44:(Hugo Riemann Musik-Lexikon. Theory and history of music, the composers (literally: tone artists) of old and new times with lists of their works, together with a complete description of instruments). In the following editions the volume was constantly expanded; the seventh edition had 1598 pages compared to the first with 1036 pages. The last edition published by Riemann was the eighth (Leipzig 1916). He completely revised the lexicon for the ninth edition which was published in Berlin in 1919, after his death.
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The
Riemann Musiklexikon is the last undertaking of an individual to write a comprehensive encyclopedia in the field of music. The first edition of the encyclopaedia was published in 1882 under the title
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Hugo
Riemann Musik-Lexikon. Theorie und Geschichte der Musik, die Tonkünstler alter und neuer Zeit mit Angabe ihrer Werke, nebst einer vollständigen Instrumentenkunde
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The tenth edition was the last in one volume (Berlin 1922) contained a large number of biographical articles, which
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in Mainz. It became the most widely used profound music encyclopaedia of the post-war period. The
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Einstein supervised the work from the ninth to the eleventh edition. When he emigrated, the
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deleted for the eleventh edition (Berlin 1929), in two volumes, and the first set in
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tried a 12th edition, begun in 1939, aiming to bring the work in line with
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became known and popular in the Anglo-American world. The musicologist
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was published by Schott at the beginning of 2012, edited by
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After World War II, a 12th edition was published, entitled
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125:Preface. In Wolfgang Ruf,
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327:Germany
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60:Riemann
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