304:
plates, chests, jewelry boxes, and a multitude of furniture items. This expansion in rose-painting has not only allowed it to remain popular, but it has given it the ability to do more than just be seen in museums such as the
Norwegian Folk Museum. Many shops in Norwegian tourist cities sell various unique rose-painted items from local at-home artists. They are a must see by not only tourists, but the overall citizens of the cities. At a shop, rose-painted items can be sold for quite an income due to the fact that these items are made the traditional way (hand-painted) rather than industrially processed. Each item is carefully crafted and unique. The process behind these items is quite extensive and can take time. For instance, wood items begin with first applying special oil-based paint or wood stain. This color normally tends to be a deeper blue or red, dusty pink, white, black, or even brown. When the rose-painting is complete, it will be sold based on its intricacy and size of design. Something as simple as a large bread tray can be sold for as much as 240 dollars.
436:
root center that has floral depictions or branches swirling out from it. Within the
Telemark style, there are also two other styles. The transparent Telemark, which has light enough brush strokes to almost be seen through, and the American Telemark, which is a combination of both the regular Telemark style and the transparent Telemark style. Another popular style in Norway is Hallingdal. Hallingdal is different from Telemark in that the paint is often less translucent and more bold in color. In addition, it has much more symmetry and pattern to it. In addition to these, the Rogaland style also has some popularity. This style consists of more floral images than lines or scrolls. It often will have a darker background with a central flower surrounded by leaves and other decorations. While those three forms are popular, there still are other forms as well. For instance, another style is the Valdres style. The Valdres style is one that has some of the most realistic looking floral designs.
316:
items, such as the invention of chimneys, made
Norwegians feel the need to decorate more parts of their home. This led to the expansion of rose-paintings and an industrialized version that was more accessible and economically affordable for everyday citizens. However, that is also why individuals who buy rose-painted items from tourist shops and private artists must be willing to pay a higher price; they are buying a traditionally made item. These hand-crafted goods are just as important as the industrialized goods because they help to maintain the Norwegian culture of rosemaling and keep it from fully disappearing. Norwegians view rosemaling as a way to keep a shared identity and culture among their entire nation. This is why certain places to this day, such has the Nordic Museum and Chicago Public Library, display a multitude of rose-paintings.
399:
self-definition. Rosemaling was a way for
Norwegian-Americans to keep a hold of some of their heritage. During this time period of immigration, immigrants did just that, and they maintained a strong ethnic identity both privately and publicly. They might have specific traditions within their homes, participate in ethnic festivals, and more. Rose paintings were often displayed in these festivals. In addition, lots of immigrants traveling from Norway to the Midwest regions of America would actually create rose paintings in churches on their travel to make some money. These rose paintings done by travelers helped expand the variation of styles among rose paintings.
466:
478:
451:
490:
239:
emerge. Some varied only slightly from others, while others were noticeably distinct. In the middle of the 18th century, more and more individuals became painters and carvers. Due to this, rosemaling styles boomed to include even more unique forms. Rose-painters also began to initial their work as a way to identify the pieces they created. Through this, historians have been more easily able to gauge how many pieces certain artists have done, and even identify dynasties of painters through family relation. Rosemaling's popularity, however, declined by the mid-19th century.
243:
rose-paintings of the Danish King and Queen or of Danish warriors. Artists who specialized in rosemaling often came from poorer classes in the countryside. They would travel from county to county painting churches, homes and furnishings for a commission of either money or merely room and board. Thus rosemaling was carried over the mountains and toward Norway's western coast. Once farther away from the influence of the painters' guild, these artists tried new ideas and motifs. Rosemaling became widespread as amateur artists in rural areas often imitated this
533:
518:
502:
312:
of Norway, however, the rose-paintings still do vary quite decently from city to city. This is why the styles have always been regionalized and regionally named. For instance, Telemark tends to produce rose-painting with a more exaggerated and ornate style. It follows an 18th-century French influence and inspiration. Hallingdal, on the other hand, produces its own style of work. These artists, unlike many others, tend to prefer selling their work privately rather than within shops.
179:
325:
18th century. While rose painting was popular among the entire nation, lots of times the houses of more wealthy individuals had more rose paintings as they were able to afford more decorations. In addition, the major popularity of rose painting in Sweden occurred before the industrialization period. After industrialization, it did not disappear due to the fact that the art created during this period was recognized as a major part of Sweden's folk culture and heritage.
549:
362:. Scenes were based on Bible illustrations, with people and buildings rendered in the then current styles. The gourds reference a Biblical legend about Jonah sitting beneath a gourd; the gourd symbolizes vegetal fertility. The most common themes of kurbit art are the wedding at Cana, Jonah preaching, the entry of the Queen of Sheba, the three wise men, Jesus riding into Jerusalem, the story of Joseph, the ten virgins, the crowning of Salomon, and the vineyard.
95:, fine line work, flowing patterns and sometimes geometric elements give rose-painting its unique feel. Some paintings may include landscapes and architectural elements. Rose-painting also utilizes other decorative painting techniques such as glazing, spattering, marbleizing, manipulating the paint with the fingers or other objects. Regional styles of rose-painting developed, and some varied only slightly from others, while others may be noticeably distinct.
337:
329:
1273:
33:
91:, in the 1920s, for a characteristic trait, but in Norway the old name still predominates beside terms for local variants. Rose-painting was used to decorate church walls and ceilings. It then spread to wooden items commonly used in daily life, such as ale bowls, stools, chairs, cupboards, boxes, and trunks. Using stylized ornamentation made up of fantasy flowers,
308:
historical events, life in the rural or countryside areas, and more. Some even are known for depicting scenes from children's stories or fairytales. One of the most commonly rose-painted children's story is "Little Red Riding Hood." Furthermore, more and more styles have since emerged after the most famous
Telemark, Hallingdal, and Rogaland styles.
347:
some pieces have been found copied more than 140 times. Artists also used stamps to create small details in patterns. Those from the Rättvik school of art were more likely to add spontaneous leaves and flowers, breaking up the symmetry of their pieces. Many of the paintings also included a zig-zag pattern at the bottom of the painting, called
427:
rosemaling styles have been "Americanized" beginning between 1930 and 1960. Compared to traditional styles, often they included brighter colors, special ornamental details, and more. Dane County, Wisconsin, which developed a style known as
American Rogaland and American Telemark style found in Milan, Minnesota.
311:
While shops and museums will most likely contain rose-paintings from all areas of Norway, rose-painting is currently most prominent in the southern parts of Norway. In specific, the regions
Telemark and Hallingdal are booming with this folk art. Regardless of being most popular in the southern region
303:
Currently, this specific type of folk art is becoming popularized in a more mobile way. Back in the 1700s when the first piece of rose-painting was done in Norway, it was only visible in remote locations such as inside homes and churches. Now, however, rose-painting is being executed on bowls, vases,
422:
Currently, rose painting is still most common in the Upper
Midwest. This is due to the fact that when Norwegians most heavily migrated between the 1840s and 1910s, they ended up living in the Upper Midwest. In addition, the Norwegian-American Museum is still offering workshops on rosemaling. Besides
398:
brought the art of rosemaling to the United States. Immigration from Norway to
America first began in the 1830s. It is not surprising this specific form of folk art was brought to America by Norwegian immigrants since it was not just used for decoration and aesthetic purposes in Norway, but also for
324:
In Sweden, it is a style of painting featuring light brush strokes and depictions of gourds, leaves, and flowers, used especially in the decoration of furniture and wall hangings, and was adopted by both artists and artisans in rural Sweden, reaching its greatest popularity in the latter half of the
238:
artistic styles of the upper class were introduced into Norway's rural culture. Since no rose-paintings can be traced back before this time, there is an indication that folk traditions within Norway went through a period of change and evolution. Once developed, regional styles of rosemaling began to
402:
The art form experienced a revival in the 20th century as
Norwegian-Americans became interested in the rosemaling-decorated possessions of their ancestors. Rosemaling artists whose work was recognized by newspapers and magazines allowed the art form to be further recognized and grow. One prominent
346:
The tradition of painted wall hangings in this style was fully developed around 1820. The paintings were done by itinerant painters, most from Dalarna, whose signatures can be found in many localities. The artists learned it as a trade or handicraft from one another, and copied each other's works;
435:
There are many different styles of rosemaling. Typically, each style is named after the region it is most commonly used in. To begin, the first style that has gained major popularity is the Telemark style. This style is extremely popular in Norway, and it is very impromptu. It normally involves a
242:
Rosemaling designs use C- and S-shaped brushstrokes that feature scroll and flowing lines, floral designs, and both subtle and vibrant colors. Script lettering, scenes, animal and human figures may also be included. For instance, when Norway was still ruled by the Danes, some artists would create
426:
To this day, there is now a decent amount of Norwegian-Americans from the Upper Midwest who have taken on rose painting, causing some of their styles to be considered "Americanized." Rather than being seen as a piece of Norwegian heritage, it is seen as a piece of Upper Midwest communities. Some
315:
Overall, rose-painting in Norway is something that has become partially industrialized. Individuals can buy rose-painted items from commercial stores and industries for a cheaper price. Industrialized rose-painting started back when the interiors of homes began to become more modernized. Certain
307:
In terms of the design of current rose-paintings, it holds much similarities to past rose-paintings in Norway. Since rosemaling in Norway simply means "decorative painting," there are still many other designs besides floral or rose depictions. It can involve agricultural landscapes, scenes from
285:. Like rosemaling, acanthus carving has had a cultural revival in recent times as both a means of interior design (for example, on furniture, picture frames, and door and window frames) and as a personal hobby, although most modern acanthus carving is left unpainted and unvarnished.
411:
began to exhibit rosemaling. The museum then began bringing Norwegian rosemalers to the U.S. to hold classes. The style's popularity boomed in the U.S., even among non-Norwegians. Other classes can be found throughout the country, especially in areas where Norwegians settled.
407:, who was born in Norway and emigrated to Wisconsin, was trained in the craft. Lysne is often considered the father of rosemaling in the U.S. As the revival continued on, it reached its peak in the 1960s to the 1980s. In the late 1960s, Vesterheim Norwegian-American Museum in
300:, at the center of a rosemaling design without the German occupation forces seeing anything but a colorful peasant design. Christmas cards with the Royal cypher at the center of a rosemaling design were especially popular; many have survived and their history documented.
423:
workshops, rosemaling can also be taught through books, classes, and heritage centers. This is very valuable as it offers more ways for Norwegian-Americans (and other Americans) to pass on rosemaling skills and traditions to future generations.
292:(1940–1945) is that at a time when the public display of the Norwegian flag or the State Coat of Arms could bring imprisonment or even death, the Norwegians discovered that they could display the 'H' overlapping the '7' of the
275:) and homes (for example cupboards) were painted in the same bright colors as used in rosemaling. While in the cities these acanthus carvings were generally gilded, the rural artisans did not have ready access to
266:
carving, since it is clear that the C and S curves in rosemaling take their inspiration from the acanthus carvings of Baroque and Rococo art and the acanthus carvings in rural churches (for example the altar
115:, to paint. The first element can also be interpreted as a reference to the rose flower, but the floral elements are often so stylized that no specific flower is identifiable, and are absent in some designs.
279:
as their urban counterparts and so painted their carvings in the bright colors whose popularity in rural communities is seen also in the traditional Norwegian rural dress, the
1199:
Nils Georg Brekke, "Dalmålningarna som rosmålning: Ikonologiske studier i eit jamførande perspektiv", in: Nils-Arvid Bringéus and Margareta Tellenbach, eds.,
384:
1081:
517:
170:, who wrote about the painted wall hangings of Dalarna, popularized the term in the 1920s, particularly in his 1927 poem "Kurbitsmålning".
501:
815:
352:
865:
Merin, Jennifer (29 March 1992). "Scandinavian designs Get on board with tips to find genuine Norwegian rose-painted products".
532:
477:
465:
450:
1246:
1232:
1218:
1068:
982:
845:
691:
601:
489:
705:
1297:
1171:
548:
71:
that flourished from the 1700s to the mid-1800s, particularly in Norway. In Sweden, rose-painting began to be called
682:
Mats Hellspong, "Folk Art from a Regional Perspective: Some Local Masters", in: Barbro Klein and Mats Widbom, eds.,
592:
Mats Hellspong and Barbro Klein, "Folk Art and Folklife Studies in Sweden", in: Barbro Klein and Mats Widbom, eds.,
914:
617:
1201:
Dalmålningar i jämförande perspektiv: föreläsningar vid bildsymposiet i Falun och Leksand den 13-16 september 1992
1292:
377:, or Swedish folk painting as a general concept. On the Dala horse, a gourd is used to indicate the saddle.
17:
1307:
380:
Kurbits artists include Winter Carl Hansson of Yttermo and Back Olof Andersson, who painted in 1790–1810.
1277:
289:
1085:
995:
Christianson, J. R. (2000). "Review of The Promise Fulfilled: A Portrait of Norwegian Americans Today".
190:
Rosemaling in Norway originated in the lowland and rural areas of eastern Norway, particularly in the
1302:
1150:
896:
870:
8:
524:
263:
167:
1020:
1012:
949:
823:
751:
508:
395:
183:
657:
1242:
1228:
1214:
1151:"Free food, fireworks and wild Dala horses commemorate Lindsborg's 150th anniversary"
1064:
1050:, folklife.wisc.edu/projects/revived-and-redesigned-rosemaling-in-the-upper-midwest/.
1024:
978:
841:
687:
597:
456:
416:
374:
340:
1312:
1004:
743:
223:
156:, with which the style is particularly associated; the term appeared around 1901.
900:
874:
643:
211:
247:. Soon, strong regional styles developed, and today the three main styles are
1286:
769:
576:
408:
783:
293:
747:
178:
1016:
539:
755:
297:
252:
215:
199:
92:
80:
1225:
Decorative Folk Art: Exciting Techniques to Transform Everyday Objects
1124:
1008:
404:
276:
219:
162:
804:, New York / Washington: Frederick A. Praeger, 1967, pp. 63–64.
419:
is known for Dala horses among other celebrations of its heritage.
366:
357:
256:
248:
244:
227:
207:
191:
68:
336:
332:
A 1799 painting with kurbits ornamentation, by Winter Carl Hansson
109:, applied decoration or embellishment, decorative, decorated and
365:
The style is widely found in the regions of Dalarna and southern
272:
268:
231:
203:
195:
153:
1061:
Rosemaling in the Upper Midwest: A Story of Region & Revival
1272:
975:
Norwegian Rose Painting in America: What the Immigrants Brought
328:
235:
262:
Rosemaling is, in a sense, the two-dimensional counterpart of
734:
Burke, Peter (1977). "Popular Culture in Norway and Sweden".
383:
The kurbits style was used in the candidate city logo of the
281:
32:
1046:"Revived and Redesigned: Rosemaling in the Upper Midwest."
784:"Rosemaling | Scandinavian art form | Britannica"
36:
Rose painting with floral paintings in a traditional design
1099:
840:, Saint Paul, Minnesota: Woodland Park Fine Arts, 1975,
1262:, self-published, Madison, Wisconsin, 1951, repr. 1970
1063:, Mount Horeb, Wisconsin: Wisconsin Folk Museum, 1989
800:
Randi Asker, "Rose-Painting", in: Roar Hauglid, ed.,
259:, named after the regions in which each originated.
1172:"A Style of Their Own: Upper Midwestern Rosemalers"
644:"Dala FolkArt - Folk Art and Folklore from Sweden"
373:can refer to the painting of furniture, tapestry,
230:. It came into existence in the early 1700s, when
1239:Norwegian Rosemaling: Decorative Painting on Wood
707:Det folkliga och det förgångna i Karlfeldts lyrik
1284:
110:
104:
523:A wardrobe from Tolvmansgården, birthplace of
385:Stockholm-Åre bid for the 2026 Winter Olympics
166:, and refers to a long-bodied gourd. The poet
944:
942:
143:
137:
131:
118:In Sweden the style was traditionally called
85:
73:
61:
53:
1255:, Vesterheim Norwegian-American Museum, 2001
994:
710:(in Swedish). Natur och kultur. p. 125.
588:
586:
554:1799 wall painting, Bingsjö, Dalarna, Sweden
98:
45:
1241:, New York: Charles Scribner's Sons, 1974,
1213:, self-published, Alamosa, Colorado, 1994,
1260:Rosemaling: An Inspired Norwegian Folk Art
939:
684:Swedish Folk Art: All Tradition Is Change
594:Swedish Folk Art: All Tradition Is Change
583:
1237:Margaret M. Miller and Sigmund Aarseth,
1148:
816:"Velkommen til rosemalingens hjemmeside"
335:
327:
177:
31:
838:Rosemaling: The Beautiful Norwegian Art
703:
122:, with cupboard decorations said to be
14:
1285:
612:
610:
1253:Rosemaling Styles and Study, Volume 2
1227:, London: David & Charles, 1994,
1211:Design Basics for Telemark Rosemaling
1166:
1164:
1042:
1040:
1038:
1036:
1034:
886:
884:
864:
860:
858:
856:
854:
733:
390:
813:
729:
727:
725:
723:
721:
719:
717:
319:
173:
686:, New York: Harry N. Abrams, 1994,
607:
596:, New York: Harry N. Abrams, 1994,
83:where it had been most popular and
24:
1193:
1161:
1149:Schnyder, Melinda (30 June 2019).
1031:
997:Journal of American Ethnic History
881:
851:
160:originally derived from the Latin
25:
1324:
1266:
714:
1271:
936:Hellspong and Klein, p. 33.
547:
531:
516:
500:
488:
476:
464:
449:
130:. In the 20th century the terms
1203:, Falun: Dalarnas Museum, 1995
1142:
1117:
1092:
1074:
1053:
988:
967:
930:
921:
907:
830:
807:
794:
776:
895:. 18 August 1973. p. 13.
822:(in Norwegian). Archived from
762:
697:
676:
650:
636:
569:
13:
1:
1104:Vesterheim Norwegian-American
891:"Folk, fine art on exhibit".
562:
67:is a Scandinavian decorative
27:Norwegian decorative folk art
977:, Oslo: Aschehoug AS, 1993,
7:
915:"Swedish kurbits paintings"
387:, forming the year "2026".
10:
1329:
1298:Norwegian-American culture
622:American Swedish Institute
439:
415:The Swedish settlement of
214:, and in other valleys in
186:in Buskerud county, Norway
79:, c. 1901, for the region
430:
290:Nazi occupation of Norway
99:Etymology and terminology
836:Helen Elizabeth Blanck,
704:Mjöberg, Jöran (1945).
483:Norsk Folkemuseum, Oslo
471:Norsk Folkemuseum, Oslo
1293:Norwegian folk culture
954:Hemslojd Swedish Gifts
495:Norsk Folkemuseum,Oslo
343:
333:
296:of their exiled king,
288:An anecdote about the
187:
148:came into common use.
144:
138:
132:
111:
105:
103:The term derives from
86:
74:
62:
54:
46:
37:
1280:at Wikimedia Commons
770:"What is Rosemaling?"
577:"What is Rosemaling?"
351:after the village of
339:
331:
181:
124:utkrusat i rosmålning
35:
820:Universitetet i Oslo
802:Native Art of Norway
396:Norwegian immigrants
1308:Painting techniques
950:"About Dala Horses"
917:. 20 February 2012.
748:10.1093/hwj/3.1.143
525:Erik Axel Karlfeldt
168:Erik Axel Karlfeldt
1129:Rosemaling Classes
973:Nils Ellingsgard,
788:www.britannica.com
511:, Buskerud, Norway
509:Uvdal Stave Church
403:rosemaling artist
391:History in America
344:
341:Dalecarlian horses
334:
188:
184:Uvdal Stave Church
38:
1276:Media related to
1247:978-0-684-16743-5
1233:978-0-7153-0784-7
1219:978-1-4637-3475-6
1100:"Vesterheim Home"
1088:on 8 August 2014.
1069:978-0-9624369-0-1
983:978-82-00-21861-6
927:Hellspong, p. 88.
846:978-1-932043-08-2
692:978-0-8109-3849-6
602:978-0-8109-3849-6
542:, Dalarna, Sweden
507:Rose painting in
457:Norsk Folkemuseum
417:Lindsborg, Kansas
320:History in Sweden
182:Rose-painting in
174:History in Norway
16:(Redirected from
1320:
1303:Swedish folk art
1275:
1258:Harriet Romnes,
1206:
1187:
1186:
1184:
1182:
1168:
1159:
1158:
1146:
1140:
1139:
1137:
1135:
1121:
1115:
1114:
1112:
1110:
1096:
1090:
1089:
1084:. Archived from
1078:
1072:
1057:
1051:
1044:
1029:
1028:
1009:10.2307/27502666
992:
986:
971:
965:
964:
962:
960:
946:
937:
934:
928:
925:
919:
918:
911:
905:
904:
893:Chicago Defender
888:
879:
878:
862:
849:
834:
828:
827:
826:on 3 March 2016.
814:Schreurs, Olav.
811:
805:
798:
792:
791:
780:
774:
773:
766:
760:
759:
736:History Workshop
731:
712:
711:
701:
695:
680:
674:
673:
671:
669:
654:
648:
647:
640:
634:
633:
631:
629:
624:(Search results)
614:
605:
590:
581:
580:
573:
551:
535:
520:
504:
492:
480:
468:
453:
361:
224:Sogn og Fjordane
147:
141:
135:
114:
108:
89:
77:
65:
57:
49:
21:
1328:
1327:
1323:
1322:
1321:
1319:
1318:
1317:
1283:
1282:
1269:
1251:Gayle M. Oram,
1223:Sybil Edwards,
1209:Diane Edwards,
1204:
1196:
1194:Further reading
1191:
1190:
1180:
1178:
1176:Nordic Folklife
1170:
1169:
1162:
1147:
1143:
1133:
1131:
1123:
1122:
1118:
1108:
1106:
1098:
1097:
1093:
1080:
1079:
1075:
1059:Philip Martin,
1058:
1054:
1048:Nordic Folklife
1045:
1032:
993:
989:
972:
968:
958:
956:
948:
947:
940:
935:
931:
926:
922:
913:
912:
908:
890:
889:
882:
867:Chicago Tribune
863:
852:
835:
831:
812:
808:
799:
795:
782:
781:
777:
768:
767:
763:
732:
715:
702:
698:
681:
677:
667:
665:
656:
655:
651:
642:
641:
637:
627:
625:
618:"Dala painting"
616:
615:
608:
591:
584:
575:
574:
570:
565:
560:
559:
558:
555:
552:
543:
538:Phone booth in
536:
527:
521:
512:
505:
496:
493:
484:
481:
472:
469:
460:
454:
442:
433:
393:
355:
322:
176:
101:
28:
23:
22:
15:
12:
11:
5:
1326:
1316:
1315:
1310:
1305:
1300:
1295:
1268:
1267:External links
1265:
1264:
1263:
1256:
1249:
1235:
1221:
1207:
1195:
1192:
1189:
1188:
1160:
1141:
1116:
1091:
1073:
1052:
1030:
1003:(1): 112–114.
987:
966:
938:
929:
920:
906:
880:
869:. p. 12.
850:
829:
806:
793:
775:
772:. 10 May 2018.
761:
742:(3): 143–147.
713:
696:
675:
649:
635:
606:
582:
579:. 10 May 2018.
567:
566:
564:
561:
557:
556:
553:
546:
544:
537:
530:
528:
522:
515:
513:
506:
499:
497:
494:
487:
485:
482:
475:
473:
470:
463:
461:
455:
448:
445:
444:
443:
441:
438:
432:
429:
392:
389:
321:
318:
212:Gudbrandsdalen
175:
172:
145:kurbitsmålning
100:
97:
26:
9:
6:
4:
3:
2:
1325:
1314:
1311:
1309:
1306:
1304:
1301:
1299:
1296:
1294:
1291:
1290:
1288:
1281:
1279:
1274:
1261:
1257:
1254:
1250:
1248:
1244:
1240:
1236:
1234:
1230:
1226:
1222:
1220:
1216:
1212:
1208:
1202:
1198:
1197:
1177:
1173:
1167:
1165:
1156:
1155:Wichita Eagle
1152:
1145:
1130:
1126:
1120:
1105:
1101:
1095:
1087:
1083:
1077:
1070:
1066:
1062:
1056:
1049:
1043:
1041:
1039:
1037:
1035:
1026:
1022:
1018:
1014:
1010:
1006:
1002:
998:
991:
984:
980:
976:
970:
955:
951:
945:
943:
933:
924:
916:
910:
902:
898:
894:
887:
885:
876:
872:
868:
861:
859:
857:
855:
847:
843:
839:
833:
825:
821:
817:
810:
803:
797:
789:
785:
779:
771:
765:
757:
753:
749:
745:
741:
737:
730:
728:
726:
724:
722:
720:
718:
709:
708:
700:
694:, p. 87.
693:
689:
685:
679:
663:
662:Svensk ordbok
659:
653:
645:
639:
623:
619:
613:
611:
604:, p. 34.
603:
599:
595:
589:
587:
578:
572:
568:
550:
545:
541:
534:
529:
526:
519:
514:
510:
503:
498:
491:
486:
479:
474:
467:
462:
458:
452:
447:
446:
437:
428:
424:
420:
418:
413:
410:
409:Decorah, Iowa
406:
400:
397:
388:
386:
381:
378:
376:
372:
368:
363:
359:
354:
350:
342:
338:
330:
326:
317:
313:
309:
305:
301:
299:
295:
291:
286:
284:
283:
278:
274:
270:
265:
260:
258:
254:
250:
246:
240:
237:
233:
229:
225:
221:
217:
213:
209:
205:
201:
197:
193:
185:
180:
171:
169:
165:
164:
159:
155:
151:
146:
140:
134:
129:
125:
121:
116:
113:
107:
96:
94:
90:
88:
82:
78:
76:
70:
69:folk painting
66:
64:
58:
56:
50:
48:
42:
41:Rose-painting
34:
30:
19:
1270:
1259:
1252:
1238:
1224:
1210:
1205:(in Nynorsk)
1200:
1179:. Retrieved
1175:
1154:
1144:
1132:. Retrieved
1128:
1125:"Rosemaling"
1119:
1107:. Retrieved
1103:
1094:
1086:the original
1076:
1060:
1055:
1047:
1000:
996:
990:
974:
969:
957:. Retrieved
953:
932:
923:
909:
892:
866:
837:
832:
824:the original
819:
809:
801:
796:
787:
778:
764:
739:
735:
706:
699:
683:
678:
666:. Retrieved
664:(in Swedish)
661:
658:"dalmålning"
652:
638:
626:. Retrieved
621:
593:
571:
434:
425:
421:
414:
401:
394:
382:
379:
370:
369:, and today
364:
348:
345:
323:
314:
310:
306:
302:
294:Royal cypher
287:
280:
261:
241:
189:
161:
157:
149:
127:
123:
119:
117:
102:
84:
72:
60:
52:
44:
40:
39:
29:
1181:11 November
1134:11 November
1109:11 November
1082:"Per Lysne"
959:11 November
668:11 November
628:11 November
375:Dala horses
356: [
349:ullvibården
150:Dalamålning
133:dalamålning
128:krusmålning
1287:Categories
1278:Rosemaling
563:References
298:Haakon VII
253:Hallingdal
216:Vest-Agder
200:Hallingdal
152:refers to
139:dalmålning
120:rosmålning
93:scrollwork
81:Dalecarlia
75:dalmålning
63:rosmålning
55:rosemåling
47:rosemaling
18:Rosemåling
1025:254491885
901:493919265
875:283342616
405:Per Lysne
277:gold leaf
269:reredoses
220:Hordaland
163:Cucurbita
1017:27502666
897:ProQuest
871:ProQuest
540:Tällberg
367:Norrland
264:acanthus
257:Rogaland
249:Telemark
245:folk art
228:Rogaland
208:Setesdal
192:Telemark
1313:Dalarna
756:4288103
440:Gallery
371:kurbits
273:pulpits
232:Baroque
204:Numedal
196:Valdres
158:Kurbits
154:Dalarna
87:kurbits
1245:
1231:
1217:
1067:
1023:
1015:
981:
899:
873:
844:
754:
690:
600:
459:, Oslo
431:Styles
236:Rococo
226:, and
112:å male
1021:S2CID
1013:JSTOR
752:JSTOR
360:]
353:Ullvi
282:bunad
1243:ISBN
1229:ISBN
1215:ISBN
1183:2023
1136:2023
1111:2023
1065:ISBN
979:ISBN
961:2023
842:ISBN
688:ISBN
670:2023
630:2023
598:ISBN
271:and
255:and
234:and
142:and
1005:doi
744:doi
136:or
126:or
106:ros
59:or
1289::
1174:.
1163:^
1153:.
1127:.
1102:.
1033:^
1019:.
1011:.
1001:20
999:.
952:.
941:^
883:^
853:^
818:.
786:.
750:.
738:.
716:^
660:.
620:.
609:^
585:^
358:sv
251:,
222:,
218:,
210:,
206:,
202:,
198:,
194:,
51:,
43:,
1185:.
1157:.
1138:.
1113:.
1071:.
1027:.
1007::
985:.
963:.
903:.
877:.
848:.
790:.
758:.
746::
740:3
672:.
646:.
632:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
