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Lodger (album)

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1116:" (1978), writer Ian Mathers describes the song as "a horror story about a human being reduced to nothing more than work". "Look Back in Anger" sees Bowie encounter an angel of death who has come to claim his soul. "Boys Keep Swinging" contains gender-bending lyrics, particularly, "When you're a boy, other boys check you out." In 2000, Bowie said of the track: "The glory in that song was ironic. I do not feel that there is anything remotely glorious about being either male or female. I was merely playing on the idea of the colonisation of a gender." In "Repetition", the narrator conveys no emotion when beating his wife, leading Buckley to describe it as Bowie at "his most chilling". "Red Money" proclaims the message "project canceled". Regarding the "red boxes" that appear throughout, Bowie stated: "This song, I think, is about responsibility. Red boxes keep cropping up in my paintings and they represent responsibility." 618: 2303: 680: 1150:. To accomplish the shot, taken in February 1979 at Duffy's London studio, Bowie balanced himself on a steel frame while the photographer captured the image from above. The broken nose and facial morphing were accomplished using prosthetic make-up and nylon threads. Bowie's bandaged hand was genuine; according to Pegg, he had burned it with coffee that morning and decided to incorporate the hand into the photo. At Bowie's request, the image was taken in a low resolution with a 8439: 1237: 2037: 1961: 1899: 1894: 1889: 1861: 1828: 1472: 2032: 2027: 2022: 2017: 1999: 1994: 1989: 1984: 1979: 1956: 1951: 1946: 1941: 1884: 1879: 1856: 1851: 1846: 1823: 1818: 1813: 1808: 1790: 1785: 1780: 1775: 1770: 1467: 1462: 1457: 1452: 1422: 1417: 1412: 1407: 1402: 42: 1003:. For the recording, which has the same chord sequence as "Fantastic Voyage", Bowie instructed the band to swap instruments. "Repetition" features a bass guitar riff that is described by Buckley as "insistent and very odd". Doggett highlights its sound as similar to funk music. "Red Money" is built around the backing track of "Sister Midnight", an Iggy Pop song he recorded with Bowie for 762:. For "Look Back in Anger", Eno gave the backing band eight of his favourite chords and instructed them to "play something funky". Alomar disliked this, telling biographer David Buckley that he "totally, totally resisted it". Despite Eno assuming control at certain points, he appeared on, and co-wrote, only six of the album's ten tracks. Eno felt the trilogy had "petered out" by 1340:"D.J." was chosen as the second single, with "Repetition" as the B-side, released on 29 June 1979, Pegg calls it a "boldly uncommercial choice" for a single. Appearing in edited form, the single stalled on the charts, peaking at number 29 in the UK. It was supported by a music video, also directed by Mallet. The video features Bowie walking down a road in London's 1064:, which inspired the lyrics for "African Night Flight". The same trip, along with ones to Japan and Australia, inspired "Move On", which reflects the theme of wanderlust throughout side one. Regarding the song titles, Doggett quips, "After his 'African Night Flight', what else to do but 'Move On'!" When asked about "Red Sails", Bowie said in 1979: "Here we took a new 782:. Belew returned to record further guitar overdubs while Visconti recorded a replacement bass guitar part for "Boys Keep Swinging" after Bowie decided Davis' original was unsuitable; work was completed in a week. Visconti recalled having "sonic problems" during the mixing stage because the studio did not have the technical advancements of European studios. 1331:". Numan, a huge fan of Bowie's, was antagonised by Bowie's fans who viewed him as a mere copycat. Bowie himself criticised Numan, which led to a feud between the two artists that lasted for years. According to Buckley, Numan's fame indirectly led to Bowie taking a more pop-oriented direction for his next studio album, 1213:, who Bowie chose to direct a promo video for "Boys Keep Swinging", directed the programme. The promo and his Everett performance were filmed back-to-back, although the former featured extra backup dancers who turned out to be Bowie in drag. The Everett performance, along with an appearance as the guest DJ on 723:. Using the cards, Bowie and Eno conducted numerous experimental methods during the sessions. Some of these included using old tunes played backwards, employing identical chord sequences for different songs and having the musicians swap instruments, as Alomar and Davis did on "Boys Keep Swinging". The pianist 2133:
agreed, writing that it was always thought of as the "anticlimax" of the trilogy, but nevertheless, stating that "if it doesn't add up as a single listening experience, its parts are rarely without quality." Erlewine also gave the album a positive review, writing: "It might not stretch the boundaries
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for many years, calling it "over-cluttered" and "over-produced". Regarding the mix, Visconti stated: "My only regret is that we went to New York to finish album and it suffered at the mixing stage because New York studios simply were not as versatile or well-equipped as their European counterparts
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s Kory Grow wrote that the new mix "loosens" the album's sound, saying there is "a greater emphasis on orchestral strings" and the percussion "sometimes comes out of different speakers". Grow further noted that the mix makes "everything generally lighter", notably on "Red Money" and "Yassassin".
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in those days." Bowie also expressed disappointment in the mix, citing distractions in his personal life at the time and the overall feeling he and Visconti had that the record did not come together as easily as its two predecessors. Bowie and Visconti began discussing the possibility of remixing
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is "by far" Bowie's "most lyrically and musically challenging" album of his late 1970s and early 1980s output, further illustrating the influence of contemporaries on the artist. Trynka states that over the years, the album has attracted "admiration" rather than "visceral love or hatred", and its
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in his vocal performance. Wawzenek highlighted "D.J." as a "danceable gem". Doggett describes "Look Back in Anger" as "propulsive and impatient", while Ned Raggett of AllMusic called it a "sharp-edged, thrillingly modern rock song". O'Leary particularly highlights Davis' drumming as the standout,
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was composited from multiple takes played against backing tracks of which he had no prior knowledge, not even the key. Belew recalled, "When I arrived, they had about twenty tracks already done: bass, drums, rhythm guitar, but no vocals. They said, 'We're not going to let you hear these songs. We
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accompanied three of the four singles. The album initially received mixed critical reviews, with many calling it the weakest of the Berlin Trilogy. Reception has grown in subsequent decades and it is now widely considered to be among Bowie's most underrated albums. Its world elements have been
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also praised the remix, believing it "drastically improved" the record and is "nothing short of revelatory". Gerard gave the most acclaim to "D.J.", writing that its new mix gives the track "more punch and clarity". Ultimately, Gerard felt the new mix is the highlight of the box set and gives
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has been interpreted as covering two major themes— travel and critiques of Western civilisation on sides one and two, respectively. In early 1977, Bowie said, "I don't live anywhere, really. I travel 100% of the time," further noting, "The more I travel, the less sure I am about exactly which
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wrote: "It's simply appealing in such an unusual way that a clear definition is impossible, even when plotted against its own predecessors rather than 'pop music' in general." He commended the variety of musical styles present but criticised some of the lyrics as lazy. William Carlton of the
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has been reissued several times. Although the original 1979 vinyl release featured a gatefold cover, some later LP versions such as RCA's 1981 US reissue presented the album in a standard non-gatefold sleeve. The album was first released on CD by RCA in the mid-1980s.
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box set (2017). "Look Back in Anger", with "Repetition" once again as the B-side, was released as the album's fourth single in the US and Canada only, where it failed to chart. A music video, again directed by Mallet, promoted it. The video, inspired by
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writes that several songs, including "African Night Flight", "Yassassin" and "Red Sails", were composed "around a melodic clash of disparate cultures". Due to the experimental nature of the sessions, initial working titles for the album included
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wrote favourably, stating that although the songs may seem impassive and not designful, he believed those qualities are "part of their charm—the way they confound categories of sensibility and sophistication is so frustrating it's satisfying".
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a "slick, calculatedly disposable record", Buckley contends that "its stature grows with each passing year", and Pegg sums up, "undervalued and obscure practically from the moment of its release, its critical re-evaluation is long overdue".
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The sessions at Mountain Studios lasted three weeks, after which the band went back on tour. At the tour's conclusion, Bowie reconvened at the Record Plant in March 1979, where he recorded his lyrics and instrumental overdubs, and began
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want you to go into the studio and play accidentally – whatever occurs to you'." Belew described the final guitar solo on "D.J." as sounding like "you're changing channel on the radio and each channel has a different guitar solo on it".
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might always be remembered as the least "essential" effort of the Berlin Trilogy, Wawzenek concludes: "as a postcard from one of Bowie's most exciting phases, it's a fascinating glimpse of the artist in the midst of a bold transition".
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Regarding side one's theme of travel, Pegg writes that the songs revive a "perennial motif" prevailing throughout the Berlin Trilogy, highlighting the line, "I've lived all over the world, I've left every place" from the
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styles and the song/instrumental split that defined the two earlier works, in favour of more conventional song structures. Visconti explained: "We dropped the ambient-side-two concept and just recorded songs!" As such,
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similarly noted "the tone of the album is less foreboding than his more recent musical excursions". Although they considered this was both a "continuation" and a "departure" from his previous works, the magazine chose
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political philosophies are commendable. All my traveling is done on the basis of wanting to get my ideas for writing from real events rather than from going back to a system from whence it came." Because of this,
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in New York City. The atmosphere in Montreux was very different from that in Berlin; the studio was built on the site of a previous studio that had burned down. Whereas Hansa Tonstudio was located near the
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was more of a world record – urban and eastern at the same time. It seemed was spreading his wings in that direction, incorporating world music styles. It really inspired me to open up my guitar playing.
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as "the first David Bowie album marketed as nothing more than an album of recorded music by David Bowie". He commented on the record's accessibility compared to Bowie's prior releases. Although he felt
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lacked the "sense of risk and excitement" that had "pervaded" its two predecessors, which he partly attributed to the studio it was recorded at. However, soon after its release,
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of Bowie in a tiled bathroom looking like an accident victim, heavily made up with an apparently broken nose and a bandaged hand. This was inspired by the self-portraits of
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The release date was previously thought to be 18 May 1979. Bowie's official website unveiled new evidence in 2020 finding the actual release date to be 25 May.
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s lyrics at a later date; they were unknown during the Mountain sessions. Other than "Yassassin" and "Red Sails", most of the tracks were recorded with working titles.
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has received more positive reviews. Upon the album's 1991 reissue, Ira Robbins compared its accessibility to its predecessors and felt the songs were forerunners of
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Overall, Grow gave praise to the new mix, calling it a "brilliant new take" and noting that the original now feels "muddier" by comparison. Chris Gerard of
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expecting a "resolution" to the sounds and themes of its two predecessors, but do not get that. He further contends that it lacks the "pioneer spirit" of
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would "have to 'grow in potency' over a few years, but eventually, it will be accepted as one of Bowie's most complex and rewarding projects". Indeed,
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believes implies a "less intense" record. The song shares the same chord sequence as "Boys Keep Swinging" and features three different players playing
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for the third symphony, adding that "the idea has not totally disappeared". In January 2018, Glass announced the completion of a symphony based on
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parts; each part was triple-tracked to create a total of nine parts. Bowie composed "Move On" after accidentally playing his earlier composition "
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in 1991, including the outtake "I Pray, Olé" and a new version of "Look Back in Anger". Another reissue, without bonus tracks, was released by
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chart, remaining on the chart for 15 weeks. Throughout the year, Bowie was out-performed commercially by Numan, who had number one hits with
17: 5553: 4800: 412:. Lyrically, the album is divided into two major themes: travel (side one) and critiques of Western civilisation (side two). The pop artist 7390: 4204: 7439: 4395: 2355:. He presented the new mixes to Bowie, who approved of them before his death. Visconti finished the remix in late 2016 and included it on 8518: 8087: 7802: 5242: 1048:. James Perone finds a general theme of political oppression and insanity. Eno was unhappy with the direction Bowie took for the lyrics. 400:
styles and the song/instrumental split of its two predecessors, favouring more conventional song structures and exploring styles such as
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explained: " was very keen on spontaneity. He liked everything to be recorded in one or two takes, mistakes and all." The biographer
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hailed it "Bowie at his best", praising the performances of Bowie and the band, and the various musical styles. A reviewer for the
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Alongside the use of Eno's Oblique Strategies cards, Visconti recalled Eno having more leeway during the sessions than those for
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never received the appreciation it deserved, writing: "Generally perceived as the afterthought of the legendary "Berlin trilogy"
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felt the album was a letdown compared to its two predecessors. Although he found some of the songs "good" and complimented its "
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four days earlier. According to Pegg, he dressed in a "1950s Mod-style suit" that made him look like a "fresh-faced schoolboy".
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vocals from "Boys Keep Swinging"; Bowie and Eno both received credit for "M.O.R." after legal intervention. The lead singer
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to be the more accessible record of the Berlin Trilogy, he also felt it to be the most experimental, observing elements of
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pop music". Its musical textures, particularly on "African Night Flight", have been cited as presaging the popularity of
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Bowie's productivity continued throughout the rest of 1977. He recorded his second Berlin release with Visconti and Eno,
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found it boring and "a nice enough pop record, beautifully played, produced and crafted, and slightly faceless". In
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Credits are adapted from the album's liner notes. The track numbers refer to CD and digital releases of the album.
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as a whole to be "a frustrating but well-crafted LP that is much less than it appears to be". Sandy Robertson of
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The lyrics of side two primarily critique Western society. "D.J." takes a sardonic look at the world of the
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described the location as "boring", preferring the "excitement" of Hansa. Mountain also lacked the Hansa's
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was a modest commercial success, peaking at number 4 in the UK and number 20 in the US. It produced four
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would later say the only reason he got his first job as a golf caddy was so that he could afford to buy
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highlighted as particularly influential. Bowie and Visconti were dissatisfied with the album's original
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album." Visconti shared similar sentiments, saying on multiple occasions: "I don't think heart was in
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and artists who were influenced by the music on Bowie's prior releases of the Berlin Trilogy, such as
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on 25 May 1979, with the catalogue number RCA BOW LP 1. Its release came almost two years after
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has come to be considered as one of Bowie's most underrated works. Wawzenek described it as Bowie's
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was released at a time when artists that were influenced by Bowie's other Berlin releases, such as
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began during the four-month break in the Isolar II world tour during September 1978. Although
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used the same chord sequence as "Fantastic Voyage" and "Boys Keep Swinging" in their 1997 single "
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In regards to the Berlin Trilogy as a whole, Seabrook finds that then and now, listeners come to
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and, in 2015, Visconti remixed the album with Bowie's approval for inclusion on the 2017 box set
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received mixed reviews from music critics on its original release. Among the negative reviews,
7584: 5232: 2294:. The symphony marked the completion of his trilogy of works based on Bowie's Berlin Trilogy. 8401: 8275: 8230: 8020: 7946: 7809: 7563: 7193: 6807: 6801: 5416: 5183: 3350: 3345: 874: 937:" backwards, then having Alomar write out the reversed chord sequence. "Yassassin" combines 910:, "The Secret Life of Arabia", in particular, as a precursor to what Bowie would explore on 8473: 8442: 8424: 8289: 8195: 7658: 7623: 7524: 7418: 7050: 6986: 6695: 6268:"InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" 5364: 5075: 4874: 3727: 2240: 2068: 1908: 1649: 1529: 895: 813: 508:
s release in January 1977, Bowie toured with Pop before co-producing his second solo album
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Goble, Blake; Blackard, Cap; Levy, Pat; Phillips, Lior; Sackllah, David (8 January 2018).
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took the cover photo, portraying Bowie as an accident victim across the gatefold sleeve.
1268:(1969). Buckley writes that within that time, new wave had begun to emerge and overtake 361:(both 1977). Sessions took place in Switzerland in September 1978 during a break in the 8141: 7137: 6910: 6703: 6105: 5270: 4998: 4429: 2933: 2616: 2088: 1799: 1662: 1576: 1142:(1983). The original gatefold album sleeve featured a full-length shot by photographer 1068:
feel and put it against the idea of a contemporary English mercenary-cum-swashbuckling
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referenced the album in their song "Distopian Dream Girl" taken from their 1994 album
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cards, such as having the musicians swap instruments and playing old songs backwards.
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within the vast array of pop songs. Biographers have singled out the final track on
8361: 8269: 8190: 7953: 7665: 7404: 5684: 5514: 5470: 4754: 4750: 2745: 2286:; it premiered in Los Angeles in January 2019. Like Glass's other adaptations, the 2113: 1618:"uneven" but ultimately "more interesting and entertaining" than its predecessors. 1581: 1285: 1230: 1222: 1098: 1077: 1065: 830: 590: 538: 393: 91: 4603:"Look Back in Anger: The Unlikely Single that Would Point to David Bowie's Future" 1493:
In contrast to the universal praise received by its predecessor two years before,
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Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers
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is known as the final release of the Berlin Trilogy, it was largely recorded at
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has "some ideas successfully realised", but as a whole is "not brilliant". The
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joined from the tour. The sessions saw the use of techniques inspired by Eno's
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Many of the same musicians from the previous records—Eno, Visconti, Alomar,
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and EMI in 1999, featuring 24-bit digitally remastered sound. In 2017, the
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and remaining on the chart for 17 weeks. It peaked at number 20 on the US
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among their Top Album Picks the week of 9 June 1979. Paul Yamada of
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who lived in Berlin faced, although its lyrical approach is more direct.
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cards. According to the biographer Chris O'Leary, these cards were "part-
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to be a great end to " best decade", calling it "his last great album".
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agrees, citing its use of world music as influential on Talking Heads'
1716: 1523: 1512: 1431: 1293: 1244: 1073: 1057: 946: 724: 6605:"David Bowie en chiffres : un artiste culte, mais pas si vendeur" 1091: 8215: 7549: 5506:"Great Albums That Have Fallen Off The Critical Radar: David Bowie's 2883: 2706: 2509: 2467: 1277: 1269: 1236: 1125: 996: 903: 851: 687: 611: 490: 401: 338: 291: 129: 1507:
called the album "one of weakest ... scattered, a footnote to
1203:, on 27 April 1979. To promote the song, Bowie had appeared on 597:, Switzerland, with additional recording to finish the album at the 8419: 6691: 6379: 6303: 6001: 5285: 4647: 3864: 3060: 2757: 2391: 1762: 1645: 1592: 1173: 1136:, who would later design the artwork for Bowie's 15th studio album 1037: 930: 843: 822: 606:, Mountain Studios was located in an Alpine retreat. The guitarist 594: 462: 385: 119: 95: 5972:(LP record sleeve). David Bowie. US: RCA Records. 1981. AYL1-4234. 5919:(LP record sleeve). David Bowie. US: RCA Records. 1979. AQL1-3254. 4100: 4098: 4096: 1701:
sound is viewed as a forerunner to the sound of Talking Heads and
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enough recognition to be labeled as among Bowie's finest works.
2302: 1626:
The consensus among critics at the time of its release was that
659:, whom Bowie had "poached" while the guitarist was touring with 8264: 3036: 2858: 2206: 2165: 899: 6978: 4257: 4255: 4073: 4063: 3934:"Revisiting David Bowie's Last Berlin Trilogy Album, 'Lodger'" 2290:
is separated into seven movements, each named after tracks on
1154:; outtakes from the photoshoot have appeared in the 2014 book 1015:
Though missing the song/instrumental split that characterised
7103:
The Rise and Fall of Ziggy Stardust and the Spiders from Mars
6307: 4549: 4498: 4496: 4061: 4059: 4057: 4055: 4053: 4051: 4049: 4047: 4045: 4043: 4030: 4028: 4026: 3956: 3754:
Blackard, Cap; Graves, Wren; Manning, Erin (6 January 2016).
3624: 3622: 3620: 3618: 3616: 3614: 3409: 3048: 973: 705:
The sessions saw Bowie and Eno utilise techniques from Eno's
49: 5713: 1574:
The album did receive some positive reviews. Ken Emerson in
6550: 5200: 4252: 3555: 3553: 3551: 3549: 3382: 3240: 3024: 2169: 1302:
performed well commercially, peaking at number four on the
1289: 954: 938: 5689:"Shearwater covers the entirety of David Bowie's 'Lodger'" 4493: 4410: 4353: 4279: 4040: 4023: 3830: 3828: 3826: 3824: 3822: 3820: 3670: 3634: 3611: 3509: 3507: 3505: 3503: 3501: 3499: 3497: 3495: 3493: 3491: 3489: 3487: 3485: 6033: 5549: 4230: 4228: 4226: 3904: 3902: 3900: 3898: 3720: 3687: 3685: 3524: 3522: 3483: 3481: 3479: 3477: 3475: 3473: 3471: 3469: 3467: 3465: 3399: 3397: 2395: 1640: 1580:
called it Bowie's "most eloquent" record in years, while
4527: 4525: 4523: 4343: 4341: 4339: 4013: 4011: 3546: 1221:, helped "Boys Keep Swinging" reach number seven on the 6673:
Strange Fascination – David Bowie: The Definitive Story
6650:
Strange Fascination – David Bowie: The Definitive Story
6579:"British album certifications – David Bowie – Lodger" 5441: 4312:"On David Bowie's life as an artist and art journalist" 3998: 3996: 3817: 2233:
covered the album in its entirety at live shows and on
2229:, after "Look Back in Anger". American indie rock band 1199:, "Boys Keep Swinging", with "Fantastic Voyage" as the 842:
is the most "accessible" record of the Berlin Trilogy;
796:, the music was darker and probably less experimental. 329:
is the thirteenth studio album by the English musician
5948:(10th ed.). US: Krause Publications. p. 87. 4223: 4132: 4130: 4117: 4115: 4113: 3981: 3895: 3883: 3702: 3682: 3646: 3519: 3462: 3450: 3438: 3394: 2129:
deserves a room of its own in the critical pantheon."
1709:
is one of Bowie's most influential works according to
1571:
s Lynn Van Matre did not find it one of Bowie's best.
972:" was "somewhat cynical" and his "natural response to 886:
into a "pop format". Although Bryan Wawzenek, also of
6727:
The Man Who Sold the World: David Bowie and the 1970s
6547:"Dutch album certifications – David Bowie – Lodger" 6440: 6438: 5746:"Philip Glass completes his David Bowie trilogy with 5233:"David Bowie – British singer, songwriter, and actor" 5212: 5137: 4566: 4564: 4520: 4336: 4008: 3753: 3723:"Ranking: Every David Bowie Album from Worst to Best" 3370: 497:; the album came to be known as the first in Bowie's 6288:
Note: user must select 'David BOWIE' from drop-down.
5575:
Gordinier, Jeff (31 May 2002). "Loving the Aliens".
4508: 3993: 537:"), and contributing narration for an adaptation of 8395:
David Bowie Narrates Prokofiev's Peter and the Wolf
6300:
Oricon Album Chart Book: Complete Edition 1970–2005
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cards, which were intended to spark creative ideas.
7454:David Bowie at the Kit Kat Klub (Live New York 99) 6751:Ashes to Ashes: The Songs of David Bowie 1976–2016 6435: 4991: 4561: 4291: 4240: 4142: 3426: 2336:during the sessions for Bowie's 24th studio album 1630:was the weakest of the Berlin Trilogy. Biographer 995:found "Boys Keep Swinging" to contain elements of 945:to create a sound reminiscent of a Middle Eastern 5849: 5847: 5845: 5290:"Bowie's Many Faces Are Profiled On Compact Disc" 3230: 2209:". The song's chorus also borrows the melody and 1272:as the dominant genre, highlighting the likes of 957:inspired "Red Sails", sharing their distinctive " 854:", while Belew similarly characterised them as " 686:marked the third collaboration between Bowie and 477:. There, Bowie produced Pop's debut studio album 8455: 6032:(CD liner notes). David Bowie. UK & Europe: 5810: 5808: 4642: 4640: 4154: 2176:, which had just come out at the time. American 8524:Albums recorded at Record Plant (New York City) 8180: 7463: 7266: 6938:David Bowie – Starman: The Definitive Biography 6078:: CS1 maint: others in cite AV media (notes) ( 6046:: CS1 maint: others in cite AV media (notes) ( 6014:: CS1 maint: others in cite AV media (notes) ( 5982:: CS1 maint: others in cite AV media (notes) ( 5929:: CS1 maint: others in cite AV media (notes) ( 5820:mix: Tony Visconti takes aim at online chatter" 5494: 5156: 5154: 5152: 4382: 4380: 3927: 3925: 3923: 3921: 3919: 3917: 3287:Shipments figures based on certification alone. 8325:We Were So Turned On: A Tribute to David Bowie 5842: 4690:Starr, Red (31 May – 13 June 1979). "Albums". 1843: 1767: 473:, France, to escape from the drug culture of 337:. Recorded in collaboration with the musician 6994: 6343:Recording Industry Association of New Zealand 5805: 5353: 5351: 5106: 5104: 5102: 4637: 3698:(60 Years of Bowie ed.). pp. 70–73. 1176:did not reproduce these images on their 1991 1172:and Bowie being readied for the cover photo. 1081: 981:while Alomar's guitar solo was influenced by 310:Released: 20 August 1979 (US and Canada only) 7447:Look at the Moon! (Live Phoenix Festival 97) 5944:Thompson, Dave (2019). Kennedy, Paul (ed.). 5652: 5149: 4685: 4683: 4377: 3914: 2939: 2345:During the sessions for Bowie's final album 2316:, who was unsatisfied with the original mix. 2014: 1976: 1938: 1876: 1805: 1449: 1399: 6856:Bowie in Berlin: A New Career in a New Town 6748: 6510: 6123: 6121: 5624:"Readers' Poll: The 10 Best Brit-Pop Songs" 5546:"Is Moby's Music Still Good When Its Free?" 4983: 4543: 4104: 3847: 3845: 3843: 3420: 2518: 576: 514:(1977), at Hansa Tonstudio in West Berlin. 7001: 6987: 6690: 6361: 5348: 5099: 4572:"A New Career In A New Town (1977 – 1982)" 4461: 4459: 3975: 3343: 3339: 3337: 3335: 3333: 2351:in 2015, Visconti secretly began remixing 1738: 40: 7482:Live at La Cigale, Paris, 25th June, 1989 7391:Welcome to the Blackout (Live London '78) 6872: 5574: 5500: 5447: 5160: 4993:"David Bowie Is Rock's Cunning Chameleon" 4948: 4897: 4749: 4709: 4705: 4703: 4680: 449:, along with a remaster of the original. 7905:Ziggy Stardust and the Spiders from Mars 7440:No Trendy Réchauffé (Live Birmingham 95) 6853: 6828: 6781:(Revised and Updated ed.). London: 6596: 6520:(in French). infodisc.fr. Archived from 6445:"David Bowie | Artist | Official Charts" 6398: 6324: 6292: 6270:(in French). infodisc.fr. Archived from 6260: 6219: 6151: 6118: 6086: 5943: 5653:Shchelkunova, Maria (12 February 2016). 5425:. Vol. 22, no. 7. p. 84. 5206: 4309: 4261: 3931: 3840: 2301: 1235: 1183: 697:, the sessions saw greater use of Eno's 678: 651:sessions. A new addition was the future 616: 573:from March 1978 to the end of the year. 6720: 6670: 6647: 6602: 6137:. St Ives, NSW: Australian Chart Book. 5683: 5459: 5410: 5408: 5357: 5024: 4989: 4696:. Vol. 1, no. 13. p. 25. 4502: 4456: 4416: 4359: 4285: 4234: 4067: 4034: 3987: 3908: 3889: 3708: 3691: 3676: 3652: 3640: 3628: 3540: 3528: 3376: 3330: 1621: 624:features contributions from the future 333:, released on 25 May 1979 through 14: 8456: 7831:A New Career in a New Town (1977–1982) 6932: 6799: 6518:"Les Albums (CD) de 1979 par InfoDisc" 5889:A New Career in a New Town (1977–1982) 5830:from the original on 29 September 2017 5743: 5592:"Is Damon Albarn the new David Bowie?" 5320: 5245:from the original on 21 September 2020 5218: 5143: 5110: 4903: 4821: 4785: 4700: 4600: 4165: 3834: 3580: 3172:Australian Albums (Kent Music Report) 2408:A New Career in a New Town (1977–1982) 1351:A New Career in a New Town (1977–1982) 965:1975 track "Monza (Rauf und Runter)". 446:A New Career in a New Town (1977–1982) 297:Released: July 1979 (Netherlands only) 8509:World music albums by British artists 6982: 6904: 5604:from the original on 24 December 2017 5453: 5414: 5083:from the original on 30 December 2021 5043:from the original on 30 December 2021 4967:from the original on 30 December 2021 4843:from the original on 29 November 2020 4745: 4743: 4689: 4514: 4398:from the original on 19 November 2020 4002: 3559: 3344:Mastropolo, Frank (11 January 2016). 3268: 2657: 2643: 2629: 2611: 2593: 2572: 2533: 2504: 2490: 2476: 2452: 1748: 1378: 1368: 1044:, and "Repetition", which deals with 941:and reggae, using a violin played by 489:, in collaboration with the musician 7426:Something in the Air (Live Paris 99) 7384:Cracked Actor (Live Los Angeles '74) 6771: 6472:from the original on 5 December 2012 6423:from the original on 11 January 2014 6386:from the original on 16 October 2013 6248:from the original on 31 October 2014 6192:"Top Albums/CDs – Volume 31, No. 19" 6172:from the original on 29 October 2013 6127: 5897:from the original on 5 December 2021 5884: 5853: 5778: 5760:from the original on 31 January 2018 5731: 5719: 5665:from the original on 10 January 2020 5655:"21 Reasons Why Oasis Is So Popular" 5589: 5568: 5405: 5372:from the original on 19 October 2016 4767:from the original on 17 October 2011 4646: 4631: 4555: 4531: 4444:from the original on 7 November 2020 4371: 4347: 4297: 4273: 4246: 4205:"'Look Back in Anger' – David Bowie" 4184:from the original on 24 January 2016 4148: 4136: 4121: 4017: 3851: 3784: 3766:from the original on 19 January 2021 3664: 3576: 3574: 3572: 3570: 3568: 3513: 3456: 3444: 3432: 3403: 3388: 3156:1979 year-end chart performance for 2944: 2682: – lead and background vocals; 2086:, stating it "rocks just as hard as 1010: 953:. In part, the music of German band 551:in May 1978. He also starred in the 7433:I'm Only Dancing (The Soul Tour 74) 6603:Breteau, Pierre (11 January 2016). 6492:"Dutch charts jaaroverzichten 1978" 6369:"norwegiancharts.com David Bowie – 6064:(CD liner notes). David Bowie. US: 6000:(CD liner notes). David Bowie. US: 5429:from the original on 2 October 2017 5284: 4613:from the original on 20 August 2024 4481:from the original on 24 August 2021 4310:Callahan, Maura (19 January 2016). 4202: 3756:"A Beginner's Guide to David Bowie" 3747: 3735:from the original on 5 January 2021 3692:Gittins, Ian (2007). "Art Decade". 2309:was remixed in 2017 by co-producer 1845: 1769: 914:, both musically and thematically. 530:Bing Crosby's Merrie Olde Christmas 24: 8519:Art rock albums by English artists 7321:Ziggy Stardust: The Motion Picture 6803:The Words and Music of David Bowie 6498:from the original on 23 April 2016 5744:Tilden, Imogen (30 January 2018). 5634:from the original on 26 March 2018 5556:from the original on 16 April 2019 5522:from the original on 20 April 2021 5478:from the original on 14 April 2021 5302:from the original on 16 April 2016 5230: 4926:from the original on 17 April 2021 4893:– via worldradiohistory.com. 4885:from the original on 7 August 2020 4803:from the original on 1 August 2011 4740: 4724:from the original on 8 August 2020 4664:from the original on 10 April 2021 3871:from the original on 30 March 2016 3358:from the original on 29 March 2016 3150: 3114:2016 weekly chart performance for 2955:1979 weekly chart performance for 2926:Rod O'Brien – mixing engineer 829:. However, the album abandons the 806:—Adrian Belew on the album's sound 345:, it was the final release of his 25: 8535: 8042:The Best of David Bowie 1980/1987 7757:The Best of David Bowie 1980/1987 7715:The Best of David Bowie 1974/1979 7708:The Best of David Bowie 1969/1974 7166:Scary Monsters (and Super Creeps) 6960: 6406:"swedishcharts.com David Bowie – 5946:Goldmine Record Album Price Guide 5327:The Encyclopedia of Popular Music 5175:The New Rolling Stone Album Guide 5111:Gerard, Chris (12 October 2017). 5006:from the original on 10 July 2022 4949:Van Matre, Lynn (5 August 1979). 3565: 3211: 2217:has cited Bowie as an influence. 2016: 1978: 1940: 1878: 1871:The Encyclopedia of Popular Music 1807: 1511:, an act of marking time", while 1451: 1401: 1334:Scary Monsters (and Super Creeps) 535:Peace on Earth/Little Drummer Boy 227:Scary Monsters (and Super Creeps) 8469:Albums produced by Tony Visconti 8438: 8437: 8318:The Life Aquatic Studio Sessions 7419:Ouvrez le Chien (Live Dallas 95) 6854:Seabrook, Thomas Jerome (2008). 6484: 6454: 6349:from the original on 21 May 2017 6184: 6096:(liner notes). David Bowie. UK: 6054: 6022: 5990: 5962: 5937: 5909: 5878: 5854:Grow, Kory (28 September 2017). 5772: 5358:Robbins, Ira (1 November 1991). 5330:(5th concise ed.). London: 5025:Carlton, William (28 May 1979). 4710:Robertson, Sandy (26 May 1979). 4601:Draper, Jason (20 August 2024). 4166:Powell, Mike (22 January 2015). 3599:from the original on 9 July 2015 3276: 2949: 2425: 2246:In the 1990s, American composer 2035: 2030: 2025: 2020: 2015: 1997: 1992: 1987: 1982: 1977: 1959: 1954: 1949: 1944: 1939: 1897: 1892: 1887: 1882: 1877: 1859: 1854: 1849: 1844: 1826: 1821: 1816: 1811: 1806: 1788: 1783: 1778: 1773: 1768: 1470: 1465: 1460: 1455: 1450: 1420: 1415: 1410: 1405: 1400: 1296:, had begun to gain popularity. 850:described the songs as "twisted 811:Much like its two predecessors, 785: 27:1979 studio album by David Bowie 7880:Brilliant Adventure (1992–2001) 7571:Live EP (Live at Fashion Rocks) 7008: 6829:Sandford, Christopher (1997) . 6200:. 4 August 1979. Archived from 6134:Australian Chart Book 1970–1992 5737: 5677: 5646: 5616: 5590:Azad, Bharat (14 August 2007). 5583: 5579:. No. 656. pp. 26–34. 5538: 5460:Roberts, Chris (January 2008). 5384: 5314: 5278: 5257: 5224: 5178:(4th ed.). New York City: 5059: 5018: 4942: 4859: 4815: 4779: 4594: 4422: 4303: 4196: 3932:Wawzenek, Bryan (18 May 2015). 3778: 3714: 3581:Graham, Ben (11 January 2016). 3310: 2904:Tony Visconti – producer, 2197:s songs influenced two English 2187:There's Nothing Wrong with Love 1152:Polaroid SX-70 type camera 1080:for 'long live', from the word 1040:leaders and the possibility of 976:". Bowie mimics David Byrne of 426:, including the UK top 10 hit " 8479:Albums produced by David Bowie 7926:Tin Machine Live: Oy Vey, Baby 7475:Tin Machine Live: Oy Vey, Baby 6567:in the "Artiest of titel" box. 6310:: Oricon Entertainment. 2006. 6227:"dutchcharts.nl David Bowie – 5779:Swed, Mark (11 January 2019). 4578:. 12 July 2017. Archived from 4434:– Full Official Chart History" 2557: 2437: 13: 1: 7824:Who Can I Be Now? (1974–1976) 7701:The Deram Anthology 1966–1968 6883:Spin Alternative Record Guide 6583:British Phonographic Industry 6451:. Retrieved 2 December 2020. 5530:– via Rock's Backpages 5486:– via Rock's Backpages 4990:Emerson, Ken (10 June 1979). 4934:– via Rock's Backpages 4851:– via Rock's Backpages 4732:– via Rock's Backpages 4672:– via Rock's Backpages 3323: 2297: 2075:The Rolling Stone Album Guide 2047:Spin Alternative Record Guide 1971:The Rolling Stone Album Guide 869:My Life in the Bush of Ghosts 483:(1977) and recorded his own, 452: 18:Repetition (David Bowie song) 8007:Bowie – The Video Collection 7838:Loving the Alien (1983–1988) 7398:Serious Moonlight (Live '83) 6700:Bowie: An Illustrated Record 6494:(in Dutch). Dutchcharts.nl. 6462:"RPM Top 100 Albums of 1979" 6068:/EMI. 1999. 7243 521909 0 4. 5401:. No. 61. October 1991. 5079:. 15 July 1979. p. 62. 4755:"Christgau's Consumer Guide" 4576:David Bowie Official Website 4392:David Bowie Official Website 3583:"30-Years On: David Bowie's 3141: 3092: 2670: 2398:reissued the album with two 1692:and the "sheer gravitas" of 1206:The Kenny Everett Video Show 1032:is interpreted by some as a 872:(1981). Frank Mastropolo of 663:; Belew's eventual bandmate 457:In the second half of 1976, 7: 5121:. p. 2. Archived from 5091:– via Newspapers.com 5051:– via Newspapers.com 4975:– via Newspapers.com 4878:. 9 June 1979. p. 96. 2381: 1225:, Bowie's highest-charting 1156:Duffy/Bowie – Five Sessions 10: 8540: 7089:The Man Who Sold the World 6876:(1995). "David Bowie". In 6812:Greenwood Publishing Group 6640: 6628:: CS1 maint: url-status ( 5885:Erlewine, Stephen Thomas. 5164:(2004). "David Bowie". In 4904:Yamada, Paul (July 1979). 4207:. AllMusic. Archived from 3194:Dutch Albums (MegaCharts) 2923: – assistant engineer 2357:A New Career in a New Town 2111:In 2008, Chris Roberts of 1362:The Picture of Dorian Gray 1124:Bowie collaborated on the 1119: 671:. Much of Belew's work on 80:September 1978, March 1979 8433: 8334: 8241: 8208: 8104: 8058: 7963: 7889: 7873:Brilliant Live Adventures 7787: 7608: 7541: 7495: 7298: 7064: 7016: 6942:Little, Brown and Company 6858:. London: Jawbone Press. 6800:Perone, James E. (2007). 6332:"charts.nz David Bowie – 5417:"How to Buy: David Bowie" 5274:. No. 48. June 2006. 4558:, pp. 318, 224, 781. 3543:, pp. 278, 298, 302. 3284: 3273: 3253: 3238: 3227: 3224: 3201: 3193: 3179: 3171: 3131: 3097: 3082: 3070: 3058: 3046: 3034: 3022: 3010: 2996: 2984: 2972: 2940:Charts and certifications 2567: 2564: 2561: 2556: 2447: 2444: 2441: 2436: 2414:included two versions of 2221:named their 1996 single " 1756: 1753: 1672:(1990). While biographer 1386: 1383: 1094:", the song is about the 985:'s rhythm guitar work in 917:After the ominousness of 571:Isolar II world tour 541:'s classical composition 363:Isolar II world tour 318: 254: 243: 239: 202: 194: 175: 163: 147: 111: 84: 76: 61: 48: 39: 34: 8347:Angie Bowie (first wife) 8311:Symphony No. 12 "Lodger" 8021:Jump: Interactive CD-ROM 7845:Spying Through a Keyhole 7617:The World of David Bowie 7377:Live Nassau Coliseum '76 6778:The Complete David Bowie 6732:HarperCollins Publishers 6675:. London: Virgin Books. 6671:Buckley, David (2005) . 5722:, pp. 490–491, 493. 5415:Dolan, Jon (July 2006). 5324:(2011). "Bowie, David". 3853:Erlewine, Stephen Thomas 3391:, pp. 384–388, 489. 3303: 2223:Don't Look Back in Anger 1321:", his debut solo album 1132:with English pop artist 1086:. Like the instrumental 740:. Unlike the lyrics for 577:Recording and production 8304:Symphony No. 4 "Heroes" 7803:The Platinum Collection 6880:; Marks, Craig (eds.). 6832:Bowie: Loving the Alien 6749:O'Leary, Chris (2019). 6648:Buckley, David (1999). 5532:(subscription required) 5488:(subscription required) 5093:(subscription required) 5053:(subscription required) 4977:(subscription required) 4936:(subscription required) 4853:(subscription required) 4734:(subscription required) 4674:(subscription required) 4438:Official Charts Company 3587:Comes In From The Cold" 1739:Retrospective appraisal 1712:Encyclopædia Britannica 1666:(1983) rather than his 1327:, and its lead single " 1319:Are "Friends" Electric? 848:Stephen Thomas Erlewine 817:described the music on 271:Released: 27 April 1979 8132:Serious Moonlight Tour 7852:Clareville Grove Demos 7817:Five Years (1969–1973) 7687:The Singles Collection 7557:BBC Sessions 1969–1972 7201:The Buddha of Suburbia 7031:Awards and nominations 6916:Crown Publishing Group 6110:: CS1 maint: others ( 6036:. 1991. CDP 79 7724 2. 4546:, Partial Discography. 4388:"'Lodger' is 41 today" 3976:Carr & Murray 1981 2709: – ambient drone 2513: 2480:"African Night Flight" 2422:, the following year. 2317: 1669:The Godfather Part III 1324:The Pleasure Principle 1251: 1082: 803: 738:Despite Straight Lines 702: 636: 284:Released: 29 June 1979 8499:Virgin Records albums 8402:Heteropoda davidbowie 8276:Statue of David Bowie 8231:The Spiders from Mars 8081:Black Tie White Noise 8014:Black Tie White Noise 7986:Jazzin' for Blue Jean 7972:Love You till Tuesday 7564:Earthling in the City 7511:Love You till Tuesday 7349:Live Santa Monica '72 7194:Black Tie White Noise 6808:Westport, Connecticut 6696:Murray, Charles Shaar 6100:. 1979. RCA BOW LP 1. 5550:National Public Radio 3938:Ultimate Classic Rock 3351:Ultimate Classic Rock 3202:French Albums (SNEP) 2873: – synthesisers 2320:Reviewers criticised 2305: 2282:. The work is Glass' 1280:. He also notes that 1239: 1184:Release and promotion 1169:Lamentation of Christ 1072:, and put him in the 888:Ultimate Classic Rock 875:Ultimate Classic Rock 790: 682: 620: 533:television special (" 65:25 May 1979 8297:Symphony No. 1 "Low" 7680:Early On (1964–1966) 6468:. 22 December 1979. 6163:– austriancharts.at" 5816:"Revisiting Bowie's 5577:Entertainment Weekly 5365:Entertainment Weekly 5180:Simon & Schuster 5076:Tallahassee Democrat 3791:Miller Freeman Books 3760:Consequence of Sound 3728:Consequence of Sound 3047:New Zealand Albums ( 2831: – bass guitar 2721:; guitar treatments 2523:'Long Live') 2410:box set released by 2201:bands in the 1990s. 2104:magazine considered 2069:Entertainment Weekly 1909:Entertainment Weekly 1744:Professional ratings 1674:Christopher Sandford 1650:Charles Shaar Murray 1622:Influence and legacy 1374:Professional ratings 896:Middle Eastern music 814:Consequence of Sound 467:Château d'Hérouville 8221:The Thin White Duke 8112:Ziggy Stardust Tour 7898:The 1980 Floor Show 7859:The 'Mercury' Demos 7771:Nothing Has Changed 6527:on 21 February 2014 6207:on 24 February 2014 6074:cite AV media notes 6042:cite AV media notes 6010:cite AV media notes 5978:cite AV media notes 5925:cite AV media notes 5866:on 12 November 2020 5209:, pp. 234–235. 5036:New York Daily News 4906:"David Bowie: From 4712:"The Artful Lodger" 4652:"The Artful Lodger" 4505:, pp. 308–314. 4419:, pp. 309–310. 4362:, pp. 304–307. 4288:, pp. 304–305. 4264:, pp. 177–191. 4070:, pp. 354–361. 4037:, pp. 302–303. 3978:, pp. 102–107. 3785:Rule, Greg (1999). 3679:, pp. 302–304. 3643:, pp. 277–279. 3631:, pp. 335–356. 3562:, pp. 298–299. 3516:, pp. 394–396. 3459:, pp. 571–575. 3447:, pp. 660–661. 3406:, pp. 390–391. 3221: 3217:Certifications for 3160: 3118: 2973:Australian Albums ( 2959: 2898:David Bowie – 2717:and cricket menace 2553: 2433: 2262:symphonies, titled 2117:magazine felt that 1745: 1605:New York Daily News 1375: 935:All the Young Dudes 882:combines world and 8489:RCA Records albums 8484:EMI Records albums 8464:David Bowie albums 8352:Duncan Jones (son) 8049:The Next Day Extra 7866:Conversation Piece 7585:The Next Day Extra 7138:Station to Station 6975:(list of releases) 6911:Bowie: A Biography 6890:. pp. 55–57. 6704:Eel Pie Publishing 6277:on 7 November 2011 6004:. 1991. RCD 10146. 5826:. 22 August 2017. 5793:on 8 November 2020 4999:The New York Times 3216: 3155: 3113: 3103:Top LPs & Tape 3059:Norwegian Albums ( 2954: 2934:mastering engineer 2617:Boys Keep Swinging 2599:Look Back in Anger 2551: 2431: 2318: 2314:(pictured in 2007) 2089:Station to Station 1743: 1663:Return of the Jedi 1577:The New York Times 1373: 1369:Critical reception 1311:Top LPs & Tape 1252: 1248:(pictured in 1980) 1099:Turkish immigrants 707:Oblique Strategies 703: 699:Oblique Strategies 691:(pictured in 2008) 647:—returned for the 637: 633:(pictured in 2017) 544:Peter and the Wolf 428:Boys Keep Swinging 375:Oblique Strategies 305:Look Back in Anger 262:Boys Keep Swinging 8504:Parlophone albums 8451: 8450: 8409:342843 Davidbowie 8204: 8203: 8196:It's My Life Tour 8142:Sound+Vision Tour 8137:Glass Spider Tour 8117:Diamond Dogs Tour 7940:Reality: Tour Ed. 7912:Serious Moonlight 7722:Bowie at the Beeb 7638:The Best of Bowie 7599:Is It Any Wonder? 7491: 7490: 7363:Bowie at the Beeb 7294: 7293: 7187:Never Let Me Down 6951:978-0-31603-225-4 6940:. New York City: 6925:978-0-307-71699-6 6914:. New York City: 6897:978-0-679-75574-6 6865:978-1-90600-208-4 6846:978-0-306-80854-8 6821:978-0-27599-245-3 6792:978-1-78565-365-0 6764:978-1-91224-830-8 6741:978-0-06-202466-4 6730:. New York City: 6713:978-0-38077-966-6 6682:978-0-75351-002-5 6663:978-1-85227-784-0 6417:Sverigetopplistan 6317:978-4-87131-077-2 6144:978-0-646-11917-5 5955:978-1-44024-891-7 5786:Los Angeles Times 5685:Meiburg, Jonathan 5630:. 25 March 2018. 5552:. 31 March 2008. 5341:978-0-85712-595-8 5193:978-0-7432-0169-8 5125:on 24 August 2020 4867:"Top Album Picks" 4789:(9 August 1979). 4760:The Village Voice 4751:Christgau, Robert 4534:, pp. 68–69. 4350:, pp. 48–49. 4020:, pp. 88–89. 3837:, pp. 71–78. 3800:978-0-87930-582-6 3789:. San Francisco: 3300: 3299: 3293: 3292: 3288: 3209: 3208: 3180:Canadian Albums ( 3146: 3145: 3111: 3110: 3073:Sverigetopplistan 3035:Japanese Albums ( 2997:Canadian Albums ( 2985:Austrian Albums ( 2975:Kent Music Report 2864:; backing vocals 2853: – mandolin 2835:; backing vocals 2833:(all but track 8) 2822:; backing vocals 2801:; backing vocals 2780: – mandolin 2773:(1, 3–4, 7–8, 10) 2771:; backing vocals 2667: 2666: 2547: 2546: 2522: 2288:"Lodger" Symphony 2271:"Heroes" Symphony 2211:call-and-response 2058:Retrospectively, 2056: 2055: 1611:Chicago Sun-Times 1587:The Village Voice 1491: 1490: 1482:The Village Voice 1348:, as part of the 1046:domestic violence 1011:Lyrics and themes 968:Bowie said that " 827:experimental rock 734:Planned Accidents 667:played guitar on 547:, released as an 493:and the producer 465:relocated to the 390:experimental rock 341:and the producer 322: 321: 235: 234: 125:experimental rock 16:(Redirected from 8531: 8514:Avant-pop albums 8441: 8440: 8270:Phillip Jeffries 8191:Tin Machine Tour 8178: 8177: 8095:Moonage Daydream 8088:Sound and Vision 7954:Glastonbury 2000 7933:VH1 Storytellers 7666:Fame and Fashion 7624:Images 1966–1967 7532:Moonage Daydream 7461: 7460: 7405:Glastonbury 2000 7356:VH1 Storytellers 7328:Santa Monica '72 7264: 7263: 7003: 6996: 6989: 6980: 6979: 6955: 6929: 6901: 6869: 6850: 6825: 6796: 6768: 6745: 6717: 6686: 6667: 6634: 6633: 6627: 6619: 6617: 6615: 6600: 6594: 6593: 6591: 6589: 6575: 6569: 6561: 6559: 6557: 6543: 6537: 6536: 6534: 6532: 6526: 6514: 6508: 6507: 6505: 6503: 6488: 6482: 6481: 6479: 6477: 6458: 6452: 6442: 6433: 6432: 6430: 6428: 6414: 6402: 6396: 6395: 6393: 6391: 6377: 6365: 6359: 6358: 6356: 6354: 6340: 6328: 6322: 6321: 6296: 6290: 6286: 6284: 6282: 6276: 6264: 6258: 6257: 6255: 6253: 6235: 6223: 6217: 6216: 6214: 6212: 6206: 6188: 6182: 6181: 6179: 6177: 6167: 6155: 6149: 6148: 6125: 6116: 6115: 6109: 6101: 6090: 6084: 6083: 6077: 6069: 6058: 6052: 6051: 6045: 6037: 6026: 6020: 6019: 6013: 6005: 5994: 5988: 5987: 5981: 5973: 5966: 5960: 5959: 5941: 5935: 5934: 5928: 5920: 5913: 5907: 5906: 5904: 5902: 5882: 5876: 5875: 5873: 5871: 5862:. Archived from 5851: 5840: 5839: 5837: 5835: 5824:StevePafford.com 5812: 5803: 5802: 5800: 5798: 5789:. Archived from 5776: 5770: 5769: 5767: 5765: 5741: 5735: 5729: 5723: 5717: 5711: 5710: 5708: 5706: 5697:. Archived from 5681: 5675: 5674: 5672: 5670: 5650: 5644: 5643: 5641: 5639: 5620: 5614: 5613: 5611: 5609: 5587: 5581: 5580: 5572: 5566: 5565: 5563: 5561: 5542: 5536: 5535: 5533: 5529: 5527: 5504:(January 2003). 5498: 5492: 5491: 5489: 5485: 5483: 5457: 5451: 5445: 5439: 5438: 5436: 5434: 5412: 5403: 5402: 5388: 5382: 5381: 5379: 5377: 5355: 5346: 5345: 5318: 5312: 5311: 5309: 5307: 5288:(10 June 1990). 5282: 5276: 5275: 5261: 5255: 5254: 5252: 5250: 5228: 5222: 5216: 5210: 5204: 5198: 5197: 5170:Hoard, Christian 5166:Brackett, Nathan 5158: 5147: 5141: 5135: 5134: 5132: 5130: 5108: 5097: 5096: 5094: 5090: 5088: 5063: 5057: 5056: 5054: 5050: 5048: 5022: 5016: 5015: 5013: 5011: 4995: 4987: 4981: 4980: 4978: 4974: 4972: 4946: 4940: 4939: 4937: 4933: 4931: 4901: 4895: 4894: 4892: 4890: 4884: 4871: 4863: 4857: 4856: 4854: 4850: 4848: 4819: 4813: 4812: 4810: 4808: 4783: 4777: 4776: 4774: 4772: 4753:(30 July 1979). 4747: 4738: 4737: 4735: 4731: 4729: 4707: 4698: 4697: 4687: 4678: 4677: 4675: 4671: 4669: 4644: 4635: 4629: 4623: 4622: 4620: 4618: 4598: 4592: 4591: 4589: 4587: 4568: 4559: 4553: 4547: 4541: 4535: 4529: 4518: 4512: 4506: 4500: 4491: 4490: 4488: 4486: 4463: 4454: 4453: 4451: 4449: 4426: 4420: 4414: 4408: 4407: 4405: 4403: 4384: 4375: 4369: 4363: 4357: 4351: 4345: 4334: 4333: 4331: 4329: 4324:on 6 August 2021 4320:. Archived from 4307: 4301: 4295: 4289: 4283: 4277: 4271: 4265: 4259: 4250: 4244: 4238: 4232: 4221: 4220: 4218: 4216: 4200: 4194: 4193: 4191: 4189: 4163: 4152: 4146: 4140: 4134: 4125: 4119: 4108: 4102: 4071: 4065: 4038: 4032: 4021: 4015: 4006: 4000: 3991: 3985: 3979: 3973: 3954: 3953: 3951: 3949: 3944:on 18 April 2020 3940:. Archived from 3929: 3912: 3906: 3893: 3887: 3881: 3880: 3878: 3876: 3849: 3838: 3832: 3815: 3814: 3782: 3776: 3775: 3773: 3771: 3751: 3745: 3744: 3742: 3740: 3718: 3712: 3706: 3700: 3699: 3689: 3680: 3674: 3668: 3662: 3656: 3650: 3644: 3638: 3632: 3626: 3609: 3608: 3606: 3604: 3578: 3563: 3557: 3544: 3538: 3532: 3526: 3517: 3511: 3460: 3454: 3448: 3442: 3436: 3430: 3424: 3418: 3407: 3401: 3392: 3386: 3380: 3374: 3368: 3367: 3365: 3363: 3341: 3317: 3314: 3286: 3254:United Kingdom ( 3222: 3215: 3161: 3154: 3119: 3112: 3071:Swedish Albums ( 2960: 2953: 2945: 2917: – engineer 2888: 2876: 2867: 2863: 2856: 2847: 2838: 2834: 2825: 2821: 2817: 2813: 2804: 2800: 2796: 2787: 2783: 2774: 2770: 2766: 2762: 2750: 2743: 2739: 2728: 2724: 2720: 2712: 2703: 2699: 2692: 2688: 2660: 2559: 2554: 2550: 2520: 2517: 2458:Fantastic Voyage 2439: 2434: 2430: 2365: 2326: 2196: 2124: 2040: 2039: 2038: 2034: 2033: 2029: 2028: 2024: 2023: 2019: 2018: 2002: 2001: 2000: 1996: 1995: 1991: 1990: 1986: 1985: 1981: 1980: 1964: 1963: 1962: 1958: 1957: 1953: 1952: 1948: 1947: 1943: 1942: 1902: 1901: 1900: 1896: 1895: 1891: 1890: 1886: 1885: 1881: 1880: 1864: 1863: 1862: 1858: 1857: 1853: 1852: 1848: 1847: 1831: 1830: 1829: 1825: 1824: 1820: 1819: 1815: 1814: 1810: 1809: 1793: 1792: 1791: 1787: 1786: 1782: 1781: 1777: 1776: 1772: 1771: 1746: 1742: 1582:Robert Christgau 1570: 1475: 1474: 1473: 1469: 1468: 1464: 1463: 1459: 1458: 1454: 1453: 1425: 1424: 1423: 1419: 1418: 1414: 1413: 1409: 1408: 1404: 1403: 1376: 1372: 1286:the Human League 1231:Sound and Vision 1223:UK Singles Chart 1085: 807: 750: 591:Mountain Studios 539:Sergei Prokofiev 507: 311: 308: 307:" / "Repetition" 298: 295: 294:" / "Repetition" 285: 282: 281:" / "Repetition" 272: 269: 266:Fantastic Voyage 204: 203: 159: 158: 154: 72: 70: 44: 32: 31: 21: 8539: 8538: 8534: 8533: 8532: 8530: 8529: 8528: 8494:Rykodisc albums 8454: 8453: 8452: 8447: 8429: 8415:Tao Jones Index 8330: 8243: 8237: 8200: 8176: 8100: 8054: 7959: 7885: 7783: 7645:Changestwobowie 7631:Changesonebowie 7604: 7537: 7487: 7459: 7412:ChangesNowBowie 7335:LiveAndWell.com 7290: 7262: 7131:Young Americans 7060: 7012: 7007: 6963: 6958: 6952: 6926: 6898: 6866: 6847: 6822: 6793: 6765: 6742: 6714: 6683: 6664: 6643: 6638: 6637: 6621: 6620: 6613: 6611: 6601: 6597: 6587: 6585: 6577: 6576: 6572: 6555: 6553: 6545: 6544: 6540: 6530: 6528: 6524: 6516: 6515: 6511: 6501: 6499: 6490: 6489: 6485: 6475: 6473: 6460: 6459: 6455: 6449:UK Albums Chart 6443: 6436: 6426: 6424: 6412: 6404: 6403: 6399: 6389: 6387: 6375: 6367: 6366: 6362: 6352: 6350: 6338: 6330: 6329: 6325: 6318: 6298: 6297: 6293: 6280: 6278: 6274: 6266: 6265: 6261: 6251: 6249: 6233: 6225: 6224: 6220: 6210: 6208: 6204: 6190: 6189: 6185: 6175: 6173: 6165: 6159:"David Bowie – 6157: 6156: 6152: 6145: 6126: 6119: 6103: 6102: 6092: 6091: 6087: 6071: 6070: 6060: 6059: 6055: 6039: 6038: 6028: 6027: 6023: 6007: 6006: 5996: 5995: 5991: 5975: 5974: 5968: 5967: 5963: 5956: 5942: 5938: 5922: 5921: 5915: 5914: 5910: 5900: 5898: 5883: 5879: 5869: 5867: 5852: 5843: 5833: 5831: 5814: 5813: 5806: 5796: 5794: 5777: 5773: 5763: 5761: 5742: 5738: 5730: 5726: 5718: 5714: 5704: 5702: 5687:(13 May 2016). 5682: 5678: 5668: 5666: 5651: 5647: 5637: 5635: 5622: 5621: 5617: 5607: 5605: 5588: 5584: 5573: 5569: 5559: 5557: 5544: 5543: 5539: 5531: 5525: 5523: 5499: 5495: 5487: 5481: 5479: 5458: 5454: 5446: 5442: 5432: 5430: 5413: 5406: 5390: 5389: 5385: 5375: 5373: 5356: 5349: 5342: 5319: 5315: 5305: 5303: 5295:Chicago Tribune 5283: 5279: 5263: 5262: 5258: 5248: 5246: 5229: 5225: 5217: 5213: 5205: 5201: 5194: 5159: 5150: 5142: 5138: 5128: 5126: 5109: 5100: 5092: 5086: 5084: 5065: 5064: 5060: 5052: 5046: 5044: 5039:. p. 274. 5023: 5019: 5009: 5007: 4988: 4984: 4976: 4970: 4968: 4963:. p. 126. 4960:Chicago Tribune 4947: 4943: 4935: 4929: 4927: 4919:New York Rocker 4902: 4898: 4888: 4886: 4882: 4869: 4865: 4864: 4860: 4852: 4846: 4844: 4825:(26 May 1979). 4820: 4816: 4806: 4804: 4784: 4780: 4770: 4768: 4748: 4741: 4733: 4727: 4725: 4708: 4701: 4688: 4681: 4673: 4667: 4665: 4645: 4638: 4630: 4626: 4616: 4614: 4599: 4595: 4585: 4583: 4582:on 13 July 2017 4570: 4569: 4562: 4554: 4550: 4542: 4538: 4530: 4521: 4513: 4509: 4501: 4494: 4484: 4482: 4465: 4464: 4457: 4447: 4445: 4428: 4427: 4423: 4415: 4411: 4401: 4399: 4394:. 25 May 2020. 4386: 4385: 4378: 4370: 4366: 4358: 4354: 4346: 4337: 4327: 4325: 4308: 4304: 4296: 4292: 4284: 4280: 4272: 4268: 4260: 4253: 4245: 4241: 4233: 4224: 4214: 4212: 4201: 4197: 4187: 4185: 4164: 4155: 4147: 4143: 4135: 4128: 4120: 4111: 4103: 4074: 4066: 4041: 4033: 4024: 4016: 4009: 4001: 3994: 3986: 3982: 3974: 3957: 3947: 3945: 3930: 3915: 3907: 3896: 3888: 3884: 3874: 3872: 3850: 3841: 3833: 3818: 3801: 3793:. p. 233. 3783: 3779: 3769: 3767: 3752: 3748: 3738: 3736: 3719: 3715: 3707: 3703: 3690: 3683: 3675: 3671: 3663: 3659: 3651: 3647: 3639: 3635: 3627: 3612: 3602: 3600: 3579: 3566: 3558: 3547: 3539: 3535: 3527: 3520: 3512: 3463: 3455: 3451: 3443: 3439: 3431: 3427: 3419: 3410: 3402: 3395: 3387: 3383: 3375: 3371: 3361: 3359: 3342: 3331: 3326: 3321: 3320: 3315: 3311: 3306: 3301: 3232:Certified units 3214: 3153: 3151:Year-end charts 3126: 3023:French Albums ( 2967: 2952: 2942: 2886: 2874: 2865: 2861: 2854: 2845: 2836: 2832: 2823: 2819: 2815: 2811: 2802: 2798: 2794: 2793: – guitar 2785: 2781: 2772: 2768: 2764: 2760: 2748: 2741: 2737: 2726: 2725:; synthesisers 2722: 2718: 2710: 2701: 2697: 2690: 2686: 2673: 2668: 2658: 2548: 2428: 2420:digital formats 2384: 2363: 2324: 2300: 2260:classical music 2243:in early 2016. 2194: 2122: 2036: 2031: 2026: 2021: 1998: 1993: 1988: 1983: 1960: 1955: 1950: 1945: 1898: 1893: 1888: 1883: 1860: 1855: 1850: 1838:Chicago Tribune 1827: 1822: 1817: 1812: 1789: 1784: 1779: 1774: 1741: 1722:Remain in Light 1652:predicted that 1624: 1568: 1565:Chicago Tribune 1541:New York Rocker 1471: 1466: 1461: 1456: 1421: 1416: 1411: 1406: 1371: 1304:UK Albums Chart 1186: 1164:Andrea Mantegna 1122: 1013: 809: 805: 788: 748: 579: 505: 461:and his friend 455: 392:. It lacks the 314: 309: 302: 301: 296: 289: 288: 283: 276: 275: 270: 259: 258: 230: 221: 212: 156: 152: 151: 107: 104:(New York City) 68: 66: 57: 28: 23: 22: 15: 12: 11: 5: 8537: 8527: 8526: 8521: 8516: 8511: 8506: 8501: 8496: 8491: 8486: 8481: 8476: 8471: 8466: 8449: 8448: 8446: 8445: 8434: 8431: 8430: 8428: 8427: 8422: 8417: 8412: 8405: 8398: 8391: 8388:The Nomad Soul 8384: 8379: 8374: 8372:Berlin Trilogy 8369: 8364: 8359: 8354: 8349: 8344: 8338: 8336: 8332: 8331: 8329: 8328: 8321: 8314: 8307: 8300: 8293: 8286: 8279: 8272: 8267: 8262: 8259:David Bowie Is 8255: 8247: 8245: 8239: 8238: 8236: 8235: 8234: 8233: 8226:Ziggy Stardust 8223: 8218: 8212: 8210: 8206: 8205: 8202: 8201: 8199: 8198: 8193: 8187: 8185: 8175: 8174: 8172:A Reality Tour 8169: 8164: 8159: 8154: 8152:Earthling Tour 8149: 8144: 8139: 8134: 8129: 8124: 8119: 8114: 8108: 8106: 8102: 8101: 8099: 8098: 8091: 8084: 8077: 8070: 8062: 8060: 8056: 8055: 8053: 8052: 8045: 8038: 8031: 8024: 8017: 8010: 8003: 7996: 7993:Day-In Day-Out 7989: 7982: 7975: 7967: 7965: 7961: 7960: 7958: 7957: 7950: 7947:A Reality Tour 7943: 7936: 7929: 7922: 7915: 7908: 7901: 7893: 7891: 7890:Concert videos 7887: 7886: 7884: 7883: 7876: 7869: 7862: 7855: 7848: 7841: 7834: 7827: 7820: 7813: 7806: 7799: 7796:Sound + Vision 7791: 7789: 7785: 7784: 7782: 7781: 7774: 7767: 7760: 7753: 7750:The Collection 7746: 7739: 7732: 7725: 7718: 7711: 7704: 7697: 7694:Rarestonebowie 7690: 7683: 7676: 7669: 7662: 7655: 7648: 7641: 7634: 7627: 7620: 7612: 7610: 7606: 7605: 7603: 7602: 7595: 7588: 7581: 7574: 7567: 7560: 7553: 7545: 7543: 7539: 7538: 7536: 7535: 7528: 7521: 7514: 7507: 7499: 7497: 7493: 7492: 7489: 7488: 7486: 7485: 7478: 7470: 7468: 7458: 7457: 7450: 7443: 7436: 7429: 7422: 7415: 7408: 7401: 7394: 7387: 7380: 7373: 7370:A Reality Tour 7366: 7359: 7352: 7345: 7338: 7331: 7324: 7317: 7310: 7302: 7300: 7296: 7295: 7292: 7291: 7289: 7288: 7285:Tin Machine II 7281: 7273: 7271: 7261: 7260: 7253: 7246: 7239: 7232: 7225: 7218: 7211: 7204: 7197: 7190: 7183: 7176: 7169: 7162: 7155: 7148: 7141: 7134: 7127: 7120: 7113: 7106: 7099: 7092: 7085: 7077: 7068: 7066: 7062: 7061: 7059: 7058: 7056:Art collection 7053: 7048: 7043: 7038: 7033: 7028: 7023: 7017: 7014: 7013: 7006: 7005: 6998: 6991: 6983: 6977: 6976: 6962: 6961:External links 6959: 6957: 6956: 6950: 6930: 6924: 6902: 6896: 6878:Weisbard, Eric 6874:Sheffield, Rob 6870: 6864: 6851: 6845: 6826: 6820: 6797: 6791: 6773:Pegg, Nicholas 6769: 6763: 6746: 6740: 6722:Doggett, Peter 6718: 6712: 6688: 6681: 6668: 6662: 6644: 6642: 6639: 6636: 6635: 6595: 6570: 6538: 6509: 6483: 6453: 6434: 6415:(in Swedish). 6397: 6360: 6323: 6316: 6291: 6259: 6238:dutchcharts.nl 6218: 6183: 6150: 6143: 6117: 6085: 6053: 6021: 5989: 5961: 5954: 5936: 5908: 5891:– David Bowie" 5877: 5841: 5804: 5771: 5736: 5734:, p. 493. 5724: 5712: 5701:on 1 July 2016 5676: 5645: 5615: 5582: 5567: 5537: 5502:MacDonald, Ian 5493: 5462:"David Bowie: 5452: 5448:Sheffield 1995 5440: 5404: 5391:"David Bowie: 5383: 5347: 5340: 5313: 5277: 5264:"David Bowie: 5256: 5223: 5221:, p. 350. 5211: 5199: 5192: 5162:Sheffield, Rob 5148: 5146:, p. 348. 5136: 5098: 5067:"David Bowie: 5058: 5027:"David Bowie: 5017: 4982: 4951:"David Bowie: 4941: 4896: 4858: 4827:"David Bowie: 4814: 4778: 4739: 4699: 4679: 4650:(5 May 1979). 4636: 4634:, p. 170. 4624: 4593: 4560: 4548: 4536: 4519: 4517:, p. 296. 4507: 4492: 4471:Chart History" 4455: 4421: 4409: 4376: 4374:, p. 744. 4364: 4352: 4335: 4302: 4290: 4278: 4276:, p. 189. 4266: 4251: 4239: 4237:, p. 304. 4222: 4211:on 4 July 2019 4203:Raggett, Ned. 4195: 4168:"David Bowie: 4153: 4141: 4139:, p. 223. 4126: 4124:, p. 318. 4109: 4072: 4039: 4022: 4007: 4005:, p. 290. 3992: 3990:, p. 339. 3980: 3955: 3913: 3911:, p. 303. 3894: 3892:, p. 305. 3882: 3861:– David Bowie" 3839: 3816: 3799: 3787:Electro Shock! 3777: 3746: 3713: 3711:, p. 302. 3701: 3681: 3669: 3667:, p. 296. 3657: 3655:, p. 299. 3645: 3633: 3610: 3564: 3545: 3533: 3531:, p. 298. 3518: 3461: 3449: 3437: 3435:, p. 489. 3425: 3408: 3393: 3381: 3379:, p. 272. 3369: 3328: 3327: 3325: 3322: 3319: 3318: 3308: 3307: 3305: 3302: 3298: 3297: 3291: 3290: 3282: 3281: 3278: 3275: 3271: 3270: 3266: 3265: 3262: 3259: 3251: 3250: 3247: 3244: 3236: 3235: 3229: 3226: 3213: 3212:Certifications 3210: 3207: 3206: 3203: 3199: 3198: 3195: 3191: 3190: 3187: 3177: 3176: 3173: 3169: 3168: 3165: 3152: 3149: 3147: 3144: 3143: 3140: 3129: 3128: 3123: 3109: 3108: 3105: 3095: 3094: 3091: 3080: 3079: 3076: 3068: 3067: 3064: 3056: 3055: 3052: 3044: 3043: 3040: 3032: 3031: 3028: 3020: 3019: 3016: 3011:Dutch Albums ( 3008: 3007: 3004: 2994: 2993: 2990: 2982: 2981: 2978: 2970: 2969: 2964: 2951: 2948: 2943: 2941: 2938: 2937: 2936: 2927: 2924: 2921:Eugene Chaplin 2918: 2915:David Richards 2912: 2902: 2890: 2889: 2877: 2868: 2848: 2844: – piano 2839: 2826: 2818:; bass guitar 2812:(1, 4–6, 9–10) 2810: – drums 2805: 2788: 2786:(3, 5–6, 8–10) 2775: 2767:; bass guitar 2751: 2746:backing vocals 2715:prepared piano 2704: 2672: 2669: 2665: 2664: 2661: 2655: 2654: 2651: 2648: 2645: 2641: 2640: 2637: 2634: 2631: 2627: 2626: 2623: 2620: 2613: 2609: 2608: 2605: 2602: 2595: 2591: 2590: 2587: 2581: 2574: 2570: 2569: 2566: 2563: 2560: 2549: 2545: 2544: 2541: 2538: 2535: 2531: 2530: 2527: 2524: 2506: 2502: 2501: 2498: 2495: 2492: 2488: 2487: 2484: 2481: 2478: 2474: 2473: 2470: 2461: 2454: 2450: 2449: 2446: 2443: 2440: 2429: 2427: 2424: 2404:Virgin Records 2383: 2380: 2299: 2296: 2265:"Low" Symphony 2227:Noel Gallagher 2225:", written by 2182:Built to Spill 2072:. Writing for 2054: 2053: 2050: 2042: 2041: 2012: 2004: 2003: 1974: 1966: 1965: 1936: 1928: 1927: 1924: 1916: 1915: 1912: 1904: 1903: 1874: 1866: 1865: 1841: 1833: 1832: 1803: 1795: 1794: 1765: 1759: 1758: 1755: 1751: 1750: 1740: 1737: 1703:Spandau Ballet 1623: 1620: 1546:easy-listening 1489: 1488: 1485: 1477: 1476: 1447: 1439: 1438: 1435: 1427: 1426: 1397: 1389: 1388: 1385: 1381: 1380: 1370: 1367: 1185: 1182: 1121: 1118: 1110:Elvis Costello 1096:discrimination 1012: 1009: 884:new wave music 789: 787: 784: 711:fortune cookie 693:. Compared to 581:Recording for 578: 575: 553:David Hemmings 499:Berlin Trilogy 454: 451: 410:new wave music 347:Berlin Trilogy 320: 319: 316: 315: 313: 312: 299: 286: 273: 255: 252: 251: 241: 240: 237: 236: 233: 232: 223: 214: 200: 199: 192: 191: 190: 189: 184: 179: 173: 172: 167: 161: 160: 149: 145: 144: 143: 142: 137: 132: 127: 122: 115: 109: 108: 106: 105: 99: 98:, Switzerland) 88: 86: 82: 81: 78: 74: 73: 63: 59: 58: 53: 46: 45: 37: 36: 26: 9: 6: 4: 3: 2: 8536: 8525: 8522: 8520: 8517: 8515: 8512: 8510: 8507: 8505: 8502: 8500: 8497: 8495: 8492: 8490: 8487: 8485: 8482: 8480: 8477: 8475: 8472: 8470: 8467: 8465: 8462: 8461: 8459: 8444: 8436: 8435: 8432: 8426: 8423: 8421: 8418: 8416: 8413: 8411: 8410: 8406: 8404: 8403: 8399: 8397: 8396: 8392: 8390: 8389: 8385: 8383: 8380: 8378: 8375: 8373: 8370: 8368: 8365: 8363: 8362:Junior's Eyes 8360: 8358: 8355: 8353: 8350: 8348: 8345: 8343: 8340: 8339: 8337: 8333: 8327: 8326: 8322: 8320: 8319: 8315: 8313: 8312: 8308: 8306: 8305: 8301: 8299: 8298: 8294: 8292: 8291: 8287: 8285: 8284: 8280: 8278: 8277: 8273: 8271: 8268: 8266: 8263: 8261: 8260: 8256: 8253: 8249: 8248: 8246: 8240: 8232: 8229: 8228: 8227: 8224: 8222: 8219: 8217: 8214: 8213: 8211: 8207: 8197: 8194: 8192: 8189: 8188: 8186: 8184: 8179: 8173: 8170: 8168: 8165: 8163: 8160: 8158: 8155: 8153: 8150: 8148: 8145: 8143: 8140: 8138: 8135: 8133: 8130: 8128: 8125: 8123: 8120: 8118: 8115: 8113: 8110: 8109: 8107: 8103: 8097: 8096: 8092: 8090: 8089: 8085: 8083: 8082: 8078: 8076: 8075: 8071: 8069: 8068: 8067:Cracked Actor 8064: 8063: 8061: 8059:Documentaries 8057: 8051: 8050: 8046: 8044: 8043: 8039: 8037: 8036: 8032: 8030: 8029: 8028:Best of Bowie 8025: 8023: 8022: 8018: 8016: 8015: 8011: 8009: 8008: 8004: 8002: 8001: 7997: 7995: 7994: 7990: 7988: 7987: 7983: 7981: 7980: 7976: 7974: 7973: 7969: 7968: 7966: 7962: 7956: 7955: 7951: 7949: 7948: 7944: 7942: 7941: 7937: 7935: 7934: 7930: 7928: 7927: 7923: 7921: 7920: 7916: 7914: 7913: 7909: 7907: 7906: 7902: 7900: 7899: 7895: 7894: 7892: 7888: 7882: 7881: 7877: 7875: 7874: 7870: 7868: 7867: 7863: 7861: 7860: 7856: 7854: 7853: 7849: 7847: 7846: 7842: 7840: 7839: 7835: 7833: 7832: 7828: 7826: 7825: 7821: 7819: 7818: 7814: 7812: 7811: 7807: 7805: 7804: 7800: 7798: 7797: 7793: 7792: 7790: 7786: 7780: 7779: 7775: 7773: 7772: 7768: 7766: 7765: 7761: 7759: 7758: 7754: 7752: 7751: 7747: 7745: 7744: 7740: 7738: 7737: 7736:Best of Bowie 7733: 7731: 7730: 7726: 7724: 7723: 7719: 7717: 7716: 7712: 7710: 7709: 7705: 7703: 7702: 7698: 7696: 7695: 7691: 7689: 7688: 7684: 7682: 7681: 7677: 7675: 7674: 7670: 7668: 7667: 7663: 7661: 7660: 7656: 7654: 7653: 7649: 7647: 7646: 7642: 7640: 7639: 7635: 7633: 7632: 7628: 7626: 7625: 7621: 7619: 7618: 7614: 7613: 7611: 7607: 7601: 7600: 7596: 7594: 7593: 7589: 7587: 7586: 7582: 7580: 7579: 7575: 7573: 7572: 7568: 7566: 7565: 7561: 7559: 7558: 7554: 7552: 7551: 7547: 7546: 7544: 7540: 7534: 7533: 7529: 7527: 7526: 7522: 7520: 7519: 7515: 7513: 7512: 7508: 7506: 7505: 7504:Christiane F. 7501: 7500: 7498: 7494: 7484: 7483: 7479: 7477: 7476: 7472: 7471: 7469: 7467: 7462: 7456: 7455: 7451: 7449: 7448: 7444: 7442: 7441: 7437: 7435: 7434: 7430: 7428: 7427: 7423: 7421: 7420: 7416: 7414: 7413: 7409: 7407: 7406: 7402: 7400: 7399: 7395: 7393: 7392: 7388: 7386: 7385: 7381: 7379: 7378: 7374: 7372: 7371: 7367: 7365: 7364: 7360: 7358: 7357: 7353: 7351: 7350: 7346: 7344: 7343: 7339: 7337: 7336: 7332: 7330: 7329: 7325: 7323: 7322: 7318: 7316: 7315: 7311: 7309: 7308: 7304: 7303: 7301: 7297: 7287: 7286: 7282: 7280: 7279: 7275: 7274: 7272: 7270: 7265: 7259: 7258: 7254: 7252: 7251: 7247: 7245: 7244: 7240: 7238: 7237: 7233: 7231: 7230: 7226: 7224: 7223: 7219: 7217: 7216: 7212: 7210: 7209: 7205: 7203: 7202: 7198: 7196: 7195: 7191: 7189: 7188: 7184: 7182: 7181: 7177: 7175: 7174: 7170: 7168: 7167: 7163: 7161: 7160: 7156: 7154: 7153: 7149: 7147: 7146: 7142: 7140: 7139: 7135: 7133: 7132: 7128: 7126: 7125: 7121: 7119: 7118: 7114: 7112: 7111: 7107: 7105: 7104: 7100: 7098: 7097: 7093: 7091: 7090: 7086: 7084: 7082: 7078: 7076: 7074: 7070: 7069: 7067: 7065:Studio albums 7063: 7057: 7054: 7052: 7049: 7047: 7044: 7042: 7039: 7037: 7034: 7032: 7029: 7027: 7024: 7022: 7019: 7018: 7015: 7011: 7004: 6999: 6997: 6992: 6990: 6985: 6984: 6981: 6974: 6970: 6969: 6965: 6964: 6953: 6947: 6943: 6939: 6935: 6931: 6927: 6921: 6917: 6913: 6912: 6907: 6903: 6899: 6893: 6889: 6888:Vintage Books 6885: 6884: 6879: 6875: 6871: 6867: 6861: 6857: 6852: 6848: 6842: 6838: 6837:Da Capo Press 6834: 6833: 6827: 6823: 6817: 6813: 6809: 6805: 6804: 6798: 6794: 6788: 6784: 6780: 6779: 6774: 6770: 6766: 6760: 6756: 6752: 6747: 6743: 6737: 6733: 6729: 6728: 6723: 6719: 6715: 6709: 6705: 6701: 6697: 6693: 6689: 6684: 6678: 6674: 6669: 6665: 6659: 6655: 6651: 6646: 6645: 6631: 6625: 6610: 6606: 6599: 6584: 6580: 6574: 6568: 6564: 6552: 6548: 6542: 6523: 6519: 6513: 6497: 6493: 6487: 6471: 6467: 6463: 6457: 6450: 6446: 6441: 6439: 6422: 6418: 6411: 6409: 6401: 6385: 6381: 6374: 6372: 6364: 6348: 6344: 6337: 6335: 6327: 6319: 6313: 6309: 6305: 6301: 6295: 6289: 6273: 6269: 6263: 6247: 6243: 6239: 6232: 6230: 6222: 6203: 6199: 6198: 6193: 6187: 6171: 6164: 6162: 6154: 6146: 6140: 6136: 6135: 6130: 6124: 6122: 6113: 6107: 6099: 6095: 6089: 6081: 6075: 6067: 6063: 6057: 6049: 6043: 6035: 6031: 6025: 6017: 6011: 6003: 5999: 5993: 5985: 5979: 5971: 5965: 5957: 5951: 5947: 5940: 5932: 5926: 5918: 5912: 5896: 5892: 5890: 5881: 5865: 5861: 5860:Rolling Stone 5857: 5850: 5848: 5846: 5829: 5825: 5821: 5819: 5811: 5809: 5792: 5788: 5787: 5782: 5775: 5759: 5755: 5751: 5749: 5740: 5733: 5728: 5721: 5716: 5700: 5696: 5695: 5694:The A.V. Club 5690: 5686: 5680: 5664: 5660: 5656: 5649: 5633: 5629: 5628:Rolling Stone 5625: 5619: 5603: 5599: 5598: 5593: 5586: 5578: 5571: 5555: 5551: 5547: 5541: 5521: 5517: 5516: 5511: 5509: 5503: 5497: 5477: 5473: 5472: 5467: 5465: 5456: 5450:, p. 55. 5449: 5444: 5428: 5424: 5423: 5418: 5411: 5409: 5400: 5399: 5394: 5387: 5371: 5367: 5366: 5361: 5354: 5352: 5343: 5337: 5333: 5332:Omnibus Press 5329: 5328: 5323: 5322:Larkin, Colin 5317: 5301: 5297: 5296: 5291: 5287: 5281: 5273: 5272: 5267: 5260: 5244: 5240: 5239: 5234: 5231:Carson, Tom. 5227: 5220: 5215: 5208: 5207:Seabrook 2008 5203: 5195: 5189: 5185: 5181: 5177: 5176: 5171: 5167: 5163: 5157: 5155: 5153: 5145: 5140: 5124: 5120: 5119: 5114: 5107: 5105: 5103: 5082: 5078: 5077: 5072: 5070: 5062: 5042: 5038: 5037: 5032: 5030: 5021: 5005: 5001: 5000: 4994: 4986: 4966: 4962: 4961: 4956: 4954: 4945: 4925: 4921: 4920: 4915: 4913: 4909: 4900: 4881: 4877: 4876: 4868: 4862: 4842: 4838: 4837: 4832: 4830: 4824: 4818: 4802: 4798: 4797: 4796:Rolling Stone 4792: 4788: 4787:Marcus, Greil 4782: 4766: 4762: 4761: 4756: 4752: 4746: 4744: 4723: 4719: 4718: 4713: 4706: 4704: 4695: 4694: 4686: 4684: 4663: 4659: 4658: 4657:Record Mirror 4653: 4649: 4643: 4641: 4633: 4628: 4612: 4608: 4604: 4597: 4581: 4577: 4573: 4567: 4565: 4557: 4552: 4545: 4540: 4533: 4528: 4526: 4524: 4516: 4511: 4504: 4499: 4497: 4480: 4476: 4472: 4470: 4462: 4460: 4443: 4439: 4435: 4433: 4425: 4418: 4413: 4397: 4393: 4389: 4383: 4381: 4373: 4368: 4361: 4356: 4349: 4344: 4342: 4340: 4323: 4319: 4318: 4317:Baltimore Sun 4313: 4306: 4300:, p. 48. 4299: 4294: 4287: 4282: 4275: 4270: 4263: 4262:Sandford 1997 4258: 4256: 4249:, p. 34. 4248: 4243: 4236: 4231: 4229: 4227: 4210: 4206: 4199: 4183: 4179: 4178: 4173: 4171: 4162: 4160: 4158: 4151:, p. 68. 4150: 4145: 4138: 4133: 4131: 4123: 4118: 4116: 4114: 4106: 4101: 4099: 4097: 4095: 4093: 4091: 4089: 4087: 4085: 4083: 4081: 4079: 4077: 4069: 4064: 4062: 4060: 4058: 4056: 4054: 4052: 4050: 4048: 4046: 4044: 4036: 4031: 4029: 4027: 4019: 4014: 4012: 4004: 3999: 3997: 3989: 3984: 3977: 3972: 3970: 3968: 3966: 3964: 3962: 3960: 3943: 3939: 3935: 3928: 3926: 3924: 3922: 3920: 3918: 3910: 3905: 3903: 3901: 3899: 3891: 3886: 3870: 3866: 3862: 3860: 3854: 3848: 3846: 3844: 3836: 3831: 3829: 3827: 3825: 3823: 3821: 3813: 3811: 3807: 3802: 3796: 3792: 3788: 3781: 3765: 3762:. p. 6. 3761: 3757: 3750: 3734: 3730: 3729: 3724: 3717: 3710: 3705: 3697: 3696: 3688: 3686: 3678: 3673: 3666: 3661: 3654: 3649: 3642: 3637: 3630: 3625: 3623: 3621: 3619: 3617: 3615: 3598: 3594: 3593: 3588: 3586: 3577: 3575: 3573: 3571: 3569: 3561: 3556: 3554: 3552: 3550: 3542: 3537: 3530: 3525: 3523: 3515: 3510: 3508: 3506: 3504: 3502: 3500: 3498: 3496: 3494: 3492: 3490: 3488: 3486: 3484: 3482: 3480: 3478: 3476: 3474: 3472: 3470: 3468: 3466: 3458: 3453: 3446: 3441: 3434: 3429: 3422: 3417: 3415: 3413: 3405: 3400: 3398: 3390: 3385: 3378: 3373: 3357: 3353: 3352: 3347: 3340: 3338: 3336: 3334: 3329: 3313: 3309: 3296: 3289: 3283: 3279: 3272: 3267: 3263: 3260: 3257: 3252: 3248: 3245: 3242: 3239:Netherlands ( 3237: 3233: 3228:Certification 3223: 3220: 3204: 3200: 3196: 3192: 3188: 3185: 3184: 3178: 3174: 3170: 3166: 3164:Chart (1979) 3163: 3162: 3159: 3148: 3138: 3134: 3130: 3124: 3122:Chart (2016) 3121: 3120: 3117: 3106: 3104: 3102: 3096: 3089: 3085: 3081: 3077: 3074: 3069: 3065: 3062: 3057: 3053: 3050: 3045: 3041: 3038: 3033: 3029: 3026: 3021: 3017: 3014: 3009: 3005: 3002: 3001: 2995: 2991: 2988: 2983: 2979: 2976: 2971: 2965: 2963:Chart (1979) 2962: 2961: 2958: 2950:Weekly charts 2947: 2946: 2935: 2931: 2928: 2925: 2922: 2919: 2916: 2913: 2911: 2907: 2903: 2901: 2897: 2896: 2895: 2894: 2885: 2881: 2880:Stan Harrison 2878: 2872: 2869: 2860: 2852: 2849: 2843: 2840: 2830: 2829:George Murray 2827: 2814:; percussion 2809: 2806: 2792: 2791:Carlos Alomar 2789: 2779: 2776: 2759: 2755: 2754:Tony Visconti 2752: 2747: 2736: 2732: 2731:horse trumpet 2716: 2708: 2705: 2696: 2685: 2681: 2678: 2677: 2676: 2662: 2659:Total length: 2656: 2652: 2650:Bowie, Alomar 2649: 2646: 2642: 2638: 2635: 2632: 2628: 2624: 2621: 2618: 2614: 2610: 2606: 2603: 2600: 2596: 2592: 2588: 2586: 2585:Carlos Alomar 2582: 2579: 2575: 2571: 2555: 2542: 2539: 2536: 2532: 2528: 2525: 2515: 2511: 2507: 2503: 2499: 2496: 2493: 2489: 2485: 2482: 2479: 2475: 2471: 2469: 2465: 2462: 2459: 2455: 2451: 2435: 2426:Track listing 2423: 2421: 2417: 2413: 2409: 2405: 2401: 2397: 2393: 2388: 2379: 2377: 2372: 2371: 2362: 2361:Rolling Stone 2358: 2354: 2350: 2349: 2343: 2341: 2340: 2335: 2330: 2323: 2315: 2312: 2311:Tony Visconti 2308: 2304: 2295: 2293: 2289: 2285: 2284:12th Symphony 2281: 2277: 2273: 2272: 2267: 2266: 2261: 2257: 2253: 2249: 2244: 2242: 2241:Bowie's death 2238: 2237: 2236:The A.V. Club 2232: 2228: 2224: 2220: 2216: 2212: 2208: 2204: 2200: 2193: 2189: 2188: 2183: 2179: 2175: 2171: 2167: 2163: 2159: 2156: 2151: 2147: 2146: 2141: 2137: 2134:of rock like 2132: 2131:Ian MacDonald 2128: 2120: 2116: 2115: 2109: 2107: 2103: 2102: 2097: 2096: 2091: 2090: 2085: 2081: 2080:Rob Sheffield 2077: 2076: 2071: 2070: 2065: 2061: 2051: 2049: 2048: 2044: 2043: 2013: 2011: 2010: 2006: 2005: 1975: 1973: 1972: 1968: 1967: 1937: 1935: 1934: 1930: 1929: 1925: 1923: 1922: 1918: 1917: 1913: 1911: 1910: 1906: 1905: 1875: 1873: 1872: 1868: 1867: 1842: 1840: 1839: 1835: 1834: 1804: 1802: 1801: 1797: 1796: 1766: 1764: 1761: 1760: 1752: 1749:Review scores 1747: 1736: 1734: 1733: 1728: 1724: 1723: 1718: 1715:. Biographer 1714: 1713: 1708: 1704: 1699: 1695: 1691: 1687: 1682: 1679: 1675: 1671: 1670: 1665: 1664: 1659: 1655: 1651: 1647: 1643: 1642: 1637: 1633: 1629: 1619: 1617: 1613: 1612: 1607: 1606: 1600: 1599: 1598:Record Mirror 1594: 1589: 1588: 1583: 1579: 1578: 1572: 1567: 1566: 1561: 1557: 1556: 1551: 1547: 1543: 1542: 1537: 1532: 1531: 1526: 1525: 1520: 1519: 1514: 1510: 1506: 1505: 1504:Rolling Stone 1500: 1496: 1486: 1484: 1483: 1479: 1478: 1448: 1446: 1445: 1441: 1440: 1436: 1434: 1433: 1429: 1428: 1398: 1396: 1395: 1394:Record Mirror 1391: 1390: 1382: 1379:Review scores 1377: 1366: 1364: 1363: 1358: 1353: 1352: 1347: 1343: 1338: 1336: 1335: 1330: 1326: 1325: 1320: 1316: 1312: 1310: 1305: 1301: 1297: 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1267: 1266: 1261: 1257: 1249: 1246: 1242: 1238: 1234: 1232: 1228: 1224: 1220: 1216: 1212: 1208: 1207: 1202: 1198: 1194: 1191:released the 1190: 1181: 1179: 1175: 1171: 1170: 1165: 1161: 1157: 1153: 1149: 1145: 1141: 1140: 1135: 1134:Derek Boshier 1131: 1127: 1117: 1115: 1111: 1107: 1102: 1100: 1097: 1093: 1089: 1084: 1079: 1075: 1071: 1067: 1063: 1059: 1055: 1049: 1047: 1043: 1039: 1035: 1034:concept album 1031: 1026: 1022: 1018: 1008: 1006: 1002: 998: 994: 993: 988: 984: 979: 978:Talking Heads 975: 971: 966: 964: 960: 956: 952: 951:Turkish music 948: 944: 940: 936: 932: 928: 927:Peter Doggett 924: 920: 915: 913: 909: 905: 901: 897: 893: 889: 885: 881: 877: 876: 871: 870: 865: 861: 857: 853: 849: 845: 841: 836: 832: 828: 824: 820: 816: 815: 808: 802: 799: 795: 786:Musical style 783: 781: 775: 773: 769: 765: 761: 757: 752: 747: 743: 739: 735: 730: 729:Nicholas Pegg 726: 722: 718: 717: 712: 708: 700: 696: 692: 689: 685: 681: 677: 674: 670: 666: 662: 658: 654: 650: 646: 645:George Murray 642: 634: 631: 627: 623: 619: 615: 613: 609: 608:Carlos Alomar 605: 600: 596: 592: 588: 584: 574: 572: 568: 564: 561:, and toured 560: 559: 558:Just a Gigolo 554: 550: 546: 545: 540: 536: 532: 531: 526: 522: 521: 515: 513: 512: 511:Lust for Life 504: 500: 496: 495:Tony Visconti 492: 488: 487: 482: 481: 476: 472: 468: 464: 460: 450: 448: 447: 442: 437: 433: 429: 425: 421: 417: 415: 414:Derek Boshier 411: 407: 403: 399: 395: 391: 387: 383: 380:The music on 378: 376: 372: 368: 364: 360: 359: 354: 353: 348: 344: 343:Tony Visconti 340: 336: 332: 328: 327: 317: 306: 300: 293: 287: 280: 274: 267: 263: 257: 256: 253: 250: 246: 242: 238: 229: 228: 224: 220: 219: 215: 211: 210: 206: 205: 201: 197: 193: 188: 187:Tony Visconti 185: 182: 181: 180: 178: 174: 171: 168: 166: 162: 150: 146: 141: 138: 136: 133: 131: 128: 126: 123: 121: 118: 117: 116: 114: 110: 103: 100: 97: 93: 90: 89: 87: 83: 79: 75: 64: 60: 56: 51: 47: 43: 38: 33: 30: 19: 8407: 8400: 8393: 8386: 8377:Arnold Corns 8367:BBC Sessions 8323: 8316: 8309: 8302: 8295: 8288: 8281: 8274: 8257: 8167:Heathen Tour 8147:Outside Tour 8093: 8086: 8079: 8072: 8065: 8047: 8040: 8033: 8026: 8019: 8012: 8005: 7998: 7991: 7984: 7977: 7970: 7964:Video albums 7952: 7945: 7938: 7931: 7924: 7919:Glass Spider 7917: 7910: 7903: 7896: 7878: 7871: 7864: 7857: 7850: 7843: 7836: 7829: 7822: 7815: 7808: 7801: 7794: 7776: 7769: 7762: 7755: 7748: 7741: 7734: 7727: 7720: 7713: 7706: 7699: 7692: 7685: 7678: 7673:Changesbowie 7671: 7664: 7659:Golden Years 7657: 7650: 7643: 7636: 7629: 7622: 7615: 7609:Compilations 7597: 7590: 7583: 7578:Space Oddity 7576: 7569: 7562: 7555: 7548: 7530: 7523: 7516: 7509: 7502: 7480: 7473: 7452: 7445: 7438: 7431: 7424: 7417: 7410: 7403: 7396: 7389: 7382: 7375: 7368: 7361: 7354: 7347: 7342:Glass Spider 7340: 7333: 7326: 7319: 7312: 7305: 7283: 7276: 7255: 7248: 7243:The Next Day 7241: 7234: 7227: 7220: 7213: 7206: 7199: 7192: 7185: 7178: 7171: 7164: 7158: 7157: 7150: 7143: 7136: 7129: 7124:Diamond Dogs 7122: 7115: 7110:Aladdin Sane 7108: 7101: 7094: 7087: 7080: 7072: 7046:Band members 6966: 6937: 6934:Trynka, Paul 6909: 6882: 6855: 6831: 6802: 6777: 6750: 6726: 6699: 6672: 6654:Virgin Books 6649: 6612:. Retrieved 6608: 6598: 6586:. Retrieved 6573: 6566: 6562: 6554:. Retrieved 6549:(in Dutch). 6541: 6529:. Retrieved 6522:the original 6512: 6500:. Retrieved 6486: 6474:. Retrieved 6465: 6456: 6425:. Retrieved 6407: 6400: 6388:. Retrieved 6370: 6363: 6351:. Retrieved 6333: 6326: 6299: 6294: 6287: 6279:. Retrieved 6272:the original 6262: 6250:. Retrieved 6240:(in Dutch). 6237: 6228: 6221: 6209:. Retrieved 6202:the original 6195: 6186: 6174:. Retrieved 6160: 6153: 6132: 6093: 6088: 6061: 6056: 6029: 6024: 5997: 5992: 5969: 5964: 5945: 5939: 5916: 5911: 5899:. Retrieved 5893:. AllMusic. 5888: 5880: 5868:. Retrieved 5864:the original 5859: 5834:29 September 5832:. Retrieved 5823: 5817: 5795:. Retrieved 5791:the original 5784: 5774: 5762:. Retrieved 5754:The Guardian 5753: 5747: 5739: 5727: 5715: 5703:. Retrieved 5699:the original 5692: 5679: 5667:. Retrieved 5659:Culture Trip 5658: 5648: 5638:19 September 5636:. Retrieved 5627: 5618: 5606:. 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Retrieved 3349: 3312: 3294: 3285: 3218: 3181: 3157: 3115: 3100: 2998: 2956: 2892: 2891: 2871:Roger Powell 2808:Dennis Davis 2778:Adrian Belew 2674: 2633:"Repetition" 2583:Bowie, Eno, 2512:" (Turkish: 2415: 2407: 2400:bonus tracks 2386: 2385: 2375: 2368: 2360: 2356: 2352: 2346: 2344: 2339:The Next Day 2337: 2333: 2321: 2319: 2313: 2306: 2291: 2287: 2279: 2275: 2270: 2264: 2255: 2251: 2248:Philip Glass 2245: 2234: 2215:Damon Albarn 2191: 2185: 2173: 2160: 2154: 2149: 2143: 2139: 2135: 2126: 2118: 2112: 2110: 2105: 2099: 2095:Aladdin Sane 2093: 2087: 2083: 2073: 2067: 2063: 2059: 2057: 2045: 2007: 1969: 1931: 1919: 1907: 1869: 1836: 1798: 1730: 1720: 1710: 1706: 1697: 1693: 1689: 1685: 1683: 1677: 1667: 1661: 1657: 1653: 1639: 1635: 1634:states that 1627: 1625: 1615: 1609: 1603: 1596: 1585: 1575: 1573: 1563: 1559: 1553: 1549: 1539: 1535: 1528: 1522: 1518:Melody Maker 1516: 1508: 1502: 1499:Greil Marcus 1494: 1492: 1480: 1442: 1430: 1392: 1360: 1349: 1345: 1342:Earl's Court 1339: 1332: 1322: 1315:Tubeway Army 1308: 1299: 1298: 1282:music videos 1265:Space Oddity 1263: 1259: 1255: 1253: 1247: 1240: 1219:Star Special 1218: 1211:David Mallet 1204: 1196: 1187: 1167: 1166:'s painting 1155: 1148:Egon Schiele 1137: 1129: 1126:cover design 1123: 1103: 1087: 1066:German music 1062:Duncan Jones 1053: 1050: 1029: 1024: 1020: 1016: 1014: 1004: 990: 967: 922: 918: 916: 911: 907: 902:, world and 891: 887: 879: 873: 867: 839: 818: 812: 810: 804: 797: 793: 791: 776: 771: 767: 763: 759: 755: 753: 745: 741: 737: 733: 720: 714: 704: 694: 690: 683: 672: 668: 665:Robert Fripp 657:Adrian Belew 653:King Crimson 648: 641:Dennis Davis 638: 632: 630:Adrian Belew 626:King Crimson 621: 599:Record Plant 586: 582: 580: 566: 562: 556: 542: 528: 518: 516: 509: 502: 484: 478: 456: 444: 436:David Mallet 434:directed by 432:Music videos 419: 418: 384:is based in 381: 379: 371:Adrian Belew 367:King Crimson 356: 350: 349:, following 325: 324: 323: 248: 225: 217: 216: 207: 102:Record Plant 50:Studio album 29: 8474:1979 albums 8425:Bowie Bonds 8342:Iman (wife) 8242:In popular 8183:Tin Machine 8000:Tin Machine 7810:David Bowie 7496:Soundtracks 7466:Tin Machine 7299:Live albums 7278:Tin Machine 7269:Tin Machine 7173:Let's Dance 7081:David Bowie 7073:David Bowie 7041:Videography 7036:Filmography 7021:Discography 7010:David Bowie 6906:Spitz, Marc 6783:Titan Books 6129:Kent, David 6098:RCA Records 5901:12 December 5797:28 November 5306:11 November 5249:7 September 5219:Trynka 2011 5182:. pp.  5144:Trynka 2011 5087:30 December 5047:30 December 4971:30 December 4823:Savage, Jon 4586:21 February 4402:29 November 4215:30 November 3948:30 November 3835:Perone 2007 3592:The Quietus 2851:Simon House 2846:(1–3, 5, 7) 2795:(2–7, 9–10) 2735:eroica horn 2684:synthesiser 2680:David Bowie 2647:"Red Money" 2537:"Red Sails" 2464:David Bowie 2327:s original 2190:. A few of 2162:Electronica 2064:Let's Dance 1725:(1980) and 1632:Paul Trynka 1357:Oscar Wilde 1254:RCA issued 1193:lead single 1189:RCA Records 1162:'s corpse, 1160:Che Guevara 1144:Brian Duffy 1139:Let's Dance 1114:Radio Radio 1106:disc jockey 1070:Errol Flynn 1042:nuclear war 1001:garage rock 992:The Quietus 987:the Beatles 983:John Lennon 943:Simon House 878:wrote that 864:David Byrne 860:world music 856:avant-garde 661:Frank Zappa 604:Berlin Wall 525:Bing Crosby 475:Los Angeles 459:David Bowie 335:RCA Records 331:David Bowie 196:David Bowie 183:David Bowie 55:David Bowie 8458:Categories 8382:Ava Cherry 8209:Characters 8157:Hours Tour 7743:Club Bowie 7729:All Saints 7307:David Live 7096:Hunky Dory 6835:. London: 6753:. London: 6702:. London: 6652:. 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Index

Repetition (David Bowie song)
Two crooked legs appear from the left with a post card reading "David Bowie" and "Lodger" on the right.
Studio album
David Bowie
Mountain
Montreux
Record Plant
Genre
Art rock
experimental rock
avant-pop
world
new wave
Label
RCA
Producer
Tony Visconti
David Bowie
Stage
Scary Monsters (and Super Creeps)
Singles
Boys Keep Swinging
Fantastic Voyage
D.J.
Yassassin
Look Back in Anger
David Bowie
RCA Records
Brian Eno
Tony Visconti

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