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up the painting, as seen in the pages of the book, lace on the sleeves and collar, and support the construction lines of the painting (enhanced by light touches of yellow), one of which runs diagonally along the book and the table, and the other vertically at the face. All the light in the painting comes from the left side, which is emphasized by the use of white and suggested by the touches of yellow.
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Kauffmann demonstrates great mastery through this painting. It is composed in the two complementary colors, green and red. The gradient of green tones ranging from verdigris to olive on the background and on the clothing, complements the red fabric under the bas-relief. Touches of white seem to light
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Angelica
Kauffmann, who was only twenty-two years old when she painted this portrait, truly began her career with this painting, thanks to which she was able to obrain new commissions in the cultivated circles of her time. The same year Winckelmann published his famous work
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She made this painting on commission from a Swiss friend of
Winckelmann. The latter was very satisfied with it, especially since it was subsequently widely disseminated by the mean of engraving.
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The painting depicts
Winckelmann seated at his work table, with a pen in his right hand. Both his hands rest on an open book, who is placed on a flat antique bas-relief representing the
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This portrait, in his simplicity and mastery, can be compared with other portrait of
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97 cm × 71 cm (38 in × 28 in)
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122:. The bas-relief itself is placed on a red fabric.
372:Virgil Reading the Aeneid to Augustus and Octavia
90:is an oil on canvas painting by the Swiss artist
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324:Jupiter Disguised as Diana Seducing Callisto
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182:, Hatje Cantz, Ostfildern, 2007 (German)
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380:Venus Persuading Helen to Love Paris
348:Telemachus and the Nymphs of Calypso
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300:Hector Summoning Paris to Battle
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144:History of the Art of Antiquity
473:Portraits by Angelica Kauffman
388:Christ and the Samaritan Woman
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16:Painting by Angelica Kauffman
292:Ariadne Abandoned by Theseus
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22:Portrait of Winckelmann
463:18th-century portraits
407:Cupid and the Graces
165:Bettina Baumgärtel,
332:Cupid and Ganymede
220:Angelica Kauffmann
218:Tobias G. Natter,
203:Angelika Kauffmann
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180:Angelica Kauffmann
178:Tobias G. Natter,
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264:Angelica Kauffman
228:978-3-7757-1984-1
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133:, in 1768.
114:Description
457:Categories
153:References
62:Dimensions
271:Paintings
137:Reception
443:(father)
70:Location
434:Related
418:Museums
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102:to
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