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143:. At some point in the middle of the 1630s, control of the theatre passed to the "dictatorial management" of Richard Heton, who was in charge by October 1635. (Gunnell died in late 1634 or early 1635, while Blagrave would die in 1636.) During the 1630s, the theatre was occupied at various times by the
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era. After the theatres were closed, Salisbury Court was sometimes used for other purposes – and sometimes, as through much of 1647, it was used for theatrical performances in contravention of the local authorities. (The players played when they could get away with doing so—which was not always: the
185:.) On 1 January 1649, the London authorities raided all four of the London theatres simultaneously; the actors at the Salisbury Court Theatre and the Cockpit Theatre were arrested, as was a "rope-dancer" or trapeze artist performing at the
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Little is known about the actual form and shape of the
Salisbury Court Theatre. Yet since it was on a plot of land 42 feet (13 meters) wide, it may have resembled, to some greater or lesser degree, the plan for a small theatre drawn by
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managed to escape. In March 1649, the authorities destroyed the interior of the
Salisbury Court theatre, and the Fortune and the Cockpit too, making them useless for public performances.
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Lord
Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.)
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According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the
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Pepys' famous Diary provides information on the plays acted at the
Salisbury Court Theatre immediately after the theatres re-opened. He saw
320:. The theatre is commemorated by a plaque on the Dorset Rise (east) side of the corporate building on the south side of Salisbury Square.
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155:(1637–42); for a time it was a major locus of dramatic activity, a main rival to the theatrical establishment run by
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records visiting it several times in his diary for early 1661 (often calling it the
Whitefriars Theatre).
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to two companies to perform "legitimate drama" in London. The
Salisbury Court Theatre was refurbished by
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London authorities raided the
Salisbury Court on 6 October 1647, breaking up a performance of
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Stevens, David. "The
Staging of Plays at the Salisbury Court Theatre, 1630–1642."
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in the later
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theatres that served a mass audience (especially in the latter two cases).
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228:), from November 1660 to June 1661, when they moved to the nearby
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in 1604, the building was renamed Dorset House. (His grandson,
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Salisbury Court was the last theatre to be built before the
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in 1564 during the last seven years of his life when he was
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Thomson, Peter, Jane
Milling, and Joseph W. Donohue, eds.
316:, which was built slightly further south to a design by
420:, Old and New London: Volume 1 (1878), pp. 182–99.
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3 Volumes, Cambridge, Cambridge University Press, 2005.
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New York, Routledge, 1989; p. 139. See also pp. 129–38.
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on 1 March (Betterton again); Fletcher and Massinger's
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The Salisbury Court was built at a cost of £1,000 by
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The Salisbury Court Theatre is shown to the west of
369:, 1708; Ayer Publishing (reprint), 1968; pp. 68–9.
407:, Vol. 31 No. 4 (December 1979), pp. 511–25.
49:, which was formerly the London residence of the
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386:7 Volumes, Oxford, Clarendon Press, 1941–68.
493:Buildings and structures completed in 1629
412:The Cambridge History of British Theatre.
240:'s troupe also played there for a time.
312:in 1666. It was replaced in 1671 by the
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391:A Shakespeare Companion 1564–1964
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147:(1630–31 and 1633–36), by
200:, theatre was again permitted on the
100:, it was a successor to the earlier
75:Edward Sackville, 4th Earl of Dorset
400:London, Blackwell Publishing, 2002.
236:, which they found a better venue.
196:After years of being banned in the
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53:. Salisbury Court was acquired by
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398:A Companion to Renaissance Drama.
45:. It was in the neighbourhood of
384:The Jacobean and Caroline Stage.
308:The building burned down in the
345:Rebuilding Shakespeare's Globe,
208:in 1660, with the grant of two
168:closing of the theatres in 1642
513:1629 establishments in England
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298:Rule a Wife and Have a Wife
295:on 2 March; and Fletcher's
216:and used for a time by the
59:Chancellor of the Exchequer
26:in this London street map.
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508:Theatres completed in 1629
488:Former theatres in London
393:Baltimore, Penguin, 1964.
437:Joseph Quincy Adams, Jr.
432:Shakespearean Playhouses
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163:and Red Bull theatres.
151:(1631–33), and by
301:on 1 April. (All dates
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35:Salisbury Court Theatre
503:17th century in London
464:51.513306°N 0.106222°W
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314:Dorset Garden Theatre
183:Beaumont and Fletcher
153:Queen Henrietta's Men
106:Porter's Hall Theatre
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498:Great Fire of London
469:51.513306; -0.106222
310:Great Fire of London
256:on 9 February 1661;
234:Lincoln's Inn Fields
230:Lisle's Tennis Court
220:, patronised by the
149:Prince Charles's Men
141:Master of the Revels
51:Bishops of Salisbury
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273:played De Flores);
157:Christopher Beeston
102:Whitefriars Theatre
98:Blackfriars Theatre
24:St Paul's Cathedral
396:Kinney, Arthur F.
367:Roscius Anglicanus
285:The Spanish Curate
178:A King and No King
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441:Project Gutenberg
145:King's Revels Men
79:Henrietta Maria's
55:Richard Sackville
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269:on 23 February (
191:Red Bull Theatre
67:Thomas Sackville
41:in 17th-century
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222:Duke of York
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90:Fleet Street
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77:, was Queen
69:was created
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341:John Orrell
337:Andrew Gurr
279:The Bondman
275:Massinger's
202:Restoration
198:Interregnum
126:Inigo Jones
482:Categories
455:0°6′22.4″W
377:References
249:Fletcher's
206:Charles II
88:, between
303:new style
290:Heywood's
258:Middleton
262:Rowley's
232:next to
226:James II
118:Red Bull
92:and the
224:(later
172:Puritan
161:Cockpit
159:at the
114:Fortune
65:; when
39:theatre
28:Enlarge
116:, and
61:under
43:London
37:was a
439:from
435:, by
339:with
324:Notes
110:Globe
260:and
33:The
305:.)
204:of
181:by
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