Sergei Rachmaninoff

1335: 2192: 282:, Novgorod Governorate. His birth was registered in the Semyonovo church book. After Sergei turned four, the family moved to another house in Oneg estate, about 110 miles (180 km) north of Semyonovo, and the Semyonovo estate was sold in 1879 by Rachmaninoff's father. Young Sergei Rachmaninoff was raised in Oneg estate from age four until aged nine, and he mistakenly cited it as his birthplace in his adult life. Rachmaninoff began piano and music lessons organized by his mother at age four. She noticed his ability to reproduce passages from memory without a wrong note. Upon hearing news of the boy's gift, Arkady suggested she hire Anna Ornatskaya, a teacher and recent graduate of the 1099:. He recuperated and prepared for the upcoming season, a cycle that he would adopt for most of his remaining life. As a touring performer Rachmaninoff became financially secure without much difficulty, and the family lived an upper middle class life with servants, a chef, and chauffeur. They recreated the atmosphere of Ivanovka in their New York City apartment by entertaining Russian guests, employing Russians, and continuing to observe Russian customs. Despite the ability to speak some English, Rachmaninoff had his correspondence translated into Russian. He enjoyed some personal luxuries, including quality tailored suits and the latest models of cars. 1114:, that summer he learned of Struve's accidental death, prompting Rachmaninoff to strengthen the ties he had with those still in Russia by arranging with his bank to send regular money and food parcels to his family, friends, students, and those in need. Early 1921 saw Rachmaninoff apply for documentation to visit Russia, the only time he would do so after leaving the country, but progress ceased when he underwent surgery for pain in his right temple. The operation failed to relieve his symptoms and relief only came after having dental work years later. After leaving hospital, he purchased an apartment on 33 Riverside Drive on the 2170: 117: 51: 2540: 1189: 2496: 1084: 1126:

rented a railway carriage that was fitted with a piano and belongings to save time with suitcases. In 1924, Rachmaninoff declined an invitation to become conductor of the Boston Symphony Orchestra. In the following year, after the death of the husband of his daughter Irina who was with child at that time (later the grand-daughter would be named Sophie Volkonsky), Rachmaninoff founded TAIR (Tatiana and Irina), a Paris publishing company named after his daughters that specialised in works by himself and other Russian composers.

629:, a close friend of Rachmaninoff, Glazunov made poor use of rehearsal time, and the concert's program itself, which contained two other premières, was also a factor. Other witnesses, including Rachmaninoff's wife, suggested that Glazunov, an alcoholic, may have been drunk. Following the reaction to his first symphony, Rachmaninoff wrote in May 1897 that "I'm not at all affected" by its lack of success or critical reaction, but felt "deeply distressed and heavily depressed by the fact that my Symphony ... did not please 2266: 2028: 2487:—where other pianists' playing became blurry-sounding from overuse of the pedal or deficiencies in finger technique, Rachmaninoff's textures were always crystal clear. Only Josef Hofmann and Josef Lhévinne shared this kind of clarity with him. All three men had Anton Rubinstein as a model for this kind of playing—Hofmann as a student of Rubinstein's, Rachmaninoff from hearing his famous series of historical recitals in Moscow while studying with Zverev, and Lhévinne from hearing and playing with him. 1415: 598: 1367: 1550: 980: 802: 584:(Op. 13), a work conceived in January and based on chants he had heard in Russian Orthodox church services. Rachmaninoff had worked so hard on it that he could not return to composition until he heard the piece performed. This lasted until October 1896, when "a rather large sum of money" that did not belong to Rachmaninoff and was in his possession, was stolen during a train journey and he had to work to recoup the losses. Among the pieces composed were 12498: 10050: 9047: 2693: 724: 1998:, sweeping lyricism, and stringent economy of thematic material were all features he kept and refined in subsequent works. Following the poor reception of the symphony and three years of inactivity, Rachmaninoff's individual style developed significantly. He started leaning towards broadly lyrical, often passionate melodies. His orchestration became subtler and more varied, with textures carefully contrasted. Overall, his writing became more concise. 310: 10060: 760:

after conducting 50 performances in the first season and 39 in the second, Rachmaninoff handed in his resignation. He then took his family on an extended tour around Italy with the hope of completing new works, but illness struck his wife and daughter, and they returned to Ivanovka. Money soon became an issue following Rachmaninoff's resignation from his posts at St. Catherine's and Elizabeth schools, leaving him only the option of composing.

678: 690:, to which Rachmaninoff agreed without resistance. Between January and April 1900, Rachmaninoff underwent hypnotherapy and supportive therapy sessions with Dahl on a daily basis, specifically structured to improve his sleep patterns, mood, and appetite and reignite his desire to compose. That summer, Rachmaninoff felt that "new musical ideas began to stir" and successfully resumed composition. His first fully completed work, the 9057: 382: 13760: 374:

Rachmaninoff for some time and organised for him to live with his uncle and aunt Satin and their family in Moscow. Rachmaninoff then found his first romance in Vera, the youngest daughter of the neighbouring Skalon family, but her mother objected and forbade Rachmaninoff to write to her, leaving him to correspond with her older sister Natalia. It is from these letters that many of Rachmaninoff's

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situation in the US resulted in the composer performing to smaller audiences, and he lost money in his investments and shares. The European leg of this tour in 1933 saw Rachmaninoff celebrate his sixtieth birthday among fellow musicians and friends, after which he retreated to Villa Senar for the summer. In May 1934, Rachmaninoff underwent a minor operation and two years later, he retreated to

1026:(1875–1920), settled on the ground floor of a house. In debt and in need of money, the 44-year-old Rachmaninoff chose performing as his main source of income, as a career solely in composition was too restrictive. His piano repertoire was small, which prompted the start of regular practice of his technique and learning new pieces to play. Rachmaninoff toured between February and October 1918. 13748: 2583:, had himself recorded the same piece a few years earlier. Rachmaninoff's performance is far more taut and concentrated than Grainger's. The Russian's drive and monumental conception bear a considerable difference to the Australian's more delicate perceptions. Grainger's textures are elaborate. Rachmaninoff shows the filigree as essential to the work's structure, not simply decorative. 13236: 12866: 12833: 12814: 12725: 12685: 12617: 12584: 2649: 13784: 2773:, was not published until October 1933. Of the works he produced piano rolls for, 29 he also made gramophone recordings of, and these provide evidence for Rachmaninoff's consistency of interpretation. In addition, there also survives an unpublished piano roll of the second movement of his Second Piano Concerto, and may be indicative of Rachmaninoff having made other rolls. 236: 2020:). "It is not enough to say that the church bells of Novgorod, St Petersburg and Moscow influenced Rachmaninov and feature prominently in his music. This much is self-evident. What is extraordinary is the variety of bell sounds and breadth of structural and other functions they fulfill." He was also fond of Russian Orthodox chants. He used them most perceptibly in his 798:'s season of Russian concerts in May 1907. His performance as the soloist in his Piano Concerto No. 2 with an encore of his Prelude in C-sharp minor was a triumphant success. Rachmaninoff regained his sense of self-worth following the enthusiastic reaction to the premiere of his Symphony No. 2 in early 1908, which earned him his second Glinka Award and 1,000 roubles. 13772: 1971: 2556:, a staunch friend. Paradoxically, Rachmaninoff often sounded like he was improvising, though he actually was not. While his interpretations were mosaics of tiny details, when those mosaics came together in performance, they might, according to the tempo of the piece being played, fly past at great speed, giving the impression of instant thought. 2286: 1527:, dedicated to Arensky, and a number of compositions from his student years may have been written as exercises for his teacher. According to biographer Barrie Martyn, the "obviously Russian character" and "Tchaikovskian lyricism" of Arensky's music were elements which were also part of Rachmaninoff's compositional style. 1034:

Rachmaninoff considered the United States financially advantageous as he could not support his family through composition alone. Unable to afford the travel fees, he was sent an advance loan for the journey by Russian banker and fellow emigre Alexander Kamenka. Money was also received from friends and admirers; pianist

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after the first two letters of his and his wife's name, adding the "r" from the family name. Rachmaninoff spent his summers at Villa Senar until 1939, often with his daughters and grandchildren, with whom he would drive his motorboat on Lake Lucerne, one of his favourite activities. In the comfort of

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church service. For two seasons between 1911 and 1913, Rachmaninoff was appointed permanent conductor of the Philharmonic Society of Moscow; he helped raise its profile and increase audience numbers and receipts. In 1912, Rachmaninoff left the IRMS when he learned that a musician in an administrative

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imposed by the Russian Orthodox Church; in addition, Rachmaninoff was not a regular church attendee and avoided confession, two things a priest would have had to confirm that he did in signing a marriage certificate. To circumvent the church's opposition, the couple used their military background and

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as he had just three weeks' preparation, Rachmaninoff received assistance from a recent graduate who was familiar with the tests, and passed each one with honours in July 1891. Three days later, he passed his annual theory and composition exams. His progress was unexpectedly halted in the latter half

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and then join the military, had to sell the five estates one by one to pay his debts due to his financial incompetence and therefore could not afford an expensive military career for him. His older brother Vladimir was sent to an ordinary military college. The last estate in Oneg was auctioned off in

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members seized it as their own communal property. Despite having invested most of his earnings on the estate, Rachmaninoff left the property after three weeks, vowing never to return. It was soon confiscated by the communist authorities and became derelict. In June 1917, Rachmaninoff asked Siloti to

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as best men. They received the smaller of two houses at the Ivanovka estate as a present and went on a three-month honeymoon across Europe. Upon their return, they settled in Moscow, where Rachmaninoff resumed work as a music teacher at St. Catherine's Women's College and the Elizabeth Institute. By

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Regardless of the music, Rachmaninoff always planned his performances carefully. He based his interpretations on the theory that each piece of music has a "culminating point". Regardless of where that point was or at which dynamic within that piece, the performer had to know how to approach it with

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Coupled to this tone was a vocal quality not unlike that attributed to Chopin's playing. With Rachmaninoff's extensive operatic experience, he was a great admirer of fine singing. As his records demonstrate, he possessed a tremendous ability to make a musical line sing, no matter how long the notes

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especially shows a structural ingenuity, while each of the preludes grows from a tiny melodic or rhythmic fragment into a taut, powerfully evocative miniature, crystallizing a particular mood or sentiment while employing a complexity of texture, rhythmic flexibility and a pungent chromatic harmony.

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Rachmaninoff's first visit to Europe since emigrating occurred in May 1922, with concerts in London. This was followed by the Rachmaninoffs and the Satins reuniting in Dresden, after which the composer prepared for a hectic 1922–1923 concert season of 71 performances in five months. For a while, he

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later that year, his position of Inspector of Music at Nobility High School for Girls put him in the group of government servants which prevented him from joining the army, yet the composer made regular charitable donations for the war effort. In 1915, Rachmaninoff completed his second major choral

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published fifteen letters they exchanged from their first contact in February 1912 and their final meeting in July 1917. The nature of their relationship bordered on romantic, but was primarily intellectual and emotional. Shaginyan and the poetry she shared with Rachmaninoff have been cited as the

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American citizens at a ceremony held in New York City on 1 February 1943. Later that month he complained of persistent cough and back pain; a doctor diagnosed him with pleurisy and advised that a warmer climate would aid in his recovery. Rachmaninoff opted to continue with touring, but felt so ill

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in July 1942, Rachmaninoff was suffering from lumbago and fatigue. He informed his doctor, Alexander Golitsyn, that the upcoming 1942–43 concert season would be his last, in order to dedicate his time to composition. The tour began on 12 October 1942 and the composer received many positive reviews

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was beginning to affect the performers and theatre staff, who staged protests and demands for improved wages and conditions. Rachmaninoff remained largely uninterested in the politics surrounding him and the revolutionary spirit had made working conditions increasingly difficult. In February 1906,

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and Fughetta in F major. Two months later, he travelled to London for the first time to perform and conduct, earning positive reviews. In late 1899, however, his depression worsened following an unproductive summer; he composed one song, "Fate", which later became one of his Twelve Songs (Op. 21),

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agreed, but still issued multiple takes, an unusual practice which was standard at Edison Records. Rachmaninoff and Edison Records were pleased with the released discs and wished to record more, but Edison refused, saying the ten sides were sufficient. This, in addition to technical issues in the

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One advantage Rachmaninoff had in this building process over most of his contemporaries was in approaching the pieces he played from the perspective of a composer rather than that of an interpreter. He believed "interpretation demands something of the creative instinct. If you are a composer, you

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in Knoxville, Tennessee, as a tribute to the composer. In Alexandria, Virginia in 2019, a Rachmaninoff concert performed by the Alexandria Symphony Orchestra played to wide acclaim. Attendees were treated to a talk prior to the performance by Rachmaninoff's great-granddaughter, Natalie Wanamaker

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Rachmaninoff's health rapidly declined in the last week of March 1943. He lost his appetite, had constant pain in his arms and sides, and found it increasingly difficult to breathe. On 26 March, the composer lost consciousness and he died two days later at his home in Beverly Hills, at age 69. A

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in free composition. In 1889, a rift formed between Rachmaninoff and Zverev, now his adviser, after Zverev turned down the composer's request for assistance in renting a piano and greater privacy to compose. Zverev, who believed composition was a waste for talented pianists, refused to speak to

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The 1939–40 concert season saw Rachmaninoff perform fewer concerts than usual, totalling 43 appearances that were mostly in the US. The tour continued with dates across England, after which Rachmaninoff visited his daughter Tatyana in Paris followed by a return to Villa Senar. He was unable to

1322:, Op. 45, which was premiered by Ormandy and the Philadelphia Orchestra in January 1941, with Rachmaninoff in attendance. In December 1939, Rachmaninoff began an extensive recording period which lasted until February 1942 and included his Piano Concerto Nos. 1 and 3 and Symphony No. 3 at the 1237:

In October 1932, Rachmaninoff began a demanding concert season that consisted of 50 performances. The tour marked the fortieth anniversary of his debut as a pianist, for which several of his Russian friends now living in America sent him a scroll and wreath in celebration. The frail economic

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Soon after his resignation, an exhausted Rachmaninoff sought time for composition and took his family on holiday to Switzerland. They left after one month for Rome for a visit that became a particularly tranquil and influential period for the composer, who lived alone in a small apartment on

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Rachmaninoff's life as a touring performer, and the demanding schedules that came with it, caused his compositional output to slow significantly. In the 24 years between his arrival in the US and his death, he completed just six new pieces, revised some of his earlier works, and wrote piano

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dialogue, not the least in terms of dynamics. His 1940 recording of his transcription of the song "Daisies" captures this quality extremely well. On the recording, separate musical strands enter as if from various human voices in eloquent conversation. This ability came from an exceptional

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in 1928. The men remained supportive of each other's work, each making a point of attending concerts given by the other, and Horowitz remained a champion of Rachmaninoff's works and in particular his Piano Concerto No. 3. In 1930, in a rare occurrence, Rachmaninoff allowed Italian composer

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for two years, to conduct 110 concerts in 30 weeks for the Boston Symphony Orchestra, and to give 25 piano recitals. He was worried about such a commitment in an unfamiliar country and had few good memories from his debut tour in 1909, so he declined all three. Not long after his decision,

1531:, Rachmaninoff's teacher in counterpoint at the Moscow Conservatory, was also an influence on his early compositions, and Rachmaninoff would bring his compositions to Taneyev to gain his approval all the way up to 1915, the year in which Taneyev died. In his later style, the influence of 1354:, high blood pressure, and headaches. After completing his final studio recording sessions during this time in February, a move to Long Island fell through after the composer and his wife expressed a greater interest in California, and initially settled in a leased home on Tower Road in 2785:

in 1893, Rachmaninoff first began conducting in 1897, and performed as a conductor every year until 1914. After leaving Russia permanently in 1917, Rachmaninoff prioritised performing as a pianist to conducting, giving only seven more recitals as a conductor until the end of his life.

1946: 2179: 1064:, who informed several concert managers that the composer was available and suggested he choose Charles Ellis as his booking agent. Ellis organised 36 performances for Rachmaninoff for the upcoming 1918–1919 concert season; the first, a piano recital, took place on 8 December at 580:. The tour was not enjoyable for the composer and he quit before it ended, thus sacrificing his performance fees. In a more desperate plea for money, Rachmaninoff pawned his gold watch given to him by Zverev. In September 1895, before the tour started, Rachmaninoff completed his 2024:, but many of his melodies found their origins in these chants. The opening melody of the First Symphony is derived from chants. (The opening melody of the Third Piano Concerto, on the other hand, is not derived from chants; when asked, Rachmaninoff said that "it had itself".) 298:, and his father left the family for Moscow. His maternal grandmother Sofia Litvikova Butakova, a widow of General Butakov, stepped in to help raise the children, took care of household expenses and with particular focus on their religious life, regularly taking Rachmaninoff to 2568:. So you make music live. Without color it is dead." Nevertheless, Rachmaninoff also possessed a far better sense of structure than many of his contemporaries, such as Hofmann, or the majority of pianists from the previous generation, judging from their respective recordings. 1917: 329:. At the Conservatory, however, he had adopted a relaxed attitude, played truant, failed his general education classes and purposely altered his report cards. Rachmaninoff performed at events held at the Moscow Conservatory during this time, including those attended by the 931:'s death in April 1915 was a tragedy for Rachmaninoff, who went on a piano recital tour devoted to his friend's compositions to raise funds for Scriabin's financially stricken widow. It marked his first public performances of works other than his own. During a vacation in 2405:, and he was famed for possessing a clean and virtuosic technique. His playing was marked by precision, rhythmic drive, notable use of staccato and the ability to maintain clarity when playing works with complex textures. Rachmaninoff applied these qualities in music by 562:

for piano, violin and cello as a tribute, which he completed within a month. The music's aura of gloom reveals the depth and sincerity of Rachmaninoff's grief for his idol. The piece debuted at the first concert devoted to Rachmaninoff's compositions on 31 January 1894.

991:, which he immediately accepted, using it as an excuse to obtain permits so he and his family could leave the country. On 22 December 1917, they left Saint Petersburg by train to the Finnish border, from where they travelled through Finland on an open sled and train to 1622:, Op. 44 (1935–36). Widely spaced chronologically, the symphonies represent three distinct phases in his compositional development. The Second has been the most popular of the three since its first performance. Among Rachmaninoff's other orchestral works are his 2112:

The composer's friend Vladimir Wilshaw noticed this compositional change continuing in the early 1930s, with a difference between the sometimes very extroverted Op. 39 Études-Tableaux (the composer had broken a string on the piano at one performance) and the

697:, was finished in April 1901; it is dedicated to Dahl. After the second and third movement premiered in December 1900 with Rachmaninoff as the soloist, the entire piece was first performed in 1901 and was enthusiastically received. The piece earned the composer a 975:

found the composer keeping his family safe indoors and being involved in a collective at his apartment building where he attended committee meetings and kept guard at night. He completed revisions to his Piano Concerto No. 1 among gunshots and rallies outside.

1175:(1917), giving Respighi the inspirations behind the compositions. By December 1931, his daughter was engaged to marry Boris Conus, with a second grandchild Alexander Conus born later to the couple. In 1931, Rachmaninoff and several others signed an article in 2108:

poets. The Op. 39 Études-Tableaux are among the most demanding pieces he wrote for any medium, both technically and in the sense that the player must see beyond any technical challenges to a considerable array of emotions, then unify all these aspects.

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on 26 November and 3 December 1939, as part of the orchestra's special series of concerts dedicated to the composer in celebration of the thirtieth anniversary of his US debut. The final concert on 10 December saw Rachmaninoff conduct his Symphony No. 3 and

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In 1904, in a career change, Rachmaninoff agreed to become the conductor at the Bolshoi Theatre for two seasons. He earned a mixed reputation during his time at the post, enforcing strict discipline and demanding high standards of performance. Influenced by

4710: 740:, he pioneered the modern arrangement of the orchestra players in the pit and the modern custom of standing while conducting. He also worked with each soloist on their part, even accompanying them on the piano. The theatre staged the premiere of his operas 2618:, which, the article speculated, would possibly have accounted for stiffness Rachmaninoff experienced in his hands, and for the repeated periods of depression he experienced throughout his life, and could have possibly even been connected to his melanoma. 1135:

transcriptions for his live repertoire. He admitted that by leaving Russia, "I left behind my desire to compose: losing my country, I lost myself also". In 1926, having concentrated on touring for the past eight years, he took a year off and completed the

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Sonata. He may have based his interpretation of the Chopin sonata on that of Rubinstein. Rachmaninoff biographer Barrie Martyn points out similarities between written accounts of Rubinstein's interpretation and Rachmaninoff's audio recording of the work.

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By 1900, Rachmaninoff had become so self-critical that, despite numerous attempts, composing had become near impossible. His aunt then suggested professional help, having received successful treatment from a family friend, physician and amateur musician

1994:. By the mid-1890s, however, his compositions began showing a more individual tone. His First Symphony has many original features. Its brutal gestures and uncompromising power of expression were unprecedented in Russian music at the time. Its flexible 2119:(Op. 42, 1931). The variations show an even greater textural clarity than in the Op. 38 songs, combined with a more abrasive use of chromatic harmony and a new rhythmic incisiveness. This would be characteristic of all his later works—the 1970: 486:, Two Pieces (Op. 2) and Six Songs (Op. 4) were among the first published. The composer had previously earned 15 rubles a month in giving piano lessons. He spent the summer of 1892 on the estate of Ivan Konavalov, a rich landowner in the 2284: 420:. Siloti left the Moscow Conservatory after the academic year ended in 1891 and Rachmaninoff asked to take his final piano exams a year early to avoid being assigned a different teacher. Despite little faith from Siloti and Conservatory director 475:. Zverev, a member of the exam committee, gave the composer his gold watch, thus ending years of estrangement. On 29 May 1892, the Conservatory issued Rachmaninoff a diploma which allowed him to officially style himself as a "Free Artist". 849:

in New York City with the composer as soloist, an experience he personally treasured. Though the tour increased the composer's popularity in America, he declined subsequent offers due to the length of time away from Russia and his family.

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at all after its first rehearsal". He thought its performance was poor, particularly Glazunov's contribution. The piece was not performed for the rest of Rachmaninoff's life, but he revised it into a four-hand piano arrangement in 1898.

271:. His father, Vasily Arkadievich Rachmaninoff (1841–1916), was a retired army officer and amateur pianist who married Lyubov Petrovna Butakova (1853–1929), the daughter of a wealthy army general who gave him five estates as part of her 213:

in Switzerland. During this time, Rachmaninoff's primary occupation was performing, and his compositional output decreased significantly, completing just six works after leaving Russia. By 1942, his declining health led him to move to

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and composed almost nothing. He described this time as "Like the man who had suffered a stroke and for a long time had lost the use of his head and hands". He made a living by giving piano lessons. A stroke of good fortune came from

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1882, and the family moved to a small flat in Saint Petersburg. In 1883, Ornatskaya arranged for Rachmaninoff, now 10, to study music at the Saint Petersburg Conservatory. Later that year, his sister Sofia died at the age of 13 of

2348: 2285: 494:. Delays in getting paid by Gutheil saw Rachmaninoff seeking other sources of income which led to an engagement at the Moscow Electrical Exhibition in September 1892, his public debut as a pianist, where he premiered his landmark 2275: 1267:

perform for a while after slipping on the floor at the villa and injuring himself. He recovered enough to perform at the Lucerne International Music Festival on 11 August 1939. It was to be his final concert in Europe. With

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during his travels to Florida that the remaining dates were cancelled and he returned to California by train, where an ambulance took him to hospital. It was then that Rachmaninoff was diagnosed with an aggressive form of

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of the same title, Op. 35, based on it. By 1912, Rachmninoff's second daughter Tatiana was born, and his contemporaneous period of composition ended abruptly when both Rachmaninoff's daughters contracted serious cases of

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and dropped it from the program. To earn more money, Rachmaninoff returned to giving piano lessons—which he hated—and in late 1895, agreed to a three-month tour across Russia with a program shared by Italian violinist

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began in Saint Petersburg, Rachmaninoff performed a piano recital in Moscow in aid of wounded Russian soldiers who had fought in the war. He returned to Ivanovka two months later, finding it in chaos after a group of

209:, Rachmaninoff and his family left Russia permanently, settling in New York in 1918. Following this, he spent most of his time touring as a pianist through the US and Europe, from 1932 onwards spending his summers at 2349: 1271:

imminent, he returned to Paris two days later, where he, his wife, and two daughters were together for the last time before the composer left Europe on 23 August. With financial help from Rachmaninoff, philosopher

397:, to which the composer would return many times until 1917. The peaceful and bucolic surroundings became a source of inspiration for the composer who completed many compositions while at the estate, including his 1916: 1250:

that was to feature his rhapsody. It premiered in London in 1939 with the composer's daughters in attendance. In 1938, Rachmaninoff performed his Piano Concerto No. 2 at a charity jubilee concert at London's

2668:). Unlike Edison, the company was pleased to comply with his requests, and proudly advertised Rachmaninoff as one of their prominent recording artists. He continued to record for Victor until 1942, when the 1945: 4456: 4404: 4336: 1358:

in May. In June they purchased a home at 610 North Elm Drive in Beverly Hills, living close to Horowitz who would often visit and perform piano duets with Rachmaninoff. Later in 1942, Rachmaninoff invited

5970: 669:, whom Rachmaninoff greatly admired, to have the composer visit his home and receive words of encouragement. The visit was unsuccessful, doing nothing to help him compose with the fluency he had before. 1918: 1427:

message from several Moscow composers with greetings had arrived too late for Rachmaninoff to read it. His funeral took place at the Holy Virgin Mary Russian Orthodox Church on Micheltorena Street in

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colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument.

2126:(Op. 40, 1926) is composed in a more emotionally introverted style, with a greater clarity of texture. Nevertheless, some of his most beautiful (nostalgic and melancholy) melodies occur in the 3102:

The entire collection of Rachmaninoff's recordings were reissued in 1992 by RCA Victor in a 10-CD set entitled "Sergei Rachmaninoff – The Complete Recordings" (RCA Victor Gold Seal 09026-61265-2).

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Rachmaninoff possessed large hands, with which he could easily maneuver through the most complex chordal configurations. His left hand technique was unusually powerful. His playing was marked by

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notoriously dismissed Rachmaninoff's music as "monotonous in texture ... consist mainly of artificial and gushing tunes" and predicted that his popular success was "not likely to last". To this,

1523:, who taught Rachmaninoff for five years while he was at the Moscow Conservatory, can be seen in the composer's early compositions. This influence can be seen, for example, in his symphonic poem 2228:, are named after the composer. In 1986, the Moscow Conservatory dedicated a concert hall on its premises to Rachmaninoff, designating the 252-seat auditorium Rachmaninoff Hall, and in 1999 the 772:, Germany, in November 1906. The city had become a favourite of both Rachmaninoff and Natalia, and they stayed there until 1909, only returning to Russia for their summer breaks at Ivanovka. In 463:; Tchaikovsky attended and praised Rachmaninoff for his work. Rachmaninoff believed it was "sure to fail", but the production was so successful the theatre agreed to produce it starring singer 2315: 794:(Op. 27) in 1906, twelve years after the disastrous premiere of his first. While writing it, Rachmaninoff and the family returned to Russia, but the composer detoured to Paris to take part in 333:

and other notable figures. However, upon his failing his spring exams, Ornatskaya notified his mother that his admission to further education might be revoked. His mother then consulted with

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and an admirer of Rachmaninoff's who wanted him to be the show's only soloist. Rachmaninoff agreed, so long the performance was not broadcast on the radio due to his aversion to the medium.

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Amid his professional career success, Rachmaninoff married Natalia Satina on 12 May 1902 after a three-year engagement. Because they were first cousins, the marriage was forbidden under a

4658: 833:. The tour saw the composer make 26 performances, 19 as pianist and 7 as conductor, which marked his first recitals without another performer in the program. His first appearance was at 2552:

absolute calculation and precision; otherwise, the whole construction of the piece could crumble and the piece could become disjointed. This was a practice he learned from Russian bass

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in Russian) for voice and piano, all of which were written before he left Russia permanently in 1917. Most of his songs were set to texts by Russian romantic writers and poets, such as

1308:, marking his first conducting performance since 1917. The concert season left Rachmaninoff tired, and he spent the summer resting from minor surgery at Orchard's Point, an estate near 2765:, producing a total of 35 piano rolls from 1919 to 1929, 12 of which were of his own compositions. He began recording rolls for Ampico in March 1919, upon the suggestion of his friend 2610:. This syndrome would have accounted for several minor ailments he suffered all his life, including back pain, arthritis, eye strain, and bruising of the fingertips. An article in the 1969: 1962: 1937: 1208:, meeting with fellow Russian émigrés and his daughters. By 1930, his desire to compose had returned and he sought a new location to write new pieces. He bought a plot of land near 9060: 768:

Increasingly unhappy with the political turmoil in Russia and in need of seclusion from his lively social life to be able to compose, Rachmaninoff with his family left Moscow for

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was composed in 1913 but not published until 1920. This may have been due to Rachmaninoff's main publisher, Gutheil, having died in 1914 and Gutheil's catalog being acquired by

1731:, both of which are large scale and virtuosic in their technical demands. Rachmaninoff also composed works for two pianos, four hands, including two Suites (the first subtitled 2316: 1846:

Rachmaninoff, similarly to many Russian composers of his time, wrote relatively little chamber music. His output in the genre includes two piano trios, both of which are named

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His hand size, in addition to his considerable height, slender frame, long limbs, narrow head, prominent ears, and thin nose has led to the suggestion that he may have had

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Rachmaninoff entered a decline following Tchaikovsky's death. He lacked the inspiration to compose, and the management of the Grand Theatre had lost interest in showcasing

286:, to live with the family and begin formal teaching. Rachmaninoff dedicated his famous romance for voice and piano "Spring Waters" from 12 Romances, Op. 14, to Ornatskaya. 13944: 899:

and were treated in Berlin due to their father's greater trust in German doctors. After six weeks, the Rachmaninoffs returned to their Moscow flat. The composer conducted

720:(Op. 22). On 14 May 1903, the couple's first daughter, Irina Sergeyevna Rachmaninova, was born. During their summer break at Ivanovka, the family was struck with illness. 2640:" records, in a limited contract for ten released sides. Rachmaninoff felt his performances varied in quality and requested final approval prior to a commercial release. 1391:. His wife took Rachmaninoff home where he reunited with his daughter Irina. His last appearances as a concerto soloist, playing Beethoven's First Piano Concerto and his 13949: 504:(Op. 3). He was paid 50 rubles for his appearance. It was well received and became one of his most popular and enduring pieces. In 1893, he completed his tone poem 1049:, Norway, bound for New York City, arriving eleven days later. News of the composer's arrival spread, causing a crowd of musicians, artists, and fans to gather outside 2708:

When Rachmaninoff recorded his works, he would seek perfection, often re-recording them until he was satisfied. Particularly renowned are his renditions of Schumann's

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or how complex the supporting texture, with most of his interpretations taking on a narrative quality. With the stories he told at the keyboard came multiple voices—a

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Along with his musical gifts, Rachmaninoff possessed physical gifts that placed him in good stead as a pianist, including large hands with a gigantic finger stretch.

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I was always under the spell of his glorious and inimitable tone which could make me forget my uneasiness about his too rapidly fleeting fingers and his exaggerated

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have an affinity with other composers. You can make contact with their imaginations, knowing something of their problems and their ideals. You can give their works

2174: 2085:. It became as advanced as in any of the works Rachmaninoff would write in Russia, partly because the melodic material has a harmonic aspect which arises from its 995:. Carrying what they could pack into their small suitcases, Rachmaninoff brought some sketches of compositions and scores to the first act of his unfinished opera 2213:, responded: "It is one of the most outrageously snobbish and even stupid statements ever to be found in a work that is supposed to be an objective reference." 2199:

Rachmaninoff's reputation as a composer generated a variety of opinions before his music gained steady recognition around the world. The 1954 edition of the

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In January 1914, Rachmaninoff began a concert tour of England which was enthusiastically received. He was too afraid to travel alone following the death of

263:. Rachmaninoff's family had strong musical and military leanings. His paternal grandfather, Arkady Alexandrovich, was a musician who had taken lessons from 8971: 8882: 8877: 8872: 8866: 8859: 8853: 8848: 8843: 8837: 8825: 8583: 2645:

recordings and Edison's lack of musical taste, led to Rachmaninoff's annoyance with the company, and as soon as his contract ended he left Edison Records.

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and left compositions for a proposed return visit to London unfulfilled. In an attempt to revive his desire to compose, his aunt arranged for the writer

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Rachmaninoff was noted for his restraint in conducting, and for the "simple and unpolished" manner in which he gestured to the orchestra. According to

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was installed in Moscow. A separate monument to Rachmaninoff was unveiled in Veliky Novgorod, near his birthplace, on 14 June 2009. The 2015 musical

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can be seen in the increasingly chromatic harmonies and thinner orchestration in Rachmaninoff's compositions from his Third Piano Concerto onwards.

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Especially important is Rachmaninoff's use of unusually widely spaced chords for bell-like sounds: this occurs in many pieces, most notably in the

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produce visas for him and his family so they could leave Russia, but Siloti was unable to help. After a break with his family in the more peaceful

2161:. Yasser postulated that a variable, subtle, but unmistakable characteristic use of this intra-tonal chromaticism permeated Rachmaninoff's music. 7392: 3181: 2734:, soon after its first performance (1934) with the Philadelphians under Stokowski, in addition to three recordings he made as conductor with the 330: 8776: 2614:, however, pointed out that Rachmaninoff did not show many of the typical signs of Marfan syndrome, and instead suggested that he may have had 1831:, and, though the restriction did not pertain to Russia, Rachmaninoff dropped the project after completing Act I in piano vocal score in 1908. 1717: 716: 2680:. Rachmaninoff died in March 1943, over a year and a half before RCA Victor settled with the union and resumed commercial recording activity. 13899: 8648: 8419: 8292: 1752: 859: 660:

as his first opera on 12 October 1897. By the end of February 1899, Rachmaninoff attempted composition and completed two short piano pieces,

6909: 13869: 13824: 9017: 1334: 7001: 5859: 2191: 925:(Op. 37). It was received so warmly at its Moscow premiere in aid of war relief that four subsequent performances were quickly scheduled. 13929: 8437: 1544: 755:

In the course of his second season as conductor, Rachmaninoff lost interest in his post. The social and political unrest surrounding the

275:. The couple had three sons: Vladimir, Sergei and Arkady and three daughters; Yelena, Sofia and Barbara; Sergei being their third child. 103: 7240:

Frey, Emily (2022). "Tchaikovsky's Echoes, Chaliapin's Sobs: Aleko, Rachmaninoff, and the Contemporary". In Bullock, Philip Ross (ed.).

13879: 10847: 8669: 6893: 2149:, as early as 1951, uncovered progressive tendencies in Rachmaninoff's compositions. He uncovered Rachmaninoff's use of an intra-tonal 1788: 1141: 817:

While in Dresden, Rachmaninoff agreed to perform and conduct in the United States as part of the 1909–10 concert season with conductor

147:. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of 6507: 6236: 5757: 5729: 5308: 4982: 4766: 471:

earned Rachmaninoff the highest mark at the Conservatory and a Great Gold Medal, a distinction only previously awarded to Taneyev and

190:, Rachmaninoff entered a four-year depression and composed little, until supportive therapy allowed him to complete his well-received 13884: 13839: 13834: 8335: 4642: 4578: 3989: 1185:. The composer's music suffered a boycott in the Soviet Union as a result from the backlash in the Soviet press, lasting until 1933. 621:, suggesting it would be admired by the "inmates" of a music conservatory in Hell. The deficiencies of the performance, conducted by 609:

Rachmaninoff's fortunes took a turn following the premiere of his Symphony No. 1 on 28 March 1897 in one of a long-running series of

1076:" in the program. Before the tour he had received offers from numerous piano manufacturers to tour with their instruments; he chose 13924: 13874: 13859: 13854: 13849: 13844: 9093: 8763: 8707: 8699: 8278: 8016: 6985: 6567: 5518: 4834: 4511: 4440: 4356: 4320: 4304: 4285: 4269: 4186: 4170: 4151: 4081: 4049: 4033: 3510: 1851: 650:, who offered Rachmaninoff the post of assistant conductor for the 1897–98 season. The cash-strapped composer accepted, conducting 554: 525: 433: 357:

In the autumn of 1885, Rachmaninoff moved in with Zverev and stayed for almost four years, during which he befriended fellow pupil

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As Rachmaninoff was a skilled pianist, a large portion of his compositional output consists of works for solo piano. They include

186:, from which he graduated in 1892, having already written several compositions. In 1897, following the disastrous premiere of his 8914: 8898: 8693: 5701: 3494: 3443: 2632:

Upon arriving in America, Rachmaninoff's poor financial situation prompted him in 1919 to record a selection of piano pieces for

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In early 1942, Rachmaninoff was advised by his doctor to relocate to a warmer climate to improve his health after suffering from

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while his family stayed at a boardinghouse. While there he received an anonymous letter that contained a Russian translation of

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two months later. His request to take his final theory and composition exams a year early was also granted, for which he wrote

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Born into a musical family, Rachmaninoff began learning the piano at the age of four. He studied piano and composition at the

13889: 12527: 12443: 10096: 9957: 8245: 7812: 7785: 7757: 7734: 7713: 7690: 7667: 7641: 7615: 7563: 7542: 7521: 7498: 7429: 7401: 7367: 7341: 7320: 7297: 7274: 7251: 7230: 7209: 7190: 5065: 5014: 4966: 4886: 4100: 3427: 3335: 3081: 2413:. Rachmaninoff's repertoire, excepting his own works, consisted mainly of standard 19th century virtuoso works plus music by 790:, Op. 29. Despite occasional periods of depression, apathy, and little faith in any of his work, Rachmaninoff started on his 6798: 6766: 4734: 4476: 4388: 4218: 3925: 3893: 3744: 3677: 3661: 3565: 3549: 3475: 3363: 3188: 13934: 12114: 10132: 6367: 6173: 6097: 5046: 5030: 4818: 4253: 935:

that summer, Rachmaninoff learned of Taneyev's death, a loss which affected him greatly. By year's end he had finished his

3776: 3411: 3395: 3274: 1080:, the only one that did not offer him money. Steinway's association with Rachmaninoff continued for the rest of his life. 13894: 13819: 12583: 10536: 8770: 8518: 8513: 8508: 8497: 5276: 5180: 5084: 4950: 4934: 4870: 3840: 3204: 2599:

with the left hand playing C, Eb, G, C and G, and his right hand could play the notes C (index), E (thumb), G, C, and E.

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in France to improve his arthritis. During a visit to Villa Senar in 1937, Rachmaninoff entered talks with choreographer

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During his final year at the Conservatory, Rachmaninoff performed his first independent concert, where he premiered his

11956: 8466: 5910: 5773: 5148: 4998: 4802: 2793:, his performances as a conductor were much stricter and less rhythmically free than his performances on the piano. In 2308: 1813: 1499: 748: 6877: 6220: 6129: 5926: 5875: 5843: 5827: 5811: 5792: 5588: 5539: 5440: 5396: 5373: 5324: 5260: 5228: 4750: 4135: 4119: 4065: 3941: 3909: 3824: 3076:

While the Library of Congress lists Rachmaninoff's birthdate as 1 April, his birthdate is listed as 2 April [

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from critics despite his deteriorating health. Rachmaninoff and his wife Natalia were among the 220 people who became

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scholarship, and graduated from the lower division of the Conservatory to become a pupil of Siloti in advanced piano,

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on 5 September 1917 was to be his last in Russia. Upon returning to Moscow, the political tension surrounding the

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In addition to his own works, Rachmaninoff conducted repertoire primarily from fellow Russian composers, such as

2744: 2465: 2138: 2132: 1743:, and he arranged his First Symphony (below) for piano four hands. Both these works were published posthumously. 1682: 1678: 1652: 1634: 1624: 1594: 1478: 1323: 1317: 1223: 787: 778: 416: 10977: 10627: 10401: 8331: 6192: 5990: 5604: 857:(IRMS), whose president was a member of the royal family. Later in 1910, Rachmaninoff completed his choral work 10717: 10147: 10124: 9012: 8641: 2661: 2653: 2627: 2229: 1758: 1490: 1103: 921: 11981: 9512: 5660: 4527: 4005: 3533: 3379: 13306: 12482: 12466: 12383: 11901: 11013: 10967: 8565: 8553: 8548: 8542: 8341: 4424: 3872: 3077: 2857: 2739: 2127: 2054: 1616: 1609: 1602: 1473: 1228: 1030: 1029:

During the Scandinavian tour, Rachmaninoff received three offers from the US: to become the conductor of the

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counterpoint. This talent was paired with a confidence in writing in both large- and small-scale forms. The

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and strikingly contrasts the extra-tonal chromaticism of the more radical twentieth century composers like

1888: 647: 259:. The family tradition claims descent from a legendary Vasily, nicknamed "Rachman", a supposed grandson of 10453: 9182: 4976: 4486: 12684: 12254: 12069: 11911: 10223: 10172: 9995: 8715: 7382: 7047: 7014: 6995: 6871: 6843: 6827: 6792: 6760: 6720: 6701: 6643: 6612: 6596: 6577: 6561: 6545: 6517: 6489: 6473: 6377: 6246: 6155: 6079: 6035: 6019: 5984: 5980: 5964: 5904: 5869: 5767: 5739: 5533: 5500: 5422: 5318: 4992: 4928: 4912: 4844: 4776: 4704: 4688: 4652: 4620: 4604: 4588: 4572: 4505: 4113: 3999: 3786: 3437: 3405: 3325: 3198: 2715: 2700: 2410: 2245:

A statue marked "Rachmaninoff: The Last Concert", designed and sculpted by Victor Bokarev, stands at the

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Amidst such turmoil, Rachmaninoff received an unexpected offer to perform ten piano recitals across

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organised a small ceremony in a chapel in a Moscow suburb army barracks with Siloti and the cellist

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of Ukrainian and German poems. Rachmaninoff returned to Moscow, where Tchaikovsky agreed to conduct

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Carruthers, Glen (2006). "The (re)appraisal of Rachmaninov's music: contradictions and fallacies".

6437: 6418: 6186: 6107: 5920: 5786: 5158: 5059: 5040: 5008: 4828: 4812: 4796: 4792: 4760: 4728: 2454: 2328: 2100:. In both these sets Rachmaninoff was less concerned with pure melody than with coloring. His near- 1991: 1428: 1073: 1065: 322: 156: 11916: 11206: 6887: 6230: 6139: 5945: 5888: 5853: 5837: 5821: 5805: 5598: 5549: 5453: 5406: 5390: 5334: 5270: 5238: 4724: 4720: 4672: 4668: 4636: 4247: 3802: 3770: 3655: 3623: 3591: 12891: 12832: 12543: 12109: 11966: 11871: 11727: 11156: 10772: 10162: 10053: 9662: 9079: 8676: 8596: 8145:(1969). "The Opening Theme of Rachmaninoff's Third Piano Concerto and its Liturgical Prototype". 3306: 3233: 3042: 2750: 2442: 2254:

music specialist Kate Rivers on a panel of discussants about the composer and his contributions.

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shows the influence of Tchaikovsky in both its harmonies, and in its allusions and references to

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in his hotel room which left the composer wary of a similar fate. Following the outbreak of the

321:. She was an important musical influence on Rachmaninoff and had introduced him to the works of 163:, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like 13752: 12448: 12403: 12398: 12094: 11986: 11886: 11397: 11171: 11110: 10727: 10498: 10063: 10005: 9980: 9812: 9387: 9132: 8076: 5723: 2770: 2762: 2735: 2719: 1513: 1296: 12659: 11773: 11646: 11432: 11356: 11241: 10667: 9843: 9682: 9557: 9547: 9312: 6738: 6202: 6003: 5222: 4434: 657: 13610: 13550: 13122: 12854: 12453: 12418: 12408: 12342: 12169: 12144: 12104: 12054: 11951: 11804: 11651: 11463: 11320: 11261: 11095: 11090: 11044: 10972: 10911: 10797: 10556: 10203: 10152: 10129: 9602: 9482: 9437: 9417: 9332: 8996: 8756: 8655: 8392: 8147: 6659: 6457: 6453: 5706: 5642: 4537: 4015: 3967: 3703: 3469: 3249: 2592: 2464:

concerts became cornerstones for his own recital programs. The compositions were Beethoven's

2414: 2089: 1979: 1781: 1673: 1498:, the third of which contains a chordal section very similar to the opening of Tchaikovsky's 1050: 825:. He spent time during breaks at Ivanovka finishing a new piece specially for the visit, his 500: 268: 13231: 12926: 11008: 10483: 10468: 9377: 5673: 5614: 3887: 3722: 3543: 3389: 3357: 3268: 2539: 1439:

were buried, but his American citizenship made that impossible. Instead, he was interred at

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to dinner, the two sharing their worries of a war-torn Russia and their children in France.

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February 1903 he had completed his largest piano composition of his career at the time, the

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devoted to Russian music. The piece was brutally panned by critic and nationalist composer

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was the spelling he used while living in the United States from 1918 until his death. The

1472:. This influence can be seen throughout Rachmaninoff's early compositions, such as in his 1288:

from mid-1941 onwards, donating receipts from many of his concerts for the benefit of the

863:, Op. 31, but it was banned from performance as it did not follow the format of a typical 8: 13624: 13589: 13045: 12713: 12699: 12673: 12666: 12433: 12292: 11996: 11881: 11105: 11100: 10936: 10677: 10612: 10228: 10012: 9930: 9467: 8362: 8055:

Simpson, Anne (1984). "Dear Re: A Glimpse into the Six Songs of Rachmaninoff's Opus 38".

7831: 7651: 7625: 7599: 6673: 3330:. Translated by Rutherford, Dolly. Macmillan Company, New York. pp. 32, 33, 38, 43. 2881: 2710: 2251: 2206: 1824: 1003: 954: 530: 472: 342: 252: 183: 12084: 11600: 11417: 10957: 10895: 10742: 10571: 9607: 9407: 9397: 9242: 8603: 7912:

Dąbrowski, K P; Stankiewicz-Jóźwicka, H; Kowalczyk, A; Wróblewski, J; Ciszek, B (2021).

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is regularly performed and has been recorded complete at least eight times, and filmed.

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Rachmaninoff also composed a number of works for orchestra alone. The three symphonies:

1476:, which is reminiscent of Tchaikovsky's late symphonies, sections of his symphonic poem 1247: 1060:

as his secretary, interpreter, and aide in dealing with American life. He reunited with

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for a recital on 4 November 1909. The second performance of Piano Concerto No. 3 by the

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in January 1892, followed by a performance of the first movement of his Piano Concerto

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In 1885, Rachmaninoff suffered a further loss when his sister Yelena died at age 18 of

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that Rachmaninoff requested to have sung at his funeral. Other choral works include a

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was described by the composer as a "symphonic opera" because of its long interludes.

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After the first tour ended in April 1919, Rachmaninoff took his family on a break to

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Rachmaninoff fell into a depression that lasted for three years, during which he had

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This act was later orchestrated by Igor Buketoff in 1984, and performed in the U.S.

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writing, thanks to his studies with Taneyev. The above-mentioned occurrence of the

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describes Rachmaninoff's melodies as lacking the range or length of Tchaikovsky's.

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Rachmaninoff sought the company of fellow Russian musicians and befriended pianist

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which earned him some much needed income and began his longtime association with

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Upon his return home in February 1910, Rachmaninoff became vice president of the

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chants and church bells, two features he would incorporate in his compositions.

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Sergei Rachmaninoff house at 610 North Elm Drive in Beverly Hills, California

1243: 1239: 1096: 1061: 846: 834: 830: 553:. The news left Rachmaninoff stunned; later that day, he started work on his 513:

In 1893, Rachmaninoff spent a productive summer with friends at an estate in

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Rachmaninoff was born in the family estate in the village of Semyonovo, near

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The Virtuosi: Classical Music's Great Performers From Paganini to Pavarotti

2665: 2637: 2513: 2430: 2150: 2086: 2042: 1728: 1549: 1285: 1281: 1268: 1213: 1182: 1119: 1088: 911: 687: 577: 264: 172: 12598: 12512: 11697: 9267: 8213: 8160: 7930: 7913: 7849: 1129: 979: 614: 13217: 13210: 13150: 13073: 13038: 12905: 12828: 12767: 12645: 12347: 12214: 12064: 11661: 11564: 11508: 11315: 11181: 10885: 10817: 10551: 10412: 10371: 10320: 10193: 10105: 9985: 9732: 9667: 9472: 9452: 9297: 9272: 9027: 8480: 8383: 8372: 2825: 2572: 2434: 2324: 2239: 1880: 1819: 1469: 1313: 1217: 1205: 997: 988: 907: 818: 666: 625:, were not commented on by other critics, but according to a memoir from 398: 338: 210: 8068: 7904: 801: 352: 168: 13017: 11468: 10787: 10767: 10757: 10406: 10243: 9874: 9477: 7865: 2861: 2817: 2615: 2373: 1747: 1400: 1316:. During this period Rachmaninoff completed his final composition, the 1273: 1256: 1216:, Switzerland, and oversaw the construction of his home which he named 1038:

contributed $ 2,000. On 1 November 1918, the Rachmaninoffs boarded the

1012: 723: 295: 290: 144: 8397: 8168: 8134: 8100: 8002: 7834:(2007). "Review of The Cambridge History of Twentieth-Century Music". 7726:

Rachmaninoff's Complete Songs: A Companion with Texts and Translations

2381:

Rachmaninoff ranked among the finest pianists of his time, along with

1564:

Rachmaninoff wrote five works for piano and orchestra: four concertos—

776:, during the summer of 1907, he saw a black and white reproduction of 309: 132:

20 March] 1873 – 28 March 1943) was a Russian

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depicts Rachmaninoff's struggle with depression and writer's block.

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1917–1925: Leaving Russia, emigration to the US, and concert pianist

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Upon graduating, Rachmaninoff continued to compose and signed a 500-

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that stands in notable contrast to the inter-tonal chromaticism of

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Russians in Hollywood, Hollywood's Russians: Biography of an Image

325:. As a respite, his grandmother took him to a farm retreat by the 11941: 10692: 10283: 9884: 9071: 8182: 2869: 2801: 2564:. That is the most important thing for me in my interpretations, 2074: 1347: 932: 896: 864: 769: 672: 550: 426: 303: 199: 140: 8368: 7963:

Mayne, Basil (October 1936). "Conversations with Rachmaninoff".

6925: 381: 10386: 8261: 7053: 7006: 7004: 6726: 2648: 2579:, who had been influenced by the composer and Liszt specialist 2517:. There was always the irresistible sensuous charm, not unlike 2225: 1995: 1598:. Of the concertos, the Second and Third are the most popular. 1200:

From 1929 to 1931, Rachmaninoff spent his summers in France at

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Rachmaninoff spent his summer break in 1890 with the Satins at

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His compositional style had already begun changing before the

594:(Op. 16), his final completed composition for several months. 6674:"All things Rachmaninoff | Alexandria Times | Alexandria, VA" 6355: 6283: 6041: 4021: 2998: 2986: 2974: 2833: 2829: 2250:

Javier, who joined Rachmaninoff scholar Francis Crociata and

2046: 1956:" performed by Roxana Pavel (violin) and Monica Pavel (piano) 1011:, Sweden, on 24 December. In January 1918, they relocated to 968: 773: 537:

for an upcoming European tour. During his subsequent trip to

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Apart from several performances, including two of his opera

2722:; the first, third, and fourth concertos were recorded with 385:

Ivanovka was the ideal location for Rachmaninoff to compose.

345:

to receive lessons from his former teacher, the more strict

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Complete list of Rachmaninoff's performances as a conductor

8262:

Sergei Rachmaninoff Foundation and the Rachmaninoff Network

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standardised this usage. His name is also commonly spelled

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A recording which showcases Rachmaninoff's approach is the

1295:

Upon his return to the US, Rachmaninoff performed with the

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In 1920, Rachmaninoff signed a recording contract with the

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1894–1900: Symphony No. 1, depression, and conducting debut

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Rachmaninoff's father, who wanted him to be trained by the

8119:(1951). "Progressive Tendencies in Rachmaninoff's Music". 7246:. Chicago: University of Chicago Press. pp. 101–138. 7137: 7113: 6973: 6949: 5665: 5663: 5428: 3010: 2939: 2757:

Rachmaninoff also recorded a number of piano rolls on the

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and settle in Switzerland. Rachmaninoff would support the

7534:

Rachmaninoff's Recollections, Told to Oskar von Riesemann

7311:

A History of Russian Music: From Kamarinskaya to Babi Yar

7027: 7025: 7023: 6635: 6633: 6495: 6273: 6271: 6269: 6267: 6208: 5620: 5555: 3879: 3877: 3875: 3125:"Name Authority File for Rachmaninoff, Sergei, 1873–1943" 2992: 2933: 2927: 2915: 2726:

in 1939–41, and two versions of the second concerto with

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Rachmaninoff quickly dealt with business, hiring pianist

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in 1901. Rachmaninoff went on to become conductor of the

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The two pieces Rachmaninoff singled out for praise from

1628:(Op. 45), his last major composition, and his four 337:, her nephew and an accomplished pianist and student of 7424:. Oxford: Oxford University Press. pp. 1025–1026. 6712: 6710: 6588: 6586: 6429: 6427: 5937: 5935: 5933: 5931: 5929: 5880: 5878: 5797: 5795: 5445: 5443: 5382: 5380: 5378: 5376: 4564: 4562: 4497: 4495: 3480: 3478: 3327:

Rachmaninoff´s Recollections Told To Oskar Von Risemann

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1926–1942: Touring, final compositions, and Villa Senar

890:, which affected him greatly, and he began work on his 13940:

Emigrants from the Russian Empire to the United States

7460:

The complete catalog of Ampico reproducing piano rolls

7149: 7125: 7089: 7020: 6961: 6937: 6523: 6391:"Prelude to a kiss: Rachmaninov's Francesca da Rimini" 6264: 6178: 6176: 6161: 6085: 5778: 5776: 5051: 5049: 4239: 4237: 4105: 4103: 3209: 3207: 1891:, among others. His most popular song is the wordless 1827:; copyright in this had been extended to the composer 230: 13736: 6343: 6331: 6319: 3298: 3296: 3084:, and he himself celebrated his birthdate on 2 April. 3047: 3022: 3013: 3007: 3001: 2995: 2989: 2951: 2942: 2936: 2930: 2586: 1370:

Statue commemorating Rachmaninoff's last concert, in

1068:. Rachmaninoff, still in recovery from a case of the 1015:, Denmark, and, with the help of friend and composer 459:, in seventeen days. It premiered in May 1892 at the 353:

1885–1894: Moscow Conservatory and first compositions

7914:"Morphology of sesamoid bones in keyboard musicians" 6307: 6295: 6252: 5070: 5068: 2971: 2912: 2656:

advertisement from March 1921 featuring Rachmaninoff

2195:

A Russian Federation commemorative Rachmaninoff coin

1592:, Op. 40 (1926, revised 1928 and 1941)—and the 1468:

A major influence on Rachmaninoff as a composer was

13945:

Eastern Orthodox Christians from the Russian Empire

8009: 7453:(Revised ed.). New York: Simon & Schuster. 6931: 6618: 2983: 2980: 2924: 2921: 1431:. In his will, Rachmaninoff wished to be buried at 30:"Rachmaninoff" redirects here. For other uses, see 27:

Russian composer, pianist and conductor (1873–1943)

13950:Honorary members of the Royal Philharmonic Society 7701: 7678: 7655: 7629: 7603: 7577: 7509: 7486: 7415: 7381: 7355: 7308: 7285: 7262: 7178: 6849: 2730:in 1924 and 1929. He also made a recording of the 2035:Rachmaninoff's frequently used motifs include the 1854:of which is a memorial tribute to Tchaikovsky), a 1661:24 Preludes traversing all 24 major and minor keys 903:at its premiere in Saint Petersburg in late 1913. 341:. He recommended transferring Rachmaninoff to the 8010:Ramachandran, Manoj; Aronson, Jeffrey K. (2006). 7766: 3229: 2660:In 1920, Rachmaninoff signed a contract with the 1990:Rachmaninoff's style was initially influenced by 1330:1942–1943: Illness, move to California, and death 13796: 7610:(2nd ed.). New York: Simon & Schuster. 731:in 1905, during Rachmaninoff's time as conductor 8012:"The diagnosis of art: Rachmaninov's hand span" 7750:A Catalogue of the Compositions of Rachmaninoff 7743: 7393:The New Grove Dictionary of Music and Musicians 7176: 7010: 6513: 6242: 5865: 5763: 5735: 5314: 4988: 4772: 4648: 4584: 4517: 4462: 4446: 4410: 4362: 4342: 4326: 4310: 4294: 4275: 4192: 4176: 4160: 4090: 4055: 4039: 4027: 3995: 3523: 3500: 3449: 467:, who would go on to become a lifelong friend. 3058:[sʲɪrˈɡʲejvɐˈsʲilʲjɪvʲɪtɕrɐxˈmanʲɪnəf] 2092:. Further changes are apparent in the revised 2008:, the Second Piano Concerto, the E-flat major 673:1900–1906: Recovery, emergence, and conducting 482:publishing contract with Gutheil, under which 451:, a one-act opera based on the narrative poem 12528: 10090: 9087: 8413: 8293:Discography of American Historical Recordings 7446: 7225:. Santa Barbara: Greenwood Publishing Group. 6361: 5702:"About Wizard Horowitz, Who Will Return Soon" 3062: 3035: 2499:Rachmaninoff seated at a Steinway grand piano 1181:that criticised the cultural policies of the 646:, a Russian industrialist and founder of the 9018:Music written in all major and/or minor keys 7558:. Lebanon: University Press of New England. 7315:. Berkeley: University of California Press. 3182:Random House Webster's Unabridged Dictionary 3127:. U.S. Library of Congress. 21 November 1980 764:1906–1917: Move to Dresden and first US tour 517:where he composed several pieces, including 425:of 1891 when he contracted a severe case of 12542: 8079:(1973). "Sergei Rachmaninoff 1873 - 1943". 7493:. Seattle: University of Washington Press. 1938:"Vocalise" transcribed for violin and piano 1867:Rachmaninoff composed a total of 83 songs ( 1685:. Especially difficult are the two sets of 1545:List of compositions by Sergei Rachmaninoff 1192:Villa Senar, now open to the public, where 498:from his five-part piano composition piece 247:Rachmaninoff was born on 1 April [ 13955:Royal Philharmonic Society Gold Medallists 12535: 12521: 10097: 10083: 9094: 9080: 8420: 8406: 7880: 7830: 7780:(in Russian). Moscow: Progress Publisher. 7572: 7333:Rachmaninoff: Composer, Pianist, Conductor 7218: 6979: 6804: 6501: 5669: 5610: 3883: 786:, which served as the inspiration for his 49: 8534: 8336:International Music Score Library Project 8203: 8037: 7929: 7802: 7729:. Bloomington: Indiana University Press. 7722: 7650: 7624: 7598: 7530: 7457: 7181:Sergei Rachmaninoff – A Lifetime in Music 7071: 6788: 6772: 6756: 6697: 6639: 6449: 6214: 6047: 5654: 5626: 5566: 5512: 5484: 5351: 5218: 4972: 4533: 4482: 4394: 4011: 3782: 3718: 3539: 3433: 3401: 3385: 3353: 3264: 2016:), and the B minor Prelude (Op. 32, 1897:, which he later arranged for orchestra. 1817:(1904). He started three others, notably 1411:, he gave his last recital as a pianist. 945:, became one of his most popular pieces. 510:, which he dedicated to Rimsky-Korsakov. 251:20 March] 1873 into a family of 8017:Journal of the Royal Society of Medicine 7979:(1983). "Rakhmaninov's Apprenticeship". 7662:(3rd ed.). New York: W. W. Norton. 7551: 7516:. New York: William Morrow and Company. 7260: 7043: 6991: 6867: 6839: 6823: 6608: 6573: 6557: 6469: 6198: 6075: 6031: 6015: 5999: 5976: 5960: 5900: 5529: 5418: 4924: 4908: 4840: 4700: 4684: 4616: 4600: 4568: 4501: 4378: 4224: 3931: 3899: 3862: 3750: 3734: 3683: 3667: 3571: 3555: 3484: 3417: 3369: 3323: 3283: 3213: 2647: 2612:Journal of the Royal Society of Medicine 2547:grand piano at his home (1936 or before) 2538: 2494: 2190: 2168: 2164: 2026: 1983:) performed by Oksana Yevsyukova (piano) 1548: 1435:in Moscow, where Scriabin, Taneyev, and 1413: 1365: 1333: 1187: 1082: 978: 967:, Rachmaninoff's concert performance in 800: 722: 676: 596: 490:, and moved back with the Satins in the 380: 308: 234: 13865:20th-century Russian conductors (music) 8891: 8427: 8274:Sergei Rachmaninoff's Performance Diary 8054: 7507: 7484: 7396:. London: MacMillan. pp. 707–718. 7376: 7350: 7222:Sergei Rachmaninoff: A Bio-bibliography 7199: 7185:. New York: New York University Press. 7177:Bertensson, Sergei; Leyda, Jay (1956). 6883: 6716: 6592: 6541: 6485: 6433: 6414: 6258: 6226: 6151: 6135: 6091: 5941: 5884: 5849: 5833: 5817: 5801: 5719: 5685: 5594: 5545: 5496: 5449: 5402: 5386: 5330: 5266: 5234: 4259: 4243: 4109: 3798: 3194: 2224:(which is close to his birthplace) and 2202:Grove Dictionary of Music and Musicians 2173:Upper part of Rachmaninoff's statue by 1839:adheres to Pushkin's "little tragedy". 1455:inspiration for his Six Songs, Op. 38. 617:, who likened it to a depiction of the 198:from 1904–1906, and relocated to 14: 13797: 8359:Sergei Rachmaninoff archive, 1872-1992 8141: 8115: 7975: 7699: 7410: 7329: 7155: 7143: 7131: 7119: 7107: 7095: 7083: 7059: 7031: 6967: 6955: 6943: 6732: 6671: 6655: 6624: 6529: 6349: 6337: 6325: 6313: 6277: 6182: 6167: 6103: 5916: 5782: 5638: 5434: 5154: 5055: 5036: 5004: 4824: 4808: 4788: 4756: 4716: 4664: 4632: 4430: 3963: 3766: 3699: 3651: 3619: 3603: 3587: 3465: 3302: 3245: 1900: 1395:, were on 11 and 12 February with the 75:, Novgorod Governorate, Russian Empire 12516: 12444:Romanticism and the French Revolution 10078: 9075: 8401: 8315:Works by or about Sergei Rachmaninoff 8234:Goodbye Russia: Rachmaninoff in Exile 8175: 8075: 7962: 7676: 7292:. London: William Reeves Bookseller. 7265:Rachmaninoff: Life, Works, Recordings 6915: 6899: 6855: 6301: 6119: 6059: 5578: 5465: 5363: 5298: 5250: 5202: 5170: 5138: 5122: 5106: 4208: 3979: 3814: 3635: 3319: 3317: 3315: 3119: 3117: 3056: 2828:, as well as other composers such as 2595:noted that Rachmaninoff could play a 2104:style perfectly matched the texts by 1977:Élégie in E-flat minor (from the set 1221:his own home, Rachmaninoff completed 868:post was dismissed for being Jewish. 429:during his summer break at Ivanovka. 13900:Saint Petersburg Conservatory alumni 7306: 7283: 7239: 6373: 6289: 5754:. Paganinian Publications. Page 115. 5282: 5186: 5090: 5074: 5020: 4956: 4940: 4892: 4876: 4856: 4740: 4549: 4141: 4125: 4071: 3947: 3915: 3846: 3830: 3067:in Russian pre-revolutionary script. 2575:Second Polonaise, recorded in 1925. 1139:, which he had started in 1917, and 393:, their private country estate near 302:services where he first encountered 13870:20th-century Russian male musicians 13825:Classical composers of church music 9953:Tchaikovsky and the Belyayev circle 8178:"Rachmaninov and Marfan's syndrome" 7362:. Oxford: Oxford University Press. 2531:independence of fingers and hands. 1799:He completed three one-act operas: 1571:, Op. 1 (1891, revised 1917), 1377:Shortly after a performance at the 601:Rachmaninoff in 1897, the year his 231:1873–1885: Ancestry and early years 24: 13930:Deaths from melanoma in California 9101: 8342:Free scores by Sergei Rachmaninoff 8332:Free scores by Sergei Rachmaninoff 8222: 7708:. New York: Simon & Schuster. 3312: 3114: 2676:on their members in a strike over 2587:Hand size and medical speculations 2534: 2372:Problems playing these files? See 2264: 2073:deprived him of his homeland. The 523:(aka Suite No. 1, Op. 5) and 225: 25: 13976: 13880:Composers from the Russian Empire 8255: 7685:. Cheltenham: The History Press. 7269:. London: Bloomsbury Publishing. 2277:Prelude in C♯ minor, Op. 3, No. 2 2230:"Monument to Sergei Rachmaninoff" 1450:After Rachmaninoff's death, poet 1087:Rachmaninoff in front of a giant 313:Alexander Siloti and Rachmaninoff 218:, California, where he died from 13885:Pianists from the Russian Empire 13840:20th-century classical composers 13835:19th-century classical composers 13782: 13770: 13758: 13746: 13234: 12864: 12831: 12812: 12723: 12683: 12615: 12582: 12497: 12496: 10058: 10049: 10048: 9055: 9046: 9045: 8814:Variations on a Theme of Corelli 7658:The Lives of the Great Composers 6672:Abbott, Eileen (11 April 2019). 6665: 6383: 5745: 5695: 3096: 3087: 2967: 2908: 2691: 2670:American Federation of Musicians 2346: 2313: 2282: 2220:in Paris, as well as streets in 2145:Music theorist and musicologist 2116:Variations on a Theme of Corelli 1967: 1942: 1914: 1766:). It was the fifth movement of 1724:Variations on a Theme of Corelli 1299:in New York City with conductor 855:Imperial Russian Musical Society 829:, Op. 30, which he dedicated to 788:orchestral work of the same name 115: 13925:People from the Upper West Side 13875:Russian male conductors (music) 13860:19th-century conductors (music) 13855:Russian male classical pianists 13850:20th-century classical pianists 13845:19th-century classical pianists 10104: 8867:Morceau de Fantaisie in G minor 8777:Variations on a Theme of Chopin 8618:Rhapsody on a Theme of Paganini 8519:Piano Concerto No. 4 in G minor 8514:Piano Concerto No. 3 in D minor 8509:Piano Concerto No. 2 in C minor 8285: (archived 27 October 2009) 7700:Seroff, Victor Ilyitch (1950). 7450:The Victor Book of the Symphony 6932:Ramachandran & Aronson 2006 3080:21 March] 1873 on his 2763:American Piano Company (Ampico) 2732:Rhapsody on a Theme of Paganini 2606:, a hereditary disorder of the 2323:Playing the first 4 minutes of 2133:Rhapsody on a Theme of Paganini 2031:Rachmaninoff with a piano score 1718:Variations on a Theme of Chopin 1595:Rhapsody on a Theme of Paganini 1560:is famous for its grand chords. 1393:Rhapsody on a Theme of Paganini 1224:Rhapsody on a Theme of Paganini 1196:and Symphony No. 3 was composed 1194:Rhapsody on a Theme of Paganini 1161:to orchestrate pieces from his 1072:, included his arrangement of " 939:, Op. 34, whose final section, 717:Variations on a Theme of Chopin 681:Rachmaninoff in the early 1900s 126:Sergei Vasilyevich Rachmaninoff 9013:Sergei Rachmaninoff recordings 8649:Liturgy of St. John Chrysostom 8289:Sergei Rachmaninoff recordings 7723:Sylvester, Richard D. (2014). 7219:Cunningham, Robert E. (2001). 7200:Cannata, David Butler (1999). 3170: 3139: 3070: 3064:Сергѣй Васильевичъ Рахманиновъ 3049:Sergey Vasilyevich Rachmaninov 2895: 2850: 2662:Victor Talking Machine Company 2628:Sergei Rachmaninoff recordings 2364:. Recorded on 21 January 1921. 1753:Liturgy of St. John Chrysostom 1118:of Manhattan, overlooking the 1104:Victor Talking Machine Company 860:Liturgy of St. John Chrysostom 13: 1: 13915:People from Starorussky Uyezd 13307:Arturo Benedetti Michelangeli 12467:Wanderer above the Sea of Fog 8782:Piano Sonata No. 1 in D minor 7531:Riesemann, Oskar von (1934). 7422:The Oxford Companion to Music 7204:. Innsbruck: Studien Verlag. 7202:Rachmaninoff and The Symphony 3230:Unbegaun & Uspenskiĭ 1989 2858:Eastern Slavic naming customs 2839: 2621: 2362:Waltz in E-flat major, Op. 18 2342:Waltz in E-flat major, Op. 18 1910:Étude-Tableau in E-flat minor 1746:Rachmaninoff wrote two major 1463: 1403:, and on 17 February, at the 1324:Philadelphia Academy of Music 1110:. During a family holiday in 1053:hotel, where he was staying. 1031:Cincinnati Symphony Orchestra 983:Rachmaninoff and Struve, 1918 284:Saint Petersburg Conservatory 32:Rachmaninoff (disambiguation) 13890:Russian male opera composers 8346:Choral Public Domain Library 8306:Works by Sergei Rachmaninoff 7489:Rachmaninov Orchestral Music 7447:O'Connell, Charles (1941) . 3324:Risemann, Oskar von (1934). 3108: 3037:Сергей Васильевич Рахманинов 2776: 2478: 2211:Lives of the Great Composers 1727:(Op. 42). He wrote two 1001:and Rimsky-Korsakov's opera 648:Moscow Private Russian Opera 7: 13935:Burials at Kensico Cemetery 9996:Gothic Revival architecture 8268:Performances and Recordings 7823: 7807:. London: Haus Publishing. 7803:Wehrmeyer, Andreas (2004). 7772:Uspenskiĭ, Boris Andreevich 7636:. New York: Vintage Books. 7420:. In Latham, Alison (ed.). 7336:. Aldershot: Scolar Press. 7011:Bertensson & Leyda 1956 6514:Bertensson & Leyda 1956 6243:Bertensson & Leyda 1956 5866:Bertensson & Leyda 1956 5764:Bertensson & Leyda 1956 5736:Bertensson & Leyda 1956 5315:Bertensson & Leyda 1956 4989:Bertensson & Leyda 1956 4773:Bertensson & Leyda 1956 4649:Bertensson & Leyda 1956 4585:Bertensson & Leyda 1956 4518:Bertensson & Leyda 1956 4463:Bertensson & Leyda 1956 4447:Bertensson & Leyda 1956 4411:Bertensson & Leyda 1956 4363:Bertensson & Leyda 1956 4343:Bertensson & Leyda 1956 4327:Bertensson & Leyda 1956 4311:Bertensson & Leyda 1956 4295:Bertensson & Leyda 1956 4276:Bertensson & Leyda 1956 4193:Bertensson & Leyda 1956 4177:Bertensson & Leyda 1956 4161:Bertensson & Leyda 1956 4091:Bertensson & Leyda 1956 4056:Bertensson & Leyda 1956 4040:Bertensson & Leyda 1956 4028:Threlfall & Norris 1982 3996:Bertensson & Leyda 1956 3524:Bertensson & Leyda 1956 3501:Bertensson & Leyda 1956 3450:Bertensson & Leyda 1956 3048: 2748:, and his orchestration of 1924:Karine Gilanyan performing 1697:, which are very demanding 1679:ten preludes in Op. 23 843:New York Symphony Orchestra 541:to conduct performances of 349:, which lasted until 1888. 10: 13981: 13895:Moscow Conservatory alumni 13820:Russian Romantic composers 12384:Coleridge's theory of life 9937:Neue Zeitschrift für Musik 9112:List of Romantic composers 8992:Conservatoire Rachmaninoff 8726:Suite No. 2 for two pianos 8721:Suite No. 1 for two pianos 8030:10.1177/014107680609901015 7462:. New York: Vestal Press. 7458:Obenchain, Elaine (1987). 7243:Rachmaninoff and His World 7164: 3152:Collins English Dictionary 2856:In this name that follows 2625: 2257: 2218:Conservatoire Rachmaninoff 1615:, Op. 27 (1907), and 1585:, Op. 30 (1909), and 1542: 1397:Chicago Symphony Orchestra 1202:Clairefontaine-en-Yvelines 960:Social Revolutionary Party 839:Northampton, Massachusetts 805:Rachmaninoff proofing his 239:Rachmaninoff at age 10 in 29: 13634: 13581: 13379: 13167: 12883: 12550: 12476: 12439:Romanticism and economics 12376: 12268: 12015: 11837: 11782: 11751: 11675: 11624: 11573: 11532: 11441: 11385: 11349: 11303: 11294: 11139: 11083: 11032: 10991: 10950: 10904: 10846: 10716: 10595: 10517: 10454:Manuel Antônio de Almeida 10436: 10427: 10313: 10181: 10112: 10028: 9973: 9918: 9852: 9831: 9118: 9109: 9041: 9005: 8984: 8748: 8685: 8634: 8566:Symphony No. 3 in A minor 8554:Symphony No. 2 in E minor 8549:Symphony No. 1 in D minor 8527: 8498:Piano Concerto No. 1 in F 8490: 8444: 8435: 8369:"Discovering Rachmaninov" 8196:10.1136/bmj.293.6562.1624 8093:10.1017/S004029820005748X 7704:Rachmaninoff: A Biography 7552:Robinson, Harlow (2007). 7485:Piggott, Patrick (1974). 7288:Rachmaninoff: A Biography 3063: 3036: 2690: 2685: 2543:Rachmaninoff playing his 2411:B-flat minor Piano Sonata 1578:, Op. 18 (1900–01), 823:Boston Symphony Orchestra 611:Russian Symphony Concerts 114: 109: 99: 80: 60: 48: 41: 13920:Musicians from Manhattan 13910:Pupils of Sergei Taneyev 13905:Pupils of Nikolai Zverev 12983:Dietrich Fischer-Dieskau 10219:German historical school 9958:Tchaikovsky and The Five 8854:Piece (Canon) in D minor 8176:Young, D. A. B. (1986). 7752:. London: Scolar Press. 7169: 7110:, p. 516–517. 7062:, pp. 498–499, 505. 6735:, pp. 368, 403–406. 6292:, pp. 104, 113–116. 2844: 2503:Of Rachmaninoff's tone, 2329:Hungarian Rhapsody No. 2 2309:Hungarian Rhapsody No. 2 1665:Prelude in C-sharp minor 1538: 1458: 1418:Rachmaninoff's grave at 1246:about a ballet based on 1145:, which he dedicated to 1074:The Star-Spangled Banner 1066:Providence, Rhode Island 955:February 1917 Revolution 496:Prelude in C-sharp minor 323:Pyotr Ilyich Tchaikovsky 13637:record label executives 12899:Victoria de los Ángeles 12544:Gramophone Hall of Fame 10866:Józef Ignacy Kraszewski 8795:Piano Sonata No. 2 in B 8716:Cello Sonata in G minor 8183:British Medical Journal 8057:College Music Symposium 7768:Unbegaun, Boris Ottokar 7677:Scott, Michael (2011). 7537:. New York: Macmillan. 7508:Plaskin, Glenn (1983). 7330:Martyn, Barrie (1990). 7086:, pp. 509–10, 519. 5710:, 18 April 1943, p. 66. 2697:Rachmaninoff performing 2490: 1823:, based on the work by 1721:(Op. 22), and the 1683:thirteen in Op. 32 1405:University of Tennessee 1058:Dagmar de Corval Rybner 414:and the symphonic poem 300:Russian Orthodox Church 261:Stephen III of Moldavia 153:Russian classical music 68:20 March] 1873 13965:Edison Records artists 13960:Victor Records artists 12449:Romanticism in science 12404:Middle Ages in history 12399:List of Romantic poets 11111:Josiah Gilbert Holland 9981:Common practice period 7989:(1688): 602–603, 605. 7307:Maes, Francis (2002). 7261:Harrison, Max (2006). 2791:Alexander Goldenweiser 2736:Philadelphia Orchestra 2720:Philadelphia Orchestra 2657: 2548: 2523: 2500: 2331:. Recorded in 1919 by 2269: 2196: 2188: 2175:Alexandr Rukavishnikov 2032: 1963:Élégie in E-flat minor 1864:for violin and piano. 1608:, Op. 13 (1895), 1561: 1423: 1374: 1339: 1297:Philadelphia Orchestra 1284:'s war effort against 1197: 1092: 984: 814: 732: 682: 619:seven plagues of Egypt 606: 386: 314: 244: 155:. Early influences of 13551:Mstislav Rostropovich 13123:Elisabeth Schwarzkopf 12855:Michael Tilson Thomas 12419:Romantic epistemology 12409:Opium and Romanticism 10978:Stojadinović-Srpkinja 10204:Counter-Enlightenment 8997:Rachmaninoff (crater) 8757:Morceaux de fantaisie 8148:The Musical Quarterly 7931:10.5603/FM.a2020.0066 7850:10.1353/not.2007.0058 7512:Horowitz: A Biography 7417:"Rakhmaninov, Sergey" 7383:"Rachmaninoff, Serge" 7284:Lyle, Watson (1939). 6745:Dąbrowski et al. 2021 5707:The Milwaukee Journal 3027:-nin-awf, -⁠off 2742:, his symphonic poem 2651: 2542: 2509: 2498: 2268: 2194: 2172: 2165:Reputation and legacy 2030: 1980:Morceaux de fantaisie 1709:. There are also the 1674:Morceaux de fantaisie 1552: 1417: 1369: 1337: 1191: 1086: 1051:The Sherry-Netherland 982: 804: 726: 680: 600: 501:Morceaux de fantaisie 384: 376:earliest compositions 369:in counterpoint, and 331:Grand Duke Konstantin 312: 238: 13635:Producers/engineers/ 13102:Anne Sofie von Otter 12693:Nikolaus Harnoncourt 12483:Age of Enlightenment 10125:England (literature) 10018:Romantic nationalism 9964:War of the Romantics 8771:Six moments musicaux 8438:List of compositions 7832:Burkholder, J. Peter 7652:Schonberg, Harold C. 7626:Schonberg, Harold C. 7600:Schonberg, Harold C. 2094:First Piano Concerto 2063:Third Piano Concerto 1735:), a version of the 1712:Six moments musicaux 1653:The Isle of the Dead 1500:First Piano Concerto 1433:Novodevichy Cemetery 1409:Knoxville, Tennessee 1372:Knoxville, Tennessee 1310:Huntington, New York 1276:was able to pay the 1137:Piano Concerto No. 4 827:Piano Concerto No. 3 807:Piano Concerto No. 3 779:The Isle of the Dead 662:Morceau de Fantaisie 591:Six moments musicaux 192:Piano Concerto No. 2 104:List of compositions 55:Rachmaninoff in 1921 13830:Composers for piano 13805:Sergei Rachmaninoff 13625:The Tallis Scholars 13590:Alban Berg Quartett 13328:Sergei Rachmaninoff 13046:Dmitri Hvorostovsky 12714:Herbert von Karajan 12700:Christopher Hogwood 12674:Carlo Maria Giulini 12667:John Eliot Gardiner 12660:Wilhelm Furtwängler 12434:Romantic psychology 10229:Hudson River School 10173:Sweden (literature) 10158:Russia (literature) 10013:Musical nationalism 9931:Musical nationalism 8873:Fughetta in F major 8860:Four Improvisations 8670:Three Russian Songs 8467:Francesca da Rimini 8429:Sergei Rachmaninoff 8389:Sergei Rachmaninoff 8380:Sergei Rachmaninoff 8363:Library of Congress 8190:(6562): 1624–1626. 8161:10.1093/mq/LV.3.313 7744:Threlfall, Robert; 7584:. New York: Knopf. 7146:, pp. 526–531. 7122:, pp. 518–519. 6050:, pp. 111–112. 5657:, p. 103, 126. 5437:, pp. 292–293. 2882:Library of Congress 2878:Sergei Rachmaninoff 2292:Playing his famous 2252:Library of Congress 2207:Harold C. Schonberg 1901:Compositional style 1841:Francesca da Rimini 1825:Maurice Maeterlinck 1814:Francesca da Rimini 1789:Three Russian Songs 1762:(also known as the 1715:(Op. 16), the 1650:(Op. 12), and 1553:The cadenza of the 1502:. His first opera, 1494:, and his youthful 1399:under the baton of 1142:Three Russian Songs 1091:in California, 1919 1004:The Golden Cockerel 749:Francesca da Rimini 658:Camille Saint-Saëns 547:Tchaikovsky's death 531:Aleksey Pleshcheyev 473:Arseny Koreshchenko 343:Moscow Conservatory 253:Russian aristocracy 184:Moscow Conservatory 175:textures, and rich 128:(1 April [ 43:Sergei Rachmaninoff 13611:The King's Singers 13544:Jean-Pierre Rampal 13516:Anne-Sophie Mutter 13335:Sviatoslav Richter 13232:Marc-André Hamelin 13197:Vladimir Ashkenazy 12927:Montserrat Caballé 12632:Sergiu Celibidache 10419:White Mountain art 10360:Historical fiction 10168:Spain (literature) 9926:Indianist movement 9844:Romantic orchestra 8972:Prelude in F major 8579:Scherzo in D minor 8460:The Miserly Knight 7918:Folia Morphologica 7606:The Great Pianists 7574:Rubinstein, Arthur 6958:, p. 439–440. 2738:, playing his own 2716:Piano Sonata No. 2 2701:Piano Sonata No. 2 2658: 2549: 2501: 2462:Anton Rubinstein's 2270: 2197: 2189: 2083:Serge Koussevitsky 2071:October Revolution 2033: 1837:The Miserly Knight 1808:The Miserly Knight 1794:Concerto for Choir 1562: 1452:Marietta Shaginyan 1445:Valhalla, New York 1424: 1375: 1340: 1261:Promenade concerts 1198: 1178:The New York Times 1093: 1007:. They arrived in 985: 973:October Revolution 929:Alexander Scriabin 888:Konstantin Balmont 815: 743:The Miserly Knight 733: 711:Anatoliy Brandukov 683: 653:Samson and Delilah 627:Alexander Ossovsky 623:Alexander Glazunov 607: 520:Fantaisie-Tableaux 387: 359:Alexander Scriabin 319:pernicious anaemia 315: 245: 207:Russian Revolution 94:, California, U.S. 64:1 April [ 13734: 13733: 13725:Kenneth Wilkinson 13706:Goddard Lieberson 13425:Jacqueline du Pré 13342:Arthur Rubinstein 13251:Vladimir Horowitz 13109:Luciano Pavarotti 12841:Leopold Stokowski 12775:Yevgeny Mravinsky 12754:Charles Mackerras 12592:Leonard Bernstein 12510: 12509: 12424:Romantic medicine 12394:List of romantics 11833: 11832: 11484:Felix Mendelssohn 11479:Fanny Mendelssohn 11290: 11289: 11004:Rosalía de Castro 10942:Soares dos Passos 10290:Transcendentalism 10254:Nazarene movement 10214:Düsseldorf School 10072: 10071: 9943:New German School 9538:Felix Mendelssohn 9533:Fanny Mendelssohn 9069: 9068: 8980: 8979: 8764:Morceaux de salon 8694:Morceaux de salon 8574: 8573: 8310:Project Gutenberg 8247:978-0-571-37113-6 7982:The Musical Times 7884:The Musical Times 7814:978-1-904341-50-5 7787:978-5-01-001045-4 7759:978-0-859-67617-5 7736:978-0-2530-1259-3 7715:978-0-836-98034-9 7692:978-0-7524-7242-3 7669:978-0-349-10972-5 7643:978-0-394-75532-8 7617:978-0-393-03857-6 7565:978-1-555-53686-2 7544:978-0-83695-232-2 7523:978-0-688-01616-6 7500:978-0-295-95308-3 7431:978-0-198-66212-9 7403:978-0-333-23111-1 7369:978-0-198-16488-3 7343:978-0-859-67809-4 7322:978-0-520-21815-4 7299:978-0-404-13003-9 7276:978-0-826-49312-5 7253:978-0-226-82374-4 7232:978-0-313-30907-6 7211:978-3-706-51240-4 7192:978-0-814-70044-0 5487:, pp. 89–90. 3337:978-0-83695-232-2 3046: 2759:reproducing piano 2728:Leopold Stokowski 2706: 2705: 2608:connective tissue 2505:Arthur Rubinstein 2351: 2318: 2287: 2247:World's Fair Park 2159:Arnold Schoenberg 1972: 1947: 1919: 1877:Mikhail Lermontov 1873:Alexander Pushkin 1861:Morceaux de salon 1750:choral works—the 1733:Fantasie-Tableaux 1519:The influence of 1482:, which emulates 1259:, founder of the 1253:Royal Albert Hall 1159:Ottorino Respighi 1154:Vladimir Horowitz 1147:Leopold Stokowski 910:of an unexpected 845:was conducted by 526:Morceaux de salon 457:Alexander Pushkin 123: 122: 16:(Redirected from 13972: 13787: 13786: 13785: 13775: 13774: 13773: 13763: 13762: 13751: 13750: 13749: 13742: 13727: 13720: 13715: 13708: 13701: 13694: 13687: 13682: 13675: 13668: 13661: 13654: 13647: 13627: 13620: 13613: 13606: 13599: 13592: 13574: 13567: 13560: 13553: 13546: 13539: 13532: 13525: 13518: 13511: 13504: 13497: 13490: 13483: 13476: 13469: 13462: 13455: 13448: 13441: 13434: 13427: 13420: 13413: 13406: 13399: 13392: 13382:woodwind players 13372: 13365: 13358: 13351: 13344: 13337: 13330: 13323: 13321:Maurizio Pollini 13316: 13309: 13302: 13295: 13288: 13281: 13279:Gustav Leonhardt 13274: 13267: 13260: 13253: 13246: 13239: 13238: 13227: 13220: 13213: 13206: 13199: 13192: 13185: 13178: 13176:Leif Ove Andsnes 13160: 13158:Fritz Wunderlich 13153: 13146: 13139: 13132: 13125: 13118: 13111: 13104: 13097: 13090: 13083: 13076: 13069: 13067:Simon Keenlyside 13062: 13055: 13053:Gundula Janowitz 13048: 13041: 13034: 13027: 13020: 13013: 13011:Nicolai Ghiaurov 13006: 13004:Angela Gheorghiu 12999: 12992: 12990:Kirsten Flagstad 12985: 12978: 12976:Kathleen Ferrier 12971: 12964: 12957: 12955:Feodor Chaliapin 12950: 12943: 12936: 12929: 12922: 12915: 12908: 12901: 12894: 12876: 12869: 12868: 12862:Arturo Toscanini 12857: 12850: 12843: 12836: 12835: 12824: 12817: 12816: 12805: 12798: 12791: 12784: 12777: 12770: 12763: 12761:Neville Marriner 12756: 12749: 12742: 12735: 12728: 12727: 12716: 12709: 12702: 12695: 12688: 12687: 12676: 12669: 12662: 12655: 12648: 12641: 12639:Riccardo Chailly 12634: 12627: 12625:Benjamin Britten 12620: 12619: 12608: 12601: 12594: 12587: 12586: 12575: 12573:Daniel Barenboim 12568: 12561: 12537: 12530: 12523: 12514: 12513: 12500: 12499: 12459:Evolution theory 11301: 11300: 10434: 10433: 10295:Ukrainian school 10099: 10092: 10085: 10076: 10075: 10062: 10052: 10051: 9948:Post-romanticism 9813:Vaughan Williams 9096: 9089: 9082: 9073: 9072: 9059: 9049: 9048: 8967:Preludes, Op. 32 8910:Preludes, Op. 23 8904: 8903: 8889: 8888: 8838:Lento in D minor 8831: 8830: 8800: 8799: 8732:Russian Rhapsody 8625:Symphonic Dances 8611:Isle of the Dead 8604:Caprice bohémien 8590:Prince Rostislav 8584:Suite in D minor 8532: 8531: 8503: 8502: 8422: 8415: 8408: 8399: 8398: 8376: 8328: 8319:Internet Archive 8251: 8217: 8207: 8172: 8138: 8112: 8072: 8051: 8041: 8006: 7977:Norris, Geoffrey 7972: 7959: 7933: 7908: 7897:10.2307/25434403 7877: 7818: 7799: 7763: 7746:Norris, Geoffrey 7740: 7719: 7707: 7696: 7684: 7673: 7661: 7647: 7635: 7621: 7609: 7595: 7583: 7569: 7548: 7527: 7515: 7504: 7492: 7481: 7454: 7443: 7419: 7412:Norris, Geoffrey 7407: 7385: 7378:Norris, Geoffrey 7373: 7361: 7352:Norris, Geoffrey 7347: 7326: 7314: 7303: 7291: 7280: 7268: 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3243: 3237: 3227: 3221: 3211: 3202: 3192: 3186: 3174: 3168: 3167: 3165: 3163: 3143: 3137: 3136: 3134: 3132: 3121: 3103: 3100: 3094: 3091: 3085: 3074: 3068: 3066: 3065: 3060: 3055: 3051: 3041: 3039: 3038: 3026: 3020: 3019: 3016: 3015: 3012: 3009: 3004: 3003: 3000: 2997: 2994: 2991: 2988: 2985: 2982: 2979: 2976: 2973: 2966: 2955: 2949: 2948: 2945: 2944: 2941: 2938: 2935: 2932: 2929: 2926: 2923: 2920: 2917: 2914: 2907: 2899: 2893: 2854: 2745:Isle of the Dead 2695: 2694: 2683: 2682: 2678:royalty payments 2581:Ferruccio Busoni 2554:Feodor Chaliapin 2409:, including the 2399:Ferruccio Busoni 2383:Leopold Godowsky 2353: 2352: 2320: 2319: 2299: 2298: 2289: 2288: 2278: 2267: 2183: 2139:Symphonic Dances 2124: 2019: 2015: 1974: 1973: 1949: 1948: 1921: 1920: 1741:Russian Rhapsody 1737:Symphonic Dances 1670: 1647:Caprice bohémien 1635:Prince Rostislav 1625:Symphonic Dances 1619: 1612: 1605: 1589: 1582: 1575: 1569:in F-sharp minor 1568: 1558: 1525:Prince Rostislav 1491:Romeo and Juliet 1479:Prince Rostislav 1441:Kensico Cemetery 1420:Kensico Cemetery 1319:Symphonic Dances 1248:Niccolò Paganini 1232: 1227:in 1934 and the 1212:on the banks of 1112:Goshen, New York 1025: 874:Piazza di Spagna 796:Sergei Diaghilev 695: 560: 545:, he learned of 465:Feodor Chaliapin 444: 439: 417:Prince Rostislav 406: 335:Alexander Siloti 241:Saint Petersburg 119: 87: 53: 39: 38: 21: 13980: 13979: 13975: 13974: 13973: 13971: 13970: 13969: 13795: 13794: 13793: 13783: 13781: 13771: 13769: 13757: 13753:Classical music 13747: 13745: 13737: 13735: 13730: 13723: 13718: 13711: 13704: 13697: 13690: 13685: 13678: 13671: 13664: 13657: 13650: 13643: 13636: 13630: 13623: 13616: 13609: 13604:Beaux Arts Trio 13602: 13597:Amadeus Quartet 13595: 13588: 13577: 13570: 13563: 13556: 13549: 13542: 13535: 13528: 13521: 13514: 13509:Nathan Milstein 13507: 13500: 13493: 13488:Wynton Marsalis 13486: 13479: 13472: 13465: 13460:Steven Isserlis 13458: 13451: 13444: 13439:Arthur Grumiaux 13437: 13430: 13423: 13418:Kyung Wha Chung 13416: 13409: 13402: 13395: 13388: 13381: 13375: 13368: 13363:Grigory Sokolov 13361: 13354: 13347: 13340: 13333: 13326: 13319: 13312: 13305: 13298: 13291: 13284: 13277: 13270: 13263: 13256: 13249: 13242: 13230: 13225:Friedrich Gulda 13223: 13216: 13209: 13202: 13195: 13188: 13183:Martha Argerich 13181: 13174: 13163: 13156: 13149: 13142: 13135: 13130:Joan Sutherland 13128: 13121: 13114: 13107: 13100: 13093: 13086: 13079: 13072: 13065: 13058: 13051: 13044: 13037: 13030: 13023: 13016: 13009: 13002: 12995: 12988: 12981: 12974: 12969:Plácido Domingo 12967: 12960: 12953: 12946: 12939: 12932: 12925: 12918: 12913:Cecilia Bartoli 12911: 12904: 12897: 12890: 12879: 12872: 12860: 12853: 12846: 12839: 12827: 12820: 12808: 12801: 12796:Antonio Pappano 12794: 12787: 12780: 12773: 12766: 12759: 12752: 12745: 12738: 12731: 12719: 12712: 12705: 12698: 12691: 12681:Bernard Haitink 12679: 12672: 12665: 12658: 12653:Gustavo Dudamel 12651: 12644: 12637: 12630: 12623: 12611: 12604: 12597: 12590: 12578: 12571: 12566:John Barbirolli 12564: 12557: 12546: 12541: 12511: 12506: 12505: 12494: 12486: 12472: 12429:Romantic poetry 12414:Romantic ballet 12389:German idealism 12372: 12338:Lacoue-Labarthe 12264: 12011: 11829: 11778: 11747: 11728:Rimsky-Korsakov 11671: 11620: 11569: 11528: 11437: 11381: 11345: 11286: 11135: 11079: 11028: 10987: 10946: 10900: 10842: 10783:Maria Edgeworth 10719: 10712: 10591: 10513: 10423: 10402:Romantic genius 10332:Gesamtkunstwerk 10309: 10270:Sturm und Drang 10177: 10108: 10103: 10073: 10068: 10045: 10041:Modernist music 10037: 10034:Classical music 10024: 9969: 9914: 9895:Romantic ballet 9890:Orchestral song 9870:Chorale prelude 9865:Character piece 9848: 9839:Romantic guitar 9832:Instrumentation 9827: 9663:Rimsky-Korsakov 9283:Ferdinand David 9120: 9114: 9105: 9100: 9070: 9065: 9037: 9023:Ivanovka estate 9001: 8976: 8901: 8900: 8887: 8849:Three Nocturnes 8828: 8827: 8807:Études-Tableaux 8797: 8796: 8788:Études-Tableaux 8744: 8739:Polka Italienne 8681: 8642:All-Night Vigil 8630: 8570: 8523: 8500: 8499: 8486: 8440: 8431: 8426: 8382:discography at 8367: 8326: 8283:Wayback Machine 8258: 8248: 8238:Faber and Faber 8230:Maddocks, Fiona 8228: 8225: 8223:Further reading 8220: 8024:(10): 529–530. 7965:Musical Opinion 7891:(1896): 44–50. 7826: 7821: 7815: 7788: 7777:Русские фамилии 7760: 7737: 7716: 7693: 7670: 7644: 7618: 7592: 7566: 7545: 7524: 7501: 7470: 7432: 7404: 7370: 7344: 7323: 7300: 7277: 7254: 7233: 7212: 7193: 7172: 7167: 7162: 7154: 7150: 7142: 7138: 7130: 7126: 7118: 7114: 7106: 7102: 7094: 7090: 7082: 7078: 7070: 7066: 7058: 7054: 7042: 7038: 7030: 7021: 7009: 7002: 6990: 6986: 6980:Burkholder 2007 6978: 6974: 6966: 6962: 6954: 6950: 6942: 6938: 6930: 6926: 6914: 6910: 6898: 6894: 6882: 6878: 6866: 6862: 6854: 6850: 6838: 6834: 6822: 6815: 6805:Rubinstein 1980 6803: 6799: 6787: 6783: 6771: 6767: 6755: 6751: 6743: 6739: 6731: 6727: 6715: 6708: 6696: 6692: 6682: 6680: 6670: 6666: 6654: 6650: 6638: 6631: 6623: 6619: 6607: 6603: 6591: 6584: 6572: 6568: 6556: 6552: 6540: 6536: 6528: 6524: 6512: 6508: 6502:Carruthers 2006 6500: 6496: 6484: 6480: 6468: 6464: 6448: 6444: 6432: 6425: 6413: 6409: 6399: 6397: 6389: 6388: 6384: 6372: 6368: 6360: 6356: 6348: 6344: 6336: 6332: 6324: 6320: 6312: 6308: 6300: 6296: 6288: 6284: 6276: 6265: 6257: 6253: 6241: 6237: 6225: 6221: 6213: 6209: 6197: 6193: 6181: 6174: 6166: 6162: 6150: 6146: 6134: 6130: 6118: 6114: 6102: 6098: 6090: 6086: 6074: 6070: 6058: 6054: 6046: 6042: 6030: 6026: 6014: 6010: 5998: 5991: 5975: 5971: 5959: 5952: 5940: 5927: 5915: 5911: 5899: 5895: 5883: 5876: 5864: 5860: 5848: 5844: 5832: 5828: 5816: 5812: 5800: 5793: 5781: 5774: 5762: 5758: 5750: 5746: 5734: 5730: 5718: 5714: 5700: 5696: 5684: 5680: 5670:Cunningham 2001 5668: 5661: 5653: 5649: 5637: 5633: 5625: 5621: 5611:Cunningham 2001 5609: 5605: 5593: 5589: 5577: 5573: 5565: 5556: 5544: 5540: 5528: 5519: 5511: 5507: 5495: 5491: 5483: 5476: 5464: 5460: 5448: 5441: 5433: 5429: 5417: 5413: 5401: 5397: 5385: 5374: 5362: 5358: 5350: 5341: 5329: 5325: 5313: 5309: 5297: 5293: 5281: 5277: 5265: 5261: 5249: 5245: 5233: 5229: 5217: 5213: 5201: 5197: 5185: 5181: 5169: 5165: 5153: 5149: 5137: 5133: 5121: 5117: 5105: 5101: 5089: 5085: 5073: 5066: 5054: 5047: 5035: 5031: 5019: 5015: 5003: 4999: 4987: 4983: 4971: 4967: 4955: 4951: 4939: 4935: 4923: 4919: 4907: 4903: 4891: 4887: 4875: 4871: 4855: 4851: 4839: 4835: 4823: 4819: 4807: 4803: 4787: 4783: 4771: 4767: 4755: 4751: 4739: 4735: 4715: 4711: 4699: 4695: 4683: 4679: 4663: 4659: 4647: 4643: 4631: 4627: 4615: 4611: 4599: 4595: 4583: 4579: 4567: 4560: 4548: 4544: 4532: 4528: 4516: 4512: 4500: 4493: 4481: 4477: 4461: 4457: 4445: 4441: 4429: 4425: 4409: 4405: 4393: 4389: 4377: 4373: 4361: 4357: 4341: 4337: 4325: 4321: 4309: 4305: 4293: 4286: 4274: 4270: 4258: 4254: 4242: 4235: 4223: 4219: 4207: 4203: 4191: 4187: 4175: 4171: 4159: 4152: 4140: 4136: 4124: 4120: 4108: 4101: 4089: 4082: 4070: 4066: 4054: 4050: 4038: 4034: 4026: 4022: 4010: 4006: 3994: 3990: 3978: 3974: 3962: 3958: 3946: 3942: 3930: 3926: 3914: 3910: 3898: 3894: 3884:Cunningham 2001 3882: 3873: 3861: 3857: 3845: 3841: 3829: 3825: 3813: 3809: 3797: 3793: 3781: 3777: 3765: 3761: 3749: 3745: 3733: 3729: 3717: 3710: 3698: 3694: 3682: 3678: 3666: 3662: 3650: 3646: 3634: 3630: 3618: 3614: 3602: 3598: 3586: 3582: 3570: 3566: 3554: 3550: 3538: 3534: 3522: 3511: 3499: 3495: 3483: 3476: 3464: 3460: 3448: 3444: 3432: 3428: 3416: 3412: 3400: 3396: 3384: 3380: 3368: 3364: 3352: 3345: 3338: 3322: 3313: 3301: 3294: 3282: 3275: 3263: 3256: 3244: 3240: 3228: 3224: 3212: 3205: 3193: 3189: 3175: 3171: 3161: 3159: 3145: 3144: 3140: 3130: 3128: 3123: 3122: 3115: 3111: 3106: 3101: 3097: 3092: 3088: 3075: 3071: 3053: 3024: 3006: 2970: 2961: 2960: 2953: 2911: 2902: 2901: 2900: 2896: 2855: 2851: 2847: 2842: 2822:Rimsky-Korsakov 2795:Nikolai Medtner 2779: 2692: 2630: 2624: 2604:Marfan syndrome 2589: 2537: 2535:Interpretations 2493: 2481: 2391:Moriz Rosenthal 2379: 2378: 2370: 2368: 2367: 2366: 2365: 2358:Frédéric Chopin 2354: 2347: 2344: 2338: 2337: 2336: 2321: 2314: 2311: 2305: 2304: 2303: 2296: 2295: 2290: 2283: 2280: 2276: 2271: 2265: 2260: 2222:Veliky Novgorod 2186:Veliky Novgorod 2177: 2167: 2122: 2121:Piano Concerto 2098:Études-Tableaux 2055:Second Symphony 2017: 2013: 2003:choral symphony 1988: 1987: 1986: 1985: 1984: 1975: 1968: 1965: 1959: 1958: 1957: 1950: 1943: 1940: 1934: 1933: 1932: 1931:, Op. 39, No. 5 1929:in E-flat minor 1922: 1915: 1912: 1903: 1889:Aleksey Tolstoy 1792:; and an early 1772:choral symphony 1768:All-Night Vigil 1759:All-Night Vigil 1687:Études-Tableaux 1668: 1656:(Op. 29). 1630:symphonic poems 1617: 1610: 1603: 1587: 1580: 1573: 1566: 1556: 1555:Piano Concerto 1547: 1541: 1533:Rimsky-Korsakov 1496:Three Nocturnes 1466: 1461: 1361:Igor Stravinsky 1332: 1230: 1171:Études-Tableaux 1168:(1911) and the 1164:Études-Tableaux 1132: 1116:Upper West Side 1019: 953:On the day the 951: 922:All-Night Vigil 916:First World War 892:choral symphony 878:Edgar Allan Poe 811:Ivanovka estate 766: 757:1905 Revolution 729:Bolshoi Theatre 693: 692:Piano Concerto 675: 569: 558: 488:Kostroma Oblast 461:Bolshoi Theatre 442: 437: 404: 403:Piano Concerto 378:can be traced. 355: 233: 228: 226:Life and career 196:Bolshoi Theatre 161:Rimsky-Korsakov 95: 89: 85: 76: 69: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 13978: 13968: 13967: 13962: 13957: 13952: 13947: 13942: 13937: 13932: 13927: 13922: 13917: 13912: 13907: 13902: 13897: 13892: 13887: 13882: 13877: 13872: 13867: 13862: 13857: 13852: 13847: 13842: 13837: 13832: 13827: 13822: 13817: 13812: 13807: 13792: 13791: 13779: 13767: 13755: 13732: 13731: 13729: 13728: 13721: 13716: 13709: 13702: 13695: 13688: 13686:Alain Lanceron 13683: 13676: 13669: 13666:C. Robert Fine 13662: 13655: 13652:Bernard Coutaz 13648: 13645:Emile Berliner 13640: 13638: 13632: 13631: 13629: 13628: 13621: 13618:Takács Quartet 13614: 13607: 13600: 13593: 13585: 13583: 13579: 13578: 13576: 13575: 13568: 13565:Andrés Segovia 13561: 13554: 13547: 13540: 13537:Itzhak Perlman 13533: 13530:Emmanuel Pahud 13526: 13523:David Oistrakh 13519: 13512: 13505: 13502:Yehudi Menuhin 13498: 13495:Albrecht Mayer 13491: 13484: 13477: 13470: 13467:Fritz Kreisler 13463: 13456: 13453:Heinz Holliger 13449: 13446:Jascha Heifetz 13442: 13435: 13428: 13421: 13414: 13407: 13400: 13393: 13385: 13383: 13377: 13376: 13374: 13373: 13370:Mitsuko Uchida 13366: 13359: 13356:Artur Schnabel 13352: 13345: 13338: 13331: 13324: 13317: 13314:Murray Perahia 13310: 13303: 13296: 13289: 13282: 13275: 13268: 13265:Wilhelm Kempff 13261: 13254: 13247: 13240: 13228: 13221: 13214: 13207: 13204:Alfred Brendel 13200: 13193: 13186: 13179: 13171: 13169: 13165: 13164: 13162: 13161: 13154: 13147: 13144:Kiri Te Kanawa 13140: 13137:Renata Tebaldi 13133: 13126: 13119: 13116:Leontyne Price 13112: 13105: 13098: 13091: 13088:Birgit Nilsson 13084: 13077: 13070: 13063: 13060:Jonas Kaufmann 13056: 13049: 13042: 13035: 13028: 13025:Thomas Hampson 13021: 13014: 13007: 13000: 12993: 12986: 12979: 12972: 12965: 12962:Joyce DiDonato 12958: 12951: 12944: 12937: 12930: 12923: 12920:Jussi Björling 12916: 12909: 12902: 12895: 12887: 12885: 12881: 12880: 12878: 12877: 12870: 12858: 12851: 12844: 12837: 12825: 12818: 12806: 12803:Trevor Pinnock 12799: 12792: 12789:Eugene Ormandy 12785: 12778: 12771: 12764: 12757: 12750: 12743: 12740:Rafael Kubelík 12736: 12733:Otto Klemperer 12729: 12721:Carlos Kleiber 12717: 12710: 12707:Mariss Jansons 12703: 12696: 12689: 12677: 12670: 12663: 12656: 12649: 12642: 12635: 12628: 12621: 12609: 12602: 12595: 12588: 12580:Thomas Beecham 12576: 12569: 12562: 12559:Claudio Abbado 12554: 12552: 12548: 12547: 12540: 12539: 12532: 12525: 12517: 12508: 12507: 12487: 12479: 12478: 12477: 12474: 12473: 12471: 12470: 12463: 12462: 12461: 12456: 12446: 12441: 12436: 12431: 12426: 12421: 12416: 12411: 12406: 12401: 12396: 12391: 12386: 12380: 12378: 12377:Related topics 12374: 12373: 12371: 12370: 12365: 12360: 12355: 12350: 12345: 12340: 12335: 12330: 12325: 12320: 12315: 12310: 12305: 12300: 12295: 12290: 12285: 12280: 12274: 12272: 12266: 12265: 12263: 12262: 12257: 12252: 12247: 12242: 12237: 12232: 12227: 12222: 12217: 12212: 12207: 12202: 12197: 12192: 12187: 12182: 12177: 12172: 12167: 12162: 12157: 12152: 12147: 12142: 12137: 12132: 12127: 12122: 12117: 12112: 12107: 12105:Gallen-Kallela 12102: 12097: 12092: 12087: 12082: 12080:David d'Angers 12077: 12072: 12067: 12062: 12057: 12052: 12047: 12042: 12037: 12032: 12027: 12021: 12019: 12017:Visual artists 12013: 12012: 12010: 12009: 12004: 11999: 11994: 11989: 11984: 11979: 11977:Schleiermacher 11974: 11969: 11964: 11959: 11954: 11949: 11944: 11939: 11934: 11929: 11924: 11919: 11914: 11909: 11904: 11899: 11894: 11889: 11884: 11879: 11874: 11869: 11864: 11859: 11854: 11849: 11843: 11841: 11835: 11834: 11831: 11830: 11828: 11827: 11822: 11817: 11812: 11807: 11802: 11797: 11792: 11786: 11784: 11780: 11779: 11777: 11776: 11771: 11766: 11761: 11755: 11753: 11749: 11748: 11746: 11745: 11740: 11735: 11730: 11725: 11720: 11715: 11710: 11705: 11700: 11695: 11690: 11685: 11679: 11677: 11673: 11672: 11670: 11669: 11664: 11659: 11654: 11649: 11644: 11639: 11634: 11628: 11626: 11622: 11621: 11619: 11618: 11613: 11608: 11603: 11598: 11593: 11588: 11583: 11577: 11575: 11571: 11570: 11568: 11567: 11562: 11557: 11552: 11547: 11542: 11536: 11534: 11530: 11529: 11527: 11526: 11521: 11516: 11511: 11506: 11501: 11496: 11491: 11486: 11481: 11476: 11471: 11466: 11461: 11456: 11451: 11445: 11443: 11439: 11438: 11436: 11435: 11430: 11425: 11420: 11415: 11410: 11405: 11400: 11395: 11389: 11387: 11383: 11382: 11380: 11379: 11374: 11369: 11364: 11359: 11353: 11351: 11347: 11346: 11344: 11343: 11338: 11333: 11328: 11323: 11318: 11313: 11307: 11305: 11298: 11292: 11291: 11288: 11287: 11285: 11284: 11279: 11274: 11269: 11264: 11259: 11254: 11249: 11244: 11242:Oehlenschläger 11239: 11234: 11229: 11224: 11219: 11214: 11209: 11204: 11199: 11194: 11189: 11184: 11179: 11174: 11169: 11164: 11159: 11154: 11149: 11143: 11141: 11137: 11136: 11134: 11133: 11128: 11123: 11118: 11113: 11108: 11103: 11098: 11093: 11087: 11085: 11081: 11080: 11078: 11077: 11072: 11067: 11062: 11057: 11052: 11047: 11042: 11036: 11034: 11030: 11029: 11027: 11026: 11021: 11016: 11011: 11006: 11001: 10995: 10993: 10989: 10988: 10986: 10985: 10980: 10975: 10970: 10965: 10960: 10954: 10952: 10948: 10947: 10945: 10944: 10939: 10934: 10929: 10924: 10919: 10914: 10912:Castelo Branco 10908: 10906: 10902: 10901: 10899: 10898: 10893: 10888: 10883: 10878: 10873: 10868: 10863: 10858: 10852: 10850: 10844: 10843: 10841: 10840: 10835: 10830: 10825: 10820: 10815: 10810: 10805: 10800: 10795: 10790: 10785: 10780: 10775: 10770: 10765: 10760: 10755: 10750: 10745: 10740: 10735: 10730: 10724: 10722: 10714: 10713: 10711: 10710: 10705: 10700: 10695: 10690: 10685: 10680: 10675: 10670: 10665: 10660: 10655: 10650: 10645: 10640: 10638:Brothers Grimm 10635: 10630: 10625: 10620: 10615: 10610: 10605: 10599: 10597: 10593: 10592: 10590: 10589: 10584: 10579: 10574: 10569: 10564: 10559: 10554: 10549: 10544: 10539: 10534: 10529: 10523: 10521: 10515: 10514: 10512: 10511: 10506: 10501: 10496: 10491: 10486: 10481: 10476: 10471: 10466: 10461: 10456: 10451: 10446: 10440: 10438: 10431: 10425: 10424: 10422: 10421: 10416: 10409: 10404: 10399: 10394: 10389: 10384: 10379: 10374: 10369: 10362: 10357: 10356: 10355: 10350: 10340: 10338:Gothic fiction 10335: 10328: 10326:British Marine 10323: 10317: 10315: 10311: 10310: 10308: 10307: 10302: 10297: 10292: 10287: 10280: 10275: 10274: 10273: 10261: 10256: 10251: 10246: 10241: 10236: 10231: 10226: 10224:Gothic revival 10221: 10216: 10211: 10206: 10201: 10196: 10191: 10185: 10183: 10179: 10178: 10176: 10175: 10170: 10165: 10160: 10155: 10150: 10145: 10140: 10135: 10127: 10122: 10116: 10114: 10110: 10109: 10102: 10101: 10094: 10087: 10079: 10070: 10069: 10067: 10066: 10056: 10038: 10030: 10029: 10026: 10025: 10023: 10022: 10021: 10020: 10010: 10009: 10008: 10003: 9998: 9993: 9983: 9977: 9975: 9971: 9970: 9968: 9967: 9960: 9955: 9950: 9945: 9940: 9933: 9928: 9922: 9920: 9916: 9915: 9913: 9912: 9907: 9905:Symphonic poem 9902: 9900:Romantic opera 9897: 9892: 9887: 9882: 9877: 9872: 9867: 9862: 9856: 9854: 9850: 9849: 9847: 9846: 9841: 9835: 9833: 9829: 9828: 9826: 9825: 9820: 9815: 9810: 9805: 9800: 9795: 9790: 9785: 9780: 9775: 9770: 9765: 9760: 9755: 9750: 9745: 9740: 9735: 9730: 9725: 9720: 9715: 9710: 9705: 9700: 9695: 9690: 9685: 9680: 9675: 9670: 9665: 9660: 9655: 9650: 9645: 9640: 9635: 9630: 9625: 9620: 9615: 9610: 9605: 9600: 9595: 9590: 9585: 9580: 9575: 9570: 9565: 9560: 9555: 9550: 9545: 9540: 9535: 9530: 9525: 9520: 9515: 9510: 9505: 9500: 9495: 9490: 9485: 9480: 9475: 9470: 9465: 9460: 9455: 9450: 9445: 9440: 9435: 9430: 9425: 9420: 9415: 9410: 9405: 9400: 9395: 9390: 9385: 9380: 9375: 9370: 9365: 9360: 9355: 9350: 9345: 9340: 9335: 9330: 9325: 9320: 9315: 9310: 9305: 9300: 9295: 9290: 9285: 9280: 9278:Félicien David 9275: 9270: 9265: 9260: 9255: 9250: 9245: 9240: 9235: 9230: 9225: 9220: 9215: 9210: 9205: 9200: 9195: 9190: 9185: 9180: 9175: 9170: 9165: 9160: 9155: 9150: 9145: 9140: 9135: 9130: 9124: 9122: 9116: 9115: 9110: 9107: 9106: 9103:Romantic music 9099: 9098: 9091: 9084: 9076: 9067: 9066: 9064: 9063: 9053: 9042: 9039: 9038: 9036: 9035: 9030: 9025: 9020: 9015: 9009: 9007: 9003: 9002: 9000: 8999: 8994: 8988: 8986: 8982: 8981: 8978: 8977: 8975: 8974: 8969: 8964: 8963: 8962: 8957: 8952: 8947: 8942: 8937: 8932: 8927: 8922: 8917: 8907: 8895: 8893: 8886: 8885: 8880: 8875: 8870: 8863: 8856: 8851: 8846: 8841: 8834: 8823: 8816: 8811: 8803: 8792: 8784: 8779: 8774: 8767: 8760: 8752: 8750: 8746: 8745: 8743: 8742: 8735: 8728: 8723: 8718: 8713: 8709:Trio élégiaque 8705: 8701:Trio élégiaque 8697: 8689: 8687: 8683: 8682: 8680: 8673: 8666: 8659: 8652: 8645: 8638: 8636: 8632: 8631: 8629: 8628: 8621: 8614: 8607: 8600: 8593: 8586: 8581: 8575: 8572: 8571: 8569: 8568: 8563: 8556: 8551: 8546: 8543:Youth Symphony 8538: 8536: 8529: 8525: 8524: 8522: 8521: 8516: 8511: 8506: 8494: 8492: 8488: 8487: 8485: 8484: 8477: 8470: 8463: 8456: 8448: 8446: 8442: 8441: 8436: 8433: 8432: 8425: 8424: 8417: 8410: 8402: 8396: 8395: 8386: 8377: 8365: 8350: 8349: 8339: 8329: 8321: 8312: 8297: 8296: 8286: 8276: 8265: 8264: 8257: 8256:External links 8254: 8253: 8252: 8246: 8224: 8221: 8219: 8218: 8173: 8155:(3): 313–328. 8143:Yasser, Joseph 8139: 8117:Yasser, Joseph 8113: 8087:(105): 12–21. 8077:Walsh, Stephen 8073: 8052: 8007: 7995:10.2307/961696 7973: 7960: 7924:(2): 410–414. 7909: 7878: 7844:(4): 844–848. 7827: 7825: 7822: 7820: 7819: 7813: 7800: 7786: 7764: 7758: 7741: 7735: 7720: 7714: 7697: 7691: 7674: 7668: 7648: 7642: 7622: 7616: 7596: 7590: 7570: 7564: 7549: 7543: 7528: 7522: 7505: 7499: 7482: 7468: 7455: 7444: 7430: 7408: 7402: 7388:Sadie, Stanley 7374: 7368: 7348: 7342: 7327: 7321: 7304: 7298: 7281: 7275: 7258: 7252: 7237: 7231: 7216: 7210: 7197: 7191: 7173: 7171: 7168: 7166: 7163: 7161: 7160: 7158:, p. 519. 7148: 7136: 7134:, p. 523. 7124: 7112: 7100: 7098:, p. 522. 7088: 7076: 7072:Obenchain 1987 7064: 7052: 7036: 7034:, p. 499. 7019: 7000: 6984: 6982:, p. 844. 6972: 6970:, p. 440. 6960: 6948: 6946:, p. 439. 6936: 6924: 6908: 6892: 6876: 6860: 6848: 6832: 6813: 6797: 6789:Riesemann 1934 6781: 6773:Schonberg 1987 6765: 6757:Schonberg 1988 6749: 6737: 6725: 6706: 6698:Schonberg 1997 6690: 6664: 6648: 6640:Schonberg 1997 6629: 6617: 6601: 6582: 6566: 6550: 6534: 6532:, p. 325. 6522: 6506: 6494: 6478: 6462: 6450:Sylvester 2014 6442: 6423: 6407: 6382: 6366: 6364:, p. 380. 6362:O'Connell 1941 6354: 6342: 6330: 6318: 6306: 6294: 6282: 6280:, p. 603. 6263: 6251: 6235: 6219: 6217:, p. 113. 6215:Wehrmeyer 2004 6207: 6191: 6172: 6170:, p. 354. 6160: 6144: 6128: 6112: 6096: 6084: 6068: 6052: 6048:Wehrmeyer 2004 6040: 6024: 6008: 5989: 5969: 5950: 5925: 5909: 5893: 5874: 5858: 5842: 5826: 5810: 5791: 5772: 5756: 5744: 5728: 5712: 5694: 5678: 5659: 5655:Wehrmeyer 2004 5647: 5631: 5629:, p. 102. 5627:Wehrmeyer 2004 5619: 5603: 5587: 5571: 5569:, p. 126. 5567:Wehrmeyer 2004 5554: 5538: 5517: 5513:Wehrmeyer 2004 5505: 5489: 5485:Wehrmeyer 2004 5474: 5458: 5439: 5427: 5411: 5395: 5372: 5356: 5352:Wehrmeyer 2004 5339: 5323: 5307: 5291: 5275: 5259: 5243: 5227: 5219:Sylvester 2014 5211: 5195: 5179: 5163: 5147: 5131: 5115: 5099: 5083: 5064: 5045: 5029: 5013: 4997: 4981: 4973:Riesemann 1934 4965: 4949: 4933: 4917: 4901: 4885: 4869: 4849: 4833: 4817: 4801: 4781: 4765: 4749: 4733: 4709: 4693: 4677: 4657: 4641: 4625: 4609: 4593: 4577: 4558: 4542: 4534:Sylvester 2014 4526: 4510: 4491: 4483:Riesemann 1934 4475: 4455: 4439: 4423: 4403: 4395:Riesemann 1934 4387: 4371: 4355: 4335: 4319: 4303: 4284: 4268: 4252: 4233: 4217: 4201: 4185: 4169: 4150: 4134: 4118: 4099: 4080: 4064: 4048: 4032: 4020: 4012:Sylvester 2014 4004: 3988: 3972: 3956: 3940: 3924: 3908: 3892: 3871: 3855: 3839: 3823: 3807: 3791: 3783:Riesemann 1934 3775: 3759: 3743: 3727: 3719:Sylvester 2014 3708: 3692: 3676: 3660: 3644: 3628: 3612: 3596: 3580: 3564: 3548: 3540:Sylvester 2014 3532: 3509: 3493: 3474: 3458: 3442: 3434:Riesemann 1934 3426: 3410: 3402:Riesemann 1934 3394: 3386:Sylvester 2014 3378: 3362: 3354:Sylvester 2014 3343: 3336: 3311: 3292: 3273: 3265:Sylvester 2014 3254: 3238: 3222: 3203: 3187: 3177:"Rachmaninoff" 3169: 3147:"Rachmaninoff" 3138: 3112: 3110: 3107: 3105: 3104: 3095: 3086: 3069: 2894: 2848: 2846: 2843: 2841: 2838: 2778: 2775: 2767:Fritz Kreisler 2740:Third Symphony 2724:Eugene Ormandy 2704: 2703: 2688: 2687: 2686:External audio 2634:Edison Records 2623: 2620: 2588: 2585: 2577:Percy Grainger 2536: 2533: 2492: 2489: 2480: 2477: 2395:Josef Lhévinne 2387:Ignaz Friedman 2369: 2355: 2345: 2340: 2339: 2333:Edison Records 2322: 2312: 2307: 2306: 2291: 2281: 2274: 2273: 2272: 2263: 2262: 2261: 2259: 2256: 2166: 2163: 2155:Richard Wagner 2128:Third Symphony 2012:(Op. 33, 2010:Étude-Tableaux 1976: 1966: 1961: 1960: 1951: 1941: 1936: 1935: 1923: 1913: 1908: 1907: 1906: 1905: 1904: 1902: 1899: 1848:Trio Elégiaque 1796:(a cappella). 1780:; the cantata 1699:study pictures 1677:(Op. 3); 1644:(Op. 7), 1543:Main article: 1540: 1537: 1529:Sergei Taneyev 1474:Youth Symphony 1465: 1462: 1460: 1457: 1379:Hollywood Bowl 1331: 1328: 1301:Eugene Ormandy 1131: 1128: 1036:Ignaz Friedman 1017:Nikolai Struve 950: 947: 792:Symphony No. 2 784:Arnold Böcklin 765: 762: 738:Richard Wagner 674: 671: 644:Savva Mamontov 639:writer's block 603:Symphony No. 1 582:Symphony No. 1 568: 565: 556:Trio élégiaque 515:Kharkiv Oblast 492:Arbat District 435:Trio élégiaque 422:Vasily Safonov 411:Youth Symphony 367:Sergei Taneyev 354: 351: 347:Nikolai Zverev 257:Russian Empire 232: 229: 227: 224: 188:Symphony No. 1 169:expressiveness 121: 120: 112: 111: 107: 106: 101: 97: 96: 90: 88:(aged 69) 82: 78: 77: 70: 62: 58: 57: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 13977: 13966: 13963: 13961: 13958: 13956: 13953: 13951: 13948: 13946: 13943: 13941: 13938: 13936: 13933: 13931: 13928: 13926: 13923: 13921: 13918: 13916: 13913: 13911: 13908: 13906: 13903: 13901: 13898: 13896: 13893: 13891: 13888: 13886: 13883: 13881: 13878: 13876: 13873: 13871: 13868: 13866: 13863: 13861: 13858: 13856: 13853: 13851: 13848: 13846: 13843: 13841: 13838: 13836: 13833: 13831: 13828: 13826: 13823: 13821: 13818: 13816: 13813: 13811: 13808: 13806: 13803: 13802: 13800: 13790: 13780: 13778: 13768: 13766: 13761: 13756: 13754: 13744: 13743: 13740: 13726: 13722: 13717: 13714: 13710: 13707: 13703: 13700: 13696: 13693: 13689: 13684: 13681: 13680:Klaus Heymann 13677: 13674: 13673:Fred Gaisberg 13670: 13667: 13663: 13660: 13656: 13653: 13649: 13646: 13642: 13641: 13639: 13633: 13626: 13622: 13619: 13615: 13612: 13608: 13605: 13601: 13598: 13594: 13591: 13587: 13586: 13584: 13580: 13573: 13572:John Williams 13569: 13566: 13562: 13559: 13555: 13552: 13548: 13545: 13541: 13538: 13534: 13531: 13527: 13524: 13520: 13517: 13513: 13510: 13506: 13503: 13499: 13496: 13492: 13489: 13485: 13482: 13478: 13475: 13471: 13468: 13464: 13461: 13457: 13454: 13450: 13447: 13443: 13440: 13436: 13433: 13429: 13426: 13422: 13419: 13415: 13412: 13408: 13405: 13401: 13398: 13394: 13391: 13390:Maurice André 13387: 13386: 13384: 13380:String/brass/ 13378: 13371: 13367: 13364: 13360: 13357: 13353: 13350: 13349:András Schiff 13346: 13343: 13339: 13336: 13332: 13329: 13325: 13322: 13318: 13315: 13311: 13308: 13304: 13301: 13297: 13294: 13290: 13287: 13283: 13280: 13276: 13273: 13272:Evgeny Kissin 13269: 13266: 13262: 13259: 13258:Stephen Hough 13255: 13252: 13248: 13245: 13244:Angela Hewitt 13241: 13237: 13233: 13229: 13226: 13222: 13219: 13215: 13212: 13208: 13205: 13201: 13198: 13194: 13191: 13190:Claudio Arrau 13187: 13184: 13180: 13177: 13173: 13172: 13170: 13166: 13159: 13155: 13152: 13148: 13145: 13141: 13138: 13134: 13131: 13127: 13124: 13120: 13117: 13113: 13110: 13106: 13103: 13099: 13096: 13095:Jessye Norman 13092: 13089: 13085: 13082: 13081:Anna Netrebko 13078: 13075: 13071: 13068: 13064: 13061: 13057: 13054: 13050: 13047: 13043: 13040: 13036: 13033: 13032:Marilyn Horne 13029: 13026: 13022: 13019: 13015: 13012: 13008: 13005: 13001: 12998: 12997:Renée Fleming 12994: 12991: 12987: 12984: 12980: 12977: 12973: 12970: 12966: 12963: 12959: 12956: 12952: 12949: 12948:Enrico Caruso 12945: 12942: 12941:José Carreras 12938: 12935: 12931: 12928: 12924: 12921: 12917: 12914: 12910: 12907: 12903: 12900: 12896: 12893: 12889: 12888: 12886: 12882: 12875: 12871: 12867: 12863: 12859: 12856: 12852: 12849: 12845: 12842: 12838: 12834: 12830: 12826: 12823: 12819: 12815: 12811: 12807: 12804: 12800: 12797: 12793: 12790: 12786: 12783: 12782:Riccardo Muti 12779: 12776: 12772: 12769: 12765: 12762: 12758: 12755: 12751: 12748: 12744: 12741: 12737: 12734: 12730: 12726: 12722: 12718: 12715: 12711: 12708: 12704: 12701: 12697: 12694: 12690: 12686: 12682: 12678: 12675: 12671: 12668: 12664: 12661: 12657: 12654: 12650: 12647: 12643: 12640: 12636: 12633: 12629: 12626: 12622: 12618: 12614: 12610: 12607: 12606:Pierre Boulez 12603: 12600: 12596: 12593: 12589: 12585: 12581: 12577: 12574: 12570: 12567: 12563: 12560: 12556: 12555: 12553: 12549: 12545: 12538: 12533: 12531: 12526: 12524: 12519: 12518: 12515: 12504: 12503: 12492: 12491: 12485: 12484: 12475: 12469: 12468: 12464: 12460: 12457: 12455: 12452: 12451: 12450: 12447: 12445: 12442: 12440: 12437: 12435: 12432: 12430: 12427: 12425: 12422: 12420: 12417: 12415: 12412: 12410: 12407: 12405: 12402: 12400: 12397: 12395: 12392: 12390: 12387: 12385: 12382: 12381: 12379: 12375: 12369: 12366: 12364: 12361: 12359: 12356: 12354: 12351: 12349: 12346: 12344: 12341: 12339: 12336: 12334: 12331: 12329: 12326: 12324: 12321: 12319: 12316: 12314: 12311: 12309: 12306: 12304: 12301: 12299: 12296: 12294: 12291: 12289: 12286: 12284: 12281: 12279: 12276: 12275: 12273: 12271: 12267: 12261: 12258: 12256: 12253: 12251: 12248: 12246: 12243: 12241: 12238: 12236: 12233: 12231: 12228: 12226: 12223: 12221: 12218: 12216: 12213: 12211: 12208: 12206: 12203: 12201: 12198: 12196: 12193: 12191: 12188: 12186: 12183: 12181: 12178: 12176: 12173: 12171: 12168: 12166: 12163: 12161: 12158: 12156: 12153: 12151: 12148: 12146: 12143: 12141: 12138: 12136: 12133: 12131: 12128: 12126: 12123: 12121: 12118: 12116: 12113: 12111: 12108: 12106: 12103: 12101: 12098: 12096: 12093: 12091: 12088: 12086: 12083: 12081: 12078: 12076: 12073: 12071: 12068: 12066: 12063: 12061: 12058: 12056: 12053: 12051: 12048: 12046: 12043: 12041: 12038: 12036: 12033: 12031: 12028: 12026: 12023: 12022: 12020: 12018: 12014: 12008: 12005: 12003: 12000: 11998: 11995: 11993: 11990: 11988: 11985: 11983: 11980: 11978: 11975: 11973: 11970: 11968: 11965: 11963: 11960: 11958: 11955: 11953: 11950: 11948: 11945: 11943: 11940: 11938: 11935: 11933: 11930: 11928: 11925: 11923: 11920: 11918: 11915: 11913: 11910: 11908: 11905: 11903: 11900: 11898: 11895: 11893: 11890: 11888: 11885: 11883: 11880: 11878: 11875: 11873: 11870: 11868: 11865: 11863: 11860: 11858: 11855: 11853: 11850: 11848: 11845: 11844: 11842: 11840: 11836: 11826: 11823: 11821: 11818: 11816: 11813: 11811: 11808: 11806: 11803: 11801: 11798: 11796: 11793: 11791: 11788: 11787: 11785: 11781: 11775: 11772: 11770: 11767: 11765: 11762: 11760: 11757: 11756: 11754: 11750: 11744: 11741: 11739: 11736: 11734: 11731: 11729: 11726: 11724: 11721: 11719: 11716: 11714: 11711: 11709: 11706: 11704: 11701: 11699: 11696: 11694: 11691: 11689: 11686: 11684: 11681: 11680: 11678: 11674: 11668: 11665: 11663: 11660: 11658: 11655: 11653: 11650: 11648: 11645: 11643: 11640: 11638: 11635: 11633: 11630: 11629: 11627: 11623: 11617: 11614: 11612: 11609: 11607: 11604: 11602: 11599: 11597: 11594: 11592: 11589: 11587: 11584: 11582: 11579: 11578: 11576: 11572: 11566: 11563: 11561: 11558: 11556: 11553: 11551: 11548: 11546: 11543: 11541: 11538: 11537: 11535: 11531: 11525: 11522: 11520: 11517: 11515: 11512: 11510: 11507: 11505: 11502: 11500: 11497: 11495: 11492: 11490: 11487: 11485: 11482: 11480: 11477: 11475: 11472: 11470: 11467: 11465: 11462: 11460: 11457: 11455: 11452: 11450: 11447: 11446: 11444: 11440: 11434: 11431: 11429: 11426: 11424: 11421: 11419: 11416: 11414: 11411: 11409: 11406: 11404: 11401: 11399: 11396: 11394: 11391: 11390: 11388: 11384: 11378: 11375: 11373: 11370: 11368: 11365: 11363: 11360: 11358: 11355: 11354: 11352: 11348: 11342: 11339: 11337: 11334: 11332: 11329: 11327: 11324: 11322: 11319: 11317: 11314: 11312: 11309: 11308: 11306: 11302: 11299: 11297: 11293: 11283: 11280: 11278: 11275: 11273: 11270: 11268: 11265: 11263: 11260: 11258: 11255: 11253: 11250: 11248: 11245: 11243: 11240: 11238: 11235: 11233: 11230: 11228: 11225: 11223: 11220: 11218: 11215: 11213: 11210: 11208: 11205: 11203: 11200: 11198: 11197:Nikolai Gogol 11195: 11193: 11190: 11188: 11185: 11183: 11180: 11178: 11175: 11173: 11170: 11168: 11165: 11163: 11160: 11158: 11155: 11153: 11150: 11148: 11145: 11144: 11142: 11138: 11132: 11129: 11127: 11124: 11122: 11119: 11117: 11114: 11112: 11109: 11107: 11104: 11102: 11099: 11097: 11094: 11092: 11089: 11088: 11086: 11082: 11076: 11073: 11071: 11068: 11066: 11063: 11061: 11058: 11056: 11053: 11051: 11048: 11046: 11043: 11041: 11038: 11037: 11035: 11031: 11025: 11022: 11020: 11017: 11015: 11012: 11010: 11007: 11005: 11002: 11000: 10997: 10996: 10994: 10990: 10984: 10981: 10979: 10976: 10974: 10971: 10969: 10966: 10964: 10961: 10959: 10956: 10955: 10953: 10949: 10943: 10940: 10938: 10935: 10933: 10930: 10928: 10925: 10923: 10920: 10918: 10915: 10913: 10910: 10909: 10907: 10903: 10897: 10894: 10892: 10889: 10887: 10884: 10882: 10879: 10877: 10874: 10872: 10869: 10867: 10864: 10862: 10859: 10857: 10854: 10853: 10851: 10849: 10845: 10839: 10836: 10834: 10831: 10829: 10828:P. B. Shelley 10826: 10824: 10821: 10819: 10816: 10814: 10811: 10809: 10808:Mary Robinson 10806: 10804: 10801: 10799: 10796: 10794: 10791: 10789: 10786: 10784: 10781: 10779: 10776: 10774: 10771: 10769: 10766: 10764: 10761: 10759: 10756: 10754: 10751: 10749: 10746: 10744: 10741: 10739: 10736: 10734: 10731: 10729: 10726: 10725: 10723: 10721: 10715: 10709: 10706: 10704: 10701: 10699: 10696: 10694: 10691: 10689: 10686: 10684: 10681: 10679: 10676: 10674: 10671: 10669: 10666: 10664: 10661: 10659: 10656: 10654: 10651: 10649: 10646: 10644: 10641: 10639: 10636: 10634: 10631: 10629: 10626: 10624: 10621: 10619: 10616: 10614: 10611: 10609: 10606: 10604: 10601: 10600: 10598: 10594: 10588: 10585: 10583: 10580: 10578: 10575: 10573: 10570: 10568: 10565: 10563: 10560: 10558: 10555: 10553: 10550: 10548: 10545: 10543: 10540: 10538: 10537:Chateaubriand 10535: 10533: 10530: 10528: 10525: 10524: 10522: 10520: 10516: 10510: 10507: 10505: 10502: 10500: 10497: 10495: 10492: 10490: 10487: 10485: 10482: 10480: 10477: 10475: 10472: 10470: 10467: 10465: 10462: 10460: 10457: 10455: 10452: 10450: 10447: 10445: 10442: 10441: 10439: 10435: 10432: 10430: 10426: 10420: 10417: 10415: 10414: 10410: 10408: 10405: 10403: 10400: 10398: 10395: 10393: 10390: 10388: 10385: 10383: 10380: 10378: 10375: 10373: 10370: 10368: 10367: 10366:Mal du siècle 10363: 10361: 10358: 10354: 10351: 10349: 10346: 10345: 10344: 10341: 10339: 10336: 10334: 10333: 10329: 10327: 10324: 10322: 10319: 10318: 10316: 10312: 10306: 10303: 10301: 10298: 10296: 10293: 10291: 10288: 10286: 10285: 10281: 10279: 10276: 10272: 10271: 10267: 10266: 10265: 10262: 10260: 10257: 10255: 10252: 10250: 10247: 10245: 10242: 10240: 10237: 10235: 10232: 10230: 10227: 10225: 10222: 10220: 10217: 10215: 10212: 10210: 10207: 10205: 10202: 10200: 10197: 10195: 10192: 10190: 10187: 10186: 10184: 10180: 10174: 10171: 10169: 10166: 10164: 10161: 10159: 10156: 10154: 10151: 10149: 10146: 10144: 10141: 10139: 10136: 10134: 10131: 10128: 10126: 10123: 10121: 10118: 10117: 10115: 10111: 10107: 10100: 10095: 10093: 10088: 10086: 10081: 10080: 10077: 10065: 10061: 10057: 10055: 10047: 10046: 10043: 10042: 10036: 10035: 10027: 10019: 10016: 10015: 10014: 10011: 10007: 10004: 10002: 9999: 9997: 9994: 9992: 9989: 9988: 9987: 9984: 9982: 9979: 9978: 9976: 9972: 9965: 9961: 9959: 9956: 9954: 9951: 9949: 9946: 9944: 9941: 9939: 9938: 9934: 9932: 9929: 9927: 9924: 9923: 9921: 9917: 9911: 9908: 9906: 9903: 9901: 9898: 9896: 9893: 9891: 9888: 9886: 9883: 9881: 9878: 9876: 9873: 9871: 9868: 9866: 9863: 9861: 9858: 9857: 9855: 9851: 9845: 9842: 9840: 9837: 9836: 9834: 9830: 9824: 9821: 9819: 9816: 9814: 9811: 9809: 9806: 9804: 9801: 9799: 9796: 9794: 9791: 9789: 9786: 9784: 9781: 9779: 9776: 9774: 9771: 9769: 9766: 9764: 9761: 9759: 9756: 9754: 9751: 9749: 9748:J. Strauss II 9746: 9744: 9741: 9739: 9736: 9734: 9731: 9729: 9726: 9724: 9721: 9719: 9716: 9714: 9711: 9709: 9706: 9704: 9701: 9699: 9696: 9694: 9691: 9689: 9686: 9684: 9681: 9679: 9676: 9674: 9671: 9669: 9666: 9664: 9661: 9659: 9656: 9654: 9651: 9649: 9646: 9644: 9641: 9639: 9636: 9634: 9631: 9629: 9626: 9624: 9621: 9619: 9616: 9614: 9611: 9609: 9606: 9604: 9601: 9599: 9596: 9594: 9591: 9589: 9586: 9584: 9581: 9579: 9576: 9574: 9571: 9569: 9566: 9564: 9561: 9559: 9556: 9554: 9551: 9549: 9546: 9544: 9541: 9539: 9536: 9534: 9531: 9529: 9526: 9524: 9521: 9519: 9516: 9514: 9511: 9509: 9506: 9504: 9501: 9499: 9496: 9494: 9491: 9489: 9486: 9484: 9481: 9479: 9476: 9474: 9471: 9469: 9466: 9464: 9461: 9459: 9456: 9454: 9451: 9449: 9446: 9444: 9441: 9439: 9436: 9434: 9431: 9429: 9426: 9424: 9421: 9419: 9416: 9414: 9411: 9409: 9406: 9404: 9401: 9399: 9396: 9394: 9391: 9389: 9386: 9384: 9381: 9379: 9376: 9374: 9371: 9369: 9366: 9364: 9361: 9359: 9356: 9354: 9351: 9349: 9346: 9344: 9341: 9339: 9336: 9334: 9331: 9329: 9326: 9324: 9321: 9319: 9316: 9314: 9311: 9309: 9306: 9304: 9301: 9299: 9296: 9294: 9291: 9289: 9286: 9284: 9281: 9279: 9276: 9274: 9271: 9269: 9266: 9264: 9261: 9259: 9256: 9254: 9251: 9249: 9246: 9244: 9241: 9239: 9236: 9234: 9231: 9229: 9226: 9224: 9221: 9219: 9216: 9214: 9211: 9209: 9206: 9204: 9201: 9199: 9196: 9194: 9191: 9189: 9186: 9184: 9181: 9179: 9176: 9174: 9171: 9169: 9166: 9164: 9161: 9159: 9156: 9154: 9151: 9149: 9146: 9144: 9141: 9139: 9136: 9134: 9131: 9129: 9126: 9125: 9123: 9119:Composers and 9117: 9113: 9108: 9104: 9097: 9092: 9090: 9085: 9083: 9078: 9077: 9074: 9062: 9058: 9054: 9052: 9044: 9043: 9040: 9034: 9031: 9029: 9026: 9024: 9021: 9019: 9016: 9014: 9011: 9010: 9008: 9004: 8998: 8995: 8993: 8990: 8989: 8987: 8983: 8973: 8970: 8968: 8965: 8961: 8958: 8956: 8953: 8951: 8948: 8946: 8943: 8941: 8938: 8936: 8933: 8931: 8928: 8926: 8923: 8921: 8918: 8916: 8913: 8912: 8911: 8908: 8906: 8897: 8896: 8894: 8890: 8884: 8883:Miscellaneous 8881: 8879: 8876: 8874: 8871: 8869: 8868: 8864: 8862: 8861: 8857: 8855: 8852: 8850: 8847: 8845: 8842: 8840: 8839: 8835: 8833: 8824: 8822: 8821: 8820:Polka de W.R. 8817: 8815: 8812: 8810: 8808: 8804: 8802: 8793: 8791: 8789: 8785: 8783: 8780: 8778: 8775: 8773: 8772: 8768: 8766: 8765: 8761: 8759: 8758: 8754: 8753: 8751: 8747: 8741: 8740: 8736: 8734: 8733: 8729: 8727: 8724: 8722: 8719: 8717: 8714: 8712: 8710: 8706: 8704: 8702: 8698: 8696: 8695: 8691: 8690: 8688: 8684: 8679: 8678: 8674: 8672: 8671: 8667: 8665: 8664: 8660: 8658: 8657: 8653: 8651: 8650: 8646: 8644: 8643: 8639: 8637: 8633: 8627: 8626: 8622: 8620: 8619: 8615: 8613: 8612: 8608: 8606: 8605: 8601: 8599: 8598: 8594: 8592: 8591: 8587: 8585: 8582: 8580: 8577: 8576: 8567: 8564: 8562: 8561: 8557: 8555: 8552: 8550: 8547: 8545: 8544: 8540: 8539: 8537: 8533: 8530: 8526: 8520: 8517: 8515: 8512: 8510: 8507: 8505: 8496: 8495: 8493: 8489: 8483: 8482: 8478: 8476: 8475: 8471: 8469: 8468: 8464: 8462: 8461: 8457: 8455: 8454: 8450: 8449: 8447: 8443: 8439: 8434: 8430: 8423: 8418: 8416: 8411: 8409: 8404: 8403: 8400: 8394: 8390: 8387: 8385: 8381: 8378: 8374: 8370: 8366: 8364: 8360: 8357: 8356: 8355: 8354: 8347: 8343: 8340: 8337: 8333: 8330: 8325: 8322: 8320: 8316: 8313: 8311: 8307: 8304: 8303: 8302: 8301: 8294: 8290: 8287: 8284: 8280: 8277: 8275: 8272: 8271: 8270: 8269: 8263: 8260: 8259: 8249: 8243: 8239: 8235: 8231: 8227: 8226: 8215: 8211: 8206: 8201: 8197: 8193: 8189: 8185: 8184: 8179: 8174: 8170: 8166: 8162: 8158: 8154: 8150: 8149: 8144: 8140: 8136: 8132: 8129:(22): 11–25. 8128: 8124: 8123: 8118: 8114: 8110: 8106: 8102: 8098: 8094: 8090: 8086: 8082: 8078: 8074: 8070: 8066: 8063:(1): 97–106. 8062: 8058: 8053: 8049: 8045: 8040: 8035: 8031: 8027: 8023: 8019: 8018: 8013: 8008: 8004: 8000: 7996: 7992: 7988: 7984: 7983: 7978: 7974: 7970: 7966: 7961: 7957: 7953: 7949: 7945: 7941: 7937: 7932: 7927: 7923: 7919: 7915: 7910: 7906: 7902: 7898: 7894: 7890: 7886: 7885: 7879: 7875: 7871: 7867: 7863: 7859: 7855: 7851: 7847: 7843: 7839: 7838: 7833: 7829: 7828: 7816: 7810: 7806: 7801: 7797: 7793: 7789: 7783: 7779: 7778: 7773: 7769: 7765: 7761: 7755: 7751: 7747: 7742: 7738: 7732: 7728: 7727: 7721: 7717: 7711: 7706: 7705: 7698: 7694: 7688: 7683: 7682: 7675: 7671: 7665: 7660: 7659: 7653: 7649: 7645: 7639: 7634: 7633: 7627: 7623: 7619: 7613: 7608: 7607: 7601: 7597: 7593: 7591:0-394-42253-8 7587: 7582: 7581: 7580:My Many Years 7575: 7571: 7567: 7561: 7557: 7556: 7550: 7546: 7540: 7536: 7535: 7529: 7525: 7519: 7514: 7513: 7506: 7502: 7496: 7491: 7490: 7483: 7479: 7475: 7471: 7469:0-911572-62-7 7465: 7461: 7456: 7452: 7451: 7445: 7441: 7437: 7433: 7427: 7423: 7418: 7413: 7409: 7405: 7399: 7395: 7394: 7389: 7384: 7379: 7375: 7371: 7365: 7360: 7359: 7353: 7349: 7345: 7339: 7335: 7334: 7328: 7324: 7318: 7313: 7312: 7305: 7301: 7295: 7290: 7289: 7282: 7278: 7272: 7267: 7266: 7259: 7255: 7249: 7245: 7244: 7238: 7234: 7228: 7224: 7223: 7217: 7213: 7207: 7203: 7198: 7194: 7188: 7183: 7182: 7175: 7174: 7157: 7152: 7145: 7140: 7133: 7128: 7121: 7116: 7109: 7104: 7097: 7092: 7085: 7080: 7074:, p. 29. 7073: 7068: 7061: 7056: 7049: 7045: 7044:Harrison 2006 7040: 7033: 7028: 7026: 7024: 7016: 7012: 7007: 7005: 6997: 6993: 6992:Harrison 2006 6988: 6981: 6976: 6969: 6964: 6957: 6952: 6945: 6940: 6933: 6928: 6921: 6917: 6912: 6905: 6901: 6896: 6889: 6885: 6880: 6873: 6869: 6868:Harrison 2006 6864: 6857: 6852: 6845: 6841: 6840:Harrison 2006 6836: 6829: 6825: 6824:Harrison 2006 6820: 6818: 6810: 6806: 6801: 6794: 6790: 6785: 6778: 6774: 6769: 6762: 6758: 6753: 6746: 6741: 6734: 6729: 6722: 6718: 6713: 6711: 6703: 6699: 6694: 6679: 6675: 6668: 6661: 6657: 6652: 6645: 6641: 6636: 6634: 6626: 6621: 6614: 6610: 6609:Harrison 2006 6605: 6598: 6594: 6589: 6587: 6579: 6575: 6574:Harrison 2006 6570: 6563: 6559: 6558:Harrison 2006 6554: 6547: 6543: 6538: 6531: 6526: 6519: 6515: 6510: 6504:, p. 49. 6503: 6498: 6491: 6487: 6482: 6475: 6471: 6470:Harrison 2006 6466: 6459: 6455: 6451: 6446: 6439: 6435: 6430: 6428: 6420: 6416: 6411: 6396: 6395:bachtrack.com 6392: 6386: 6379: 6375: 6370: 6363: 6358: 6352:, p. 31. 6351: 6346: 6340:, p. 11. 6339: 6334: 6328:, p. 10. 6327: 6322: 6315: 6310: 6304:, p. 15. 6303: 6298: 6291: 6286: 6279: 6274: 6272: 6270: 6268: 6260: 6255: 6248: 6244: 6239: 6232: 6228: 6223: 6216: 6211: 6204: 6200: 6199:Robinson 2007 6195: 6188: 6184: 6179: 6177: 6169: 6164: 6157: 6153: 6148: 6141: 6137: 6132: 6125: 6121: 6116: 6109: 6105: 6100: 6094:, p. 24. 6093: 6088: 6081: 6077: 6076:Harrison 2006 6072: 6065: 6061: 6056: 6049: 6044: 6037: 6033: 6032:Harrison 2006 6028: 6021: 6017: 6016:Harrison 2006 6012: 6005: 6001: 6000:Robinson 2007 5996: 5994: 5986: 5982: 5978: 5977:Harrison 2006 5973: 5966: 5962: 5961:Harrison 2006 5957: 5955: 5947: 5943: 5938: 5936: 5934: 5932: 5930: 5922: 5918: 5913: 5906: 5902: 5901:Harrison 2006 5897: 5890: 5886: 5881: 5879: 5871: 5867: 5862: 5855: 5851: 5846: 5839: 5835: 5830: 5823: 5819: 5814: 5807: 5803: 5798: 5796: 5788: 5784: 5779: 5777: 5769: 5765: 5760: 5753: 5748: 5741: 5737: 5732: 5725: 5721: 5716: 5709: 5708: 5703: 5698: 5691: 5687: 5682: 5675: 5671: 5666: 5664: 5656: 5651: 5644: 5640: 5635: 5628: 5623: 5616: 5612: 5607: 5600: 5596: 5591: 5584: 5580: 5575: 5568: 5563: 5561: 5559: 5551: 5547: 5542: 5535: 5531: 5530:Harrison 2006 5526: 5524: 5522: 5515:, p. 89. 5514: 5509: 5502: 5498: 5493: 5486: 5481: 5479: 5471: 5467: 5462: 5455: 5451: 5446: 5444: 5436: 5431: 5424: 5420: 5419:Harrison 2006 5415: 5408: 5404: 5399: 5392: 5388: 5383: 5381: 5379: 5377: 5369: 5365: 5360: 5354:, p. 88. 5353: 5348: 5346: 5344: 5336: 5332: 5327: 5320: 5316: 5311: 5304: 5300: 5295: 5288: 5284: 5279: 5272: 5268: 5263: 5256: 5252: 5247: 5240: 5236: 5231: 5224: 5220: 5215: 5208: 5204: 5199: 5192: 5188: 5183: 5176: 5172: 5167: 5160: 5156: 5151: 5144: 5140: 5135: 5128: 5124: 5119: 5112: 5108: 5103: 5096: 5092: 5087: 5080: 5076: 5071: 5069: 5061: 5057: 5052: 5050: 5042: 5038: 5033: 5026: 5022: 5017: 5010: 5006: 5001: 4994: 4990: 4985: 4978: 4974: 4969: 4962: 4958: 4953: 4946: 4942: 4937: 4930: 4926: 4925:Harrison 2006 4921: 4914: 4910: 4909:Harrison 2006 4905: 4898: 4894: 4889: 4882: 4878: 4873: 4866: 4862: 4858: 4853: 4846: 4842: 4841:Harrison 2006 4837: 4830: 4826: 4821: 4814: 4810: 4805: 4798: 4794: 4790: 4785: 4778: 4774: 4769: 4762: 4758: 4753: 4746: 4742: 4737: 4730: 4726: 4722: 4718: 4713: 4706: 4702: 4701:Harrison 2006 4697: 4690: 4686: 4685:Harrison 2006 4681: 4674: 4670: 4666: 4661: 4654: 4650: 4645: 4638: 4634: 4629: 4622: 4618: 4617:Harrison 2006 4613: 4606: 4602: 4601:Harrison 2006 4597: 4590: 4586: 4581: 4574: 4570: 4569:Harrison 2006 4565: 4563: 4555: 4551: 4546: 4539: 4535: 4530: 4523: 4519: 4514: 4507: 4503: 4502:Harrison 2006 4498: 4496: 4488: 4484: 4479: 4472: 4468: 4464: 4459: 4452: 4448: 4443: 4436: 4432: 4427: 4420: 4416: 4412: 4407: 4400: 4396: 4391: 4384: 4380: 4379:Harrison 2006 4375: 4368: 4364: 4359: 4352: 4348: 4344: 4339: 4332: 4328: 4323: 4316: 4312: 4307: 4300: 4296: 4291: 4289: 4281: 4277: 4272: 4265: 4261: 4256: 4249: 4245: 4240: 4238: 4230: 4226: 4225:Harrison 2006 4221: 4214: 4210: 4205: 4198: 4194: 4189: 4182: 4178: 4173: 4166: 4162: 4157: 4155: 4147: 4143: 4138: 4131: 4127: 4122: 4115: 4111: 4106: 4104: 4096: 4092: 4087: 4085: 4077: 4073: 4068: 4061: 4057: 4052: 4045: 4041: 4036: 4030:, p. 45. 4029: 4024: 4017: 4013: 4008: 4001: 3997: 3992: 3985: 3981: 3976: 3969: 3965: 3960: 3953: 3949: 3944: 3937: 3933: 3932:Harrison 2006 3928: 3921: 3917: 3912: 3905: 3901: 3900:Harrison 2006 3896: 3889: 3885: 3880: 3878: 3876: 3868: 3864: 3863:Harrison 2006 3859: 3852: 3848: 3843: 3836: 3832: 3827: 3820: 3816: 3811: 3804: 3800: 3795: 3788: 3784: 3779: 3772: 3768: 3763: 3756: 3752: 3751:Harrison 2006 3747: 3740: 3736: 3735:Harrison 2006 3731: 3724: 3720: 3715: 3713: 3705: 3701: 3696: 3689: 3685: 3684:Harrison 2006 3680: 3673: 3669: 3668:Harrison 2006 3664: 3657: 3653: 3648: 3641: 3637: 3632: 3625: 3621: 3616: 3609: 3605: 3600: 3593: 3589: 3584: 3577: 3573: 3572:Harrison 2006 3568: 3561: 3557: 3556:Harrison 2006 3552: 3545: 3541: 3536: 3529: 3525: 3520: 3518: 3516: 3514: 3506: 3502: 3497: 3490: 3486: 3485:Harrison 2006 3481: 3479: 3471: 3467: 3462: 3455: 3451: 3446: 3439: 3435: 3430: 3423: 3419: 3418:Harrison 2006 3414: 3407: 3403: 3398: 3391: 3387: 3382: 3375: 3371: 3370:Harrison 2006 3366: 3359: 3355: 3350: 3348: 3339: 3333: 3329: 3328: 3320: 3318: 3316: 3308: 3304: 3299: 3297: 3289: 3285: 3284:Harrison 2006 3280: 3278: 3270: 3266: 3261: 3259: 3251: 3247: 3242: 3235: 3231: 3226: 3219: 3215: 3214:Harrison 2006 3210: 3208: 3200: 3196: 3191: 3184: 3183: 3178: 3173: 3158: 3157:HarperCollins 3154: 3153: 3148: 3142: 3126: 3120: 3118: 3113: 3099: 3090: 3083: 3079: 3073: 3059: 3050: 3044: 3033: 3029: 3028: 3018: 2964: 2958: 2957: 2947: 2905: 2898: 2891: 2887: 2883: 2879: 2875: 2871: 2868: and the 2867: 2863: 2859: 2853: 2849: 2837: 2835: 2831: 2827: 2823: 2819: 2815: 2811: 2807: 2803: 2798: 2796: 2792: 2787: 2784: 2774: 2772: 2771:Scherzo No. 2 2768: 2764: 2760: 2755: 2753: 2752: 2747: 2746: 2741: 2737: 2733: 2729: 2725: 2721: 2717: 2714:and Chopin's 2713: 2712: 2702: 2698: 2689: 2684: 2681: 2679: 2675: 2674:recording ban 2671: 2667: 2663: 2655: 2650: 2646: 2643: 2639: 2635: 2629: 2619: 2617: 2613: 2609: 2605: 2600: 2598: 2594: 2584: 2582: 2578: 2574: 2569: 2567: 2563: 2557: 2555: 2546: 2541: 2532: 2529: 2522: 2520: 2516: 2515: 2508: 2506: 2497: 2488: 2486: 2476: 2473: 2472:Funeral March 2470:and Chopin's 2469: 2468: 2463: 2458: 2456: 2452: 2448: 2444: 2440: 2436: 2432: 2428: 2424: 2420: 2416: 2412: 2408: 2404: 2403:Josef Hofmann 2400: 2396: 2392: 2388: 2384: 2377: 2375: 2363: 2359: 2343: 2334: 2330: 2326: 2310: 2301: 2279: 2255: 2253: 2248: 2243: 2241: 2237: 2236: 2231: 2227: 2223: 2219: 2214: 2212: 2208: 2204: 2203: 2193: 2187: 2181: 2176: 2171: 2162: 2160: 2156: 2152: 2148: 2147:Joseph Yasser 2143: 2141: 2140: 2135: 2134: 2129: 2125: 2118: 2117: 2110: 2107: 2103: 2102:Impressionist 2099: 2095: 2091: 2090:ornamentation 2088: 2084: 2080: 2076: 2072: 2067: 2064: 2060: 2056: 2052: 2048: 2044: 2040: 2039: 2029: 2025: 2023: 2011: 2007: 2004: 1999: 1997: 1993: 1982: 1981: 1964: 1955: 1939: 1930: 1928: 1927:Étude-Tableau 1911: 1898: 1896: 1895: 1890: 1886: 1885:Anton Chekhov 1882: 1878: 1874: 1870: 1865: 1863: 1862: 1857: 1853: 1849: 1844: 1842: 1838: 1834: 1830: 1826: 1822: 1821: 1816: 1815: 1810: 1809: 1804: 1803: 1797: 1795: 1791: 1790: 1785: 1784: 1779: 1778: 1773: 1769: 1765: 1761: 1760: 1755: 1754: 1749: 1744: 1742: 1738: 1734: 1730: 1729:piano sonatas 1726: 1725: 1720: 1719: 1714: 1713: 1708: 1704: 1700: 1696: 1692: 1688: 1684: 1680: 1676: 1675: 1667:(Op. 3, 1666: 1662: 1657: 1655: 1654: 1649: 1648: 1643: 1642: 1637: 1636: 1631: 1627: 1626: 1621: 1614: 1607: 1599: 1597: 1596: 1591: 1584: 1577: 1570: 1559: 1551: 1546: 1536: 1534: 1530: 1526: 1522: 1521:Anton Arensky 1517: 1515: 1514:Stephen Walsh 1511: 1510: 1509:Eugene Onegin 1505: 1501: 1497: 1493: 1492: 1487: 1486: 1481: 1480: 1475: 1471: 1456: 1453: 1448: 1446: 1442: 1438: 1434: 1430: 1421: 1416: 1412: 1410: 1406: 1402: 1398: 1394: 1390: 1385: 1380: 1373: 1368: 1364: 1362: 1357: 1356:Beverly Hills 1353: 1349: 1345: 1336: 1327: 1325: 1321: 1320: 1315: 1311: 1307: 1302: 1298: 1293: 1291: 1287: 1283: 1279: 1275: 1270: 1264: 1262: 1258: 1255:to celebrate 1254: 1249: 1245: 1244:Michel Fokine 1241: 1240:Aix-les-Bains 1235: 1233: 1226: 1225: 1219: 1215: 1211: 1207: 1203: 1195: 1190: 1186: 1184: 1180: 1179: 1174: 1172: 1167: 1165: 1160: 1155: 1150: 1148: 1144: 1143: 1138: 1127: 1123: 1121: 1117: 1113: 1109: 1105: 1100: 1098: 1097:San Francisco 1090: 1085: 1081: 1079: 1075: 1071: 1067: 1063: 1062:Josef Hofmann 1059: 1054: 1052: 1048: 1044: 1043: 1037: 1032: 1027: 1023: 1018: 1014: 1010: 1006: 1005: 1000: 999: 994: 990: 981: 977: 974: 970: 966: 961: 956: 946: 944: 943: 938: 934: 930: 926: 924: 923: 917: 913: 909: 904: 902: 898: 893: 889: 885: 884: 879: 875: 869: 866: 862: 861: 856: 851: 848: 847:Gustav Mahler 844: 840: 836: 835:Smith College 832: 831:Josef Hofmann 828: 824: 820: 812: 808: 803: 799: 797: 793: 789: 785: 781: 780: 775: 771: 761: 758: 753: 751: 750: 745: 744: 739: 730: 725: 721: 719: 718: 712: 707: 702: 700: 696: 689: 679: 670: 668: 663: 659: 655: 654: 649: 645: 640: 635: 632: 628: 624: 620: 616: 612: 604: 599: 595: 593: 592: 588:(Op. 15) and 587: 583: 579: 574: 564: 561: 557: 552: 548: 544: 540: 536: 532: 528: 527: 522: 521: 516: 511: 509: 508: 503: 502: 497: 493: 489: 485: 481: 476: 474: 470: 466: 462: 458: 454: 450: 449: 440: 436: 430: 428: 423: 419: 418: 413: 412: 407: 400: 396: 392: 383: 379: 377: 372: 371:Anton Arensky 368: 364: 360: 350: 348: 344: 340: 336: 332: 328: 327:Volkhov River 324: 320: 311: 307: 305: 301: 297: 292: 287: 285: 281: 280:Staraya Russa 276: 274: 270: 266: 262: 258: 254: 250: 242: 237: 223: 221: 217: 216:Beverly Hills 212: 208: 203: 201: 197: 193: 189: 185: 180: 178: 174: 170: 166: 162: 158: 154: 150: 146: 142: 139: 135: 131: 127: 118: 113: 108: 105: 102: 98: 93: 92:Beverly Hills 84:28 March 1943 83: 79: 74: 73:Staraya Russa 67: 63: 59: 52: 47: 40: 37: 33: 19: 13713:Richard Mohr 13699:Edward Lewis 13692:Walter Legge 13659:John Culshaw 13558:Jordi Savall 13474:Gidon Kremer 13432:James Galway 13411:Pablo Casals 13404:Julian Bream 13397:Dennis Brain 13327: 13293:Dinu Lipatti 13168:Keyboardists 12934:Maria Callas 12892:Thomas Allen 12874:Bruno Walter 12848:George Szell 12822:Fritz Reiner 12810:Simon Rattle 12747:James Levine 12613:Adrian Boult 12495: 12488: 12481: 12465: 12185:Porto-Alegre 11839:Philosophers 11723:Rachmaninoff 11722: 11172:Chavchavadze 11162:Baratashvili 10922:João de Deus 10891:Wincenty Pol 10683:Küchelbecker 10411: 10377:Noble savage 10364: 10330: 10305:Wallenrodism 10282: 10268: 10199:Coppet group 10133:(literature) 10039: 10032: 9935: 9919:Other topics 9743:J. Strauss I 9633:Rachmaninoff 9632: 9388:Gretchaninov 8985:Recognitions 8899:Prelude in C 8878:Three Pieces 8865: 8858: 8836: 8818: 8806: 8787: 8769: 8762: 8755: 8737: 8730: 8708: 8700: 8692: 8675: 8668: 8661: 8654: 8647: 8640: 8623: 8616: 8609: 8602: 8595: 8588: 8558: 8541: 8479: 8472: 8465: 8458: 8451: 8428: 8352: 8351: 8348:(ChoralWiki) 8327:(in Italian) 8300:Music scores 8299: 8298: 8267: 8266: 8233: 8187: 8181: 8152: 8146: 8126: 8120: 8084: 8080: 8060: 8056: 8021: 8015: 7986: 7980: 7968: 7964: 7921: 7917: 7888: 7882: 7841: 7835: 7804: 7776: 7749: 7725: 7703: 7681:Rachmaninoff 7680: 7657: 7631: 7605: 7579: 7554: 7533: 7511: 7488: 7459: 7449: 7421: 7391: 7358:Rachmaninoff 7357: 7332: 7310: 7287: 7264: 7242: 7221: 7201: 7180: 7151: 7139: 7127: 7115: 7103: 7091: 7079: 7067: 7055: 7039: 6987: 6975: 6963: 6951: 6939: 6927: 6911: 6895: 6884:Norris 2001a 6879: 6863: 6851: 6835: 6800: 6784: 6768: 6752: 6747:, p. 3. 6740: 6728: 6717:Norris 2001b 6693: 6681:. 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Schlegel 11967:A. Schlegel 11743:Tchaikovsky 11632:Bortkiewicz 11504:R. Schumann 11499:C. Schumann 11464:Kalkbrenner 11433:Saint-Saëns 10738:Anne Brontë 10623:Eichendorff 10608:B. v. Arnim 10603:A. v. Arnim 10413:Weltschmerz 10372:Medievalism 10321:Blue flower 10249:Nationalist 10194:Bohemianism 10106:Romanticism 9986:Romanticism 9768:Tchaikovsky 9703:R. Schumann 9698:C. Schumann 9683:Saint-Saëns 9578:Niedermeyer 9468:Leoncavallo 9438:Kalkbrenner 9213:Bortkiewicz 9033:Romanticism 9028:Villa Senar 8844:Four Pieces 8481:Monna Vanna 8384:MusicBrainz 8373:BBC Radio 3 8324:Free scores 7805:Rakhmaninov 7156:Martyn 1990 7144:Martyn 1990 7132:Martyn 1990 7120:Martyn 1990 7108:Martyn 1990 7096:Martyn 1990 7084:Martyn 1990 7060:Martyn 1990 7032:Martyn 1990 7013:, pp. 6994:, pp. 6968:Martyn 1990 6956:Martyn 1990 6944:Martyn 1990 6791:, pp. 6733:Martyn 1990 6656:Martyn 1990 6625:Yasser 1951 6576:, pp. 6530:Yasser 1969 6488:, pp. 6350:Martyn 1990 6338:Martyn 1990 6326:Martyn 1990 6314:Martyn 1990 6278:Norris 1983 6185:, pp. 6183:Seroff 1950 6168:Martyn 1990 6106:, pp. 6104:Seroff 1950 5979:, pp. 5917:Seroff 1950 5868:, pp. 5783:Seroff 1950 5639:Martyn 1990 5613:, pp. 5532:, pp. 5435:Martyn 1990 5155:Seroff 1950 5077:, pp. 5058:, pp. 5056:Seroff 1950 5039:, pp. 5037:Seroff 1950 5023:, pp. 5005:Seroff 1950 4895:, pp. 4859:, pp. 4843:, pp. 4827:, pp. 4825:Seroff 1950 4809:Seroff 1950 4789:Seroff 1950 4757:Seroff 1950 4743:, pp. 4719:, pp. 4717:Seroff 1950 4667:, pp. 4665:Seroff 1950 4633:Seroff 1950 4619:, pp. 4431:Martyn 1990 4381:, pp. 3964:Martyn 1990 3865:, pp. 3849:, pp. 3803:11–12 3767:Seroff 1950 3737:, pp. 3700:Martyn 1990 3652:Seroff 1950 3620:Seroff 1950 3604:Norris 2002 3588:Seroff 1950 3542:, pp. 3466:Martyn 1990 3436:, pp. 3388:, pp. 3372:, pp. 3303:Seroff 1950 3246:Martyn 1990 2890:Rakhmaninov 2886:Rachmaninov 2870:family name 2866:Vasilievich 2826:Tchaikovsky 2593:Cyril Smith 2455:Tchaikovsky 2439:Mendelssohn 2356:Performing 2325:Franz Liszt 2240:Dave Malloy 2178: [ 2077:writing in 1992:Tchaikovsky 1881:Afanasy Fet 1820:Monna Vanna 1691:Op. 33 1485:The Tempest 1470:Tchaikovsky 1429:Silver Lake 1422:in May 2006 1384:naturalised 1314:Long Island 1218:Villa Senar 1210:Hertenstein 1206:Rambouillet 1070:Spanish flu 1020: [ 998:Monna Vanna 989:Scandinavia 937:14 Romances 908:Raoul Pugno 819:Max Fiedler 667:Leo Tolstoy 453:The Gypsies 339:Franz Liszt 157:Tchaikovsky 149:Romanticism 71:Semyonovo, 18:Rachmaninov 13799:Categories 13018:Tito Gobbi 12551:Conductors 12050:Chassériau 12025:Aivazovsky 11733:Rubinstein 11718:Mussorgsky 11667:Wieniawski 11652:Paderewski 11494:Moszkowski 11277:Vörösmarty 11267:Shevchenko 11121:Longfellow 11045:Batyushkov 11040:Baratynsky 11009:Espronceda 10876:Mickiewicz 10871:Malczewski 10838:Wordsworth 10823:M. Shelley 10778:de Quincey 10643:Günderrode 10527:Baudelaire 10407:Wanderlust 10244:Lake Poets 9974:Background 9875:Intermezzo 9808:Wieniawski 9788:Vieuxtemps 9753:R. Strauss 9678:Rubinstein 9603:Paderewski 9573:Mussorgsky 9568:Moszkowski 9543:Mercadante 8826:Étude in F 8749:Solo piano 8535:Symphonies 8528:Orchestral 8236:. London: 7046:, p. 6918:, p. 6916:Young 1986 6902:, p. 6900:Young 1986 6886:, p. 6870:, p. 6856:Mayne 1936 6842:, p. 6826:, p. 6807:, p. 6775:, p. 6759:, p. 6719:, p. 6700:, p. 6683:30 January 6658:, p. 6642:, p. 6611:, p. 6595:, p. 6560:, p. 6544:, p. 6516:, p. 6472:, p. 6452:, p. 6436:, p. 6417:, p. 6376:, p. 6302:Walsh 1973 6245:, p. 6229:, p. 6201:, p. 6154:, p. 6138:, p. 6122:, p. 6120:Scott 2011 6078:, p. 6062:, p. 6060:Scott 2011 6034:, p. 6018:, p. 6002:, p. 5963:, p. 5944:, p. 5919:, p. 5903:, p. 5887:, p. 5852:, p. 5836:, p. 5820:, p. 5804:, p. 5785:, p. 5766:, p. 5738:, p. 5722:, p. 5688:, p. 5672:, p. 5641:, p. 5597:, p. 5581:, p. 5579:Scott 2011 5548:, p. 5499:, p. 5468:, p. 5466:Scott 2011 5452:, p. 5421:, p. 5405:, p. 5389:, p. 5366:, p. 5364:Scott 2011 5333:, p. 5317:, p. 5301:, p. 5299:Scott 2011 5285:, p. 5269:, p. 5253:, p. 5251:Scott 2011 5237:, p. 5221:, p. 5205:, p. 5203:Scott 2011 5189:, p. 5173:, p. 5171:Scott 2011 5157:, p. 5141:, p. 5139:Scott 2011 5125:, p. 5123:Scott 2011 5109:, p. 5107:Scott 2011 5093:, p. 5007:, p. 4991:, p. 4975:, p. 4959:, p. 4943:, p. 4927:, p. 4911:, p. 4879:, p. 4811:, p. 4791:, p. 4775:, p. 4759:, p. 4703:, p. 4687:, p. 4651:, p. 4635:, p. 4603:, p. 4587:, p. 4571:, p. 4552:, p. 4536:, p. 4520:, p. 4504:, p. 4485:, p. 4465:, p. 4449:, p. 4433:, p. 4413:, p. 4397:, p. 4365:, p. 4345:, p. 4329:, p. 4313:, p. 4297:, p. 4278:, p. 4262:, p. 4246:, p. 4227:, p. 4211:, p. 4209:Scott 2011 4195:, p. 4179:, p. 4163:, p. 4144:, p. 4128:, p. 4112:, p. 4093:, p. 4074:, p. 4058:, p. 4042:, p. 4014:, p. 3998:, p. 3982:, p. 3980:Scott 2011 3966:, p. 3950:, p. 3934:, p. 3918:, p. 3902:, p. 3886:, p. 3833:, p. 3817:, p. 3815:Scott 2011 3801:, p. 3785:, p. 3769:, p. 3753:, p. 3721:, p. 3702:, p. 3686:, p. 3670:, p. 3654:, p. 3638:, p. 3636:Scott 2011 3622:, p. 3606:, p. 3590:, p. 3574:, p. 3558:, p. 3526:, p. 3503:, p. 3487:, p. 3468:, p. 3452:, p. 3420:, p. 3404:, p. 3356:, p. 3305:, p. 3286:, p. 3267:, p. 3248:, p. 3232:, p. 3216:, p. 3197:, p. 2862:patronymic 2840:References 2818:Mussorgsky 2672:imposed a 2666:RCA Victor 2636:on their " 2626:See also: 2622:Recordings 2616:acromegaly 2528:polyphonic 2485:definition 2374:media help 1858:, and the 1748:a cappella 1620:in A minor 1613:in E minor 1606:in D minor 1590:in G minor 1583:in D minor 1576:in C minor 1464:Influences 1401:Hans Lange 1274:Ivan Ilyin 1257:Henry Wood 1013:Copenhagen 865:liturgical 363:Rubinstein 304:liturgical 296:diphtheria 291:Page Corps 269:John Field 205:After the 177:orchestral 165:melodicism 13777:Biography 13719:Ted Perry 13582:Ensembles 13300:Radu Lupu 13286:Lang Lang 12599:Karl Böhm 12490:Modernism 12150:Kiprensky 12110:Géricault 12095:Friedrich 12085:Delacroix 12060:Constable 12040:Bonington 12030:Bierstadt 11982:Senancour 11957:Schelling 11912:Lamennais 11907:Khomyakov 11872:Coleridge 11867:Chaadayev 11774:Stanković 11769:Mokranjac 11688:Balakirev 11647:Moniuszko 11596:Donizetti 11591:Cherubini 11489:Meyerbeer 11474:Marschner 11449:Beethoven 11362:Moscheles 11296:Musicians 11282:Wergeland 11247:Orbeliani 11202:Grundtvig 11106:Hawthorne 11075:Zhukovsky 11070:Vyazemsky 11055:Lermontov 11014:Gutiérrez 10973:Radičević 10937:Herculano 10861:Krasiński 10803:Radcliffe 10773:Coleridge 10748:E. Brontë 10743:C. Brontë 10673:Jean Paul 10668:Hölderlin 10557:Lamartine 10494:Magalhães 10484:Guimarães 10392:Pantheism 10382:Nostalgia 10234:Indianism 10182:Movements 10113:Countries 9588:Offenbach 9563:Moscheles 9558:Moniuszko 9553:Meyerbeer 9508:Marschner 9493:MacDowell 9308:Donizetti 9253:Cherubini 9243:Chaminade 9168:Beethoven 9153:Balakirev 9143:Atterberg 9121:musicians 8663:The Bells 8560:The Bells 8109:145455154 7956:220412829 7940:1644-3284 7874:162372816 7858:0027-4380 7478:314284925 7380:(2001b). 7354:(2001a). 6920:1625–1626 6374:Maes 2002 6290:Frey 2022 5283:Lyle 1939 5187:Lyle 1939 5091:Lyle 1939 5075:Lyle 1939 5021:Lyle 1939 4957:Lyle 1939 4941:Lyle 1939 4893:Lyle 1939 4877:Lyle 1939 4857:Lyle 1939 4741:Lyle 1939 4550:Lyle 1939 4142:Lyle 1939 4126:Lyle 1939 4072:Lyle 1939 3948:Lyle 1939 3916:Lyle 1939 3847:Lyle 1939 3831:Lyle 1939 3109:Citations 3043:romanized 2777:Conductor 2699:Chopin's 2479:Technique 2419:Beethoven 2209:, in his 2106:symbolist 2087:chromatic 2079:The Bells 2059:chromatic 2051:Dies irae 2038:Dies irae 2006:The Bells 1777:The Bells 1707:Prokofiev 1352:neuralgia 1344:sclerosis 1306:The Bells 1234:in 1936. 1229:Symphony 1009:Stockholm 901:The Bells 883:The Bells 706:Canon law 615:César Cui 605:premiered 267:composer 222:in 1943. 211:his villa 145:conductor 110:Signature 13481:Yo-Yo Ma 12502:Category 12318:Dahlhaus 12303:Blanning 12270:Scholars 12240:Tropinin 12235:Tidemand 12225:Stattler 12220:Scheffer 12120:Głowacki 12090:Edelfelt 12045:Bryullov 11987:Snellman 11962:Schiller 11952:Rousseau 11932:Michelet 11877:Constant 11847:Belinsky 11820:Sibelius 11764:Konjović 11738:Scriabin 11708:Lyapunov 11642:Lipiński 11611:Spontini 11601:Paganini 11545:Goldmark 11336:Thalberg 11331:Schubert 11311:Bruckner 11272:Topelius 11262:Runeberg 11252:Prešeren 11222:Leopardi 11187:Frashëri 11177:Eminescu 11157:Andersen 11065:Tyutchev 11050:Karamzin 11024:Zorrilla 11019:Saavedra 10917:Castilho 10905:Portugal 10896:Słowacki 10798:Polidori 10728:Barbauld 10663:Hoffmann 10618:Brentano 10532:Bertrand 10353:Romantic 10189:Ancients 10163:Scotland 10054:Category 10031: ← 9910:Symphony 9773:Thalberg 9738:Spontini 9713:Sibelius 9708:Scriabin 9693:Schubert 9688:Sarasate 9653:Respighi 9648:Reinecke 9608:Paganini 9518:Massenet 9513:Masarnau 9498:Madetoja 9443:Kreisler 9433:Kalivoda 9378:J. 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the 1783:Spring 1681:; and 965:Crimea 919:work, 813:, 1910 395:Tambov 143:, and 13789:Music 13765:Opera 12454:Bacon 12363:Rosen 12358:Ricks 12353:Nancy 12313:Blume 12308:Bloom 12230:Stroy 12215:Saleh 12210:Runge 12160:Lampi 12145:Jones 12135:Hayez 12070:Corot 12035:Blake 12002:Tieck 11992:Staël 11917:Larra 11902:Hegel 11857:Burke 11815:Grieg 11805:Field 11800:Elgar 11783:Other 11616:Verdi 11574:Italy 11565:Liszt 11555:Hubay 11540:Erkel 11524:Weber 11509:Spohr 11469:Loewe 11459:Bruch 11423:Méhul 11413:Fauré 11403:Auber 11398:Alkan 11257:Raffi 11227:Mácha 11217:Lenau 11167:Botev 11140:Other 10992:Spain 10927:Dinis 10813:Scott 10788:Keats 10768:Clare 10758:Byron 10753:Burns 10733:Blake 10718:Great 10703:Tieck 10658:Heine 10653:Hauff 10587:Vigny 10582:Staël 10542:Dumas 10464:Assis 10459:Alves 10444:Abreu 10397:Rhine 10300:Ultra 10143:Japan 9991:Chess 9823:Ysaÿe 9803:Weber 9783:Verdi 9733:Spohr 9728:Sousa 9613:Paine 9528:Méhul 9478:Loewe 9473:Liszt 9453:Kuula 9413:Holst 9393:Grieg 9373:Gomes 9353:Franz 9338:Foote 9333:Field 9328:Fauré 9318:Elgar 9298:Denza 9223:Bruch 9203:Bizet 9163:Beach 9148:Auber 9133:Alkan 9061:Audio 8905:minor 8832:major 8801:minor 8711:No. 2 8703:No. 1 8635:Vocal 8504:minor 8453:Aleko 8445:Opera 8353:Other 8165:JSTOR 8131:JSTOR 8122:Tempo 8105:S2CID 8097:JSTOR 8081:Tempo 8065:JSTOR 7999:JSTOR 7952:S2CID 7901:JSTOR 7870:S2CID 7862:JSTOR 7837:Notes 7386:. 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