231:, "Photography is about freezing a moment in time; McGinley's is about freezing a stage in a lifetime. Young and beautiful is as fleeting as a camera snap—and thus all the more worth preserving." In 2007, critic Philip Gefter wrote, "He was a fly on the wall. But then he began to direct the activities, photographing his subjects in a cinema-verite mode. 'I got to the point where I couldn't wait for the pictures to happen anymore,' he said. 'I was wasting time, and so I started making pictures happen. It borders between being set up or really happening. There's that fine line.'" The transition to creating work with an emphasis on heavy pre-production is embodied in McGinley's famous summer cross-country road trip series. In a 2014 feature, GQ said, "His road trips, legendary among city-dwelling creatives under 30 (they all know someone who knows someone who went on one), have been annual summer occasions for almost a decade. McGinley and his assistants start planning the journey in January. They consult maps, newspapers, travel books. It usually starts with a specific desire—wanting to shoot kids in a cypress tree with Spanish moss, say—and the trip itself is plotted according to where such a setting can be found." As McGinley continued the series, he began incorporating different elements into his photos, such as shooting with fireworks, animals, and in extreme locations like caves.
238:, McGinley described his practice of making photographs on the road and outside of his New York City based studio, "Such a big part of what I do is removing myself and other people from the city. Taking people to these beautiful and remote locations, being together for long periods of time, getting that intimacy, and doing all these intense activities together every day. In a way, it's like a bizarre summer camp or like touring in a rock band or traveling circus. It's all those things combined. Just taking everyone out of their element so you have their full attention."
170:. In an essay about McGinley, Wolf wrote, "The skateboarders, musicians, graffiti artists and gay people in Mr. McGinley's early work 'know what it means to be photographed. His subjects are performing for the camera and exploring themselves with an acute self-awareness that is decidedly contemporary. They are savvy about visual culture, acutely aware of how identity can be not only communicated but created. They are willing collaborators." While he was a student at Parsons, McGinley was also the acting photo editor at
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hugely impressive in its standalone visual power, an enveloping entity flooding the entire space with bold color and form. Although the sheer abundance of available images renders a total "reading" impossible, there is never any sense of incompleteness, as each individual image functions autonomously, granting the viewer access to a delicate, once-private moment." Yearbook is a traveling exhibition, and while it has evolved in size and application process, it has been exhibited internationally in various forms in
346:", was inspired by his work. In 2012, McGinley reunited with the band to direct the video for "Varúð". The non-profit Art Production Fund partnered with the NYC Taxi Commission to show the film in 3,000 cabs. The next year, it was screened in Times Square as part of Art Production Fund's Midnight Moment series, in which every night at midnight for one month the video played simultaneously on electronic billboards and newspaper kiosks throughout Times Square.
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In 2014, McGinley gave the commencement address at
Parsons School of Design. To graduating students he offered the advice, "Say yes to almost everything and try new things. Don't be afraid to fail, and don't be afraid to work hard. Do your pictures—don't try and do somebody else's pictures. Don't get
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In recent years, McGinley has become well known for the circle of successful younger artists surrounding him and his studio, prompting the New York Times to refer to him as, "The Pied Piper of the
Downtown Art World". McGinley describes his mentorship practices as, "In a way, it's a curriculum, as I
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series. Team
Gallery describes the 2014 installation as, "(...) a single artwork that consists of over five hundred studio portraits of some two hundred models, always in the nude, printed on vinyl and adhered to every available inch of the gallery's walls and ceilings. The installation's effect is
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R8s. Since 2004, McGinley's style has evolved from documenting his friends in real-life situations towards creating envisioned situations that can be photographed. He casts his subjects at rock ‘n’ roll festivals, art schools, and street castings in cities. In describing the essence of youth and
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had three rules for making his art films: 'Show up early, hold your own light, and don’t expect to get paid.' That always stuck with me. Approach art like it's your job. Show up for photography every day for eight hours. Take it as seriously as a doctor would medicine." Since 2005, McGinley has
585:, said, "But his favorite subject remains youth, as his 2008 exhibit, 'I Know Where the Summer Goes,' proves. In that collection, McGinley's troupe travels the country as he photographs them, sometimes clothed and often not, while they leap fences, lounge in a desert, play together in a tree."
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and what happens when they take drugs and have sex in an ungoverned urban underworld, McGinley started out announcing that 'The Kids Are
Alright,' fantastic, really, and suggested that a gleeful, unfettered subculture was just around the corner—'still'—if only you knew where to look."
246:, at Team Gallery in NYC, where he displayed his first collection of black and white nudes. The series marked a significant shift in the style and production of McGinley's photographs. His continued work within the realm of digital studio portraiture eventually evolved into his
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Throughout his career, McGinley has worked with various high-profile charities. Influenced by the death of his brother in 1995 due to HIV/AIDS-related complications, McGinley is vocally passionate about raising funds for HIV/AIDS awareness and treatment research. At the 2014
574:. The resultant photos, many of which are densely saturated in the concerts’ colored lights, feature candid shots of fans, regularly zooming in for seductive close-ups of enamored youngsters—a celebration of the ecstatic cult of fame and its ardent enablers."
608:. A collection of hundreds of colorful studio portraits but conceived as a single artwork, the installation covered every available inch of the walls of San Francisco's Ratio 3. In 2014, the exhibition grew larger, this time staged at Team Gallery.
241:
In 2009, McGinley returned to the studio as he began experimenting within the confines of traditional studio portraiture. It was also the beginning of what became by 2010, an all entirely digital photography practice, his 2010 exhibition,
635:. The show was described as "an expansive view of the new paradigms for storytelling forged during the past ten years to communicate ideas about race, gender, sexuality, history, and politics, among other trenchant themes."
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was held at Ratio 3 in San
Francisco. There he debuted two new portfolios of black and white portraits and color photographs. In 2012, he had simultaneous shows at Team Gallery's two SoHo locations.
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juxtaposed two new series of photographs: nudes with animals and large grids of intimate portraits of young concert-goers. In 2013, McGinley exhibited his largest project to date,
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magazine about McGinley's friend and collaborator, Snow, said, "People fall in love with McGinleyʼs work because it tells a story about liberation and hedonism: Where Goldin and
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570:. Art critic David Velasco, in his review of the show, wrote, "McGinley went on a two-year road trip, traveling to dozens of Morrissey concerts in the US, the UK, and
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As a student at
Parsons, McGinley began experimenting with photography. In 1999, he put these early images together in a handmade, self-published book called
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90:. He was named Photographer of the Year in 2003 by American Photo Magazine. In 2007, he was given the Young Photographer Infinity Award by the
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in 2004. He said of the band, "Their lyrics are really poetic and very much about New York and the life that we live." In 2008, the
Icelandic
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artists, musicians, and artists who were considered to be on the fringes of society. As a teenager, McGinley was a snowboard instructor at
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86:. He began taking photographs in 1998. In 2003, at the age of 25, he was one of the youngest artists to have a solo show at the
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lost inside your head, and don't worry what camera you’re using." He continued, "I once heard the legendary indie director
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McGinley has photographed musicians for both album artwork and editorial projects. In 2012, he provided the artwork for
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and competed in the east coast amateur circuits from 1992 to 1995. He enrolled as a graphic design student at
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562:(2005). In 2005, he was the laureate of the Rencontres d'Arles Discovery Award. In 2007 McGinley exhibited
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191:. McGinley said of Snow, "I guess I get obsessed with people, and I really became fascinated by Dash."
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In 2015, McGinley's work further departed from his summer road trip series with bicoastal exhibitions
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2003:
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continued to travel in 2015, showing at
Kunsthal kAdE in Amersfoort and Art Unlimited at Art Basel.
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was given to scholar and curator Sylvia Wolf, who later organized McGinley's solo exhibition at the
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including his 2004 Olympic
Swimmers, 2008 Oscars Portfolio, and 2010 Winter Olympics.
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1489:"Sigur Rós "Varúð" Video Directed by Ryan McGinley to Play on New York City Taxi TVs"
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He has worked in fashion editorial and advertising. In 2009, McGinley helped launch
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and is the youngest of eight children. From an early age his peers and mentors were
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In 2010, McGinley debuted his first collection of black and white studio nudes,
94:. In 2009, he was honored at The Young Collectors Council's Artists Ball at the
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locations. His work was featured in the
Guggenheim Museum's 2015 exhibition,
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1657:"2010 Winter Olympics - the Highfliers - Slide Show - the New York Times"
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periodically lectured and critiqued works of MFA photography students at
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article declared McGinley, "the most important photographer in America."
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McGinley is credited for the formation of the New York City based band
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1356:"Ryan McGinley's Advice to Young Photographers | VICE | United States"
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1464:"sigur rós – discography » með suð í eyrum við spilum endalaust"
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154:. He had his first public exhibition in 2000 at 420 West Broadway in
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1022:"Chasing Artist and Downtown Legend Dash Snow – New York Magazine"
283:, for a record breaking price. Also in 2014 McGinley photographed
1940:"Ryan McGinley: Life Adjustment Center – Ratio 3 – San Francisco"
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82:(born October 17, 1977) is an American photographer and lives in
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The Journey is the Destination: the Ryan McGinley Purple Book.
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adventure central to McGinley's work, Jeffrey Kluger wrote in
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McGinley's work is held in the following public collections:
592:, at Team Gallery in New York. Later in 2010, his exhibition
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on producing a short film and photographs for fashion brand
1410:"Ryan McGinley: The Most Important Photographer in America"
1100:"Ryan McGinley: The Most Important Photographer in America"
873:"Ryan McGinley: The Most Important Photographer in America"
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Paris: Purple Institute, 2013. Originally distributed with
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McGinley has also been featured as a model in campaigns by
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after introducing and photographing two of its members in
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were saying something painful and anxiety producing about
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1566:"Exclusive Photos: Lady Gaga's Rolling Stone Photo Shoot"
1323:"Ryan McGinley, the Pied Piper of the Downtown Art World"
1289:"Ryan McGinley, the Pied Piper of the Downtown Art World"
2079:"Ryan McGinley : Art | 46 | Basel | Art Unlimited"
961:'The Kids Are Alright' – 'Photographs by Ryan McGinley'
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99:
1859:"Médiathèque des Rencontres de la photographie, Arles"
408:"Go Forth" campaign. In 2012 and 2013, he worked with
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can give people advice because I’ve been through it."
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Ryan McGinley at Bischoff Projects, Frankfurt am Main
1749:"sigur rós – valtari videos – varúð by ryan mcginely"
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Médiathèque des Rencontres de la photographie, Arles
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Burbridge, Alice Gregory, Richard (April 11, 2014).
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Burbridge, Alice Gregory, Richard (April 11, 2014).
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Burbridge, Alice Gregory, Richard (April 11, 2014).
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used one of McGinley's images for their fifth album
275:, a photograph donated by McGinley was purchased by
2004:"Ryan McGinley: Yearbook | Ratio 3 – San Francisco"
1917:"Ryan McGinley : I Know Where the Summer Goes"
1170:"Now Screening | 'Everybody Knows This Is Nowhere'"
287:, a transgender person, fully nude for a spread in
1834:"Ryan McGinley MUSAC Contemporary Art Museum Leon"
2193:"National Portrait Gallery | Feature Photography"
342:. The video for the first track from the album, "
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2154:"Storylines: Contemporary Art at the Guggenheim"
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179:McGinley has been long time friends with fellow
1383:Ryan McGinley: Parsons Commencement 2014 Speech
1220:"What Did Miley Spend $ 300,000 on at Auction?"
912:"20 Things You Didn't Know About Ryan McGinley"
2273:A Young Man With an Eye, and Friends Up a Tree
937:A Young Man With an Eye, and Friends Up a Tree
134:, and covered the walls of his apartment with
130:in New York in 1997. In 1998, he moved to the
2275:by Philip Gefter, New York Times, May 6, 2007
1541:"Yass! Here's our Beyoncé interview in full!"
1244:CNN, Lisa Respers France (October 20, 2017).
952:
950:
843:Jack Crager, American Photo, July/August 2003
1637:"Breaking Through | the New York Times"
1433:: CS1 maint: multiple names: authors list (
1246:"Ines Rau is the first transgender Playmate"
1123:: CS1 maint: multiple names: authors list (
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896:: CS1 maint: multiple names: authors list (
212:McGinley's early work was primarily shot on
1593:"Pop prodigy Lorde opens up to Lena Dunham"
581:, also at Team Gallery. Kluger, writing in
546:gave McGinley a solo show as part of their
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1885:"Ryan McGinley : Irregular Regulars"
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687:Ryan McGinley (PS1 exhibition catalogue)
138:pictures of everyone who visited there.
2335:People from the East Village, Manhattan
1380:Ryan McGinley Studios (June 10, 2014),
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820:"The Guggenheim Museums and Foundation"
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1929:Jeffrey Kluger, Thursday, May 29, 2008
1809:"MoMA PS1: Exhibitions: Ryan McGinley"
1390:from the original on December 21, 2021
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781:. Milan: Rizzoli International, 2015.
2054:"Ryan McGinley Photographs 1999–2015"
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824:The Guggenheim Museums and Foundation
1617:Sokolove, Michael (August 8, 2004).
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653:Institute of Contemporary Art, Miami
395:McGinley contributed editorially to
339:Með suð í eyrum við spilum endalaust
2330:Photographers from New York (state)
1705:"Ryan McGinley & Tilda Swinton"
1321:Freeman, Nate (November 20, 2013).
1287:Freeman, Nate (November 20, 2013).
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689:. New York: Flasher Factory, 2004.
92:International Center of Photography
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854:"Ryan McGinley Young Photographer"
663:San Francisco Museum of Modern Art
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1168:Silva, Horacio (March 22, 2010).
1020:Levy, Ariel (November 25, 2007).
550:series. He has had solo shows at
357:. In 2013, he created images for
1516:"Ryan McGinley: Midnight Moment"
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1064:Kluger, Jeffrey (May 29, 2008).
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2320:Parsons School of Design alumni
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2029:"Ryan McGinley : Yearbook"
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554:in New York (2004), and at the
244:Everybody Knows This Is Nowhere
234:In conversation with filmmaker
2325:People from Ramsey, New Jersey
2179:"Guggenheim Collection Online"
1954:"Ryan McGinley : Animals"
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749:. Santa Fe: Twin Palms, 2011.
668:Whitney Museum of American Art
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308:. He has been a member of the
88:Whitney Museum of American Art
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2129:"Ryan McGinley : Winter"
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391:Commercial and editorial work
291:magazine called "Evolution."
1979:"Ryan McGinley : Grids"
1047:Studio Visit | Ryan McGinley
935:Philip Gefer (May 6, 2007),
735:. New York: Dashwood, 2010.
648:Solomon R. Guggenheim Museum
579:I Know Where the Summer Goes
176:magazine from 2000 to 2002.
124:Campgaw Mountain, New Jersey
7:
2310:American LGBT photographers
2104:"Ryan McGinley : Fall"
1709:Explore Pringle of Scotland
683:. New York: Handmade, 2002.
480:– Spring Summer 2010, with
398:The New York Times Magazine
257:Amersfoort, the Netherlands
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150:titled after a film about
2218:"Team Gallery Artist Bio"
657:National Portrait Gallery
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361:'s fourth studio album,
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128:Parsons School of Design
106:Early life and education
1591:Dazed (June 18, 2015).
1514:Fund, Art Productuion.
721:. London: Mörel, 2009.
707:Galerie du Jour, 2006.
194:Ariel Levy, writing in
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733:Life Adjustment Center
594:Life Adjustment Center
279:, who narrowly outbid
2280:Body Loud in Art Days
985:, Sunday, May 6, 2007
959:(February 14, 2003),
860:on December 11, 2008.
765:Rizzoli International
577:In 2008 he exhibited
310:School of Visual Arts
162:opening. One copy of
148:The Kids Are Alright,
110:McGinley was born in
16:American photographer
2305:American gay artists
761:Whistle for the Wind
681:The Kids Are Alright
623:, at Team Gallery's
164:The Kids Are Alright
1520:Art Production Fund
566:at Team Gallery in
478:Pringle of Scotland
449:Salvatore Ferragamo
371:for BEAT Magazine,
1900:", David Velasco,
1838:1995-2015.undo.net
1662:The New York Times
1642:The New York Times
1623:The New York Times
1495:. January 10, 2013
1327:The New York Times
1293:The New York Times
1272:has generic name (
982:The New York Times
965:The New York Times
941:The New York Times
659:, Washington, D.C.
564:Irregular Regulars
385:Dazed and Confused
367:. He photographed
261:Basel, Switzerland
112:Ramsey, New Jersey
48:Ramsey, New Jersey
2315:Gay photographers
1906:, January 5, 2007
1715:on March 12, 2016
1149:on March 16, 2016
1010:, January 7, 2007
741:978-0-9844546-2-4
727:978-1-907071-09-6
312:Mentors program.
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1963:January 11,
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1813:momaps1.org
1252:October 15,
1031:December 5,
639:Collections
560:Leon, Spain
538:Exhibitions
506:The Virgins
484:(7:59 min.)
459:Short films
445:Marc Jacobs
322:The Virgins
277:Miley Cyrus
202:Larry Clark
59:Photography
2289:Categories
2197:npg.si.edu
1174:T Magazine
806:References
670:, New York
650:, New York
633:Storylines
552:MoMA P.S.1
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273:amfAR Gala
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