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709:, "London died for me and I returned home to California to live among sons and grandsons – It was a very good move and now I begin my 3rd and (last?) ACT! hands across The Sea." Three years later he wrote: "I grow older every day and rather like my hermit life." The "Tate War" and Sandra's death became a central themes for his later works: he often depicted himself and his deceased wife as
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in 1994. Critical reviews in London were almost universally negative. British press savagely attacked the Tate exhibit, calling Kitaj a pretentious poseur who engaged in name dropping. Kitaj took the criticism very personally, declaring that "anti-intellectualism, anti-Americanism, and anti-Semitism"
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encouraged him to become a 'Warburgian artist'. His more complex compositions build on his line work using a montage practice, which he called 'agitational usage'. Kitaj often depicts disorienting landscapes and impossible 3D constructions, with exaggerated and pliable human forms. He often assumes a
601:. He told Tony Reichardt, manager of the Marlborough New London Gallery, that he made screen-prints as sketches for his future paintings. From then onwards Tony Reichardt commissioned Chris Prater to print three or four copies of every print he made on canvas. His later works became more personal.
676:", a short book in which he analysed his own alienation, and how this contributed to his art. His book contained the remark: "The Diasporist lives and paints in two or more societies at once." And he added: "You don't have to be a Jew to be a Diasporist."
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died from hyperacute haemorrhagic leuco-encephalitis in 1994, shortly after his exhibition at the Tate
Gallery had ended. He blamed the British press for her death, stating that "they were aiming for me, but they got her instead."
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in London in 1963, entitled "Pictures with commentary, Pictures without commentary", in which text included in the pictures and the accompanying catalogue referred to a range of literature and history, citing
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525:, championing the cause of figurative art at a time when abstract was dominant. In an essay in the controversial catalogue, he invented the phrase the "School of London" to describe painters such as
295:, United States. His Hungarian father, Sigmund Benway, left his mother, Jeanne Brooks, shortly after he was born and they were divorced in 1934. His mother was the American-born daughter of
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to celebrate the 20th anniversary of their product. The charcoal and pastel piece sold for $ 925, making it the most expensive post-it note in history, a fact recorded in the
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to showcase this sequence of works that dealt with the events of the "Tate War" and Sandra's death and even included a graffiti inscription stating 'The Critic Kills'.
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the beautiful young (and naked) girl records the shadow of her aged lover (on whose lap she sits) in a pose directly taken from the Scots Grand
Tourist David Allan's
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Błogosławione błądzenie. Na marginesie diasporycznego manifestu
Ronalda B. Kitaja (The Blessed Wandering. Side Notes on Ronald B. Kitaj's Diasporic Manifesto)
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Art of the United
Kingdom of Great Britain and Northern Ireland & Republic of Ireland in 20th–21st Centuries and Polish – British & Irish Art Relation
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826:. The title is partly in reference to what he dubbed his "erratic Jewish obsessions". The exhibition was shown in the UK in two parts at
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concurred and said that he too believed the London art critics had killed Sandra Fisher. Kitaj returned to the US in 1997 and settled in
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In his later years, he developed a greater awareness of his Jewish heritage, which found expression in his works, with reference to the
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detached outsider point of view, in conflict with dominant historical narratives. This is best portrayed by one his best-known works,
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in 1995. He staged another exhibition at the
National Gallery in 2001, entitled "Kitaj in the Aura of Cézanne and Other Masters".
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in 1990. He died in Los
Angeles in October 2007, eight days before his 75th birthday. Seven weeks after Kitaj's death, the
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for 12 years, he married her in
December 1983 and they had one son, Max. Sandra Fisher died in 1994, at age 47, from
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The
Aesthetics of the School of London "Diasporic" Painting – on the Basis of Ronald B. Kitaj's Literary Manifestos
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paintings featuring areas of bright colour, economic use of line and overlapping planes which made them resemble
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an installation of paintings, photographs and text that stretched across an entire wall of the gallery at the
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Kitaj was recognised as being one of the world's leading draftsmen, almost on a par with, or compared to,
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1575:. Exhibition catalogue. Purchase, New York, and Chicago: Neuberger Museum and Arts Club of Chicago, 1978.
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Chaney, Edward, "Warburgian Artist: R.B. Kitaj, Edgar Wind, Ernst
Gombrich and the Warburg Institute".
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721:. The latter was included by Ernst Gombrich in his 1995 National Gallery exhibition (and catalogue) on
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refugee research chemist, and Ronald took his surname. His mother and stepfather were non-practicing
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The
Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie,
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in New York and afterwards to the Los Angeles County Museum of Art in 1995. His second wife,
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Nussbaum, Esther "Second Diasporist Manifesto: A New Kind of Long Poem in 615 Free Verses"
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1386:"Freud and Bacon get a modern makeover in Tate Britain's All Too Human, inspired by Kitaj"
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Chaney, Edward, 'R.B. Kitaj (1932–2007): Warburgian Artist', "emaj" issue 7.1 November
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remained lifelong friends. He lived in California from 1967–68 and became friends with
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Kitaj married his first wife, Elsi Roessler, in 1953; they had a son, screenwriter
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1542:. Exhibition catalogue. London: Lund Humphries and the Barbican Art Gallery, 1990.
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opened at Tate Britain in February 2018, inspired by Kitaj's School of London.
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had fueled the vitriol. Despite the bad reviews, the exhibition moved to the
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in 1981. He selected paintings for an exhibition, "The Artist's Eye", at the
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so that Kitaj would have seen it two years before he left England for ever.
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identity often recur in his work, mixed together on one canvas to produce a
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for two years, in France and Germany, he moved to England to study at the
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Second Diasporist Manifesto. A New Kind of Long Poem in 615 Free Verses
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1091:"Socialist-Expressionist: Peter de Francia (1921–2012) – artcritical"
955:. Muriel Emanuel (2nd ed.). New York: St. Martin's Press. 1983.
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to mark what would have been Kitaj's 80th birthday. It accompanied
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coroner ruled that the cause of death was suicide by suffocation.
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and Walter Benjamin, and he came to consider himself to be a "
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as an Associate member and became a full Academician in 1984.
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Kitaj settled in England, and through the 1960s taught at the
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Chagall to Kitaj: Jewish Experience in Twentieth-Century Art
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In October 2012 a major international symposium was held in
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In September 2010, Kitaj and five British artists including
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1520:. Jewish Museum Berlin. Kerber Art, 2012, pp. 97–103.
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Jewish Artists and the Bible in Twentieth-Century America,
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issue 7.1 November 2013, www.emajartjournal.com, pp. 1–34.
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All Too Human: Bacon, Freud and a Century of Painting Life
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912:"R. B. Kitaj, Painter of Moody Human Dramas, Dies at 74"
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Published February 20, 2012, Retrieved October 18, 2023
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The Great Spectacle: 250 Years of the Summer Exhibition
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Bohm-Duchen, Monica (October 2012). "Kitaj in Berlin".
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705:, near his first son. "When my Wife died", he wrote to
279:; October 29, 1932 – October 21, 2007) was an American
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in 1991, the first American to join the Academy since
585:. Allusions to political history, art, literature and
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Philadelphia, PA, Penn State University Press, 2014,
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Rubbings...The Large Paintings and the Small Pastels
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In 2000, Kitaj was one of several artists to make a
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Members of the American Academy of Arts and Letters
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The Autumn of Central Paris (After Walter Benjamin)
505:in 1976, entitled "The Human Clay" (an allusion to
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49:. Unsourced material may be challenged and removed.
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432:, and adopted a daughter, Dominie. Elsi committed
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480:in 1968. He staged his first solo exhibition at
1187:, 'R.B. Kitaj (1932–2007): Warburgian Artist',
736:'s Summer Exhibition. Kitaj used the Academy's
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608:. Indeed, he was taught drawing at Oxford by
565:Kitaj had a significant influence on British
1300:. Royal Academy of Arts. 2018. p. 148.
448:, as is commonly written). Kitaj had a mild
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664:and influences from Jewish writers such as
1243:Charles Donelan, Santa Barbara Independent
1080:W. H. Auden 'Letter to Lord Byron' (1937).
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1775:American people of Russian-Jewish descent
648:in 1980. In 1981 he was elected into the
109:Learn how and when to remove this message
1654:The Nicolaus Copernicus University Press
909:Schwendener, Martha (October 24, 2007).
803:were included in an exhibition entitled
747:for an internet charity auction held by
334:when he was 17 and travelled by boat to
1740:Academics of Camberwell College of Arts
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283:who spent much of his life in England.
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1509:Chaney, Edward,'Kitaj versus Creed',
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765:. He received the Golden Lion at the
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593:effect. He also produced a number of
367:Ruskin School of Drawing and Fine Art
197:Ruskin School of Drawing and Fine Art
1531:. "A Paris Visit, with R.B. Kitaj".
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636:in 1965, and a retrospective at the
612:, whom Kitaj claimed was a pupil of
442:acute disseminated encephalomyelitis
47:adding citations to reliable sources
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1675:38 artworks by or after R. B. Kitaj
998:McNay, Michael (October 23, 2007).
632:Kitaj staged a major exhibition at
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1755:Alumni of the Ruskin School of Art
1750:Alumni of the Royal College of Art
1745:Academy of Fine Arts Vienna alumni
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1373:The Independent, exhibition review
1046:"Kitaj's Death is ruled a suicide"
478:University of California, Berkeley
14:
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1535:, no. 8, Fall 1985, pp. 8–17
1337:Karen Wilkin, Wall Street Journal
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728:In 1997 Kitaj exhibited his work
497:He curated an exhibition for the
1518:Obsessions: R.B. Kitaj 1932–2007
1335:Channeling American Abstraction,
1044:Boehm, Mike (December 5, 2007).
834:(February 21 to June 16, 2013).
634:Los Angeles County Museum of Art
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1815:People from Chagrin Falls, Ohio
1558:The Second Diasporist Manifesto
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1513:(April 2002), pp. 106–11.
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1618:. "Four Kitaj Studies", from
1287:, "Warburgian Artist", p. 102
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772:In 2007, Kitaj published his
672:". In 1989, Kitaj published "
347:Akademie der bildenden Künste
299:immigrants. She worked in a
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1810:Artists who died by suicide
1597:Livingstone, Marco (1985).
1351:Retrieved December 15, 2010
1349:NY Times, exhibition review
809:Yale Center for British Art
774:Second Diasporist Manifesto
757:. Kitaj was elected to the
436:in 1969. After living with
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1443:First Diasporist Manifesto
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1245:Retrieved January 25, 2011
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780:and died one month later.
690:Metropolitan Museum of Art
674:First Diasporist Manifesto
650:National Academy of Design
620:. Meanwhile art historian
167:October 21, 2007 (aged 74)
1730:21st-century male artists
1685:2 artworks by R. B. Kitaj
1624:New Directions Publishing
1339:Retrieved October 7, 2010
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1584:Philip Wilson Publishers
1361:Metro, exhibition review
1158:"Obituary: Chris Prater"
646:National Gallery, London
476:. He also taught at the
470:Camberwell School of Art
323:(New York). He became a
1800:Jewish American artists
1560:. New Haven, CT :
1375:Retrieved March 4, 2013
1363:Retrieved March 4, 2013
361:. After serving in the
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1765:American male painters
1275:1977, dated June 2002.
1273:My Cat and Her Husband
1258:1992) dated June 1999.
1241:R. B. Kitaj 1932–2007,
1071:Chaney, 2012, pp. 97–8
983:: CS1 maint: others (
413:, the philosopher and
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1646:Studies on Modern Art
1640:Stępnik, Małgorzata.
1629:Stępnik, Małgorzata.
1620:The Promises of Glass
1562:Yale University Press
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1466:Kitaj, R. B. (2007).
1439:Kitaj, R. B. (1989).
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824:Jewish Museum, Berlin
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577:, but eschewing most
389:(1959–61), alongside
319:. He was educated at
1825:American pop artists
1000:"Obituary: RB Kitaj"
952:Contemporary artists
832:Jewish Museum London
383:Royal College of Art
373:(1958–59) under the
204:Royal College of Art
43:improve this article
1795:Cooper Union alumni
1790:British printmakers
1785:British pop artists
1511:The London Magazine
1495:Baskind, Samantha,
1322:Jewish Book Council
1256:Whistler vs. Ruskin
1118:The Daily Telegraph
763:John Singer Sargent
561:Style and influence
474:Slade School of Art
293:Chagrin Falls, Ohio
246:Ronald Brooks Kitaj
156:Chagrin Falls, Ohio
1820:Royal Academicians
1578:Lambirth, Andrew.
1166:. November 8, 1996
1120:, October 24, 2007
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918:The New York Times
869:Jewish Renaissance
719:Origin of Painting
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30:
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1210:. Retrieved
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603:
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564:
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531:Leon Kossoff
499:Arts Council
496:
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450:heart attack
427:
423:Jess Collins
421:and painter
355:Cooper Union
344:
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41:Please help
36:verification
33:
1710:2007 deaths
1705:1932 births
1601:. Phaidon.
1599:R. B. Kitaj
1142:November 9,
1095:artcritical
894:January 17,
876:(1): 44–45.
789:John Walker
703:Los Angeles
656:Later years
629:(1972–73).
579:abstraction
569:, with his
507:W. H. Auden
487:Aby Warburg
403:Allen Jones
233:Golden Lion
218:printmaking
183:Nationality
171:Los Angeles
127:R. B. Kitaj
1699:Categories
1582:. London:
1254:Postcard (
1116:Obituary,
844:References
820:Obsessions
622:Edgar Wind
571:figurative
543:Euan Uglow
519:Colin Self
301:steel mill
175:California
99:March 2018
69:newspapers
979:cite book
927:0362-4331
679:A second
662:Holocaust
583:modernism
430:Lem Dobbs
375:G.I. Bill
332:freighter
329:Norwegian
303:and as a
193:Education
1648:Vol. 5:
1586:, 2004.
1420:March 1,
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1170:March 6,
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575:collages
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214:Painting
187:American
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1687:at the
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1433:Sources
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971:9154607
807:at the
723:Shadows
591:collage
567:pop art
501:at the
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379:Cézanne
327:with a
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587:Jewish
468:, the
460:Career
387:London
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351:Vienna
340:Mexico
336:Havana
281:artist
239:, 1995
230:, 1991
224:Awards
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1172:2018
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1103:2018
1059:2019
1013:2018
985:link
967:OCLC
957:ISBN
934:2018
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