67:- but remained with the company only until Diaghilev's death a few weeks later. He then made his way to the Festival Theatre, Cambridge, to learn acting and production, and there he became part of a play-reading group. In 1926 he met and fell in love with the painter
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He left home at sixteen to begin his career as a dancer with no money. He led a precarious existence, scraping by on what he earned modeling at the Royal
Academy and the Slade in order to pay for the lessons. At 19, he left London for Paris, where he became a
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In 1928, Doone partnered with Ver
Trefilova in her last performances in Berlin. After the performance, Doone joined Ida Rubinstein's company to work about choreographer.
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Doone made rapid progress as a late starter in dance. He made his first performance in Basil Dean's production of James Elroy Fleck's play
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Doone was known for his imagination and artistic integrity in his work with Group
Theatre and at the Morley College School of Drama.
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23:, 14 August 1903 – 4 March 1966) was a British dancer, choreographer, theatre director, and teacher in London.
39:, from a Worcestershire family in reduced circumstances, but with a background that reportedly included a link with
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Despite his prominence in avant-garde theatre, Doone was thought to be a muddled and ineffective stage director by
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In 1930, Doone's first acting role in the
Festival Theatre in Cambridge in Lion Feuchtwanger's Warren Hastings.
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In 1923, Doone became the featured soloist of the
Ballets Suédois. But he left the company after this.
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and others, who tried to steer the Group
Theatre into more effective productions and organization.
257:. Who's Who in Gay and Lesbian History: From Antiquity to World War II. London: Routledge. 2002.
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71:, who was the co-founder of the Group Theatre. They lived together until Doone's death in
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just after few years of his study. At this time, Donne changed his name to Rupert Doone.
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In 1932, after Medley moved to London, the play-reading group evolved into the
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Who's Who in Gay and
Lesbian History: From Antiquity to World War II
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In 1924, Doone collaborated with
Cocteau on the production of his
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plays during the 1930s and again during its revival in the 1950s.
104:, and worked there until his premature retirement as a result of
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Sidnell, Michael J. "Group
Theatre of London (act. 1932–1939)".
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Dances of Death: The Group
Theatre of London in the Thirties
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In 1925, Doone fell in love with painter Robert Medley.
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111:A portrait of Doone as a young man was painted by
100:In the 1950s, Doone founded the Theatre School at
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268:Aldrich, Robert; Wotherspoon, Garry (2002).
205:(online ed.). Oxford University Press.
43:. His father was a needle factory foreman.
202:Oxford Dictionary of National Biography
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385:20th-century British ballet dancers
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380:20th-century English LGBT people
82:, which performed left-wing and
375:People with multiple sclerosis
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320:Drawn from the Life: A Memoir
219:UK public library membership
26:
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350:British male ballet dancers
293:Michael J. Sidnell (1984).
255:Doone, Rupert (1903 - 1966)
238:. 8 March 1966. p. 14.
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272:. Routledge. p. 156.
55:. In 1925 he was the last
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167:The Dog Beneath the Skin
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211:10.1093/ref:odnb/107544
355:British choreographers
316:Robert Medley (1983).
80:Group Theatre (London)
360:English LGBT dancers
232:"Mr. Rupert Doone".
161:The Dance of Death
106:multiple sclerosis
51:and lover of Jean
31:Doone was born in
21:Reginald Woodfield
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370:1966 deaths
365:1903 births
91:W. H. Auden
84:avant-garde
73:Northampton
59:engaged by
41:Shakespeare
344:Categories
221:required.)
115:ca. 1923.
324:. Faber.
301:. Faber.
235:The Times
75:in 1966.
61:Diaghilev
27:Biography
63:for the
33:Redditch
53:Cocteau
49:protégé
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181:(1939)
175:(1937)
169:(1936)
163:(1933)
128:Hassan
119:Career
19:(born
155:Works
326:ISBN
303:ISBN
274:ISBN
207:doi
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