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Rachel, Jack and Ashley Too

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1091:... and she does it well". Goodman opined that she was "one of the few actresses and singers who could even make this work". Pollard analysed that Cyrus was most impressive at playing the "two extremes" of her character's emotions: "desperate and broken" on one end and "uninhibited and defiant" on the other. Montgomery found her early "subdued, spectral performance" as Ashley O to be the best part of the episode. Leane and Sims both enjoyed her voice acting as Ashley Too, with Leane calling it a "tour-de-force performance" and Sims finding her "especially charming" in the role. However, Robertson preferred her as Ashley O, writing that Ashley Too is a "generic robot sidekick". In contrast, Vorel criticised the characterisation of both versions, saying that the idea "could have come straight from Cyrus' own marketing team, in a meta-attempt to prove that Miley Cryus The Performer is a being of depth and nuance". Heritage saw writing problems in Ashley O's later dialogue, saying that she "stops sounding like Miley Cyrus and starts sounding like a 48-year-old man trying to sound like Miley Cyrus". 807: 1031:" as past episodes that examined themes of cloning and AI more deeply, and wrote that fans "lamented" the episode "for its untapped potential". D'Addario said that the episode "has about fifteen potentially fruitful topics on its mind" but fails to find a good continuation from the premise. An example interesting topic is "women in music presenting a show of empowerment while being financially and creatively under someone else's control". D'Addario pointed to the "fundamental unseriousness of tone" as a reason the episode does not properly explore its themes. White found "fascinating ideas sketched here and there", but a reliance on "vaguely banal statements on the vapidity of pop and the lack of care afforded to some of its most profitable stars". Dissenting, Sims argued that "Brooker does a solid job interpolating" between "three big ideas", where "no single theme gets to dominate or develop fully". 1072:
to the plot till about the forty minute mark". According to Handlen, it starts as a "low-key family drama" and becomes a "kid's adventure film". Robertson found that after "a promising start", the storyline "becomes simultaneously overstuffed and underveloped", omitting "the intimate details that make its early scenes so compelling". Montgomery analysed the latter half as a "hokey-teen-sci-fi-adventure" that is "increasingly ludicrous and puerile" and Robertson said that episode was "at its blandest during some deeply unnecessary action sequences". Vorel criticised "clear-cut heroes and villains" with "paper-thin degrees of depth", and Sims believed the villains to be "particularly overwrought" as the episode does not explore their motivations. However, Leane praised that "an array of toe-tapping tunes
885:... while Jack lashes out against the world". Robertson thought the start of the episode "offers a fittingly melancholic portrait of someone using an imaginary relationship to handle loss and anxiety". Patterson wrote: "Where Ashley O is a kind of Pinocchio dreaming of becoming a real girl, Rachel and Jack Goggins are two sisters awaiting their discovery as princesses". He said the lack of a maternal figure "abets its qualities as a fairy tale". In order to "cope with lonely teenage hell", Robertson said that Rachel does "idol worship" of Ashley O. This connection draws on "the increasingly reciprocal relationship between celebrities and their fans." The Ashley Too doll was compared variously to the robotic toy 546:
role, despite her punk-like persona. Cyrus related to Ashley O's desire to explore other genres, something she did after becoming an adult. Cyrus said that her parents took an active role in her career and focused on getting a manager who would take care of her, in stark contrast to Ashley O's manager Catherine. Cyrus contributed ideas about her character's clothing and appearance. She also spoke to Brooker about enjoying a recent performance to a mostly older audience who were not recording the experience on their phones. Some dialogue and ideas from this conversation inspired aspects of Catherine's presentation of Ashley Eternal.
928:(2019) demonstrates "an eventual cost to the producers of that kind of relentless optimism, especially when the teenage content creators can't keep it up because things at home actually aren't all that great": this is similar to Ashley O's unhappy private life. Wilkinson wrote that "Rachel, Jack and Ashley Too" shows "repercussions for the audience too", as a person views themselves as a failure for being unhappy. She asks: "is it the celebrity performance packaging industry itself that's at fault? Or is it the creators? Or the fans?" On the same note, Zack Handlen of 45: 1095:
to more than a sounding board for Rachel's insecurities". Steiner wrote that the episode fails to understand teenage girls and criticised an overall lack of "an authentic voice for any of the leads", suggesting that having a woman writer may have averted this problem. Leane experienced a "minor letdown" in the lack of "emotional punch" in scenes showing Rachel and Jack with their father. However, he praised that "the core characters all get their chance to shine in a musical number".
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providing a neat ending than in delving into the deep questions it stirs up", and Brinkhof reported that some fans "accuse its feel-good ending of being a symptom of the infamously bleak show losing its uncompromisingly sinister edge". Leane reviewed that the mouse trap concept "feels like filler", though its payoff was "quite funny". Sims praised one particular scene, wherein Ashley O's comatose musical ideas are turned into pop music, as "a classic piece of grim
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idea, though it "arrives late in a muddled tale" as a "third-act plot twist", and Robertson saw "huge untapped potential" in having Rachel choose between the real Ashley O and the "perfect, locked-down" Ashley Too, or exploring the identity conflict between Ashley O and Ashley Too. Handlen asks why Ashley O's consciousness would be uploaded into the doll when it does not "do anything that much more complicated than empty pleasantries and soundbites". In contrast,
612: 667:"—was a fan of the show and approved. Brooker said that the humour arises from the fact that the pop versions are "insanely positive" and "full of empty affirmations". As an example, "On a Roll" changes the original lyrics "Bow down before the one you serve" to "I'm stoked on ambition and verve". Reznor said that the songs were "wonderfully absurd" and "really funny" in context. He found it "strange to hear music come through the blender and back". 517:'s songwriting or serve as a celebrity virtual assistant. Brooker said that the episode is not disparaging pop music, but criticising inauthenticity in music. According to Brooker, an unused idea saw Catherine revealed as non-human, either with her face being removed to display the machinery behind it, or with her disappearing "in a puff of smoke". In the final episode, after her Ashley Eternal plan fails, she looks at the camera and breaks the 486: 1034:
Patterson wrote that the show was "sharpest in its revisionist considerations of genre", and approved that the episode "tinkers with the tropes of tween tales and talks back to the genre in its own voice and on its own terms". Sims thought the Ashley Too doll's consciousness was the "most compelling"
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The now-conscious Ashley O directs the group to a venue where Catherine is debuting Ashley Eternal, a holographic replacement for Ashley O. Pursued by the police after Jack runs a red light, the group drive through the back entrance of the venue, surprising Catherine and the crowd as Ashley O emerges
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Other characters received less praise. Vorel found Rachel to be so "hopelessly naive" that the viewer "can't reasonably be expected to identify with or even empathize with her". Handlen crticised that Rachel "is basically forgotten once the story kicks in", while Vorel said that Jack "rarely amounts
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Reviewers were largely disappointed by the writing and structure. Pollard summarised that: "Plot points are picked up and dropped; narrative arcs lead to nowhere; unnecessary characters abound". A change in tone midway through was widely commented on, with Handlen writing that "we don't actually get
570:. Cyrus said that she was able to "get into Ashley" as she was isolated from friends and family. Problems in her personal life informed her emotions when portraying Ashley O's life breaking down. On the day that she filmed the scene where Ashley O wakes up from the coma, Cyrus had lost her home to a 360:
Meanwhile, Ashley O is unsatisfied with her musical direction and longs to play as a rock musician. When she writes broody music and does not take the medication given to subdue her, her controlling aunt and manager Catherine (Susan Pourfar) laces her food with drugs to render her comatose. When the
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Brooker and Jones thought Miley Cyrus would be perfect for the part of Ashley O, but did not expect her to be interested, or that they would get a pop star for the role. However, she was a big fan of the programme, and within a couple of days of their reaching out, she accepted the offer. She found
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said that the episode was about a musician trying to find her identity and "break out from the commercial machine". Jones said that Cyrus's personality matched how the episode gets more "heightened and sarcastic and satirical" as it progresses. She also said that Cyrus brought vulnerability to the
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inventions and removes a limiter. Ashley Too reveals herself to be a duplicate of Ashley O's entire consciousness, and persuades Rachel and Jack to look for evidence of Catherine's crimes at her house. Jack inexpertly drives them there, then poses as a mouse pest control service while Rachel takes
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noted the connection between the allegations and the narrative of "Rachel, Jack and Ashley Too". The similarities drew renewed media interest in June 2021 after Spears delivered testimony in a court hearing alleging excessive abuse and control through her conservatorship, including being forcibly
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episodes focus on, such as AI, storage of human memories, and drugs. Stubbs said that it was "not so much science fiction as science fact", because technologies already exist to facilitate hologram performances and production of new music using an artist's voice and image without their consent.
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The ending received mixed commentary, as did some individual scenes. It was described as "gratifying" by Patterson, "a really triumphant payoff" by Leane and a "fantastic surprise" that subverted "the trademark nihilism" by White. However, Sims accused the episode of being "more interested in
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episodes. Ashley O's storyline was compared to Cyrus's own life, along with those of other figures in the music industry. Some reviewers analysed personality traits of Rachel and Jack as a reaction to their mother's death. Most critics found the episode lacking in structure, writing quality,
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increased in scope to the point where it was separated from the series and released as a standalone film; it premiered on 28 December 2018. Although previous series of the programme produced under Netflix contained six episodes, series five comprises three episodes, as the series creator
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the script's portrayal of the music industry realistic, in terms of its "overt exploitation of artists" and the way in which decisions are driven by performance metrics rather than creativity. Madison Davenport played Jack. She auditioned without knowing that the episode was part of
947:, based on 41 critics, indicating mixed reviews. Its critics' consensus summarises that it "struggles to sew its many concepts together", and the most major strength is Cyrus's "wholly committed and compelling performance". It received ratings of three out of five stars in 534:, and was only told about the scene where Jack distracts a bodyguard from investigating Ashley O's IV drip removal. She was sent the full script a few days prior to filming. Angourie Rice, who plays Rachel, auditioned later in the process and knew that it was for 638:" to "Flirt" was made but not included in the episode. "On a Roll" was released via YouTube on 13 June 2019 and added to various music streaming services on 14 June. It subsequently charted in several countries, including peak positions of 18 in 689:
wrote that "Rachel, Jack and Ashley Too" is an "uncharacteristically upbeat story about subverting sinister tech toward good ends and combining a critique of celebrity fandom with a thought experiment about brain uploading". Tim Brinkhof of
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Ashley Too to where Ashley O lies comatose. The doll pulls the plug, trying to kill Ashley O to put her out of her misery, but it backfires and Ashley O actually wakes up instead. Jack and Rachel subdue two staff members alerted to the
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and of "prestige television" in the latest year. However, Sims found it an "intermittently fascinating bit of pop-music melodrama", albeit "bizarre", and Heritage approved that it was not "pointlessly bleak for the sake of it".
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commented that "'empowerment' has become a brand, with generic messages of confidence and believe-in-yourself churned out for an audience desperate to hear any assurance that there might be some way out of their misery".
1328: 1639: 286:), teenage sisters who have recently lost their mother. The doll Ashley Too, owned by Rachel, is a clone of Ashley O's personality. Brooker based the episode on a sitcom script he had written years prior, about a 3160: 364:
Six months later, Ashley Too is reactivated by a news report on Ashley O's coma and malfunctions upon learning of her real self's predicament. Jack connects the doll to the software Kevin uses for his humane
2228: 581:. Two crew members controlled her movements—one for her head and arms, and the other for her wheels—and the doll spun around and spoke in real life. Some parts, however, required the actors to film with a 2032: 1015:
episodes, with Robertson finding it a "corny, scattershot installment of a show that's usually revered for its sharp cynicism", and D'Addario calling it "the most majestically wrongheaded" episode of
2489: 513:; Brooker found the holograms "ghoulish" and noted that the subjects "often pass away in extremely tragic circumstances". He also considered AI as a means for creating a program which could imitate 1980: 721:
s Alexandra Pollard calling the latter half a "fun, high-concept heist film" and Stubbs describing it as "an adult take on the 1980s, kids' adventure caper, complete with gags a goofy chase".
2136: 2186: 1932: 357:" at a school talent contest, but leaves the stage embarrassed after slipping off a stool. Jack angrily hides Ashley Too, causing Rachel to accuse Jack of suppressing her own creativity. 2409: 2334: 700:
serves "to expose the lies and hypocrisies of society", in this case "conflict between the artistic integrity of the artist and the financial interest of their producers". Dan Stubbs of
2072: 659:, the lead vocalist and songwriter for Nine Inch Nails, with a synopsis outline and an explanation that he wanted to adapt their music into pop songs. Reznor—whose songwriting partner 741:
that the episode criticises "people who tell kids to have faith in themselves because it suits their own cynical purposes", but nonetheless does "want kids to believe in themselves".
1705: 385:" under the name "Ashley Fuckn O", with Jack on bass. Rachel and Ashley Too watch while Kevin talks to the bartender. Two dissatisfied fans leave the concert as Ashley crowd-surfs. 3061: 2995: 2678: 1487: 2261: 1770: 1606: 1523: 1317: 501:
minister and return to life to see their manager exploiting their deaths for profit. It also took inspiration from real life holographic performances of dead artists such as
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band who are hanged and return to life to find their manager profiting off their deaths. It was also informed by holographic performances featuring deceased artists.
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in the category Song Written and/or Recorded for Television, with Trent Reznor as the songwriter, Miley Cyrus as the artist and Amelia Hartley as music supervisor.
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hospitalized and medicated against her will as punishment for refusing to perform. Robertson compared "Rachel, Jack and Ashley Too" to the same subject, as well as
2535: 2218: 3606: 3563: 3028: 2022: 1803: 1223: 2962: 1570: 735:, Alissa Wilkinson found that it asks: "What images are celebrities allowed to project? And what do their fans receive in return?" Troy Patterson commented in 2863: 1896: 293:
The executive producers thought Cyrus would be perfect for the role, but were surprised when she agreed. Filming took place in late 2018, for five weeks, in
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s Tim Goodman characterised it as an unintentional "Disney movie spoof" due to its "ridiculous plot and obvious writing". Robertson and Daniel D'Addario of
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said that the episode "offers nothing new or nuanced" in its "poking fun at vapid pop music", a topic well-explored by other works. Heritage listed
834:. He said that "to what extent she has become the master of her own destiny or has remained caught up in the economic machinery remains uncertain". 3127: 2176: 3546: 2793: 759: 497:
The episode was written by Brooker. It was based on a comedy sitcom script from years prior about a 1977 punk band whose members are hanged by a
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The episode's storyline was compared to allegations that Britney Spears was forced to perform against her will during her legal conservatorship.
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Many critics compared Cyrus's real life to the experiences of Ashley O. She is a singer-songwriter who garnered fame as the protagonist of the
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There was critical consensus that the episode contained interesting ideas, but that these were insufficiently explored. Brinkhof pointed to "
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was commissioned by Netflix in March 2018, three months after the release of series four. Initially part of series five's production, the
3051: 2985: 806: 798:". Catherine can be seen using the Smithereen app from "Smithereens"; conversely, in "Smithereens", #AshleyOWembley is a trending topic. 2668: 1477: 3591: 2399:"Black Mirror: Rachel, Jack and Ashley Too, review: Miley Cyrus shines in a prescient, if vague, story with echoes of 'Free Britney'" 1451: 2602: 2251: 1760: 1596: 1513: 729:
Robertson viewed it as "mostly allegorical", and employing technological tropes "to raise questions about human agency". Writing in
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star Ashley O (Miley Cyrus). Much to Jack's annoyance, Rachel treats the doll as a friend, but Ashley Too also compliments Jack's
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ranked the episodes by tone, concluding that "Rachel, Jack and Ashley Too" was the fourth-least pessimistic episode of the show.
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over the course of a fortnight for her part in "Head Like a Hole". Cyrus and Davenport recorded the audio in a music studio.
2567: 2103:"Black Mirror 'Rachel, Jack and Ashley, Too' review: a genius pop music caper that might better be called A Star Is Borg..." 1087:
Cyrus received acclaim for her portrayal of Ashley O and Ashley Too. Lawler said that "Cyrus is essentially playing herself
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songs. "On a Roll" was released by Cyrus, subsequently appearing on several national music charts as well as receiving a
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news reports that the coma was caused by a shellfish allergy, Jack returns Ashley Too to Rachel, who shows no interest.
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as recent works that also addressed how "young creatives are at the mercy of their morally bankrupt handlers".
1028: 2986:"'Striking Vipers' to 'San Junipero': Every 'Black Mirror' Episode Ranked, From Good to Mind-Blowing (Photos)" 864:. According to Stubbs, Catherine "views a vulnerable dependant as a product" and is in this way comparable to 3503: 3235: 2922: 233: 2632: 1208:
by quality, giving "Rachel, Jack and Ashley Too" a position of 16th. Instead of by quality, Proma Khosla of
1391: 1283: 786:", along with a number of events from other episodes. Rachel's high school is named after Colin Ritman, a 3421: 2284: 791: 635: 574:. She used the events to inform her acting, though she had to take some breaks during filming the scene. 3117: 3464: 3439: 3209: 1052: 578: 466: 452: 268: 209: 2776: 2252:"SugarApe: the awful, iconic Nathan Barley magazine returns in Black Mirror – and he's now the editor" 3290: 3265: 1855: 1514:"'Black Mirror' Showrunners on Landing Miley Cyrus – and if They'll Release Ashley O's Songs (Video)" 429: 337:) after the death of their mother. For her fifteenth birthday, Rachel receives Ashley Too (voiced by 985:
s Stuart Heritage found it the worst, with Heritage adding that it was one of the worst episodes of
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Critics commented on how the death of Rachel and Jack's mother affected the children. David Sims of
824:(2006–2011). Similarly, Ashley O is a "peppy, cookie-cutter pop star", according to Kelly Lawler of 3510: 3414: 3400: 664: 3393: 3340: 3333: 1859: 1630:"Where is Black Mirror season 5 filmed? Filming locations included Brazil, South Africa and Kent" 967:. The critics Brinkhof, Patterson and Sims thought it was the best episode of series five, while 783: 498: 461:
viewed this as preferable to making viewers wait longer for the next series. The three episodes—"
342: 3569: 3258: 3155: 2918: 2709: 1761:"'Black Mirror': Watch the Music Video for Miley Cyrus' – Er, Ashley O's – 'On a Roll' (Video)" 1255: 1139: 998: 771: 631: 469:" and "Rachel, Jack and Ashley Too"—were released on Netflix simultaneously on 5 June 2019. As 2063:"Critics of Miley Cyrus' 'Black Mirror' Episode Can't See This Is Charlie Brooker at His Best" 1971:"Black Mirror season 5: Rachel, Jack And Ashley Too review – a tour-de-force from Miley Cyrus" 3202: 2067: 1064: 906: 869: 838: 708: 692: 2950: 2816: 2477: 1316: 566:
during filming in November 2018, rumours began that she would appear in the fifth series of
2927: 1891: 1400: 1144: 1103:"Rachel, Jack and Ashley Too" ranked as follows on critics' lists of the 23 instalments of 672: 668: 648: 317:
exploration of themes and characterisation of Rachel, but Cyrus's acting received acclaim.
1923:"Trent Reznor on 'Watchmen' Soundtrack, Nine Inch Nails' 'Pretty Hate Machine' Turning 30" 1794:"Netflix Drops Miley Cyrus' 'Black Mirror' Tracks – Listen to Ashley O's 'On a Roll' Here" 1437: 554:
While the episode takes place in America, for financial reasons the filming went ahead in
44: 8: 3368: 3151:"Guild of Music Supervisors Awards: 'Once Upon a Time,' 'Queen & Slim' Among Winners" 2858: 2594: 2404: 914: 847: 2891: 2823: 2362: 2293: 1601: 1565: 1323: 1156: 1132: 1118: 745: 2526:"Miley Cyrus Flounders in Black Mirror's Self-Parodying "Rachel, Jack and Ashley Too"" 3189: 2957: 2886: 2745: 1829: 1597:"Listen: Miley Cyrus on 'Black Mirror,' Getting Sober and Her Love of Britney Spears" 1007: 853: 845:
was being subjected to abuse through her then-ongoing conservatorship. Adam White of
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stick, and the doll was added in during editing. The driving scenes were filmed on a
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s "Rachel, Jack and Ashley Too" Embodies the Shallow Feminism It Attempts to Skewer"
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references to past works by Brooker. In Catherine's office, a cover of the magazine
278:), a pop singer whose creativity is restricted by her controlling aunt, and Rachel ( 3361: 3297: 3056: 2530: 1318:"'Black Mirror' Season 5 Takes On Home Robots And Romance Apps In Dark New Trailer" 1180: 969: 881:
said that both children experience depression, "with Rachel retreating into herself
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The Ashley Too doll's movements were partly captured during the shoot, and partly
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character, and Ashley O is treated at St. Juniper's hospital, which appears in "
593:... a small punk venue". Davenport knew how to play the guitar, but learned the 562:, taking place six days per week for five weeks. After Cyrus was spotted at the 2223: 2023:"Rachel, Jack and Ashley Too is Black Mirror's stab at a feel-good teen comedy" 924: 842: 820: 815: 737: 423: 407: 3585: 3489: 3386: 3283: 2572: 2256: 2181: 1927: 1634: 1024: 930: 912:
Wilkinson compared Rachel to Kayla, the protagonist of the comedy-drama film
754: 731: 542: 510: 334: 326: 279: 256: 245:" is the third and final episode of the fifth series of the anthology series 221: 172: 157: 73: 3354: 3226: 2788: 2741:"The Unfulfilled Potential of Miley Cyrus' 'Black Mirror' Episode (Column)" 2673: 2484: 1727: 1482: 1046: 978: 901: 890: 877: 865: 795: 660: 656: 622:, gave permission for adaptations of their songs to be used in the episode. 615: 582: 571: 559: 247: 34: 1044:
s Rob Leane found it "brilliantly designed" and funny. Chelsea Steiner of
485: 3407: 3023: 1975: 1288: 1172: 1037: 763: 594: 586: 518: 514: 350: 338: 301:" and "Right Where I Belong" during the episode—these are adaptations of 275: 151: 101: 3185: 3052:"All 23 episodes of Netflix's 'Black Mirror,' ranked from worst to best" 2669:"Out of tune: why Miley Cyrus' Black Mirror episode hits the wrong note" 2568:"Black Mirror reminds us that sometimes unhappy people sing happy songs" 3496: 895: 626:
Songs performed by Ashley in the episode are adaptations of songs from
2479:"Black Mirror: 'Rachel, Jack, and Ashley Too' Is a Fascinating Jumble" 2177:"Black Mirror's Miley Cyrus episode rebels against positivity culture" 3539: 3089: 3083:
Greene, Steve; Nguyen, Hanh; Miller, Liz Shannon (24 November 2017).
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s Madison Davenport and Angourie Rice on Working With a 'Diva' Robot"
1196: 826: 724:"Rachel, Jack and Ashley Too" explores a number of themes that other 685: 606: 555: 366: 354: 346: 298: 294: 287: 97: 3019:"Ranking all 23 episodes of Charlie Brooker's chilling Black Mirror" 611: 489:
Holographic performances that used the image of dead musicians like
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producers on that Miley Cyrus episode and a creepy pop star trend"
1076:... really assist the episode in making this pop icon feel real". 652:
ranked the song 28th in their list of the 100 Best Songs of 2019.
374:'s removal by using Kevin's mouse stunner and a sedative syringe. 2990: 1518: 1164: 1058: 919: 260: 2358:"Miley Cyrus Calls to 'Free Britney!' Spears at Memphis Concert" 1663:"Miley Cyrus is reportedly filming an episode of 'Black Mirror'" 3194: 992:
Hugh Montgomery, writing in the BBC, criticised the episode as
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videos about positivity. Wilkinson said that the documentary
886: 857: 3118:"Every 'Black Mirror' episode ever, ranked by overall dread" 251:. The episode was written by series creator and showrunner 3085:"Every 'Black Mirror' Episode Ranked, From Worst to Best" 2636: 2106: 1667: 956: 841:" during a performance, in reference to allegations that 702: 2887:"Every 'Black Mirror' Episode Ranked From Worst to Best" 1352:"Do You Have to Watch 'Black Mirror' Episodes In Order?" 1446: 1224:
List of awards and nominations received by Black Mirror
634:" was changed to "Right Where I Belong". A rewrite of " 918:(2018). Kayla is a young girl who films little-viewed 675:, received a credit for adapting the episode's music. 3149:
Nordyke, Kimberly; Howard, Annie (7 February 2020).
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produced the soundtrack to the series four episode "
630:: "Head Like a Hole" was retitled "On a Roll", and " 3082: 2851: 2397: 893:and the fictional virtual assistant Samantha from 3017:Jeffery, Morgan; Fletcher, Rosie (13 June 2019). 1585: 1466: 1228:In 2020, "On a Roll" received a nomination for a 3583: 1916: 1914: 1251:"'Black Mirror' Renewed for Season 5 at Netflix" 381:During the credits, Ashley O performs the song " 3547:Anyone Who Knows What Love Is (Will Understand) 3016: 1884: 760:Anyone Who Knows What Love Is (Will Understand) 477:, each instalment can be watched in any order. 3607:Television episodes written by Charlie Brooker 2917: 2130: 2128: 2126: 2124: 909:" (1994), Rachel is not critical of her doll. 655:During the writing process, Brooker contacted 412:The trailer for "Rachel, Jack and Ashley Too". 3210: 3148: 2738: 2212: 2210: 2208: 2206: 2204: 1911: 312:Critics found it to be more upbeat than most 18:3rd episode of the 5th series of Black Mirror 2430: 3597:Netflix original television series episodes 2662: 2660: 2658: 2471: 2469: 2467: 2465: 2463: 2461: 2459: 2457: 2455: 2318: 2316: 2121: 2056: 2054: 2052: 2050: 1442:Made Such Catchy Pop Songs for Miley Cyrus" 353:playing. Rachel dances to Ashley O's song " 3217: 3203: 2814: 2734: 2732: 2630: 2201: 1170:22nd – Morgan Jeffery and Rosie Fletcher, 43: 2815:Atad, Corey; Miller, Matt (5 June 2019). 2561: 2559: 2557: 2555: 2553: 2282: 2216: 2174: 2020: 1547: 1545: 1543: 1541: 766:, a song which appeared in four previous 480: 2948: 2666: 2655: 2519: 2517: 2515: 2513: 2511: 2509: 2507: 2452: 2313: 2060: 2047: 2016: 2014: 2012: 2010: 2008: 2006: 2004: 2002: 2000: 1998: 1887:"The 100 Best Songs of 2019: Staff List" 1660: 805: 794:", where it was in turn a reference to " 610: 484: 2818:"Every Episode of Black Mirror, Ranked" 2774: 2770: 2768: 2729: 2702: 2565: 2391: 2389: 2387: 2385: 2355: 2134: 1389: 1350:Dwilson, Stephanie Dube (4 June 2019). 1349: 1314: 1281: 1248: 899:(2013). In contrast with an episode of 3584: 3115: 3064:from the original on 11 September 2018 2983: 2698: 2696: 2626: 2624: 2622: 2620: 2550: 2322: 2249: 2170: 2168: 2166: 2164: 2100: 2096: 2094: 2092: 2090: 1964: 1962: 1960: 1958: 1956: 1954: 1952: 1950: 1693: 1627: 1594: 1538: 1507: 1505: 1475: 1435: 837:Earlier in 2019, Cyrus had mentioned " 778:, a fictional franchise mentioned in " 549: 154:as Ashley Ortiz and Ashley Too (voice) 3198: 3049: 3031:from the original on 11 November 2020 2998:from the original on 13 November 2020 2849: 2523: 2504: 2395: 2075:from the original on 25 February 2021 1995: 1968: 1935:from the original on 16 November 2020 1720: 1661:Trendell, Andrew (14 November 2018). 1364:from the original on 25 February 2021 706:suggested that the title is a pun on 3130:from the original on 15 January 2021 3097:from the original on 3 December 2020 2965:from the original on 15 January 2021 2952:"Every Black Mirror Episode, Ranked" 2899:from the original on 15 January 2021 2884: 2866:from the original on 15 January 2021 2831:from the original on 15 January 2021 2796:from the original on 22 October 2020 2765: 2705:"'Black Mirror' Season 5: TV Review" 2643:from the original on 9 February 2021 2595:"Black Mirror – Season 5, Episode 3" 2475: 2382: 2337:from the original on 7 November 2020 2264:from the original on 20 January 2021 2231:from the original on 24 January 2021 1983:from the original on 8 November 2020 1920: 1899:from the original on 31 January 2020 1885:Billboard Staff (11 December 2018). 1866:from the original on 12 January 2021 1791: 1758: 1551: 1511: 1490:from the original on 9 February 2021 1431: 1429: 1427: 1425: 1423: 1385: 1383: 1381: 1379: 1331:from the original on 9 February 2021 1275: 1263:from the original on 9 February 2021 1110: 493:were an inspiration for the episode. 2923:"Every Black Mirror episode ranked" 2693: 2617: 2161: 2087: 1947: 1694:Bailey, Alyssa (14 November 2018). 1502: 1098: 801: 297:, South Africa. Ashley O performs " 13: 2538:from the original on 25 April 2021 2370:from the original on 29 March 2021 2301:from the original on 27 April 2021 2135:Pollard, Alexandra (5 June 2019). 1609:from the original on 10 April 2021 1573:from the original on 25 April 2021 943:The episode holds a 51% rating on 14: 3623: 3179: 2949:Bramesco, Charles (5 June 2019). 2775:Steiner, Chelsea (12 June 2019). 2753:from the original on 2 March 2021 2739:D'Addario, Daniel (4 June 2019). 2605:from the original on 25 July 2019 2431:O'Connor, Roisin (26 June 2021). 2189:from the original on 17 June 2019 2175:Wilkinson, Alissa (5 June 2019). 2149:from the original on 11 June 2019 1836:from the original on 21 June 2019 1806:from the original on 14 June 2019 1773:from the original on 13 June 2019 1740:from the original on 17 June 2019 1420: 1376: 996:"at its most crudely parabolic". 671:, sister of the actor and writer 3592:2019 British television episodes 3224: 3163:from the original on 14 May 2021 3116:Khosla, Proma (5 January 2018). 2885:Page, Aubrey (10 October 2020). 2717:from the original on 16 May 2021 2667:Heritage, Stuart (7 June 2019). 2631:Montgomery, Hugh (5 June 2019). 2492:from the original on 5 June 2019 2412:from the original on 5 June 2019 2283:Tallerico, Brian (7 June 2019). 2035:from the original on 25 May 2021 1856:"Official Singles Chart Top 100" 1708:from the original on 15 May 2021 1675:from the original on 15 May 2021 1642:from the original on 7 June 2019 1526:from the original on 15 May 2021 1454:from the original on 5 June 2019 1408:from the original on 5 June 2019 1296:from the original on 24 May 2019 1249:Strause, Jackie (5 March 2018). 1230:Guild of Music Supervisors Award 1011:believed it was worse than most 959:. It was rated 5.5 out of 10 in 564:Victoria & Alfred Waterfront 417: 401: 333:) live with their father Kevin ( 307:Guild of Music Supervisors Award 169:Susan Pourfar as Catherine Ortiz 100:" and "Right Where I Belong" by 3142: 3109: 3076: 3043: 3010: 2977: 2942: 2911: 2878: 2843: 2808: 2681:from the original on 3 May 2021 2587: 2424: 2349: 2276: 2243: 2217:Patterson, Troy (5 June 2019). 1878: 1848: 1818: 1792:Maas, Jennifer (14 June 2019). 1785: 1759:Maas, Jennifer (13 June 2019). 1752: 1687: 1654: 1621: 1512:Maas, Jennifer (10 June 2019). 1315:Ovenden, Olivia (15 May 2019). 1282:Jeffery, Morgan (23 May 2019). 774:". A news programme references 758:, can be seen. Ashley O sings " 3612:Works about the music industry 3050:Clark, Travis (10 June 2019). 2633:"Black Mirror series 5 review" 2061:Brinkhof, Tim (11 June 2019). 2021:Robertson, Adi (7 June 2019). 1921:Grow, Kory (5 November 2019). 1390:Hibberd, James (5 June 2019). 1343: 1308: 1242: 345:robotic doll of her favourite 181:Daniel Stewart Sherman as Bear 56: 1: 3186:"Rachel, Jack and Ashley Too" 2566:Handlen, Zack (5 June 2019). 2356:Willman, Chris (6 May 2019). 2323:Lawler, Kelly (5 June 2019). 2250:Martin, Laura (6 June 2019). 1628:Martin, Laura (6 June 2019). 1595:Malkin, Marc (23 June 2020). 1436:Grebey, James (5 June 2019). 1235: 388: 329:) and her older sister Jack ( 2703:Goodman, Tim (4 June 2019). 2285:"Every Hidden Easter Egg in 1552:Ivie, Devon (11 June 2019). 1476:Pelley, Rich (1 June 2019). 938: 187:Nicholas Pauling as Dr. Munk 7: 3472:Rachel, Jack and Ashley Too 2984:Molloy, Tim (8 June 2019). 2476:Sims, David (5 June 2019). 2396:White, Adam (5 June 2019). 2101:Stubbs, Dan (5 June 2019). 678: 436:" sung by Ashley O (Cyrus). 408:Rachel, Jack and Ashley Too 263:on 5 June 2019, alongside " 243:Rachel, Jack and Ashley Too 26:Rachel, Jack and Ashley Too 10: 3628: 2524:Vorel, Jim (5 June 2019). 1969:Leane, Rob (5 June 2019). 1221: 604: 579:computer-generated imagery 524: 453:Black Mirror: Bandersnatch 428:Official music video for " 3556: 3531: 3481: 3449: 3431: 3378: 3325: 3307: 3275: 3266:The Entire History of You 3243: 3234: 2850:Power, Ed (5 June 2020). 1217: 1154:18th – Charles Bramesco, 955:, and two stars from the 416: 400: 395: 232: 198: 193: 148: 141: 133: 118: 110: 89: 79: 69: 54: 42: 32: 23: 889:, the virtual assistant 860:and her former producer 744:The episode makes small 600: 343:artificially intelligent 178:Jerah Milligan as Busy G 1860:Official Charts Company 752:, from the 2005 sitcom 618:, the lead vocalist of 541:The executive producer 320: 3570:Thanksgiving of Horror 3564:Awards and nominations 3259:Fifteen Million Merits 3156:The Hollywood Reporter 2710:The Hollywood Reporter 1826:"NZ Hot Singles Chart" 1728:"On A Roll / Ashley O" 1256:The Hollywood Reporter 1204:instalments excluding 1200:authors ranked the 22 1107:, from best to worst: 999:The Hollywood Reporter 811: 772:Fifteen Million Merits 632:Right Where It Belongs 623: 494: 481:Conception and writing 3602:Black Mirror episodes 2068:The New York Observer 1178:23rd – Travis Clark, 907:Lisa vs. Malibu Stacy 905:on a similar topic, " 809: 709:Rita, Sue and Bob Too 693:The New York Observer 614: 488: 432:", an adaptation of " 274:It follows Ashley O ( 259:; it was released on 184:James III as Habanero 122:5 June 2019 119:Original release date 2928:Entertainment Weekly 1401:Entertainment Weekly 1145:Entertainment Weekly 1130:15th – Aubrey Page, 770:episodes, first in " 673:Phoebe Waller-Bridge 669:Isobel Waller-Bridge 282:) and Jack Goggins ( 3369:Hated in the Nation 3252:The National Anthem 1162:18th – Tim Molloy, 1116:9th – Matt Miller, 856:between the singer 780:The National Anthem 572:California wildfire 550:Filming and editing 812: 776:Sea of Tranquility 624: 495: 442:A fifth series of 341:), an interactive 194:Episode chronology 49:Promotional poster 3579: 3578: 3527: 3526: 3348:Shut Up and Dance 1830:Recorded Music NZ 1192: 1191: 1124:14th – Ed Power, 963:and graded C+ in 683:Adi Robertson of 440: 439: 331:Madison Davenport 284:Madison Davenport 239: 238: 228: 227: 164:Madison Davenport 160:as Rachel Goggins 143:Guest appearances 111:Cinematography by 3619: 3362:Men Against Fire 3298:The Waldo Moment 3241: 3240: 3219: 3212: 3205: 3196: 3195: 3173: 3172: 3170: 3168: 3146: 3140: 3139: 3137: 3135: 3113: 3107: 3106: 3104: 3102: 3080: 3074: 3073: 3071: 3069: 3057:Business Insider 3047: 3041: 3040: 3038: 3036: 3014: 3008: 3007: 3005: 3003: 2981: 2975: 2974: 2972: 2970: 2954: 2946: 2940: 2939: 2937: 2935: 2921:(9 April 2020). 2915: 2909: 2908: 2906: 2904: 2882: 2876: 2875: 2873: 2871: 2855: 2847: 2841: 2840: 2838: 2836: 2820: 2812: 2806: 2805: 2803: 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disputes 843:Britney Spears 832:Hannah Montana 821:Hannah Montana 816:Disney Channel 803: 800: 738:The New Yorker 680: 677: 602: 599: 551: 548: 526: 523: 482: 479: 438: 437: 414: 413: 398: 397: 390: 387: 322: 319: 237: 236: 230: 229: 226: 225: 213: 196: 195: 191: 190: 189: 188: 185: 182: 179: 176: 170: 167: 161: 155: 146: 145: 139: 138: 135: 131: 130: 120: 116: 115: 112: 108: 107: 105: 104: 93: 91: 90:Featured music 87: 86: 81: 77: 76: 71: 67: 66: 59: 52: 51: 48: 40: 39: 30: 29: 17: 9: 6: 4: 3: 2: 3624: 3613: 3610: 3608: 3605: 3603: 3600: 3598: 3595: 3593: 3590: 3589: 3587: 3571: 3567: 3565: 3562: 3561: 3559: 3555: 3548: 3544: 3541: 3537: 3536: 3534: 3530: 3519: 3515: 3512: 3508: 3505: 3501: 3498: 3494: 3491: 3490:Joan Is Awful 3487: 3486: 3484: 3480: 3473: 3469: 3466: 3462: 3459: 3455: 3454: 3452: 3448: 3442: 3441: 3437: 3436: 3434: 3430: 3423: 3419: 3416: 3412: 3409: 3405: 3402: 3398: 3395: 3391: 3388: 3387:USS Callister 3384: 3383: 3381: 3377: 3370: 3366: 3363: 3359: 3356: 3352: 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Index

Black Mirror
A popstar faces forward with a crowd of fans behind her and the text "Sing Along With Ashley" written above a microphone
Anne Sewitsky
Charlie Brooker
On a Roll
Ashley O
Miley Cyrus
Angourie Rice
Madison Davenport
Marc Menchaca
Smithereens
Joan Is Awful
List of episodes
Black Mirror
Charlie Brooker
Anne Sewitsky
Netflix
Striking Vipers
Smithereens
Miley Cyrus
Angourie Rice
Madison Davenport
punk
Cape Town
On a Roll
Nine Inch Nails
Guild of Music Supervisors Award
Angourie Rice
Madison Davenport
Marc Menchaca

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