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Samba-canção

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companies, and some composers. Like many popular songs of the world, Samba-canção (plural 'sambas-canções')'s principal theme is the love relationship, typically moaning for a lost love. Tempo is moderate or a little slower. The denomination suggests that the song is more sophisticated, less earthy, than ordinary
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It appeared after the World War II, at the end of the 1940s, and practically disappeared in the middle of the 1960s when majority of composers began to present their songs without category denomination. The name is somewhat arbitrary, adopted by the music industry, that is, publishers and record
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has gotten out of fashion. In its place, a new type of Brazilian song appeared telling the misfortunes of love. That led Henrique Vogeler to compose, in 1928, a new musical expression, using the rhythm of samba, but in much slower and much more relaxed tempo. The tune was called
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Under the denomination 'Samba-canção' there have been many hit tunes. Several have the 'classic' or 'standard' status in the history of Brazilian popular music. The name has become obsolete because the public prefers to call them sambas. Today they are a part of
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Henrique Vogeler (Rio de Janeiro 1888–1944) was a composer-pianist with solid musical education, studied at the National Conservatory, but best known as the composer of popular tunes, and wrote this "first" Samba-canção as an opening number of a review.
186:). Frequently in the repetition, the first part is played by musicians and the second sung. The musical accompaniment can be anything, from piano solo or guitar duet to jazz-style big band or philharmonic orchestra. In these cases, 367:
There had been another kind of Samba-canção. In the 1930s, 'samba-canção' was the denomination applied to some sentimental tunes written for musical reviews. They were not many. Some representative sambas-canções of this kind are:
412:. In the piano sheet music the author classified it as "Samba Canção Brasileira" (Samba Brazilian song), fusing the samba with traditional Brazilian song. Afterward the word "Brasileira" disappeared. 193:
It maintains a Brazilian flavor, more or less, but is strongly influenced by American popular songs in every way. Some were influenced by Argentine-Uruguayan
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It has, in most cases, two parts. They are repeated totally. It almost always has a small instrumental introduction, and sometimes a short additional ending (
521: 812: 157:; literally 'song samba') is, in its most common acceptance or interpretation, the denomination for a kind of Brazilian popular songs with a slow-paced 1066: 1061: 822: 961: 1029: 932: 920: 291:(Ary Barroso/Hermínia Silva) Originally performed as 'fado'. Also well known afterward by a Spanish-language version with the rhythm of 86: 58: 805: 1453: 65: 72: 1495: 798: 39: 105: 54: 528: 276:(Lupicínio Rodrigues/Linda Batista) Also well known afterward by a Spanish-language version with the rhythm of 254:(Herivelto Martins/Francisco Alves) Also well known afterward by a Spanish-language version with the rhythm of 43: 997: 1041: 206: 1500: 1321: 843: 488: 79: 217:
The most renowned tunes published officially with the denomination 'samba-canção' are as follows.
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Referring to the "first" samba-canção of this kind, Paulo Tapajós wrote in an LP jacket:
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composition and contemporary songs usually associated with
232:(Custódio Mesquita & Eduardo Rui/Aracy de Almeida) - 506: 358:(Tom Jobim & Vinicius de Moraes/Albertinho Fortuna) 339:(Dolores Duran & Tom Jobim/Agostinho dos Santos) / 354:(Tom Jobim & Aloysio de Oliveira/Sylvia Telles) / 460:"Dicionário Cravo Albin da Música Popular Brasileira" 446:"Dicionário Cravo Albin da Música Popular Brasileira" 46:. Unsourced material may be challenged and removed. 820: 420:The above-mentioned LP contains some oldies, one 306:(Garoto/Garoto-Fafá Lemos-Chiquinho do Accordion) 1487: 328:(Dolores Duran & Tom Jobim/Roberto Luna?) / 236:(João de Barro & Albero Ribeiro/Dick Farney) 287:(Antônio Maria & Fernando Lobo/Nora Ney) - 1091: 806: 522: 190:rhythm was provided mainly by a drum player. 813: 799: 529: 515: 106:Learn how and when to remove this message 473:Tapajós, Paulo (1984). "Samba-Canção". 472: 1488: 794: 510: 247:(Lupicínio Rodrigues/Francisco Alves) 152: 1082: 44:adding citations to reliable sources 15: 475:Os maiores sucessos do SAMBA CANÇÃO 13: 14: 1512: 477:(in Portuguese). PolyGram Discos. 212: 20: 404:, but becoming better known as 31:needs additional citations for 481: 466: 452: 438: 362: 177: 1: 431: 330:Se todos fossem iguais a você 7: 372:(1931, lyrics and music by 313:(Dorival Caymmi/himself) / 243:(Dorival Caymmi/himself) / 10: 1517: 350:(Dolores Duran/herself) / 164: 1496:Brazilian styles of music 1467: 1426: 1373: 1355: 1312: 1274: 1228: 1221: 1192: 1156: 1098: 1042:Música popular brasileira 864: 829: 757: 727: 681: 674: 645: 609: 551: 544: 536: 150:Portuguese pronunciation: 135: 125: 120: 388:(1937, Lamartine Babo). 302:(Ary Barroso/Jamelão) / 154:[ˈsɐ̃bɐkɐ̃ˈsɐ̃w] 770:Helsinki Samba Carnaval 384:and Luiz Peixoto") and 1157:Fusion genres of Samba 916:Brazilian thrash metal 386:Serra da Boa Esperança 356:Eu sei que vou te amar 1454:São Tomé and Príncipe 1067:Música Sertaneja Raiz 586:Samba de partido-alto 376:and Lamartine Babo), 40:improve this article 823:Lusophone countries 378:Na batucada da vida 269:/Dalva de Oliveira) 1501:Samba music genres 765:Brazilian Carnival 610:Main fusion genres 489:"Henrique Vogeler" 348:A noite do meu bem 324:(Maysa/herself) / 197:and Cuban-Mexican 139:Late 1920s, Brazil 1483: 1482: 1308: 1307: 1304: 1303: 1300: 1299: 1217: 1216: 1213: 1212: 1200:Samba de Gafieira 884:Brazilian hip hop 844:Batidão romântico 788: 787: 753: 752: 670: 669: 657:Samba de Gafieira 326:Por causa de você 317:(Maysa/herself) / 143: 142: 126:Stylistic origins 116: 115: 108: 90: 1508: 1383:Cante Alentejano 1226: 1225: 1219: 1218: 1126:Pagode romântico 1096: 1095: 1089: 1088: 1080: 1079: 1038: 970: 941: 929: 889:Brasília hip hop 815: 808: 801: 792: 791: 679: 678: 649: 579:Pagode romântico 549: 548: 531: 524: 517: 508: 507: 501: 500: 498: 496: 485: 479: 478: 470: 464: 463: 462:(in Portuguese). 456: 450: 449: 448:(in Portuguese). 442: 156: 151: 136:Cultural origins 118: 117: 111: 104: 100: 97: 91: 89: 48: 24: 16: 1516: 1515: 1511: 1510: 1509: 1507: 1506: 1505: 1486: 1485: 1484: 1479: 1463: 1422: 1418:Portuguese rock 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45: 41: 35: 34: 29:This article 27: 23: 18: 17: 1408:Hip hop tuga 1292:Samba reggae 1266:Samba-raiado 1261:Samba junino 1236:Samba-batido 1222:Bahian samba 1179:Samba reggae 1148:Samba-enredo 1138:Samba-canção 1137: 1133:Partido alto 962:Electrobrega 775:Samba school 758:Other topics 745:Samba reggae 719:Samba-raiado 714:Samba junino 689:Samba-batido 675:Bahian samba 632:Samba reggae 591:Samba-canção 590: 493:. 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Samba
[ˈsɐ̃bɐkɐ̃ˈsɐ̃w]
samba
samba
coda
samba
tango
bolero
MPB
bolero
Ataulfo Alves
tango
bolero
Ary Barroso
Ary Barroso
modinha
Cartola
bossa nova
"Dicionário Cravo Albin da Música Popular Brasileira"

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