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The
Richard Avedon Foundation is a private operating foundation, structured by Avedon during his lifetime. It began its work shortly after his death in 2004. Based in New York, the foundation is the repository for Avedon's photographs, negatives, publications, papers, and archival materials. In 2006,
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magazine in May 1992, "When Dick walks into the room, a lot of people are intimidated. But when he works, he's so acutely creative, so sensitive. And he doesn't like it if anyone else is around or speaking. There is a mutual vulnerability, and a moment of fusion when he clicks the shutter. You either
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Hepburn was Avedon's muse in the 1950s and 1960s, and he went so far as to say: "I am, and forever will be, devastated by the gift of Audrey
Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than
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Pan film. The collection identified a story within his subjects of their innermost self, a connection Avedon admits would not have happened if his new sense of mortality through severe heart conditions and aging hadn't occurred. Avedon visited and traveled through state fair rodeos, carnivals, coal
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themes and for exploiting his subjects. Avedon's book was actually controversial when it was first released. Some people found it unconventional and unexpected for a book about the West, but it ended up becoming an iconic image that challenged traditional perceptions of the region. Critics question
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Wilder envisioned the project to portray Avedon's take on the
American West. It became a turning point in Avedon's career when he focused on everyday working class subjects such as miners soiled in their work clothes, housewives, farmers and drifters on larger-than-life prints, instead of the more
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aftermath and its direct effects. Billy Mudd, a trucker, spent long periods of time on his own away from his family. He was a depressed, disconnected and lonely man before Avedon offered him the chance to be photographed. When he saw his portrait for the first time, Mudd saw that Avedon revealed
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By eliminating the use of soft lights and props, Avedon was able to focus on the inner worlds of his subjects evoking emotions and reactions. He would at times evoke reactions from his portrait subjects by guiding them into uncomfortable areas of discussion or asking them psychologically probing
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why a photographer from the East who traditionally focuses on models or public figures would go out West to capture the working class members who represent hardship and suffering. They argue that Avedon's intentions are to influence and evoke condescending emotions from the viewer such as pity.
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In addition to his continuing fashion work, by the 1960s Avedon was making studio portraits of civil rights workers, politicians, and cultural dissidents of various stripes in an
America fissured by discord and violence. He branched out into photographing patients of mental hospitals, the
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traditional options of focusing upon public figures or the openness and grandeur of the West. The project lasted five years concluding with an exhibition and a catalogue. It allowed Avedon and his crew to photograph 762 people and expose approximately 17,000 sheets of 8Ă10
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were printed as artist proofs, one set to remain at the Carter after the exhibition there, and the other, property of the artist, to travel to the subsequent six venues. Overall, the printing took nine months, consuming about 68,000 square feet (6,300 m) of paper.
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803:, Humlebaek, Denmark (2007; which traveled to Milan, Paris, Berlin, Amsterdam and San Francisco, through 2009). Showing Avedon's work from his earliest, sun-splashed pictures in 1944 to portraits in 2000 that convey his fashion fatigue, the
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Serious heart inflammations hindered Avedon's health in 1974. The troubling time inspired him to create a compelling collection from a new perspective. In 1979, he was commissioned by
Mitchell A. Wilder (1913â1979), the director of the
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Avedon was always interested in how portraiture captures the personality and soul of its subject. As his reputation as a photographer became more well known, he photographed many public figures in his studio with a large-format 8Ă10
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not only to feed his curiosity about the world but also to retreat from his personal life. His father was a critical and remote disciplinarian, who insisted that physical strength, education, and money prepared one for life.
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called Avedon's Fifth Avenue. His mother, Anna, from a family that owned a dress-manufacturing business, encouraged
Richard's love of fashion and art. Avedon's interest in photography emerged when, at age 12, he joined a
507:, Avedon said that "Brooke is a lightning rod. She focuses the inarticulate rage people feel about the decline in contemporary morality and destruction of innocence in the world." On working with Avedon, Shields told
1002:, Paris, in 1955. This particular print, the largest of this image, was made in 1978 for Avedon's fashion retrospective at the Metropolitan Museum of Art in New York, and was bought by Maison Christian Dior.
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The photographer's first muse was his younger sister, Louise. During her teen years, she struggled through psychiatric treatment, eventually becoming increasingly withdrawn from reality and diagnosed with
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In 1944, Avedon began working as an advertising photographer for a department store, but was quickly endorsed by Alexey
Brodovitch, who was art director for the world-renowned American fashion magazine
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Avedon was born in New York City to a Jewish family. His father, Jacob Israel Avedon, was a
Russian-born immigrant who advanced from menial work to starting his own successful retail dress business on
795:(NYC) presented two solo exhibitions during his lifetime, in 1978 and 2002. In 1980, a retrospective was organized by the University Art Museum in Berkeley. Major retrospectives were mounted at the
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and a skeleton, was published in 1995. Other pictures for the magazine, ranging from the first publication, in 1994, of previously unpublished photos of
Marilyn Monroe to a resonant rendering of
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as the fashion photographer "Dick Avery." Avedon supplied some of the still photographs used in the production, including its most noted single image: an intentionally overexposed close-up of
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references Avedon several times, with side character
Victoria Chase calling him "one of my heroes" in response to being compared to him if the player chooses to be kind to her.
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450:. However, towards the end of the 1950s, he became dissatisfied with daylight photography and open air locations and so turned to studio photography, using strobe lighting.
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something about him that allowed him to recognize the need for change in his life. The portrait transformed Mudd, and led him to quit his job and return to his family.
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According to Norma Stevens, Avedon's longtime studio director, Avedon confided in her about his homosexual relationships, including a decade-long affair with director
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Avedon had very numerous museum exhibitions around the world, exhibitions in which he was a part of and became known for. His first major retrospective was at the
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questions. Through these means he would produce images revealing aspects of his subject's character and personality that were not typically captured by others.
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of Manhattan that would serve as both his studio and apartment. In the late 1970s, he purchased a four-bedroom house on a 7.5-acre (3.0 ha) estate in
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239:. These early influences of fashion and family would shape Avedon's life and career, often expressed in his desire to capture tragic beauty in photos.
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and his extended family; and the Mission Council, a group of military and government officials who governed the United States' participation in the
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In 1951, he married Evelyn Franklin; she died on March 13, 2004. Their marriage produced one son, John Avedon, who has written extensively about
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Welsh, James Michael; Gene D. Phillips; Rodney Hill The Francis Ford Copolla Encyclopedia Scarecrow Press Lanham, Maryland 2010, p. 154.
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During the production period Avedon encountered problems with size availability for quality printing paper. While he experimented with
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said that "his fashion and portrait photographs helped define America's image of style, beauty and culture for the last half-century".
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http://mediaroom.scholastic.com/press-release/america-s-most-creative-teens-named-national-2016-scholastic-art-writing-awards-recipi
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Scholastic Inc., Newsroom, AMERICAâS MOST CREATIVE TEENS NAMED AS NATIONAL 2016 SCHOLASTIC ART & WRITING AWARDS RECIPIENTS,
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2667:"The Chicago Seven: Lee Weiner, John Fronies, Abbie Hoffman, Rennie Davis, Jerry Rubin, Tom Hayden, Dave Dellinger. Chicago"
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in 1992, where his post-apocalyptic, wild fashion fable âIn Memory of the Late Mr. and Mrs. Comfort,â featuring model
488:, as well as directing her in the accompanying television commercials. Avedon first worked with Shields in 1974 for a
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individual color portraits, and a black-and-white group portrait taken with a Rolleiflex camera and a normal
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specializing in capturing movement in still pictures of fashion, theater and dance. An obituary published in
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In 1944, Avedon married 19-year-old bank teller Dorcas Marie Nowell, who later became the model and actress
548:. The first, taken in mid to late 1967, consisted of five psychedelic portraits of the group â four heavily
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to study philosophy and poetry but dropped out after one year. He then started as a photographer for the
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is one of the Avedon's most notable works, it has often been criticized for falsifying the West through
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At 71, Assailed by Critics, the Prickly Photographer Says Frankly, 'I Don't Give a Damn How I'm Taken.'
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2492:"His Father's Photos Extol Beauty, but John Avedon's New Book on Tibet Doesn't Paint a Pretty Picture"
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in 1962, Avedon joined her as a staff photographer. He proceeded to become the lead photographer at
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has been attested to by colleagues and family. He was reportedly devastated when Nowell left him.
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1688:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. 1985â1993. p. 27.
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1985:
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Avedon's mural groupings featured emblematic figures: Andy Warhol with the players and stars of
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1103:(Fraenkel Gallery), assembles the majority of the collection in a boxed set of five booklets: â
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In 1946, Avedon had set up his own studio and began providing images for magazines including
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2149:"Once at MIA: Avedon sits in â Minneapolis Institute of Art â Minneapolis Institute of Art"
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2238:"Avedon exhibit at Tucson's Center for Creative Photography puts relationships into focus"
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In 1982, Avedon produced a playfully inventive series of advertisements for fashion label
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LP in 1968. Among the many other rock bands photographed by Avedon, in 1973, he shot
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camera his father had given him. From 1944 to 1950, Avedon studied photography with
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in April 1960. Avedon is portrayed by the film's cinematographer, Adam Kimmel.
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During this period, Avedon also created two well known sets of portraits of
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presented a fictional account of Avedon's early career in the 1957 musical
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875:, the Avedon Foundation gave 74 Avedon images to the Israel Museum in 2013.
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in 2009 mounted the largest survey of his fashion work. Also in 2009, the
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2337:"Ryszard Horowitz inducted to the International Photography Hall of Fame"
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Among his fashion advertisement series are the recurring assignments for
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Focus: The Secret, Sexy, Sometimes Sordid World Of Fashion Photographers
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The American Institute for Conservation of Historic & Artistic Works
2014:
1062:. At the time of his death, he was also working on a new project titled
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1587:, 2001. A retrospective of Avedon's fashion portraiture from the 1950s.
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Alice in Wonderland: The Forming of a Company and the Making of a Play.
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320: in this section. Unsourced material may be challenged and removed.
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Eye of the Beholder: Photographs From the Collection of Richard Avedon
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he eventually settled on Portriga Rapid, a double-weight, fiber-based
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970:'s Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS)
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Avedon Gets $ 9 Million From East End Couple For His Montauk Spread
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In 1994, Avedon revisited his subjects who would later speak about
627:, political radicals charged with conspiracy to incite riot at the
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contains a recreation of Avedon photographing convicted murderers
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mines, oil fields, slaughter houses and prisons to find subjects.
2121:
Dubiel, Richard (1989). "Existential Approach to Art and Value".
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262:. After graduating from DeWitt Clinton that year, he enrolled at
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who she is. She has achieved in herself her ultimate portrait."
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with all the members exposing their bellybuttons for recording
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1994. Essays and text about Avedon with photographs by Avedon.
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Avedon's work is held in the following permanent collections:
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bringing together his political portraits for the first time.
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Richard Avedon, Portrait and Fashion Photographer, Dies at 81
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PĂ©nichon, Sylvie (2008). "The Making of the American West".
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Richard Avedon: Murals & Portraits, May 4 â July 6, 2012
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1999. By Avedon and Doon Arbus. Photographs of noted people.
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The Buddha's Art of Healing: Tibetan Paintings Rediscovered
1967:
1025:. In 1970, Avedon purchased a former carriage house on the
2207:
https://www.artic.edu/collection?q=%22richard%20avedon%22
1944:"ACHOF Interview with designer and illustrator John Kehe"
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https://www.hasselbladfoundation.org/wp/richard-avedon-2/
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in Fort Worth, Texas, to complete the âWestern Project.â
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In Portraits by Others, a Look That Caught Avedonâs Eye
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1993. Photographs arranged to tell Avedon's life story.
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Richard Avedon: Portrait Series of Jacob Israel Avedon
1351:, (She Loves to Hear the Music Album back cover), 1974
177:(May 15, 1923 â October 1, 2004) was an American
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1627:. Published in conjunction with an exhibition at the
1597:. Published in conjunction with an exhibition at the
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Fellows of the American Academy of Arts and Sciences
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In the American West, Photographs by Richard Avedon.
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In 2010, a record price of ÂŁ719,000 was achieved at
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toothpaste ad. He shot her for Versace, 12 American
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and photographed most of the covers from 1973 until
1056:. He was in San Antonio shooting an assignment for
654:, photographer Vincent Vallarino and model/actress
446:. In 1952, he became staff editor/photographer for
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2236:Star, Ann Brown Arizona Daily (12 December 2018).
2388:"New record for Richard Avedon photography sales"
2008:
2006:
2004:
2002:
1529:. Published in conjunction with an exhibition at
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2289:Commemorating 50 Years of Americans for the Arts
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1750:"Richard Avedon, the Eye of Fashion, Dies at 81"
1384:Pile of beautiful people, Versace campaign, 1982
434:. From 1950, he also contributed photographs to
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1551:In the American West: 20th Anniversary Edition.
1199:, Brazilian socialite (Vogue's 10 best dressed)
665:Avedon became the first staff photographer for
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1999:
1974:. New York: Aperture Foundation. p. 147.
1079:Avedon's personal collection was shown at the
407:. In 1945, his photographs began appearing in
226:(YMHA) Camera Club. He would use his family's
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2475:"Exploring the Mysteries of Tibetan Medicine"
2445:"Paid Notice: Deaths AVEDON, EVELYN FRANKLIN"
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2205:"Richard Avedon," Art Institute of Chicago,
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1439:, 1959. Photographs by Avedon, commentary by
19:"Avedon" redirects here. For other uses, see
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2317:Royal Photographic Society's Centenary Award
2219:Richard Avedon Portraits Go to Israel Museum
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1623:2008. Edited by Paul Roth. With an essay by
990:for a unique seven-foot-high print of model
484:Jeans campaign featuring a fifteen-year-old
2597:"Turning the Lens Around on Richard Avedon"
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2654:A Star Danced: The Life of Audrey Hepburn,
2490:Donald G. McNeil Jr. (November 26, 1984),
2286:Robishaw, Lori; Gard Ewell, Maryo (2011).
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2047:"Advertising; Phase 3 Of Wild Dior Antics"
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891:1989: Lifetime Achievement Award from the
679:in his wheelchair and nude photographs of
270:, taking ID shots of the crewmen with the
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3126:American people of Russian-Jewish descent
2715:at the Amon Carter Museum of American Art
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683:in 2004, were topics of wide discussion.
537:with a text by his high school classmate
380:Learn how and when to remove this message
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2036:, Gagosian.com. Accessed August 1, 2022.
1926:Richard Avedon: âMurals & Portraitsâ
922:1994: Honorary graduate degree from the
909:1993: Honorary graduate degree from the
897:1989: Honorary graduate degree from the
692:
2267:. American Academy of Arts and Sciences
2262:"Book of Members, 1780â2010: Chapter A"
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893:Council of Fashion Designers of America
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430:. He became the chief photographer for
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2367:International Photography Hall of Fame
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1968:Elizabeth Sussman; Doon Arbus (2011).
1607:2005. With an essay by Anne Hollander.
998:evening dress with elephants from the
975:International Photography Hall of Fame
500:'s Most Unforgettable Women campaign.
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1225:, Carmen, coat by Cardin, Paris, 1957
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1048:On October 1, 2004, Avedon died in a
941:American Academy of Arts and Sciences
473:became editor in chief in late 1988.
285:
2539:The Interior World of Richard Avedon
2386:Colin Gleadell (November 22, 2010),
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2073:Turner-Yamamoto, Judith (May 2006).
2015:"Richard Avedon: Darkness and Light"
1593:2002. Celebrities and subjects from
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740:depicts an aging Avedon identifying
318:adding citations to reliable sources
289:
3116:21st-century American photographers
3111:20th-century American photographers
2574:Stevens, Norma and Steven Aronson.
2012:
1052:, hospital of complications from a
917:International Center of Photography
847:National Museum of American History
813:Richard Avedon: Portraits of Power,
805:International Center of Photography
629:1968 Democratic National Convention
13:
3161:Columbia College (New York) alumni
2665:Richard Avedon. (Sept. 25, 1969).
2595:Parul Sehgal (December 12, 2017).
2519:Deborah Netburn (April 24, 2000),
2184:Richard Avedon: Portraits of Power
2123:National Art Education Association
1900:William Ahearn (October 1, 2004),
1891:MoMA.org. Accessed August 1, 2022.
1823:"Photographer Richard Avedon Dies"
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1453:: 1964. A collaborative book with
1263:Kareem Abdul-Jabbar (Lew Alcindor)
1099:, among others. A slender volume,
853:Amon Carter Museum of American Art
503:In the February 9, 1981, issue of
280:The New School for Social Research
90:The New School for Social Research
14:
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3211:20th-century American LGBT people
3191:LGBT people from New York (state)
3166:DeWitt Clinton High School alumni
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2634:Philip Gefter (August 27, 2006),
2434:, Atria Books, 2016, pp65, passim
2217:Carol Vogel (September 5, 2013),
2063:Women's Wear Daily, October 2004.
945:2003: Kitty Carlisle Hart Award,
403:also promoted Avedon's career at
16:American photographer (1923â2004)
3196:Photographers from New York City
2555:Alex Williams (August 9, 1999).
2167:How Avedon Blurred His Own Image
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1537:In the American West, 1979â1984.
1525:, 1985. With an introduction by
1274:, President of the United States
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662:while wearing elegant fashions.
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260:Scholastic Art and Writing Award
122:
3131:American portrait photographers
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1685:Oxford illustrated encyclopedia
1481:Noonday: 1976. Introduction by
1068:2004 U.S. presidential election
879:Center for Creative Photography
305:needs additional citations for
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3171:American fashion photographers
2537:Wendy Goodman (May 21, 2005),
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1066:to focus on the run-up to the
919:'s Master of Photography Award
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801:Louisiana Museum of Modern Art
799:, New York (1994), and at the
797:Whitney Museum of American Art
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224:Young Men's Hebrew Association
1:
2464:, John Avedon, Rizzoli, 1998.
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786:Minneapolis Institute of Arts
2736:from the Collection of The
2153:Minneapolis Institute of Art
1948:Album Cover Hall of Fame.com
1463:Merlin: 1973. By Avedon and
1443:. Portraits of noted people.
828:The Art Institute of Chicago
526:, and later the fall of the
278:at his Design Laboratory at
7:
3186:American LGBT photographers
2479:The New York Times Magazine
2165:Cathy Horn (May 13, 2009),
2075:"In Avedon's American West"
1770:Paula Chin (May 23, 1994),
1635:
947:Arts & Business Council
738:Avedon: Darkness and Light,
697:The cover of Avedon's book
522:in 1963, protesters of the
258:. As a teen, he also won a
10:
3227:
3206:21st-century American Jews
3201:20th-century American Jews
2576:Avedon: Something Personal
2507:; accessed August 1, 2022.
1797:"Richard Avedon biography"
1599:Metropolitan Museum of Art
1328:and Members of the Factory
968:Royal Photographic Society
954:Royal Photographic Society
867:, Jerusalem. Supported by
840:Metropolitan Museum of Art
793:Metropolitan Museum of Art
744:as his best body of work.
244:DeWitt Clinton High School
18:
3156:American bisexual artists
3059:
2988:
2917:
2846:
2781:
2656:London: Bloomsbury, 1993.
2326:Accessed August 13, 2012.
1971:Diane Arbus: A Chronology
1850:Staff (October 2, 2004).
1591:Richard Avedon Portraits'
1500:Farrar, Straus and Giroux
1369:Ronald Fischer, beekeeper
1073:
903:1991: Hasselblad Award -
885:
161:
153:
95:
85:
66:
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2738:Jewish Museum (New York)
1553:New York: Abrams, 2005.
1539:New York: Abrams, 1985.
1423:
1043:
963:for Lifetime Achievement
924:Parsons School of Design
564:Electric Light Orchestra
213:Early life and education
2694:Richard Avedon ca 1948.
1629:Corcoran Gallery of Art
1613:2008. With an essay by
1272:Dwight David Eisenhower
1083:, New York, and at the
956:150th Anniversary Medal
859:Centre Georges Pompidou
809:Corcoran Gallery of Art
580:. His subjects include
533:A personal book called
21:Avedon (disambiguation)
3141:Bisexual photographers
2949:Bernd and Hilla Becher
2294:Americans for the Arts
1716:: CS1 maint: others (
755:paper manufactured by
702:
514:get it or you don't".
411:and, a year later, in
3151:American bisexual men
3146:Bisexual male artists
2801:Henri Cartier-Bresson
2411:"Doe Avedon obituary"
1514:In the American West.
742:In the American West
736:documentary episode,
730:Helen Whitney's 1996
696:
520:Civil Rights Movement
448:Theatre Arts Magazine
183:portrait photographer
2807:Manuel Ălvarez Bravo
2729:Museum of Modern Art
2713:In the American West
2409:(26 December 2011).
1605:Woman in the Mirror.
1595:In The American West
1497:Portraits 1947â1977.
1437:Simon & Schuster
1337:(cover of the album
1190:Carmen Mayrink Veiga
1164:The 2015 video game
1081:Pace/MacGill Gallery
939:2001: Fellow of the
899:Royal College of Art
834:Museum of Modern Art
769:In the American West
761:In the American West
724:In the American West
699:In the American West
688:In the American West
602:Dwight D. Eisenhower
314:improve this article
121: 1944;
2481:, January 11, 1981.
2393:The Daily Telegraph
2079:World and I Journal
1799:. Biography Channel
1631:in Washington, D.C.
1621:Portraits of Power.
1239:Jacqueline de Ribes
1183:, Italian socialite
1054:cerebral hemorrhage
961:National Arts Award
855:, Ft. Worth, Texas
264:Columbia University
248:Bedford Park, Bronx
61:New York City, U.S.
2896:Christer Strömholm
2601:The New York Times
2557:"Big Shack Attack"
2497:2016-03-04 at the
2449:The New York Times
2343:. 18 November 2017
2322:2012-12-01 at the
2242:Arizona Daily Star
2196:, Washington, D.C.
2189:2012-01-03 at the
2051:The New York Times
1777:2016-04-28 at the
1758:, October 1, 2004.
1755:The New York Times
1752:, Andy Grundberg,
1531:Amon Carter Museum
1223:Homage to Munkacsi
1155:Perry Edward Smith
1119:In popular culture
1050:San Antonio, Texas
849:, Washington, D.C.
708:Amon Carter Museum
703:
286:Photography career
206:The New York Times
3088:
3087:
3026:Wolfgang Tillmans
2973:Graciela Iturbide
2902:William Eggleston
2837:SebastiĂŁo Salgado
2773:Laureates of the
2562:New York Magazine
2543:New York Magazine
2525:New York Observer
2451:. March 16, 2004.
2303:978-1-879903-07-4
1981:978-1-59711-179-9
1827:Los Angeles Times
1567:An Autobiography.
1559:978-0-8109-5928-6
1545:978-0-8109-2301-0
1533:, Fort Worth, TX.
1508:978-0-374-23200-9
1491:978-0-374-51412-9
1473:978-0-88306-500-6
1447:Nothing Personal.
1174:Noted photographs
1031:Montauk, New York
881:, Tucson, Arizona
869:Leonard A. Lauder
749:platinum printing
677:Christopher Reeve
390:
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228:Kodak Box Brownie
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3079:Carrie Mae Weems
3014:Joan Fontcuberta
2931:Hiroshi Sugimoto
2775:Hasselblad Award
2767:
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569:On the Third Day
535:Nothing Personal
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58:May 15, 1923
3106:2004 deaths
3101:1923 births
3044:Oscar Muñoz
3008:Paul Graham
2813:Irving Penn
2795:Ansel Adams
2625:, New York.
2372:20 February
2347:20 February
1359:, cover of
1348:Asha Puthli
1326:Andy Warhol
1310:Jerry Rubin
1281:The Beatles
1193: [
1132:, starring
1113:Irving Penn
1109:Peter Hujar
1105:Diane Arbus
1016:bisexuality
842:, New York
836:, New York
819:Collections
780:Exhibitions
773:voyeuristic
716:Kodak Tri-X
641:Vietnam War
621:The Factory
606:Andy Warhol
578:view camera
559:The Beatles
554:Planar lens
546:The Beatles
528:Berlin Wall
524:Vietnam War
496:covers and
370:August 2022
252:The Magpie,
78:San Antonio
3095:Categories
3002:Walid Raad
2967:Nan Goldin
2819:Ernst Haas
2606:2017-12-14
2584:0812994434
2417:2013-06-26
2247:2019-01-22
1992:2012-04-14
1954:2020-08-09
1670:References
1521:New York:
1479:Portraits.
1465:Doon Arbus
1449:New York:
1435:New York:
1405:(cover of
1392:(cover of
1362:Hard Again
1314:Tom Hayden
1294:Lee Weiner
1129:Funny Face
1012:Doe Avedon
988:Christie's
982:Art market
977:, St.Louis
966:2003: The
949:, New York
930:Prix Nadar
608:, and the
594:Ezra Pound
340:newspapers
272:Rolleiflex
168:(grandson)
107:Doe Avedon
54:1923-05-15
2937:Jeff Wall
2271:April 27,
1906:Bloomberg
1832:March 22,
1803:March 22,
1712:cite book
1663:Biography
1615:John Lahr
1573:Evidence.
1335:Sly Stone
1232:, actress
1217:, actress
1124:Hollywood
1064:Democracy
788:in 1970.
550:solarized
510:Interview
162:Relatives
2495:Archived
2341:KRK Film
2320:Archived
2187:Archived
1775:Archived
1704:11814265
1636:See also
1502:, 1978.
1451:Atheneum
1416:Tom Ford
934:Evidence
505:Newsweek
405:Harper's
154:Children
2727:at the
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861:, Paris
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490:Colgate
443:Graphis
354:scholar
179:fashion
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96:Spouses
3081:(2023)
3075:(2022)
3069:(2020)
3052:(2019)
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3028:(2015)
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1234:, 1959
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1201:, 1970
1185:, 1953
1150:Capote
1074:Legacy
992:Dovima
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2847:1990s
2782:1980s
2265:(PDF)
2131:JSTOR
2125:. 3.
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1424:Books
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