303:
They're also handed out at funerals to help honor deceased family members, used to commemorate special events, or even just exchanged between friends and family as kindly gestures. When I was a child the saints depicted on the holy cards were presented to me as role models. They are figures from church history that are revered, one is meant to look to them for guidance or to help find peace. For me, this format is a perfect (subversive) way to present the lives of people who were long forgotten and abused during their lifetime, especially because so many of them were accused of "mocking God and His order" or deceiving their fellow
Christians.
365:
project stemmed from their "strong interest in animal rights and conservation" and by July 2016, the series contained over 200 pieces. Brodell also mentioned that this project allowed them to continually practice drawing and to focus mentally. Some of the many species that
Brodell drew include a variety of different insects, reptiles, birds, sea creatures, and mammals. The works in this project are completed on small pieces of paper using colored pencils or gouache for the main subject and watercolor to create vibrant colored backgrounds. In a 2018 interview with Ellen Caldwell, Brodell was asked if there were any connections between
1694:
240:...the act of making those portraits got me thinking about history. Specifically, how did we survive? How did queer people in the past live their lives? I knew that Catholicism suggested "homosexuals" enter a life of service or at the very least live a life of chastity (I looked that up in the catechism book when I was in high school), so thinking of my options in the past, I made, Self Portrait as a Nun or Monk, circa 1250. After that self-portrait, I decided to dive into history and try to find the stories of real people.
400:) was a basic interest of "animals and conservation". Brodell states they are the only explorer of these boundless locations; therefore, their artwork is their execution of their experiences from observing the creatures that solely inhabit the uncolonized lands. The collection of creatures includes Wormbunnies (social communal animals), the Whale and his friend submarine (go on adventures), the birdmen (manipulative), the Sodmonsters and the Clumps (unappeasable and temperamental).
350:. He was born in Rome, and later began dressing in masculine clothing, and changed his name to Giovanni Bordoni. Giovanni attempted running away with the local minister's niece, whom he had a romantic connection with, but was captured and shot in the left thigh. The injury caused a fatal infection, causing his death which led to his organs being dissected to understand his sexuality.
294:
their lives, while others embodied both simultaneously." Original and secondary sources, including newspaper articles, and personal journal entries are used to verify the information. Summarized narratives and research sources are included with each portrait so that others can do further research. The paintings are created in the style of
Catholic holy cards as an homage to Brodell's
244:"Self-Portrait as a Nun or a Monk, ca. 1250" is a self-reflection and an inquiry into the history of queer bodies and their treatment. This painting is a statement on the criminalization and condemnation of queer people and a look into lives of the past. It is a bridge between these two series and between the inner reflection and external realities of the past and present world.
20:
323:
Since its release the book has been described as "an ambitious and wonderfully celebratory ode to the lives of 28 people over many centuries 'assigned female at birth' who 'had documented relationships with women, and whose gender presentation was more masculine than feminine... This is a serious—and
307:
Brodell views the project as an ongoing effort to reclaim and document the history of LGBTQIA community. The Butch Heroes paintings were first exhibited in March–April 2017 at
Gallery Kayafas in Boston. Images of the paintings, accompanying narratives and source material were published by the artist
201:
Matthew Reimer it says, "The strong sister told the strong brother that there were two important things to remember about coming revolutions… The first is that we will get our asses kicked and the second is that we will win." It is here that Ria
Brodell is winning and giving others hope and a chance
395:
is a series of sculptures, paintings and drawings made by artist Ria
Brodell from 2004-2008. Brodell was able to create unique works of art with eccentric creatures in peculiar settings. Through the act of observation, they created their drawings to depict the characteristics of the creatures
364:
Project is a series of artwork made by artist Ria
Brodell from December 15, 2015 through March 1, 2017. By drawing a different animal every day, Brodell was able to gain insight into "the magnitude of animal species around the world." In a 2016 interview with Jess Dugan, Brodell explained that this
169:
was the first time I tried to tackle the subject of my gender identity, sexuality and
Catholic upbringing through painting. In that series I was reaching back to my childhood. As a kid, part of me knew that something was "queer" about who I was attracted to, and who I wanted to be (Cary Grant, Ken,
293:
The paintings depict, "people who were assigned female at birth, had documented relationships with women, and whose gender presentation was more masculine than feminine." Brodell explains,"Some of the subjects identified as women, others as men; some shifted between gender presentations throughout
438:
was an important, "comforting" part of their childhood, as they grew older, Brodell states that "I don't consider myself
Catholic anymore," further continuing with "When I got older and I realized how the church felt about me and how they wanted me to live my life, "I don't know if I was angry or
302:
Using the format of the
Catholic holy card was a personal and logical stylistic choice for me. I still have a collection of holy cards that belonged to my late aunt. I loved going through the collection with her and hearing her tell the stories of the saints. They are beautiful, intimate objects.
328:
is a fascinating, intersectional, feminist art-text project, and overall a rather wonderful reclamatory book of LGBT history that subvert and resonates in the human psyche." "The portraits give homage to contemporary ideas of queer ancestry, and in doing so give strength to trans and non-binary
152:
is a series of self-portraits and vignettes by Ria Brodell made from 2008-2010. The works in this series were painted with gouache on paper. In this series the artist attempted to bring together seemingly contradictory aspects of their childhood- queer sexuality, struggles with gender identity,
192:
series seeks to depict role models and possible heroes throughout history that were gender nonconforming and tell their stories. Brodell does this through the style of Catholic holy cards - intricate depictions of saints or martyrs that tell a visual story and are meant for "private, portable
277:
by centering "the featured individual or couple" and including "details of symbolic significance, such as a location" or a meaningful object. The works in this series all follow a similar style with the use of "bright and contrasting colors" alongside "bold designs" to capture the audience's
170:
the Prince in all the Disney movies), but I didn't have the language or the knowledge to understand what that meant. The way I wanted to express my gender (in the most masculine ways possible) did not mesh well with having to wear a little plaid skirt to school."
381:
was significantly different both artistically and stylistically. Brodell mentioned that despite the differences the overarching connection between those works was their "desire to make work that addresses subjects that feel strongly about."
93:
in New York City; the Davis Museum at Wellesley College; the Bernard A. Zuckerman Museum of Art, Kennesaw, Georgia; and the Mary Alice Cooley Print Collection at Cornish College of the Arts, Seattle. Brodell's work has appeared in
396:
they discovered, in addition to the perceived creatures' behaviors. Brodell was interviewed by Ellen Caldwell in 2018, where Brodell shared that their interest for this series (along with their other series
627:
193:
devotions." Both of these series deal with Brodell's Catholic upbringing "'in relationship to gender and sexuality and coming out and coming to terms with all that,' said Brodell…" in their book,
439:
disappointed. Putting these people on holy cards that I identify with, it's a subversive way to replace those role models that that Catholic Church gave me with people I actually identify with."
85:
among others. Their work can be found in the collections of the Cornell Fine Arts Museum in Winter Park, Florida; the Minnesota Museum of American Art in St. Paul, Minnesota; the
278:
attention. All of the paintings also include a gold banner with the "name(s) and date(s) associated with the subject(s)". Some of the many people included in this series include
1643:
617:
1774:
1714:
181:
helping me to find GI Joe's lost gun, etc", in order to allow them to express their "queer desire" and as an avenue to "embody masculine figures" that they enjoyed.
232:. This work led them to research queer historical figures that were assigned female at birth, but masculine presenting, and eventually to pursue the well-known
1636:
737:
741:
1087:
990:
841:
733:
514:
765:
1729:
266:. Brodell began the process by wondering what their life would have been like had they been born in a different century. In creating the
90:
54:
1359:
McQuaid, Cate (26 July 2007). "EXPLORING MORE THAN LANDSCAPES; Exhibits reveal artists' views of history, war, politics, and nature".
1150:
457:
1724:
1606:
1759:
46:
935:
1749:
1754:
1734:
312:, in conjunction with the exhibition. In February 2018, the Davis Museum at Wellesley College released a limited edition
78:
224:, at the Cornell Fine Arts Museum from January to May 2018. It was exhibited alongside other pieces from their series
1063:
966:
709:
70:
28:
1744:
74:
539:
1225:
1176:
1004:
1482:
236:
series. Brodell discusses their shift from self-portraits to historical storytelling in an interview in 2016:
1769:
1125:
1764:
1506:
1530:
82:
50:
1200:
489:
1029:
66:
177:
Brodell says they would choose comforting figures such as a guardian angel, or even "the story of
1719:
1102:"Nonfiction Book Review: Butch Heroes by Ria Brodell. MIT, $ 24.95 (96p) ISBN 978-0-262-03897-3"
755:
216:
was painted in 2010. It contains two self-representative images: one of a nun, and one of a monk
1739:
842:"Artist Ria Brodell Offers an Enlightened View on Holy Cards (and History) with 'Butch Heroes'"
279:
1607:"Artist Ria Brodell Offers an Enlightened View on Holy Cards (and History) with 'Butch Heroes.
1364:
760:
658:
1619:
1626:
1407:
1310:
8:
1693:
682:
1578:
1081:
984:
727:
589:
412:, a Massachusetts Cultural Council Artist Fellowship and an SMFA Traveling Fellowship.
283:
65:
Brodell has had solo and group exhibitions throughout the United States, including the
45:
Brodell was born in Buffalo, New York and raised in Boise, Idaho. Brodell attended the
1669:
1283:
791:
564:
1656:
1101:
1069:
1059:
972:
962:
925:
715:
705:
702:
We are everywhere : protest, power, and pride in the history of Queer Liberation
465:
427:
343:
114:
86:
1699:
178:
108:
1644:
Trans artist Ria Brodell transports themself into multiple genders and histories."
618:"Trans artist Ria Brodell transports themself into multiple genders and histories"
897:
458:"The transgender body in art: finding visibility 'in difficult times like these'"
295:
271:
1368:
812:
662:
1647:
1432:
1335:
622:
1256:
1073:
719:
1708:
1657:"Boston Artist Ria Brodell Finds 'Butch Heroes' Buried in the History Books."
976:
469:
287:
158:
926:"Boston Artist Ria Brodell Finds 'Butch Heroes' Buried In The History Books"
866:
96:
435:
431:
1151:"Lost Stories, Portraits, and His/Herstory On Display in 'Butch Heroes'"
1611:
1554:
1456:
1382:
274:
131:
220:
This piece was exhibited in Brodell's first solo museum exhibition,
649:
Ryan, Antonia (7 December 2004). "Statues, icons and holy cards".
1660:
1627:"A Conversation with Artist and Esteemed Butch Hero Ria Brodell."
930:
515:"Davis Museum acquires paintings from Ria Brodell's Butch Heroes"
409:
102:
1408:"A Conversation With Artist And Esteemed Butch Hero Ria Brodell"
1311:"A Conversation With Artist And Esteemed Butch Hero Ria Brodell"
418:
is a finalist in LGBTQ Non-Fiction for a Lambda Literary Award.
298:
upbringing. Brodell explains the use of the holy card format:
1687:
19:
205:
37:
is an American artist, educator and author based in Boston.
320:, was released with additional paintings and narratives.
324:
seriously successful—queer history recovery project." "
316:
boxed card set. In October 2018 the MIT Press version,
699:
1507:"Mass Cultural Council | Gallery@MCC | Artist Detail"
1201:"queerplaces - Caterina Vizzani aka Giovanni Bordoni"
55:
School of the Museum of Fine Arts at Tufts University
258:, began in 2010 following the making of their work
126:. Brodell's book documenting their painting series
1775:School of the Museum of Fine Arts at Tufts faculty
270:series, Brodell paints images that remain true to
1715:School of the Museum of Fine Arts at Tufts alumni
27:box sets at Stoltze Design in Boston, MA for the
1706:
1457:"Boston, MA fine artist Ria Brodell #artistaday"
1383:"Boston, MA fine artist Ria Brodell #artistaday"
1126:"7 LGBT Books to Devour on the Beach or the Bus"
329:communities currently under attack. That makes
1639:Boston Spirit Magazine, July/August Issue 2017
1226:"Butch Heroes: Portraits From Queer History"
1177:"Butch Heroes: Portraits From Queer History"
1053:
1009:The Davis: Davis Museum at Wellesley College
956:
142:
1483:"Artadia Names 2014 Boston Artist Grantees"
736:) CS1 maint: multiple names: authors list (
91:Leslie-Lohman Museum of Gay and Lesbian Art
40:
1692:
1618:"Butch Heroes: Q&A with Ria Brodell."
1086:: CS1 maint: location missing publisher (
989:: CS1 maint: location missing publisher (
740:) CS1 maint: numeric names: authors list (
732:: CS1 maint: location missing publisher (
207:Self-Portrait as a Nun or a Monk, ca. 1250
785:
783:
676:
674:
672:
455:
18:
1480:
1358:
615:
212:This piece is a work from their series
1707:
1251:
1249:
1247:
1245:
1223:
1174:
961:. Noyce, Pendred,, Gallery Kayafas. .
836:
834:
832:
807:
805:
680:
346:is one of the individuals included in
310:Butch Heroes: Paintings by Ria Brodell
47:School of the Art Institute of Chicago
1305:
1303:
1278:
1276:
919:
917:
892:
890:
888:
886:
780:
700:Riemer, Matthew, 1982- (2019-05-07).
669:
562:
434:. They use they/them pronouns. While
1224:Reader, The MIT Press (2022-06-02).
1175:Reader, The MIT Press (2022-06-02).
1005:"Ria Brodell Butch Heroes Boxed Set"
938:from the original on 6 February 2023
923:
704:. Brown, Leighton, 1978-. New York.
648:
611:
609:
403:
385:
336:
16:American artist, educator and author
1242:
829:
802:
537:
353:
254:Ria Brodell's most popular series,
79:DeCordova Museum and Sculpture Park
53:in Seattle, WA and an MFA from the
13:
1730:Cornish College of the Arts alumni
1599:
1300:
1273:
914:
883:
540:"Painting Lost Transgender Heroes"
14:
1786:
1679:
789:
630:from the original on 4 April 2023
616:Sandler, Leah (7 February 2018).
606:
71:Davis Museum at Wellesley College
29:Davis Museum at Wellesley College
1637:"Gender Nonconforming Pioneers."
421:
260:Self Portrait as a Nun or a Monk
75:Minnesota Museum of American Art
1571:
1547:
1523:
1499:
1474:
1449:
1425:
1400:
1375:
1352:
1328:
1217:
1193:
1168:
1143:
1118:
1094:
1047:
1022:
997:
950:
859:
768:from the original on 4 May 2022
748:
693:
490:"#61 RIA BRODELL: Butch Heroes"
456:Heinlein, Sabine (2016-11-18).
247:
1725:American contemporary painters
1481:Russeth, Andrew (2014-11-25).
642:
582:
556:
531:
507:
482:
449:
1:
1760:Transgender non-binary people
1531:"31st Lambda Literary Awards"
1030:"The Davis Museum Catalogues"
959:Butch heroes : paintings
681:McNeil, Taylor (2018-11-29).
563:Dugan, Jess (July 21, 2016).
442:
408:Brodell is a recipient of an
214:The Handsome and the Holy and
153:family and Catholicism. In a
1750:American transgender artists
1058:. Cambridge, Massachusetts.
924:Cook, Greg (21 March 2017).
89:in Seattle, Washington; the
7:
1755:American non-binary artists
1673:The Strange Fire Collective
1511:www.massculturalcouncil.org
1054:Brodell, Ria (2018-10-30).
957:Brodell, Ria (March 2017).
538:Els, Rozanne (2017-10-30).
308:as a limited edition book,
137:
83:Museum of Fine Arts, Boston
51:Cornish College of the Arts
23:Artist Ria Brodell signing
10:
1791:
1735:American portrait painters
651:National Catholic Reporter
175:The Handsome and the Holy,
683:"Painting Untold Stories"
226:The Handsome and the Holy
186:The Handsome and the Holy
167:The Handsome and the Holy
150:The Handsome and The Holy
144:The Handsome and the Holy
60:
369:and other works such as
130:was released in 2018 by
67:Cornell Fine Arts Museum
49:and received a BFA from
41:Early life and education
1745:American LGBTQ painters
756:"Ria Brodell: Devotion"
202:to win as well.
1670:Q&A: Ria Brodell."
1579:"Q&A: Ria Brodell"
1284:"Q&A: Ria Brodell"
792:"Q&A: Ria Brodell"
590:"Q&A: Ria Brodell"
565:"Q&A: ria brodell"
305:
280:Katherina Hetzeldorfer
242:
120:New American Paintings
31:
761:Rollins Museum of Art
300:
238:
197:. In the book titled
22:
1770:Transgender painters
1700:MIT contributor page
1230:The MIT Press Reader
1181:The MIT Press Reader
1106:PublishersWeekly.com
898:"About Butch Heroes"
813:"About Butch Heroes"
494:Leslie-Lohman Museum
333:worth celebrating."
199:We Are Everywhere by
1765:Non-binary painters
1625:Caldwell, Ellen C.
1555:"Bio & Contact"
1433:"The Distant Lands"
1336:"The Distant Lands"
377:, considering that
173:In the creation of
165:, Brodell states, "
157:article written by
1257:"Kingdom Animalia"
1205:www.elisarolle.com
284:Lisbetha Olsdotter
32:
1605:Boslaugh, Sarah.
1157:. 30 October 2018
404:Honors and awards
393:The Distant Lands
387:The Distant Lands
344:Catterina Vizzani
338:Catterina Vizzani
87:Henry Art Gallery
1782:
1696:
1691:
1690:
1688:Official website
1668:Dugan, Jess T. "
1665:, March 21, 2017
1652:February 7, 2018
1642:Sandler, Leah. "
1635:Kearnan, Scott.
1593:
1592:
1590:
1589:
1575:
1569:
1568:
1566:
1565:
1551:
1545:
1544:
1543:
1542:
1527:
1521:
1520:
1518:
1517:
1503:
1497:
1496:
1494:
1493:
1478:
1472:
1471:
1469:
1468:
1453:
1447:
1446:
1444:
1443:
1429:
1423:
1422:
1420:
1419:
1404:
1398:
1397:
1395:
1394:
1379:
1373:
1372:
1356:
1350:
1349:
1347:
1346:
1332:
1326:
1325:
1323:
1322:
1307:
1298:
1297:
1295:
1294:
1280:
1271:
1270:
1268:
1267:
1253:
1240:
1239:
1237:
1236:
1221:
1215:
1214:
1212:
1211:
1197:
1191:
1190:
1188:
1187:
1172:
1166:
1165:
1163:
1162:
1155:www.intomore.com
1147:
1141:
1140:
1138:
1137:
1130:www.advocate.com
1122:
1116:
1115:
1113:
1112:
1098:
1092:
1091:
1085:
1077:
1051:
1045:
1044:
1042:
1040:
1026:
1020:
1019:
1017:
1015:
1001:
995:
994:
988:
980:
954:
948:
947:
945:
943:
921:
912:
911:
909:
908:
894:
881:
880:
878:
877:
863:
857:
856:
854:
853:
838:
827:
826:
824:
823:
809:
800:
799:
787:
778:
777:
775:
773:
752:
746:
745:
731:
723:
697:
691:
690:
678:
667:
666:
646:
640:
639:
637:
635:
613:
604:
603:
601:
600:
586:
580:
579:
577:
575:
560:
554:
553:
551:
550:
535:
529:
528:
526:
525:
511:
505:
504:
502:
501:
486:
480:
479:
477:
476:
453:
398:Kingdom Animalia
379:Kingdom Animalia
367:Kingdom Animalia
362:Kingdom Animalia
355:Kingdom Animalia
109:The Boston Globe
1790:
1789:
1785:
1784:
1783:
1781:
1780:
1779:
1705:
1704:
1686:
1685:
1682:
1675:, July 21, 2016
1632:, July 10, 2018
1602:
1600:Further reading
1597:
1596:
1587:
1585:
1577:
1576:
1572:
1563:
1561:
1553:
1552:
1548:
1540:
1538:
1529:
1528:
1524:
1515:
1513:
1505:
1504:
1500:
1491:
1489:
1479:
1475:
1466:
1464:
1455:
1454:
1450:
1441:
1439:
1431:
1430:
1426:
1417:
1415:
1406:
1405:
1401:
1392:
1390:
1381:
1380:
1376:
1363:. p. E.5.
1357:
1353:
1344:
1342:
1334:
1333:
1329:
1320:
1318:
1309:
1308:
1301:
1292:
1290:
1282:
1281:
1274:
1265:
1263:
1255:
1254:
1243:
1234:
1232:
1222:
1218:
1209:
1207:
1199:
1198:
1194:
1185:
1183:
1173:
1169:
1160:
1158:
1149:
1148:
1144:
1135:
1133:
1124:
1123:
1119:
1110:
1108:
1100:
1099:
1095:
1079:
1078:
1066:
1052:
1048:
1038:
1036:
1028:
1027:
1023:
1013:
1011:
1003:
1002:
998:
982:
981:
969:
955:
951:
941:
939:
922:
915:
906:
904:
896:
895:
884:
875:
873:
867:"The Paintings"
865:
864:
860:
851:
849:
840:
839:
830:
821:
819:
811:
810:
803:
790:Dugan, Jess T.
788:
781:
771:
769:
754:
753:
749:
725:
724:
712:
698:
694:
679:
670:
657:(8): 10A, 11A.
647:
643:
633:
631:
614:
607:
598:
596:
588:
587:
583:
573:
571:
561:
557:
548:
546:
536:
532:
523:
521:
513:
512:
508:
499:
497:
488:
487:
483:
474:
472:
454:
450:
445:
424:
406:
390:
358:
341:
252:
210:
147:
140:
124:Art New England
63:
57:in Boston, MA.
43:
17:
12:
11:
5:
1788:
1778:
1777:
1772:
1767:
1762:
1757:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1720:Queer painters
1717:
1703:
1702:
1697:
1681:
1680:External links
1678:
1677:
1676:
1666:
1653:
1648:Orlando Weekly
1640:
1633:
1623:
1622:, Oct 31, 2018
1620:MIT Press Blog
1616:
1615:, Nov 29, 2018
1601:
1598:
1595:
1594:
1570:
1546:
1522:
1498:
1473:
1461:ArtistADay.com
1448:
1424:
1399:
1387:ArtistADay.com
1374:
1351:
1327:
1299:
1272:
1241:
1216:
1192:
1167:
1142:
1117:
1093:
1064:
1046:
1021:
996:
967:
949:
913:
882:
858:
828:
801:
779:
747:
710:
692:
668:
641:
623:Orlando Weekly
605:
581:
555:
530:
506:
481:
447:
446:
444:
441:
423:
420:
405:
402:
389:
384:
357:
352:
340:
335:
251:
246:
209:
204:
146:
141:
139:
136:
62:
59:
42:
39:
15:
9:
6:
4:
3:
2:
1787:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1740:Living people
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1713:
1712:
1710:
1701:
1698:
1695:
1689:
1684:
1683:
1674:
1671:
1667:
1664:
1662:
1658:
1654:
1651:
1649:
1645:
1641:
1638:
1634:
1631:
1630:Riot Material
1628:
1624:
1621:
1617:
1614:
1613:
1608:
1604:
1603:
1584:
1580:
1574:
1560:
1556:
1550:
1536:
1532:
1526:
1512:
1508:
1502:
1488:
1484:
1477:
1462:
1458:
1452:
1438:
1434:
1428:
1413:
1412:Riot Material
1409:
1403:
1388:
1384:
1378:
1370:
1366:
1362:
1355:
1341:
1337:
1331:
1316:
1315:Riot Material
1312:
1306:
1304:
1289:
1285:
1279:
1277:
1262:
1258:
1252:
1250:
1248:
1246:
1231:
1227:
1220:
1206:
1202:
1196:
1182:
1178:
1171:
1156:
1152:
1146:
1131:
1127:
1121:
1107:
1103:
1097:
1089:
1083:
1075:
1071:
1067:
1065:9780262038973
1061:
1057:
1050:
1035:
1031:
1025:
1010:
1006:
1000:
992:
986:
978:
974:
970:
968:9780692829769
964:
960:
953:
937:
933:
932:
927:
920:
918:
903:
899:
893:
891:
889:
887:
872:
868:
862:
847:
843:
837:
835:
833:
818:
814:
808:
806:
797:
793:
786:
784:
767:
763:
762:
757:
751:
743:
739:
735:
729:
721:
717:
713:
711:9780399581823
707:
703:
696:
688:
684:
677:
675:
673:
664:
660:
656:
652:
645:
629:
625:
624:
619:
612:
610:
595:
591:
585:
570:
566:
559:
545:
541:
534:
520:
516:
510:
495:
491:
485:
471:
467:
463:
459:
452:
448:
440:
437:
433:
429:
422:Personal life
419:
417:
413:
411:
410:Artadia Award
401:
399:
394:
388:
383:
380:
376:
375:Distant Lands
372:
368:
363:
356:
351:
349:
345:
339:
334:
332:
327:
321:
319:
315:
311:
304:
299:
297:
291:
289:
288:Okuhara Seiko
285:
281:
276:
273:
269:
265:
261:
257:
250:
245:
241:
237:
235:
231:
227:
223:
219:
215:
208:
203:
200:
196:
191:
187:
182:
180:
176:
171:
168:
164:
160:
159:Jess T. Dugan
156:
151:
145:
135:
133:
129:
125:
121:
117:
116:
111:
110:
105:
104:
99:
98:
92:
88:
84:
80:
76:
72:
68:
58:
56:
52:
48:
38:
36:
30:
26:
21:
1672:
1663:, The ARTery
1659:
1655:Cook, Greg.
1646:
1629:
1610:
1586:. Retrieved
1583:Strange Fire
1582:
1573:
1562:. Retrieved
1558:
1549:
1539:, retrieved
1537:, 2019-03-09
1534:
1525:
1514:. Retrieved
1510:
1501:
1490:. Retrieved
1486:
1476:
1465:. Retrieved
1463:. 2008-01-10
1460:
1451:
1440:. Retrieved
1436:
1427:
1416:. Retrieved
1414:. 2018-07-10
1411:
1402:
1391:. Retrieved
1389:. 2008-01-10
1386:
1377:
1361:Boston Globe
1360:
1354:
1343:. Retrieved
1339:
1330:
1319:. Retrieved
1317:. 2018-07-10
1314:
1291:. Retrieved
1288:Strange Fire
1287:
1264:. Retrieved
1260:
1233:. Retrieved
1229:
1219:
1208:. Retrieved
1204:
1195:
1184:. Retrieved
1180:
1170:
1159:. Retrieved
1154:
1145:
1134:. Retrieved
1132:. 2018-07-20
1129:
1120:
1109:. Retrieved
1105:
1096:
1056:Butch heroes
1055:
1049:
1037:. Retrieved
1033:
1024:
1012:. Retrieved
1008:
999:
958:
952:
940:. Retrieved
929:
905:. Retrieved
901:
874:. Retrieved
870:
861:
850:. Retrieved
848:. 2018-11-29
845:
820:. Retrieved
816:
796:Strange Fire
795:
770:. Retrieved
759:
750:
701:
695:
686:
654:
650:
644:
632:. Retrieved
621:
597:. Retrieved
594:Strange Fire
593:
584:
572:. Retrieved
569:Strange Fire
568:
558:
547:. Retrieved
543:
533:
522:. Retrieved
519:artdaily.com
518:
509:
498:. Retrieved
496:. 2017-09-21
493:
484:
473:. Retrieved
462:The Guardian
461:
451:
425:
416:Butch Heroes
415:
414:
407:
397:
392:
391:
386:
378:
374:
371:Butch Heroes
370:
366:
361:
359:
354:
348:Butch Heroes
347:
342:
337:
331:Butch Heroes
330:
326:Butch Heroes
325:
322:
318:Butch Heroes
317:
314:Butch Heroes
313:
309:
306:
301:
292:
268:Butch Heroes
267:
263:
259:
256:Butch Heroes
255:
253:
249:Butch Heroes
248:
243:
239:
234:Butch Heroes
233:
230:Butch Heroes
229:
225:
221:
217:
213:
211:
206:
198:
195:Butch Heroes
194:
190:Butch Heroes
189:
185:
183:
174:
172:
166:
163:Strange Fire
162:
154:
149:
148:
143:
128:Butch Heroes
127:
123:
119:
113:
107:
101:
97:The Guardian
95:
64:
44:
34:
33:
25:Butch Heroes
24:
1612:Pop Matters
1559:Ria Brodell
1437:Ria Brodell
1340:Ria Brodell
1261:Ria Brodell
942:21 December
902:Ria Brodell
871:Ria Brodell
817:Ria Brodell
436:Catholicism
432:transgender
426:Brodell is
179:St. Anthony
35:Ria Brodell
1709:Categories
1588:2023-05-24
1564:2020-11-19
1541:2019-04-02
1516:2018-12-21
1492:2018-12-21
1467:2021-04-09
1442:2021-04-09
1418:2021-04-09
1393:2021-04-09
1345:2021-04-09
1321:2020-06-04
1293:2020-06-04
1266:2020-06-04
1235:2023-05-24
1210:2023-05-24
1186:2023-05-24
1161:2018-12-21
1136:2018-12-21
1111:2018-12-21
1074:1029069671
907:2018-12-21
876:2020-06-04
852:2020-06-04
846:PopMatters
822:2020-06-04
720:1100587198
599:2023-05-24
549:2023-05-24
524:2018-12-21
500:2018-12-21
475:2018-12-21
443:References
428:non-binary
275:holy cards
264:circa 1250
1535:Knowledge
1369:405071895
1082:cite book
985:cite book
977:975286062
728:cite book
663:215302678
470:0261-3077
132:MIT Press
1365:ProQuest
936:Archived
766:Archived
764:. 2018.
687:TuftsNow
659:ProQuest
628:Archived
296:Catholic
272:Catholic
222:Devotion
138:Artworks
1487:ARTnews
1039:June 5,
1034:Stoltze
1014:June 5,
574:June 6,
544:The Cut
373:or The
155:Q&A
115:The Cut
103:ARTnews
1367:
1072:
1062:
975:
965:
772:28 May
718:
708:
661:
634:28 May
468:
286:, and
188:, the
122:, and
81:, the
77:, the
73:, the
69:, the
61:Career
184:Like
1661:WBUR
1088:link
1070:OCLC
1060:ISBN
1041:2019
1016:2019
991:link
973:OCLC
963:ISBN
944:2018
931:WBUR
774:2023
742:link
738:link
734:link
716:OCLC
706:ISBN
636:2023
576:2019
466:ISSN
430:and
360:The
228:and
161:for
1609:'"
1711::
1581:.
1557:.
1533:,
1509:.
1485:.
1459:.
1435:.
1410:.
1385:.
1338:.
1313:.
1302:^
1286:.
1275:^
1259:.
1244:^
1228:.
1203:.
1179:.
1153:.
1128:.
1104:.
1084:}}
1080:{{
1068:.
1032:.
1007:.
987:}}
983:{{
971:.
934:.
928:.
916:^
900:.
885:^
869:.
844:.
831:^
815:.
804:^
794:.
782:^
758:.
730:}}
726:{{
714:.
685:.
671:^
655:41
653:.
626:.
620:.
608:^
592:.
567:.
542:.
517:.
492:.
464:.
460:.
290:.
282:,
262:,
134:.
118:,
112:,
106:,
100:,
1650:,
1591:.
1567:.
1519:.
1495:.
1470:.
1445:.
1421:.
1396:.
1371:.
1348:.
1324:.
1296:.
1269:.
1238:.
1213:.
1189:.
1164:.
1139:.
1114:.
1090:)
1076:.
1043:.
1018:.
993:)
979:.
946:.
910:.
879:.
855:.
825:.
798:.
776:.
744:)
722:.
689:.
665:.
638:.
602:.
578:.
552:.
527:.
503:.
478:.
218:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.