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Richard Perkins (actor)

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It was through such plays and roles that Perkins achieved his reputation as "a versatile, self-possessed and graceful actor whose skills would have been well-suited to a private theatre such as the Phoenix." His range of roles included "romantic villain, dignified father, honest plain-spoken old
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Perkins was also in the successful revival production of the play c. 1630, in which he most likely took the role of Brachiano. Webster may have designed the role of Romelio in his
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Nothing is known about the early life of Perkins, and the year of his birth has been estimated at 1579 or 1585. His professional career had begun by 1602, when he was a member of
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were housemates: "Perkins and Sumner of the Cockpit, kept house together in Clerkenwell, and were there buried." (Sumner predeceased Perkins, and was buried on 24 May 1649.)
226:, probably in the role of Flamenio. Though the play's premier was a failure, Webster praised Perkins's performance in a note appended to the 1612 first edition of the play: 259:
Naturally and inevitably, Perkins's career was severely curtailed by the 1642 closing of the theatres. He was buried on 20 April 1650, in the parish of St. James,
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in particular I must remember the well-approved industry of my friend Master Perkins, and confess the worth of his action did crown both the beginning and the end.
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As with most actors of his era, little in known of Perkins's personal life. His first wife died in 1621; he remarried the same year.
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for Perkins, and may have written the play for the premier of Queen Anne's Men at their new Phoenix playhouse in 1617. (After the
84:(c. 1579/c. 1585–1650) was a prominent early seventeenth-century actor, most famous for his performance in the role of Barabas in 248:
had the theatre rebuilt and re-christened the Phoenix. It was for this re-opening that Webster's play may have been intended.)
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He was also involved in most of the troupe's productions during its 1625–42 lifetime, including
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in 1619, the troupe lost its name and patron, but continued in its theatre, and was known as the
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Blood on the Stage, 1600 to 1800: Milestone Plays of Murder, Mystery, and Mayhem
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was damaged by rioting apprentices at Shrovetide in spring 1617, manager
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company or the Revels company. After a relatively brief stint with the
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Perkins achieved his greatest fame as Barabas in the company's
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Perkins had a noteworthy connection with the plays of
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Between Worlds: A Study of the Plays of John Webster,
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Index

Richard Perkins (17th-century actor)
Christopher Marlowe
The Jew of Malta
Christopher Marlowe
The Jew of Malta
tragedian
Worcester's Men
Queen Anne's Men
Anne of Denmark
Red Bull
King's Men
Queen Henrietta's Men
1625
English Civil War
1633
Heywood's
The Fair Maid of the West
Shirley's
The Wedding
The Lady of Pleasure
Davenport's
King John and Matilda
Nabbes's
Hannibal and Scipio
Ford's
Love's Sacrifice
John Webster
The White Devil
1612
The Devil's Law Case

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