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Purple Haze

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519:, that expanded on a short story published in 1957. In the story set on a distant planet, sunspots produce a "purplish haze" which has a disorienting effect on the inhabitants. An early handwritten draft by Hendrix, titled "Purple Haze – Jesus Saves", uses dream-like imagery where the sense of direction and time is distorted. In an interview on January 28, 1967, before the song was completed, Hendrix was asked how he wrote songs; he responded, "I dream a lot and I put my dreams down as songs. I wrote one called 'First Look Around the Corner' and another called 'The Purple Haze,' which was about a dream I had that I was walking under the sea." He later expressed frustration that he was unable to more fully develop his ideas for the song: 467:, who, as a sound engineer, played an important role in subsequent Hendrix recordings. Hendrix added new vocals and guitar parts between February 3 and 8, 1967. Unlike the conventional techniques used by the Experience to record previous songs, Chandler decided to try out new effects and sounds for "Purple Haze". He enhanced background sounds (some contributed by Redding) by playing them back through headphones, which were moved around the recording microphone, creating "a weird echo". Chandler also used sped-up guitar parts recorded at half-speed (which also raises the 747: 590: 492: 6040: 4940: 738:(ips) played back at 15 ips, is combined with the Octavia, further extending the guitar's upper frequency range. Henderson describes it as "an uncanny piercing tone that takes off, Eastern-sounding beyond the range of the guitar" and, according to Shadwick, "gives the impression that the guitar notes are flying off into the ether." 608: 49: 523:
You know the song we had named 'Purple Haze'? had about a thousand, thousand words ... I had it all written out. It was about going through, through this land. This mythical ... because that's what I like to do is write a lot of mythical scenes. You know, like the history of the wars on
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With 'Purple Haze', Hendrix and I were striving for a sound and just kept going back in , two hours at a time, trying to achieve it. It wasn't like we were there for days on end. We recorded it, and then Hendrix and I would be sitting at home saying, 'Let's try that.' Then we would go in for an hour
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and the song, although Shapiro admits that, at the time, to do so would have been "professional suicide". Chandler, who claimed he was present when Hendrix wrote it, later denied suggestions that Hendrix did so while under the influence of psychedelics. Commenting on the lyrics, Shadwick concludes
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describes Hendrix's guitar tone as "at the razor edge of distort". However, individual notes are still clear, as well as the harmonically more complex chords, even with the use of extreme overdrive for the time. The tension is maintained until the guitar solo, which "arrives as something of a
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and does not include any of the lyrics used in the Experience song. Chandler admitted that in the early stages, he helped Hendrix shape the songs and lyrics to radio single length. Biographer Keith Shadwick comments that although much of the complexity may have been sacrificed, it resulted in
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and recorded by several groups prior to the Experience. Hendrix commented, "That record isn't us. The next one's gonna be different. We're working on an LP which will mainly be our stuff." The group recorded several demos of original material at studios in London, including "Can You See Me",
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After its release, Hendrix offered another explanation: "He likes this girl so much, that he doesn't know what he's in, ya know. A sort of daze, I suppose. That's what the song is all about." This draws on an experience Hendrix had while still in New York, where he felt that a girl was
425:" Chandler claimed that after some more urging, Hendrix wrote the rest of "Purple Haze" in the dressing room of a London club during the afternoon of December 26, 1966, before a gig. In several interviews, Hendrix spoke about writing the song, but did not mention where or when he wrote it. 440:
learned the song in the studio: "Hendrix came in and kind of hummed us the riff and showed Noel the chords and the changes. I listened to it and we went, 'OK, let's do it.' We got it on the third take as I recall." The basic track was recorded in four hours, according to Chandler.
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magazine's "100 Greatest Guitar Songs of All Time" list, which noted that the song "unveiled a new guitar language charged with spiritual hunger and the poetry possible in electricity and studio technology". It also appeared at number 17 on the magazine's
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on guitar against an E played by Redding on bass, followed by the respective octaves. Mitchell on drums comes in for the third measure, when Hendrix introduces the riff that piqued Chandler's interest, and Redding continues playing the octaves in E.
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Redding and Mitchell were not included in the process because Chandler felt that it was more efficient for him and Hendrix to do it alone. To get a better quality recording, Chandler took the four-track tape recorded at De Lane Lea to
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Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for some of Hendrix's inventive guitar playing". Beginning with its
599: 562:"the music to tell the larger story. Poised effectively between the twin intoxicants of drugs and desire, they could be interpreted to the listener's taste". In concert, Hendrix sometimes substituted lyrics for comic effect; 607: 1323:
for the festival, which he dubbed "Monterey Purple". Although some connected it to "Purple Haze", Stanley disliked the association, feeling that it was "far from inducing haze, would confer upon the user preternatural
1302:", recorded in April 1967 and included as the title track for the Experience's debut album, includes a reference to walking under the sea: "We'll hold hands and then we'll watch the sunrise, from the bottom of the sea". 508:
points out that "Purple Haze" is most likely "a pot-pourri of ideas" which Hendrix developed over time. As a fan of science fiction, he frequently incorporated its imagery in his songwriting. Hendrix read
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in San Francisco, one of the pioneers of the "underground" or progressive radio formats in the US, began playing an acetate pressing of the song before it was released by Track Records in the UK.
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Hot 100, which was two positions higher than Hendrix' single in 1967. In Canada, where Hendrix's single did not reach the charts, Dion's version reached number 72. Also with a new arrangement,
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There are conflicting dates given for the Track single release of "Purple Haze". Shapiro, Roby, and the Jimi Hendrix Encyclopedia list the date as March 17, 1967; McDermott uses March 1, 1967.
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There are also conflicting dates for the Reprise single release. Shapiro, Roby, and Shadwick list it as June 19, 1967; McDermott uses August 16, 1967, one week before the American release of
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technology allowed engineers to record and complete additional parts on the final master. After the basic track was finished, Chandler explained that he and Hendrix developed the song:
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and then he goes right into the blues side. The Octavia has the effect of a sitar, kind of like Ravi Shankar meets B.B. King." During the song's outro, the guitar part recorded at 7½
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and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a
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heard Hendrix toying around with a new guitar riff. "I heard him playing it at the flat and was knocked out. I told him to keep working on that, saying, 'That's the next single!
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before Hendrix helped popularize it. He also used an unconventional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the
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pop chart on August 26, where it spent eight weeks and reached number 65. "Purple Haze" was included as the opening track on the American release of
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or two. That's how it was in those days. However long it took to record one specific idea, that's how long we would book. We kept going in and out.
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Many fans and the press interpret the song as referring to a psychedelic experience due to lines such as "purple haze all in my brain" and
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developed the unit with input from Hendrix. The Octavia doubles the frequency of the sound it is fed, essentially adding an upper octave.
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2000 box set. Live recordings of "Purple Haze" as performed by each of the different Hendrix lineups have been released. These include
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Track Records marked on the box with master tape sent to Reprise Records for its remastering, "DELIBERATE DISTORTION. DO NOT CORRECT."
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named the song to its list of the "100 Most Important American Musical Works of the 20th Century" in 2000. In 2000, it was given a
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release rather than a further racking up of the atmosphere." It is also when Hendrix first introduces the Octavia, coupled with a
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distortion unit. Whitehill describes the solo as "almost sound likes he's playing a blues raga. He starts out playing in the
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After the riff, the verse sections begin, which Shadwick describe as "simplicity itself, consisting of just three chords": E7
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9, or dominant seventh sharp ninth chord, has come to be called the "Hendrix chord" by guitarists and was used primarily in
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ranked "Purple Haze" at number one in its list of the "100 Greatest Guitar Tracks Ever!" The song placed at number two on
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on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature
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One of Hendrix's most popular songs, "Purple Haze" appears on numerous compilation albums. Some of these include
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Many musicians have recorded their interpretations of the song, making it one of Hendrix's most covered songs.
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alternative rock chart. "Purple Haze" has achieved an unusual level of interest among classical musicians. The
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In interviews, Hendrix usually gave different answers about the development of the song's lyrics. Biographer
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of the G and A chords on the sixth string, his fingers were left in a position to create different chord
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to trap him and he became ill. Shapiro believes that this is reflected in most of the first two verses:
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ranked the song number one on their list of the 20 greatest Jimi Hendrix songs, and in 2021,
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So far, only a crumpled single sheet of ruled yellow tablet paper is on exhibit at the
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and is included on lists of the greatest guitar songs, including at number two by
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ranked the song number two on their list of the 10 greatest Jimi Hendrix songs.
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awarded "Purple Haze" its Gold certification, signifying sales of over 400,000.
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On March 17, 1967, "Purple Haze" was released in the UK as the first single on
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Three months after the UK single release, the Experience performed at the
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Historic Performances Recorded at the Monterey International Pop Festival
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Supremely American: Popular Song in the 20th Century: Styles and Singers
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to create novel effects. The guitar solo features the first use of the
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magazine. In 2004 and 2010, the former ranked it at number 17 on its “
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included an acoustic version with strings on his 1968 comeback album
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The Experience began recording "Purple Haze" on January 11, 1967, at
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Am I happy or in misery, whatever it is that girl put a spell on me
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The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made
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By January 5, 1967, the Jimi Hendrix Experience's first single, "
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Hendrix on Hendrix: Interviews and Encounters with Jimi Hendrix
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Experience Hendrix: The Best of Jimi Hendrix Transcribed Scores
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The phrase "purple haze" appears in literature, including in
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Notes: indicates a re-release, indicates a live recording
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Purple haze all around, don't know if I'm coming up or down
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guitar effects unit. Acoustical and electronics engineer
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on August 23, 1967. Because of the song's airplay on
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Songs for Groovy Children: The Fillmore East Concerts
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Sales+streaming figures based on certification alone.
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Joel Whitburn Presents: Across The Charts The 1960s
914:. Live performances were also broadcast on German 872:-influenced "51st Anniversary" was included as the 4570:West Coast Seattle Boy: The Jimi Hendrix Anthology 3048: 2891: 2860: 2693: 2243: 2237: 2225: 2159: 1664: 1647: 1635: 1620: 1608: 1532: 1517: 1493: 1458: 1431: 1416: 1385: 1193: 886:. The single entered the charts at number 39 on 6056: 4563:Martin Scorsese Presents the Blues: Jimi Hendrix 4458:Soundtrack Recordings from the Film Jimi Hendrix 2675:(1st. Trade Paperback ed.). New York City: 533:verses that are "simple, focused and striking". 3018: 2833: 2135: 2106: 1949: 1913: 1861: 1764: 1564: 1547: 1452: 1379: 1152:in 1993. Their rendition reached number two on 3152: 2815:(1st. Da Capo Press ed.). New York City: 2470:"Jimi Hendrix's 20 greatest songs of all time" 2441:"Grammy Hall of Fame Awards – Past Recipients" 1973: 5230: 4970: 4075: 3204: 2947: 2926:Black Gold: The Lost Archives of Jimi Hendrix 2645: 2261: 2198: 1701: 566:'scuse me while I kiss the sky" was rendered 4535:Experience Hendrix: The Best of Jimi Hendrix 3543:The Stars That Play with Laughing Sam's Dice 3000:(1st. ed.). San Francisco, California: 1171:have recorded their interpretations and the 1072: 1004:Experience Hendrix: The Best of Jimi Hendrix 486: 3157:. Milwaukee, Wisconsin: Bella Godiva Music/ 3108:. Milwaukee, Wisconsin: Bella Godiva Music/ 3103: 2713: 1961: 1925: 1901: 1884: 1787: 1785: 1783: 1781: 1779: 1777: 1775: 1773: 1107:'s "500 Songs That Shaped Rock and Roll". 710:(G–X–G–G–D–G) is sometimes played with the 387: 5237: 5223: 4977: 4963: 4366:Blue Wild Angel: Live at the Isle of Wight 4082: 4068: 3211: 3197: 47: 27:1967 single by the Jimi Hendrix Experience 6110:Song recordings produced by Chas Chandler 4549:Voodoo Child: The Jimi Hendrix Collection 4408:Machine Gun: The Fillmore East First Show 2736: 1985: 1937: 1739:"Jimi Hendrix "Purple Haze' Lyrics, 1966" 1010:Voodoo Child: The Jimi Hendrix Collection 4736:Power of Soul: A Tribute to Jimi Hendrix 3126: 2995: 2873:(1st. ed.). Boston, Massachusetts: 2210: 2123: 1770: 1593: 1505: 745: 490: 2762: 2523: 2467: 2310:"100 Greatest Guitar Songs of All Time" 1725: 1713: 1266: 1264: 14: 6057: 5964:Perfect as Cats: A Tribute to The Cure 5517:Standing on a Beach/Staring at the Sea 3955:" / "Calling All the Devil's Children" 3184:"Purple Haze" (official audio) on Vevo 3073: 2948:Roby, Steven; Schreiber, Brad (2010). 1822: 1315:on June 18, 1967. Underground chemist 741: 5218: 4958: 4722:Stone Free: A Tribute to Jimi Hendrix 4493:Live & Unreleased: The Radio Show 4472:The Essential Jimi Hendrix Volume Two 4063: 3942:Can You Please Crawl Out Your Window? 3192: 3153:Whitehill, Dave; Rubin, Dave (1992). 2807: 2785: 2664: 2495: 2382:"500 Songs That Shaped Rock and Roll" 2368: 2025:"Jimi Hendrix: Singles 'Purple Haze'" 1846: 1834: 1670: 1149:Stone Free: A Tribute to Jimi Hendrix 1146:recorded it for the various artist's 343:and released as the second single by 6095:Grammy Hall of Fame Award recipients 3046: 2972: 2922: 2840:Hendrix: Setting the Record Straight 2342:"The 500 Greatest Songs of All Time" 2249: 2147: 1791: 1464: 1404: 1261: 868:. Another Hendrix composition, the 772: 288:Experience US singles chronology 242:Experience UK singles chronology 2468:Whatley, Jack (November 27, 2020). 1099:called it the "debut single of the 24: 3076:"Electric Kool-Aid Marketing Trip" 3074:Walker, Michael (March 18, 2011). 2700:JimiHendrix.com (official website) 2648:Jimi Hendrix: Experience the Music 2496:Uitti, Jacob (November 27, 2021). 2275:"100 Greatest Guitar Tracks Ever!" 588: 382:The 500 Greatest Songs of All Time 25: 6136: 6080:The Jimi Hendrix Experience songs 4577:Fire: The Jimi Hendrix Collection 4507:Lifelines: The Jimi Hendrix Story 4429:Los Angeles Forum: April 26, 1969 3953:Come On (Let the Good Times Roll) 3177: 1178: 53:West German single picture sleeve 6039: 6038: 4984: 4939: 4938: 4194:First Rays of the New Rising Sun 4089: 3104:Wheeler, Tom; Gore, Joe (1992). 2350:. No. 963. December 9, 2004 2238:McDermott, Kramer & Cox 2009 2226:McDermott, Kramer & Cox 2009 2160:McDermott, Kramer & Cox 2009 1665:McDermott, Cox & Kramer 1995 1648:McDermott, Kramer & Cox 2009 1636:McDermott, Kramer & Cox 2009 1621:McDermott, Kramer & Cox 2009 1609:McDermott, Cox & Kramer 1995 1533:McDermott, Kramer & Cox 2009 1518:McDermott, Kramer & Cox 2009 1494:McDermott, Kramer & Cox 2009 1432:McDermott, Kramer & Cox 2009 1204: 622:Problems playing this file? See 604: 500:advertisement, September 9, 1967 432:in London. According to drummer 6120:American psychedelic rock songs 4894:Canadian drug charges and trial 4793:Jimmy James and the Blue Flames 4658:Live in Paris & Ottawa 1968 2646:Belmo; Loveless, Steve (1998). 2579: 2552: 2517: 2489: 2461: 2433: 2406: 2374: 2334: 2302: 2267: 2165: 2069: 2043: 2017: 1991: 1731: 1349: 1336: 1327: 1305: 1292: 1273: 4899:Handel & Hendrix in London 2799:. Universal City, California: 1470: 1093:500 Greatest Songs of All Time 581: 13: 1: 6070:Songs written by Jimi Hendrix 4630:Paris 1967/San Francisco 1968 4401:Freedom: Atlanta Pop Festival 2673:: A Biography of Jimi Hendrix 2622:British Phonographic Industry 2598:. January 4, 1969. p. 32 2178:British Phonographic Industry 1419:, Entry for March 17th, 1967. 1364: 930:British Phonographic Industry 5627:Jumping Someone Else's Train 5244: 5145:I'm Your Hoochie Coochie Man 4595:Live at the Oakland Coliseum 3946:Burning of the Midnight Lamp 3604:Burning of the Midnight Lamp 3539:Burning of the Midnight Lamp 3318:Burning of the Midnight Lamp 3106:Fuzz, Feedback & Wah-Wah 3025:Jimi Hendrix: Electric Gypsy 2283:. March 2005. Archived from 2077:"'Purple Haze' Jimi Hendrix" 1319:had made a special batch of 1175:often play it as an encore. 32:Purple Haze (disambiguation) 7: 4798:The Jimi Hendrix Experience 4644:Live at the Isle of Fehmarn 4542:The Jimi Hendrix Experience 2797:The Jimi Hendrix Experience 2744:(Bantam 10/1981 ed.). 2696:"Jimi Hendrix Encyclopedia" 2694:Experience Hendrix (2012). 2498:"Top 10 Jimi Hendrix Songs" 2136:McDermott & Kramer 1992 2107:Shapiro & Glebbeek 1990 1950:Shapiro & Glebbeek 1990 1914:Shapiro & Glebbeek 1990 1862:Shapiro & Glebbeek 1990 1765:Shapiro & Glebbeek 1990 1565:Shapiro & Glebbeek 1990 1548:McDermott & Kramer 1992 1484:did not list running times) 1453:Shapiro & Glebbeek 1990 1380:Shapiro & Glebbeek 1990 1238: 1022:The Jimi Hendrix Experience 345:the Jimi Hendrix Experience 64:the Jimi Hendrix Experience 10: 6141: 4623:Baggy's Rehearsal Sessions 4465:The Essential Jimi Hendrix 3047:Tawa, Nicholas E. (2005). 3022:; Glebbeek, Cesar (1990). 2638: 2387:Rock and Roll Hall of Fame 1974:Whitehill & Rubin 1992 1744:Rock and Roll Hall of Fame 1105:Rock and Roll Hall of Fame 1037:(Gypsy Sun and Rainbows), 974:The Essential Jimi Hendrix 702:. Instead of the usual G 530:Rock and Roll Hall of Fame 29: 6034: 6010:Siouxsie and the Banshees 5938: 5917: 5885: 5867: 5604: 5572: 5547: 5494: 5448: 5390:Kiss Me, Kiss Me, Kiss Me 5339: 5252: 5196: 5180:And the Night Stood Still 5059: 4992: 4934: 4866: 4773: 4750:An Illustrated Experience 4697: 4681: 4586: 4438: 4352:Live at the Fillmore East 4282:The Jimi Hendrix Concerts 4231: 4129: 4097: 4050: 4028: 4006: 3962: 3933: 3893: 3861: 3839: 3817: 3805: 3752: 3730: 3708: 3686: 3645: 3613: 3574: 3552: 3508: 3486: 3474: 3448: 3415: 3378: 3360: 3338: 3294: 3239: 3227: 2262:Belmo & Loveless 1998 2199:Roby & Schreiber 2010 1702:Roby & Schreiber 2010 1227: 1212: 1201: 1190: 1187: 1113:Grammy Hall of Fame Award 1073:Recognition and influence 1040:Live at the Fillmore East 947:. The single entered the 935:For the American single, 846: 830: 816: 802: 788: 778: 771: 768: 765: 636:opening and heavy use of 487:Lyrics and interpretation 329: 292: 287: 283: 246: 241: 227: 213: 190: 174: 153: 130: 115: 92: 69: 58: 46: 41: 6115:American hard rock songs 5166:Abraham, Martin and John 4602:Live at Clark University 4130:Posthumous studio albums 3993:The Star-Spangled Banner 3848:The Star-Spangled Banner 3778:All Along the Watchtower 3636:All Along the Watchtower 3561:All Along the Watchtower 3402:The Star-Spangled Banner 3314:All Along the Watchtower 2996:Shadwick, Keith (2003). 2767:. Milwaukee, Wisconsin: 2765:Jimi Hendrix: The Lyrics 2718:. Milwaukee, Wisconsin: 1250: 411:Third Stone from the Sun 388:Background and recording 98:March 17, 1967 6090:Reprise Records singles 5925:The Cure: 'Reflections' 4921:Unfinished fourth album 4764:Jimi: All Is by My Side 4514:The Ultimate Experience 4500:Cornerstones: 1967–1970 4215:People, Hell and Angels 3886:" / "12 Bar with Horns" 3872:" / "Cat Talkin' to Me" 2763:Hendrix, Janie (2003). 1962:Wheeler & Gore 1992 1902:Wheeler & Gore 1992 1417:Experience Hendrix 2012 998:The Ultimate Experience 992:Cornerstones: 1967–1970 339:" is a song written by 79:"51st Anniversary" (UK) 5457:Concert: The Cure Live 5036:Return of the Wanderer 4879:Posthumous discography 4609:Morning Symphony Ideas 4556:The Singles Collection 4331:Live Isle of Wight '70 4098:Original studio albums 3715:Hear My Train A Comin' 3594:Let Me Light Your Fire 3159:Hal Leonard Publishing 3110:Hal Leonard Publishing 2998:Jimi Hendrix: Musician 2871:Jimi Hendrix: Sessions 2390:. 1995. Archived from 2318:. 2003. Archived from 1165:Hampton String Quartet 1161:Meridian Arts Ensemble 1043:(Band of Gypsys), and 1016:The Singles Collection 939:paired the song with " 757: 593: 551: 526: 501: 452: 353:psychedelic experience 6085:Track Records singles 5930:Shows of a Lost World 5439:Songs of a Lost World 5131:Donna the Prima Donna 5015:Suite for Late Summer 4926:Death of Jimi Hendrix 4909:Electric Lady Studios 4757:Becoming Jimi Hendrix 4222:Both Sides of the Sky 3565:Long Hot Summer Night 3155:Octavia & Univibe 2973:Roby, Steven (2012). 2951:Becoming Jimi Hendrix 2923:Roby, Steven (2002). 1313:Monterey Pop Festival 1059:number 49 album) and 945:Monterey Pop Festival 749: 592: 543: 521: 494: 447: 5876:10:15 Saturday Night 5830:The End of the World 5595:Hypnagogic States EP 5383:The Head on the Door 5348:Three Imaginary Boys 4874:Original discography 4743:Room Full of Mirrors 4689:The Cry of Love Tour 4180:Nine to the Universe 3924:Spanish Castle Magic 3920:Like a Rolling Stone 3743:Are You Experienced? 2979:Chicago Review Press 2795:(CD reissue notes). 2714:Hal Leonard (1998). 2671:Room Full of Mirrors 1300:Are You Experienced? 960:underground FM radio 892:and at number 43 on 779:Austria (Hitparade) 761:1967 singles charts 680:9, G, and A. The E7 443:Multitrack recording 30:For other uses, see 5851:Sleep When I'm Dead 5704:Why Can't I Be You? 5648:Charlotte Sometimes 5022:Born to Be with You 4904:Fender Stratocaster 4289:Jimi Plays Monterey 4268:Hendrix in the West 4106:Are You Experienced 3721:(solo acoustic) / " 3528:The Wind Cries Mary 3435:The Wind Cries Mary 3274:The Wind Cries Mary 3222:singles discography 2792:Are You Experienced 2525:Unterberger, Richie 2503:American Songwriter 2264:, pp. 399–412. 2150:, pp. 215–216. 2029:Offiziellecharts.de 1916:, pp. 146–148. 1792:Ruhlmann, William. 1344:Are You Experienced 1184: 1124:American Songwriter 956:Are You Experienced 941:The Wind Cries Mary 762: 753:Are You Experienced 742:Releases and charts 614:17 seconds of intro 430:De Lane Lea Studios 366:Grammy Hall of Fame 358:Are You Experienced 271:The Wind Cries Mary 84:The Wind Cries Mary 18:Purple Haze (promo) 6100:Dion DiMucci songs 5995:The Magazine Spies 5894:The Cure in Orange 5802:Strange Attraction 5774:Friday I'm in Love 5739:Fascination Street 5655:The Hanging Garden 5485:Bestival Live 2011 4528:South Saturn Delta 4394:Miami Pop Festival 4310:Live at Winterland 4208:Valleys of Neptune 4201:South Saturn Delta 4173:Midnight Lightning 4113:Axis: Bold as Love 3870:Valleys of Neptune 3030:St. Martin's Press 2587:"Cash Box - Japan" 2287:on August 10, 2020 1298:The Hendrix song " 1286:Great Expectations 1183: 1157:Modern Rock Tracks 1069:number 39 album). 1062:Miami Pop Festival 1031:(the Experience), 760: 758: 706:(G–D–G–B–D–G), a G 662:diabolus in musica 652:(sometimes called 594: 537:attempting to use 517:Philip José Farmer 515:, a 1966 novel by 502: 374:and number one by 124:February 3–8, 1967 109:June 19, 1967 (US) 6052: 6051: 5781:A Letter to Elise 5581:The Peel Sessions 5510:Japanese Whispers 5355:Seventeen Seconds 5212: 5211: 5089:Lovers Who Wander 5050:Son of Skip James 5008:Lovers Who Wander 4952: 4951: 4788:Lonnie Youngblood 4587:Official bootlegs 4479:The Singles Album 4359:Live at Woodstock 4120:Electric Ladyland 4057: 4056: 4046: 4045: 3884:Love or Confusion 3830:Night Bird Flying 3801: 3800: 3761:Crosstown Traffic 3658:Night Bird Flying 3583:Crosstown Traffic 3470: 3469: 3325:Crosstown Traffic 3303:Up from the Skies 3145:978-0-89820-175-8 3028:. New York City: 2988:978-1-61374-322-5 2965:978-0-306-81910-0 2929:. New York City: 2915:978-0-87930-938-1 2904:. New York City: 2892:McDermott, John; 2861:McDermott, John; 2842:. New York City: 2834:McDermott, John; 2729:978-0-7935-9144-2 2666:Cross, Charles R. 2162:, pp. 40–41. 2003:austriancharts.at 1638:, pp. 35–36. 1520:, pp. 27–29. 1476:From original US 1236: 1235: 1231: 1034:Live at Woodstock 980:The Singles Album 862: 861: 736:inches per second 609: 559:psychedelic drugs 436:, he and bassist 333: 332: 325: 324: 279: 278: 16:(Redirected from 6132: 6042: 6041: 6005:Shelleyan Orphan 5939:Related articles 5718:Just Like Heaven 5411:Wild Mood Swings 5311:Matthieu Hartley 5239: 5232: 5225: 5216: 5215: 4979: 4972: 4965: 4956: 4955: 4942: 4941: 4867:Related articles 4858:Monika Dannemann 4853:Kathy Etchingham 4380:Live at Monterey 4373:Live at Berkeley 4303:Band of Gypsys 2 4084: 4077: 4070: 4061: 4060: 3998: 3815: 3814: 3720: 3521:51st Anniversary 3484: 3483: 3407: 3263:51st Anniversary 3252:51st Anniversary 3237: 3236: 3213: 3206: 3199: 3190: 3189: 3172: 3149: 3123: 3100: 3098: 3096: 3070: 3054: 3043: 3015: 2992: 2969: 2944: 2919: 2902:Ultimate Hendrix 2888: 2857: 2830: 2804: 2782: 2759: 2738:Henderson, David 2733: 2710: 2708: 2706: 2690: 2661: 2633: 2632: 2630: 2628: 2614: 2608: 2607: 2605: 2603: 2591: 2583: 2577: 2576: 2568: 2556: 2550: 2549: 2547: 2545: 2521: 2515: 2514: 2512: 2510: 2493: 2487: 2486: 2484: 2482: 2465: 2459: 2458: 2456: 2454: 2437: 2431: 2430: 2428: 2426: 2410: 2404: 2403: 2401: 2399: 2378: 2372: 2366: 2360: 2359: 2357: 2355: 2338: 2332: 2331: 2329: 2327: 2306: 2300: 2296: 2294: 2292: 2271: 2265: 2259: 2253: 2247: 2241: 2235: 2229: 2223: 2214: 2208: 2202: 2196: 2190: 2189: 2187: 2185: 2169: 2163: 2157: 2151: 2145: 2139: 2133: 2127: 2121: 2110: 2104: 2093: 2092: 2090: 2088: 2073: 2067: 2066: 2064: 2062: 2047: 2041: 2040: 2038: 2036: 2021: 2015: 2014: 2012: 2010: 1995: 1989: 1983: 1977: 1971: 1965: 1959: 1953: 1947: 1941: 1935: 1929: 1928:, pp. 3–14. 1926:Hal Leonard 1998 1923: 1917: 1911: 1905: 1899: 1888: 1885:Hal Leonard 1998 1882: 1865: 1859: 1850: 1844: 1838: 1832: 1826: 1820: 1811: 1810: 1808: 1806: 1789: 1768: 1762: 1756: 1755: 1753: 1751: 1735: 1729: 1723: 1717: 1711: 1705: 1699: 1693: 1692: 1690: 1688: 1674: 1668: 1662: 1651: 1645: 1639: 1633: 1624: 1618: 1612: 1606: 1597: 1591: 1568: 1562: 1551: 1545: 1536: 1530: 1521: 1515: 1509: 1503: 1497: 1491: 1485: 1474: 1468: 1462: 1456: 1450: 1435: 1429: 1420: 1414: 1408: 1402: 1383: 1377: 1359: 1353: 1347: 1340: 1334: 1331: 1325: 1309: 1303: 1296: 1290: 1277: 1271: 1268: 1229: 1213:United Kingdom ( 1185: 1182: 1046:Live at Berkeley 1028:Live at Monterey 928:. In 2022, the 774: 763: 759: 688:rhythm and blues 685: 684: 679: 678: 669: 668: 611: 610: 591: 577: 573: 569: 565: 556: 424: 396:", backed with " 294: 293: 248: 247: 232: 218: 186: 185: 181: 162:Psychedelic rock 121:January 11, 1967 105: 103: 74: 51: 39: 38: 21: 6140: 6139: 6135: 6134: 6133: 6131: 6130: 6129: 6055: 6054: 6053: 6048: 6030: 5957:I'm a Cult Hero 5934: 5913: 5881: 5863: 5858:The Perfect Boy 5753:Pictures of You 5690:In Between Days 5683:The Caterpillar 5662:Let's Go to Bed 5613:Killing an Arab 5600: 5568: 5543: 5490: 5444: 5335: 5321:Phil Thornalley 5306:Michael Dempsey 5272:Roger O'Donnell 5248: 5243: 5213: 5208: 5192: 5159:Johnny B. Goode 5124:Come Go with Me 5103:Love Came to Me 5068:Lonely Teenager 5055: 4988: 4983: 4953: 4948: 4930: 4862: 4828:Michael Jeffery 4775: 4769: 4699: 4693: 4677: 4672:Live in Cologne 4582: 4442: 4440: 4439:Anthologies and 4434: 4296:Johnny B. Goode 4275:More Experience 4227: 4138:The Cry of Love 4125: 4093: 4088: 4058: 4053: 4042: 4039:" / "Trash Man" 4024: 4002: 3996: 3969:"Somewhere" / " 3958: 3929: 3909:Johnny B. Goode 3904:" / "Touch You" 3889: 3857: 3835: 3811: 3808: 3797: 3748: 3726: 3718: 3704: 3695:Johnny B. Goode 3682: 3641: 3609: 3570: 3548: 3504: 3480: 3477: 3466: 3444: 3424:Johnny B. Goode 3411: 3405: 3374: 3356: 3334: 3290: 3233: 3230: 3223: 3217: 3180: 3175: 3169: 3146: 3136:Record Research 3120: 3094: 3092: 3067: 3057:Scarecrow Press 3040: 3012: 2989: 2966: 2941: 2931:Billboard Books 2916: 2885: 2854: 2827: 2779: 2756: 2730: 2704: 2702: 2687: 2658: 2641: 2636: 2626: 2624: 2616: 2615: 2611: 2601: 2599: 2589: 2585: 2584: 2580: 2566: 2558: 2557: 2553: 2543: 2541: 2522: 2518: 2508: 2506: 2494: 2490: 2480: 2478: 2466: 2462: 2452: 2450: 2439: 2438: 2434: 2424: 2422: 2412: 2411: 2407: 2397: 2395: 2380: 2379: 2375: 2367: 2363: 2353: 2351: 2340: 2339: 2335: 2325: 2323: 2322:on May 30, 2008 2308: 2307: 2303: 2290: 2288: 2273: 2272: 2268: 2260: 2256: 2248: 2244: 2236: 2232: 2224: 2217: 2209: 2205: 2197: 2193: 2183: 2181: 2171: 2170: 2166: 2158: 2154: 2146: 2142: 2134: 2130: 2122: 2113: 2105: 2096: 2086: 2084: 2075: 2074: 2070: 2060: 2058: 2049: 2048: 2044: 2034: 2032: 2023: 2022: 2018: 2008: 2006: 1997: 1996: 1992: 1984: 1980: 1972: 1968: 1960: 1956: 1948: 1944: 1936: 1932: 1924: 1920: 1912: 1908: 1900: 1891: 1883: 1868: 1860: 1853: 1845: 1841: 1833: 1829: 1821: 1814: 1804: 1802: 1790: 1771: 1763: 1759: 1749: 1747: 1737: 1736: 1732: 1724: 1720: 1712: 1708: 1700: 1696: 1686: 1684: 1676: 1675: 1671: 1663: 1654: 1646: 1642: 1634: 1627: 1619: 1615: 1607: 1600: 1592: 1571: 1563: 1554: 1546: 1539: 1531: 1524: 1516: 1512: 1504: 1500: 1492: 1488: 1478:Reprise Records 1475: 1471: 1463: 1459: 1451: 1438: 1430: 1423: 1415: 1411: 1403: 1386: 1378: 1371: 1367: 1362: 1354: 1350: 1341: 1337: 1332: 1328: 1310: 1306: 1297: 1293: 1281:Charles Dickens 1278: 1274: 1269: 1262: 1253: 1241: 1195:Certified units 1181: 1077:In March 2005, 1075: 937:Reprise Records 911:Top of the Pops 834:Record Retailer 744: 732:Mixolydian mode 723:David Henderson 682: 681: 676: 675: 666: 665: 629: 628: 620: 618: 617: 616: 615: 612: 605: 602: 595: 589: 584: 575: 571: 567: 563: 554: 550: 547: 489: 457:Olympic Studios 422: 390: 320: 311: 302: 274: 265: 256: 228: 214: 183: 179: 178: 101: 99: 70: 54: 35: 28: 23: 22: 15: 12: 11: 5: 6138: 6128: 6127: 6122: 6117: 6112: 6107: 6105:The Cure songs 6102: 6097: 6092: 6087: 6082: 6077: 6072: 6067: 6050: 6049: 6047: 6046: 6035: 6032: 6031: 6029: 6028: 6027: 6026: 6019: 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5972: 5967: 5960: 5953: 5948: 5942: 5940: 5936: 5935: 5933: 5932: 5927: 5921: 5919: 5915: 5914: 5912: 5911: 5904: 5897: 5889: 5887: 5883: 5882: 5880: 5879: 5871: 5869: 5865: 5864: 5862: 5861: 5854: 5847: 5840: 5833: 5826: 5819: 5812: 5805: 5798: 5791: 5784: 5777: 5770: 5763: 5756: 5749: 5742: 5735: 5728: 5725:Hot Hot Hot!!! 5721: 5714: 5707: 5700: 5693: 5686: 5679: 5672: 5665: 5658: 5651: 5644: 5637: 5630: 5623: 5620:Boys Don't Cry 5616: 5608: 5606: 5602: 5601: 5599: 5598: 5591: 5584: 5576: 5574: 5573:Extended plays 5570: 5569: 5567: 5566: 5559: 5551: 5549: 5545: 5544: 5542: 5541: 5534: 5527: 5520: 5513: 5506: 5503:Boys Don't Cry 5498: 5496: 5492: 5491: 5489: 5488: 5481: 5474: 5467: 5460: 5452: 5450: 5446: 5445: 5443: 5442: 5435: 5428: 5421: 5414: 5407: 5400: 5397:Disintegration 5393: 5386: 5379: 5372: 5365: 5358: 5351: 5343: 5341: 5337: 5336: 5334: 5333: 5331:Boris Williams 5328: 5323: 5318: 5316:Pearl Thompson 5313: 5308: 5303: 5297: 5296: 5293:Reeves Gabrels 5289: 5282: 5275: 5268: 5261: 5253: 5250: 5249: 5242: 5241: 5234: 5227: 5219: 5210: 5209: 5207: 5206: 5200: 5198: 5194: 5193: 5191: 5190: 5183: 5176: 5169: 5162: 5155: 5148: 5141: 5134: 5127: 5120: 5113: 5106: 5099: 5092: 5085: 5078: 5071: 5063: 5061: 5057: 5056: 5054: 5053: 5046: 5039: 5032: 5025: 5018: 5011: 5004: 4996: 4994: 4990: 4989: 4982: 4981: 4974: 4967: 4959: 4950: 4949: 4947: 4946: 4935: 4932: 4931: 4929: 4928: 4923: 4918: 4911: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4870: 4868: 4864: 4863: 4861: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4820: 4815: 4810: 4808:Mitch Mitchell 4805: 4800: 4795: 4790: 4785: 4779: 4777: 4774:Related people 4771: 4770: 4768: 4767: 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4711: 4708:Rainbow Bridge 4703: 4701: 4695: 4694: 4692: 4691: 4685: 4683: 4679: 4678: 4676: 4675: 4668: 4665:Live at Woburn 4661: 4654: 4651:Burning Desire 4647: 4640: 4633: 4626: 4619: 4616:Live in Ottawa 4612: 4605: 4598: 4590: 4588: 4584: 4583: 4581: 4580: 4573: 4566: 4559: 4552: 4545: 4538: 4531: 4524: 4517: 4510: 4503: 4496: 4489: 4482: 4475: 4468: 4461: 4454: 4446: 4444: 4436: 4435: 4433: 4432: 4425: 4418: 4411: 4404: 4397: 4390: 4383: 4376: 4369: 4362: 4355: 4348: 4341: 4334: 4327: 4320: 4313: 4306: 4299: 4292: 4285: 4278: 4271: 4264: 4257: 4250: 4243: 4240:Band of Gypsys 4235: 4233: 4229: 4228: 4226: 4225: 4218: 4211: 4204: 4197: 4190: 4183: 4176: 4169: 4162: 4155: 4148: 4145:Rainbow Bridge 4141: 4133: 4131: 4127: 4126: 4124: 4123: 4116: 4109: 4101: 4099: 4095: 4094: 4087: 4086: 4079: 4072: 4064: 4055: 4054: 4051: 4048: 4047: 4044: 4043: 4041: 4040: 4032: 4030: 4026: 4025: 4023: 4022: 4010: 4008: 4004: 4003: 4001: 4000: 3985: 3974: 3966: 3964: 3960: 3959: 3957: 3956: 3949: 3937: 3935: 3931: 3930: 3928: 3927: 3916: 3905: 3897: 3895: 3891: 3890: 3888: 3887: 3880: 3877:Bleeding Heart 3873: 3865: 3863: 3859: 3858: 3856: 3855: 3843: 3841: 3837: 3836: 3834: 3833: 3821: 3819: 3812: 3810:(1997–present) 3809: 3806: 3803: 3802: 3799: 3798: 3796: 3795: 3774: 3756: 3754: 3750: 3749: 3747: 3746: 3734: 3732: 3728: 3727: 3712: 3710: 3706: 3705: 3703: 3702: 3690: 3688: 3684: 3683: 3681: 3680: 3661: 3649: 3647: 3643: 3642: 3640: 3639: 3617: 3615: 3611: 3610: 3608: 3607: 3590: 3578: 3576: 3572: 3571: 3569: 3568: 3556: 3554: 3550: 3549: 3547: 3546: 3535: 3524: 3512: 3510: 3506: 3505: 3503: 3502: 3490: 3488: 3481: 3478: 3475: 3472: 3471: 3468: 3467: 3465: 3464: 3452: 3450: 3446: 3445: 3443: 3442: 3431: 3419: 3417: 3413: 3412: 3410: 3409: 3394: 3382: 3380: 3376: 3375: 3373: 3372: 3371:" / "Izabella" 3369:Stepping Stone 3364: 3362: 3358: 3357: 3355: 3354: 3342: 3340: 3336: 3335: 3333: 3332: 3321: 3310: 3307:One Rainy Wish 3298: 3296: 3292: 3291: 3289: 3288: 3277: 3266: 3255: 3243: 3241: 3234: 3231: 3228: 3225: 3224: 3216: 3215: 3208: 3201: 3193: 3187: 3186: 3179: 3178:External links 3176: 3174: 3173: 3167: 3150: 3144: 3128:Whitburn, Joel 3124: 3118: 3101: 3081:New York Times 3071: 3066:978-0810852952 3065: 3044: 3038: 3020:Shapiro, Harry 3016: 3010: 3002:Backbeat Books 2993: 2987: 2970: 2964: 2945: 2939: 2920: 2914: 2906:Backbeat Books 2889: 2883: 2858: 2852: 2831: 2826:978-0306809019 2825: 2805: 2783: 2777: 2760: 2754: 2734: 2728: 2711: 2691: 2685: 2677:Hyperion Books 2662: 2656: 2642: 2640: 2637: 2635: 2634: 2609: 2578: 2551: 2516: 2488: 2460: 2432: 2405: 2394:on May 2, 2007 2373: 2371:, p. 178. 2361: 2333: 2301: 2266: 2254: 2242: 2230: 2215: 2213:, p. 116. 2203: 2201:, p. 184. 2191: 2164: 2152: 2140: 2128: 2126:, p. 176. 2111: 2109:, p. 528. 2094: 2083:(in Norwegian) 2068: 2055:dutchcharts.nl 2042: 2016: 1990: 1988:, p. 104. 1986:Henderson 1981 1978: 1966: 1954: 1952:, p. 146. 1942: 1940:, p. 103. 1938:Henderson 1981 1930: 1918: 1906: 1889: 1866: 1864:, p. 144. 1851: 1849:, p. 302. 1839: 1837:, p. 191. 1827: 1825:, p. A23. 1812: 1769: 1767:, p. 147. 1757: 1730: 1718: 1716:, p. 131. 1706: 1704:, p. 158. 1694: 1669: 1652: 1640: 1625: 1613: 1598: 1569: 1567:, p. 149. 1552: 1537: 1522: 1510: 1498: 1486: 1469: 1467:, p. 193. 1457: 1455:, p. 148. 1436: 1421: 1409: 1384: 1382:, p. 526. 1368: 1366: 1363: 1361: 1360: 1348: 1335: 1326: 1317:Owsley Stanley 1304: 1291: 1272: 1259: 1252: 1249: 1248: 1247: 1240: 1237: 1234: 1233: 1225: 1224: 1221: 1218: 1210: 1209: 1206: 1203: 1199: 1198: 1192: 1189: 1180: 1179:Certifications 1177: 1173:Kronos Quartet 1101:Album Rock Era 1074: 1071: 878:Paul McCartney 860: 859: 857: 854: 844: 843: 841: 838: 828: 827: 825: 822: 814: 813: 811: 808: 800: 799: 797: 794: 786: 785: 783: 780: 776: 775: 770: 767: 743: 740: 619: 613: 603: 598: 597: 596: 587: 586: 585: 583: 580: 544: 512:Night of Light 488: 485: 434:Mitch Mitchell 389: 386: 331: 330: 327: 326: 323: 322: 313: 304: 290: 289: 285: 284: 281: 280: 277: 276: 267: 258: 244: 243: 239: 238: 233: 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5338: 5332: 5329: 5327: 5324: 5322: 5319: 5317: 5314: 5312: 5309: 5307: 5304: 5302: 5301:Andy Anderson 5299: 5298: 5295: 5294: 5290: 5288: 5287: 5283: 5281: 5280: 5279:Perry Bamonte 5276: 5274: 5273: 5269: 5267: 5266: 5262: 5260: 5259: 5255: 5254: 5251: 5247: 5240: 5235: 5233: 5228: 5226: 5221: 5220: 5217: 5205: 5202: 5201: 5199: 5195: 5188: 5184: 5181: 5177: 5174: 5170: 5167: 5163: 5160: 5156: 5153: 5149: 5146: 5142: 5139: 5135: 5132: 5128: 5125: 5121: 5118: 5114: 5111: 5107: 5104: 5100: 5097: 5093: 5090: 5086: 5083: 5079: 5076: 5075:Runaround Sue 5072: 5069: 5065: 5064: 5062: 5058: 5052: 5051: 5047: 5045: 5044: 5040: 5038: 5037: 5033: 5031: 5030: 5026: 5024: 5023: 5019: 5017: 5016: 5012: 5010: 5009: 5005: 5003: 5002: 5001:Runaround Sue 4998: 4997: 4995: 4991: 4987: 4980: 4975: 4973: 4968: 4966: 4961: 4960: 4957: 4945: 4937: 4936: 4933: 4927: 4924: 4922: 4919: 4917: 4916: 4912: 4910: 4907: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4884:List of songs 4882: 4880: 4877: 4875: 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MCAD-11602. 2802: 2798: 2794: 2793: 2788: 2784: 2780: 2778:0-634-04930-5 2774: 2770: 2766: 2761: 2757: 2755:0-553-01334-3 2751: 2747: 2743: 2739: 2735: 2731: 2725: 2721: 2717: 2712: 2701: 2697: 2692: 2688: 2686:0-7868-8841-5 2682: 2678: 2674: 2672: 2667: 2663: 2659: 2657:1-896522-45-9 2653: 2649: 2644: 2643: 2623: 2619: 2613: 2597: 2596: 2588: 2582: 2574: 2573: 2565: 2563: 2555: 2540: 2539: 2534: 2532: 2526: 2520: 2505: 2504: 2499: 2492: 2477: 2476: 2471: 2464: 2448: 2447: 2442: 2436: 2421: 2420: 2415: 2409: 2393: 2389: 2388: 2383: 2377: 2370: 2365: 2349: 2348: 2347:Rolling Stone 2343: 2337: 2321: 2317: 2316: 2315:Rolling Stone 2311: 2305: 2299: 2286: 2282: 2281: 2276: 2270: 2263: 2258: 2252:, p. 75. 2251: 2246: 2240:, p. 61. 2239: 2234: 2228:, p. 60. 2227: 2222: 2220: 2212: 2211:Shadwick 2003 2207: 2200: 2195: 2180: 2179: 2174: 2168: 2161: 2156: 2149: 2144: 2138:, p. 51. 2137: 2132: 2125: 2124:Whitburn 2008 2120: 2118: 2116: 2108: 2103: 2101: 2099: 2082: 2078: 2072: 2056: 2052: 2046: 2030: 2026: 2020: 2004: 2000: 1994: 1987: 1982: 1975: 1970: 1963: 1958: 1951: 1946: 1939: 1934: 1927: 1922: 1915: 1910: 1904:, p. 13. 1903: 1898: 1896: 1894: 1886: 1881: 1879: 1877: 1875: 1873: 1871: 1863: 1858: 1856: 1848: 1843: 1836: 1831: 1824: 1819: 1817: 1801: 1800: 1795: 1788: 1786: 1784: 1782: 1780: 1778: 1776: 1774: 1766: 1761: 1746: 1745: 1740: 1734: 1728:, p. 21. 1727: 1722: 1715: 1710: 1703: 1698: 1683: 1679: 1673: 1667:, p. 27. 1666: 1661: 1659: 1657: 1650:, p. 35. 1649: 1644: 1637: 1632: 1630: 1623:, p. 33. 1622: 1617: 1611:, p. 25. 1610: 1605: 1603: 1596:, p. 96. 1595: 1594:Shadwick 2003 1590: 1588: 1586: 1584: 1582: 1580: 1578: 1576: 1574: 1566: 1561: 1559: 1557: 1550:, p. 31. 1549: 1544: 1542: 1535:, p. 32. 1534: 1529: 1527: 1519: 1514: 1508:, p. 95. 1507: 1506:Shadwick 2003 1502: 1496:, p. 28. 1495: 1490: 1483: 1482:Track Records 1479: 1473: 1466: 1461: 1454: 1449: 1447: 1445: 1443: 1441: 1434:, p. 40. 1433: 1428: 1426: 1418: 1413: 1407:, p. 67. 1406: 1401: 1399: 1397: 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803:Netherlands ( 801: 798: 795: 792: 787: 784: 781: 777: 764: 755: 754: 748: 739: 737: 733: 729: 724: 719: 717: 716:passing notes 713: 709: 705: 701: 697: 693: 689: 672: 663: 659: 655: 651: 647: 643: 639: 635: 627: 625: 601: 579: 560: 549: 542: 540: 534: 531: 525: 520: 518: 514: 513: 507: 506:Harry Shapiro 499: 498: 493: 484: 482: 478: 474: 470: 466: 462: 458: 451: 446: 444: 439: 435: 431: 426: 420: 419:Chas Chandler 416: 412: 408: 403: 402:Billy Roberts 399: 395: 385: 383: 379: 378: 373: 372: 371:Rolling Stone 367: 362: 360: 359: 354: 350: 349:Hendrix chord 346: 342: 338: 328: 318: 314: 309: 305: 300: 296: 295: 291: 286: 282: 272: 268: 263: 259: 254: 250: 249: 245: 240: 237: 236:Chas Chandler 234: 231: 226: 223: 220: 217: 216:Songwriter(s) 212: 206: 203: 200: 197: 196: 195: 193: 189: 177: 173: 168: 165: 163: 160: 159: 158: 156: 152: 146: 143: 140: 137: 136: 135: 133: 129: 123: 120: 119: 118: 114: 108: 97: 96: 95: 91: 85: 81: 78: 77: 76: 73: 68: 65: 61: 57: 50: 45: 42:"Purple Haze" 40: 37: 33: 19: 6075:1967 singles 6021: 6014: 5962: 5951:Band members 5906: 5899: 5892: 5886:Video albums 5837:The Only One 5816:Wrong Number 5760:Never Enough 5593: 5586: 5579: 5561: 5554: 5548:Remix albums 5536: 5529: 5522: 5515: 5508: 5501: 5495:Compilations 5483: 5476: 5469: 5462: 5455: 5437: 5430: 5423: 5418:Bloodflowers 5416: 5409: 5402: 5395: 5388: 5381: 5374: 5367: 5360: 5353: 5346: 5326:Lol Tolhurst 5291: 5286:Jason Cooper 5284: 5277: 5270: 5265:Simon Gallup 5263: 5258:Robert Smith 5256: 5172: 5096:Little Diane 5082:The Wanderer 5048: 5041: 5034: 5027: 5020: 5013: 5006: 4999: 4986:Dion DiMucci 4913: 4848:Leon Hendrix 4843:Alan Douglas 4818:Eddie Kramer 4803:Noel Redding 4762: 4755: 4748: 4741: 4734: 4727: 4720: 4715:Jimi Hendrix 4713: 4706: 4700:and tributes 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4593: 4575: 4568: 4561: 4554: 4547: 4540: 4533: 4526: 4519: 4512: 4505: 4498: 4491: 4486:Kiss the Sky 4484: 4477: 4470: 4463: 4456: 4449: 4427: 4422:Live in 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Retrieved 3079: 3050: 3024: 2997: 2974: 2950: 2925: 2901: 2870: 2844:Warner Books 2839: 2812: 2809:Marsh, David 2790: 2787:Marsh, David 2764: 2746:Bantam Books 2741: 2715: 2703:. Retrieved 2699: 2669: 2647: 2625:. Retrieved 2612: 2600:. Retrieved 2593: 2581: 2570: 2561: 2554: 2542:. Retrieved 2536: 2530: 2519: 2507:. Retrieved 2501: 2491: 2479:. Retrieved 2473: 2463: 2451:. Retrieved 2444: 2435: 2423:. Retrieved 2417: 2408: 2396:. Retrieved 2392:the original 2385: 2376: 2364: 2352:. Retrieved 2345: 2336: 2324:. Retrieved 2320:the original 2313: 2304: 2289:. Retrieved 2285:the original 2278: 2269: 2257: 2245: 2233: 2206: 2194: 2184:November 18, 2182:. Retrieved 2176: 2167: 2155: 2143: 2131: 2085:. Retrieved 2080: 2071: 2061:November 15, 2059:. Retrieved 2054: 2045: 2035:November 15, 2033:. Retrieved 2028: 2019: 2007:. Retrieved 2002: 1993: 1981: 1976:, p. 4. 1969: 1964:, p. 4. 1957: 1945: 1933: 1921: 1909: 1887:, p. 2. 1842: 1830: 1803:. Retrieved 1797: 1760: 1748:. 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Index

Purple Haze (promo)
Purple Haze (disambiguation)

Single
the Jimi Hendrix Experience
B-side
The Wind Cries Mary
Studio
De Lane Lea
Olympic
Genre
Psychedelic rock
hard rock
Label
Track
Reprise
Songwriter(s)
Jimi Hendrix
Producer(s)
Chas Chandler
Hey Joe
The Wind Cries Mary
Hey Joe
Foxey Lady
Jimi Hendrix
the Jimi Hendrix Experience
Hendrix chord
psychedelic experience
Are You Experienced
Grammy Hall of Fame

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