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In 1917 Andreini returned to Italy to once again join the roster of singers at the Teatro
Costanzi in Rome. Roles he sang in Rome over the next two seasons included Dick Johnson in Puccini's
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operas of
Leoncavallo, Mascagni, and Puccini. He was notably the first singer to make a complete recording of the role of Rodolfo in Puccini's
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who had an active international career from 1902 to 1924. A specialist in the
Italian repertoire, he was frequently heard in the
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and
Donizetti's Edgardo di Ravenswood later that year. Andreini later sang Milio for his debut at the
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311:. In 1924 gave his last known performances in the Netherlands as Alfredo and Don Jose to
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on
February 16, 1911. In 1915, he returned to Palermo to sing Cavaradossi in Puccini's
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315:'s Violetta and Carmen. His activities and whereabouts are unknown after this point.
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in Rome and in 1906 he toured Russia, where he was seen as the Duke of Mantua in
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March, Ivan; Greenfield, Edward; Czajkowski, Paul; and Layton, Robert (2009).
297:. That same year, he became the first person to record the role of Rodolfo in
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146:. Other roles he sang at Palermo that year included Edgardo in Donizetti's
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238:. In Turin, he also created the role of Luciano in the world premiere of
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In 1907 Andreini returned to Italy to join the roster of artists at the
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at the Teatro del Corso in
Bologna, and appeared in roles at the
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in
Trieste. In 1903 he sang the title role in Offenbach's
26:) (c. 1875–1880 in Florence – after 1924) was an Italian
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in
Palermo, where he notably portrayed Turiddu opposite
340:"Reno (Remo) Andreini (Tenor) (Firenze 1875? - ?)"
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operas of
Bellini, Donizetti, and Rossini, and in the
101:. Later that year he portrayed Elvino in Bellini's
158:. In 1905, he sang Hoffmann for his debut at the
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228:in Turin, where he made his debut as Walter in
435:The Penguin Guide to Recorded Classical Music
83:in his native city. He made his debut at the
211:in Lucca in 1910 as Chevalier des Grieux in
207:in Naples in 1910. He was also seen at the
79:Born in Florence, Andreini studied at the
469:20th-century Italian male opera singers
258:in Cuba, where he performed Alfredo in
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224:In 1911 Andreini was committed to the
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47:in 1917. He also recorded duets from
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187:where he made his debut as Canio in
400:. L'Almanacco di Gherardo Casaglia
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254:. In 1916, he was committed to the
136:'s Alfio in a lauded production of
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87:in Florence in 1902 as Arturo to
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57:and one duet from Massenet's
109:Teatro Lirico Giuseppe Verdi
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392:Casaglia, Gherardo (2005).
152:and Almaviva in Rossini's
176:in St Petersburg and the
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474:Musicians from Florence
464:Italian operatic tenors
285:, Don José in Bizet's
282:La fanciulla del West
276:in Havana that year.
155:The Barber of Seville
114:The Tales of Hoffmann
346:. December 23, 2011.
178:Solodovnikov Theatre
143:Cavalleria rusticana
16:Italian opera singer
459:19th-century births
270:Lucia di Lammermoor
266:Amelita Galli-Curci
205:Teatro di San Carlo
189:Ruggero Leoncavallo
149:Lucia di Lammermoor
119:Teatro Petruzzelli
69:Gramophone Company
313:Gemma Bellincioni
240:Raffaele De Miero
209:Teatro del Giglio
174:Mariinsky Theatre
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307:under conductor
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230:Alfredo Catalani
132:'s Santuzza and
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89:Luisa Tetrazzini
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185:Politaema Parma
160:Teatro Costanzi
138:Pietro Mascagni
85:Teatro Nicolini
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75:Life and career
65:Riccardo Tegani
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438:. Penguin.
261:La traviata
180:in Moscow.
50:La traviata
453:Categories
444:0141041625
319:References
98:I puritani
300:La boheme
194:Pagliacci
169:Rigoletto
121:in Bari.
67:with the
44:La boheme
35:bel canto
305:La Scala
28:operatic
427:Sources
272:and in
245:Morgana
235:Loreley
107:at the
39:verismo
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416:et al.
413:March
288:Carmen
251:Tosca
63:with
60:Manon
53:with
31:tenor
440:ISBN
200:Zazà
24:Remo
264:to
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