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Road to Utopia

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330:. Hooton wants to go to New York. They part at the embarkation quay, but Johnson cheats Hooton out of money and when he runs back to challenge him he gets stuck on the ship going to Alaska. They have to work for their passage. While doing housekeeping duties in a cabin, Chester finds a map to a gold mine. McGurk and Sperry enter behind them, but Duke and Chester overpower the thugs and take their place (and their beards) to get off the boat. 352:
Duke and Chester are confronted by the real McGurk and Sperry and they realize the girls had stolen the map. They still manage to escape and, after a merry chase through the mountains, head back to town. They readopt their McGurk and Sperry personas but are distressed to find the latter are likely to
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Arriving in Alaska, Chester and Duke find that the entire town is terrified of their personas. They see Sal's singing routine and are both instantly smitten. Sal plays up to both of them in turn: first Chester, then Duke. She invites each to her room at midnight. She doubts they are the real killers,
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summed it up writing: "The highly successful Crosby-Hope-Lamour “Road” series under the Paramount banner comes to attention once again in “Road to Utopia,” a zany laugh-getter which digresses somewhat from pattern by gently kidding the picture business and throwing in unique little touches, all with
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Sal, now realizing how much she loves Duke, refuses to go along with the plan. But Kate warns her that only Ace can keep them from being killed and the only way to get to him is to give up the map. Sal reluctantly agrees to steal the map while the men sleep, and does so. The two girls leave the next
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Duke and Chester manage to escape by dog sled; initially pulling the sled themselves with the large dog they found acting as passenger. En route, they meet Santa Claus on his sled going in the opposite direction. They find Sal in the snow. She and Kate have a cabin nearby and all four stay together.
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Meanwhile in Alaska, Sal van Hoyden goes to see the owner of the Last Chance dance hall, Ace Larson. She has a story of a map of a gold mine stolen by two men: McGurk and Sperry. Instead of going to the police, Larson assures Sal that he will take care of things. He gives her a job performing in his
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The movie flashes forward into the films present, with aged Duke telling Sal and Chester how he escaped the mob. He is then surprised to hear that Chester and Sal have a son. They call for him, and he bears a striking resemblance to Duke. Chester looks into the camera and says, "We adopted him."
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be hanged. They scare off the posse with a stick of dynamite and rescue Sal who is tied in a back room. They leave the lit dynamite in a candlestick just as the real McGurk and Sperry arrive, and they get blown up while the three escape. They escape by dog sled, but the sled overturns.
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The film flashes back to the turn of the century. Hooton and Johnson are doing a variety act as "Prof Zambini and Ghost-O". Their trick cons people out of money and they run when the hall is raided by the police. They escape and Johnson wants to head for
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The ice splits with Duke and Chester each having one leg on each side as the gap widens. Eventually, this leaves Sal and Chester on opposite sides, with Duke on the side of the mob. He throws the map, wishes them well, and turns to face the mob.
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wrote: "Not since Charlie Chaplin was prospecting for gold in a Hollywood-made Alaska many long years ago has so much howling humor been swirled with so much artificial snow as it is in “Road to Utopia,” which came to the Paramount yesterday."
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starred, as they did in all but one of the series. The film is also the only "Road" film that did not take place in modern times though the film begins and ends with the cast made up to look older to frame the
509:" and general wackiness. During Crosby's fake incantation at the beginning of the film include the phrase "presto-sturgando", which is a reference to Paramount writer-director Preston Sturges. 322:
Sal and Chester Hooton, an old married couple, are visited by their equally old friend Duke Johnson, and the three reminisce about their previous adventure in the Klondike.
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saloon, an act which infuriates Larson's girlfriend, Kate. Larson tells Kate how he really plans to take Sal's gold mine for the two of them and passionately kisses her.
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provides some wry commentary that is interspersed throughout the movie (Benchley died several months before the film's release). There are also jabs at
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performers at the turn of the twentieth century who go to Alaska to make their fortune. Along the way they find a map to a secret gold mine. In 1947,
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introduces the film, explaining that “the front office” has charged him with explaining the plot “and other vague portions of the film.”
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film without a real place in its title, though Alaska with its gold mines is referred to as "Utopia" several times in the film.
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Chester and Duke argue over who gets to hold the map and decide to tear it in half and each man keep his for safekeeping.
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She chats up first Chester then Duke to establish where the map is. Duke confesses he is not McGurk.
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In her autobiography, Dorothy Lamour said that Paramount may have delayed the release of
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a view to tickling the risibilities. Very big boxoffice results assured...
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charts reaching the No. 9 spot. Crosby's songs were also included in the
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but Ace's lackey, Lebec, reminds her to get the map at all costs.
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This article is about the 1946 film. For the Hawkwind album, see
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It was the biggest hit at the British box office in 1946 after
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Filmed from December 1943 to March 1944, the film is the only
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1946 American semi-musical comedy film directed by Hal Walker
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committee's—acceptance of Crosby in the role of a priest in
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Academy Award nomination for Best Original Screenplay
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Index

Road to Utopia (album)
Adventures in Utopia § Side one

Hal Walker
Melvin Frank
Norman Panama
Paul Jones
Bing Crosby
Bob Hope
Dorothy Lamour
Robert Benchley
Lionel Lindon
Stuart Gilmore
Leigh Harline
Paramount Pictures
musical
comedy film
Hal Walker
Bing Crosby
Bob Hope
Dorothy Lamour
Road to ...
Melvin Frank
Norman Panama
vaudeville
Academy Award nomination for Best Original Screenplay
Robert Benchley
Alaska
Bing Crosby
Bob Hope

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