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He left a number of recordings, mostly of
Persian Dastgah music. He collaborated mainly with his old friend and Dayereh player M. Farnam. They also played together at the Shiraz Festival of Arts in front of Empress Farah. He also accompanied
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Haghighat, A., Honarmandan e Irani az Aghaz ta Emrooz, Koomesh
Publication, 2004, (in Persian)
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extreme transparency and a detailed approach to moulding the musical phrases
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This article on a musician who plays a string instrument is a
259:(most notably on a 40 minute improvisation in Homayoon mode).
198:, (1918 – April 13, 1987) was an Iranian musician and
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fine sound-making even from low quality instruments
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250:fast plucking and various systems of plucking
209:His art of tar playing is characterized by:
51:introducing citations to additional sources
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317:This article on an Iranian musician is a
41:Relevant discussion may be found on the
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230:even tremolos and both hand vibrations
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34:relies largely or entirely on a
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283:ترانه ای دردمند در بستر تنهایی
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223:cultivated taste in balancing
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247:as an accompanying instrument
374:. You can help Knowledge by
321:. You can help Knowledge by
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240:zarbis in his performances
196:Qolam-Hossein Bigjeh-Khani
143:Qolam-Hossein Bigjeh-Khani
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62:"Qolamhossein Bigjekhani"
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202:player. He was born in
192:Qolamhossein Bigjekhani
118:Qolamhossein Bigjekhani
441:Iranian musician stubs
133:Background information
446:String musician stubs
436:Musicians from Tabriz
172:Musician, Tar player
47:improve this article
431:Iranian tar players
295:Mahoor Institute's
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218:fingering
103:July 2010
43:talk page
194:, also
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243:using
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161:Died
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