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Robert Bruce Inverarity

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330: 170: 271:. His tenure was not without controversy. Artists and financial backers of the program questioned his management style and artistic credentials, while political concerns threatened the existence of the FAP (which became, in 1939, the Washington Arts Project). Inverarity, however, managed to retain the directorship until the program was ended by wartime priorities early in 1942. With American involvement in the 17: 344:
in Santa Fe, New Mexico, in 1949. During his five years as director, the museum participated in a pilot study for an innovative system of coding visual files. Inverarity also remained active with the American Anthropological Association and the American Association for the Advancement of Science, and
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By age eighteen the blonde, six-and-a-half foot tall, pipe-smoking young artist had already achieved a degree of local notoriety. A 1928 newspaper profile described him as "one of the most unusual people in Seattle, no matter how you look at him. He's Seattle's youngest recognized artist. He's taking
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from 1936 to 1939 and the Washington Arts Project from 1939 to 1941, working with many noted Pacific Northwest artists. Fascinated with the Indian tribes of the Northwest from early youth, he amassed a major collection of North Pacific Coast Native art and authored several works on the subject.
98:, the son of Duncan George Inverarity and Rosalind Wallace Dunlop Inverarity. His father was a manager and promoter of the Northwest vaudevillean theater circuit, and was a prominent member of various Seattle civic and social organizations; he had also served as an assistant to photographer 298:(1950). Although Inverarity ceased exhibiting his work in 1941, he continued creating art, including illustrations for his and other books, and continued with his longtime interest in photography. Among his best-known works are his portraits of artist friends such as Glenn Wessels, 345:
wrote several articles for anthropological journals. When Inverarity was fired by the Museum of International Folk Art in 1954, most of the staff resigned in protest, triggering an investigation by the American Association of Museums. He went on to serve as director of the
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in Blue Mountain Lake, New York from 1954 to 1965. After a period working as an illustrator and designer for the University of California Press, he returned to the East Coast in 1969 to serve as director of the Philadelphia Maritime Museum.
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The family lived in Canada during much of Bruce's youth, but moved back to Seattle when he was a teenager. From boyhood he had been interested in both art and Native American culture, and after graduating from
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at Fremont College in Los Angeles, receiving a Master's degree in fine arts in 1947 and a Ph.D. in 1948. This period also saw the publication of several books he had authored, including
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Following the war, Inverarity completed his formal education. He earned Bachelor's degrees in art and anthropology from the University of Washington in 1946, and then studied with
138:. He then spent a few years in California working as an artist and teacher, with his paintings and prints shown in a number of solo and group exhibitions. He eventually moved to 30:(July 5, 1909 – August 6, 1999) was an American artist, art educator, museum director, author, and anthropologist. He was the Washington State Director of the 184:'s gallery in Carmel, California in 1929, and another exhibition of his paintings that same year at the Blanding Sloan Gallery. In 1931 he exhibited with the 568: 597: 275:, Inverarity served as the U.S. Navy's Chief of Design for Camouflage (1941-1943), and later as an official Navy war artist (1943-1945) 111: 200:. He became a member of the Northwest Printmakers Society, the California Watercolor Society, and the Royal Society of Arts, London. 528:
Tobey, Mark (1890-1976): The Old Master of the Young American Painting, HistoryLink.org Essay 5217, by Deloris Tarzan Ament.
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As an artist he was best known for his woodblock and linocut printmaking, and for his photographs of artist friends such as
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Mahoney, Eleanor: The Spokane Arts Center: Bringing Art to the People; The Great Depression in Washington State website;
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http://www.burkemuseum.org/info/press_browse/mask_that_inspired_seattle_seahawks_logo_on_display_at_burke_museum_beginni
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The Great Depression in Washington State-Pacific Northwest Labor & Civil Rights Projects|University of Washington:
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Inverarity took a leave of absence from the University of Washington to become, in 1936, State Director of the
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University Libraries, University of Washington; Preliminary Guide to the Robert Bruce Inverarity Papers;
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Combining his interests in art and anthropology, Inverarity became the founding director of the
542: 16: 516: 158:) during a three-month trip in 1932. Returning to Seattle the following year, he joined the 592: 587: 220: 67: 31: 440:
http://www.stevensfineart.com/bio.php?artistId=1260&artist=Robert%20Bruce%20Inverarity
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and had a one-man show at the Hudson Bay Company in Vancouver, BC. His work was shown at
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Robert Bruce Inverarity papers, circa 1840s-1997; Smithsonian Archives of American Art;
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http://www.aaa.si.edu/collections/images/collection/robert-bruce-inverarity-papers-6796
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http://www.askart.com/artist/Robert_Bruce_Inverarity/74817/Robert_Bruce_Inverarity.aspx
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http://digital.lib.washington.edu/findingaids/view?docId=InverarityRobertBruce4445.xml
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an active part in introducing 'modern art' to a city that knew him as a school boy."
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Robert Bruce Inverarity papers, Archives of American Art, Smithsonian Institution.
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Drama School as a puppetry instructor, and in 1938 published his highly regarded
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While still attending high school in Seattle, Inverarity briefly studied under
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http://www.historylink.org/index.cfm?DisplayPage=output.cfm&file_id=5217
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Social networks and archival context: Inverarity, Robert Bruce (1909-1999);
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http://www.aaa.si.edu/collections/robert-bruce-inverarity-papers-6796/more
155: 118:, studying the legends of local Indian tribes and collecting artifacts. 307: 236: 224: 131: 59: 303: 264: 248: 189: 139: 39: 554:
Smithsonian Archives of American Art; 29 images by R.B. Inverarity.
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Moveable Masks and Figures of the North Pacific Coast Indians
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http://depts.washington.edu/depress/spokane_art_center.shtml
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http://socialarchive.iath.virginia.edu/ark:/99166/w61263md
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in 1928 he undertook a 500-mile hike along the coasts of
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Masks and Marionettes of the Northwest Coast Indians
176:, woodblock print,1935, by Robert Bruce Inverarity. 90:Robert Bruce Inverarity was born July 5, 1909, in 579: 20:Robert Bruce Inverarity, self-portrait, 1938. 420:http://depts.washington.edu/depress/FAP.shtml 196:in 1935, and he had a piece exhibited at the 475:askArt, Robert Inverarity artist biography; 438:Stevens Fine Art website, artist biography; 416:The Federal Art Project in Washington State 267:) and oversaw the creation of the popular 380:football team is based on an image of a 358:Inverarity retired in 1976 and moved to 336:, Robert Bruce Inverarity, pastel, 1931. 328: 168: 15: 369:He died in La Jolla on August 6, 1999. 366:for what he described as "a tidy sum". 580: 511: 509: 507: 505: 491: 489: 487: 485: 410: 408: 406: 404: 296:The Art of the Northwest Coast Indians 458: 456: 454: 452: 450: 448: 434: 432: 430: 428: 502: 482: 401: 13: 598:Federal Art Project administrators 445: 425: 389:Art of the Northwest Coast Indians 387:taken from Inverarity's 1950 book 14: 609: 180:Inverarity had a one-man show at 342:Museum of International Folk Art 64:Museum of International Folk Art 62:. He developed and directed the 561: 548: 535: 522: 469: 353: 1: 394: 85: 372:The helmet logo used by the 80:Philadelphia Maritime Museum 76:Blue Mountain Lake, New York 7: 186:Brooklyn Society of Etchers 10: 614: 292:Northwest Coast Indian Art 198:1939 New York World's Fair 104:Harriman Alaska Expedition 125: 324:Stanton Macdonald-Wright 160:University of Washington 174:San Francisco Cable Car 152:Queen Charlotte Islands 28:Robert Bruce Inverarity 567:Burke Museum website; 337: 263:, Kenneth Downer, and 223:, Richard V. Correll, 177: 154:(as of 2010, known as 24: 332: 172: 19: 112:Garfield High School 68:Santa Fe, New Mexico 32:Federal Arts Project 418:by Eleanor Mahoney; 385:transformation mask 235:, Malcolm Roberts, 205:Federal Art Project 338: 269:Spokane Art Center 178: 164:Manual of Puppetry 25: 347:Adirondack Museum 253:Z. Vanessa Helder 72:Adirondack Museum 605: 572: 565: 559: 552: 546: 539: 533: 526: 520: 513: 500: 493: 480: 473: 467: 460: 443: 436: 423: 412: 378:Seattle Seahawks 300:Dorothea Tanning 273:Second World War 261:James FitzGerald 251:, Julius Twohy, 148:British Columbia 116:Vancouver Island 100:Edward S. Curtis 44:Dorothea Tanning 613: 612: 608: 607: 606: 604: 603: 602: 578: 577: 576: 575: 571:; retvd 10 1 15 566: 562: 553: 549: 540: 536: 527: 523: 514: 503: 494: 483: 474: 470: 461: 446: 437: 426: 413: 402: 397: 356: 209:William Cumming 128: 88: 12: 11: 5: 611: 601: 600: 595: 590: 574: 573: 560: 547: 545:retvd 6 5 2015 534: 532:retvd 6 6 2015 521: 519:retvd 6 5 2015 501: 499:retvd 6 5 2015 481: 479:retvd 6 5 2015 468: 444: 424: 422:retvd 6 6 2015 399: 398: 396: 393: 364:British Museum 355: 352: 316:Marcel Duchamp 233:Hilda Grossman 136:Cornish School 127: 124: 87: 84: 48:Marcel Duchamp 9: 6: 4: 3: 2: 610: 599: 596: 594: 591: 589: 586: 585: 583: 570: 564: 557: 551: 544: 538: 531: 525: 518: 512: 510: 508: 506: 498: 492: 490: 488: 486: 478: 472: 465: 459: 457: 455: 453: 451: 449: 441: 435: 433: 431: 429: 421: 417: 411: 409: 407: 405: 400: 392: 390: 386: 383: 382:Kwakwaka'wakw 379: 375: 370: 367: 365: 361: 351: 348: 343: 335: 331: 327: 325: 321: 317: 313: 312:Morris Graves 309: 305: 301: 297: 293: 289: 285: 281: 280:Hilaire Hiler 276: 274: 270: 266: 262: 258: 257:Joseph Solman 254: 250: 246: 242: 238: 234: 230: 226: 222: 218: 217:Morris Graves 214: 213:Helmi Juvonen 210: 206: 201: 199: 195: 194:San Francisco 191: 187: 183: 182:Edward Weston 175: 171: 167: 165: 161: 157: 153: 149: 145: 141: 137: 133: 123: 119: 117: 113: 107: 105: 101: 97: 93: 83: 81: 77: 73: 69: 65: 61: 57: 56:Rockwell Kent 53: 49: 45: 41: 36: 33: 29: 23: 18: 563: 558:retvd 6 7 15 550: 537: 524: 471: 466:retvd 6 4 15 442:retvd 6 4 15 415: 388: 371: 368: 357: 339: 333: 295: 294:(1946), and 291: 287: 283: 277: 245:Jacob Elshin 241:Andrew Chinn 229:Guy Anderson 202: 179: 173: 163: 144:Haida people 129: 120: 108: 89: 37: 27: 26: 21: 593:1999 deaths 588:1909 births 354:Later years 221:Carl Morris 156:Haida Gwaii 582:Categories 395:References 334:Aurora Sky 308:Mark Tobey 237:Mark Tobey 225:Hannes Bok 132:Mark Tobey 96:Washington 86:Early life 78:, and the 60:Mark Tobey 304:Max Ernst 265:Ruth Egri 249:Fay Chong 140:Vancouver 106:of 1899. 40:Max Ernst 360:La Jolla 290:(1941), 286:(1940), 320:Man Ray 102:on the 92:Seattle 52:Man Ray 322:, and 190:Gump's 126:Career 70:, the 58:, and 376:'s 374:NFL 192:in 150:'s 146:of 74:in 66:in 584:: 504:^ 484:^ 447:^ 427:^ 403:^ 391:. 326:. 318:, 314:, 310:, 306:, 302:, 259:, 255:, 247:, 243:, 239:, 231:, 227:, 219:, 215:, 211:, 166:. 94:, 82:. 54:, 50:, 46:, 42:,

Index


Federal Arts Project
Max Ernst
Dorothea Tanning
Marcel Duchamp
Man Ray
Rockwell Kent
Mark Tobey
Museum of International Folk Art
Santa Fe, New Mexico
Adirondack Museum
Blue Mountain Lake, New York
Philadelphia Maritime Museum
Seattle
Washington
Edward S. Curtis
Harriman Alaska Expedition
Garfield High School
Vancouver Island
Mark Tobey
Cornish School
Vancouver
Haida people
British Columbia
Queen Charlotte Islands
Haida Gwaii
University of Washington

Edward Weston
Brooklyn Society of Etchers

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