1375:, reviewer Karina Halle gave it a B grade and complimented the "very slight hand" of the remastering job: "Comparing the two albums side-by-side, you can hear a nice tonality in the re-release, a sharper, crisper quality that just wasn't holding up in the 1998 version. However, part of QOTSA's vital sound is the thickness of Josh Homme's guitar, the fuzz and grain that permeates from each riff and solo. That is still present, it's just a more precise distortion." She also praised the added tracks, saying "All three of the bonus tracks slink in perfectly with the rest of the album, adding to the overall feel instead of subtracting from it."
987:, and they were doing shows where they were playing their first three records three nights in a row, and so we started talking about 'wow, OK, we'll never get a chance to re-release this thing, and what if we just focused on the first record? I dunno if that means we're going to play it exactly start to finish. We haven't really decided. It's kind of a cool idea. I'm just glad that it's not like some bad haircut when I listen to it. I've listened to it, and I love that record, and it's been really fun to try to put myself back in that headspace where I was just obsessed with trying to trance out on guitar."
1401:, Stuart Branson gave the release 7 stars out of 10, remarking that the added tracks "are worked into the original album sequencing as if they were always there. They provide no revelation, though they do alter somewhat the feel of the album" and concluding that "The best songs are really good; and the other songs sound sort of like their best songs, just slightly less good. And everything remains in this meaty swath of goodness. This rerelease proves that it was always really Homme's personal vision (he even plays bass on this album); it was always sure, and not much has changed." For
775:
863:, Queens of the Stone Age have something a little more heated and classical in mind. The rest of the album charges on with its compelling contrasts between Homme's papery vocals and the surrounding rampage. Sometimes the songs explore pure heaviness, as on the wall-rattling 'Walkin' on the Sidewalks'. But more often they thrillingly toy with elements like vocal hooks ('You Would Know') and metal frenzy ('How to Handle a Rope') without giving in to either." Writing in
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1407:, Austin L. Ray graded the reissue a B− and opined that "It's interesting to revisit the band's debut after four more albums and a dozen years, only to find it downright primitive by comparison. It's a kind-of-quaint look at a band that knew what it wanted to do, but hadn't quite figured out how to do it yet. Some songs hint at the tightness the Queens
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I just remember thinking I hadn't played for about a year and I started writing songs. The first song I wrote was "Regular John", which is the first song on the album, and I remember thinking "no-one's playing this trance rock music that you can dance to", but that's primarily because I hadn't heard
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also scored it 8 out of 10, but praised the added tracks, opining that "It's not often that padding out an already hefty album actually improves it, but in the Queens' case, the revised tracklist provides a more accurate portrait of how the band molded its mercurial Desert
Sessions experiments into
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for the reissue. The title of the song "How to Handle a Rope" was extended to "How to Handle a Rope (A Lesson in the Lariat)", and three additional tracks were added in between the album's existing tracks: "The Bronze" and "These Aren't the Droids You're
Looking For", which were from the album's
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gave the album four stars out of five and commented that the band had "found a vital place between art-metal seriousness and pop pleasure. It begins right away with the trancelike 'Regular John', a track that layers Homme's yelping guitar accents over a fuzzy groove. While other metalheads play
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and adding three additional tracks–two from the album's recording sessions and one from two years earlier. The reissue received a positive critical response and was accompanied by a supporting concert tour. Working on the reissue and subsequent tour also inspired part of the band's approach to
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as well, stating that the album had become "impossible to get, it'd been outta print for so long. I'm not very nostalgic by nature, so it wasn't like 'guys, remember the days', it was more like in the internet age this record should be able to get got, you know? I really like this band
1419:". All the elements are here, though they're on the darker end of the coal/diamond spectrum, and the mostly unremarkable bonus tracks don't do the set any favors. But when it's good, it's damn good, and through the murk, there's the sound of a band that would one day be truly great."
467:. I thought I could try to do this thing that hadn't really been done, and then I found out it had kind of been done but not very much. You just kind of try to carve your own space. I just wanted to start a band that within three seconds of listening, people knew what band it was.
1388:", but that the extra tracks "haven't ruined it or anything daft, but also aren't cooking at the level of most of the actual album, and would have been better placed on one of Homme's jam-heavy and 'zany' Desert Sessions releases from the time." Stuart Berman of
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remarked: "Hearing Queens of the Stone Age's long out of print debut many years after its initial 1998 release does pack the shock of revelation: Josh Homme's tightly wound blueprint for QOTSA was in place from the very beginning. There is sex and swagger to
512:
is credited with "sofa" on the track. Hutch, who served as live sound engineer for both Kyuss and Queens of the Stone Age, is credited as a member of the group on the album, with the roles "FOH" (front of house), "guru", "HardWalls", and "back of door".
923:, there's a swing to the rhythms, there's a darkly enveloping carnal menace buttressed by muscle and lust that keeps the album from being an insular stoner headpiece. Certainly, there's enough sinewy force to suggest the mighty brawn of
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on the very un-stone age 'I Was a
Teenage Hand Model'. And Homme—who didn't sing in Kyuss—frequently swaps his bone-dry metallic tones for something a little more soulful on songs like 'You Can't Quit Me Baby'." Tom Sinclair of
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simply crackles with energy. At its best, it's just as electrifying, even if it doesn't maintain the dizzying momentum which rolled its follow-up to instant glory. Musically, it draws deeply from diverse pools, echoes of '70s
487:
song "If Only
Everything" was re-recorded during these sessions and its title shortened to "If Only", and the Desert Sessions song "Avon" was also re-recorded. "I Was a Teenage Hand Model" was recorded separately at
1395:
chiseled hard-rock monoliths. At the same time, the expanded edition makes the Queens' debut feel a little less like a time capsule, and closer in spirit to the playful sprawl of their subsequent best-sellers." In
1322:, which assigns a weighted average score out of 100 to reviews from mainstream critics, the reissue received an average score of 78% based on 10 critics, indicating "generally favorable reviews". Greg Moffitt of
801:
is actually a step forward in stoner evolution. The guitars are still flint-hard, the tunes still load-bearing. But the sound roaring out of the speakers is far sleeker and more hypnotic than the dumb chug that
935:
an otherworldly shimmer, a hazy quality he later abandoned for aggressive precision, so this winds up as a unique record in his catalog, a place where you can hear Homme's past and future intertwining." Critic
544:, the latter of whom joined Queens of the Stone Age just prior to the album's release and would remain with the band until 2004. Oliveri also appears in the album's closing moments, in a recorded
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rated it 4 stars out of 5, saying that "When the debut by Queens of the Stone Age sneaked out in 1998, it seemed like a lark: Josh Homme and
Alfredo Hernández from Kyuss, tired of frying
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would one day embody ('Regular John'), while directionless noodling and farting synths weigh down the otherwise-taut songwriting that would one day manifest itself in pop gems like "
1384:, Noel Gardner scored the reissue 8 out of 10, saying that the remastering "has actually made a palpable difference to the plumpness of the bass in songs like 'Hispanic Impressions
833:
gave it a B− rating, remarking that the band "delivers a workmanlike collection of heavy music that's just a bit too cerebral to fall under the stoner rock rubric (
1365:
to mechanical repetition. Soon, QOTSA would become a real band, with real hits. But they'd never again groove like this, with gurgling
Teutonic drones swallowing
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sessions; the release featured some of the final studio recordings by Kyuss while debuting the "Queens of the Stone Age" moniker for Homme's new project.
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message to Homme in which he agrees to join the band. Homme created the layout for the album's packaging with graphic artist
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in the United
Kingdom in February 2006, for sales exceeding 60,000 copies. It was listed in the 2010 reference book
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849:'), you can't help but think QOTSA might be a great band—if only they could write a song that good on their own."
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albums for, it's strangely compelling to hear how Homme and his cohorts killed many an afternoon in a thick
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scored it 8 out of 10, comparing it to Kyuss and saying that "for all its indisputable primitive charms,
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1347:, and stoner rock sounds, the latter of which mainman Josh Homme pioneered with his former band Kyuss."
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under the name Gamma Ray. The results, including the song "If Only
Everything", were released as the
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has periodically devolved into in Homme's absence. The excellent 'Regular John' sounds almost
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on
September 22, 1998. It was primarily written and recorded in April 1998 by founding member
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1920:
160:
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Gross, Joe (2004). "Queens of the Stone Age". In
Brackett, Nathan; Hoard, Christian (eds.).
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Reviewing the album after Queens of the Stone Age had gained mainstream success with 2000's
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7 out of 10, saying "While there's really nothing in this collection worth trading in those
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were taken by Tony Tornay, while the back cover photograph was taken by rock photographer
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1946:
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played percussion, and sound engineer Patrick "Hutch" Hutchinson played piano. Former
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3688:"British album certifications – Queens of the Stone Age – Queens of the Stone Age"
2589:"Queens of the Stone Age to Reissue Debut Album with Original Tracklist and Artwork"
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by Mark Gabor, featuring Trinidadian-British model Sylvia Bayo. Photographs for the
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is intermittently potent, but when you hear the ripped-off 'If Only' (a.k.a.
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501:
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split EP, along with the additional track "Spiders and Vinegaroons" from the
3321:
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3354:"Australiancharts.com – Queens of the Stone Age – Queens of the Stone Age"
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3560:"Offiziellecharts.de – Queens of the Stone Age – Queens of the Stone Age"
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received generally positive reviews from critics, who placed it in the
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292:
194:
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3643:"Swisscharts.com – Queens of the Stone Age – Queens of the Stone Age"
3466:"Swisscharts.com – Queens of the Stone Age – Queens of the Stone Age"
3333:
3045:
1001 Albums You Must Hear Before You Die: Revised and Updated Edition
1873:
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were recorded in April 1998 at Monkey Studios in Homme's hometown of
332:
268:
117:
3548:"Dutchcharts.nl – Queens of the Stone Age – Queens of the Stone Age"
3402:"Dutchcharts.nl – Queens of the Stone Age – Queens of the Stone Age"
3347:
427:. The song "Avon" originated from the Desert Sessions, appearing on
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3419:
3414:"Lescharts.com – Queens of the Stone Age – Queens of the Stone Age"
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1986:
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991:
915:
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359:
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Patrick "Hutch" Hutchinson – piano on "I Was a Teenage Hand Model"
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split EP in 1997. The reissue was released through Homme's label,
3407:
3390:"Ultratop.be – Queens of the Stone Age – Queens of the Stone Age"
3378:"Ultratop.be – Queens of the Stone Age – Queens of the Stone Age"
1849:
931:; Homme retained enough of the desert spaciness of Kyuss to give
874:
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390:
3438:"Charts.nz – Queens of the Stone Age – Queens of the Stone Age"
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recording sessions and had originally been released in 1998 on
940:
viewed the album negatively, however, rating it a "dud" in his
823:
1314:
The re-release prompted a new round of critical reception for
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received generally positive reviews from critics. Writing for
4243:
1982:
Josh Homme – guitar and producer on "Spiders and Vinegaroons"
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528:. The image for the album cover was taken from the 1972 book
382:
369:, released in 2013. In 2022, the album was reissued again on
308:
38:
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336:
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1766:"These Aren't the Droids You're Looking For" (Homme; from
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EP in 1996. Homme subsequently toured as a guitarist with
2853:
966:, the only Queens of the Stone Age album to be included.
789:
628:
441:, Homme changed the name to Queens of the Stone Age. The
3426:"Irish-charts.com – Discography Queens Of The Stone Age"
1027:. The band, which by then consisted of Homme, guitarist
423:
involving many musicians including former Kyuss drummer
3479:"Queens Of The Stone Age | full Official Chart History"
1989:, percussion, and producer on "Spiders and Vinegaroons"
437:
order because the name Gamma Ray was already in use by
3392:(in French). Hung Medien. Retrieved October 27, 2020.
3368:(in German). Hung Medien. Retrieved October 27, 2020.
1043:, scheduled a tour in support of the album's reissue.
540:; it shows Hernández, Homme, and former Kyuss bassist
3550:(in Dutch). Hung Medien. Retrieved October 29, 2022.
3404:(in Dutch). Hung Medien. Retrieved October 27, 2020.
3380:(in Dutch). Hung Medien. Retrieved October 27, 2020.
2362:
Sales+streaming figures based on certification alone.
1326:
remarked that "Although less varied and dynamic than
978:
in 2010, Homme announced that the band would reissue
3303:"Queens of the Stone Age: Queens of the Stone Age".
3246:"Queens of the Stone Age: Queens of the Stone Age".
3069:"Interview with Them Crooked Vultures (part 2 of 2)"
2715:
2713:
2711:
2709:
2707:
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2703:
458:Reflecting on this period in 2011, Homme remarked:
1904:– drums and vocals on "I Was a Teenage Hand Model"
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2700:
2336:
4308:
2613:
2611:
18:1998 studio album by Queens of the Stone Age
3043:Robert Dimery; Michael Lydon (March 23, 2010).
2741:: CS1 maint: others in cite AV media (notes) (
2692:: CS1 maint: others in cite AV media (notes) (
2443:"Domino Reissues Queens of the Stone Age Debut"
1722:"How to Handle a Rope (A Lesson in the Lariat)"
1369:chords and intercepted radio cross talk." For
1361:in the desert sun, were now subjecting reborn
3724:
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3086:
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1876:"Carlo" for bass guitar, keyboard, and piano)
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3428:. Hung Medien. Retrieved November 22, 2021.
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3645:. Hung Medien. Retrieved October 30, 2022.
3468:. Hung Medien. Retrieved October 27, 2020.
3440:. Hung Medien. Retrieved October 27, 2020.
3416:. Hung Medien. Retrieved October 27, 2020.
3356:. Hung Medien. Retrieved October 27, 2020.
2795:
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2412:"Queens Of The Stone Age At Home In Desert"
376:
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3717:
3671:"Official Independent Albums Chart Top 50"
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1009:), and "Spiders and Vinegaroons" from the
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3527:Australian Recording Industry Association
3209:"Album Review: Queens of the Stone Age –
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2832:
2830:
2377:
1650:"Regular John" (Homme, Hernandez, McBain)
1013:sessions, which had been released on the
3636:
3627:"Official Scottish Albums Chart Top 100"
3500:"Queens of the Stone Age Chart History (
3450:"Official Scottish Albums Chart Top 100"
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1913:– "sofa" on "I Was a Teenage Hand Model"
974:Following a "deluxe edition" reissue of
963:1001 Albums You Must Hear Before You Die
445:material was re-released in 1997 on the
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1792:"Spiders and Vinegaroons" (Homme; from
561:Professional ratings (original release)
4309:
4148:The Fun Machine Took a Shit & Died
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291:is the debut studio album by American
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3577:"Irish Albums Chart: 21 October 2022"
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3098:(Reissue) by Queens of the Stone Age"
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4184:Over the Years and Through the Woods
3949:Over the Years and Through the Woods
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3256:
3239:
2641:
2619:"Interview: Queens of the Stone Age"
2471:
1995:– drums on "Spiders and Vinegaroons"
1834:
3131:Ray, Austin L. (January 11, 2011).
3130:
3121:
2800:Sinclair, Tom (November 13, 1998).
2763:Branson, Scott (January 11, 2011).
2553:Hunter, James (December 10, 1998).
2477:"Review: Queens of the Stone Age –
2409:
13:
3020:. February 3, 2006. Archived from
2587:Young, Alex (September 22, 2022).
2403:
2185:
2018:
1942:Steve Feldman – assistant engineer
1183:
14:
4348:
2903:The New Rolling Stone Album Guide
2872:
2441:Breihan, Tom (January 14, 2011).
2386:"Normadic Pursuits - Yawning Man"
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1284:
1246:
1133:
1005:(a split release with Dutch band
724:
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648:
586:
4287:
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3990:The Lost Art of Keeping a Secret
3581:Irish Recorded Music Association
3170:Halle, Karina (March 14, 2011).
2514:Berman, Stuart (March 8, 2011).
1872:, packaging (credited under the
1422:
1413:The Lost Art of Keeping a Secret
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500:sang and played drums, co-owner
343:, as well as to Kyuss and other
3917:Kyuss / Queens of the Stone Age
3655:"Official Albums Chart Top 100"
3594:
3569:
3515:
3471:
3456:. Retrieved November 15, 2021.
3296:
3207:Gardner, Noel (March 9, 2011).
3061:
3036:
3002:
2893:
1923:on "I Was a Teenage Hand Model"
1795:Kyuss / Queens of the Stone Age
1016:Kyuss / Queens of the Stone Age
448:Kyuss / Queens of the Stone Age
4317:Queens of the Stone Age albums
4081:The Vampyre of Time and Memory
3677:. Retrieved October 29, 2022.
3661:. Retrieved October 29, 2022.
3633:. Retrieved October 29, 2022.
3566:. Retrieved October 28, 2022.
3512:. Retrieved October 27, 2020.
2889:(159): 126–127. December 1999.
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1442:
1047:Professional ratings (reissue)
373:with its original LP artwork.
331:genre and drew comparisons to
271:release and 2022 reissue cover
1:
4337:Albums produced by Josh Homme
3692:British Phonographic Industry
3018:British Phonographic Industry
2370:
1781:"Give the Mule What He Wants"
1590:"Give the Mule What He Wants"
818:one strange night. There are
772:
717:The Rolling Stone Album Guide
524:by Dan Hersch at DigiPrep in
2314:
2299:
2284:
2272:
2245:
2233:
2221:
2178:
2164:
2153:
2141:
2126:
2114:
2102:
2090:
2078:
2066:
2054:
2042:
1829:
1809:"I Was a Teenage Hand Model"
1604:"I Was a Teenage Hand Model"
1023:, with distribution through
530:The Pin-Up: A Modest History
516:The album's recordings were
54:September 22, 1998
7:
3997:Feel Good Hit of the Summer
3322:"Queens of the Stone Age –
3172:"Queens of the Stone Age –
3071:. YouTube. February 3, 2010
2938:Gross, Joe (January 1999).
2879:"Queens of the Stone Age –
2842:"Queens of the Stone Age –
2765:"Queens of the Stone Age –
2516:"Queens of the Stone Age –
433:in 1998. After receiving a
363:recording its sixth album,
10:
4353:
4322:Loosegroove Records albums
3523:"ARIA Top 50 Albums Chart"
3271:"Queens of the Stone Age:
3133:"Queens of the Stone Age:
3010:"Queens of the Stone Age,
2940:"Queens of the Stone Age:
2555:"Queens of the Stone Age:
1705:"The Bronze" (Homme; from
1683:"Walkin' on the Sidewalks"
1506:"Walkin' on the Sidewalks"
1428:All tracks are written by
969:
4332:Man's Ruin Records albums
4282:
4236:
4200:
4193:
4175:
4157:
4125:
3981:
3965:
3940:
3908:
3841:
3746:
3481:. Official Charts Company
3014:, Silver, Fri Feb 3 2006"
2359:
2344:
2333:
2330:
2304:
2289:
2277:
2262:
2250:
2238:
2226:
2214:
2202:
2195:
2192:
2169:
2158:
2146:
2131:
2119:
2107:
2095:
2083:
2071:
2059:
2047:
2035:
2028:
2025:
2013:
1960:Tony Tornay – photographs
1641:
1638:
1633:
1452:
1449:
1446:
1441:
1082:
1079:
1059:
1056:
573:
570:
389:recorded new material in
381:Following the breakup of
280:
276:
260:
256:
251:
247:
210:
202:
181:
141:
125:
99:
73:
65:
50:
37:
28:
23:
3602:"NZ Top 40 Albums Chart"
3564:GfK Entertainment Charts
2473:Erlewine, Stephen Thomas
1755:"You Can't Quit Me Baby"
1576:"You Can't Quit Me Baby"
1339:reverberating alongside
1025:Domino Recording Company
471:The first ten tracks on
377:Background and recording
350:In 2011, Homme reissued
3850:Queens of the Stone Age
3740:Queens of the Stone Age
3675:Official Charts Company
3659:Official Charts Company
3631:Official Charts Company
3454:Official Charts Company
3324:Queens of the Stone Age
3273:Queens of the Stone Age
3252:(209): 112. April 2011.
3211:Queens of the Stone Age
3174:Queens of the Stone Age
3135:Queens of the Stone Age
3096:Queens of the Stone Age
3012:Queens of the Stone Age
2942:Queens of the Stone Age
2881:Queens of the Stone Age
2844:Queens of the Stone Age
2804:Queens of the Stone Age
2767:Queens of the Stone Age
2725:Queens of the Stone Age
2721:Queens of the Stone Age
2676:Queens of the Stone Age
2672:Queens of the Stone Age
2557:Queens of the Stone Age
2518:Queens of the Stone Age
2479:Queens of the Stone Age
1966:– back cover photograph
1840:Queens of the Stone Age
1332:Queens of the Stone Age
1316:Queens of the Stone Age
980:Queens of the Stone Age
954:Queens of the Stone Age
933:Queens of the Stone Age
921:Queens of the Stone Age
912:Stephen Thomas Erlewine
871:Queens of the Stone Age
839:Queens of the Stone Age
814:had level billing with
799:Queens of the Stone Age
785:Queens of the Stone Age
494:Joshua Tree, California
477:Palm Desert, California
473:Queens of the Stone Age
352:Queens of the Stone Age
325:Queens of the Stone Age
297:Queens of the Stone Age
288:Queens of the Stone Age
226:Queens of the Stone Age
204:Queens of the Stone Age
44:Queens of the Stone Age
24:Queens of the Stone Age
4095:The Way You Used to Do
3931:Stone Age Complication
3320:Moffitt, Greg (2011).
3309:(167): 94. April 2011.
1744:"Hispanic Impressions"
1562:"Hispanic Impressions"
1534:"How to Handle a Rope"
469:
4259:Eagles of Death Metal
4254:Them Crooked Vultures
3899:In Times New Roman...
3871:Lullabies to Paralyze
3024:on September 30, 2007
2981:(December 15, 1998).
2418:. MTV. Archived from
2306:UK Independent Albums
1890:Additional performers
460:
3184:Consequence of Sound
2908:Simon & Schuster
2814:Entertainment Weekly
2251:New Zealand Albums (
2120:New Zealand Albums (
2001:– mastering engineer
1436:, except where noted
1372:Consequence of Sound
1102:Consequence of Sound
830:Entertainment Weekly
617:Entertainment Weekly
4249:The Desert Sessions
4126:Promotional singles
3973:Villains World Tour
2840:(October 2, 1998).
2737:cite AV media notes
2729:Loosegroove Records
2688:cite AV media notes
2623:undertheradar.co.nz
2327:
2280:Schweizer Hitparade
2203:Australian Albums (
2149:Schweizer Hitparade
2036:Australian Albums (
1630:
1048:
869:, Joe Gross scored
847:I Wanna Be Your Dog
562:
417:The Desert Sessions
385:in 1995, guitarist
301:Loosegroove Records
175:(2022/2024 reissue)
4074:I Sat by the Ocean
3966:Tours and concerts
3864:Songs for the Deaf
3608:. October 31, 2022
3529:. October 31, 2022
3269:(March 29, 2011).
3217:drownedinsound.com
2860:on August 17, 2000
2731:. 1998. LG 0021-2.
2723:(CD liner notes).
2674:(CD liner notes).
2629:. February 7, 2011
2422:on January 2, 2015
2326:
2229:Offizielle Top 100
1947:mastering engineer
1733:"Mexicola" (Homme)
1628:
1464:Homme, Hernandez,
1046:
1039:, and keyboardist
929:Songs for the Deaf
907:Songs for the Deaf
560:
556:Critical reception
4327:1998 debut albums
4304:
4303:
4300:
4299:
4223:Palm Desert Scene
4166:Song For The Dead
4067:My God Is the Sun
3885:...Like Clockwork
3818:Alfredo Hernández
3606:Recorded Music NZ
3227:on March 17, 2017
3054:978-0-7893-2074-2
2988:The Village Voice
2979:Christgau, Robert
2368:
2367:
2363:
2319:
2318:
2183:
2182:
2048:Austrian Albums (
2010:
2009:
1880:Alfredo Hernández
1826:
1825:
1672:"If Only" (Homme)
1624:
1623:
1434:Alfredo Hernández
1312:
1311:
947:The Village Voice
782:
781:
767:The Village Voice
546:answering machine
490:Rancho De La Luna
425:Alfredo Hernández
366:...Like Clockwork
358:label, having it
313:Alfredo Hernández
284:
283:
252:Alternative cover
243:
242:
87:Rancho De La Luna
4344:
4290:
4289:
4198:
4197:
4194:Related articles
4102:Emotion Sickness
4046:Sick, Sick, Sick
4011:Go with the Flow
3813:Natasha Shneider
3798:Brendon McNichol
3759:Troy Van Leeuwen
3733:
3726:
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3310:
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3294:
3293:
3291:
3289:
3279:rollingstone.com
3263:
3254:
3253:
3243:
3237:
3236:
3234:
3232:
3223:. Archived from
3221:Drowned in Sound
3204:
3195:
3194:
3192:
3190:
3167:
3156:
3155:
3153:
3151:
3128:
3119:
3118:
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3059:
3058:
3040:
3034:
3033:
3031:
3029:
3006:
3000:
2999:
2997:
2995:
2983:"Consumer Guide"
2975:
2966:
2965:
2963:
2961:
2935:
2926:
2925:
2906:(4th ed.).
2897:
2891:
2890:
2876:
2870:
2869:
2867:
2865:
2856:. Archived from
2834:
2825:
2824:
2822:
2820:
2797:
2788:
2787:
2785:
2783:
2760:
2747:
2746:
2740:
2732:
2717:
2698:
2697:
2691:
2683:
2682:. 2011. REK 001.
2668:
2639:
2638:
2636:
2634:
2615:
2606:
2605:
2603:
2601:
2584:
2578:
2577:
2575:
2573:
2563:rollingstone.com
2550:
2539:
2538:
2536:
2534:
2511:
2500:
2499:
2497:
2495:
2469:
2458:
2457:
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2438:
2432:
2431:
2429:
2427:
2407:
2401:
2400:
2398:
2396:
2381:
2361:
2345:United Kingdom (
2328:
2325:
2190:
2189:
2072:Belgian Albums (
2060:Belgian Albums (
2023:
2022:
1835:
1819:
1694:"You Would Know"
1636:
1631:
1627:
1617:
1520:"You Would Know"
1444:
1439:
1438:
1387:
1381:Drowned in Sound
1308:
1307:
1306:
1302:
1301:
1297:
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1146:
1145:
1141:
1140:
1136:
1135:
1114:Drowned in Sound
1052:Aggregate scores
1049:
1045:
1029:Troy Van Leeuwen
958:certified silver
942:Consumer's Guide
938:Robert Christgau
852:James Hunter of
778:
777:
748:
747:
746:
742:
741:
737:
736:
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610:
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594:
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589:
588:
563:
559:
435:cease and desist
265:
212:
211:
163:
137:
136:
132:
69:April 3–21, 1998
61:
59:
33:
21:
20:
4352:
4351:
4347:
4346:
4345:
4343:
4342:
4341:
4307:
4306:
4305:
4296:
4278:
4274:Screaming Trees
4269:Mondo Generator
4232:
4228:Rekords Rekords
4189:
4171:
4153:
4141:Never Say Never
4121:
4060:Make It wit Chu
4018:First It Giveth
3977:
3961:
3956:...Like Cologne
3936:
3904:
3837:
3742:
3737:
3707:
3706:
3696:
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3686:
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3681:
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3264:
3257:
3245:
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3228:
3205:
3198:
3188:
3186:
3180:consequence.net
3168:
3159:
3149:
3147:
3129:
3122:
3112:
3110:
3108:CBS Interactive
3092:
3091:
3084:
3074:
3072:
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3066:
3062:
3055:
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3027:
3025:
3008:
3007:
3003:
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2976:
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2898:
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2878:
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2873:
2863:
2861:
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2798:
2791:
2781:
2779:
2761:
2750:
2734:
2733:
2719:
2718:
2701:
2685:
2684:
2680:Rekords Rekords
2670:
2669:
2642:
2632:
2630:
2627:Under the Radar
2617:
2616:
2609:
2599:
2597:
2585:
2581:
2571:
2569:
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2542:
2532:
2530:
2512:
2503:
2493:
2491:
2470:
2461:
2451:
2449:
2439:
2435:
2425:
2423:
2410:Vanhorn, Teri.
2408:
2404:
2394:
2392:
2382:
2378:
2373:
2338:Certified units
2324:
2264:Scottish Albums
2227:German Albums (
2197:
2188:
2186:2022 re-release
2133:Scottish Albums
2096:French Albums (
2030:
2021:
2019:2011 re-release
2016:
2011:
1993:Victor Indrizzo
1938:mixing engineer
1832:
1827:
1817:
1625:
1615:
1425:
1385:
1304:
1299:
1294:
1289:
1266:
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1223:
1218:
1213:
1208:
1203:
1198:
1193:
1188:
1153:
1148:
1143:
1138:
1021:Rekords Rekords
972:
956:was eventually
744:
739:
734:
729:
706:
701:
696:
691:
668:
663:
658:
653:
606:
601:
596:
591:
558:
520:by Barresi and
413:Screaming Trees
403:Victor Indrizzo
379:
371:Matador Records
356:Rekords Rekords
307:and his former
272:
238:
229:
220:
167:Rekords Rekords
159:
134:
130:
129:
57:
55:
46:
19:
12:
11:
5:
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4339:
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4298:
4297:
4295:
4294:
4283:
4280:
4279:
4277:
4276:
4271:
4266:
4264:Fififf Teeners
4261:
4256:
4251:
4246:
4240:
4238:
4234:
4233:
4231:
4230:
4225:
4220:
4215:
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4137:
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4127:
4123:
4122:
4120:
4119:
4112:
4105:
4098:
4091:
4088:Smooth Sailing
4084:
4077:
4070:
4063:
4056:
4049:
4042:
4039:Burn the Witch
4035:
4028:
4021:
4014:
4007:
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3935:
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3912:
3910:
3909:Extended plays
3906:
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3888:
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3874:
3867:
3860:
3853:
3845:
3843:
3839:
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3836:
3835:
3830:
3825:
3823:Gene Trautmann
3820:
3815:
3810:
3808:Alain Johannes
3805:
3800:
3795:
3790:
3784:
3783:
3776:
3769:
3766:Michael Shuman
3762:
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3001:
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2927:
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2789:
2773:popmatters.com
2748:
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2323:
2322:Certifications
2320:
2317:
2316:
2313:
2302:
2301:
2298:
2287:
2286:
2283:
2278:Swiss Albums (
2275:
2274:
2271:
2260:
2259:
2256:
2248:
2247:
2244:
2239:Irish Albums (
2236:
2235:
2232:
2224:
2223:
2220:
2215:Dutch Albums (
2212:
2211:
2208:
2200:
2199:
2194:
2187:
2184:
2181:
2180:
2177:
2167:
2166:
2163:
2156:
2155:
2152:
2147:Swiss Albums (
2144:
2143:
2140:
2129:
2128:
2125:
2117:
2116:
2113:
2108:Irish Albums (
2105:
2104:
2101:
2093:
2092:
2089:
2084:Dutch Albums (
2081:
2080:
2077:
2069:
2068:
2065:
2057:
2056:
2053:
2045:
2044:
2041:
2033:
2032:
2027:
2020:
2017:
2015:
2012:
2008:
2007:
2003:
2002:
1996:
1990:
1983:
1974:
1973:
1967:
1961:
1951:
1950:
1949:
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1940:
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1692:
1688:
1687:
1684:
1681:
1677:
1676:
1673:
1670:
1666:
1665:
1662:
1661:"Avon" (Homme)
1659:
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1626:
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1621:
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1471:
1468:
1462:
1461:"Regular John"
1459:
1455:
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1451:
1448:
1445:
1426:
1424:
1421:
1409:rhythm section
1310:
1309:
1280:
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1233:
1179:
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1120:
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1077:
1076:
1072:
1071:
1068:
1062:
1061:
1058:
1054:
1053:
1033:Michael Shuman
990:The album was
971:
968:
780:
779:
770:
762:
761:
758:
750:
749:
720:
712:
711:
682:
674:
673:
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636:
635:
632:
624:
623:
620:
612:
611:
582:
576:
575:
572:
568:
567:
557:
554:
419:, a series of
401:, and drummer
393:with producer
378:
375:
335:bands such as
299:, released by
282:
281:
278:
277:
274:
273:
266:
258:
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208:
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200:
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185:
179:
178:
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170:
169:(2011 reissue)
164:
157:
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145:
139:
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127:
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97:
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63:
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52:
48:
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42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
4349:
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4192:
4186:
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4167:
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4156:
4149:
4145:
4142:
4138:
4136:
4135:
4131:
4130:
4128:
4124:
4117:
4116:Paper Machete
4113:
4110:
4106:
4103:
4099:
4096:
4092:
4089:
4085:
4082:
4078:
4075:
4071:
4068:
4064:
4061:
4057:
4054:
4053:3's & 7's
4050:
4047:
4043:
4040:
4036:
4033:
4029:
4026:
4025:Little Sister
4022:
4019:
4015:
4012:
4008:
4005:
4001:
3998:
3994:
3991:
3987:
3986:
3984:
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3968:
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3914:
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3900:
3896:
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3893:
3889:
3887:
3886:
3882:
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3879:
3875:
3873:
3872:
3868:
3866:
3865:
3861:
3859:
3858:
3854:
3852:
3851:
3847:
3846:
3844:
3842:Studio albums
3840:
3834:
3833:Joey Castillo
3831:
3829:
3826:
3824:
3821:
3819:
3816:
3814:
3811:
3809:
3806:
3804:
3801:
3799:
3796:
3794:
3793:Dave Catching
3791:
3789:
3786:
3785:
3782:
3781:
3777:
3775:
3774:
3770:
3768:
3767:
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3644:
3639:
3632:
3628:
3623:
3607:
3603:
3597:
3582:
3578:
3572:
3565:
3562:(in German).
3561:
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3549:
3544:
3528:
3524:
3518:
3511:
3510:
3505:
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3496:
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3355:
3350:
3335:
3331:
3327:
3325:
3316:
3308:
3307:
3299:
3284:
3283:Rolling Stone
3280:
3276:
3274:
3268:
3262:
3260:
3251:
3250:
3242:
3226:
3222:
3218:
3214:
3212:
3203:
3201:
3185:
3181:
3177:
3175:
3166:
3164:
3162:
3146:
3145:The A.V. Club
3142:
3138:
3136:
3127:
3125:
3109:
3105:
3104:
3099:
3097:
3089:
3087:
3070:
3064:
3056:
3050:
3046:
3039:
3023:
3019:
3015:
3013:
3005:
2990:
2989:
2984:
2980:
2974:
2972:
2955:
2951:
2950:
2945:
2943:
2934:
2932:
2923:
2921:0-7432-0169-8
2917:
2913:
2909:
2905:
2904:
2896:
2888:
2887:
2882:
2875:
2859:
2855:
2851:
2847:
2845:
2839:
2838:Empire, Kitty
2833:
2831:
2815:
2811:
2807:
2805:
2796:
2794:
2778:
2774:
2770:
2768:
2759:
2757:
2755:
2753:
2744:
2738:
2730:
2726:
2722:
2716:
2714:
2712:
2710:
2708:
2706:
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2695:
2689:
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2677:
2673:
2667:
2665:
2663:
2661:
2659:
2657:
2655:
2653:
2651:
2649:
2647:
2645:
2628:
2624:
2620:
2614:
2612:
2600:September 22,
2596:
2595:
2590:
2583:
2568:
2567:Rolling Stone
2564:
2560:
2558:
2549:
2547:
2545:
2529:
2525:
2524:pitchfork.com
2521:
2519:
2510:
2508:
2506:
2490:
2486:
2482:
2480:
2474:
2468:
2466:
2464:
2448:
2444:
2437:
2421:
2417:
2413:
2406:
2391:
2387:
2384:Prato, Greg.
2380:
2376:
2364:
2358:
2354:
2351:
2348:
2343:
2339:
2334:Certification
2329:
2311:
2307:
2303:
2296:
2292:
2288:
2281:
2276:
2269:
2265:
2261:
2257:
2254:
2249:
2242:
2237:
2230:
2225:
2218:
2217:Album Top 100
2213:
2209:
2206:
2201:
2193:Chart (2022)
2191:
2176:
2174:
2168:
2161:
2157:
2150:
2145:
2138:
2134:
2130:
2123:
2118:
2111:
2106:
2099:
2094:
2087:
2086:Album Top 100
2082:
2075:
2070:
2063:
2058:
2051:
2046:
2039:
2034:
2026:Chart (2011)
2024:
2006:
2000:
1999:Brian Gardner
1997:
1994:
1991:
1988:
1985:Chris Goss –
1984:
1981:
1980:
1979:
1978:
1971:
1968:
1965:
1962:
1959:
1958:
1957:
1956:
1952:
1948:
1944:
1941:
1939:
1935:
1932:
1931:
1930:
1929:
1922:
1918:
1917:Dave Catching
1915:
1912:
1909:
1906:
1903:
1900:
1897:
1894:
1893:
1892:
1891:
1885:
1881:
1878:
1875:
1871:
1867:
1863:
1859:
1855:
1851:
1847:
1844:
1843:
1842:
1841:
1837:
1836:
1821:
1818:Total length:
1815:
1811:
1808:
1804:
1800:
1797:
1796:
1791:
1787:
1783:
1780:
1776:
1772:
1769:
1765:
1761:
1757:
1754:
1750:
1746:
1743:
1739:
1735:
1732:
1728:
1724:
1721:
1717:
1713:
1710:
1709:
1704:
1700:
1696:
1693:
1689:
1685:
1682:
1678:
1674:
1671:
1667:
1663:
1660:
1656:
1652:
1649:
1645:
1632:
1619:
1616:Total length:
1613:
1609:
1606:
1603:
1599:
1595:
1592:
1589:
1585:
1581:
1578:
1575:
1571:
1567:
1564:
1561:
1557:
1553:
1550:
1547:
1543:
1539:
1536:
1533:
1529:
1525:
1522:
1519:
1515:
1511:
1508:
1505:
1501:
1497:
1494:
1491:
1487:
1483:
1480:
1477:
1473:
1469:
1467:
1463:
1460:
1456:
1440:
1437:
1435:
1431:
1423:Track listing
1420:
1418:
1414:
1410:
1406:
1405:
1404:The A.V. Club
1400:
1399:
1393:
1392:
1383:
1382:
1376:
1374:
1373:
1368:
1364:
1360:
1356:
1355:
1354:Rolling Stone
1350:
1346:
1342:
1338:
1333:
1329:
1325:
1321:
1317:
1281:
1279:
1278:
1274:
1273:
1243:
1241:
1240:
1239:Rolling Stone
1236:
1235:
1180:
1178:
1177:
1173:
1172:
1168:
1166:
1165:
1161:
1160:
1130:
1128:
1127:
1123:
1122:
1118:
1116:
1115:
1111:
1110:
1106:
1104:
1103:
1099:
1098:
1094:
1092:
1091:
1090:The A.V. Club
1087:
1086:
1078:
1075:Review scores
1073:
1069:
1067:
1064:
1063:
1055:
1050:
1044:
1042:
1038:
1037:Joey Castillo
1034:
1030:
1026:
1022:
1018:
1017:
1012:
1008:
1004:
1003:
997:
996:Brian Gardner
993:
988:
986:
981:
977:
967:
965:
964:
959:
955:
951:
949:
948:
943:
939:
934:
930:
926:
922:
917:
913:
909:
908:
903:
902:
896:
894:
890:
889:
884:
880:
876:
872:
868:
867:
862:
857:
856:
855:Rolling Stone
850:
848:
844:
840:
836:
832:
831:
825:
821:
817:
813:
809:
805:
800:
796:
792:
791:
786:
776:
771:
769:
768:
764:
763:
759:
757:
756:
752:
751:
721:
719:
718:
714:
713:
683:
681:
680:
679:Rolling Stone
676:
675:
645:
643:
642:
638:
637:
633:
631:
630:
626:
625:
621:
619:
618:
614:
613:
583:
581:
578:
577:
569:
566:Review scores
564:
553:
551:
547:
543:
539:
535:
531:
527:
523:
519:
514:
511:
507:
503:
502:Dave Catching
499:
495:
491:
486:
482:
478:
474:
468:
466:
459:
456:
454:
450:
449:
444:
440:
439:a German band
436:
432:
431:
426:
422:
418:
414:
410:
409:
404:
400:
396:
392:
388:
384:
374:
372:
368:
367:
361:
357:
353:
348:
346:
342:
338:
334:
330:
326:
322:
318:
314:
310:
306:
302:
298:
294:
290:
289:
279:
275:
270:
264:
259:
255:
250:
246:
237:
236:
232:
228:
227:
223:
219:
218:
214:
213:
209:
205:
201:
196:
193:
191:
188:
187:
186:
184:
180:
174:
171:
168:
165:
162:
158:
156:
153:
151:
148:
147:
146:
144:
140:
128:
124:
119:
116:
114:
111:
109:
106:
105:
104:
102:
98:
92:
88:
85:
82:
78:
77:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
4218:Contributors
4182:
4134:Gamma Ray 7"
4132:
4004:No One Knows
3954:
3947:
3929:
3924:The Split CD
3922:
3915:
3897:
3890:
3883:
3878:Era Vulgaris
3876:
3869:
3862:
3855:
3849:
3848:
3803:Nick Oliveri
3788:Mark Lanegan
3780:Jon Theodore
3778:
3773:Dean Fertita
3771:
3764:
3757:
3750:
3695:. Retrieved
3682:
3666:
3650:
3638:
3622:
3610:. Retrieved
3596:
3584:. Retrieved
3571:
3555:
3543:
3531:. Retrieved
3517:
3508:
3501:
3495:
3485:November 15,
3483:. Retrieved
3473:
3461:
3445:
3433:
3421:
3409:
3397:
3385:
3373:
3361:
3349:
3337:. Retrieved
3329:
3323:
3315:
3304:
3298:
3286:. Retrieved
3278:
3272:
3247:
3241:
3229:. Retrieved
3225:the original
3216:
3210:
3187:. Retrieved
3179:
3173:
3148:. Retrieved
3140:
3134:
3111:. Retrieved
3101:
3095:
3073:. Retrieved
3063:
3047:. Universe.
3044:
3038:
3026:. Retrieved
3022:the original
3011:
3004:
2992:. Retrieved
2986:
2958:. Retrieved
2953:
2947:
2941:
2901:
2895:
2884:
2880:
2874:
2862:. Retrieved
2858:the original
2849:
2843:
2817:. Retrieved
2809:
2803:
2780:. Retrieved
2772:
2766:
2720:
2671:
2631:. Retrieved
2622:
2598:. Retrieved
2592:
2582:
2570:. Retrieved
2562:
2556:
2531:. Retrieved
2523:
2517:
2492:. Retrieved
2485:allmusic.com
2484:
2478:
2452:December 22,
2450:. Retrieved
2446:
2436:
2426:December 22,
2424:. Retrieved
2420:the original
2415:
2405:
2395:December 18,
2393:. Retrieved
2389:
2379:
2360:
2172:
2004:
1977:2011 reissue
1976:
1975:
1964:Lisa Johnson
1954:
1953:
1945:Dan Hersh –
1936:– producer,
1927:
1926:
1911:Mike Johnson
1889:
1888:
1839:
1838:
1793:
1768:The Split CD
1767:
1708:The Split CD
1706:
1629:2011 reissue
1427:
1417:No One Knows
1402:
1396:
1389:
1379:
1377:
1370:
1359:sludge metal
1352:
1331:
1327:
1315:
1313:
1275:
1237:
1174:
1162:
1124:
1112:
1100:
1088:
1041:Dean Fertita
1014:
1010:
1002:The Split CD
1000:
989:
979:
975:
973:
961:
953:
952:
945:
941:
932:
928:
924:
920:
905:
899:
897:
886:
870:
864:
859:around with
853:
851:
838:
828:
810:, as though
798:
795:Kitty Empire
788:
784:
783:
765:
753:
715:
677:
639:
627:
615:
542:Nick Oliveri
538:Lisa Johnson
529:
515:
510:Mike Johnson
506:Dinosaur Jr.
484:
472:
470:
461:
457:
452:
446:
442:
428:
421:jam sessions
415:and started
406:
380:
364:
354:through his
351:
349:
324:
321:Nick Oliveri
287:
286:
285:
233:
225:
224:
217:The Split CD
215:
39:Studio album
15:
4208:Discography
4158:Other songs
4109:Carnavoyeur
3941:Live albums
3612:October 29,
3586:October 21,
3533:October 28,
3267:Eddy, Chuck
2727:. Seattle:
2594:Consequence
1972:– packaging
1970:Frank Kozik
1934:Joe Barresi
1858:bass guitar
1466:John McBain
1341:alternative
985:Cheap Trick
944:column for
904:and 2002's
843:the Stooges
804:stoner rock
793:, reviewer
550:Frank Kozik
534:liner notes
481:Joe Barresi
463:bands like
329:stoner rock
317:Joe Barresi
190:Joe Barresi
150:Loosegroove
113:stoner rock
108:Desert rock
91:Joshua Tree
81:Palm Desert
4311:Categories
4032:In My Head
3828:Dave Grohl
3752:Josh Homme
3213:(Reissue)"
3176:(Reissue)"
3141:avclub.com
3103:Metacritic
3075:August 13,
2910:. p.
2777:PopMatters
2633:August 13,
2520:(Reissue)"
2371:References
2076:Wallonia)
2064:Flanders)
2050:Ö3 Austria
1928:Production
1921:percussion
1902:Fred Drake
1896:Chris Goss
1846:Josh Homme
1548:"Mexicola"
1430:Josh Homme
1398:PopMatters
1349:Chuck Eddy
1320:Metacritic
1176:PopMatters
1066:Metacritic
1035:, drummer
1031:, bassist
992:remastered
881:haze with
861:sequencers
498:Fred Drake
399:Van Conner
397:, bassist
395:Chris Goss
387:Josh Homme
360:remastered
319:. Bassist
305:Josh Homme
206:chronology
195:Josh Homme
161:Man's Ruin
155:Roadrunner
58:1998-09-22
3509:Billboard
3502:Billboard
3339:March 16,
3334:BBC Music
3330:bbc.co.uk
3288:March 16,
3231:March 17,
3189:March 16,
3150:March 17,
3113:March 16,
3028:March 13,
2994:March 13,
2960:March 13,
2864:March 13,
2819:March 13,
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