1116:" (1978), writer Ian Mathers describes the song as "a horror story about a human being reduced to nothing more than work". "Look Back in Anger" sees Bowie encounter an angel of death who has come to claim his soul. "Boys Keep Swinging" contains gender-bending lyrics, particularly, "When you're a boy, other boys check you out." In 2000, Bowie said of the track: "The glory in that song was ironic. I do not feel that there is anything remotely glorious about being either male or female. I was merely playing on the idea of the colonisation of a gender." In "Repetition", the narrator conveys no emotion when beating his wife, leading Buckley to describe it as Bowie at "his most chilling". "Red Money" proclaims the message "project canceled". Regarding the "red boxes" that appear throughout, Bowie stated: "This song, I think, is about responsibility. Red boxes keep cropping up in my paintings and they represent responsibility."
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1150:. To accomplish the shot, taken in February 1979 at Duffy's London studio, Bowie balanced himself on a steel frame while the photographer captured the image from above. The broken nose and facial morphing were accomplished using prosthetic make-up and nylon threads. Bowie's bandaged hand was genuine; according to Pegg, he had burned it with coffee that morning and decided to incorporate the hand into the photo. At Bowie's request, the image was taken in a low resolution with a
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1003:. For the recording, which has the same chord sequence as "Fantastic Voyage", Bowie instructed the band to swap instruments. "Repetition" features a bass guitar riff that is described by Buckley as "insistent and very odd". Doggett highlights its sound as similar to funk music. "Red Money" is built around the backing track of "Sister Midnight", an Iggy Pop song he recorded with Bowie for
762:. For "Look Back in Anger", Eno gave the backing band eight of his favourite chords and instructed them to "play something funky". Alomar disliked this, telling biographer David Buckley that he "totally, totally resisted it". Despite Eno assuming control at certain points, he appeared on, and co-wrote, only six of the album's ten tracks. Eno felt the trilogy had "petered out" by
1340:"D.J." was chosen as the second single, with "Repetition" as the B-side, released on 29 June 1979, Pegg calls it a "boldly uncommercial choice" for a single. Appearing in edited form, the single stalled on the charts, peaking at number 29 in the UK. It was supported by a music video, also directed by Mallet. The video features Bowie walking down a road in London's
1064:, which inspired the lyrics for "African Night Flight". The same trip, along with ones to Japan and Australia, inspired "Move On", which reflects the theme of wanderlust throughout side one. Regarding the song titles, Doggett quips, "After his 'African Night Flight', what else to do but 'Move On'!" When asked about "Red Sails", Bowie said in 1979: "Here we took a new
782:. Belew returned to record further guitar overdubs while Visconti recorded a replacement bass guitar part for "Boys Keep Swinging" after Bowie decided Davis' original was unsuitable; work was completed in a week. Visconti recalled having "sonic problems" during the mixing stage because the studio did not have the technical advancements of European studios.
1331:". Numan, a huge fan of Bowie's, was antagonised by Bowie's fans who viewed him as a mere copycat. Bowie himself criticised Numan, which led to a feud between the two artists that lasted for years. According to Buckley, Numan's fame indirectly led to Bowie taking a more pop-oriented direction for his next studio album,
1213:, who Bowie chose to direct a promo video for "Boys Keep Swinging", directed the programme. The promo and his Everett performance were filmed back-to-back, although the former featured extra backup dancers who turned out to be Bowie in drag. The Everett performance, along with an appearance as the guest DJ on
723:. Using the cards, Bowie and Eno conducted numerous experimental methods during the sessions. Some of these included using old tunes played backwards, employing identical chord sequences for different songs and having the musicians swap instruments, as Alomar and Davis did on "Boys Keep Swinging". The pianist
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agreed, writing that it was always thought of as the "anticlimax" of the trilogy, but nevertheless, stating that "if it doesn't add up as a single listening experience, its parts are rarely without quality." Erlewine also gave the album a positive review, writing: "It might not stretch the boundaries
2331:
for many years, calling it "over-cluttered" and "over-produced". Regarding the mix, Visconti stated: "My only regret is that we went to New York to finish album and it suffered at the mixing stage because New York studios simply were not as versatile or well-equipped as their
European counterparts
2366:
s Kory Grow wrote that the new mix "loosens" the album's sound, saying there is "a greater emphasis on orchestral strings" and the percussion "sometimes comes out of different speakers". Grow further noted that the mix makes "everything generally lighter", notably on "Red Money" and "Yassassin".
2332:
in those days." Bowie also expressed disappointment in the mix, citing distractions in his personal life at the time and the overall feeling he and
Visconti had that the record did not come together as easily as its two predecessors. Bowie and Visconti began discussing the possibility of remixing
1700:
is "by far" Bowie's "most lyrically and musically challenging" album of his late 1970s and early 1980s output, further illustrating the influence of contemporaries on the artist. Trynka states that over the years, the album has attracted "admiration" rather than "visceral love or hatred", and its
980:
in his vocal performance. Wawzenek highlighted "D.J." as a "danceable gem". Doggett describes "Look Back in Anger" as "propulsive and impatient", while Ned
Raggett of AllMusic called it a "sharp-edged, thrillingly modern rock song". O'Leary particularly highlights Davis' drumming as the standout,
675:
was composited from multiple takes played against backing tracks of which he had no prior knowledge, not even the key. Belew recalled, "When I arrived, they had about twenty tracks already done: bass, drums, rhythm guitar, but no vocals. They said, 'We're not going to let you hear these songs. We
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accompanied three of the four singles. The album initially received mixed critical reviews, with many calling it the weakest of the Berlin
Trilogy. Reception has grown in subsequent decades and it is now widely considered to be among Bowie's most underrated albums. Its world elements have been
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also praised the remix, believing it "drastically improved" the record and is "nothing short of revelatory". Gerard gave the most acclaim to "D.J.", writing that its new mix gives the track "more punch and clarity". Ultimately, Gerard felt the new mix is the highlight of the box set and gives
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has been interpreted as covering two major themes— travel and critiques of
Western civilisation on sides one and two, respectively. In early 1977, Bowie said, "I don't live anywhere, really. I travel 100% of the time," further noting, "The more I travel, the less sure I am about exactly which
1601:
wrote: "It's simply appealing in such an unusual way that a clear definition is impossible, even when plotted against its own predecessors rather than 'pop music' in general." He commended the variety of musical styles present but criticised some of the lyrics as lazy. William
Carlton of the
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has been reissued several times. Although the original 1979 vinyl release featured a gatefold cover, some later LP versions such as RCA's 1981 US reissue presented the album in a standard non-gatefold sleeve. The album was first released on CD by RCA in the mid-1980s.
1344:, attracting surprised fans, interspersed with shots of him as an abused DJ. "Yassassin" was released as the album's third single in the Netherlands, backed again by "Repetition", in July 1979. It failed to chart, but the Dutch single edit was later included on
1354:
box set (2017). "Look Back in Anger", with "Repetition" once again as the B-side, was released as the album's fourth single in the US and Canada only, where it failed to chart. A music video, again directed by Mallet, promoted it. The video, inspired by
2274:, respectively. Glass informed Bowie of the projects and the two stayed in touch with each other until 2003; the two discussed making a third symphony which never came to fruition. After Bowie's death, Glass said the two had talked about adapting
731:
writes that several songs, including "African Night Flight", "Yassassin" and "Red Sails", were composed "around a melodic clash of disparate cultures". Due to the experimental nature of the sessions, initial working titles for the album included
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wrote favourably, stating that although the songs may seem impassive and not designful, he believed those qualities are "part of their charm—the way they confound categories of sensibility and sophistication is so frustrating it's satisfying".
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a "slick, calculatedly disposable record", Buckley contends that "its stature grows with each passing year", and Pegg sums up, "undervalued and obscure practically from the moment of its release, its critical re-evaluation is long overdue".
777:
The sessions at
Mountain Studios lasted three weeks, after which the band went back on tour. At the tour's conclusion, Bowie reconvened at the Record Plant in March 1979, where he recorded his lyrics and instrumental overdubs, and began
676:
want you to go into the studio and play accidentally – whatever occurs to you'." Belew described the final guitar solo on "D.J." as sounding like "you're changing channel on the radio and each channel has a different guitar solo on it".
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might always be remembered as the least "essential" effort of the Berlin
Trilogy, Wawzenek concludes: "as a postcard from one of Bowie's most exciting phases, it's a fascinating glimpse of the artist in the midst of a bold transition".
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2359:. Erlewine praised the remix as "dense and colorful without changing the feel of the original", helping to "focus attention on an excellent record that often gets overshadowed by the three albums accompanying it in this box."
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1051:
Regarding side one's theme of travel, Pegg writes that the songs revive a "perennial motif" prevailing throughout the Berlin
Trilogy, highlighting the line, "I've lived all over the world, I've left every place" from the
766:, and Belew also observed Eno's and Bowie's working relationship closing down: "They didn't quarrel or anything uncivilised like that; they just didn't seem to have the spark that I imagine they might have had during the
837:
styles and the song/instrumental split that defined the two earlier works, in favour of more conventional song structures. Visconti explained: "We dropped the ambient-side-two concept and just recorded songs!" As such,
1533:
similarly noted "the tone of the album is less foreboding than his more recent musical excursions". Although they considered this was both a "continuation" and a "departure" from his previous works, the magazine chose
1028:
political philosophies are commendable. All my traveling is done on the basis of wanting to get my ideas for writing from real events rather than from going back to a system from whence it came." Because of this,
601:
in New York City. The atmosphere in
Montreux was very different from that in Berlin; the studio was built on the site of a previous studio that had burned down. Whereas Hansa Tonstudio was located near the
5631:
800:
was more of a world record – urban and eastern at the same time. It seemed was spreading his wings in that direction, incorporating world music styles. It really inspired me to open up my guitar playing.
2152:
as "the first David Bowie album marketed as nothing more than an album of recorded music by David Bowie". He commented on the record's accessibility compared to Bowie's prior releases. Although he felt
5519:
4311:
2098:". He also commented on the "razor-sharp musical corners" and "new layers of wit and generosity in the songwriting", highlighting "Boys Keep Swinging", "D.J." and "Fantastic Voyage". Jon Dolan of
41:
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1076:. We have a lovely cross-reference of cultures. I honestly don't know what it's about." Pegg writes that "Red Sails" symbolises Bowie's venture away from the mainstream. "Yassassin" is
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lacked the "sense of risk and excitement" that had "pervaded" its two predecessors, which he partly attributed to the studio it was recorded at. However, soon after its release,
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of Bowie in a tiled bathroom looking like an accident victim, heavily made up with an apparently broken nose and a bandaged hand. This was inspired by the self-portraits of
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1696:. Nevertheless, he considers some of the tracks, including "African Night Flight", "Repetition" and "Red Money", as among his best work of the period. Perone argues that
3316:
The release date was previously thought to be 18 May 1979. Bowie's official website unveiled new evidence in 2020 finding the actual release date to be 25 May.
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s lyrics at a later date; they were unknown during the Mountain sessions. Other than "Yassassin" and "Red Sails", most of the tracks were recorded with working titles.
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has received more positive reviews. Upon the album's 1991 reissue, Ira Robbins compared its accessibility to its predecessors and felt the songs were forerunners of
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5040:
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2342:(2013) for a possible deluxe edition reissue, with the latter explaining: " an important record to both of us. David agrees it never sounded the way we wanted."
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Overall, Grow gave praise to the new mix, calling it a "brilliant new take" and noting that the original now feels "muddier" by comparison. Chris Gerard of
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expecting a "resolution" to the sounds and themes of its two predecessors, but do not get that. He further contends that it lacks the "pioneer spirit" of
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6015:
5983:
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would "have to 'grow in potency' over a few years, but eventually, it will be accepted as one of Bowie's most complex and rewarding projects". Indeed,
929:
believes implies a "less intense" record. The song shares the same chord sequence as "Boys Keep Swinging" and features three different players playing
1527:, Red Starr described the album as sounding like "a ragbag of rejects from previous styles" with "only occasional flashes of genius". A reviewer for
1158:. The front features a postcard with the album title in four different languages, enhancing its theme of travel. Inside the gatefold are pictures of
1060:", pointing out the journey is both metaphorical and geographical. Between the Montreaux and New York sessions, Bowie traveled to Kenya with his son
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for the third symphony, adding that "the idea has not totally disappeared". In January 2018, Glass announced the completion of a symphony based on
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parts; each part was triple-tracked to create a total of nine parts. Bowie composed "Move On" after accidentally playing his earlier composition "
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in 1991, including the outtake "I Pray, Olé" and a new version of "Look Back in Anger". Another reissue, without bonus tracks, was released by
1313:
chart, remaining on the chart for 15 weeks. Throughout the year, Bowie was out-performed commercially by Numan, who had number one hits with
17:
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4800:
412:. Lyrically, the album is divided into two major themes: travel (side one) and critiques of Western civilisation (side two). The pop artist
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4395:
2355:. He presented the new mixes to Bowie, who approved of them before his death. Visconti finished the remix in late 2016 and included it on
8518:
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7802:
5242:
1048:. James Perone finds a general theme of political oppression and insanity. Eno was unhappy with the direction Bowie took for the lyrics.
400:
styles and the song/instrumental split of its two predecessors, favouring more conventional song structures and exploring styles such as
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1350:
523:, released in October 1977, after which he conducted extensive promotion for the album. These included a collaboration with the singer
445:
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explained: " was very keen on spontaneity. He liked everything to be recorded in one or two takes, mistakes and all." The biographer
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hailed it "Bowie at his best", praising the performances of Bowie and the band, and the various musical styles. A reviewer for the
4441:
1735:(1986). Spitz describes the album's promotional videos directed by Mallet "as innovative as anything Bowie had ever done before".
8478:
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754:
Alongside the use of Eno's Oblique Strategies cards, Visconti recalled Eno having more leeway during the sessions than those for
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2121:
never received the appreciation it deserved, writing: "Generally perceived as the afterthought of the legendary "Berlin trilogy"
1544:
felt the album was a letdown compared to its two predecessors. Although he found some of the songs "good" and complimented its "
1209:
four days earlier. According to Pegg, he dressed in a "1950s Mod-style suit" that made him look like a "fresh-faced schoolboy".
1036:. Some songs showcase heavily politicised lyrics, including "Fantastic Voyage", which deals with the "depression" brought on by
365:, and in New York City in March 1979 at the tour's end. Most of the same personnel from prior releases returned, and the future
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5815:
4181:
3868:
3582:
3231:
529:
925:, biographers have described the opening track, "Fantastic Voyage", as "surprisingly delicate" and "serene"; a thought author
719:'Chance' cards", intended to spark creative ideas. Eno and Bowie used them previously to create some of the instrumentals for
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6863:
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6142:
5953:
5339:
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2418:: a remaster of the standard album and a new remix by Visconti. The 2017 remaster was separately released, in CD, vinyl, and
868:
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vocals from "Boys Keep Swinging"; Bowie and Eno both received credit for "M.O.R." after legal intervention. The lead singer
1108:. On the song, the DJ is looked at solely for what he is on the outside: "I am a DJ, I am what I play". Swiftly compared to
7932:
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7355:
6368:
1250:, were starting to gain popularity. Numan himself was criticised by contemporaries and Bowie himself as a copycat of Bowie.
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to be the more accessible record of the Berlin Trilogy, he also felt it to be the most experimental, observing elements of
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pop music". Its musical textures, particularly on "African Night Flight", have been cited as presaging the popularity of
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Bowie's productivity continued throughout the rest of 1977. He recorded his second Berlin release with Visconti and Eno,
362:
357:
265:
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7172:
7088:
5066:
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2186:
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6226:
5698:
4866:
8041:
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7700:
7165:
5326:
1870:
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1333:
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534:
226:
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found it boring and "a nice enough pop record, beautifully played, produced and crafted, and slightly faceless". In
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7837:
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2914:
2675:
Credits are adapted from the album's liner notes. The track numbers refer to CD and digital releases of the album.
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as a whole to be "a frustrating but well-crafted LP that is much less than it appears to be". Sandy Robertson of
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1970:
779:
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1233:". However, due to the song's gender-bending video and lyrics, RCA refused to release the single in the US.
1104:
The lyrics of side two primarily critique Western society. "D.J." takes a sardonic look at the world of the
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6009:
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described the location as "boring", preferring the "excitement" of Hansa. Mountain also lacked the Hansa's
466:
4711:
961:" drum beat; Pegg describes it as "an upbeat slab of new wave pop". The track has also been compared with
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7376:
7235:
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was a modest commercial success, peaking at number 4 in the UK and number 20 in the US. It produced four
5461:
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would later say the only reason he got his first job as a golf caddy was so that he could afford to buy
439:
highlighted as particularly influential. Bowie and Visconti were dissatisfied with the album's original
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album." Visconti shared similar sentiments, saying on multiple occasions: "I don't think heart was in
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and artists who were influenced by the music on Bowie's prior releases of the Berlin Trilogy, such as
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on 25 May 1979, with the catalogue number RCA BOW LP 1. Its release came almost two years after
557:
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208:
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has come to be considered as one of Bowie's most underrated works. Wawzenek described it as Bowie's
1365:(1891), depicts Bowie as a painter in an attic studio whose self-portrait begins to decay and melt.
1007:. New guitar parts were added, along with electronic effects, backwards guitar and vocal harmonies.
8493:
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7985:
7844:
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7651:
7616:
7481:
7348:
7341:
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7071:
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1243:
was released at a time when artists that were influenced by Bowie's other Berlin releases, such as
644:
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began during the four-month break in the Isolar II world tour during September 1978. Although
5781:"Review: Philip Glass takes David Bowie and the symphony to new places with a stupendous 'Lodger'"
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4466:
2205:
used the same chord sequence as "Fantastic Voyage" and "Boys Keep Swinging" in their 1997 single "
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7035:
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In regards to the Berlin Trilogy as a whole, Seabrook finds that then and now, listeners come to
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443:
and, in 2015, Visconti remixed the album with Bowie's approval for inclusion on the 2017 box set
435:
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278:
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1548:" nature, he noted the absence of the more "challenging" work on the earlier releases and found
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received mixed reviews from music critics on its original release. Among the negative reviews,
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2294:. The symphony marked the completion of his trilogy of works based on Bowie's Berlin Trilogy.
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7809:
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6807:
6801:
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937:" backwards, then having Alomar write out the reversed chord sequence. "Yassassin" combines
910:, "The Secret Life of Arabia", in particular, as a precursor to what Bowie would explore on
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8195:
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6268:"InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste"
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s release in January 1977, Bowie toured with Pop before co-producing his second solo album
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Goble, Blake; Blackard, Cap; Levy, Pat; Phillips, Lior; Sackllah, David (8 January 2018).
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8:
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5113:"Filtered Through the Prism of David Bowie's Quixotic Mind: 'A New Career in a New Town'"
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3812:(Rykodisc). Groundbreaking ambient electronic work from one of pop's most enduring icons.
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1920:
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took the cover photo, portraying Bowie as an accident victim across the gatefold sleeve.
1268:(1969). Buckley writes that within that time, new wave had begun to emerge and overtake
361:(both 1977). Sessions took place in Switzerland in September 1978 during a break in the
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1142:(1983). The original gatefold album sleeve featured a full-length shot by photographer
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feel and put it against the idea of a contemporary English mercenary-cum-swashbuckling
706:
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427:
374:
261:
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referenced the album in their song "Distopian Dream Girl" taken from their 1994 album
744:, which Bowie largely improvised as he stood next to the microphone, he wrote most of
377:
cards, such as having the musicians swap instruments and playing old songs backwards.
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862:, Bowie himself considered the album a forerunner of the sounds developed by Eno and
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479:
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124:
5856:"Review: David Bowie's Heroically Experimental Berlin Era Explored in 11-CD Box Set"
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2142:, but it arguably utilises those ideas in a more effective fashion." Mike Powell of
906:
within the vast array of pop songs. Biographers have singled out the final track on
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5684:
5514:
5470:
4754:
4750:
2745:
2286:; it premiered in Los Angeles in January 2019. Like Glass's other adaptations, the
2113:
1618:"uneven" but ultimately "more interesting and entertaining" than its predecessors.
1581:
1285:
1230:
1222:
1098:
1077:
1065:
830:
590:
538:
393:
91:
4603:"Look Back in Anger: The Unlikely Single that Would Point to David Bowie's Future"
1493:
In contrast to the universal praise received by its predecessor two years before,
8356:
7644:
7630:
7411:
7334:
7130:
6776:
6725:
6551:
Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers
6448:
5421:
5294:
5169:
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4959:
4918:
3694:
3132:
3083:
2899:
2259:
2100:
2008:
1837:
1721:
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1540:
1341:
1303:
1163:
1041:
962:
950:
715:
176:
774:." "We had fun, but nevertheless an ominous feeling pervaded the album for me."
589:
is known as the final release of the Berlin Trilogy, it was largely recorded at
8387:
8371:
8258:
8171:
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7992:
7693:
7284:
6754:
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3790:
2999:
2920:
2905:
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has "some ideas successfully realised", but as a whole is "not brilliant". The
1545:
1273:
1226:
1151:
1109:
883:
710:
552:
498:
423:
409:
373:
joined from the tour. The sessions saw the use of techniques inspired by Eno's
346:
244:
139:
5359:
8457:
8066:
7735:
6887:
6877:
6873:
6836:
6772:
6731:
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5693:
5501:
5331:
5161:
4795:
4656:
4316:
3099:
2879:
2790:
2753:
2584:
2310:
2235:
2130:
2079:
1597:
1503:
1393:
1307:
1262:, marking the longest gap between Bowie studio albums since his second album
1133:
1033:
977:
926:
834:
728:
607:
494:
413:
397:
342:
186:
6571:
3346:"The History of David Bowie's Berlin Trilogy: 'Low,' 'Heroes,' and 'Lodger'"
639:
Many of the same musicians from the previous records—Eno, Visconti, Alomar,
470:
8376:
8351:
8341:
8166:
8146:
8048:
7918:
7672:
7591:
7577:
7242:
7123:
7109:
6653:
5596:
5397:
5321:
4835:
4786:
3182:
2807:
2777:
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and EMI in 1999, featuring 24-bit digitally remastered sound. In 2017, the
2399:
2338:
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2218:
2214:
2094:
1932:
1517:
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1314:
1177:
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629:
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370:
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164:
101:
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4537:
1306:
and remaining on the chart for 17 weeks. It peaked at number 20 on the US
8346:
8182:
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7268:
7009:
6933:
6782:
6539:
6097:
3591:
2850:
2734:
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2202:
2161:
1631:
1538:
among their Top Album Picks the week of 9 June 1979. Paul Yamada of
1356:
1328:
1281:
1214:
1192:
1188:
1159:
1113:
1105:
1101:
who lived in Berlin faced, although its lyrical approach is more direct.
1069:
1000:
991:
986:
982:
942:
863:
859:
855:
709:
cards. According to the biographer Chris O'Leary, these cards were "part-
660:
603:
524:
474:
458:
431:
405:
334:
330:
195:
169:
134:
112:
54:
2108:
to be a great end to " best decade", calling it "his last great album".
8381:
8156:
7742:
7425:
7306:
7095:
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6521:
6241:
5117:
4822:
4692:
3012:
2929:
2841:
2694:
2411:
2369:
2177:
1726:
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agrees, citing its use of world music as influential on Talking Heads'
1716:
1523:
1512:
1431:
1293:
1244:
1073:
1057:
946:
724:
6605:"David Bowie en chiffres : un artiste culte, mais pas si vendeur"
1091:
8215:
7549:
5506:"Great Albums That Have Fallen Off The Critical Radar: David Bowie's
2883:
2706:
2509:
2467:
1277:
1269:
1236:
1125:
996:
903:
851:
687:
611:
490:
401:
338:
291:
129:
1507:
called the album "one of weakest ... scattered, a footnote to
1203:, on 27 April 1979. To promote the song, Bowie had appeared on
597:, Switzerland, with additional recording to finish the album at the
8419:
6691:
6379:
6303:
6001:
5285:
4647:
3864:
3060:
2757:
2391:
1762:
1645:
1592:
1173:
1136:, who would later design the artwork for Bowie's 15th studio album
1037:
930:
843:
822:
606:, Mountain Studios was located in an Alpine retreat. The guitarist
594:
462:
385:
119:
95:
5972:(LP record sleeve). David Bowie. US: RCA Records. 1981. AYL1-4234.
5919:(LP record sleeve). David Bowie. US: RCA Records. 1979. AQL1-3254.
4100:
4098:
4096:
1701:
sound is viewed as a forerunner to the sound of Talking Heads and
7763:
7116:
6972:
6271:
4094:
4092:
4090:
4088:
4086:
4084:
4082:
4080:
4078:
4076:
2730:
2198:
958:
679:
3971:
3969:
3967:
3965:
3963:
3961:
3959:
3534:
3416:
3414:
3412:
2378:
enough recognition to be labeled as among Bowie's finest works.
2302:
1626:
The consensus among critics at the time of its release was that
659:, whom Bowie had "poached" while the guitarist was touring with
8264:
3036:
2858:
2206:
2165:
899:
6978:
4257:
4255:
4073:
4063:
3934:"Revisiting David Bowie's Last Berlin Trilogy Album, 'Lodger'"
2290:
is separated into seven movements, each named after tracks on
1154:; outtakes from the photoshoot have appeared in the 2014 book
1015:
Though missing the song/instrumental split that characterised
7103:
The Rise and Fall of Ziggy Stardust and the Spiders from Mars
6307:
4549:
4498:
4496:
4061:
4059:
4057:
4055:
4053:
4051:
4049:
4047:
4045:
4043:
4030:
4028:
4026:
3956:
3754:
Blackard, Cap; Graves, Wren; Manning, Erin (6 January 2016).
3624:
3622:
3620:
3618:
3616:
3614:
3409:
3048:
973:
705:
The sessions saw Bowie and Eno utilise techniques from Eno's
49:
5713:
1574:
The album did receive some positive reviews. Ken Emerson in
6550:
5200:
4252:
3555:
3553:
3551:
3549:
3382:
3240:
3024:
2169:
1302:
performed well commercially, peaking at number four on the
1289:
954:
938:
5689:"Shearwater covers the entirety of David Bowie's 'Lodger'"
4493:
4410:
4353:
4279:
4040:
4023:
3830:
3828:
3826:
3824:
3822:
3820:
3670:
3634:
3611:
3509:
3507:
3505:
3503:
3501:
3499:
3497:
3495:
3493:
3491:
3489:
3487:
3485:
6033:
5549:
4230:
4228:
4226:
3904:
3902:
3900:
3898:
3720:
3687:
3685:
3524:
3522:
3483:
3481:
3479:
3477:
3475:
3473:
3471:
3469:
3467:
3465:
3399:
3397:
2395:
1640:
1580:
called it Bowie's "most eloquent" record in years, while
4527:
4525:
4523:
4343:
4341:
4339:
4013:
4011:
3546:
1221:, helped "Boys Keep Swinging" reach number seven on the
6673:
Strange Fascination – David Bowie: The Definitive Story
6650:
Strange Fascination – David Bowie: The Definitive Story
6579:"British album certifications – David Bowie – Lodger"
5441:
4312:"On David Bowie's life as an artist and art journalist"
3998:
3996:
3817:
2233:
covered the album in its entirety at live shows and on
2229:, after "Look Back in Anger". American indie rock band
1199:, "Boys Keep Swinging", with "Fantastic Voyage" as the
842:
is the most "accessible" record of the Berlin Trilogy;
796:, the music was darker and probably less experimental.
329:
is the thirteenth studio album by the English musician
5948:(10th ed.). US: Krause Publications. p. 87.
4223:
4132:
4130:
4117:
4115:
4113:
3981:
3895:
3883:
3702:
3682:
3646:
3519:
3462:
3450:
3438:
3394:
2129:
deserves a room of its own in the critical pantheon."
1709:
is one of Bowie's most influential works according to
1571:
s Lynn Van Matre did not find it one of Bowie's best.
972:" was "somewhat cynical" and his "natural response to
886:
into a "pop format". Although Bryan Wawzenek, also of
6727:
The Man Who Sold the World: David Bowie and the 1970s
6547:"Dutch album certifications – David Bowie – Lodger"
6440:
6438:
5746:"Philip Glass completes his David Bowie trilogy with
5233:"David Bowie – British singer, songwriter, and actor"
5212:
5137:
4566:
4564:
4520:
4336:
4008:
3753:
3723:"Ranking: Every David Bowie Album from Worst to Best"
3370:
497:; the album came to be known as the first in Bowie's
6288:
Note: user must select 'David BOWIE' from drop-down.
5575:
Gordinier, Jeff (31 May 2002). "Loving the Aliens".
4508:
3993:
537:"), and contributing narration for an adaptation of
8395:
David Bowie Narrates Prokofiev's Peter and the Wolf
6300:
Oricon Album Chart Book: Complete Edition 1970–2005
5725:
4625:
4365:
4267:
4161:
4159:
4157:
4127:
4110:
3658:
701:
cards, which were intended to spark creative ideas.
7454:David Bowie at the Kit Kat Klub (Live New York 99)
6751:Ashes to Ashes: The Songs of David Bowie 1976–2016
6435:
4991:
4561:
4291:
4240:
4142:
3426:
2336:during the sessions for Bowie's 24th studio album
1630:was the weakest of the Berlin Trilogy. Biographer
995:found "Boys Keep Swinging" to contain elements of
945:to create a sound reminiscent of a Middle Eastern
5849:
5847:
5845:
5290:"Bowie's Many Faces Are Profiled On Compact Disc"
3230:
2209:". The song's chorus also borrows the melody and
1272:as the dominant genre, highlighting the likes of
957:inspired "Red Sails", sharing their distinctive "
854:", while Belew similarly characterised them as "
686:marked the third collaboration between Bowie and
477:. There, Bowie produced Pop's debut studio album
8455:
6032:(CD liner notes). David Bowie. UK & Europe:
5810:
5808:
4642:
4640:
4154:
2176:, which had just come out at the time. American
8524:Albums recorded at Record Plant (New York City)
8180:
7463:
7266:
6938:David Bowie – Starman: The Definitive Biography
6078:: CS1 maint: others in cite AV media (notes) (
6046:: CS1 maint: others in cite AV media (notes) (
6014:: CS1 maint: others in cite AV media (notes) (
5982:: CS1 maint: others in cite AV media (notes) (
5929:: CS1 maint: others in cite AV media (notes) (
5820:mix: Tony Visconti takes aim at online chatter"
5494:
5156:
5154:
5152:
4382:
4380:
3927:
3925:
3923:
3921:
3919:
3917:
3287:Shipments figures based on certification alone.
8325:We Were So Turned On: A Tribute to David Bowie
5842:
4690:Starr, Red (31 May – 13 June 1979). "Albums".
1843:
1767:
473:, France, to escape from the drug culture of
337:. Recorded in collaboration with the musician
6994:
6343:Recording Industry Association of New Zealand
5805:
5353:
5351:
5106:
5104:
5102:
4637:
3698:(60 Years of Bowie ed.). pp. 70–73.
1176:did not reproduce these images on their 1991
1172:and Bowie being readied for the cover photo.
1081:
981:while Alomar's guitar solo was influenced by
310:Released: 20 August 1979 (US and Canada only)
7447:Look at the Moon! (Live Phoenix Festival 97)
5944:Thompson, Dave (2019). Kennedy, Paul (ed.).
5652:
5149:
4685:
4683:
4377:
3914:
2939:
2345:During the sessions for Bowie's final album
2316:, who was unsatisfied with the original mix.
2014:
1976:
1938:
1876:
1805:
1449:
1399:
6856:Bowie in Berlin: A New Career in a New Town
6748:
6510:
6123:
6121:
5624:"Readers' Poll: The 10 Best Brit-Pop Songs"
5546:"Is Moby's Music Still Good When Its Free?"
4983:
4543:
4104:
3847:
3845:
3843:
3420:
2518:
576:
514:(1977), at Hansa Tonstudio in West Berlin.
7001:
6987:
6690:
6361:
5348:
5099:
4572:"A New Career In A New Town (1977 – 1982)"
4461:
4459:
3975:
3343:
3339:
3337:
3335:
3333:
2351:in 2015, Visconti secretly began remixing
1738:
40:
7482:Live at La Cigale, Paris, 25th June, 1989
7391:Welcome to the Blackout (Live London '78)
6872:
5574:
5500:
5447:
5160:
4993:"David Bowie Is Rock's Cunning Chameleon"
4948:
4897:
4749:
4709:
4705:
4703:
4680:
449:, along with a remaster of the original.
7905:Ziggy Stardust and the Spiders from Mars
7440:No Trendy Réchauffé (Live Birmingham 95)
6853:
6828:
6781:(Revised and Updated ed.). London:
6596:
6520:(in French). infodisc.fr. Archived from
6445:"David Bowie | Artist | Official Charts"
6398:
6324:
6292:
6270:(in French). infodisc.fr. Archived from
6260:
6219:
6151:
6118:
6086:
5943:
5653:Shchelkunova, Maria (12 February 2016).
5425:. Vol. 22, no. 7. p. 84.
5206:
4309:
4261:
3931:
3840:
2301:
1235:
1183:
697:, the sessions saw greater use of Eno's
678:
651:sessions. A new addition was the future
616:
573:from March 1978 to the end of the year.
6720:
6670:
6647:
6602:
6137:. St Ives, NSW: Australian Chart Book.
5683:
5459:
5410:
5408:
5357:
5024:
4989:
4696:. Vol. 1, no. 13. p. 25.
4502:
4456:
4416:
4359:
4285:
4234:
4067:
4034:
3987:
3908:
3889:
3708:
3691:
3676:
3652:
3640:
3628:
3540:
3528:
3376:
3330:
1621:
624:features contributions from the future
333:, released on 25 May 1979 through
14:
8456:
7831:A New Career in a New Town (1977–1982)
6932:
6799:
6518:"Les Albums (CD) de 1979 par InfoDisc"
5889:A New Career in a New Town (1977–1982)
5830:from the original on 29 September 2017
5743:
5592:"Is Damon Albarn the new David Bowie?"
5320:
5245:from the original on 21 September 2020
5218:
5143:
5110:
4903:
4821:
4785:
4700:
4600:
4165:
3834:
3580:
3172:Australian Albums (Kent Music Report)
2408:A New Career in a New Town (1977–1982)
1351:A New Career in a New Town (1977–1982)
965:1975 track "Monza (Rauf und Runter)".
446:A New Career in a New Town (1977–1982)
297:Released: July 1979 (Netherlands only)
8509:World music albums by British artists
6982:
6904:
5604:from the original on 24 December 2017
5453:
5414:
5083:from the original on 30 December 2021
5043:from the original on 30 December 2021
4967:from the original on 30 December 2021
4843:from the original on 29 November 2020
4745:
4743:
4689:
4514:
4398:from the original on 19 November 2020
4002:
3559:
3344:Mastropolo, Frank (11 January 2016).
3268:
2657:
2643:
2629:
2611:
2593:
2572:
2533:
2504:
2490:
2476:
2452:
1748:
1378:
1368:
1044:, and "Repetition", which deals with
941:and reggae, using a violin played by
489:, in collaboration with the musician
7426:Something in the Air (Live Paris 99)
7384:Cracked Actor (Live Los Angeles '74)
6771:
6472:from the original on 5 December 2012
6423:from the original on 11 January 2014
6386:from the original on 16 October 2013
6248:from the original on 31 October 2014
6192:"Top Albums/CDs – Volume 31, No. 19"
6172:from the original on 29 October 2013
6127:
5897:from the original on 5 December 2021
5884:
5853:
5778:
5760:from the original on 31 January 2018
5731:
5719:
5665:from the original on 10 January 2020
5655:"21 Reasons Why Oasis Is So Popular"
5589:
5568:
5405:
5372:from the original on 19 October 2016
4767:from the original on 17 October 2011
4646:
4631:
4555:
4531:
4444:from the original on 7 November 2020
4371:
4347:
4297:
4273:
4246:
4205:"'Look Back in Anger' – David Bowie"
4184:from the original on 24 January 2016
4148:
4136:
4121:
4017:
3851:
3784:
3766:from the original on 19 January 2021
3664:
3576:
3574:
3572:
3570:
3568:
3513:
3456:
3444:
3432:
3403:
3388:
3156:1979 year-end chart performance for
2944:
2682: – lead and background vocals;
2086:, stating it "rocks just as hard as
1010:
953:. In part, the music of German band
551:in May 1978. He also starred in the
7433:I'm Only Dancing (The Soul Tour 74)
6603:Breteau, Pierre (11 January 2016).
6492:"Dutch charts jaaroverzichten 1978"
6369:"norwegiancharts.com David Bowie –
6064:(CD liner notes). David Bowie. US:
6000:(CD liner notes). David Bowie. US:
5429:from the original on 2 October 2017
5284:
4613:from the original on 20 August 2024
4481:from the original on 24 August 2021
4310:Callahan, Maura (19 January 2016).
4202:
3756:"A Beginner's Guide to David Bowie"
3747:
3735:from the original on 5 January 2021
3692:Gittins, Ian (2007). "Art Decade".
2309:was remixed in 2017 by co-producer
1845:
1769:
914:, both musically and thematically.
530:Bing Crosby's Merrie Olde Christmas
24:
8519:Art rock albums by English artists
7321:Ziggy Stardust: The Motion Picture
6803:The Words and Music of David Bowie
6498:from the original on 23 April 2016
5744:Tilden, Imogen (30 January 2018).
5634:from the original on 26 March 2018
5556:from the original on 16 April 2019
5522:from the original on 20 April 2021
5478:from the original on 14 April 2021
5302:from the original on 16 April 2016
5230:
4926:from the original on 17 April 2021
4893:– via worldradiohistory.com.
4885:from the original on 7 August 2020
4803:from the original on 1 August 2011
4740:
4724:from the original on 8 August 2020
4664:from the original on 10 April 2021
3871:from the original on 30 March 2016
3358:from the original on 29 March 2016
3150:
3114:2016 weekly chart performance for
2955:1979 weekly chart performance for
2926:Rod O'Brien – mixing engineer
829:. However, the album abandons the
806:—Adrian Belew on the album's sound
345:, it was the final release of his
25:
8535:
8042:The Best of David Bowie 1980/1987
7757:The Best of David Bowie 1980/1987
7715:The Best of David Bowie 1974/1979
7708:The Best of David Bowie 1969/1974
7166:Scary Monsters (and Super Creeps)
6960:
6406:"swedishcharts.com David Bowie –
5946:Goldmine Record Album Price Guide
5327:The Encyclopedia of Popular Music
5175:The New Rolling Stone Album Guide
5111:Gerard, Chris (12 October 2017).
5006:from the original on 10 July 2022
4949:Van Matre, Lynn (5 August 1979).
3565:
3211:
2217:has cited Bowie as an influence.
2016:
1978:
1940:
1878:
1871:The Encyclopedia of Popular Music
1807:
1511:, an act of marking time", while
1451:
1401:
1334:Scary Monsters (and Super Creeps)
535:Peace on Earth/Little Drummer Boy
227:Scary Monsters (and Super Creeps)
8469:Albums produced by Tony Visconti
8438:
8437:
8318:The Life Aquatic Studio Sessions
7419:Ouvrez le Chien (Live Dallas 95)
6854:Seabrook, Thomas Jerome (2008).
6484:
6454:
6349:from the original on 21 May 2017
6184:
6096:(liner notes). David Bowie. UK:
6054:
6022:
5990:
5962:
5937:
5909:
5878:
5854:Grow, Kory (28 September 2017).
5772:
5358:Robbins, Ira (1 November 1991).
5330:(5th concise ed.). London:
5025:Carlton, William (28 May 1979).
4710:Robertson, Sandy (26 May 1979).
4601:Draper, Jason (20 August 2024).
4166:Powell, Mike (22 January 2015).
3599:from the original on 9 July 2015
3276:
2949:
2425:
2246:In the 1990s, American composer
2035:
2030:
2025:
2020:
2015:
1997:
1992:
1987:
1982:
1977:
1959:
1954:
1949:
1944:
1939:
1897:
1892:
1887:
1882:
1877:
1859:
1854:
1849:
1844:
1826:
1821:
1816:
1811:
1806:
1788:
1783:
1778:
1773:
1768:
1470:
1465:
1460:
1455:
1450:
1420:
1415:
1410:
1405:
1400:
1296:, had begun to gain popularity.
850:described the songs as "twisted
811:Much like its two predecessors,
785:
27:1979 studio album by David Bowie
7880:Brilliant Adventure (1992–2001)
7571:Live EP (Live at Fashion Rocks)
7008:
6829:Sandford, Christopher (1997) .
6200:. 4 August 1979. Archived from
6134:Australian Chart Book 1970–1992
5737:
5677:
5646:
5616:
5590:Azad, Bharat (14 August 2007).
5583:
5579:. No. 656. pp. 26–34.
5538:
5460:Roberts, Chris (January 2008).
5384:
5314:
5278:
5257:
5224:
5178:(4th ed.). New York City:
5059:
5018:
4942:
4859:
4815:
4779:
4594:
4422:
4303:
4196:
3932:Wawzenek, Bryan (18 May 2015).
3778:
3714:
3581:Graham, Ben (11 January 2016).
3310:
2904:Tony Visconti – producer,
2197:s songs influenced two English
2187:There's Nothing Wrong with Love
1152:Polaroid SX-70 type camera
1080:for 'long live', from the word
1040:leaders and the possibility of
976:". Bowie mimics David Byrne of
426:, including the UK top 10 hit "
8479:Albums produced by David Bowie
7926:Tin Machine Live: Oy Vey, Baby
7475:Tin Machine Live: Oy Vey, Baby
6567:in the "Artiest of titel" box.
6310:: Oricon Entertainment. 2006.
6227:"dutchcharts.nl David Bowie –
5779:Swed, Mark (11 January 2019).
4578:. 12 July 2017. Archived from
4434:– Full Official Chart History"
2557:
2437:
13:
1:
7824:Who Can I Be Now? (1974–1976)
7701:The Deram Anthology 1966–1968
6883:Spin Alternative Record Guide
6583:British Phonographic Industry
6451:. Retrieved 2 December 2020.
5530:– via Rock's Backpages
5486:– via Rock's Backpages
4990:Emerson, Ken (10 June 1979).
4934:– via Rock's Backpages
4851:– via Rock's Backpages
4732:– via Rock's Backpages
4672:– via Rock's Backpages
3323:
2297:
2075:The Rolling Stone Album Guide
2047:Spin Alternative Record Guide
1971:The Rolling Stone Album Guide
869:My Life in the Bush of Ghosts
483:(1977) and recorded his own,
452:
18:Repetition (David Bowie song)
8007:Bowie – The Video Collection
7838:Loving the Alien (1983–1988)
7398:Serious Moonlight (Live '83)
6700:Bowie: An Illustrated Record
6494:(in Dutch). Dutchcharts.nl.
6462:"RPM Top 100 Albums of 1979"
6068:/EMI. 1999. 7243 521909 0 4.
5401:. No. 61. October 1991.
5079:. 15 July 1979. p. 62.
4755:"Christgau's Consumer Guide"
4576:David Bowie Official Website
4392:David Bowie Official Website
3583:"30-Years On: David Bowie's
3141:
3092:
2670:
2398:reissued the album with two
1692:and the "sheer gravitas" of
1206:The Kenny Everett Video Show
1032:is interpreted by some as a
872:(1981). Frank Mastropolo of
663:; Belew's eventual bandmate
457:In the second half of 1976,
7:
5121:. p. 2. Archived from
5091:– via Newspapers.com
5051:– via Newspapers.com
4975:– via Newspapers.com
4878:. 9 June 1979. p. 96.
2381:
1225:, Bowie's highest-charting
1156:Duffy/Bowie – Five Sessions
10:
8540:
7089:The Man Who Sold the World
6876:(1995). "David Bowie". In
6812:Greenwood Publishing Group
6640:
6628:: CS1 maint: url-status (
5885:Erlewine, Stephen Thomas.
5164:(2004). "David Bowie". In
4904:Yamada, Paul (July 1979).
4207:. AllMusic. Archived from
3194:Dutch Albums (MegaCharts)
2923: – assistant engineer
2357:A New Career in a New Town
2111:In 2008, Chris Roberts of
1362:The Picture of Dorian Gray
1124:Bowie collaborated on the
1119:
671:. Much of Belew's work on
80:September 1978, March 1979
8433:
8334:
8241:
8208:
8104:
8058:
7963:
7889:
7873:Brilliant Live Adventures
7787:
7608:
7541:
7495:
7298:
7064:
7016:
6942:Little, Brown and Company
6858:. London: Jawbone Press.
6800:Perone, James E. (2007).
6332:"charts.nz David Bowie –
5417:"How to Buy: David Bowie"
5274:. No. 48. June 2006.
4558:, pp. 318, 224, 781.
3543:, pp. 278, 298, 302.
3284:
3273:
3253:
3238:
3227:
3224:
3201:
3193:
3179:
3171:
3131:
3097:
3082:
3070:
3058:
3046:
3034:
3022:
3010:
2996:
2984:
2972:
2940:Charts and certifications
2567:
2564:
2561:
2556:
2447:
2444:
2441:
2436:
2414:included two versions of
2221:named their 1996 single "
1756:
1753:
1672:(1990). While biographer
1386:
1383:
1094:", the song is about the
985:'s rhythm guitar work in
917:After the ominousness of
571:Isolar II world tour
541:'s classical composition
363:Isolar II world tour
318:
254:
243:
239:
202:
194:
175:
163:
147:
111:
84:
76:
61:
48:
39:
34:
8347:Angie Bowie (first wife)
8311:Symphony No. 12 "Lodger"
8021:Jump: Interactive CD-ROM
7845:Spying Through a Keyhole
7617:The World of David Bowie
7377:Live Nassau Coliseum '76
6778:The Complete David Bowie
6732:HarperCollins Publishers
6675:. London: Virgin Books.
6671:Buckley, David (2005) .
5722:, pp. 490–491, 493.
5415:Dolan, Jon (July 2006).
5324:(2011). "Bowie, David".
3853:Erlewine, Stephen Thomas
3391:, pp. 384–388, 489.
3303:
2223:Don't Look Back in Anger
1321:", his debut solo album
1132:with English pop artist
1086:. Like the instrumental
740:. Unlike the lyrics for
577:Recording and production
8304:Symphony No. 4 "Heroes"
7803:The Platinum Collection
6880:; Marks, Craig (eds.).
6832:Bowie: Loving the Alien
6749:O'Leary, Chris (2019).
6648:Buckley, David (1999).
5532:(subscription required)
5488:(subscription required)
5093:(subscription required)
5053:(subscription required)
4977:(subscription required)
4936:(subscription required)
4853:(subscription required)
4734:(subscription required)
4674:(subscription required)
4438:Official Charts Company
3587:Comes In From The Cold"
1739:Retrospective appraisal
1712:Encyclopædia Britannica
1666:(1983) rather than his
1327:, and its lead single "
1319:Are "Friends" Electric?
848:Stephen Thomas Erlewine
817:described the music on
271:Released: 27 April 1979
8132:Serious Moonlight Tour
7852:Clareville Grove Demos
7817:Five Years (1969–1973)
7687:The Singles Collection
7557:BBC Sessions 1969–1972
7201:The Buddha of Suburbia
7031:Awards and nominations
6916:Crown Publishing Group
6110:: CS1 maint: others (
6036:. 1991. CDP 79 7724 2.
4546:, Partial Discography.
4388:"'Lodger' is 41 today"
3976:Carr & Murray 1981
2709: – ambient drone
2513:
2480:"African Night Flight"
2422:, the following year.
2317:
1669:The Godfather Part III
1324:The Pleasure Principle
1251:
1082:
803:
738:Despite Straight Lines
702:
636:
284:Released: 29 June 1979
8499:Virgin Records albums
8402:Heteropoda davidbowie
8276:Statue of David Bowie
8231:The Spiders from Mars
8081:Black Tie White Noise
8014:Black Tie White Noise
7986:Jazzin' for Blue Jean
7972:Love You till Tuesday
7564:Earthling in the City
7511:Love You till Tuesday
7349:Live Santa Monica '72
7194:Black Tie White Noise
6808:Westport, Connecticut
6696:Murray, Charles Shaar
6100:. 1979. RCA BOW LP 1.
5550:National Public Radio
3938:Ultimate Classic Rock
3351:Ultimate Classic Rock
3202:French Albums (SNEP)
2873: – synthesisers
2320:Reviewers criticised
2305:
2282:. The work is Glass'
1280:. He also notes that
1239:
1184:Release and promotion
1169:Lamentation of Christ
1072:, and put him in the
888:Ultimate Classic Rock
875:Ultimate Classic Rock
790:
682:
620:
533:television special ("
65:25 May 1979
8297:Symphony No. 1 "Low"
7680:Early On (1964–1966)
6468:. 22 December 1979.
6163:– austriancharts.at"
5816:"Revisiting Bowie's
5577:Entertainment Weekly
5365:Entertainment Weekly
5180:Simon & Schuster
5076:Tallahassee Democrat
3791:Miller Freeman Books
3760:Consequence of Sound
3728:Consequence of Sound
3047:New Zealand Albums (
2831: – bass guitar
2721:; guitar treatments
2523:'Long Live')
2410:box set released by
2201:bands in the 1990s.
2104:magazine considered
2069:Entertainment Weekly
1909:Entertainment Weekly
1744:Professional ratings
1674:Christopher Sandford
1650:Charles Shaar Murray
1622:Influence and legacy
1374:Professional ratings
896:Middle Eastern music
814:Consequence of Sound
467:Château d'Hérouville
8221:The Thin White Duke
8112:Ziggy Stardust Tour
7898:The 1980 Floor Show
7859:The 'Mercury' Demos
7771:Nothing Has Changed
6527:on 21 February 2014
6207:on 24 February 2014
6074:cite AV media notes
6042:cite AV media notes
6010:cite AV media notes
5978:cite AV media notes
5925:cite AV media notes
5866:on 12 November 2020
5209:, pp. 234–235.
5036:New York Daily News
4906:"David Bowie: From
4712:"The Artful Lodger"
4652:"The Artful Lodger"
4505:, pp. 308–314.
4419:, pp. 309–310.
4362:, pp. 304–307.
4288:, pp. 304–305.
4264:, pp. 177–191.
4070:, pp. 354–361.
4037:, pp. 302–303.
3978:, pp. 102–107.
3785:Rule, Greg (1999).
3679:, pp. 302–304.
3643:, pp. 277–279.
3631:, pp. 335–356.
3562:, pp. 298–299.
3516:, pp. 394–396.
3459:, pp. 571–575.
3447:, pp. 660–661.
3406:, pp. 390–391.
3221:
3217:Certifications for
3160:
3118:
2973:Australian Albums (
2959:
2898:David Bowie –
2717:and cricket menace
2553:
2433:
2262:symphonies, titled
2117:magazine felt that
1745:
1605:New York Daily News
1375:
935:All the Young Dudes
882:combines world and
8489:RCA Records albums
8484:EMI Records albums
8464:David Bowie albums
8352:Duncan Jones (son)
8049:The Next Day Extra
7866:Conversation Piece
7585:The Next Day Extra
7138:Station to Station
6975:(list of releases)
6911:Bowie: A Biography
6890:. pp. 55–57.
6704:Eel Pie Publishing
6277:on 7 November 2011
6004:. 1991. RCD 10146.
5826:. 22 August 2017.
5793:on 8 November 2020
4999:The New York Times
3216:
3155:
3113:
3103:Top LPs & Tape
3059:Norwegian Albums (
2954:
2934:mastering engineer
2617:Boys Keep Swinging
2599:Look Back in Anger
2551:
2431:
2318:
2314:(pictured in 2007)
2089:Station to Station
1743:
1663:Return of the Jedi
1577:The New York Times
1373:
1369:Critical reception
1311:Top LPs & Tape
1252:
1248:(pictured in 1980)
1099:Turkish immigrants
707:Oblique Strategies
703:
699:Oblique Strategies
691:(pictured in 2008)
647:—returned for the
637:
633:(pictured in 2017)
544:Peter and the Wolf
428:Boys Keep Swinging
375:Oblique Strategies
305:Look Back in Anger
262:Boys Keep Swinging
8504:Parlophone albums
8451:
8450:
8409:342843 Davidbowie
8204:
8203:
8196:It's My Life Tour
8142:Sound+Vision Tour
8137:Glass Spider Tour
8117:Diamond Dogs Tour
7940:Reality: Tour Ed.
7912:Serious Moonlight
7722:Bowie at the Beeb
7638:The Best of Bowie
7599:Is It Any Wonder?
7491:
7490:
7363:Bowie at the Beeb
7294:
7293:
7187:Never Let Me Down
6951:978-0-31603-225-4
6940:. New York City:
6925:978-0-307-71699-6
6914:. New York City:
6897:978-0-679-75574-6
6865:978-1-90600-208-4
6846:978-0-306-80854-8
6821:978-0-27599-245-3
6792:978-1-78565-365-0
6764:978-1-91224-830-8
6741:978-0-06-202466-4
6730:. New York City:
6713:978-0-38077-966-6
6682:978-0-75351-002-5
6663:978-1-85227-784-0
6417:Sverigetopplistan
6317:978-4-87131-077-2
6144:978-0-646-11917-5
5955:978-1-44024-891-7
5786:Los Angeles Times
5685:Meiburg, Jonathan
5630:. 25 March 2018.
5552:. 31 March 2008.
5341:978-0-85712-595-8
5193:978-0-7432-0169-8
5125:on 24 August 2020
4867:"Top Album Picks"
4789:(9 August 1979).
4760:The Village Voice
4751:Christgau, Robert
4534:, pp. 68–69.
4350:, pp. 48–49.
4020:, pp. 88–89.
3837:, pp. 71–78.
3800:978-0-87930-582-6
3789:. San Francisco:
3300:
3299:
3293:
3292:
3288:
3209:
3208:
3180:Canadian Albums (
3146:
3145:
3111:
3110:
3073:Sverigetopplistan
3035:Japanese Albums (
2997:Canadian Albums (
2985:Austrian Albums (
2975:Kent Music Report
2864:; backing vocals
2853: – mandolin
2835:; backing vocals
2833:(all but track 8)
2822:; backing vocals
2801:; backing vocals
2780: – mandolin
2773:(1, 3–4, 7–8, 10)
2771:; backing vocals
2667:
2666:
2547:
2546:
2522:
2288:"Lodger" Symphony
2271:"Heroes" Symphony
2211:call-and-response
2058:Retrospectively,
2056:
2055:
1611:Chicago Sun-Times
1587:The Village Voice
1491:
1490:
1482:The Village Voice
1348:, as part of the
1046:domestic violence
1011:Lyrics and themes
968:Bowie said that "
827:experimental rock
734:Planned Accidents
667:played guitar on
547:, released as an
493:and the producer
465:relocated to the
390:experimental rock
341:and the producer
322:
321:
235:
234:
125:experimental rock
16:(Redirected from
8531:
8514:Avant-pop albums
8441:
8440:
8270:Phillip Jeffries
8191:Tin Machine Tour
8178:
8177:
8095:Moonage Daydream
8088:Sound and Vision
7954:Glastonbury 2000
7933:VH1 Storytellers
7666:Fame and Fashion
7624:Images 1966–1967
7532:Moonage Daydream
7461:
7460:
7405:Glastonbury 2000
7356:VH1 Storytellers
7328:Santa Monica '72
7264:
7263:
7003:
6996:
6989:
6980:
6979:
6955:
6929:
6901:
6869:
6850:
6825:
6796:
6768:
6745:
6717:
6686:
6667:
6634:
6633:
6627:
6619:
6617:
6615:
6600:
6594:
6593:
6591:
6589:
6575:
6569:
6561:
6559:
6557:
6543:
6537:
6536:
6534:
6532:
6526:
6514:
6508:
6507:
6505:
6503:
6488:
6482:
6481:
6479:
6477:
6458:
6452:
6442:
6433:
6432:
6430:
6428:
6414:
6402:
6396:
6395:
6393:
6391:
6377:
6365:
6359:
6358:
6356:
6354:
6340:
6328:
6322:
6321:
6296:
6290:
6286:
6284:
6282:
6276:
6264:
6258:
6257:
6255:
6253:
6235:
6223:
6217:
6216:
6214:
6212:
6206:
6188:
6182:
6181:
6179:
6177:
6167:
6155:
6149:
6148:
6125:
6116:
6115:
6109:
6101:
6090:
6084:
6083:
6077:
6069:
6058:
6052:
6051:
6045:
6037:
6026:
6020:
6019:
6013:
6005:
5994:
5988:
5987:
5981:
5973:
5966:
5960:
5959:
5941:
5935:
5934:
5928:
5920:
5913:
5907:
5906:
5904:
5902:
5882:
5876:
5875:
5873:
5871:
5862:. Archived from
5851:
5840:
5839:
5837:
5835:
5824:StevePafford.com
5812:
5803:
5802:
5800:
5798:
5789:. Archived from
5776:
5770:
5769:
5767:
5765:
5741:
5735:
5729:
5723:
5717:
5711:
5710:
5708:
5706:
5697:. Archived from
5681:
5675:
5674:
5672:
5670:
5650:
5644:
5643:
5641:
5639:
5620:
5614:
5613:
5611:
5609:
5587:
5581:
5580:
5572:
5566:
5565:
5563:
5561:
5542:
5536:
5535:
5533:
5529:
5527:
5504:(January 2003).
5498:
5492:
5491:
5489:
5485:
5483:
5457:
5451:
5445:
5439:
5438:
5436:
5434:
5412:
5403:
5402:
5388:
5382:
5381:
5379:
5377:
5355:
5346:
5345:
5318:
5312:
5311:
5309:
5307:
5288:(10 June 1990).
5282:
5276:
5275:
5261:
5255:
5254:
5252:
5250:
5228:
5222:
5216:
5210:
5204:
5198:
5197:
5170:Hoard, Christian
5166:Brackett, Nathan
5158:
5147:
5141:
5135:
5134:
5132:
5130:
5108:
5097:
5096:
5094:
5090:
5088:
5063:
5057:
5056:
5054:
5050:
5048:
5022:
5016:
5015:
5013:
5011:
4995:
4987:
4981:
4980:
4978:
4974:
4972:
4946:
4940:
4939:
4937:
4933:
4931:
4901:
4895:
4894:
4892:
4890:
4884:
4871:
4863:
4857:
4856:
4854:
4850:
4848:
4819:
4813:
4812:
4810:
4808:
4783:
4777:
4776:
4774:
4772:
4753:(30 July 1979).
4747:
4738:
4737:
4735:
4731:
4729:
4707:
4698:
4697:
4687:
4678:
4677:
4675:
4671:
4669:
4644:
4635:
4629:
4623:
4622:
4620:
4618:
4598:
4592:
4591:
4589:
4587:
4568:
4559:
4553:
4547:
4541:
4535:
4529:
4518:
4512:
4506:
4500:
4491:
4490:
4488:
4486:
4463:
4454:
4453:
4451:
4449:
4426:
4420:
4414:
4408:
4407:
4405:
4403:
4384:
4375:
4369:
4363:
4357:
4351:
4345:
4334:
4333:
4331:
4329:
4324:on 6 August 2021
4320:. Archived from
4307:
4301:
4295:
4289:
4283:
4277:
4271:
4265:
4259:
4250:
4244:
4238:
4232:
4221:
4220:
4218:
4216:
4200:
4194:
4193:
4191:
4189:
4163:
4152:
4146:
4140:
4134:
4125:
4119:
4108:
4102:
4071:
4065:
4038:
4032:
4021:
4015:
4006:
4000:
3991:
3985:
3979:
3973:
3954:
3953:
3951:
3949:
3944:on 18 April 2020
3940:. Archived from
3929:
3912:
3906:
3893:
3887:
3881:
3880:
3878:
3876:
3849:
3838:
3832:
3815:
3814:
3782:
3776:
3775:
3773:
3771:
3751:
3745:
3744:
3742:
3740:
3718:
3712:
3706:
3700:
3699:
3689:
3680:
3674:
3668:
3662:
3656:
3650:
3644:
3638:
3632:
3626:
3609:
3608:
3606:
3604:
3578:
3563:
3557:
3544:
3538:
3532:
3526:
3517:
3511:
3460:
3454:
3448:
3442:
3436:
3430:
3424:
3418:
3407:
3401:
3392:
3386:
3380:
3374:
3368:
3367:
3365:
3363:
3341:
3317:
3314:
3286:
3254:United Kingdom (
3222:
3215:
3161:
3154:
3119:
3112:
3071:Swedish Albums (
2960:
2953:
2945:
2917: – engineer
2888:
2876:
2867:
2863:
2856:
2847:
2838:
2834:
2825:
2821:
2817:
2813:
2804:
2800:
2796:
2787:
2783:
2774:
2770:
2766:
2762:
2750:
2743:
2739:
2728:
2724:
2720:
2712:
2703:
2699:
2692:
2688:
2660:
2559:
2554:
2550:
2520:
2517:
2458:Fantastic Voyage
2439:
2434:
2430:
2365:
2326:
2196:
2124:
2040:
2039:
2038:
2034:
2033:
2029:
2028:
2024:
2023:
2019:
2018:
2002:
2001:
2000:
1996:
1995:
1991:
1990:
1986:
1985:
1981:
1980:
1964:
1963:
1962:
1958:
1957:
1953:
1952:
1948:
1947:
1943:
1942:
1902:
1901:
1900:
1896:
1895:
1891:
1890:
1886:
1885:
1881:
1880:
1864:
1863:
1862:
1858:
1857:
1853:
1852:
1848:
1847:
1831:
1830:
1829:
1825:
1824:
1820:
1819:
1815:
1814:
1810:
1809:
1793:
1792:
1791:
1787:
1786:
1782:
1781:
1777:
1776:
1772:
1771:
1746:
1742:
1582:Robert Christgau
1570:
1475:
1474:
1473:
1469:
1468:
1464:
1463:
1459:
1458:
1454:
1453:
1425:
1424:
1423:
1419:
1418:
1414:
1413:
1409:
1408:
1404:
1403:
1376:
1372:
1286:the Human League
1231:Sound and Vision
1223:UK Singles Chart
1085:
807:
750:
591:Mountain Studios
539:Sergei Prokofiev
507:
311:
308:
307:" / "Repetition"
298:
295:
294:" / "Repetition"
285:
282:
281:" / "Repetition"
272:
269:
266:Fantastic Voyage
204:
203:
159:
158:
154:
72:
70:
44:
32:
31:
21:
8539:
8538:
8534:
8533:
8532:
8530:
8529:
8528:
8494:Rykodisc albums
8454:
8453:
8452:
8447:
8429:
8415:Tao Jones Index
8330:
8243:
8237:
8200:
8176:
8100:
8054:
7959:
7885:
7783:
7645:Changestwobowie
7631:Changesonebowie
7604:
7537:
7487:
7459:
7412:ChangesNowBowie
7335:LiveAndWell.com
7290:
7262:
7131:Young Americans
7060:
7012:
7007:
6963:
6958:
6952:
6926:
6898:
6866:
6847:
6822:
6793:
6765:
6742:
6714:
6683:
6664:
6643:
6638:
6637:
6621:
6620:
6613:
6611:
6601:
6597:
6587:
6585:
6577:
6576:
6572:
6555:
6553:
6545:
6544:
6540:
6530:
6528:
6524:
6516:
6515:
6511:
6501:
6499:
6490:
6489:
6485:
6475:
6473:
6460:
6459:
6455:
6449:UK Albums Chart
6443:
6436:
6426:
6424:
6412:
6404:
6403:
6399:
6389:
6387:
6375:
6367:
6366:
6362:
6352:
6350:
6338:
6330:
6329:
6325:
6318:
6298:
6297:
6293:
6280:
6278:
6274:
6266:
6265:
6261:
6251:
6249:
6233:
6225:
6224:
6220:
6210:
6208:
6204:
6190:
6189:
6185:
6175:
6173:
6165:
6159:"David Bowie –
6157:
6156:
6152:
6145:
6126:
6119:
6103:
6102:
6092:
6091:
6087:
6071:
6070:
6060:
6059:
6055:
6039:
6038:
6028:
6027:
6023:
6007:
6006:
5996:
5995:
5991:
5975:
5974:
5968:
5967:
5963:
5956:
5942:
5938:
5922:
5921:
5915:
5914:
5910:
5900:
5898:
5883:
5879:
5869:
5867:
5852:
5843:
5833:
5831:
5814:
5813:
5806:
5796:
5794:
5777:
5773:
5763:
5761:
5742:
5738:
5730:
5726:
5718:
5714:
5704:
5702:
5687:(13 May 2016).
5682:
5678:
5668:
5666:
5651:
5647:
5637:
5635:
5622:
5621:
5617:
5607:
5605:
5588:
5584:
5573:
5569:
5559:
5557:
5544:
5543:
5539:
5531:
5525:
5523:
5499:
5495:
5487:
5481:
5479:
5458:
5454:
5446:
5442:
5432:
5430:
5413:
5406:
5390:
5389:
5385:
5375:
5373:
5356:
5349:
5342:
5319:
5315:
5305:
5303:
5295:Chicago Tribune
5283:
5279:
5263:
5262:
5258:
5248:
5246:
5229:
5225:
5217:
5213:
5205:
5201:
5194:
5159:
5150:
5142:
5138:
5128:
5126:
5109:
5100:
5092:
5086:
5084:
5065:
5064:
5060:
5052:
5046:
5044:
5039:. p. 274.
5023:
5019:
5009:
5007:
4988:
4984:
4976:
4970:
4968:
4963:. p. 126.
4960:Chicago Tribune
4947:
4943:
4935:
4929:
4927:
4919:New York Rocker
4902:
4898:
4888:
4886:
4882:
4869:
4865:
4864:
4860:
4852:
4846:
4844:
4825:(26 May 1979).
4820:
4816:
4806:
4804:
4784:
4780:
4770:
4768:
4748:
4741:
4733:
4727:
4725:
4708:
4701:
4688:
4681:
4673:
4667:
4665:
4645:
4638:
4630:
4626:
4616:
4614:
4599:
4595:
4585:
4583:
4582:on 13 July 2017
4570:
4569:
4562:
4554:
4550:
4542:
4538:
4530:
4521:
4513:
4509:
4501:
4494:
4484:
4482:
4465:
4464:
4457:
4447:
4445:
4428:
4427:
4423:
4415:
4411:
4401:
4399:
4394:. 25 May 2020.
4386:
4385:
4378:
4370:
4366:
4358:
4354:
4346:
4337:
4327:
4325:
4308:
4304:
4296:
4292:
4284:
4280:
4272:
4268:
4260:
4253:
4245:
4241:
4233:
4224:
4214:
4212:
4201:
4197:
4187:
4185:
4164:
4155:
4147:
4143:
4135:
4128:
4120:
4111:
4103:
4074:
4066:
4041:
4033:
4024:
4016:
4009:
4001:
3994:
3986:
3982:
3974:
3957:
3947:
3945:
3930:
3915:
3907:
3896:
3888:
3884:
3874:
3872:
3850:
3841:
3833:
3818:
3801:
3793:. p. 233.
3783:
3779:
3769:
3767:
3752:
3748:
3738:
3736:
3719:
3715:
3707:
3703:
3690:
3683:
3675:
3671:
3663:
3659:
3651:
3647:
3639:
3635:
3627:
3612:
3602:
3600:
3579:
3566:
3558:
3547:
3539:
3535:
3527:
3520:
3512:
3463:
3455:
3451:
3443:
3439:
3431:
3427:
3419:
3410:
3402:
3395:
3387:
3383:
3375:
3371:
3361:
3359:
3342:
3331:
3326:
3321:
3320:
3315:
3311:
3306:
3301:
3232:Certified units
3214:
3153:
3151:Year-end charts
3126:
3023:French Albums (
2967:
2952:
2942:
2886:
2874:
2865:
2861:
2854:
2845:
2836:
2832:
2823:
2819:
2815:
2811:
2802:
2798:
2794:
2793: – guitar
2785:
2781:
2772:
2768:
2764:
2760:
2748:
2741:
2737:
2726:
2725:; synthesisers
2722:
2718:
2710:
2701:
2697:
2690:
2686:
2673:
2668:
2658:
2548:
2428:
2420:digital formats
2384:
2363:
2324:
2300:
2260:classical music
2243:in early 2016.
2194:
2122:
2036:
2031:
2026:
2021:
1998:
1993:
1988:
1983:
1960:
1955:
1950:
1945:
1898:
1893:
1888:
1883:
1860:
1855:
1850:
1838:Chicago Tribune
1827:
1822:
1817:
1812:
1789:
1784:
1779:
1774:
1741:
1722:Remain in Light
1652:predicted that
1624:
1568:
1565:Chicago Tribune
1541:New York Rocker
1471:
1466:
1461:
1456:
1421:
1416:
1411:
1406:
1371:
1304:UK Albums Chart
1186:
1164:Andrea Mantegna
1122:
1013:
809:
805:
788:
748:
579:
505:
461:and his friend
455:
392:. It lacks the
314:
309:
302:
301:
296:
289:
288:
283:
276:
275:
270:
259:
258:
230:
221:
212:
156:
152:
151:
107:
104:(New York City)
68:
66:
57:
28:
23:
22:
15:
12:
11:
5:
8537:
8527:
8526:
8521:
8516:
8511:
8506:
8501:
8496:
8491:
8486:
8481:
8476:
8471:
8466:
8449:
8448:
8446:
8445:
8434:
8431:
8430:
8428:
8427:
8422:
8417:
8412:
8405:
8398:
8391:
8388:The Nomad Soul
8384:
8379:
8374:
8372:Berlin Trilogy
8369:
8364:
8359:
8354:
8349:
8344:
8338:
8336:
8332:
8331:
8329:
8328:
8321:
8314:
8307:
8300:
8293:
8286:
8279:
8272:
8267:
8262:
8259:David Bowie Is
8255:
8247:
8245:
8239:
8238:
8236:
8235:
8234:
8233:
8226:Ziggy Stardust
8223:
8218:
8212:
8210:
8206:
8205:
8202:
8201:
8199:
8198:
8193:
8187:
8185:
8175:
8174:
8172:A Reality Tour
8169:
8164:
8159:
8154:
8152:Earthling Tour
8149:
8144:
8139:
8134:
8129:
8124:
8119:
8114:
8108:
8106:
8102:
8101:
8099:
8098:
8091:
8084:
8077:
8070:
8062:
8060:
8056:
8055:
8053:
8052:
8045:
8038:
8031:
8024:
8017:
8010:
8003:
7996:
7993:Day-In Day-Out
7989:
7982:
7975:
7967:
7965:
7961:
7960:
7958:
7957:
7950:
7947:A Reality Tour
7943:
7936:
7929:
7922:
7915:
7908:
7901:
7893:
7891:
7890:Concert videos
7887:
7886:
7884:
7883:
7876:
7869:
7862:
7855:
7848:
7841:
7834:
7827:
7820:
7813:
7806:
7799:
7796:Sound + Vision
7791:
7789:
7785:
7784:
7782:
7781:
7774:
7767:
7760:
7753:
7750:The Collection
7746:
7739:
7732:
7725:
7718:
7711:
7704:
7697:
7694:Rarestonebowie
7690:
7683:
7676:
7669:
7662:
7655:
7648:
7641:
7634:
7627:
7620:
7612:
7610:
7606:
7605:
7603:
7602:
7595:
7588:
7581:
7574:
7567:
7560:
7553:
7545:
7543:
7539:
7538:
7536:
7535:
7528:
7521:
7514:
7507:
7499:
7497:
7493:
7492:
7489:
7488:
7486:
7485:
7478:
7470:
7468:
7458:
7457:
7450:
7443:
7436:
7429:
7422:
7415:
7408:
7401:
7394:
7387:
7380:
7373:
7370:A Reality Tour
7366:
7359:
7352:
7345:
7338:
7331:
7324:
7317:
7310:
7302:
7300:
7296:
7295:
7292:
7291:
7289:
7288:
7285:Tin Machine II
7281:
7273:
7271:
7261:
7260:
7253:
7246:
7239:
7232:
7225:
7218:
7211:
7204:
7197:
7190:
7183:
7176:
7169:
7162:
7155:
7148:
7141:
7134:
7127:
7120:
7113:
7106:
7099:
7092:
7085:
7077:
7068:
7066:
7062:
7061:
7059:
7058:
7056:Art collection
7053:
7048:
7043:
7038:
7033:
7028:
7023:
7017:
7014:
7013:
7006:
7005:
6998:
6991:
6983:
6977:
6976:
6962:
6961:External links
6959:
6957:
6956:
6950:
6930:
6924:
6902:
6896:
6878:Weisbard, Eric
6874:Sheffield, Rob
6870:
6864:
6851:
6845:
6826:
6820:
6797:
6791:
6773:Pegg, Nicholas
6769:
6763:
6746:
6740:
6722:Doggett, Peter
6718:
6712:
6688:
6681:
6668:
6662:
6644:
6642:
6639:
6636:
6635:
6595:
6570:
6538:
6509:
6483:
6453:
6434:
6415:(in Swedish).
6397:
6360:
6323:
6316:
6291:
6259:
6238:dutchcharts.nl
6218:
6183:
6150:
6143:
6117:
6085:
6053:
6021:
5989:
5961:
5954:
5936:
5908:
5891:– David Bowie"
5877:
5841:
5804:
5771:
5736:
5734:, p. 493.
5724:
5712:
5701:on 1 July 2016
5676:
5645:
5615:
5582:
5567:
5537:
5502:MacDonald, Ian
5493:
5462:"David Bowie:
5452:
5448:Sheffield 1995
5440:
5404:
5391:"David Bowie:
5383:
5347:
5340:
5313:
5277:
5264:"David Bowie:
5256:
5223:
5221:, p. 350.
5211:
5199:
5192:
5162:Sheffield, Rob
5148:
5146:, p. 348.
5136:
5098:
5067:"David Bowie:
5058:
5027:"David Bowie:
5017:
4982:
4951:"David Bowie:
4941:
4896:
4858:
4827:"David Bowie:
4814:
4778:
4739:
4699:
4679:
4650:(5 May 1979).
4636:
4634:, p. 170.
4624:
4593:
4560:
4548:
4536:
4519:
4517:, p. 296.
4507:
4492:
4471:Chart History"
4455:
4421:
4409:
4376:
4374:, p. 744.
4364:
4352:
4335:
4302:
4290:
4278:
4276:, p. 189.
4266:
4251:
4239:
4237:, p. 304.
4222:
4211:on 4 July 2019
4203:Raggett, Ned.
4195:
4168:"David Bowie:
4153:
4141:
4139:, p. 223.
4126:
4124:, p. 318.
4109:
4072:
4039:
4022:
4007:
4005:, p. 290.
3992:
3990:, p. 339.
3980:
3955:
3913:
3911:, p. 303.
3894:
3892:, p. 305.
3882:
3861:– David Bowie"
3839:
3816:
3799:
3787:Electro Shock!
3777:
3746:
3713:
3711:, p. 302.
3701:
3681:
3669:
3667:, p. 296.
3657:
3655:, p. 299.
3645:
3633:
3610:
3564:
3545:
3533:
3531:, p. 298.
3518:
3461:
3449:
3437:
3435:, p. 489.
3425:
3408:
3393:
3381:
3379:, p. 272.
3369:
3328:
3327:
3325:
3322:
3319:
3318:
3308:
3307:
3305:
3302:
3298:
3297:
3291:
3290:
3282:
3281:
3278:
3275:
3271:
3270:
3266:
3265:
3262:
3259:
3251:
3250:
3247:
3244:
3236:
3235:
3229:
3226:
3213:
3212:Certifications
3210:
3207:
3206:
3203:
3199:
3198:
3195:
3191:
3190:
3187:
3177:
3176:
3173:
3169:
3168:
3165:
3152:
3149:
3147:
3144:
3143:
3140:
3129:
3128:
3123:
3109:
3108:
3105:
3095:
3094:
3091:
3080:
3079:
3076:
3068:
3067:
3064:
3056:
3055:
3052:
3044:
3043:
3040:
3032:
3031:
3028:
3020:
3019:
3016:
3011:Dutch Albums (
3008:
3007:
3004:
2994:
2993:
2990:
2982:
2981:
2978:
2970:
2969:
2964:
2951:
2948:
2943:
2941:
2938:
2937:
2936:
2927:
2924:
2921:Eugene Chaplin
2918:
2915:David Richards
2912:
2902:
2890:
2889:
2877:
2868:
2848:
2844: – piano
2839:
2826:
2818:; bass guitar
2812:(1, 4–6, 9–10)
2810: – drums
2805:
2788:
2786:(3, 5–6, 8–10)
2775:
2767:; bass guitar
2751:
2746:backing vocals
2715:prepared piano
2704:
2672:
2669:
2665:
2664:
2661:
2655:
2654:
2651:
2648:
2645:
2641:
2640:
2637:
2634:
2631:
2627:
2626:
2623:
2620:
2613:
2609:
2608:
2605:
2602:
2595:
2591:
2590:
2587:
2581:
2574:
2570:
2569:
2566:
2563:
2560:
2549:
2545:
2544:
2541:
2538:
2535:
2531:
2530:
2527:
2524:
2506:
2502:
2501:
2498:
2495:
2492:
2488:
2487:
2484:
2481:
2478:
2474:
2473:
2470:
2461:
2454:
2450:
2449:
2446:
2443:
2440:
2429:
2427:
2424:
2404:Virgin Records
2383:
2380:
2299:
2296:
2265:"Low" Symphony
2227:Noel Gallagher
2225:", written by
2182:Built to Spill
2072:. Writing for
2054:
2053:
2050:
2042:
2041:
2012:
2004:
2003:
1974:
1966:
1965:
1936:
1928:
1927:
1924:
1916:
1915:
1912:
1904:
1903:
1874:
1866:
1865:
1841:
1833:
1832:
1803:
1795:
1794:
1765:
1759:
1758:
1755:
1751:
1750:
1740:
1737:
1703:Spandau Ballet
1623:
1620:
1546:easy-listening
1489:
1488:
1485:
1477:
1476:
1447:
1439:
1438:
1435:
1427:
1426:
1397:
1389:
1388:
1385:
1381:
1380:
1370:
1367:
1185:
1182:
1121:
1118:
1110:Elvis Costello
1096:discrimination
1012:
1009:
884:new wave music
789:
787:
784:
711:fortune cookie
693:. Compared to
581:Recording for
578:
575:
553:David Hemmings
499:Berlin Trilogy
454:
451:
410:new wave music
347:Berlin Trilogy
320:
319:
316:
315:
313:
312:
299:
286:
273:
255:
252:
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98:, Switzerland)
88:
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78:
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63:
59:
58:
53:
46:
45:
37:
36:
26:
9:
6:
4:
3:
2:
8536:
8525:
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8507:
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8497:
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8490:
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8482:
8480:
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8406:
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8399:
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8390:
8389:
8385:
8383:
8380:
8378:
8375:
8373:
8370:
8368:
8365:
8363:
8362:Junior's Eyes
8360:
8358:
8355:
8353:
8350:
8348:
8345:
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8340:
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8333:
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8090:
8089:
8085:
8083:
8082:
8078:
8076:
8075:
8071:
8069:
8068:
8067:Cracked Actor
8064:
8063:
8061:
8059:Documentaries
8057:
8051:
8050:
8046:
8044:
8043:
8039:
8037:
8036:
8032:
8030:
8029:
8028:Best of Bowie
8025:
8023:
8022:
8018:
8016:
8015:
8011:
8009:
8008:
8004:
8002:
8001:
7997:
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7990:
7988:
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7856:
7854:
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7846:
7842:
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7835:
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7832:
7828:
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7825:
7821:
7819:
7818:
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7812:
7811:
7807:
7805:
7804:
7800:
7798:
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7793:
7792:
7790:
7786:
7780:
7779:
7775:
7773:
7772:
7768:
7766:
7765:
7761:
7759:
7758:
7754:
7752:
7751:
7747:
7745:
7744:
7740:
7738:
7737:
7736:Best of Bowie
7733:
7731:
7730:
7726:
7724:
7723:
7719:
7717:
7716:
7712:
7710:
7709:
7705:
7703:
7702:
7698:
7696:
7695:
7691:
7689:
7688:
7684:
7682:
7681:
7677:
7675:
7674:
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7607:
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7596:
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7554:
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7529:
7527:
7526:
7522:
7520:
7519:
7515:
7513:
7512:
7508:
7506:
7505:
7504:Christiane F.
7501:
7500:
7498:
7494:
7484:
7483:
7479:
7477:
7476:
7472:
7471:
7469:
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7409:
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7388:
7386:
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7379:
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7360:
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7336:
7332:
7330:
7329:
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7323:
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7309:
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7119:
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7107:
7105:
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7100:
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7093:
7091:
7090:
7086:
7084:
7082:
7078:
7076:
7074:
7070:
7069:
7067:
7065:Studio albums
7063:
7057:
7054:
7052:
7049:
7047:
7044:
7042:
7039:
7037:
7034:
7032:
7029:
7027:
7024:
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7019:
7018:
7015:
7011:
7004:
6999:
6997:
6992:
6990:
6985:
6984:
6981:
6974:
6970:
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6965:
6964:
6953:
6947:
6943:
6939:
6935:
6931:
6927:
6921:
6917:
6913:
6912:
6907:
6903:
6899:
6893:
6889:
6888:Vintage Books
6885:
6884:
6879:
6875:
6871:
6867:
6861:
6857:
6852:
6848:
6842:
6838:
6837:Da Capo Press
6834:
6833:
6827:
6823:
6817:
6813:
6809:
6805:
6804:
6798:
6794:
6788:
6784:
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6752:
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6715:
6709:
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6693:
6689:
6684:
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6674:
6669:
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6645:
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6606:
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6584:
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6422:
6418:
6411:
6409:
6401:
6385:
6381:
6374:
6372:
6364:
6348:
6344:
6337:
6335:
6327:
6319:
6313:
6309:
6305:
6301:
6295:
6289:
6273:
6269:
6263:
6247:
6243:
6239:
6232:
6230:
6222:
6203:
6199:
6198:
6193:
6187:
6171:
6164:
6162:
6154:
6146:
6140:
6136:
6135:
6130:
6124:
6122:
6113:
6107:
6099:
6095:
6089:
6081:
6075:
6067:
6063:
6057:
6049:
6043:
6035:
6031:
6025:
6017:
6011:
6003:
5999:
5993:
5985:
5979:
5971:
5965:
5957:
5951:
5947:
5940:
5932:
5926:
5918:
5912:
5896:
5892:
5890:
5881:
5865:
5861:
5860:Rolling Stone
5857:
5850:
5848:
5846:
5829:
5825:
5821:
5819:
5811:
5809:
5792:
5788:
5787:
5782:
5775:
5759:
5755:
5751:
5749:
5740:
5733:
5728:
5721:
5716:
5700:
5696:
5695:
5694:The A.V. Club
5690:
5686:
5680:
5664:
5660:
5656:
5649:
5633:
5629:
5628:Rolling Stone
5625:
5619:
5603:
5599:
5598:
5593:
5586:
5578:
5571:
5555:
5551:
5547:
5541:
5521:
5517:
5516:
5511:
5509:
5503:
5497:
5477:
5473:
5472:
5467:
5465:
5456:
5450:, p. 55.
5449:
5444:
5428:
5424:
5423:
5418:
5411:
5409:
5400:
5399:
5394:
5387:
5371:
5367:
5366:
5361:
5354:
5352:
5343:
5337:
5333:
5332:Omnibus Press
5329:
5328:
5323:
5322:Larkin, Colin
5317:
5301:
5297:
5296:
5291:
5287:
5281:
5273:
5272:
5267:
5260:
5244:
5240:
5239:
5234:
5231:Carson, Tom.
5227:
5220:
5215:
5208:
5207:Seabrook 2008
5203:
5195:
5189:
5185:
5181:
5177:
5176:
5171:
5167:
5163:
5157:
5155:
5153:
5145:
5140:
5124:
5120:
5119:
5114:
5107:
5105:
5103:
5082:
5078:
5077:
5072:
5070:
5062:
5042:
5038:
5037:
5032:
5030:
5021:
5005:
5001:
5000:
4994:
4986:
4966:
4962:
4961:
4956:
4954:
4945:
4925:
4921:
4920:
4915:
4913:
4909:
4900:
4881:
4877:
4876:
4868:
4862:
4842:
4838:
4837:
4832:
4830:
4824:
4818:
4802:
4798:
4797:
4796:Rolling Stone
4792:
4788:
4787:Marcus, Greil
4782:
4766:
4762:
4761:
4756:
4752:
4746:
4744:
4723:
4719:
4718:
4713:
4706:
4704:
4695:
4694:
4686:
4684:
4663:
4659:
4658:
4657:Record Mirror
4653:
4649:
4643:
4641:
4633:
4628:
4612:
4608:
4604:
4597:
4581:
4577:
4573:
4567:
4565:
4557:
4552:
4545:
4540:
4533:
4528:
4526:
4524:
4516:
4511:
4504:
4499:
4497:
4480:
4476:
4472:
4470:
4462:
4460:
4443:
4439:
4435:
4433:
4425:
4418:
4413:
4397:
4393:
4389:
4383:
4381:
4373:
4368:
4361:
4356:
4349:
4344:
4342:
4340:
4323:
4319:
4318:
4317:Baltimore Sun
4313:
4306:
4300:, p. 48.
4299:
4294:
4287:
4282:
4275:
4270:
4263:
4262:Sandford 1997
4258:
4256:
4249:, p. 34.
4248:
4243:
4236:
4231:
4229:
4227:
4210:
4206:
4199:
4183:
4179:
4178:
4173:
4171:
4162:
4160:
4158:
4151:, p. 68.
4150:
4145:
4138:
4133:
4131:
4123:
4118:
4116:
4114:
4106:
4101:
4099:
4097:
4095:
4093:
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4089:
4087:
4085:
4083:
4081:
4079:
4077:
4069:
4064:
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4060:
4058:
4056:
4054:
4052:
4050:
4048:
4046:
4044:
4036:
4031:
4029:
4027:
4019:
4014:
4012:
4004:
3999:
3997:
3989:
3984:
3977:
3972:
3970:
3968:
3966:
3964:
3962:
3960:
3943:
3939:
3935:
3928:
3926:
3924:
3922:
3920:
3918:
3910:
3905:
3903:
3901:
3899:
3891:
3886:
3870:
3866:
3862:
3860:
3854:
3848:
3846:
3844:
3836:
3831:
3829:
3827:
3825:
3823:
3821:
3813:
3811:
3807:
3802:
3796:
3792:
3788:
3781:
3765:
3762:. p. 6.
3761:
3757:
3750:
3734:
3730:
3729:
3724:
3717:
3710:
3705:
3697:
3696:
3688:
3686:
3678:
3673:
3666:
3661:
3654:
3649:
3642:
3637:
3630:
3625:
3623:
3621:
3619:
3617:
3615:
3598:
3594:
3593:
3588:
3586:
3577:
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3573:
3571:
3569:
3561:
3556:
3554:
3552:
3550:
3542:
3537:
3530:
3525:
3523:
3515:
3510:
3508:
3506:
3504:
3502:
3500:
3498:
3496:
3494:
3492:
3490:
3488:
3486:
3484:
3482:
3480:
3478:
3476:
3474:
3472:
3470:
3468:
3466:
3458:
3453:
3446:
3441:
3434:
3429:
3422:
3417:
3415:
3413:
3405:
3400:
3398:
3390:
3385:
3378:
3373:
3357:
3353:
3352:
3347:
3340:
3338:
3336:
3334:
3329:
3313:
3309:
3296:
3289:
3283:
3279:
3272:
3267:
3263:
3260:
3257:
3252:
3248:
3245:
3242:
3239:Netherlands (
3237:
3233:
3228:Certification
3223:
3220:
3204:
3200:
3196:
3192:
3188:
3185:
3184:
3178:
3174:
3170:
3166:
3164:Chart (1979)
3163:
3162:
3159:
3148:
3138:
3134:
3130:
3124:
3122:Chart (2016)
3121:
3120:
3117:
3106:
3104:
3102:
3096:
3089:
3085:
3081:
3077:
3074:
3069:
3065:
3062:
3057:
3053:
3050:
3045:
3041:
3038:
3033:
3029:
3026:
3021:
3017:
3014:
3009:
3005:
3002:
3001:
2995:
2991:
2988:
2983:
2979:
2976:
2971:
2965:
2963:Chart (1979)
2962:
2961:
2958:
2950:Weekly charts
2947:
2946:
2935:
2931:
2928:
2925:
2922:
2919:
2916:
2913:
2911:
2907:
2903:
2901:
2897:
2896:
2895:
2894:
2885:
2881:
2880:Stan Harrison
2878:
2872:
2869:
2860:
2852:
2849:
2843:
2840:
2830:
2829:George Murray
2827:
2814:; percussion
2809:
2806:
2792:
2791:Carlos Alomar
2789:
2779:
2776:
2759:
2755:
2754:Tony Visconti
2752:
2747:
2736:
2732:
2731:horse trumpet
2716:
2708:
2705:
2696:
2685:
2681:
2678:
2677:
2676:
2662:
2659:Total length:
2656:
2652:
2650:Bowie, Alomar
2649:
2646:
2642:
2638:
2635:
2632:
2628:
2624:
2621:
2618:
2614:
2610:
2606:
2603:
2600:
2596:
2592:
2588:
2586:
2585:Carlos Alomar
2582:
2579:
2575:
2571:
2555:
2542:
2539:
2536:
2532:
2528:
2525:
2515:
2511:
2507:
2503:
2499:
2496:
2493:
2489:
2485:
2482:
2479:
2475:
2471:
2469:
2465:
2462:
2459:
2455:
2451:
2435:
2426:Track listing
2423:
2421:
2417:
2413:
2409:
2405:
2401:
2397:
2393:
2388:
2379:
2377:
2372:
2371:
2362:
2361:Rolling Stone
2358:
2354:
2350:
2349:
2343:
2341:
2340:
2335:
2330:
2323:
2315:
2312:
2311:Tony Visconti
2308:
2304:
2295:
2293:
2289:
2285:
2284:12th Symphony
2281:
2277:
2273:
2272:
2267:
2266:
2261:
2257:
2253:
2249:
2244:
2242:
2241:Bowie's death
2238:
2237:
2236:The A.V. Club
2232:
2228:
2224:
2220:
2216:
2212:
2208:
2204:
2200:
2193:
2189:
2188:
2183:
2179:
2175:
2171:
2167:
2163:
2159:
2156:
2151:
2147:
2146:
2141:
2137:
2134:of rock like
2132:
2131:Ian MacDonald
2128:
2120:
2116:
2115:
2109:
2107:
2103:
2102:
2097:
2096:
2091:
2090:
2085:
2081:
2080:Rob Sheffield
2077:
2076:
2071:
2070:
2065:
2061:
2051:
2049:
2048:
2044:
2043:
2013:
2011:
2010:
2006:
2005:
1975:
1973:
1972:
1968:
1967:
1937:
1935:
1934:
1930:
1929:
1925:
1923:
1922:
1918:
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1911:
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1906:
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1875:
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1868:
1867:
1842:
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1839:
1835:
1834:
1804:
1802:
1801:
1797:
1796:
1766:
1764:
1761:
1760:
1752:
1749:Review scores
1747:
1736:
1734:
1733:
1728:
1724:
1723:
1718:
1715:. Biographer
1714:
1713:
1708:
1704:
1699:
1695:
1691:
1687:
1682:
1679:
1675:
1671:
1670:
1665:
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1642:
1637:
1633:
1629:
1619:
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1613:
1612:
1607:
1606:
1600:
1599:
1598:Record Mirror
1594:
1589:
1588:
1583:
1579:
1578:
1572:
1567:
1566:
1561:
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1556:
1551:
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1537:
1532:
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1526:
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1514:
1510:
1506:
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1504:Rolling Stone
1500:
1496:
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1479:
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1448:
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1440:
1436:
1434:
1433:
1429:
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1398:
1396:
1395:
1394:Record Mirror
1391:
1390:
1382:
1379:Review scores
1377:
1366:
1364:
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1358:
1353:
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1234:
1232:
1228:
1224:
1220:
1216:
1212:
1208:
1207:
1202:
1198:
1194:
1191:released the
1190:
1181:
1179:
1175:
1171:
1170:
1165:
1161:
1157:
1153:
1149:
1145:
1141:
1140:
1135:
1134:Derek Boshier
1131:
1127:
1117:
1115:
1111:
1107:
1102:
1100:
1097:
1093:
1089:
1084:
1079:
1075:
1071:
1067:
1063:
1059:
1055:
1049:
1047:
1043:
1039:
1035:
1034:concept album
1031:
1026:
1022:
1018:
1008:
1006:
1002:
998:
994:
993:
988:
984:
979:
978:Talking Heads
975:
971:
966:
964:
960:
956:
952:
951:Turkish music
948:
944:
940:
936:
932:
928:
927:Peter Doggett
924:
920:
915:
913:
909:
905:
901:
897:
893:
889:
885:
881:
877:
876:
871:
870:
865:
861:
857:
853:
849:
845:
841:
836:
832:
828:
824:
820:
816:
815:
808:
802:
799:
795:
786:Musical style
783:
781:
775:
773:
769:
765:
761:
757:
752:
747:
743:
739:
735:
730:
729:Nicholas Pegg
726:
722:
718:
717:
712:
708:
700:
696:
692:
689:
685:
681:
677:
674:
670:
666:
662:
658:
654:
650:
646:
645:George Murray
642:
634:
631:
627:
623:
619:
615:
613:
609:
608:Carlos Alomar
605:
600:
596:
592:
588:
584:
574:
572:
568:
564:
561:, and toured
560:
559:
558:Just a Gigolo
554:
550:
546:
545:
540:
536:
532:
531:
526:
522:
521:
515:
513:
512:
511:Lust for Life
504:
500:
496:
495:Tony Visconti
492:
488:
487:
482:
481:
476:
472:
468:
464:
460:
450:
448:
447:
442:
437:
433:
429:
425:
421:
417:
415:
414:Derek Boshier
411:
407:
403:
399:
395:
391:
387:
383:
380:The music on
378:
376:
372:
368:
364:
360:
359:
354:
353:
348:
344:
343:Tony Visconti
340:
336:
332:
328:
327:
317:
306:
300:
293:
287:
280:
274:
267:
263:
257:
256:
253:
250:
246:
242:
238:
229:
228:
224:
220:
219:
215:
211:
210:
206:
205:
201:
197:
193:
188:
187:Tony Visconti
185:
182:
181:
180:
178:
174:
171:
168:
166:
162:
150:
146:
141:
138:
136:
133:
131:
128:
126:
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121:
118:
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116:
114:
110:
103:
100:
97:
93:
90:
89:
87:
83:
79:
75:
64:
60:
56:
51:
47:
43:
38:
33:
30:
19:
8407:
8400:
8393:
8386:
8377:Arnold Corns
8367:BBC Sessions
8323:
8316:
8309:
8302:
8295:
8288:
8281:
8274:
8257:
8167:Heathen Tour
8147:Outside Tour
8093:
8086:
8079:
8072:
8065:
8047:
8040:
8033:
8026:
8019:
8012:
8005:
7998:
7991:
7984:
7977:
7970:
7964:Video albums
7952:
7945:
7938:
7931:
7924:
7919:Glass Spider
7917:
7910:
7903:
7896:
7878:
7871:
7864:
7857:
7850:
7843:
7836:
7829:
7822:
7815:
7808:
7801:
7794:
7776:
7769:
7762:
7755:
7748:
7741:
7734:
7727:
7720:
7713:
7706:
7699:
7692:
7685:
7678:
7673:Changesbowie
7671:
7664:
7659:Golden Years
7657:
7650:
7643:
7636:
7629:
7622:
7615:
7609:Compilations
7597:
7590:
7583:
7578:Space Oddity
7576:
7569:
7562:
7555:
7548:
7530:
7523:
7516:
7509:
7502:
7480:
7473:
7452:
7445:
7438:
7431:
7424:
7417:
7410:
7403:
7396:
7389:
7382:
7375:
7368:
7361:
7354:
7347:
7342:Glass Spider
7340:
7333:
7326:
7319:
7312:
7305:
7283:
7276:
7255:
7248:
7243:The Next Day
7241:
7234:
7227:
7220:
7213:
7206:
7199:
7192:
7185:
7178:
7171:
7164:
7158:
7157:
7150:
7143:
7136:
7129:
7124:Diamond Dogs
7122:
7115:
7110:Aladdin Sane
7108:
7101:
7094:
7087:
7080:
7072:
7046:Band members
6966:
6937:
6934:Trynka, Paul
6909:
6882:
6855:
6831:
6802:
6777:
6750:
6726:
6699:
6672:
6654:Virgin Books
6649:
6612:. Retrieved
6608:
6598:
6586:. Retrieved
6573:
6566:
6562:
6554:. Retrieved
6549:(in Dutch).
6541:
6529:. Retrieved
6522:the original
6512:
6500:. Retrieved
6486:
6474:. Retrieved
6465:
6456:
6425:. Retrieved
6407:
6400:
6388:. Retrieved
6370:
6363:
6351:. Retrieved
6333:
6326:
6299:
6294:
6287:
6279:. Retrieved
6272:the original
6262:
6250:. Retrieved
6240:(in Dutch).
6237:
6228:
6221:
6209:. Retrieved
6202:the original
6195:
6186:
6174:. Retrieved
6160:
6153:
6132:
6093:
6088:
6061:
6056:
6029:
6024:
5997:
5992:
5969:
5964:
5945:
5939:
5916:
5911:
5899:. Retrieved
5893:. AllMusic.
5888:
5880:
5868:. Retrieved
5864:the original
5859:
5834:29 September
5832:. Retrieved
5823:
5817:
5795:. Retrieved
5791:the original
5784:
5774:
5762:. Retrieved
5754:The Guardian
5753:
5747:
5739:
5727:
5715:
5703:. Retrieved
5699:the original
5692:
5679:
5667:. Retrieved
5659:Culture Trip
5658:
5648:
5638:19 September
5636:. Retrieved
5627:
5618:
5606:. Retrieved
5597:The Guardian
5595:
5585:
5576:
5570:
5558:. Retrieved
5540:
5524:. Retrieved
5513:
5507:
5496:
5480:. Retrieved
5469:
5463:
5455:
5443:
5431:. Retrieved
5420:
5396:
5392:
5386:
5374:. Retrieved
5363:
5325:
5316:
5304:. Retrieved
5293:
5280:
5269:
5265:
5259:
5247:. Retrieved
5236:
5226:
5214:
5202:
5174:
5139:
5127:. Retrieved
5123:the original
5116:
5085:. Retrieved
5074:
5068:
5061:
5045:. Retrieved
5034:
5028:
5020:
5008:. Retrieved
4997:
4985:
4969:. Retrieved
4958:
4952:
4944:
4928:. Retrieved
4917:
4911:
4907:
4899:
4887:. Retrieved
4873:
4861:
4845:. Retrieved
4836:Melody Maker
4834:
4828:
4817:
4805:. Retrieved
4794:
4781:
4769:. Retrieved
4758:
4726:. Retrieved
4715:
4691:
4666:. Retrieved
4655:
4627:
4615:. Retrieved
4606:
4596:
4584:. Retrieved
4580:the original
4575:
4551:
4544:O'Leary 2019
4539:
4510:
4503:Buckley 2005
4483:. Retrieved
4474:
4468:
4446:. Retrieved
4431:
4424:
4417:Buckley 2005
4412:
4400:. Retrieved
4391:
4367:
4360:Buckley 2005
4355:
4326:. Retrieved
4322:the original
4315:
4305:
4293:
4286:Buckley 2005
4281:
4269:
4242:
4235:Buckley 2005
4213:. Retrieved
4209:the original
4198:
4186:. Retrieved
4175:
4169:
4144:
4105:O'Leary 2019
4068:Doggett 2012
4035:Buckley 2005
3988:Doggett 2012
3983:
3946:. Retrieved
3942:the original
3937:
3909:Buckley 2005
3890:Buckley 2005
3885:
3873:. Retrieved
3858:
3809:
3805:
3804:
3786:
3780:
3768:. Retrieved
3759:
3749:
3737:. Retrieved
3726:
3716:
3709:Buckley 2005
3704:
3693:
3677:Buckley 2005
3672:
3660:
3653:Buckley 2005
3648:
3641:Buckley 2005
3636:
3629:Buckley 1999
3601:. Retrieved
3590:
3584:
3541:Buckley 2005
3536:
3529:Buckley 2005
3452:
3440:
3428:
3421:O'Leary 2019
3384:
3377:Buckley 2005
3372:
3360:. Retrieved
3349:
3312:
3294:
3285:
3218:
3181:
3157:
3115:
3100:
2998:
2956:
2892:
2891:
2871:Roger Powell
2808:Dennis Davis
2778:Adrian Belew
2674:
2633:"Repetition"
2583:Bowie, Eno,
2512:" (Turkish:
2415:
2407:
2400:bonus tracks
2386:
2385:
2375:
2368:
2360:
2356:
2352:
2346:
2344:
2339:The Next Day
2337:
2333:
2321:
2319:
2313:
2306:
2291:
2287:
2279:
2275:
2270:
2264:
2255:
2251:
2248:Philip Glass
2245:
2234:
2215:Damon Albarn
2191:
2185:
2173:
2160:
2154:
2149:
2143:
2139:
2135:
2126:
2118:
2112:
2110:
2105:
2099:
2095:Aladdin Sane
2093:
2087:
2083:
2073:
2067:
2063:
2059:
2057:
2045:
2007:
1969:
1931:
1919:
1907:
1869:
1836:
1798:
1730:
1720:
1710:
1706:
1697:
1693:
1689:
1685:
1683:
1677:
1667:
1661:
1657:
1653:
1639:
1635:
1634:states that
1627:
1625:
1615:
1609:
1603:
1596:
1585:
1575:
1573:
1563:
1559:
1553:
1549:
1539:
1535:
1528:
1522:
1518:Melody Maker
1516:
1508:
1502:
1499:Greil Marcus
1494:
1492:
1480:
1442:
1430:
1392:
1360:
1349:
1345:
1342:Earl's Court
1339:
1332:
1322:
1315:Tubeway Army
1308:
1299:
1298:
1282:music videos
1265:Space Oddity
1263:
1259:
1255:
1253:
1247:
1240:
1219:Star Special
1218:
1211:David Mallet
1204:
1196:
1187:
1167:
1166:'s painting
1155:
1148:Egon Schiele
1137:
1129:
1126:cover design
1123:
1103:
1087:
1066:German music
1062:Duncan Jones
1053:
1050:
1029:
1024:
1020:
1016:
1014:
1004:
990:
967:
922:
918:
916:
911:
907:
902:, world and
891:
887:
879:
873:
867:
839:
818:
812:
810:
804:
797:
793:
791:
776:
771:
767:
763:
759:
755:
753:
745:
741:
737:
733:
720:
714:
704:
694:
690:
683:
672:
668:
665:Robert Fripp
657:Adrian Belew
653:King Crimson
648:
641:Dennis Davis
638:
632:
630:Adrian Belew
626:King Crimson
621:
599:Record Plant
586:
582:
580:
566:
562:
556:
542:
528:
518:
516:
509:
502:
484:
478:
456:
444:
436:David Mallet
434:directed by
432:Music videos
419:
418:
384:is based in
381:
379:
371:Adrian Belew
367:King Crimson
356:
350:
349:, following
325:
324:
323:
248:
225:
217:
216:
207:
102:Record Plant
50:Studio album
29:
8474:1979 albums
8425:Bowie Bonds
8342:Iman (wife)
8242:In popular
8183:Tin Machine
8000:Tin Machine
7810:David Bowie
7496:Soundtracks
7466:Tin Machine
7299:Live albums
7278:Tin Machine
7269:Tin Machine
7173:Let's Dance
7081:David Bowie
7073:David Bowie
7041:Videography
7036:Filmography
7021:Discography
7010:David Bowie
6906:Spitz, Marc
6783:Titan Books
6129:Kent, David
6098:RCA Records
5901:12 December
5797:28 November
5306:11 November
5249:7 September
5219:Trynka 2011
5182:. pp.
5144:Trynka 2011
5087:30 December
5047:30 December
4971:30 December
4823:Savage, Jon
4586:21 February
4402:29 November
4215:30 November
3948:30 November
3835:Perone 2007
3592:The Quietus
2851:Simon House
2846:(1–3, 5, 7)
2795:(2–7, 9–10)
2735:eroica horn
2684:synthesiser
2680:David Bowie
2647:"Red Money"
2537:"Red Sails"
2464:David Bowie
2327:s original
2190:. A few of
2162:Electronica
2064:Let's Dance
1725:(1980) and
1632:Paul Trynka
1357:Oscar Wilde
1254:RCA issued
1193:lead single
1189:RCA Records
1162:'s corpse,
1160:Che Guevara
1144:Brian Duffy
1139:Let's Dance
1114:Radio Radio
1106:disc jockey
1070:Errol Flynn
1042:nuclear war
1001:garage rock
992:The Quietus
987:the Beatles
983:John Lennon
943:Simon House
878:wrote that
864:David Byrne
860:world music
856:avant-garde
661:Frank Zappa
604:Berlin Wall
525:Bing Crosby
475:Los Angeles
459:David Bowie
335:RCA Records
331:David Bowie
196:David Bowie
183:David Bowie
55:David Bowie
8458:Categories
8382:Ava Cherry
8209:Characters
8157:Hours Tour
7743:Club Bowie
7729:All Saints
7307:David Live
7096:Hunky Dory
6835:. London:
6753:. London:
6702:. London:
6652:. London:
6614:11 January
6588:31 January
6556:17 January
6531:29 January
6427:31 January
6390:31 January
6353:31 January
6281:31 January
6252:31 January
6242:MegaCharts
6211:31 January
6176:31 January
5870:4 December
5764:31 January
5608:6 February
5238:Britannica
5129:4 December
5118:PopMatters
4930:6 December
4889:4 December
4847:6 December
4728:6 December
4693:Smash Hits
4668:6 December
4515:Spitz 2009
4448:2 December
4188:22 January
4107:, chap. 3.
4003:Spitz 2009
3770:19 January
3739:19 January
3603:6 December
3560:Spitz 2009
3423:, chap. 2.
3324:References
3280:2,200,000
3274:Worldwide
3269:Summaries
3013:MegaCharts
2987:Ö3 Austria
2930:Greg Calbi
2893:Production
2862:(4–5, 8–9)
2842:Sean Mayes
2695:Chamberlin
2622:Bowie, Eno
2604:Bowie, Eno
2540:Bowie, Eno
2483:Bowie, Eno
2412:Parlophone
2370:PopMatters
2298:2017 remix
2239:following
2231:Shearwater
2178:indie rock
2148:described
1727:Paul Simon
1717:Marc Spitz
1524:Smash Hits
1513:Jon Savage
1432:Smash Hits
1294:Gary Numan
1245:Gary Numan
1058:Be My Wife
963:Harmonia's
831:electronic
725:Sean Mayes
655:guitarist
628:guitarist
471:Hérouville
453:Background
394:electronic
369:guitarist
198:chronology
69:1979-05-25
8216:Major Tom
8162:Mini Tour
8127:Isolar II
7518:Labyrinth
7250:Blackstar
7215:Earthling
6692:Carr, Roy
6106:cite book
5750:symphony"
5732:Pegg 2016
5720:Pegg 2016
5669:3 October
5286:Kot, Greg
4875:Billboard
4648:Lott, Tim
4632:Pegg 2016
4617:20 August
4556:Pegg 2016
4532:Pegg 2016
4485:24 August
4475:Billboard
4372:Pegg 2016
4348:Pegg 2016
4298:Pegg 2016
4274:Pegg 2016
4247:Pegg 2016
4177:Pitchfork
4149:Pegg 2016
4137:Pegg 2016
4122:Pegg 2016
4018:Pegg 2016
3665:Pegg 2016
3514:Pegg 2016
3457:Pegg 2016
3445:Pegg 2016
3433:Pegg 2016
3404:Pegg 2016
3389:Pegg 2016
3167:Position
3133:UK Albums
3127:Position
3101:Billboard
3084:UK Albums
2968:Position
2884:saxophone
2784:; guitar
2763:; guitar
2707:Brian Eno
2700:; guitar
2671:Personnel
2565:Writer(s)
2510:Yassassin
2494:"Move On"
2468:Brian Eno
2445:Writer(s)
2348:Blackstar
2145:Pitchfork
2078:in 2004,
1921:Pitchfork
1732:Graceland
1530:Billboard
1346:Re:Call 3
1309:Billboard
1278:Kate Bush
1270:punk rock
1180:reissue.
1074:China Sea
1005:The Idiot
997:glam rock
949:song and
904:krautrock
852:avant-pop
688:Brian Eno
612:acoustics
491:Brian Eno
480:The Idiot
402:avant-pop
339:Brian Eno
292:Yassassin
130:avant-pop
8443:Category
8420:BowieNet
8357:The Hype
8290:Stardust
8074:Ricochet
7979:Video EP
7788:Box sets
7152:"Heroes"
6936:(2011).
6908:(2009).
6775:(2016).
6755:Repeater
6724:(2012).
6698:(1981).
6624:cite web
6609:Le Monde
6496:Archived
6470:Archived
6421:Archived
6384:Archived
6380:VG-lista
6347:Archived
6304:Roppongi
6246:Archived
6170:Archived
6131:(1993).
6002:Rykodisc
5895:Archived
5828:Archived
5758:Archived
5663:Archived
5632:Archived
5602:Archived
5560:16 April
5554:Archived
5526:22 March
5520:Archived
5482:19 March
5476:Archived
5427:Archived
5370:Archived
5360:"Lodger"
5300:Archived
5243:Archived
5172:(eds.).
5081:Archived
5041:Archived
5004:Archived
4965:Archived
4924:Archived
4880:Archived
4841:Archived
4801:Archived
4791:"Lodger"
4765:Archived
4722:Archived
4662:Archived
4611:Archived
4479:Archived
4442:Archived
4396:Archived
4328:6 August
4182:Archived
3875:29 March
3869:Archived
3865:AllMusic
3764:Archived
3733:Archived
3597:Archived
3362:29 March
3356:Archived
3264:100,000
3061:VG-lista
2932: –
2906:engineer
2900:producer
2882: –
2816:(2–3, 7)
2797:; drums
2758:mandolin
2756: –
2740:; piano
2689:; piano
2552:Side two
2432:Side one
2392:Rykodisc
2382:Reissues
2256:"Heroes"
2250:adapted
2140:"Heroes"
2082:praised
1763:AllMusic
1694:"Heroes"
1646:Roy Carr
1644:editors
1593:Tim Lott
1509:"Heroes"
1337:(1980).
1260:"Heroes"
1174:Rykodisc
1088:"Heroes"
1038:Cold War
1021:"Heroes"
931:mandolin
923:"Heroes"
908:"Heroes"
890:, found
844:AllMusic
823:art rock
768:"Heroes"
760:"Heroes"
742:"Heroes"
721:"Heroes"
716:Monopoly
695:"Heroes"
669:"Heroes"
595:Montreux
567:"Heroes"
520:"Heroes"
501:. After
463:Iggy Pop
386:art rock
358:"Heroes"
177:Producer
140:new wave
120:Art rock
96:Montreux
92:Mountain
77:Recorded
62:Released
52: by
8335:Related
8283:Lazarus
8244:culture
8035:Reality
7764:iSelect
7592:No Plan
7525:Lazarus
7236:Reality
7229:Heathen
7208:Outside
7180:Tonight
7117:Pin Ups
6973:Discogs
6641:Sources
6565:Lodger
6502:2 April
5433:14 July
5376:14 July
5271:Blender
5010:10 July
4807:18 July
4771:18 July
3249:50,000
3234:/sales
3225:Region
2702:(8, 10)
2521:
2514:Yaşasın
2199:Britpop
2168:artist
1800:Blender
1274:Blondie
1229:since "
1215:Radio 1
1120:Artwork
1092:Neuköln
1090:track "
1083:yaşasın
1078:Turkish
1056:track "
959:motorik
835:ambient
792:Before
713:, part-
569:on the
424:singles
398:ambient
249:Lodger
245:Singles
231:(1980)
222:(1979)
213:(1978)
67: (
8265:Jareth
8122:Isolar
7778:Legacy
7159:Lodger
7083:(1969)
7075:(1967)
6968:Lodger
6948:
6922:
6894:
6862:
6843:
6818:
6789:
6761:
6738:
6710:
6679:
6660:
6563:Enter
6476:10 May
6408:Lodger
6371:Lodger
6334:Lodger
6314:
6229:Lodger
6161:Lodger
6141:
6094:Lodger
6066:Virgin
6062:Lodger
6030:Lodger
5998:Lodger
5970:Lodger
5952:
5917:Lodger
5818:Lodger
5748:Lodger
5705:3 July
5508:Lodger
5464:Lodger
5393:Lodger
5338:
5266:Lodger
5190:
5071:(RCA)"
5069:Lodger
5031:(RCA)"
5029:Lodger
4955:(RCA)"
4953:Lodger
4912:Lodger
4829:Lodger
4720:: 34.
4717:Sounds
4469:Lodger
4432:Lodger
4170:Lodger
3859:Lodger
3810:Heroes
3797:
3585:Lodger
3295:
3219:Lodger
3158:Lodger
3116:Lodger
3037:Oricon
2957:Lodger
2910:mixing
2875:(9–10)
2859:violin
2727:(5, 7)
2691:(1, 6)
2568:Length
2448:Length
2416:Lodger
2387:Lodger
2376:Lodger
2353:Lodger
2334:Lodger
2322:Lodger
2307:Lodger
2292:Lodger
2280:Lodger
2276:Lodger
2207:M.O.R.
2192:Lodger
2174:Lodger
2166:techno
2155:Lodger
2150:Lodger
2127:Lodger
2123:
2119:Lodger
2106:Lodger
2084:Lodger
2060:Lodger
1926:8.5/10
1757:Rating
1754:Source
1707:Lodger
1698:Lodger
1686:Lodger
1678:Lodger
1676:calls
1658:Lodger
1654:Lodger
1636:Lodger
1628:Lodger
1616:Lodger
1614:found
1560:Lodger
1555:Sounds
1550:Lodger
1536:Lodger
1495:Lodger
1444:Sounds
1387:Rating
1384:Source
1300:Lodger
1256:Lodger
1241:Lodger
1227:single
1201:B-side
1197:Lodger
1130:Lodger
1030:Lodger
1025:Lodger
912:Lodger
900:reggae
892:Lodger
880:Lodger
840:Lodger
819:Lodger
798:Lodger
794:Lodger
780:mixing
772:Lodger
764:Lodger
746:Lodger
684:Lodger
673:Lodger
649:Lodger
622:Lodger
587:Lodger
583:Lodger
420:Lodger
382:Lodger
326:Lodger
218:Lodger
148:Length
85:Studio
35:Lodger
8252:Bowie
8181:With
8105:Tours
7464:With
7314:Stage
7267:With
7222:Hours
7051:Death
7026:Songs
6525:(PHP)
6413:(ASP)
6376:(ASP)
6339:(ASP)
6308:Tokyo
6275:(PHP)
6234:(ASP)
6205:(PHP)
6166:(ASP)
5515:Uncut
5471:Uncut
5184:97–99
4883:(PDF)
4870:(PDF)
4660:: 6.
3304:Notes
3261:Gold
3246:Gold
3049:RIANZ
2765:(3–4)
2663:34:38
2636:Bowie
2562:Title
2526:Bowie
2497:Bowie
2442:Title
2364:'
2325:'
2258:into
2219:Oasis
2195:'
2180:band
2114:Uncut
1569:'
1558:felt
1195:from
974:disco
749:'
555:film
549:album
506:'
406:world
264:" / "
247:from
209:Stage
165:Label
135:world
113:Genre
7652:Rare
7550:Baal
6946:ISBN
6920:ISBN
6892:ISBN
6860:ISBN
6841:ISBN
6816:ISBN
6787:ISBN
6759:ISBN
6736:ISBN
6708:ISBN
6677:ISBN
6658:ISBN
6630:link
6616:2016
6590:2014
6558:2010
6533:2012
6504:2014
6478:2012
6429:2014
6392:2014
6355:2014
6312:ISBN
6283:2014
6254:2014
6213:2014
6178:2014
6139:ISBN
6112:link
6080:link
6048:link
6016:link
5984:link
5950:ISBN
5931:link
5903:2021
5872:2020
5836:2017
5799:2020
5766:2018
5707:2016
5671:2020
5640:2019
5610:2018
5562:2019
5528:2021
5484:2021
5435:2016
5422:Spin
5378:2016
5336:ISBN
5308:2020
5251:2020
5188:ISBN
5131:2020
5089:2021
5049:2021
5012:2022
4973:2021
4932:2020
4891:2020
4849:2020
4809:2011
4773:2011
4730:2020
4670:2020
4619:2024
4607:Dig!
4588:2018
4487:2021
4450:2020
4404:2020
4330:2021
4217:2020
4190:2015
3950:2020
3877:2016
3795:ISBN
3772:2021
3741:2021
3695:Mojo
3605:2016
3364:2016
3241:NVPI
3125:Peak
3025:SNEP
2966:Peak
2733:and
2653:4:17
2639:2:59
2625:3:17
2607:3:08
2589:3:59
2578:D.J.
2543:3:43
2529:4:10
2519:lit.
2500:3:16
2486:2:54
2472:2:55
2394:and
2268:and
2254:and
2203:Blur
2170:Moby
2138:and
2125:...
2101:Spin
2092:and
2052:8/10
2009:Spin
1648:and
1437:6/10
1329:Cars
1317:'s "
1292:and
1290:Devo
1276:and
1128:for
1112:'s "
1019:and
999:and
970:D.J.
955:Neu!
947:folk
939:funk
921:and
866:for
833:and
825:and
758:and
736:and
643:and
565:and
408:and
396:and
388:and
355:and
279:D.J.
7542:EPs
7257:Toy
7145:Low
6971:at
6466:RPM
6197:RPM
6034:EMI
5395:".
5268:".
4910:to
4908:Low
3806:Low
3256:BPI
3205:58
3197:55
3189:72
3183:RPM
3175:67
3142:64
3137:OCC
3107:20
3098:US
3088:OCC
3066:11
3042:32
3030:11
3006:15
3000:RPM
2992:13
2980:11
2887:(5)
2866:(4)
2855:(1)
2837:(4)
2824:(4)
2820:(8)
2803:(4)
2799:(8)
2782:(1)
2769:(8)
2761:(1)
2749:(4)
2742:(8)
2738:(7)
2723:(5)
2719:(2)
2711:(1)
2698:(6)
2687:(4)
2558:No.
2438:No.
2396:EMI
2329:mix
2252:Low
2136:Low
2066:in
1729:'s
1690:Low
1641:NME
1595:of
1584:of
1515:of
1501:of
1359:'s
1217:'s
1054:Low
1017:Low
919:Low
846:'s
821:as
756:Low
593:in
563:Low
527:on
503:Low
486:Low
469:in
441:mix
430:".
352:Low
170:RCA
8460::
6944:.
6918:.
6886:.
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6814:.
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6806:.
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6706:.
6694:;
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6626:}}
6622:{{
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