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Saaransh

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Sujata and Vilas to get married. When Vilas refuses to accept that Sujata is carrying his baby, Gajanan, despite knowing that Vilas is lying, refuses their proposal and threatens Pradhan and Sujata of dire consequences if Sujata does not abort the child and moves away to another town. However, Pradhan, out of principle, refuses to let a helpless Sujata leave and provides her a safe haven in his house. Parvati, upon hearing that Sujata is with a baby, starts believing that the baby in Sujata's womb is, in fact, going to be the reincarnation of Ajay. She starts caring for Sujata and her beliefs about Ajay being reincarnated get even more firmly entrenched in her mind.
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emotionally disturbed and enraged Pradhan forcibly enters the office of the main head of the customs department and explains that he has come only to pick up his son's ashes and not any other material possessions. Pradhan demands that his son's ashes be handed to him immediately and breaks down to tears, upon which the officer consoles Pradhan and relents to his request. The officer apologises for the inconvenience and assures Pradhan that the remaining items will be transferred to Pradhan as soon as possible.
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finally been handed over to Pradhan by the customs office. Sujata, however, requests to see Parvati one last time. When Parvati refuses to let Vilas and Sujata leave, Pradhan controls her and makes them leave. Parvati is shocked and heartbroken, but Pradhan helps her realise that Ajay has died and will never come back. When Parvati says that they should both consume poison together, Pradhan refuses, saying that he has realised that the
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crackers into Pradhan's house. Gajanan himself persuades a local doctor to illegally carry out the abortion of Sujata's baby in his clinic (where Sujata is scheduled for a checkup). When all else fails, Gajanan, through Vilas (who is unaware of his father's intentions) traps Pradhan in a fake scam of aiding and abetting a prostitution ring (involving illegal marked bills). Pradhan tries to call the
276:) apartment to a budding Bollywood actress, Sujata Suman. Sujata is romantically involved with Vilas (Madan Jain), the only son of an influential politician Gajanan Chitre. Vilas wishes to marry Sujata, but he does not tell his father about Sujata out of cowardice and keeps on postponing their marriage plans. 438:
The film began on 1 January 1984 with very first scene of Pradhan played by Kher, receiving the phone call from New York. Kher was only 28 years old, when he played the role of a retired stubborn old man. For the pivotal scene, where he had to haggle with customs officials to recover his son's ashes.
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Gajanan tries all the tricks of the trade to dissuade Sujata from having the baby: his goons to try to bribe Pradhan, they harass Pradhan by cutting off the electricity of his house and beat up Vishwanath (thereby preventing him from supplying milk to Pradhan's house) and his goons even throw ignited
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wrote, "Bhatt’s finest film, which celebrates its 30th anniversary on May 25, isn’t comfort cinema. Devoid of cheer and falsehoods, Saaransh is armed with a leading man like Anupam Kher who single-handedly enriches its story into an experience so personal, poignant and profound, only the callous can
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explores how the couple copes with the loneliness and anxieties of old age and the utter aimlessness of life after the death of their only son, a victim of arbitrary violence. While the headmaster's wife seeks refuge in religion and faith, the headmaster remains stoic and becomes obsessive about the
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Pradhan, an atheist, gives his son's ashes to Parvati, who takes his ashes to a Pandit. The Pandit tells Pradhan and Parvati that Ajay will soon be reincarnated, in the form of a baby, near them. Disillusioned, Pradhan takes some of Ajay's ashes and spreads them near a park bench in the nearby kids
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in New York. Pradhan's best friend, Vishwanath, and Pradhan's wife, Parvati are both worried that even though it has been 3 months, Pradhan has yet to fully come to terms with the loss of his only son. Pradhan confesses to Vishwanath that after the loss of his son, he no longer has any will left to
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wrote ″Although Bhatt has used artistes with little cinematic experience (barring Hattangady and Phule) he draws superb performances from them. Kher stops short of being brilliant only because he occasionally lapses into a vigour out of keeping with the ageing and broken Pradhan. Hattangady, fresh
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for the role. Thus a fortnight before the principal photography was to commence, Kher, who had been preparing for almost sixth months for his debut, got the news. When Bhatt confirmed the change, he packed his bags and left town. However, before leaving, he met Bhatt and expressed his frustration.
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The movie ends with Pradhan taking Parvati for an early morning walk to the nearby kids park. There, they see that beautiful flowers have sprouted where Pradhan once scattered some of Ajay's ashes. Pradhan then tells Parvati that the real beauty of life is that we all are mortal, but life goes on.
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Pradhan realises that Parvati's adamant belief that Ajay will be reincarnated as Sujata's baby will cause problems to them and Sujata and Vilas, so he asks them both to leave the city in the wee hours of the night and go live their lives happily elsewhere. He gifts them Ajay's belongings that have
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Just as Pradhan and Parvati are about to commit suicide, Sujata informs Vilas that she's pregnant. When Vilas still shows indecisiveness in marrying Sujata, she calls him a coward and throws him out. When Pradhan finds out, he offers to take Sujata to meet Gajanan with the hope that he will permit
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Meanwhile, Pradhan receives a registered letter that his son's ashes and a few other belongings (a TV, VCR, a refrigerator etc.) have arrived from USA to India. When Pradhan goes to the customs office to collect them, he is disrespected and gets no help from the Public Relations Officer. An
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park. Realising the futility of his painful life, Pradhan tries to commit suicide by diving under a speeding car, albeit unsuccessfully. Parvati implores him to change his mind, but Pradhan does not relent. Finally, they both decide to end their lives by consuming poison together.
304:. The C.M. turns out to be one of Pradhan's former students, Shashikant. The C.M. immediately calls up the Commissioner of Police, the Remand Home where Sujata is being held in custody and demands Gajanan Chitre be produced to ensure that justice is rightfully served. 259:
The film begins with B.V. Pradhan waking up early in the morning to write a letter to his son, Ajay, who lives in New York. Midway through the letter, Pradhan remembers the tragic reality: Pradhan received a call from a friend of Ajay's that Ajay has been killed in a
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established Bhatt as a director of repute. Even today, it remains one of the few stand out in "middle-of-the-road" films of the 1980s decade Hindi cinema, which is retrospectively seen as a decade of decline of content in the mainstream cinema.
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memories of his son. In his efforts to reach out to his dead son, he starts writing letters to him every day, only to tear them up. It also focuses on the importance of finding new meaning and purpose in life, no matter the age.
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as Mahesh Bhatt's "finest film – moving, mellow, and mature – as the viewer feels the pain and despair of an elderly couple..." In 2016, on the occasion of India celebrating its
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Other themes it touches on are through Pradhan's interactions with custom officials and police — corruption, politics-crime nexus and bureaucratic delay, rampant bribery and red-tapism.
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Kher had no reference of such a situation and tapped into all his hardships as struggling actor in Mumbai to reach the emotional point. The scene was shot at an office space in
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for his performance. Rohini Hattangadi was only 28 years old at the time but her performance as the 60-plus housewife is still etched in everyone’s memory.
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of his life is in her beautiful wrinkles, and they have both done a good deed in helping Sujata's baby survive despite the problems she faced.
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Due to the death of their son, Pradhan has no source of income, so they rent out a room of their
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of cancer, and later by a Maharashtrian couple whose only son was murdered in New York.
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for help, but is prevented due to red-tapism. Exasperated, Pradhan storms into the
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India's official submission for the Academy Award for Best Foreign Language Film
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Indian Summer: Films, Filmmakers and Stars Between Ray and Bollywood
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Subsequently, Bhatt kept him as the lead, and the producers agreed.
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Sommaya, Bhawana; Kothari, Jigna; Madangarli, Supriya (2013).
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Power of a Common Man Connecting with Consumers The SRK Way
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alumnus, was chosen to play the lead role. Later producers
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compiled a list called "70 Years, 70 Great Films" and
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Gulzar; Nihalani, Govind; Chatterjee, Saibal (2003).
847: 811: 764: 823: 1056:"Happy Independence Day: 70 Years, 70 Great Films" 746:"Interview with Mahesh Bhatt: Stories of His Life" 699: 514:as "immortal performances". Chander Uday Singh of 508:, were praised for their portrayals, described by 1140: 958: 841: 538:was included in the Panorama section of the 1984 2477: 978:"14th Moscow International Film Festival (1985)" 361:as Chief Minister Shashikant (as Aakash Khurana) 1144:Body city: siting contemporary culture in India 1186:Conscience of the race: India's offbeat cinema 1141:Chandrasekhar, Indira; Seel, Peter C. (2003). 1951: 1311: 1102:So many cinemas: the motion picture in India 566:'s "Encyclopedia of Hindi Cinema" described 249:Academy Award for Best Foreign Language Film 865: 1958: 1944: 1318: 1304: 970: 550:, and was a nominee for the Golden Prize. 29: 488:"Har Ghadi Dhal Rahi Sham Hai Zindagi" – 482:"Andhiyara Gehraya Suna Pan Phir Aaya" – 430:insisted in taking an established actor, 1224: 1183:Ray, Bibekananda; Joshi, Naveen (2005). 1182: 1119: 1030: 901:"Film review: Mahesh Bhatt's 'Saaransh'" 853: 817: 748:. IndiaWest. 2 July 2012. Archived from 548:14th Moscow International Film Festival 204:(English: The Gist ) is a 1984 Indian 2478: 1043:Gulzar, Nihalani & Chatterjee 2003 1019:Sommaya, Kothari & Madangarli 2013 1007:Gulzar, Nihalani & Chatterjee 2003 1939: 1299: 1245: 1098: 931: 913:from the original on 11 February 2023 899:Singh, Chander Uday (30 April 1984). 898: 829: 783: 781: 779: 770: 239:. It was produced and distributed by 59:Sujit Sen (screenplay & dialogue) 1087: 1066:from the original on 9 November 2022 964: 705: 540:International Film Festival of India 405:Made after his critically acclaimed 379:as Gajanan Chitre's Goon (with acid) 13: 934:"Celebrating 30 Years of Saaransh" 799:from the original on 14 March 2014 776: 373:Suresh Chatwal as Police Inspector 14: 2547: 1267: 1249:On & Behind the Indian Cinema 1286:Saaransh (Rajshri Films channel) 1252:. Diamond Pocket Books Pvt Ltd. 946:from the original on 26 May 2024 880:from the original on 8 July 2011 727:from the original on 1 June 2019 557:(1982), the critical acclaim of 1975:Best International Feature Film 1923:Dil Jaise Dhadke... Dhadakne Do 1326:Films and television series by 1081: 1048: 925: 892: 859: 422:, originally from Shimla and a 2531:Films directed by Mahesh Bhatt 1147:. Haus Der Kulturen Der Welt. 932:Verma, Sukanya (22 May 2014). 738: 711: 1: 1165:Encyclopaedia of Hindi Cinema 866:Dhawan, M.L (28 April 2002). 842:Chandrasekhar & Seel 2003 693: 445:Filmfare Award for Best Actor 400: 302:Chief Minister of Maharashtra 1210:. HarperCollins Publishers. 553:Coming after the success of 495: 349:Suhas Bhalekar as Vishwanath 7: 2526:Films scored by Ajit Varman 1525:Phir Teri Kahani Yaad Aayee 1099:Garga, Bhagwan Das (1996). 868:"When content was the king" 243:. It was chosen as India's 57:(screenplay & dialogue) 10: 2552: 2536:Hindi-language drama films 2501:1980s Hindi-language films 2506:Rajshri Productions films 2438: 2275: 2128: 1981: 1866: 1695: 1334: 594:32nd National Film Awards 587: 450: 191: 183: 173: 150: 140: 130: 120: 112: 86: 76: 68: 50: 40: 28: 23: 2340:Harishchandrachi Factory 2324:Eklavya: The Royal Guard 1669:Yeh Hai Mumbai Meri Jaan 1225:Dasgupta, Koral (2014). 1120:Spinelli, Italo (2002). 584:was among those chosen. 465: 424:National School of Drama 385:as Gajanan Chitre's Goon 684:Best Supporting Actress 564:Encyclopædia Britannica 470:The music was given by 319: 254: 251:and was not nominated. 1493:Dil Hai Ke Manta Nahin 1343:Manzilein Aur Bhi Hain 1207:Mother Maiden Mistress 355:as Pandit / Astrologer 294:Commissioner of Police 2014:Sahib Bibi Aur Ghulam 1549:Hum Hain Rahi Pyar Ke 1168:. Popular Prakashan. 1126:. Edizioni Oliveras. 572:70th Independence day 227:, Suhas Bhalekar and 159:25 May 1984 2521:Films shot in Mumbai 1856:Hamari Adhuri Kahani 1728:Yeh Zindagi Ka Safar 1246:Bajaj, J.K. (2014). 1105:. Eminence Designs. 818:Ray & Joshi 2005 795:. 18 February 2014. 616:32nd Filmfare Awards 519:from the success of 300:, the office of the 2516:Films about old age 2511:Films set in Mumbai 428:Rajshri Productions 241:Rajshri Productions 2496:Indian drama films 2356:Adaminte Makan Abu 793:The Times of India 664:Tarachand Barjatya 647:Best Art Direction 474:and the lyrics by 413:U. G. Krishnamurti 334:as Parvati Pradhan 81:Tarachand Barjatya 2473: 2472: 2412:Village Rockstars 2118:Payal Ki Jhankaar 2110:The Chess Players 1967:Indian submission 1933: 1932: 1883:A Mouthful of Sky 1259:978-93-5083-621-7 1238:978-93-84030-15-5 1217:978-93-5029-485-7 1196:978-81-230-1298-8 1175:978-81-7991-066-5 1154:978-81-85229-76-8 1112:978-81-900602-1-9 679:Rohini Hattangadi 649:– Madhukar Shinde 506:Rohini Hattangadi 396:as Gajanan Chitre 332:Rohini Hattangadi 221:Rohini Hattangadi 199: 198: 95:Rohini Hattangadi 2543: 2491:1984 drama films 2332:Taare Zameen Par 2070:Reshma Aur Shera 2006:The World of Apu 1960: 1953: 1946: 1937: 1936: 1320: 1313: 1306: 1297: 1296: 1287: 1263: 1242: 1221: 1200: 1179: 1158: 1137: 1116: 1095: 1076: 1075: 1073: 1071: 1052: 1046: 1040: 1034: 1028: 1022: 1016: 1010: 1004: 998: 997: 995: 993: 988:on 16 March 2013 984:. 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It was 532:stay unmoved." 500:The lead pair, 498: 484:Bhupinder Singh 468: 453: 403: 346:as Vilas Chitre 340:as Sujata Suman 328:as B.V. Pradhan 322: 257: 176: 169: 162: 160: 153: 105: 101: 97: 93: 60: 58: 36: 19: 12: 11: 5: 2549: 2539: 2538: 2533: 2528: 2523: 2518: 2513: 2508: 2503: 2498: 2493: 2488: 2471: 2470: 2468: 2467: 2459: 2455:Last Film Show 2451: 2442: 2440: 2436: 2435: 2433: 2432: 2424: 2416: 2408: 2400: 2392: 2384: 2376: 2368: 2360: 2352: 2344: 2336: 2328: 2320: 2312: 2304: 2296: 2288: 2279: 2277: 2273: 2272: 2270: 2269: 2261: 2253: 2245: 2237: 2229: 2221: 2213: 2205: 2197: 2189: 2181: 2173: 2169:Salaam Bombay! 2165: 2157: 2153:Swathi Muthyam 2149: 2141: 2132: 2130: 2126: 2125: 2123: 2122: 2114: 2106: 2098: 2090: 2082: 2074: 2066: 2058: 2050: 2042: 2034: 2026: 2018: 2010: 2002: 1994: 1985: 1983: 1979: 1978: 1963: 1962: 1955: 1948: 1940: 1931: 1930: 1928: 1927: 1919: 1911: 1903: 1895: 1887: 1879: 1870: 1868: 1864: 1863: 1861: 1860: 1852: 1844: 1836: 1828: 1820: 1812: 1804: 1796: 1788: 1780: 1772: 1764: 1756: 1748: 1740: 1732: 1724: 1716: 1708: 1699: 1697: 1693: 1692: 1690: 1689: 1681: 1673: 1665: 1657: 1649: 1641: 1633: 1625: 1617: 1613:Papa Kehte Hai 1609: 1601: 1593: 1585: 1577: 1569: 1561: 1553: 1545: 1537: 1529: 1521: 1513: 1509:Saatwan Aasman 1505: 1497: 1489: 1483: 1477: 1469: 1461: 1453: 1445: 1437: 1431: 1423: 1415: 1407: 1399: 1393: 1385: 1377: 1369: 1363: 1355: 1347: 1338: 1336: 1332: 1331: 1323: 1322: 1315: 1308: 1300: 1294: 1293: 1282: 1269: 1268:External links 1266: 1265: 1264: 1258: 1243: 1237: 1222: 1216: 1201: 1195: 1180: 1174: 1159: 1153: 1138: 1132: 1117: 1111: 1096: 1083: 1080: 1078: 1077: 1047: 1045:, p. 108. 1035: 1023: 1011: 1009:, p. 531. 999: 969: 957: 924: 891: 858: 846: 844:, p. 352. 834: 832:, p. 265. 822: 810: 775: 763: 752:on 13 May 2014 737: 710: 708:, p. 103. 697: 695: 692: 691: 690: 681: 672: 671:– Mahesh Bhatt 666: 651: 650: 644: 635: 611: 610: 608: 589: 586: 574:, news agency 497: 494: 493: 492: 486: 467: 464: 452: 449: 402: 399: 398: 397: 391: 386: 380: 374: 371: 368: 362: 356: 350: 347: 341: 335: 329: 321: 318: 256: 253: 245:official entry 235:and lyrics 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1333: 1329: 1321: 1316: 1314: 1309: 1307: 1302: 1301: 1298: 1292: 1288: 1283: 1281: 1277: 1276: 1272: 1271: 1261: 1255: 1251: 1250: 1244: 1240: 1234: 1230: 1229: 1223: 1219: 1213: 1209: 1208: 1202: 1198: 1192: 1188: 1187: 1181: 1177: 1171: 1167: 1166: 1160: 1156: 1150: 1146: 1145: 1139: 1135: 1133:9788885982680 1129: 1125: 1124: 1118: 1114: 1108: 1104: 1103: 1097: 1093: 1092: 1091:Indian Cinema 1088:DIFF (1985). 1086: 1085: 1065: 1061: 1057: 1051: 1044: 1039: 1033:, p. 80. 1032: 1031:Spinelli 2002 1027: 1020: 1015: 1008: 1003: 987: 983: 979: 973: 966: 961: 945: 941: 940: 935: 928: 912: 908: 907: 902: 895: 879: 875: 874: 869: 862: 856:, p. 76. 855: 854:Dasgupta 2014 850: 843: 838: 831: 826: 820:, p. 69. 819: 814: 798: 794: 790: 784: 782: 780: 772: 767: 751: 747: 741: 726: 722: 721: 714: 707: 702: 698: 689: 685: 682: 680: 676: 673: 670: 669:Best Director 667: 665: 661: 658: 657: 656: 655: 648: 645: 643: 639: 636: 634: 630: 627: 626: 625: 624: 620: 618: 617: 609: 607: 603: 600: 599: 598: 596: 595: 585: 583: 579: 578: 573: 569: 565: 560: 556: 551: 549: 545: 541: 537: 533: 530: 526: 525:Sukanya Verma 522: 517: 513: 512: 507: 503: 491: 487: 485: 481: 480: 479: 477: 473: 463: 460: 457: 448: 446: 442: 436: 433: 432:Sanjeev Kumar 429: 425: 421: 416: 414: 410: 409: 395: 392: 390: 387: 384: 381: 378: 375: 372: 369: 366: 365:Vijay Kashyap 363: 360: 359:Akash Khurana 357: 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 323: 317: 313: 311: 305: 303: 299: 295: 289: 285: 281: 277: 275: 271: 266: 263: 252: 250: 247:for the 1985 246: 242: 238: 234: 230: 226: 222: 218: 214: 210: 207: 203: 194: 190: 186: 182: 178: 172: 158: 157: 155: 149: 146: 143: 139: 136: 133: 129: 126: 123: 119: 115: 111: 108: 104: 100: 96: 92: 89: 85: 82: 79: 75: 71: 67: 63: 56: 53: 49: 46: 43: 39: 32: 27: 22: 16: 2461: 2453: 2445: 2439:2021–present 2426: 2418: 2410: 2402: 2394: 2386: 2378: 2370: 2362: 2354: 2346: 2338: 2330: 2322: 2314: 2306: 2298: 2290: 2282: 2263: 2255: 2247: 2239: 2231: 2225:Kuruthipunal 2223: 2215: 2207: 2201:Thevar Magan 2199: 2191: 2183: 2175: 2167: 2159: 2151: 2143: 2136: 2135: 2116: 2108: 2100: 2092: 2084: 2076: 2068: 2060: 2052: 2044: 2036: 2028: 2020: 2012: 2004: 1996: 1990:Mother India 1988: 1921: 1913: 1905: 1897: 1889: 1881: 1873: 1854: 1846: 1838: 1830: 1822: 1814: 1806: 1798: 1790: 1782: 1774: 1766: 1758: 1750: 1742: 1734: 1726: 1718: 1710: 1702: 1683: 1675: 1667: 1659: 1651: 1643: 1635: 1627: 1619: 1611: 1603: 1595: 1587: 1579: 1571: 1563: 1555: 1547: 1539: 1531: 1523: 1515: 1507: 1499: 1491: 1485: 1479: 1471: 1463: 1455: 1447: 1439: 1433: 1425: 1417: 1409: 1401: 1395: 1387: 1380: 1379: 1371: 1365: 1357: 1349: 1341: 1328:Mahesh Bhatt 1274: 1248: 1231:. Westland. 1227: 1206: 1185: 1164: 1143: 1122: 1101: 1090: 1082:Bibliography 1068:. Retrieved 1059: 1050: 1038: 1026: 1014: 1002: 990:. Retrieved 986:the original 981: 972: 967:, p. 3. 960: 948:. Retrieved 937: 927: 915:. Retrieved 904: 894: 882:. Retrieved 871: 861: 849: 837: 825: 813: 801:. Retrieved 792: 766: 754:. Retrieved 750:the original 740: 729:, retrieved 719: 713: 701: 675:Best Actress 653: 652: 642:Mahesh Bhatt 622: 621: 614: 612: 592: 591: 581: 575: 567: 558: 554: 552: 535: 534: 509: 499: 469: 461: 455: 454: 437: 417: 406: 404: 377:Salim Ghouse 367:as Dr. Bhatt 314: 309: 306: 290: 286: 282: 278: 270:Shivaji Park 267: 258: 213:Mahesh Bhatt 211:directed by 201: 200: 175:Running time 152:Release date 125:David Dhawan 116:Adeep Tandon 72:Mahesh Bhatt 55:Mahesh Bhatt 45:Mahesh Bhatt 15: 2380:Liar's Dice 2348:Peepli Live 2062:Deiva Magan 2054:Majhli Didi 2046:Aakhri Khat 1918:(2017–2018) 1915:Tu Aashiqui 1910:(2014–2019) 1902:(2016–2018) 1878:(1994–1997) 1696:Writer only 1070:27 December 992:10 February 917:11 February 906:India Today 884:24 February 873:The Tribune 688:Soni Razdan 633:Anupam Kher 602:Best Lyrics 516:India Today 511:The Tribune 502:Anupam Kher 472:Ajit Varman 420:Anupam Kher 383:Arun Bakshi 338:Soni Razdan 326:Anupam Kher 233:Ajit Verman 229:Soni Razdan 217:Anupam Kher 215:, starring 179:137 minutes 135:Ajit Verman 99:Soni Razdan 91:Anupam Kher 77:Produced by 62:Amit Khanna 41:Directed by 35:Film poster 2486:1984 films 2480:Categories 2428:Jallikattu 2217:In Custody 1899:Naamkarann 1875:Swabhimaan 1867:Television 939:Rediff.com 830:Garga 1996 771:Bajaj 2014 694:References 638:Best Story 629:Best Actor 606:Vasant Dev 529:Rediff.com 490:Amit Kumar 476:Vasant Dev 418:Initially 401:Production 394:Nilu Phule 389:Haidar Ali 344:Madan Jain 298:Mantralaya 237:Vasant Dev 225:Nilu Phule 209:drama film 163:1984-05-25 107:Nilu Phule 103:Madan Jain 64:(dialogue) 51:Written by 2420:Gully Boy 2396:Visaranai 2276:2001–2020 2129:1981–2000 2094:Garm Hava 2022:Mahanagar 1998:Madhumati 1982:1957–1980 1824:Woh Lamhe 1712:Sangharsh 1645:Duplicate 1366:Abhimanyu 1351:Naya Daur 965:DIFF 1985 706:DIFF 1985 660:Best Film 654:Nominated 496:Reception 441:Film City 353:Alok Nath 121:Edited by 2137:Saaransh 2086:Saudagar 2038:Amrapali 1848:Murder 3 1832:Murder 2 1760:Footpath 1653:Angaaray 1605:Naajayaz 1573:Criminal 1565:Tadipaar 1473:Aashiqui 1396:Aashiana 1381:Saaransh 1335:Director 1275:Saaransh 1064:Archived 1060:NDTV.com 944:Archived 911:Archived 878:Archived 797:Archived 731:27 April 725:archived 720:Saaransh 582:Saaransh 568:Saaransh 559:Saaransh 536:Saaransh 456:Saaransh 310:Saaransh 202:Saaransh 192:Language 131:Music by 87:Starring 69:Story by 24:Saaransh 2447:Pebbles 2265:Hey Ram 2209:Rudaali 2177:Parinda 2161:Nayakan 2102:Manthan 1704:Dushman 1685:Sadak 2 1677:Kartoos 1637:Tamanna 1621:Chaahat 1589:Naaraaz 1457:Awaargi 1434:Siyasat 1427:Thikana 1291:YouTube 950:16 June 262:mugging 184:Country 161: ( 145:Rajshri 2466:(2023) 2458:(2022) 2450:(2021) 2431:(2020) 2423:(2019) 2415:(2018) 2407:(2017) 2404:Newton 2399:(2016) 2391:(2015) 2383:(2014) 2375:(2013) 2367:(2012) 2364:Barfi! 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Index


Mahesh Bhatt
Mahesh Bhatt
Amit Khanna
Tarachand Barjatya
Anupam Kher
Rohini Hattangadi
Soni Razdan
Madan Jain
Nilu Phule
David Dhawan
Ajit Verman
Rajshri
Hindi
drama film
Mahesh Bhatt
Anupam Kher
Rohini Hattangadi
Nilu Phule
Soni Razdan
Ajit Verman
Vasant Dev
Rajshri Productions
official entry
Academy Award for Best Foreign Language Film
mugging
Shivaji Park
Mumbai
Commissioner of Police
Mantralaya

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