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as "one of those plain-beautiful women who are far more attractive than some of the pretty ones. She had wonderful hair – like a fair pale veil, a white waxen face and a very good figure; and she wore very odd clothes." According to
99:, where she painted racehorses, building a reputation among the sporting fraternity. She painted both animals and portraits of jockeys, including
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was considered "the best likeness" of the scholar by the editors of his collected works and was engraved as the frontispiece to his biography.
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Corder became the lover of
Charles Augustus Howell in 1873. Howell is alleged to have persuaded her to create drawings in the style of
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Corder was the daughter of Micah Corder (1808–88), a London merchant, and
Charlotte Hill. She trained as a portrait painter under
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Life of Edward
Bouverie Pusey, Doctor of Divinity, Canon of Christ Church, Regius Professor of Hebrew in the University of Oxford
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158:. The portrait was commissioned by Howell. Whistler may have had a dalliance with her at the time. She was also portrayed by
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In 1883 Corder gave birth to a girl by Howell; their daughter was christened
Beatrice Ellen Howell.
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42:(18 May 1853 – 28 November 1893) was a Victorian artist and artist's model. She was the lover of
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English women painters from the early 19th century who exhibited at the Royal
Academy of Art
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135:. Drawings derived from Rossetti's stained-glass window designs depicting the story of
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68:(1857 –1886), Restrike etching - made before artist's death in 1893
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Pre-Raphaelite twilight, the story of
Charles Augustus Howell
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Dante
Gabriel Rossetti and Jane Morris: their correspondence
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Arrangement in Brown and Black: Portrait of Rosa Corder,
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The Story of St George - St George
Slaying the Dragon
95:She had a studio in Southampton Row and another in
162:. Her relationship with Howell was caricatured by
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440:Dictionary of real people and places in fiction
480:The British Museum - Menpes Drypoint of Corder
469:The Correspondence of James McNeill Whister
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124:she "exuded sexual appeal and knew it".
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150:Corder was painted by Whistler in his
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442:, Taylor & Francis, 1993, p.521.
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413:, Richards Press, 1954, pp.19, 230ff
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528:19th-century English women artists
518:19th-century British women artists
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355:Dictionary of Victorian Painters
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152:Arrangement in Black and Brown
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26:James Abbott McNeill Whistler
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533:19th-century women painters
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137:Saint George and the Dragon
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342:The Owl and the Rossettis
198:Ann Charlotte Bartholomew
188:Sophie Gengembre Anderson
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218:Margaret Sarah Carpenter
111:Corder was described by
107:Relationship with Howell
513:English artists' models
409:Helen Rossetti Angeli,
169:Rossetti and his Circle
139:are attributed to her.
44:Charles Augustus Howell
508:English women painters
373:, Longmans, 1894, pix.
238:Mary Harrison (artist)
129:Dante Gabriel Rossetti
118:James McNeill Whistler
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48:Dante Gabriel Rossetti
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427:Whistler: a biography
90:Edward Bouverie Pusey
82:Royal Academy of Arts
80:and exhibited at the
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387:The Story of my Life
298:Elizabeth Emma Soyer
258:Martha Darley Mutrie
425:Stanley Weintraub,
303:Isabelle de Steiger
40:Rosa Frances Corder
367:Henry Parry Liddon
353:Christopher Wood,
327:John Bryson (ed),
233:Harriet Gouldsmith
228:Mary Ellen Edwards
88:. Her portrait of
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268:Emily Mary Osborn
213:Joanna Mary Boyce
122:Stanley Weintraub
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113:Ellen Terry
65:Fred Archer
32:1876-1878,
492:Categories
253:Mary Moser
203:Maria Bell
193:Mary Baker
154:, in the
97:Newmarket
176:See also
172:(1922).
146:As model
84:and the
133:Fuselis
357:, 1978
54:Career
315:Notes
76:and
399:NPG
166:in
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28:,
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