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338:, whose works for the theater she directed. Her association with the Berliner Ensemble culminated with her directorship of that theater, starting in 1971. After two decades of an aesthetic and intellectual standstill—driven by the strict regiment of the Brecht heirs—Ruth Berghaus’ direction brought an audacious and innovative approach to the Berliner Ensemble. She supported nonconformist authors and directors, such as
288:(1924–2010). All three would mark a departure from Felsenstein's insistence on textual accuracy in favor of Brechtian interpretation but were in part inspired by also his insistence on maintaining an even balance between the musical and dramatic aspects of an opera being staged. From 1951 to 1964, Berghaus worked as
447:. The indirect influence of Berghaus's unique intellectual grasp of inculcating choreography in her staging of opera can (perhaps) be also felt in productions by Harry Kupfer, including of his
520:. With a key modernist opera by an Austrian-American composer, staged in East Germany's leading opera house, the event has been considered a major breakthrough in overcoming the state dogma of
354:. Objected by the Brecht heirs, Berghaus’ theatrical approach was generally questioned from that moment on. With the support of the Brecht heirs and the Central Committee of the
318:, at the Deutsche Staatsoper, in 1960. Brecht's work would represent a major part of Berghaus's career. She became well known for her choreography of the slaughter scenes in
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as music director. Leading protégés of both would from a similarly strong collaboration in
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In 1989, she began a theatrical series of what she called 'related texts', with a production of
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Meech, Tony. 1994. "Brecht's Early Plays." In
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East Berlin he founded – along with his two other first leading protégés,
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Die
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there and was an advanced student at the German
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Choreographer, Opera and
Theatre Director, Artistic Director
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due to complications from cancer. She was buried at the
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Die Weise von Liebe und Tod des
Cornets Christoph Rilke
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Recipients of the
Patriotic Order of Merit in silver
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Party of
Democratic Socialism (Germany) politicians
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451:at Bayreuth and at Staatsoper Berlin and also of
768:Recipients of the National Prize of East Germany
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377:. Her notable productions there included a 1980
429:. In 1992, she returned to Frankfurt to direct
639:Thomson, Peter and Glendyr Sacks, eds. 1994.
232:(2 July 1927 – 25 January 1996) was a German
577:, a Zurich revival of 1999, as conducted by
373:From 1980 to 1987, Berghaus worked at the
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459:at Staatsoper Berlin – also conducted by
109:Learn how and when to remove this message
733:Socialist Unity Party of Germany members
524:. In Brussels, Berghaus directed Berg's
304:. Her work as a director began with the
137:Director Ruth Berghaus (center), author
334:In 1954, Berghaus married the composer
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47:adding citations to reliable sources
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763:Dancers from Saxony
728:People from Dresden
320:Brecht's adaptation
258:Expressionist dance
681:Alexander Berghaus
518:Friedrich Goldmann
516:, as conducted by
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36:verification
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723:1996 deaths
718:1927 births
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465:David Alden
396:Les Troyens
336:Paul Dessau
312:Paul Dessau
221:Paul Dessau
183:Nationality
154:2 July 1927
712:Categories
703:A portrait
537:Fierrabras
476:Alban Berg
348:The Mother
328:Coriolanus
69:newspapers
699:catalogue
362:” of the
202:1951–1995
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586:BĂĽchner
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546:Weber's
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481:Wozzeck
411:Janáček
393:, 1982
254:Dresden
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457:Otello
296:, the
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217:Spouse
186:German
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352:Gorky
262:Dance
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527:Lulu
449:Ring
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