemporary talk and thought on art from Dutch studios. He wrote it as a sequel to
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A sufficient number of Van
Hoogstraten's works have been preserved to show that he strove to imitate different styles at different times. In a portrait dated 1645, currently in the Lichtenstein collection in Vienna, he imitates Rembrandt. He continued in this vein until as late as 1653 when he
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A view of the Vienna
Hofburg, dated 1652, displays his skill as a painter of architecture. In contrast, a piece at the Hague representing a "Lady Reading a Letter as she crosses a Courtyard" (Mauritshuis) or a "Lady Consulting a Doctor," (in the
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Van
Hoogstraten's fame derives from his versatile career as a painter, poet and zealous social climber. Besides painting and directing a mint, he devoted some of his time to literary labours. His
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is a box with convincing 3D views of the interior of a Dutch house when viewed through peepholes on either end of the box. One of his perspective boxes is on show at the
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621:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Samuel Dirksz van Hoogstraten (cat. no. 13)
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Portrait of
Mattheus van den Broucke (1620–85), Governor of the Indies, with the gold chain and medal presented to him by the Dutch East India Company in 1670
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615:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Samuel Dirksz van Hoogstraten
301:, which included a biography of his teacher. This biography is the basis of most of the information that we have about van Hoogstraten today.
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produced a figure of a bearded man looking out of a window. This, one of the more characteristic examples of his style, is exhibited in the
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Thijs
Weststeijn, 'The Visible World: Samuel Van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age'
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Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt) (1678)
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and stayed in
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in London. It shows the interior of a typical Dutch house of his time.
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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Hoogstraten also employed his skill with perspective to construct "
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This article incorporates text from a publication now in the
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Introduction to the
Academy of Painting, or the Visible World
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Samuel Dirksz van
Hoogstraten trained first with his father
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as well, and some of his plates are still preserved. His
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He later made several travels which took him (1651) to
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A Peepshow with Views of the Interior of a Dutch House
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16:Painter and writer from the Northern Netherlands
619:Dutch and Flemish paintings from the Hermitage
608:Works and literature on Samuel van Hoogstraten
291:. One of van Hoogstraten's many students,
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193:. He was also skilled at
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51:Samuel van Hoogstraten
39:Self-portrait ca. 1647
598:at Wikimedia Commons
305:Sonnets and tragedies
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180:View of a Corridor,
159:Paintings and etches
138:Dirk van Hoogstraten
675:Pupils of Rembrandt
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380:View of a Corridor
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274:magnum opus
203:Rijksmuseum
182:Dyrham Park
90:Nationality
629:Categories
573:(1718) by
564:(in Dutch)
523:(in Dutch)
478:(in Dutch)
469:(1718) by
438:References
57:1627-08-02
382:, c. 1670
352:, c. 1667
315:tragedies
214:peepshows
146:Rembrandt
142:Amsterdam
132:Biography
122:Dordrecht
83:Dordrecht
65:Dordrecht
233:etchings
207:de Hooch
106:Movement
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518:in the
491:in the
429:Vanitas
321:Gallery
311:sonnets
216:", or "
110:Baroque
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254:, and
184:, 1662
153:Vienna
93:Dutch
520:DBNL
313:and
72:Died
47:Born
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493:RKD
465:in
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