22:
105:
587:
180:
are informed that a madman, a torch in his hand, is just on the point of setting fire to a powder magazine, and commence in strophe and antistrophe to lament their own condition, proceeding to exclaim against the thrice-unhappy madman and against the six-times unhappy fate of themselves thus exposed
224:
597:
185:(printed 1767), with its scenes of courtship, paternal vigilance, and spousal preparations, is said to have convulsed the house with laughter. A posthumous comedy of his,
149:, Pitt being Bentley's successor on the "Committee of Taste" when he fell out of favour. The poem illustrations have been thought connected with the style of
526:
290:
673:
658:
138:
663:
623:
683:
678:
508:
478:
451:
424:
397:
370:
332:
253:
568:
606:
142:
622:
347:
205:
668:
114:
81:
in 1728; but he never settled to a career, endured financial troubles, and spent time in France and Jersey.
130:
78:
70:
150:
93:
498:
468:
441:
322:
648:
558:
414:
360:
243:
146:
653:
8:
169:
21:
26:
564:
504:
474:
447:
420:
393:
366:
328:
249:
531:
295:
631:(1 ed.). Canterbury: the Honourable Society of the Middle Temple. p. 17.
543:
307:
387:
66:
601:
535:
494:
299:
104:
85:
54:
642:
591:
201:
173:
165:
74:
121:
Bentley made drawings for Gray's poems, and some were published in 1753, as
134:
109:
89:
50:
629:
A catalogue of notable Middle
Templars, with brief biographical notices
245:
A Catalogue of
Notable Middle Templars: With Brief Biographical Notices
161:
324:
Place-making for the
Imagination: Horace Walpole and Strawberry Hill
590: This article incorporates text from a publication now in the
168:, 3 October 1761. It was written to ridicule the construction of
84:
During the 1750s
Bentley developed significant friendships, with
610:. Vol. 4. London: Smith, Elder & Co. pp. 314–316.
412:
126:
470:
Fashioning Faces: The
Portraitive Mode in British Romanticism
153:; Bentley's subsequent architectural designs were eclectic.
73:, he was admitted to the college at age 10. He entered the
49:) was an English writer and designer who was friends with
416:
Britain in the
Hanoverian Age, 1714-1837: An Encyclopedia
77:
in 1720. His father's influence saw him made fellow of
389:
Designs by Mr. Bentley, for Six Poems by Mr. T. Gray
123:
Designs by Mr. Bentley, for Six Poems by Mr. T. Gray
413:Gerald Newman; Leslie Ellen Brown (January 1997).
156:Around 1761 Bentley turned playwright. His comedy
137:. He was one of Walpole's group of advisers, with
176:and moralisings of the chorus: the chorus in the
640:
556:
466:
320:
288:Watts, Teresa Sophia. "Müntz, Johann Heinrich".
164:for three nights (27, 28, 80 July 1761), and at
443:The Castle of Otranto and the Mysterious Mother
241:
493:
439:
385:
358:
530:(online ed.). Oxford University Press.
294:(online ed.). Oxford University Press.
620:
200:, 1793. He also translated the travels of
248:. The Lawbook Exchange, Ltd. p. 17.
563:. Indiana University Press. p. 47.
327:. Ashgate Publishing, Ltd. p. 156.
223:
194:Patriotism, a Mock Heroic in five cantos
103:
20:
674:English male dramatists and playwrights
527:Oxford Dictionary of National Biography
291:Oxford Dictionary of National Biography
158:The Wishes, or Harlequin's Mouth opened
125:. It was influenced by French style, a
641:
503:. Yale University Press. p. 372.
189:, was acted for a few nights in 1788.
659:Fellows of Trinity College, Cambridge
595:
557:Louise Schleiner (22 November 1994).
500:Architecture in Britain, 1530 to 1830
362:16th and 17th Century English Writers
275:
271:
269:
267:
265:
419:. Taylor & Francis. p. 66.
321:Dr Marion Harney (28 January 2014).
204:; and verse for tomb inscription by
198:A Letter to the Right Hon. C. F. Fox
192:Among Bentley's other writings were
96:. He fell out with Walpole in 1761.
13:
664:English dramatists and playwrights
262:
242:John Hutchinson (1 January 2003).
14:
695:
614:
467:Elizabeth A. Fay (January 2010).
440:Horace Walpole (2 January 2003).
348:Online at the Thomas Gray Archive
287:
108:Richard Bentley, 1753 design for
684:18th-century English translators
679:English male non-fiction writers
607:Dictionary of National Biography
596:Wroth, Warwick William (1885). "
585:
524:Ford, L. L. "Bentley, Richard".
523:
446:. Broadview Press. p. 280.
181:to a madman's fury. His tragedy
92:; in Jersey in 1754 he met also
550:
517:
487:
460:
433:
206:Elizabeth Russell, Lady Russell
560:Tudor and Stuart Women Writers
406:
379:
352:
341:
314:
281:
235:
217:
1:
386:Horace Walpole (March 2010).
225:"Bentley, Richard (BNTY718R)"
145:, who steered the design for
115:Elegy in a Country Churchyard
43:
36:
598:Bentley, Richard (1708-1782)
544:UK public library membership
308:UK public library membership
25:1753 portrait of Bentley by
7:
229:A Cambridge Alumni Database
16:English writer and designer
10:
700:
365:. Sura Books. p. 84.
231:. University of Cambridge.
71:Trinity College, Cambridge
621:Hutchinson, John (1902).
624:"Bentley, Richard"
211:
99:
60:
536:10.1093/ref:odnb/92460
392:. Pallas Athene Publ.
300:10.1093/ref:odnb/19552
133:aspects and traces of
118:
29:
473:. UPNE. p. 179.
107:
94:Johann Heinrich Müntz
24:
669:English illustrators
359:Archana Srinivasan.
196:, London, 1763; and
170:Ancient Greek drama
278:, pp. 314–316
129:work showing also
119:
30:
27:John Giles Eccardt
542:(Subscription or
510:978-0-300-05886-4
480:978-1-58465-778-1
453:978-1-55111-304-3
426:978-0-8153-0396-1
399:978-1-84368-058-1
372:978-81-7478-637-1
334:978-1-4094-7006-9
306:(Subscription or
255:978-1-58477-323-8
172:, especially the
691:
632:
626:
611:
589:
588:
575:
574:
554:
548:
547:
539:
521:
515:
514:
491:
485:
484:
464:
458:
457:
437:
431:
430:
410:
404:
403:
383:
377:
376:
356:
350:
345:
339:
338:
318:
312:
311:
303:
285:
279:
273:
260:
259:
239:
233:
232:
221:
48:
45:
41:
38:
699:
698:
694:
693:
692:
690:
689:
688:
639:
638:
636:
617:
602:Stephen, Leslie
586:
578:
571:
555:
551:
541:
522:
518:
511:
492:
488:
481:
465:
461:
454:
438:
434:
427:
411:
407:
400:
384:
380:
373:
357:
353:
346:
342:
335:
319:
315:
305:
286:
282:
274:
263:
256:
240:
236:
222:
218:
214:
147:Strawberry Hill
102:
67:Richard Bentley
63:
46:
39:
33:Richard Bentley
17:
12:
11:
5:
697:
687:
686:
681:
676:
671:
666:
661:
656:
651:
634:
633:
616:
615:External links
613:
583:
582:
577:
576:
569:
549:
516:
509:
495:John Summerson
486:
479:
459:
452:
432:
425:
405:
398:
378:
371:
351:
340:
333:
313:
280:
261:
254:
234:
215:
213:
210:
101:
98:
86:Horace Walpole
62:
59:
55:Horace Walpole
15:
9:
6:
4:
3:
2:
696:
685:
682:
680:
677:
675:
672:
670:
667:
665:
662:
660:
657:
655:
652:
650:
647:
646:
644:
637:
630:
625:
619:
618:
612:
609:
608:
603:
599:
593:
592:public domain
580:
579:
572:
570:0-253-11510-8
566:
562:
561:
553:
545:
537:
533:
529:
528:
520:
512:
506:
502:
501:
496:
490:
482:
476:
472:
471:
463:
455:
449:
445:
444:
436:
428:
422:
418:
417:
409:
401:
395:
391:
390:
382:
374:
368:
364:
363:
355:
349:
344:
336:
330:
326:
325:
317:
309:
301:
297:
293:
292:
284:
277:
272:
270:
268:
266:
257:
251:
247:
246:
238:
230:
226:
220:
216:
209:
207:
203:
202:Paul Hentzner
199:
195:
190:
188:
184:
179:
175:
174:three unities
171:
167:
166:Covent Garden
163:
160:was acted at
159:
154:
152:
148:
144:
140:
136:
132:
128:
124:
117:
116:
111:
106:
97:
95:
91:
87:
82:
80:
76:
75:Middle Temple
72:
68:
58:
56:
52:
34:
28:
23:
19:
649:1700s births
635:
628:
605:
584:
559:
552:
525:
519:
499:
489:
469:
462:
442:
435:
415:
408:
388:
381:
361:
354:
343:
323:
316:
289:
283:
244:
237:
228:
219:
197:
193:
191:
186:
182:
177:
157:
155:
122:
120:
113:
83:
69:, Master of
64:
32:
31:
18:
654:1782 deaths
581:Attribution
187:The Prophet
151:Jean Bérain
143:Thomas Pitt
135:chinoiserie
110:Thomas Gray
90:Thomas Gray
65:The son of
51:Thomas Gray
47: 1782
40: 1708
643:Categories
546:required.)
310:required.)
276:Wroth 1885
183:Philodamus
162:Drury Lane
139:John Chute
497:(1993).
604:(ed.).
594::
79:Trinity
600:". In
567:
540:
507:
477:
450:
423:
396:
369:
331:
304:
252:
178:Wishes
131:Gothic
127:rococo
212:Notes
100:Works
565:ISBN
505:ISBN
475:ISBN
448:ISBN
421:ISBN
394:ISBN
367:ISBN
329:ISBN
250:ISBN
141:and
88:and
61:Life
53:and
532:doi
296:doi
112:'s
645::
627:.
264:^
227:.
208:.
57:.
44:c.
42:–
37:c.
573:.
538:.
534::
513:.
483:.
456:.
429:.
402:.
375:.
337:.
302:.
298::
258:.
35:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.