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240:, who published another, less practical collodion process in 1850. But until the end of his life, Bingham proudly proclaimed that he was the first to have written about the collodion process, either in his 1848 book or in the January 1850 edition, making him the inventor of the process. While he is generally acknowledged as one of the first inventors to independently suggest collodion as an alternative for paper, the invention is usually still given to Archer because he published the first practically usable description of the process.
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171:, was destroyed by a fundamentalist Christian, making the photographs by Bingham the only remaining trace of it. But the public outrage about the painting was so great that the government had the negatives destroyed in 1867 as well. Courbet's 1864 "Vénus et Psyché" has disappeared as well and is also only known through Bingham's photographs.
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of prize winning exhibits as illustrations for the photographically-illustrated presentation copies of the Report by the Juries. Bingham set up a photographic printing establishment in
Versailles in order to undertake this contract. Some of the photographs and others by Bingham were shown in 1852 at
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until
Thompson returned to England in 1856. Bingham not only worked at the 1855 Exposition, but also displayed his own life-size portraits, for which he won a Medal First Class. Due to a lack of commercial success, however, he soon stopped producing these huge photographs and stuck to more standard
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Photogenic
Manipulation: Containing the Theory and Plain Instructions in the Art of Photography, Or the Production of Pictures Through the Agency of Light: Including Calotype, Flurotype, Ferrotype, Chromotype, Chrysotype, Cyanotype, Catalistotype and Anthotype. Part
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quarter of Paris, one of the hotspots of artistic activity at the time. He became friends with many artists, photographing them and their works, and started on a new project, a photographic collection of the works of the recently deceased painter
182:, contributing a lot of works to their exhibitions. Early in 1870, he suddenly left Paris for Brussels, where he died in February of that year. His atelier remained open until 1875, publishing more reproductions of his negatives.
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191:"Photogenic manipulation : containing the theory and plain instructions in the art of photography", first Bingham edition (fifth edition overall) in 1847, reprinted at least 4 times until 1850, published by George Knight
36:(bapt. 7 March 1824 – 21 February 1870) was an English pioneer photographer, mainly active in France, making portraits and reproductions of paintings. He is one of the first photographers to use and write about the
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His reproductions of paintings were famed for their suggestion of the original colours in the black-and-white photographs, and were lauded as being far superior to all other similar efforts until then.
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to photograph the masterpieces of the museum collection. At some point in 1851 1855, or 1859, Bingham moved to Paris to work there as a photographer, at first together with the
American
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used to send photographs of his paintings, made by
Bingham, to people to inform them of his latest creations, without the need to wait for a Salon or other exhibition. Similarly,
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1860: "Oeuvre de Ary
Scheffer, reproduit en photographie par Bingham. Accompagné d'une notice sur la vie et les ouvrages de Ary Scheffer, par L. V.", published by Goupil.
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1858: "Oeuvre de Paul
Delaroche : reproduit en photographie par Bingham ; accompagné d'une notice sur la vie et les oeuvres de Paul Delaroche", published by
79:, containing the theory and plain instructions in the art of photography", a work that would be expanded and reprinted at least four times over the next few years.
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showed his paintings, which were rejected for the Salon, through photographs made by
Bingham. His 1863 work "Retour de conférence", which was even rejected at the
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His work at the Louvre inspired him to make photographic portraiture a commercial enterprise, and in 1857 he opened his new atelier in the
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for their work as well, helping it become the most popular method from 1855 until about 1880. Henry Cole sent him at the same time to the
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in Paris. His ability to take some 2500 photographs at relatively high speeds on this occasion encouraged other photographers to use the
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56:, England, where he was baptised in March 1824. His parents were John Cowener Bingham and his wife, Martha.
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139:. It was followed over the next few years by similar works about other artists, including one in 1860 on
147:. Smaller works with only a handful of photographs were produced for particular collections and for the
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1860: "L'album : recueil de photographies des chefs-d'oeuvre de l'art contemporain", published by
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In 1853, at the
British Embassy in Paris, he married Emma Reeve, daughter of surgeon John Reed of
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63:, Staffordshire. She died 15 years later at their home on rue de La Rochefoucauld in Paris.
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Bingham continued to exhibit in Great
Britain and France, winning another medal at the
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347:"Robert J. Bingham, photographe du monde de l'art sous le Second Empire"
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1859: "Oeuvres de Mr. Chifflart. Grand prix de Rome" published by
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and another one with photographs of the major works of the 1860
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103:, London, the first exhibition to focus solely on photography.
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of 1851, and was commissioned, as a result of the influence of
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in London. He was one of the leading members of the
135:. Published in 1858, it was the first photographic
364:England, Select Births and Christenings, 1538-1975
71:Bingham first started working as a chemist at the
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459:Encyclopedia of Nineteenth-Century Photography
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75:. In 1847, he published a new edition of "
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16:English pioneer photographer (1824-1870)
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487:"Robert Jefferson Bingham (1825-1870)"
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552:The Focal Encyclopedia of Photography
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106:Bingham also made photographs of the
40:, which he claimed to have invented.
555:. Taylor & Francis. p. 31.
511:George Knight & Son. p. 67.
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869:19th-century English photographers
603:19th-century English photographers
504:Bingham, Robert Jefferson (1850).
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879:Photographers from Leicestershire
768:William Eastman Palmer & Sons
180:Société française de photographie
525:A Concise History of Photography
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864:People from Harborough District
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97:Recent Specimens of Photography
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345:Boyer, Laure (November 2002).
108:Exposition Universelle of 1855
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528:. Courier Dover. p. 16.
224:Collodion process controversy
176:1862 International Exhibition
408:. 26 October 1868. p. 7
305:Henriëtte Tinne-van Capellen
82:He showed 19 photographs at
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618:William Makepeace Thackeray
613:William de Wiveleslie Abney
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549:Peres, Michael R. (2014).
522:Gernsheim, Helmut (1986).
382:. 6 August 1853. p. 5
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491:National Portrait Gallery
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25:Photograph of archbishop
808:Francis Meadow Sutcliffe
648:Robert Jefferson Bingham
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34:Robert Jefferson Bingham
874:Pioneers of photography
428:Photogenic manipulation
406:London Evening Standard
77:Photogenic manipulation
748:William Edward Kilburn
683:Philip Henry Delamotte
673:Julia Margaret Cameron
456:Hannavy, John (2013).
351:Études Photographiques
234:Frederick Scott Archer
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728:Alfred Horsley Hinton
623:Sarah Angelina Acland
228:The invention of the
44:Early life and family
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813:Constance Fox Talbot
803:Jane Martha St. John
783:Henry Peach Robinson
763:Farnham Maxwell-Lyte
758:Richard Cockle Lucas
92:Claude-Marie Ferrier
84:The Great Exhibition
48:Bingham was born in
828:Henry Van der Weyde
793:Alice Seeley Harris
309:Jetty Hora Siccama
137:catalogue raisonné
120:Warren T. Thompson
73:London Institution
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733:Frederick Hollyer
708:Peter Wickens Fry
688:Elliott & Fry
663:Sarah Anne Bright
638:Alexander Bassano
633:William Bambridge
380:Worcester Journal
353:(in French) (12).
230:collodion process
217:Théophile Gautier
169:Salon des Refusés
112:collodion process
38:collodion process
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818:Henry Fox Talbot
798:Charles Shepherd
773:William Pumphrey
718:Norman Heathcote
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128:Nouvelle Athènes
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165:Gustave Courbet
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101:Society of Arts
95:the exhibition
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430:. Worldcat.
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410:. Retrieved
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384:. Retrieved
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287:James Tissot
227:
186:Bibliography
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141:Ary Scheffer
125:
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99:held at the
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33:
32:
18:
859:1870 deaths
854:1824 births
833:Carl Vandyk
628:Anna Atkins
376:"Marriages"
848:Categories
260:, ca. 1855
219:and others
88:Henry Cole
29:, ca. 1865
123:formats.
50:Billesdon
402:"Deaths"
412:23 July
386:23 July
244:Gallery
559:
532:
466:
436:532171
434:
311:, 1860
153:Amiens
116:Louvre
67:Career
61:Kinver
317:Notes
145:Salon
557:ISBN
530:ISBN
464:ISBN
432:OCLC
414:2018
388:2018
307:and
151:in
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508:I.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
