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is able to launch an atomic rocket toward the near-Earth asteroid believed to be the alien's staging point. The individual aliens combine their small bodies, creating 150-foot tall masses that soon burst from their three domes. The rocket destroys the asteroid with a nuclear explosion. Their space base destroyed and now being fully exposed to Earth's atmosphere, the giant masses of combined creatures collapse and die. The V-shaped marks disappear from the affected humans, leaving them with no memory of having been under alien control. As they head back to the village, Lomax wonders aloud how he'll make a believable report about all that's happened, while more pointedly, Quatermass questions just how
382:. Lomax puts him in touch with Vincent Broadhead, a member of parliament, who has been trying to uncover the veil of secrecy surrounding Winnerden Flats and the organisation and deliverance of massive quantities of material supplies and manpower without any real explanation as to what it is for. Quatermass joins Broadhead on an official tour of the complex, which he is told has been built to manufacture synthetic food. Slipping away from the visiting party, Broadhead gets inside one of the huge domes dominating the skyline. Quatermass later finds him dying, covered in a corrosive black slime, warning him about what he discovered inside the dome.
849:, Essex, on the Thames Estuary, which represented the secret Winnerden Flats complex. This was also where location scenes in the BBC television production of the story were filmed. Despite its size, the plant was run by a relatively small number of personnel, simplifying Guest's job of making it appear eerily deserted. Guest was also surprised at how relaxed the plant's management were about allowing him to stage the climactic gun battle at such a potentially flammable location.
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need to know. The mood changes, however, when one of the meteorites crashes through the building roof and opens, injuring and infecting barmaid Sheila. Armed guards from the plant arrive and shoot Hall dead as he telephones his story into his newspaper. A melee ensues, after which the villagers form a mob that marches on the complex. Rushing the gates, Quatermass, Lomax, and the villagers barricade themselves inside the pressure control room.
483:, partly because he received no extra remuneration from the sale of the film rights and partly because of the changes made in the film to his original television script. In the wake of his dissatisfaction, Kneale exerted pressure on the BBC to allow him to be more involved in the sale of the rights to his work. Despite being in the final months of his BBC contract, Kneale was allowed to collaborate with Hammer on the adaptation of
499:(BBFC) in April 1956. BBFC reader Audrey Field commented: "There should be the customary general caution that the sky is not the limit, either in sights or sounds". The BBFC's main objection was to a scene in which a guard from the Winnerden Flats complex murders a family having a picnic. This scene was omitted from the final film, although it is present in the original television presentation.
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unmanned, at the asteroid to destroy it. Several characters from the television version do not appear in the film, most notably
Quatermass's daughter, Paula, and his assistant, Leo Pugh (their roles are partially replaced by new character Brand). Conversely, the characters of Inspector Lomax and Quatermass's young assistant Marsh reappear in the film version, having previously been in
719:(1975) among his best-known credits. Forbes later recalled of the film: "I was one of the people attacked by the alien pods. This pod exploded and I ended up with what was supposed to be a terrible alien growth on my face. Come lunchtime and we all went off to the pub. Of course, I couldn't take this stuff off, the makeup was too complex; the landlord refused to serve me".
566:". He said, "I've got to say all that? There's too much talk. Cut down some of the talk". He tried to read it and he had to have go after go after go, so crippled with drink he hardly knew who he was". Val Guest has denied Kneale's claims: "So many stories have been concocted since, about how he was a paralytic. It's absolute
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Quatermass and Lomax then turn to journalist Jimmy Hall, who is sceptical of their story, but asks to visit
Winnerden Flats. At the local community centre, they receive a hostile reception from locals employed to do heavy construction and other work at the complex but not told anything more than they
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remarked that "the writer of the original story, Mr Nigel Kneale, and the director, Mr Val Guest, between them keep things moving at the right speed, without digressions. The film has an air of respect for the issues touched on, and this impression is confirmed by the acting generally". On the other
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landing in an area known as
Winnerden Flats. Travelling there with Marsh, his colleague, Quatermass finds a huge complex under construction, based on his lunar colony plans. Marsh finds an undamaged meteorite shaped like a small stone rocket. It then cracks open, releasing a gas, leaving him with an
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s Mark Gatiss mentions on the DVD commentary for the First Series that a scene where two workmen, who have been abducted by Tubs and Edward, escape, covered in tar, was inspired by the scene in which the
Vincent Broadhead character is covered in "synthetic food" from one of the huge outdoor storage
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camera had to be used for some scenes because of the danger posed by sparks from electrical equipment. The scenes of
Vincent Broadhead emerging from one of the domes covered in the noxious black slime were particularly difficult to realise, necessitating many retakes. Tom Chatto, playing Broadhead,
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film had been a major success for Hammer and, eager for a sequel, they purchased the rights to Nigel Kneale's follow-up before the BBC had even begun transmission of the new serial. For this adaptation, Nigel Kneale himself was allowed to write the first draft of the screenplay, although subsequent
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Realising that Earth's atmosphere is poisonous to the aliens, Quatermass sabotages their life support system, pumping only pure oxygen into their large domes, suffocating them. Simultaneously, Quatermass's assistant, Brand at the rocket complex, is gunned down by invading
Winnerden Flats guards but
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either, but he was a pro and he knew his lines". Guest also recalled: "By after lunch he would come to me and say "Give me a breakdown of the story so far. Where have I just been before this scene?" We used to feed him black coffee all morning but then we discovered he was lacing it. But he was a
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landing only in the
Winnerden Flats area of the UK. His inquiries lead him to a huge industrial complex, strikingly similar to his own plans for a Moon colony. This top-secret facility is in fact the centre of a conspiracy involving the alien infiltration of the highest echelons of the British
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Shot at by guards as he escapes, Quatermass rushes to
Inspector Lomax, explaining that he believes that the complex is indeed making food, but not for human consumption. Its purpose is to provide a suitable living environment for small alien creatures being housed inside the huge domes. Lomax
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condenses many of the events of the original television version. The most significant change is at the climax: Quatermass and his assistant, Pugh, use
Quatermass's rocket to travel to the asteroid to take on the aliens on their home ground, whereas in the theatrical film the rocket is fired,
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stories are variations on the same theme) with Kneale again cleverly mixing sf with the supernatural. The alien invasion may be sf but it is presented with the trappings of traditional horror, such as the V-shaped "mark of the devil" that all possessed people display". On the other hand,
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drafts were worked on by director Val Guest. The plot is a condensed but largely faithful retelling of the original television serial. The main difference between the two versions is at the climax: in the television version
Quatermass blasts off in a rocket to confront the aliens in
423:. Nigel Kneale was critical of the final film, mainly on account of the return of Brian Donlevy in the lead role. Kneale was unhappy with Donlevy's interpretation of the character and also claimed the actor's performance was marred by his alcoholism, a claim denied by Val Guest.
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is notable, however, for being the first film Hammer pre-sold to a major US distributor, in this case United Artists. This new finance and distribution deal would become the norm for subsequent Hammer films and led to them eventually winding down their own distribution arm,
38:
495:. Guest recalled of Kneale's script that there was "lots of philosophising and very down-to-earth thinking but it was too long, it would not have held screenwise. So, again, I had to tailor it and sharpen it and hopefully not ruin it". The script was submitted to the
558:, Donlevy's alcoholism presented challenges for the production. Nigel Kneale recalled visiting the set one day: "He was so full of whiskey he could hardly stand up. He staggered over to the set and looked dazedly around. They held up an
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found the film "a faithful but ponderous adaptation of Kneale's TV sequel. There are effective sequences, director Guest and cameraman Gerald Gibbs shooting with light lancing up through the shadows in a manner reminiscent of
647:'s interpretation of the equivalent journalist character Hugh Conrad in the television version; Guest cast James in order to "lighten the story a bit". He later went on to enjoy widespread fame in many comedy roles including
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odd V-shaped mark on his face. Uniform-clad guards from the complex arrive, armed with submachine guns and sporting similar V-shaped marks, and take Marsh away, knocking down Quatermass and forcing him to leave the area.
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and is mastered from an archival print that shows every image with razor-sharp clarity and richness; it contains the same extra features as on the Region 2 UK release. The film had been previously released on both
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to be "one of the best science fiction films of the 1950s. It is not notably better than , but the story idea is more involving, the production is livelier and there are more events in the unfolding of the story".
1001:, which was also released in May 1957. Upon this success, Hammer made its priority the production of Gothic horror films. For this reason, although Nigel Kneale had written a new Quatermass serial for the BBC,
348:, making him the only actor to play the character twice in a film. It is often erroneously considered as the first film sequel to use the '2' / 'II' suffix within the title, though this distinction belongs to
625:(credited as Sydney James in the film and Sidney James on its poster) as Jimmy Hall: At the time, James was known as a character actor, specialising mainly in "tough guy" roles, with credits in films such as
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attempts to alert his superiors, but when he meets the commissioner of police, he notices that he, too, is sporting the V-shaped mark; the aliens have taken control of key people in the government.
829:. United Artists contributed some £64,000 towards the production of the film, as well as Brian Donlevy's $ 25,000 fee and his airfare to London from the US. Although filming still occurred at
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was, however, the first film for which Hammer pre-sold the distribution rights in the United States, a financial model that would quickly become the norm for subsequent Hammer productions.
888:, where the police agreed to hold up the traffic for just two minutes to allow Guest to take shots of trucks ferrying equipment through London to Winnerden Flats, and in the foyer of the
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in 2003 by DD Video. It contained a number of extra features including commentary by director Val Guest and writer Nigel Kneale, as well as an interview with Val Guest and a trailer for
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as Professor Bernard Quatermass: Donlevy reprised his role as the eponymous professor, much to the despair of Nigel Kneale, who had heavily criticised his interpretation of the role in
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for the scene where Quatermass first meets Vincent Broadhead. The climactic scenes of the hurricane caused by the explosion of the Winnerden Flats complex were shot on the
865:, joked after the scene was finally completed, "Remind me to talk to my wife about casting me in this". The Shell Haven location was further enhanced by the use of
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felt: "The whole thing is daft and full of stilted dialogue. At the end a detective says: "How am I going to make a report on all this?" I felt the same way".
884:, Hertfordshire, which was under construction at the time and doubled for the fictional new town of Winnerden Flats. Other scenes were shot in London including
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As Professor Bernard Quatermass struggles to gain government support for his Moon colonisation project, his interest becomes focused on reports of hundreds of
619:(1931). Nigel Kneale greatly preferred Longden's authoritative take on the character to Jack Warner's more comedic "breezy sergeant" in the first film.
593:. When Warner proved unavailable for the sequel, the role was recast and the part given to John Longden. Longden had been a major star of British
415:, whereas in the film the rocket is fired, unmanned, to destroy the aliens' asteroid base. Returning director Val Guest once again employed many
810:. He was assisted in this respect by the moody, overcast cinematography of director of photography Gerald Gibbs, who also made extensive use of
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off his head and the crew had to chase after it. As well as shooting on location, Guest and his crew made use of Stages 2 and 5 of the
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Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 359
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received its first public screening at a trade show on 22 March 1957; its official première was held two months later at the
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Government. Quatermass and his allies must now do whatever is necessary to defeat the alien threat before it is too late.
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was financially successful, its box office performance was eclipsed by the massive success of another Hammer film,
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Trying to discover what happened to Marsh, Quatermass contacts Inspector Lomax, who had previously assisted him in
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Filming took place between 28 May and 13 July 1956. The film's budget, at £92,000, was much larger than that of
515:, but not in the television version. The character of Sheila the barmaid also appears only in the film version.
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photography for the film's climactic scenes. Guest planned each day's shooting carefully, creating meticulous
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912:'s first film for Hammer; he went on to become its regular set designer, working on many Hammer films.
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of the time, down to the inclusion of several characters obviously based on real political figures".
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in the making of the film than had been possible for its predecessor. The key location used was the
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isn't as good as the first one, despite a bigger budget. Again the theme is possession (all four
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1007:(broadcast December 1958 to January 1959), Hammer did not acquire the rights until 1961 and the
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found the film "all good grisly fun, if this is the sort of thing you enjoy". The reviewer in
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s release was largely overshadowed by the box-office record-breaking performance of Hammer's
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with his lines on and he said, "What's this movie called?" and they said, "Well, it's called
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The film was adapted into a 15-page comics story for the August 1978 issue of the magazine
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Double Feature Creature Attack: A Monster Merger of Two More Volume of Classic Interviews
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802:. Guest once again sought to create a film that felt as real as possible, using many
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techniques to present the fantastic elements of the plot with the greatest degree of
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2053:. Vol. I: 1950–1957. Jefferson, North Carolina and London: McFarland Classics.
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wrote: "Science-fiction hokum can be convincing, exciting or just plain laughable.
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643:(1957). James plays the character of Jimmy Hall in a much more comedic manner than
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491:. Subsequent drafts were worked on by director Val Guest, as he had done before on
487:. The first draft of the screenplay was written by Kneale with input from producer
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as Marsh: Forbes had appeared in a number of supporting roles in films, including
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701:(1955). However, he later became better known as a director, with films such as
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horror films. As a result, it would be ten years before Hammer adapted the next
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The film's story concerns Quatermass's investigation of reports of hundreds of
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This article is about the Hammer film remake. For the original TV series, see
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fails on all these scores, I am afraid". Similarly, the reviewer in the
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Keep Watching The Skies! American Science Fiction Movies of the Fifties
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as Inspector Lomax: The role of Lomax had originally been played by
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as Sheila: Vera Day was first spotted by Val Guest in the musical
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in 1986 praised the film as "extraordinary" and, comparing it to
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on 24 May. It went on general release, with supporting feature
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to add the giant domes within which the aliens were incubated.
2167:: The Cult Hammer Film & The Classic BBC Television Serial
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344:. Brian Donlevy reprises his role as the eponymous Professor
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1872:. London/New York: The Tantivy Press/A.S. Barnes & Co.
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1201:. The story was titled "Enemy from Space (Quatermass II)."
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in the years since its release remains divided. Writing in
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in Berkshire, the larger budget allowed for greater use of
2005:
A Thing of Unspeakable Horror. The History of Hammer Films
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Nigel Kneale had been unhappy with Hammer's adaptation of
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from the BBFC. It was released in the US under the title
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The Hammer Story. The Authorised History of Hammer Films
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The Penguin Encyclopedia of Horror and the Supernatural
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The Penguin Encyclopedia of Horror and the Supernatural
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Hammer Complete: The Films, the Personnel, the Company
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1920:(Quatermass 2 DVD Special Feature). London: DD Video.
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Into The Unknown: The Fantastic Life of Nigel Kneale
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The Primal Screen. A History of Science Fiction Film
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British Cinema of The 1950s The Decline of Deference
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detailing all the shots he wanted to make that day.
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very professional actor and very easy to work with".
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725:as Brand: Franklyn later became well known for his
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1046:. Otherwise the film is indifferent". Similarly,
740:as the Voice of the Book in the radio version of
330:(1955). Like its predecessor, it is based on the
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2072:. Jefferson, N. C.: McFarland. pp. 99–127.
1847:, Grand Comics Database. Retrieved 29 Dec. 2020.
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2159:The Quatermass Trilogy – A Controlled Paranoia
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876:Other locations used included the real-life
1222:. Oxford University Press USA. p. 145.
766:Other actors appearing in the film include
269:in the United States and Canada) is a 1957
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284:. It was originally released in the UK as
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853:Harry Oakes recalled, however, that a
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1218:Harper, Sue; Porter, Vincent (2003).
736:. In 2004 he took over from the late
659:series of films, and sitcoms such as
324:is a sequel to Hammer's earlier film
3821:Hammer Film Productions horror films
3781:British science fiction horror films
3312:Hammer House of Mystery and Suspense
1835:Quatermass 2 DVD. DD Video. DD06155.
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869:created by special effects designer
743:The Hitchhiker's Guide to the Galaxy
2760:The Legend of the 7 Golden Vampires
1967:Hammer Films. The Bray Studio Years
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964:hand, Jympson Harman of the London
933:, on 17 June. The film received an
729:for a series of advertisements for
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3766:1950s science fiction horror films
2500:Halloween III: Season of the Witch
1627:Howard Maxford (8 November 2019).
1574:Barker, Dennis (1 November 2006).
1337:Guest & Kneale, DVD Commentary
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988:Although commercially successful,
14:
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3826:Films shot at New Elstree Studios
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2068:Weaver, Tom (2003). "Val Guest".
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3791:Films based on television series
2720:Dracula Has Risen from the Grave
1969:. London: Reynolds & Hearn.
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1086:(1956), Newman notes that while
3722:Confessions of a Window Cleaner
3219:Captain Kronos – Vampire Hunter
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1829:
1816:
1567:
1523:
1491:
3706:When Dinosaurs Ruled the Earth
2916:When Dinosaurs Ruled the Earth
2657:Frankenstein Must Be Destroyed
1845:"Hammer's Halls of Horror #23"
1083:Invasion of the Body Snatchers
42:UK double crown release poster
16:1957 British film by Val Guest
1:
3811:Films scored by James Bernard
3776:British black-and-white films
3642:The Day the Earth Caught Fire
3035:The Man Who Could Cheat Death
3027:The Hound of the Baskervilles
2789:The Curse of the Mummy's Tomb
1868:Science Fiction in the Cinema
1633:. McFarland. pp. 70–71.
1204:
1189:(volume 2, #23, published by
1111:
1094:is "a specific attack on the
1043:Night (or Curse) of the Demon
1029:Science Fiction in the Cinema
497:British Board of Film Censors
401:
3786:1950s English-language films
2752:The Satanic Rites of Dracula
2377:The Year of the Sex Olympics
2134:AFI Catalog of Feature Films
1960:. London: DD Video. DD06155.
1826:, 1986, Viking, p341-42, 341
1576:"Obituary: William Franklyn"
915:
794:Val Guest, who had directed
628:No Orchids for Miss Blandish
7:
3806:Films directed by Val Guest
3771:Films about alien invasions
2834:The Two Faces of Dr. Jekyll
2805:Blood from the Mummy's Tomb
2712:Dracula: Prince of Darkness
2633:The Revenge of Frankenstein
1958:Quatermass 2. Viewing Notes
1918:Quatermass 2 DVD Commentary
1500:"James, Sidney (1913–1976)"
1011:did not appear until 1967.
444:serial for the cinema with
10:
3852:
3816:Films shot at Bray Studios
3498:The Men of Sherwood Forest
2924:Creatures the World Forgot
2842:Dr. Jekyll and Sister Hyde
2728:Taste the Blood of Dracula
2665:The Horror of Frankenstein
2649:Frankenstein Created Woman
789:
554:. As had been the case on
518:
472:
461:
457:
18:
3380:
3328:
3289:
3131:The Plague of the Zombies
3051:The Curse of the Werewolf
3002:
2973:
2934:
2889:
2860:
2815:
2770:
2683:
2625:The Curse of Frankenstein
2612:
2575:
2568:
2510:
2443:
2336:
2313:
2303:The Quatermass Conclusion
2270:
2260:The Quatermass Experiment
2228:The Quatermass Experiment
2219:
2210:
998:The Curse of Frankenstein
983:
861:whose wife was a leading
480:The Quatermass Experiment
433:The Curse of Frankenstein
248:
240:
232:
222:
187:
172:
156:
146:
136:
126:
96:
86:
67:
57:
47:
35:
30:
3578:The Camp on Blood Island
3522:The Quatermass Xperiment
3067:The Phantom of the Opera
3043:The Stranglers of Bombay
2641:The Evil of Frankenstein
2586:The Quatermass Xperiment
2337:Other television scripts
2279:The Quatermass Xperiment
2003:McKay, Sinclair (2007).
1933:(2nd ed.). London:
1532:"Forbes, Bryan (1926– )"
1186:Hammer's Halls of Horror
1164:Anchor Bay Entertainment
1069:Keep Watching The Skies!
947:received mixed reviews.
823:The Quatermass Xperiment
796:The Quatermass Xperiment
591:The Quatermass Xperiment
556:The Quatermass Xperiment
552:The Quatermass Xperiment
538:(Lomax) in a scene from
513:The Quatermass Xperiment
504:The Quatermass Xperiment
493:The Quatermass Xperiment
464:The Quatermass Xperiment
379:The Quatermass Xperiment
327:The Quatermass Xperiment
3442:Miss Pilgrim's Progress
3410:I'll Be Your Sweetheart
3227:To the Devil a Daughter
2519:The Séance at Hobs Lane
2155:at BritMovie (archived)
1102:The League of Gentlemen
1096:Conservative Government
398:will that report be...
363:
350:Sanshiro Sugata Part II
282:Hammer Film Productions
166:Hammer Film Productions
3570:The Abominable Snowman
3538:It's a Wonderful World
3434:Murder at the Windmill
3426:William Comes to Town
3305:Hammer House of Horror
3298:Journey to the Unknown
3019:The Abominable Snowman
2900:One Million Years B.C.
2602:Quatermass and the Pit
2452:The Abominable Snowman
2322:The Quatermass Memoirs
2295:Quatermass and the Pit
2244:Quatermass and the Pit
1965:Kinsey, Wayne (2002).
1542:British Film Institute
1510:British Film Institute
1004:Quatermass and the Pit
543:
447:Quatermass and the Pit
3139:Rasputin the Mad Monk
3123:The Nanny (1965 film)
3059:The Shadow of the Cat
2937:The Karnstein Trilogy
2704:The Brides of Dracula
2484:First Men in the Moon
2425:Stanley and the Women
1988:. London: Headpress.
1984:Murray, Andy (2006).
930:And God Created Woman
704:Whistle Down the Wind
662:George and the Dragon
634:The Lavender Hill Mob
574:paralytic. He wasn't
526:
506:, the screenplay for
207:24 May 1957
196:10 May 1957
3796:British sequel films
3594:Further Up the Creek
3319:Let the Right One In
2879:The Vengeance of She
2361:Nineteen Eighty-Four
2031:. New York: Viking.
1822:Jack Sullivan (ed.)
1023:Critical opinion of
1020:, in the mid-1960s.
631:(uncredited, 1948),
288:and was produced by
3831:1950s British films
3674:Where the Spies Are
3514:Break in the Circle
3474:Life with the Lyons
3450:Mister Drake's Duck
3418:Just William's Luck
3187:Hands of the Ripper
3163:The Devil Rides Out
3083:Kiss of the Vampire
1193:). It was drawn by
954:The Daily Telegraph
906:New Elstree Studios
806:techniques such as
686:The Small Back Room
650:Hancock's Half Hour
252:£92,000 or £117,731
3634:The Full Treatment
3530:They Can't Hang Me
3506:The Lyons in Paris
3482:Dance, Little Lady
3372:Films directed by
3211:Demons of the Mind
3091:The Old Dark House
2984:The Woman in Black
2975:The Woman in Black
2955:Lust for a Vampire
2947:The Vampire Lovers
2797:The Mummy's Shroud
2460:Look Back in Anger
2444:Other film scripts
2417:The Woman in Black
2345:Arrow to the Heart
2212:Bernard Quatermass
2122:TCM Movie Database
1775:Hearn & Barnes
1724:Hearn & Barnes
1694:Hearn & Barnes
1498:McFarlane, Brian.
1300:Hearn & Barnes
1131:. You can help by
768:Charles Lloyd-Pack
755:Wish You Were Here
746:. He died in 2006.
716:The Stepford Wives
692:An Inspector Calls
544:
346:Bernard Quatermass
204: (Netherlands)
3748:
3747:
3666:The Beauty Jungle
3602:Yesterday's Enemy
3490:The Body Said No!
3339:
3338:
3285:
3284:
3203:Fear in the Night
2908:Prehistoric Women
2826:The Ugly Duckling
2817:Jekyll & Hyde
2744:Dracula A.D. 1972
2528:
2527:
2369:Wuthering Heights
2353:Wuthering Heights
2332:
2331:
2079:978-0-7864-1366-9
2038:978-0-670-80902-8
2014:978-1-84513-249-1
2007:. London: Aurum.
1976:978-1-903111-44-4
1944:978-1-84576-185-1
1894:. London: Orbit.
1763:Hearn & Rigby
1751:Hearn & Rigby
1739:Hearn & Rigby
1661:Hearn & Rigby
1640:978-1-4766-2914-8
1486:Hearn & Rigby
1406:Hearn & Rigby
1355:Hearn & Rigby
1281:Hearn & Rigby
1197:from a script by
1149:
1148:
1052:The Primal Screen
808:hand-held cameras
760:London Hippodrome
710:The L-Shaped Room
698:The Colditz Story
570:, because he was
534:(Quatermass) and
256:
255:
3843:
3738:The Boys in Blue
3618:Life Is a Circus
3546:Carry On Admiral
3402:Give Us the Moon
3394:Bees in Paradise
3386:Miss London Ltd.
3366:
3359:
3352:
3343:
3342:
3179:Countess Dracula
2736:Scars of Dracula
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1106:
1038:Jacques Tourneur
994:
939:Enemy From Space
910:Bernard Robinson
886:Trafalgar Square
863:casting director
847:Stanford-le-Hope
835:location filming
723:William Franklyn
674:Bless This House
601:films including
599:Alfred Hitchcock
576:stone cold sober
318:William Franklyn
266:Enemy From Space
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117:William Franklyn
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1952:Hearn, Marcus;
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1925:Hearn, Marcus;
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1199:Steve Parkhouse
1191:Top Sellers Ltd
1181:
1145:
1139:
1136:
1129:needs expansion
1114:
1104:
1018:Exclusive Films
992:
986:
935:'X' Certificate
925:London Pavilion
918:
882:Hemel Hempstead
867:matte paintings
855:Newman-Sinclair
798:, returned for
792:
776:John Van Eyssen
653:(1956–60), the
610:Elstree Calling
521:
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275:science fiction
271:black-and-white
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177:Exclusive Films
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2088:External links
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2085:
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2043:
2037:
2023:Sullivan, Jack
2019:
2013:
2000:
1994:
1981:
1975:
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1954:Jonathan Rigby
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1050:, in his book
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917:
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890:House of Lords
827:United Artists
791:
788:
784:Michael Ripper
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530:(Jimmy Hall),
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300:with co-stars
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3037:
3036:
3032:
3029:
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3024:
3021:
3020:
3016:
3013:
3012:
3011:X the Unknown
3008:
3007:
3005:
3001:
2994:
2993:
2989:
2986:
2985:
2981:
2980:
2978:
2976:
2972:
2965:
2964:
2963:Twins of Evil
2960:
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2880:
2876:
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2867:
2865:
2863:
2859:
2852:
2851:
2850:Doctor Jekyll
2847:
2844:
2843:
2839:
2836:
2835:
2831:
2828:
2827:
2823:
2822:
2820:
2818:
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2627:
2626:
2622:
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2619:
2617:
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2599:
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2595:
2591:
2588:
2587:
2583:
2582:
2580:
2578:
2574:
2571:
2567:
2563:
2562:Hammer Horror
2556:
2551:
2549:
2544:
2542:
2537:
2536:
2533:
2521:
2520:
2516:
2515:
2513:
2509:
2502:
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2497:
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2478:
2477:
2473:
2470:
2469:
2465:
2462:
2461:
2457:
2454:
2453:
2449:
2448:
2446:
2442:
2435:
2434:
2433:Sharpe's Gold
2430:
2427:
2426:
2422:
2419:
2418:
2414:
2411:
2410:
2406:
2403:
2402:
2398:
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2379:
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2319:
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2312:
2305:
2304:
2300:
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2280:
2276:
2275:
2273:
2269:
2262:
2261:
2257:
2254:
2253:
2249:
2246:
2245:
2241:
2238:
2237:
2236:Quatermass II
2233:
2230:
2229:
2225:
2224:
2222:
2218:
2215:
2213:
2209:
2205:
2197:
2192:
2190:
2185:
2183:
2178:
2177:
2174:
2168:
2166:
2162:
2160:
2157:
2154:
2153:
2149:
2147:
2143:
2142:
2138:
2135:
2132:
2130:
2129:
2125:
2123:
2119:
2118:
2114:
2112:
2108:
2107:
2103:
2101:
2097:
2096:
2092:
2091:
2081:
2075:
2071:
2066:
2062:
2060:0-7864-0479-5
2056:
2052:
2048:
2044:
2040:
2034:
2030:
2029:
2024:
2020:
2016:
2010:
2006:
2001:
1997:
1995:1-900486-50-4
1991:
1987:
1982:
1978:
1972:
1968:
1963:
1959:
1955:
1950:
1946:
1940:
1936:
1932:
1928:
1923:
1919:
1915:
1911:
1907:
1903:
1901:0-356-20222-4
1897:
1893:
1889:
1888:Brosnan, John
1885:
1881:
1879:0-302-00476-9
1875:
1870:
1869:
1863:
1859:
1858:
1854:
1853:
1846:
1841:
1832:
1825:
1819:
1812:
1807:
1801:, p. 75.
1800:
1795:
1789:, p. 96.
1788:
1783:
1776:
1771:
1765:, p. 19.
1764:
1759:
1752:
1747:
1741:, p. 15.
1740:
1735:
1733:
1726:, p. 20.
1725:
1720:
1718:
1711:, p. 85.
1710:
1705:
1703:
1696:, p. 44.
1695:
1690:
1684:, p. 53.
1683:
1678:
1676:
1674:
1672:
1670:
1663:, p. 14.
1662:
1657:
1655:
1653:
1651:
1642:
1636:
1632:
1631:
1623:
1617:, p. 54.
1616:
1611:
1605:, p. 49.
1604:
1599:
1583:
1582:
1577:
1570:
1564:, p. 15.
1563:
1558:
1543:
1539:
1538:
1533:
1526:
1511:
1507:
1506:
1501:
1494:
1488:, p. 10.
1487:
1482:
1480:
1473:, p. 77.
1472:
1467:
1460:
1455:
1449:, p. 56.
1448:
1443:
1436:
1431:
1424:
1419:
1417:
1415:
1407:
1402:
1396:, p. 57.
1395:
1390:
1384:, p. 50.
1383:
1378:
1376:
1369:, p. 48.
1368:
1363:
1357:, p. 11.
1356:
1351:
1349:
1347:
1345:
1338:
1333:
1331:
1329:
1327:
1325:
1323:
1321:
1319:
1317:
1315:
1313:
1311:
1309:
1302:, p. 19.
1301:
1296:
1294:
1292:
1290:
1282:
1277:
1271:, p. 55.
1270:
1265:
1263:
1256:, p. 32.
1255:
1250:
1244:, p. 37.
1243:
1238:
1229:
1221:
1214:
1210:
1202:
1200:
1196:
1192:
1188:
1187:
1176:
1174:
1171:cassette and
1170:
1165:
1161:
1157:
1153:
1143:
1134:
1130:
1127:This section
1125:
1122:
1118:
1117:
1109:
1103:
1099:
1097:
1093:
1089:
1085:
1084:
1079:
1074:
1070:
1066:
1061:
1057:
1053:
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1034:
1030:
1026:
1021:
1019:
1014:
1010:
1006:
1005:
1000:
999:
991:
981:
979:
978:
973:
972:Quatermass II
969:
968:
962:
961:
956:
955:
950:
946:
942:
940:
936:
932:
931:
926:
922:
913:
911:
907:
903:
899:
895:
891:
887:
883:
879:
874:
872:
868:
864:
859:
856:
852:
848:
844:
840:
836:
832:
828:
824:
819:
817:
813:
812:day for night
809:
805:
804:cinema vérité
801:
797:
787:
785:
781:
780:Percy Herbert
777:
773:
769:
761:
757:
756:
751:
748:
745:
744:
739:
735:
732:
728:
724:
721:
718:
717:
712:
711:
706:
705:
700:
699:
694:
693:
688:
687:
682:
679:
676:
675:
670:
669:
668:Two in Clover
664:
663:
658:
657:
652:
651:
646:
645:Roger Delgado
642:
641:
636:
635:
630:
629:
624:
621:
618:
617:
616:The Skin Game
612:
611:
606:
605:
600:
596:
592:
588:
584:
581:
577:
573:
569:
565:
561:
557:
553:
549:
548:Brian Donlevy
546:
545:
541:
537:
533:
532:Brian Donlevy
529:
525:
516:
514:
509:
505:
500:
498:
494:
490:
489:Anthony Hinds
486:
485:Quatermass II
482:
481:
469:
468:Quatermass II
465:
455:
453:
449:
448:
443:
439:
435:
434:
429:
424:
422:
418:
417:cinema vérité
414:
409:
399:
397:
391:
387:
383:
381:
380:
374:
371:
361:
358:
353:
351:
347:
343:
339:
338:
337:Quatermass II
333:
329:
328:
323:
319:
315:
311:
307:
303:
299:
298:Brian Donlevy
295:
291:
290:Anthony Hinds
287:
286:Quatermass II
283:
279:
276:
272:
268:
267:
262:
261:
251:
247:
243:
239:
235:
231:
227:
221:
206:
195:
194:
192:
189:Release dates
186:
182:
178:
175:
171:
167:
163:
155:
152:
151:James Bernard
149:
145:
142:
139:
135:
132:
129:
125:
122:
118:
114:
110:
106:
102:
101:Brian Donlevy
99:
95:
92:
91:Anthony Hinds
89:
85:
82:
77:
74:
73:Quatermass II
70:
66:
60:
58:Screenplay by
56:
53:
50:
46:
39:
34:
29:
26:
22:
21:Quatermass II
3736:
3730:Killer Force
3728:
3720:
3712:
3704:
3696:
3690:Assignment K
3688:
3680:
3672:
3664:
3656:
3648:
3640:
3632:
3624:
3616:
3608:
3600:
3592:
3586:Up the Creek
3584:
3576:
3568:
3562:Quatermass 2
3561:
3560:
3552:
3544:
3536:
3528:
3520:
3512:
3504:
3496:
3488:
3480:
3472:
3464:
3456:
3448:
3440:
3432:
3424:
3416:
3408:
3400:
3392:
3384:
3331:
3317:
3310:
3303:
3296:
3273:
3265:
3259:The Resident
3257:
3249:
3241:
3233:
3225:
3217:
3209:
3201:
3193:
3185:
3177:
3169:
3161:
3153:
3145:
3137:
3129:
3121:
3113:
3105:
3097:
3089:
3081:
3073:
3065:
3057:
3049:
3041:
3033:
3025:
3017:
3009:
2990:
2982:
2974:
2961:
2953:
2945:
2935:
2922:
2914:
2906:
2898:
2890:
2877:
2869:
2861:
2848:
2840:
2832:
2824:
2816:
2803:
2795:
2787:
2779:
2771:
2758:
2750:
2742:
2734:
2726:
2718:
2710:
2702:
2694:
2685:
2671:
2663:
2655:
2647:
2639:
2631:
2623:
2615:Frankenstein
2614:
2600:
2594:Quatermass 2
2593:
2592:
2584:
2576:
2517:
2498:
2490:
2482:
2474:
2466:
2458:
2450:
2431:
2423:
2415:
2407:
2399:
2391:
2383:
2375:
2367:
2359:
2351:
2343:
2320:
2301:
2293:
2287:Quatermass 2
2286:
2285:
2277:
2258:
2250:
2242:
2234:
2226:
2204:Nigel Kneale
2165:Quatermass 2
2164:
2152:Quatermass 2
2151:
2146:Hammer Films
2141:Quatermass 2
2139:
2128:Quatermass 2
2127:
2117:Quatermass 2
2116:
2106:Quatermass 2
2105:
2095:Quatermass 2
2094:
2069:
2050:
2047:Warren, Bill
2026:
2004:
1985:
1966:
1957:
1930:
1917:
1914:Nigel Kneale
1891:
1867:
1862:Baxter, John
1855:Bibliography
1840:
1831:
1823:
1818:
1806:
1799:Brosnan 1991
1794:
1782:
1770:
1758:
1746:
1689:
1629:
1622:
1610:
1598:
1586:. Retrieved
1581:The Guardian
1579:
1569:
1557:
1545:. Retrieved
1537:screenonline
1535:
1525:
1513:. Retrieved
1505:screenonline
1503:
1493:
1471:Brosnan 1991
1466:
1454:
1442:
1437:, p. 7.
1430:
1408:, p. 6.
1401:
1389:
1362:
1283:, p. 7.
1276:
1249:
1237:
1228:
1219:
1213:
1184:
1182:
1159:
1156:Region 2 DVD
1152:Quatermass 2
1151:
1150:
1140:October 2023
1137:
1133:adding to it
1128:
1101:
1100:
1092:Quatermass 2
1091:
1081:
1073:Quatermass 2
1072:
1068:
1059:
1056:Quatermass 2
1055:
1051:
1048:John Brosnan
1041:
1028:
1025:Quatermass 2
1024:
1022:
1013:Quatermass 2
1012:
1009:film version
1002:
996:
990:Quatermass 2
989:
987:
977:Daily Herald
975:
971:
967:Evening News
965:
958:
952:
945:Quatermass 2
944:
943:
938:
928:
921:Quatermass 2
920:
919:
875:
851:Focus puller
839:oil refinery
831:Bray Studios
822:
820:
800:Quatermass 2
799:
795:
793:
765:
753:
741:
714:
708:
702:
696:
690:
684:
681:Bryan Forbes
672:
666:
660:
654:
648:
640:Hell Drivers
638:
637:(1951), and
632:
626:
614:
608:
602:
595:silent films
590:
583:John Longden
575:
571:
567:
564:Quatermass 2
563:
555:
551:
540:Quatermass 2
539:
536:John Longden
512:
508:Quatermass 2
507:
503:
501:
492:
484:
478:
476:
452:Quatermass 2
451:
445:
441:
431:
428:Quatermass 2
427:
425:
407:
405:
395:
392:
388:
384:
377:
375:
367:
354:
342:Nigel Kneale
335:
325:
322:Quatermass 2
321:
310:Bryan Forbes
306:Sidney James
302:John Longden
296:, and stars
285:
265:
264:
260:Quatermass 2
259:
258:
257:
224:Running time
131:Gerald Gibbs
113:Bryan Forbes
105:John Longden
81:Nigel Kneale
71:
61:Nigel Kneale
31:Quatermass 2
25:
3155:The Witches
3147:The Reptile
3003:Other films
2492:The Witches
1935:Titan Books
1927:Alan Barnes
1811:Warren 1982
1787:Baxter 1970
1709:Kinsey 2002
1682:Kinsey 2002
1615:Kinsey 2002
1603:Kinsey 2002
1588:30 December
1547:30 December
1515:30 December
1459:Weaver 2003
1447:Murray 2006
1435:Kinsey 2002
1423:Warren 1982
1394:Murray 2006
1382:Kinsey 2002
1367:Kinsey 2002
1269:Murray 2006
1254:Kinsey 2002
1242:Murray 2006
1195:David Lloyd
1065:Bill Warren
1033:John Baxter
894:South Downs
843:Shell Haven
816:storyboards
738:Peter Jones
734:tonic water
713:(1962) and
695:(1954) and
613:(1930) and
587:Jack Warner
560:idiot board
413:outer space
340:written by
280:drama from
278:horror film
141:James Needs
87:Produced by
48:Directed by
3801:Quatermass
3761:1957 films
3755:Categories
3554:The Weapon
3290:Television
3099:The Gorgon
3075:The Damned
2577:Quatermass
2252:Quatermass
2220:Television
1910:Guest, Val
1562:McKay 2007
1205:References
1112:Home media
1088:Don Siegel
1078:Kim Newman
1060:Quatermass
772:Tom Chatto
727:voiceovers
677:(1971–76).
462:See also:
442:Quatermass
408:Quatermass
406:The first
402:Production
370:meteorites
357:meteorites
263:(retitled
228:85 minutes
211:1957-05-24
200:1957-05-10
158:Production
3698:Toomorrow
3374:Val Guest
3275:The Lodge
3251:Let Me In
3243:Wake Wood
3171:Crescendo
3107:Nightmare
2891:Cave Girl
2781:The Mummy
2772:The Mummy
2247:(1958-59)
2202:Works by
1929:(2007) .
1173:LaserDisc
960:The Times
916:Reception
871:Les Bowie
858:clockwork
731:Schweppes
623:Sid James
604:Blackmail
528:Sid James
426:Although
294:Val Guest
215: (UK)
137:Edited by
109:Sid James
63:Val Guest
52:Val Guest
3332:Category
2111:AllMovie
2049:(1982).
2025:(1986).
1956:(2003).
1916:(2003).
1890:(1991).
1864:(1970).
1584:. London
1071:, found
898:Brighton
878:new town
750:Vera Day
707:(1961),
689:(1949),
665:(1966),
656:Carry On
607:(1929),
502:As with
450:(1967).
314:Vera Day
273:British
241:Language
147:Music by
121:Vera Day
97:Starring
68:Based on
3115:Fanatic
2696:Dracula
2686:Dracula
2131:at the
2120:at the
1108:domes.
790:Filming
758:at the
519:Casting
473:Writing
458:Origins
421:realism
334:serial
244:English
233:Country
209: (
198: (
160:company
3741:(1982)
3733:(1976)
3725:(1974)
3717:(1972)
3709:(1970)
3701:(1970)
3693:(1968)
3685:(1967)
3677:(1965)
3669:(1964)
3661:(1963)
3653:(1962)
3650:Jigsaw
3645:(1961)
3637:(1960)
3629:(1960)
3621:(1960)
3613:(1959)
3605:(1959)
3597:(1958)
3589:(1958)
3581:(1958)
3573:(1957)
3565:(1957)
3557:(1957)
3549:(1957)
3541:(1956)
3533:(1955)
3525:(1955)
3517:(1955)
3509:(1955)
3501:(1954)
3493:(1954)
3485:(1954)
3477:(1954)
3469:(1954)
3461:(1952)
3453:(1951)
3445:(1949)
3437:(1949)
3429:(1948)
3421:(1947)
3413:(1945)
3405:(1944)
3397:(1944)
3389:(1943)
3278:(2019)
3270:(2014)
3262:(2011)
3254:(2010)
3246:(2009)
3238:(2008)
3230:(1976)
3222:(1974)
3214:(1972)
3206:(1972)
3198:(1972)
3190:(1971)
3182:(1971)
3174:(1970)
3166:(1968)
3158:(1966)
3150:(1966)
3142:(1966)
3134:(1966)
3126:(1965)
3118:(1965)
3110:(1964)
3102:(1964)
3094:(1963)
3086:(1963)
3078:(1963)
3070:(1962)
3062:(1961)
3054:(1961)
3046:(1959)
3038:(1959)
3030:(1959)
3022:(1957)
3014:(1956)
2995:(2014)
2987:(2012)
2966:(1971)
2958:(1971)
2950:(1970)
2927:(1971)
2919:(1970)
2911:(1967)
2903:(1966)
2882:(1968)
2874:(1965)
2853:(2023)
2845:(1971)
2837:(1960)
2829:(1959)
2808:(1971)
2800:(1967)
2792:(1964)
2784:(1959)
2763:(1974)
2755:(1973)
2747:(1972)
2739:(1970)
2731:(1970)
2723:(1968)
2715:(1966)
2707:(1960)
2699:(1958)
2676:(1974)
2668:(1970)
2660:(1969)
2652:(1967)
2644:(1964)
2636:(1958)
2628:(1957)
2605:(1967)
2597:(1957)
2589:(1955)
2503:(1982)
2495:(1966)
2487:(1964)
2479:(1962)
2471:(1960)
2463:(1959)
2455:(1957)
2436:(1995)
2428:(1991)
2420:(1989)
2412:(1981)
2409:Kinvig
2404:(1976)
2401:Beasts
2396:(1974)
2388:(1972)
2380:(1968)
2372:(1959)
2364:(1954)
2356:(1953)
2348:(1952)
2325:(1996)
2306:(1979)
2298:(1967)
2290:(1957)
2282:(1955)
2263:(2005)
2255:(1979)
2239:(1955)
2231:(1953)
2076:
2057:
2035:
2011:
1992:
1973:
1941:
1898:
1876:
1637:
984:Legacy
902:toupée
782:, and
438:Gothic
316:, and
249:Budget
179:(UK),
2569:Films
2314:Radio
1105:'
1067:, in
993:'
896:near
568:balls
396:final
183:(USA)
2271:Film
2100:IMDb
2074:ISBN
2055:ISBN
2033:ISBN
2009:ISBN
1990:ISBN
1971:ISBN
1939:ISBN
1896:ISBN
1874:ISBN
1635:ISBN
1590:2008
1549:2008
1517:2008
466:and
364:Plot
2871:She
2862:She
2144:at
2109:at
2098:at
1169:VHS
1135:.
1040:'s
951:in
880:of
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2041:.
2017:.
1998:.
1979:.
1947:.
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1882:.
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1519:.
1142:)
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762:.
542:.
213:)
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23:.
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