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Jarvis Sr.'s shady lawyer Henry Talbot sees a chance to secure a portion of the Jarvis estate for himself by rewriting the will to read that Jarvis Jr. must marry a woman like Talbot's secretary Rusty. Talbot wants to conspire with Rusty to marry and then divorce Jarvis Jr. so that she and Henry will
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studio in New York City. Scenes were rarely photographed more than twice -- once for long shots and once for close-ups -- and if the actors couldn't remember the scripted dialogue, they said something appropriate anyway, knowing that the schedule didn't call for repeated takes. Most
Hollywood "B"
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Louis Jarvis Jr. is summoned from his band's radio show to visit his terminally ill father before his father dies. Honey Carter, the daughter of the only woman whom Jarvis Sr. had ever loved, also visits. Jarvis Sr.'s dying wish is that his son marries Honey. He before meeting his son and Honey.
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Jarvis Jr. urgently needs the estate money to produce his new stage musical. He does not wish to marry Rusty, but his friend suggests that they cast the show with a lead actress who resembles Rusty. However, Talbot attempts to stop the show by scaring Junior's investors.
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split the estate. Jarvis Jr. is fooled by Talbot's ruse and believes that he must marry soon to avoid the distribution of the estate to charity.
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233:-- three-minute movie musicals for coin-operated "movie jukeboxes". His 20-minute musical made for theaters,
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239:(1945), starred Louis Jordan, and was so successful that Crouch signed Jordan for three feature films.
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June
Richmond and Louis Jordan with His Tympany Five — "You Got Me Where You Want Me" (writer unknown)
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Pat Rainey, Mabel Lee with Louis Jordan and His
Tympany Five — "The Blues Ain't Nothin'" (written by
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features were shot in five to ten days, but Crouch filmed this feature in only a day and a half.
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Louis Jordan with His
Tympany Five — "I Know What You're Puttin' Down" (written by Louis Jordan)
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Louis Jordan with His
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Crouch made his films on low budgets with fast-paced, assembly-line methods at the former
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Louis Jordan with His
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Louis Jordan with Bea
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Louis Jordan — "Ain't That Just Like a Woman?" (written by
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Louis Jordan with His
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Jordan with chorus girls — "That Chick's Too Young to Fry" (written by
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Producer-director-writer
William Forest Crouch had been making
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Louis Jordan with His Tympany Five — "All for the Love of Lil"
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Louis Jordan with His Tympany Five — "Texas and Pacific" (by
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Bea Griffith and Louis Jordan — "Tonight, Be Tender to Me"
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Blacks in Black and White: A Source Book on Black Films
488:"Reet, Petite and Gone (1947) - Overview - TCM.com"
559:is available for free viewing and download at the
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63:William Forest Crouch (story, as William Forest)
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372:June Richmond — "I've Changed Completely"
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176:is a 1947 American musical
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457:"REET, PETITE, AND GONE"
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492:Turner Classic Movies
329:as Schyler Jarvis Sr.
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190:William Forest Crouch
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51:William Forest Crouch
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98:(executive producer)
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461:Library of Congress
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84:Berle Adams
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576:1947 films
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315:Pat Rainey
225:Production
208:Lobby card
149:67 minutes
92:(producer)
57:Written by
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109:See below
537:AllMovie
429:See also
305:as Mabel
299:as Rusty
236:Caldonia
231:Soundies
162:Language
106:Starring
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360:Ida Cox
269:as June
165:English
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