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Lionel
Harrison prepared a type-set full score, vocal score and libretto (the librettist is uncredited and may be Coleridge-Taylor himself). As to the heroine of the title, the composer changed her name to "Freda" in both full and vocal scores (although in the full score he occasionally forgets himself and writes "Thelma" instead of "Freda"). Perhaps Coleridge-Taylor changed the name of his heroine (and might have changed the name of the opera, had it been produced) to avoid creating the assumption that his work was a treatment of Corelli's then very popular novel. Since that precaution is scarcely necessary today, Meadows and Harrison decided to revert to the original
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There were numerous musicians on Taylor's mother's side, and her father played the violin, teaching it to his grandson from an early age. Taylor's musical ability quickly became apparent, and his grandfather paid for him to have violin lessons. The extended family arranged for Taylor to study at the
263:
In 1899 Coleridge-Taylor married Jessie
Walmisley, whom he had met as a fellow student at the Royal College of Music. Six years older than he, Jessie had left the college in 1893. Her parents objected to the marriage because Taylor was of mixed-race parentage, but relented and attended the wedding.
204:
who had studied medicine in London and later became an administrator in West Africa. They were not married, and Daniel had returned to Africa without learning that Alice was pregnant. (Alice's parents had not been married at her birth, either.) Alice named her son Samuel
Coleridge Taylor (without a
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The full score and vocal score in the
British Library are both in the composer's hand – the full score is unbound but complete (save that the vocal parts do not have the words after the first few folios) but the vocal score is bound (in three volumes) and complete with words. Patrick Meadows and
917:. She assembled a libretto and catalogued the opera in her thesis, presenting a first critical examination of the work by a thorough investigation of the discovered manuscripts (including copious typeset examples). The work subsequently appeared as such on the catalogue of the British Library.
854:
in a performance commemorating the composition's 100th anniversary with the
Cambridge Community Chorus at Harvard's Sanders Theatre in the spring of 1998. In 2006, Meadows finished engraving the first edition of Coleridge-Taylor's Symphony in A minor. Meadows has also transcribed from the RCM
312:
at its 1898 premiere and proved to be highly popular, Coleridge-Taylor made three tours of the United States in 1904, 1906, and 1910. In the United States, he became increasingly interested in his paternal racial heritage. Coleridge-Taylor participated as the youngest delegate at the 1900
359:
at the White House, a rare event in those days for a man of
African descent. His music was widely performed and he had great support among African Americans. Coleridge-Taylor sought to draw from traditional African music and integrate it into the classical tradition, which he considered
394:
Composers were not handsomely paid for their music, and they often sold the rights to works outright in order to make immediate income. This caused them to lose the royalties earned by the publishers who had invested in the music distribution through publication. The popular
623:, named the Samuel Coleridge-Taylor Society. He visited the United States three times in the early 1900s, receiving great acclaim, and earned the title "the African Mahler" from the white orchestral musicians in New York in 1910. Public schools were named after him in
802:
In 1999, freelance music editor
Patrick Meadows identified three important chamber works by Coleridge-Taylor that had never been printed or made widely available to musicians. A handwritten performing parts edition of the Piano Quintet, from the original in the
166:. Coleridge-Taylor premiered the first section in 1898, when he was 23. He married an Englishwoman, Jessie Walmisley, and both their children had musical careers. Their son, Hiawatha, adapted his father's music for a variety of performances. Their daughter,
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Lists of
Coleridge-Taylor's compositions and recordings of his work and of the many articles, papers and books about Coleridge-Taylor's life and legacy are available through the Samuel Coleridge-Taylor Foundation and the Samuel Coleridge-Taylor Network.
973:, using an edition prepared by Stephen Anthony Brown. It was conducted by Jonathan Butcher, directed by Christopher Cowell and designed by Bridget Kimak. Joanna Weeks sang the title role, with Alberto Sousa as Eric and Håkan Vramsmo as Carl.
826:
After receiving copies of the work from the RCM in London, Patrick
Meadows made printed playing editions of the Nonet, Piano Quintet and Piano Trio. The works were performed in Meadows's regular chamber music festival on the island of
729:(2013), was made about him and includes a performance of several of his pieces, as well as information about him and his prominent place in music. It was written and directed by Charles Kaufmann, and produced by The Longfellow Chorus.
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There are minor discrepancies between the full score and the vocal score (the occasional passage occurring in different keys in the two, for example), but nothing that would inhibit the production of a complete, staged performance.
271:, and a daughter Gwendolen Avril (1903–1998). Both had careers in music: Hiawatha adapted his father's works. Gwendolen started composing music early in life, and also became a conductor-composer; she used the professional name of
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in his memory, one in
Dagnall Park, South Norwood, and the other in St Leonards Road, Croydon, at the house where he died. A metal figure in the likeness of Coleridge-Taylor has been installed in Charles Street, Croydon.
216:
and was married to a woman who was not Alice's mother, with whom he had four daughters and at least one son. Alice and her father called her son Coleridge. In 1887 she married George Evans, a railway worker, and lived in
352:, and slaves liberated at sea from illegal slave ships by the British navy. At one stage Coleridge-Taylor seriously considered emigrating to the United States, as he was intrigued by his father's family's past there.
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had not been located, and that the piece may have been destroyed by its creator. While researching for a PhD on the life and music of Samuel Coleridge-Taylor, Catherine Carr unearthed the manuscripts of
479:, which was one of the most successful and popular works written in the previous 50 years. (He had sold the rights early in order to get income.) His case contributed to their formation of the
388:, an African-American playwright and London resident. Dunbar and other black people encouraged Coleridge-Taylor to draw from his Sierra Leonean ancestry and the music of the African continent.
547:, which was widely performed by choral groups in England during Coleridge-Taylor's lifetime and in the decades after his death. Its popularity was rivalled only by the choral standards
2256:
344:, which the British had established as a colony for free blacks. The Black Loyalists joined free blacks (some of whom were also African Americans) from London, and were joined by
340:. Others were resettled in London and the Caribbean. In 1792 some 1200 blacks from Nova Scotia chose to leave what they considered a hostile climate and society, and moved to
1887:
1832:
403:, so did not benefit directly. He learned to retain his rights and earned royalties for other compositions after achieving wide renown but always struggled financially.
927:'s manner in eschewing the established "numbers" opera format, preferring to blend recitative, aria and ensemble into a seamless whole. It is possible that he had read
736:(2013), was made about him, written and directed by Jason Young. It was screened as part of Southwark Black History Month and Croydon Black History Month in 2020.
328:
Coleridge-Taylor's father Daniel Taylor was descended from African-American slaves who were freed by the British and evacuated from the colonies at the end of the
834:
The first modern performances of some of these works were done in the early 1990s by the Boston, Massachusetts-based Coleridge Ensemble, led by William Thomas of
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seasons at the Royal Albert Hall, which continued until 1939, were conducted by Sargent and involved hundreds of choristers, and scenery covering the organ loft.
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823:. The artists were Andrew Berridge (violin), Martin Anthony (Tony) Burrage (violin), Joanna Lacey (viola), Michael Parrott (cello) and John Peace (piano).
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His standing caused Coleridge-Taylor to be invited to judge at music festivals. He was said to be personally shy but was still effective as a conductor.
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in London, Taylor set some of his poems to music. A joint recital between Taylor and Dunbar was arranged in London, under the patronage of US ambassador
811:. The first modern performance of the Piano Quintet was given on 7 November 2001 by Burrage's chamber music group, Ensemble Liverpool / Live-A-Music in
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2896:
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1134:, Op. 30 ("Overture to The Song of Hiawatha", 1899; "Hiawatha's Wedding Feast", 1898; "The Death of Minnehaha", 1899; "Hiawatha's Departure", 1900)
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for piano trio, which were released in 1998 by Afka Records. Thomas, a champion of lost works by black composers, also revived Coleridge's
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1807:
1594:, Aarhus Symphony Orchestra, Douglas Bostock (conductor), in The British Symphonic Collection, Vol. 15. Classico label by Olufsen Records
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Too young to die: his great simplicity, his happy courage in an alien world, his gentleness, made all that knew him love him.
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1963:
473:
After Coleridge-Taylor's death in 1912, musicians were concerned that he and his family had received no royalties from his
201:
291:. His "Ballade in A minor" was premiered there. His early work was also guided by the influential music editor and critic
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436:
The inscription on Coleridge-Taylor's carved headstone includes four bars of music from the composer's best-known work,
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Coleridge-Taylor was greatly admired by African Americans; in 1901, a 200-voice African-American chorus was founded in
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532:
Plaques honouring Samuel Coleridge-Taylor in Dagnall Park, Selhurst (top) and South Norwood, United Kingdom (bottom)
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935:(it appears that the name "Thelma" may have been created by Corelli for her heroine). Coleridge-Taylor composed
900:, was long believed to have been lost. As recently as 1995, Geoffrey Self in his biography of Coleridge-Taylor,
483:, an effort to gain revenues for musicians through performance as well as publication and distribution of music.
866:
but with a fifth movement inserted by Coleridge-Taylor, based on the Scherzo of the symphony. This work is for
244:
2098:
1750:
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sold hundreds of thousands of copies, but Coleridge-Taylor had sold the music outright for the sum of 15
2247:"Ronnie Corbett, Samuel Coleridge Taylor and Peggy Ashcroft immortalised on bench in Charles Street, Croydon"
875:
683:
2532:
A Memory Sketch, or Personal Reminiscences of My Husband: Genius and Musician: S. Coleridge Taylor 1875–1912
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Nonet in F minor for oboe, clarinet, bassoon, horn, violin, viola, cello, contrabass and piano, Op. 2 – 1894
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2542:
Genius and Musician: S. Coleridge Taylor 1875–1912; A Memory Sketch or Personal Reminiscences of My Husband
2116:
2004:"A London Legacy of Ira Aldridge: Henry Francis Downing and the Paratheatrical Poetics of Plot and Cast(e)"
1911:
1715:
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Alice lived with her father, Benjamin Holmans, and his family after Samuel was born. Holmans was a skilled
2951:
2210:"Dominique-Rene de Lerma donation of Coleridge-Taylor bibliography and list of works to the SCTF website"
812:
240:
He later used the name "Samuel Coleridge-Taylor", with a hyphen, said to be following a printer's error.
1833:"Samuel Coleridge-Taylor (1875-1912), Britain's Foremost Black Classical Composer: The Centenary Legacy"
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is a saga of deceit, magic, retribution and the triumph of love over wickedness. The composer followed
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233:. After completing his degree, he became a professional musician; he was appointed a professor at the
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1888:"Celebrating the life of Sierra Leone's ingenious classical music composer – Samuel Coleridge-Taylor"
309:
230:
152:" when he had three tours of the United States in the early 1900s. He was particularly known for his
2044:"Five Facts about Samuel Coleridge-Taylor You Should Know - Chamber Music Society of Lincoln Center"
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By 1896, Coleridge-Taylor was already earning a reputation as a composer. He was later helped by
206:
140:(15 August 1875 – 1 September 1912) was a British composer and conductor. Of
20:
2191:"Favourite Orchestral Classics SOMM ARIADNE 5012 [RB] Classical Music Reviews: May 2021"
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2008:
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196:, London, to Alice Hare Martin (1856–1953), an Englishwoman, and Daniel Peter Hughes Taylor, a
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1510:, Elizabeth Llewellyn (soprano), Simon Lepper (piano). Label: Orchid Classics ORC100164 (2021)
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descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in
662:
491:. Between 1928 and 1939, Sargent conducted ten seasons of a large costumed ballet version of
385:
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638:. The American performance of the work was subject to rewriting because the parts were lost
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In 1904, on his first tour to the United States, Coleridge-Taylor was received by President
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415:. His death is often attributed to the stress of his financial situation. He was buried in
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8:
2686:"Who Was Samuel Coleridge-Taylor? (He's Not to Be Confused with Samuel Taylor Coleridge)"
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2618:
2402:"Concert to Feature Centennial Performance of Work by Composer Samuel Coleridge-Taylor"
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1928:
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and William Thomas, as part of the 100th-anniversary celebration of the composition of
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1633:: London Choral Sinfonia directed by Michael Waldron. Orchid Classics ORC100247 (2023)
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Coleridge-Taylor's work continued to be popular. He was later championed by conductor
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held in London, and met leading Americans through this connection, including the poet
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2574:
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2148:
2029:
1909:
Kay, Charles (2001). "The Marriage of Samuel Coleridge-Taylor and Jessie Walmisley".
1713:
Kay, Charles (2001). "The Marriage of Samuel Coleridge-Taylor and Jessie Walmisley".
657:
563:
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496:
467:
1620:
807:(RCM) Library, had been prepared earlier by violinist Martin Anthony Burrage of the
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2017:
1920:
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1670:"Coleridge-Taylor: Concatenationism and Essentialism in an Anglo-African Composer"
2436:
The Music of Samuel Coleridge-Taylor (1875–1912): A Critical and Analytical Study
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499:, performed by the Royal Choral Society (600 to 800 singers) and 200 dancers.
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1951:
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from the age of 15. He changed from the violin to composition, working under
149:
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1485:
970:
969:
in February 2012, the centenary year of the composer's death, performed by
443:
341:
284:
1550:
Violin Sonata; African Dances; Hiawathan Sketches; Petite Suite de Concert
43:
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1525:
718:
635:
337:
2021:
2139:
1932:
1869:
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871:
842:. This group subsequently made world premiere recordings of the Nonet,
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Coleridge-Taylor composed a violin concerto for the American violinist
613:
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granted Jessie Coleridge-Taylor, the young widow, an annual pension of
2376:
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819:. Live recordings of this performance are lodged with the RCM and the
753:
On 26 August 2021 Coleridge-Taylor's Symphony in A minor received its
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2227:
754:
628:
412:
2773:
Liner Notes for the Hyperion recording of the Violin Concerto Op. 80
2350:, series 2, episode 4: "Samuel Coleridge-Taylor" by Chi-Chi Nwanoku"
1924:
1728:
259:
Christmas greeting card displaying the Coleridge-Taylor family, 1912
2003:
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268:
2715:
2345:
831:, and were well received by the public as well as the performers.
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and began conducting the orchestra at the Croydon Conservatoire.
218:
213:
193:
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71:
2620:
The Hiawatha Man: the Life & Work of Samuel Coleridge-Taylor
1031:
Quintet in F-sharp minor for clarinet and strings, Op. 10 – 1895
579:. All three were published together, along with an Overture, as
463:
100, evidence of the high regard in which the composer was held.
1617:
Dvořák: String Quartet Op 106; Coleridge-Taylor: Fantasiestücke
691:
2147:(5). The Crisis Publishing Company, Inc.: 219 September 1913.
1984:
2272:"Samuel Coleridge Taylor and His Music in America, 1900–1912"
857:
2699:
Samuel Coleridge-Taylor and His Music in America, 1900–1912
772:
received its Proms premiere by the Chineke! Orchestra with
727:
Samuel Coleridge Taylor and His Music in America, 1900–1912
608:
is still regularly played. He set one poem by his namesake
1107:, three rhapsodies for low voice and piano, Op. 24 – 1898
192:
Samuel Coleridge-Taylor was born at 15 Theobalds Road in
2609:
Samuel Coleridge-Taylor – Musician. His Life and Letters
2377:"Prom 61: Chineke! performs Beethoven's Fourth Symphony"
885:'s recording of the Piano Quintet was released in 2007.
538:
Coleridge-Taylor's greatest success was undoubtedly his
2733:
at the Irving S. Gilmore Music Library, Yale University
648:
but on another ship. The concerto has been recorded by
267:
The couple had a son, named Hiawatha (1900–1980) after
2749:
Concerto in G minor for violin & orchestra, Op. 80
1784:"Black Europeans: Samuel Coleridge-Taylor (1875-1912)"
19:
This article is about the composer. For the poet, see
2797:
2769:
at the Sibley Music Library Digital Scores Collection
2763:
at the Sibley Music Library Digital Scores Collection
2757:
at the Sibley Music Library Digital Scores Collection
2751:
at the Sibley Music Library Digital Scores Collection
2745:
at the Sibley Music Library Digital Scores Collection
2739:
at the Sibley Music Library Digital Scores Collection
2649:
783:(1932-2004) was named after Samuel Coleridge-Taylor.
2442:(Thesis). University of Durham. pp. 160 to 198.
2069:"Samuel Coleridge-Taylor's Hiawatha's Wedding Feast"
1122:
Violin Sonata in D minor, Op. 28 – ?1898 (pub. 1917)
939:
between 1907 and 1909; it is alternatively entitled
1372:, incidental music, Op. 74 (five numbers) – 1911–25
896:Coleridge-Taylor's only large-scale operatic work,
243:In 1894 Taylor's father was appointed a coroner in
2617:
470:and garnered over £1400 for the composer's family.
2767:Variations in B minor for violoncello & piano
1677:Newsletter on Philosophy and the Black Experience
2833:
2269:
1572:includes "Violin Concerto in G minor, Op. 80" –
442:, and a tribute from his close friend, the poet
2552:Black Mahler: The Samuel Coleridge-Taylor Story
1459:Quintet for Piano & Strings in G min. Op. 1
1040:String Quartet in D minor, Op. 13 – 1896 (lost)
2761:Sonata in D minor for violin and piano, Op. 28
1978:
1976:
1974:
1474:Symphonic Variations on an African Air, Op. 63
994:Suite for Violin and Organ (or piano), Op. 3 (
1946:
1944:
1942:
2962:Musicians from the London Borough of Croydon
1956:"Do we really know Samuel Coleridge-Taylor?"
1870:"African Romances - Samuel Coleridge Taylor"
1667:
888:
376:music. Having met the African-American poet
299:; he told Elgar that Taylor was "a genius".
2957:Musicians from the London Borough of Camden
2171:"African Heritage Symphonic Series, Vol. I"
1971:
1774:
1772:
466:In 1912 a memorial concert was held at the
173:
2937:English people of African-American descent
2702:The full Longfellow Chorus documentary on
2244:
1939:
1560:Sir Malcolm Sargent conducts British Music
42:
16:English composer and conductor (1875–1912)
2782:International Music Score Library Project
2679:"Samuel Coleridge-Taylor (1875–1912)" at
1827:
1825:
1663:
1661:
1409:Violin Concerto in G minor, Op. 80 – 1912
797:African Methodist Episcopal Church Review
750:a program about Samuel Coleridge-Taylor.
2942:English people of Sierra Leonean descent
2897:20th-century British classical musicians
2159:
1867:
1769:
790:
786:
571:with two other cantatas about Hiawatha,
411:Coleridge-Taylor was 37 when he died of
254:
221:on a street adjoining the railway line.
177:
2571:Samuel Coleridge-Taylor, a Musical Life
2509:The Heritage of Samuel Coleridge-Taylor
2488:The Heritage of Samuel Coleridge-Taylor
2207:
2135:"Along the Color Line: Art & Music"
2001:
1631:Choral Music of Samuel Coleridge-Taylor
1507:Heart & Hereafter – Collected Songs
1464:Fantasiestucke for String Quartet Op. 5
1363:, opera in three acts, Op. 72 – 1907–09
976:
768:On 1 September 2023 Coleridge-Taylor's
2834:
2788:Free scores by Samuel Coleridge-Taylor
2778:Free scores by Samuel Coleridge-Taylor
2731:The Samuel Coleridge-Taylor Collection
2554:. London: Grosvenor House Publishing.
2270:LongfellowChorus (18 September 2015).
2127:
1868:Clements, Robert (18 September 1997).
1822:
1658:
1492:Samuel Coleridge-Taylor: Chamber Music
1425:
1421:, ballet in five scenes, Op. 82 – 1920
1310:Symphonic Variations on an African Air
988:Piano Quintet in G minor, Op. 1 – 1893
2667:"Samuel Coleridge-Taylor (1875–1912)"
2661:"Samuel Coleridge-Taylor (1875–1912)"
2228:"Samuel Coleridge-Taylor blue plaque"
1964:Black & Asian Studies Association
1950:
1805:
1570:The Romantic Violin Concerto Volume 5
815:. The lunchtime recital included the
2892:20th-century Black British musicians
2882:Alumni of the Royal College of Music
2624:. Aldershot, England: Scolar Press.
2490:, London: Dobson, 1979, pp. 145–154.
2432:
2165:
1778:
1225:, Rhapsody of the Sea, Op. 48 – 1902
1219:, incidental music, Op. 47(2) – 1901
862:, a work virtually identical to the
2977:Pupils of Charles Villiers Stanford
2877:20th-century English male musicians
2862:19th-century English male musicians
2737:Four characteristic waltzes. Op. 22
2322:"The Samuel Coleridge-Taylor Story"
2297:"The Samuel Coleridge-Taylor Story"
2245:Williamson, Hannah (18 June 2013).
2208:Burrage, Hilary (26 January 2012).
2176:Database of Recorded American Music
1985:"The Samuel Coleridge-Taylor Story"
1908:
1902:
1851:"Samuel Coleridge-Taylor: Composer"
1712:
1668:Stewart, Earl; Duran, Jane (1999).
1249:for string orchestra, Op. 52 – 1903
1062:for violin and piano, Op. 16 – 1897
981:
654:Johannesburg Philharmonic Orchestra
642:—not, as legend has it, on the RMS
604:for violin, among other works. The
585:, Op. 30. The tremendously popular
308:, which was conducted by Professor
13:
2650:Samuel Coleridge-Taylor Foundation
2573:. London: Pickering & Chatto.
2497:
2214:Samuel Coleridge-Taylor Foundation
1982:
1685:American Philosophical Association
1641:The Choir of King's College London
1637:Samuel Coleridge Taylor: Partsongs
14:
2988:
2887:Black British classical musicians
2643:
2410:. 15 October 1998. Archived from
1643:, Joseph Fort (director). Label:
1605:, 2013 recording by the Choir of
1406:, incidental music, Op. 79 – 1911
1366:Ballade in C minor, Op. 73 – 1909
1351:, incidental music, Op. 70 – 1908
1306:, incidental music, Op. 62 – 1906
1231:, incidental music, Op. 49 – 1902
1143:Ballade in A minor, Op. 33 – 1898
1119:, cantata-operetta, Op. 26 – 1898
1113:, Operatic Romance, Op. 25 – 1898
1022:Symphony in A minor, Op. 8 – 1896
734:The Samuel Coleridge-Taylor Story
694:label). It was also performed at
25:Coleridge-Taylor (disambiguation)
2922:English male classical composers
2907:Deaths from pneumonia in England
2867:20th-century classical composers
2852:19th-century classical composers
2819:
2807:
2655:Songs by Samuel Coleridge-Taylor
2540:Coleridge-Taylor, J. F. (1943).
2530:Coleridge-Taylor, J. F. (1943).
1072:Morning and Evening Service in F
1001:Ballade in D minor, Op. 4 – 1895
904:, stated that the manuscript of
682:), and Lorraine McAslan and the
660:(nominated "Editor's Choice" in
522:
511:
2592:. London: Hamish Hamilton Ltd.
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2036:
1995:
1609:, played by Christopher Allsop.
1578:BBC Scottish Symphony Orchestra
1556:(piano). Label: Epoch CDLX 7127
1255:, sacred cantata, Op. 53 – 1903
1186:The Blind Girl of Castél-Cuillé
1174:Scenes from an Everyday Romance
961:received its world première in
672:BBC Scottish Symphony Orchestra
596:Coleridge-Taylor also composed
593:is still occasionally revived.
170:, became a composer-conductor.
112:Classical composer and musician
48:Samuel Coleridge-Taylor in 1905
2872:20th-century English composers
2857:19th-century British composers
2607:Sayers, W. C. Berwick (1927).
2195:www.musicweb-international.com
1880:
1861:
1843:
1799:
1755:Online Gallery Black Europeans
1743:
1706:
1445:Variations for Cello and Piano
1357:: "Three fours", Op. 71 – 1909
1324:, one-act opera, Op. 65 – 1910
235:Crystal Palace School of Music
1:
2917:English light music composers
2536:Bobby & Co., London (n.d)
1651:
1566:. Label: Beulah Records 1PD13
1536:Piano & Clarinet Quintets
1451:
1241:Ethiopia Saluting the Colours
1182:, four sonnets, Op. 42 – 1900
1011:Little Songs for Little Folks
684:London Philharmonic Orchestra
567:. The composer soon followed
321:and the scholar and activist
287:, who recommended him to the
183:
2927:English male opera composers
2792:Choral Public Domain Library
2590:Malcolm Sargent: a biography
1912:Black Music Research Journal
1716:Black Music Research Journal
1478:Royal Liverpool Philharmonic
1413:Two Songs for Baritone Voice
1068:(P. L. Dunbar) Op. 17 – 1897
809:Royal Liverpool Philharmonic
446:, that includes these words:
330:American War of Independence
315:First Pan-African Conference
7:
2912:English classical composers
2743:"Five and twenty sailormen"
2714:(1898). Andrew Pink (2021)
2458:by Samuel Coleridge-Taylor"
2048:www.chambermusicsociety.org
1562:includes "Othello Suite" –
1213:, scherzo, Op. 47(1) – 1902
1164:Romance in G, Op. 39 – 1900
1093:Four Characteristic Waltzes
813:Liverpool Philharmonic Hall
250:
10:
2993:
2947:English Romantic composers
2407:Harvard University Gazette
2073:Cambridge Community Chorus
1470:Ballade in A minor, Op. 33
1289:Twenty-Four Negro Melodies
781:Coleridge-Taylor Perkinson
430:
164:Henry Wadsworth Longfellow
18:
2902:Black classical composers
2724:
2708:Samuel Coleridge Taylor.
2486:Coleridge-Taylor, Avril,
2155:– via Google Books.
2117:"Samuel Coleridge-Taylor"
2099:"Samuel Coleridge-Taylor"
1751:"Samuel Coleridge-Taylor"
1552:– David Juritz (violin),
1333:Part Songs, Op. 67 – 1905
1300:, rhapsody, Op. 61 – 1905
1294:Romance, Op. 59(2) – 1904
1089:Part Songs, Op. 21 – 1898
1078:Two Moorish Tone-Pictures
742:presented in 2017 on the
702:in the autumn of 1998 by
502:
310:Charles Villiers Stanford
278:
231:Charles Villiers Stanford
124:
116:
108:
98:
79:
53:
41:
34:
2550:Elford, Charles (2008).
2544:. London: John Crowther.
2534:. London: John Crowther.
2433:Carr, Catherine (2005).
2167:De Lerma, Dominique-René
1599:Three Impromptus, Op. 78
1496:Hawthorne String Quartet
852:Hiawatha's Wedding Feast
725:A two-hour documentary,
708:Hiawatha's Wedding Feast
704:John McLaughlin Williams
591:Hiawatha's Wedding Feast
569:Hiawatha's Wedding Feast
544:Hiawatha's Wedding Feast
481:Performing Right Society
425:London Borough of Sutton
406:
397:Hiawatha's Wedding Feast
305:Hiawatha's Wedding Feast
205:hyphen), after the poet
174:Early life and education
2932:English opera composers
2755:Organ music, Selections
2657:at The Art Song Project
2616:Self, Geoffrey (1995).
2569:Green, Jeffrey (2011).
2505:Coleridge-Taylor, Avril
2002:Roberts, Brian (2012).
1392:Petite Suite de Concert
1060:Three Hiawatha Sketches
931:'s 1887 "Nordic" novel
846:for string quartet and
795:A 1912 obituary in the
610:Samuel Taylor Coleridge
606:Petite Suite de Concert
207:Samuel Taylor Coleridge
138:Samuel Coleridge-Taylor
58:Samuel Coleridge Taylor
36:Samuel Coleridge-Taylor
21:Samuel Taylor Coleridge
2588:Reid, Charles (1968).
1564:New Symphony Orchestra
1431:Trio in E minor (1893)
1271:Three Cameos for Piano
1243:, march, Op. 51 – 1902
805:Royal College of Music
799:
779:The American composer
573:The Death of Minnehaha
453:
384:. It was organised by
332:; some 3,000 of these
273:Avril Coleridge-Taylor
260:
227:Royal College of Music
189:
168:Avril Coleridge-Taylor
156:on the epic 1855 poem
130:Avril Coleridge-Taylor
103:Royal College of Music
23:. For other uses, see
1818:on 25 September 2014.
1757:. The British Library
1687:: 6–8. Archived from
1466:– Live-A-Music (2001)
1205:Toussaint L'Ouverture
1180:The Soul's Expression
794:
787:Posthumous publishing
732:A feature animation,
449:
386:Henry Francis Downing
289:Three Choirs Festival
258:
181:
2671:Composer of the Week
2363:"Chineke! Orchestra"
2301:www.southwark.gov.uk
1584:(conductor). Label:
1518:Welsh National Opera
1370:Forest of Wild Thyme
1132:The Song of Hiawatha
977:List of compositions
688:Nicholas Braithwaite
625:Louisville, Kentucky
582:The Song of Hiawatha
577:Hiawatha's Departure
493:The Song of Hiawatha
417:Bandon Hill Cemetery
378:Paul Laurence Dunbar
319:Paul Laurence Dunbar
245:the colony of Gambia
159:The Song of Hiawatha
2972:People from Holborn
2967:People from Croydon
2663:, AfriClassical.com
2546:, personal printing
2022:10.3138/md.55.3.386
1839:. 1 September 2012.
1607:Worcester Cathedral
1426:Without opus number
1386:A Tale of Old Japan
1283:Four African Dances
1259:Five Choral Ballads
1198:Six American Lyrics
1035:Southern Love Songs
1026:Two Romantic Pieces
1005:Five Fantasiestücke
892:, the missing opera
848:Six Negro Folksongs
600:, anthems, and the
302:On the strength of
295:of music publisher
2952:Oratorio composers
2611:. London: Augener.
2103:Classical Archives
2079:on 20 October 2020
1857:. 14 October 2009.
1855:jeffreygreen.co.uk
1808:"Coleridge Taylor"
1694:on 8 November 2005
1500:Koch International
1291:, Op. 59(1) – 1905
1203:Concert Overture,
800:
759:Chineke! Orchestra
696:Harvard University
421:Wallington, Surrey
364:to have done with
357:Theodore Roosevelt
336:were resettled in
261:
190:
2717:Exordia ad missam
2561:978-1-906210-78-6
2414:on 27 August 2007
1983:Elford, Charles.
1890:. 29 January 2012
1837:hilaryburrage.com
1806:Greenwell, Bill.
1159:Three Silhouettes
1138:Three Humoresques
658:Michael Hankinson
497:Royal Albert Hall
468:Royal Albert Hall
269:the poetic figure
182:Coleridge-Taylor
135:
134:
93:, Surrey, England
74:, London, England
2984:
2824:
2823:
2822:
2812:
2811:
2810:
2803:
2639:
2636:Internet Archive
2623:
2612:
2603:
2584:
2565:
2545:
2535:
2526:
2491:
2484:
2478:
2477:
2475:
2473:
2464:. Archived from
2462:Surrey Opera.org
2450:
2444:
2443:
2441:
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2293:
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2267:
2261:
2260:
2259:on 7 April 2014.
2255:. Archived from
2252:Croydon Guardian
2242:
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2198:
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2095:
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2084:
2075:. Archived from
2065:
2059:
2058:
2056:
2054:
2040:
2034:
2033:
1999:
1993:
1992:
1980:
1969:
1968:
1960:
1954:(19 June 2009).
1948:
1937:
1936:
1906:
1900:
1899:
1897:
1895:
1884:
1878:
1877:
1874:thompsonian.info
1865:
1859:
1858:
1847:
1841:
1840:
1829:
1820:
1819:
1814:. Archived from
1803:
1797:
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1776:
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1764:
1762:
1747:
1741:
1740:
1710:
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1703:
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1699:
1693:
1674:
1665:
1645:Delphian Records
1625:Hyperion Records
1603:Now Let Us Sing!
1398:Three Impromptus
1322:Endymion's Dream
1316:Scenes de Ballet
1277:Six Sorrow Songs
1247:Four Novelletten
1235:Three Song Poems
1066:African Romances
982:With opus number
967:Ashcroft Theatre
902:The Hiawatha Man
868:string orchestra
836:Phillips Academy
774:Anthony Parnther
770:Four Novelletten
757:premiere by the
680:Hyperion Records
650:Philippe Graffin
621:Washington, D.C.
526:
515:
476:Song of Hiawatha
323:W. E. B. Du Bois
188:
185:
148:as the "African
120:Jessie Walmisley
86:
83:1 September 1912
67:
65:
46:
32:
31:
2992:
2991:
2987:
2986:
2985:
2983:
2982:
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2832:
2831:
2830:
2826:Classical music
2820:
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2600:
2587:
2581:
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2523:
2503:
2500:
2498:Further reading
2495:
2494:
2485:
2481:
2471:
2469:
2468:on 1 April 2012
2452:
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2232:openplaques.org
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2000:
1996:
1981:
1972:
1958:
1949:
1940:
1925:10.2307/3181601
1907:
1903:
1893:
1891:
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1885:
1881:
1866:
1862:
1849:
1848:
1844:
1831:
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1823:
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1800:
1792:British Library
1786:
1777:
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1749:
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1744:
1729:10.2307/3181601
1711:
1707:
1697:
1695:
1691:
1672:
1666:
1659:
1654:
1592:Symphony, Op. 8
1582:Martyn Brabbins
1574:Anthony Marwood
1482:Grant Llewellyn
1454:
1449:
1428:
1415:, Op. 81 – 1913
1400:, Op. 78 – 1911
1394:, Op. 77 – 1911
1388:, Op. 76 – 1911
1382:, Op. 75 – 1911
1376:Rhapsodic Dance
1345:, Op. 69 – 1908
1339:, Op. 68 – 1908
1330:, Op. 66 – 1907
1318:, Op. 64 – 1906
1312:, Op. 63 – 1906
1285:, Op. 58 – 1904
1279:, Op. 57 – 1904
1273:, Op. 56 – 1904
1267:, Op. 55 – 1904
1261:, Op. 54 – 1904
1237:, Op. 50 – 1904
1207:, Op. 46 – 1901
1200:, Op. 45 – 1903
1194:, Op. 44 – 1901
1176:, Op. 41 – 1900
1170:, Op. 40 – 1899
1161:, Op. 38 – 1904
1149:, Op. 35 – 1899
1140:, Op. 31 – 1898
1128:, Op. 29 – 1898
1101:, Op. 23 – 1898
1095:, Op. 22 – 1899
1086:, Op. 20 – 1898
1080:, Op. 19 – 1897
1074:, Op. 18 – 1899
1056:, Op. 15 – 1897
1054:Land of the Sun
1037:, Op. 12 – 1896
1017:Zara's Earrings
996:Suite de Piêces
984:
979:
915:British Library
894:
855:manuscript the
821:British Library
789:
740:Chi-chi Nwanoku
700:Sanders Theatre
676:Martyn Brabbins
668:Anthony Marwood
536:
535:
534:
533:
529:
528:
527:
518:
517:
516:
505:
489:Malcolm Sargent
433:
409:
382:John Milton Hay
366:Hungarian music
362:Johannes Brahms
334:Black Loyalists
281:
253:
186:
176:
99:Alma mater
94:
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2695:
2694:, 19 May 2017.
2683:
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2645:
2644:External links
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2016:(3): 396–397.
1994:
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1952:Green, Jeffrey
1938:
1919:(2): 159–178.
1901:
1879:
1860:
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1798:
1780:Phillips, Mike
1768:
1742:
1723:(2): 159–178.
1705:
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1621:Takács Quartet
1613:Fantasiestücke
1610:
1601:for organ, on
1595:
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1554:Michael Dussek
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1168:Solemn Prelude
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1028:, Op. 9 – 1896
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1019:, Op. 7 – 1895
1014:
1013:, Op. 6 – 1898
1008:
1007:, Op. 5 – 1896
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925:Richard Wagner
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844:Fantasiestücke
817:Fantasiestücke
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602:African Dances
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2634:– via
2619:
2608:
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2551:
2541:
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2487:
2482:
2470:. Retrieved
2466:the original
2461:
2455:
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2416:. Retrieved
2412:the original
2405:
2396:
2386:13 September
2384:. Retrieved
2380:
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2357:
2352:, tv24.co.uk
2347:
2341:
2329:. Retrieved
2325:
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2304:. Retrieved
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2275:
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2257:the original
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2093:
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2077:the original
2072:
2063:
2051:. Retrieved
2047:
2038:
2013:
2009:Modern Drama
2007:
1997:
1989:Black Mahler
1988:
1962:
1916:
1910:
1904:
1892:. Retrieved
1882:
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1854:
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1816:the original
1811:
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1754:
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1689:the original
1680:
1676:
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1627:, July 2023.
1616:
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1486:Argo Records
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1110:
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1092:
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1059:
1053:
1048:Concertstück
1047:
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971:Surrey Opera
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726:
724:
719:blue plaques
716:
712:
707:
661:
643:
639:
633:
631:, Maryland.
618:
605:
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580:
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492:
486:
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450:
444:Alfred Noyes
437:
410:
396:
393:
390:
354:
342:Sierra Leone
327:
303:
301:
285:Edward Elgar
282:
266:
262:
242:
239:
223:
211:
202:Sierra Leone
191:
162:by American
157:
137:
136:
85:(1912-09-01)
29:
2847:1912 deaths
2842:1875 births
2675:BBC Radio 3
2472:7 September
2331:28 November
2281:16 February
1761:17 February
1698:24 February
1597:2nd of the
1526:Bryn Terfel
1355:Valse Suite
1126:Three Songs
1117:The Gitanos
1105:In Memoriam
1084:Gypsy Suite
666:magazine),
636:Maud Powell
559:Mendelssohn
338:Nova Scotia
187: 1893
2836:Categories
2511:. London:
2418:8 February
2306:27 October
2140:The Crisis
2053:5 February
1894:25 October
1812:Lost Lives
1652:References
1576:(violin),
1524:, soloist
1452:Recordings
1298:Kubla Khan
1211:Hemo Dance
941:The Amulet
872:tambourine
864:Noveletten
663:Gramophone
614:Kubla Khan
142:mixed-race
64:1875-08-15
2814:Biography
2691:Londonist
2681:BBC Music
2153:0011-1422
2121:BBC Music
2083:8 January
2030:162466396
1542:. Label:
1532:458 591–2
1528:. Label:
1498:. Label:
1488:436 401-2
1343:Sea Drift
1223:Meg Blane
1153:Six Songs
1050:), Op. 14
629:Baltimore
627:, and in
413:pneumonia
200:man from
2507:(1979).
2348:Passions
1647:DCD34271
1588:CDA67420
1586:Hyperion
1546:CDA67590
1544:Hyperion
1514:Hiawatha
1502:3-7056-2
1419:Hiawatha
1188:, Op. 43
1155:, Op. 37
998:) – 1893
876:triangle
829:Mallorca
748:Passions
744:Sky Arts
690:(on the
670:and the
652:and the
640:en route
587:Hiawatha
439:Hiawatha
374:Bohemian
251:Marriage
125:Children
2800:Portals
2790:in the
2784:(IMSLP)
2780:at the
2704:YouTube
2276:YouTube
1933:3181601
1737:3181601
1619:by the
1440:Eulalie
1404:Othello
1229:Ullyses
963:Croydon
913:in the
858:Haytian
840:Andover
746:series
645:Titanic
554:Messiah
540:cantata
495:at the
431:Honours
401:guineas
350:Jamaica
346:maroons
297:Novello
219:Croydon
214:farrier
194:Holborn
91:Croydon
72:Holborn
2725:Scores
2711:Melody
2628:
2596:
2577:
2558:
2519:
2456:Thelma
2151:
2028:
1931:
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1361:Thelma
1044:Legend
959:Thelma
949:Thelma
937:Thelma
933:Thelma
921:Thelma
911:Thelma
906:Thelma
898:Thelma
890:Thelma
860:Dances
692:Lyrita
674:under
656:under
564:Elijah
549:Handel
503:Legacy
279:Career
150:Mahler
117:Spouse
2440:(PDF)
2026:S2CID
1959:(PDF)
1929:JSTOR
1787:(PDF)
1733:JSTOR
1692:(PDF)
1683:(1).
1673:(PDF)
1530:Decca
1349:Faust
1217:Herod
1192:Idyll
761:with
755:Proms
407:Death
372:with
348:from
2626:ISBN
2594:ISBN
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2556:ISBN
2517:ISBN
2474:2011
2420:2008
2388:2023
2333:2020
2308:2020
2283:2018
2149:ISSN
2085:2013
2055:2024
1896:2018
1763:2022
1700:2011
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881:The
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678:(on
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