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261:). The crowd watching is horrified, and the Charlatan is called to the scene as well as a police officer. The Charlatan reminds everyone that Petrushka is nothing but a puppet made of straw and cloth, and that he has no real emotion nor 'life'. As the crowd disperses, the Charlatan is left alone on the stage. At that moment, Petrushka's ghost rises above the puppet theatre as night falls. He shakes his fist and thumbs his nose at the Charlatan, making him flee, terrified. Petrushka then collapses in a second death.
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396:, where he was living at the time. Expecting to discuss the new ballet, Diaghilev was astonished to find Stravinsky hard at work on a totally different project. Stravinsky, it seems, had had another vision: "I saw a man in evening dress, with long hair, the musician or poet of the romantic tradition. He placed several heteroclite objects on the keyboard and rolled them up and down. At this the orchestra exploded with the most vehement protestations – hammer blows, in fact …"
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324:. Rod puppets were an Asian import. They performed religious plays, mostly at Christmas. Petrushka, however, was a hand puppet. He was loved by the common people. He performed in street theatres and other open air venues in small portable booths or behind screens that could be easily assembled and just as easily disassembled. After the
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1035:) sneaks into Petrushka's room, at first unnoticed. As soon as Petrushka sees her, he begins a manic, athletic display of leaps and frantic gestures (although he was barely able to stand before she arrived). Frightened by his exuberance, the Ballerina flees. Petrushka falls to the floor to the mocking of the clarinets.
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As before, drumrolls link the third tableau to its predecessor (in the 1911 score, Stravinsky directs that this drumroll should be omitted in concert performance). In sharp contrast to the darkness of
Petrushka's Cell, the brilliant colors of the Benois design for the Moor's Room evoke a romanticized
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Suddenly, two drummers summon the crowd to the puppet theater with deafening drumrolls. The
Magician (sometimes called the "Charlatan") appears to mystical groans from the bassoon and contrabassoon. When he has everyone's attention, he produces a flute and begins to play a long, improvisatory melody.
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As night falls and the crowd disperses, the
Charlatan leaves, carrying Petrushka's limp body. All of a sudden, Petrushka's ghost appears on the roof of the little theatre, his cry now in the form of angry defiance. Petrushka's spirit thumbs its nose at his tormentor from beyond the wood and straw of
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Petrushka finally breaks free from his cell; he interrupts the seduction of the
Ballerina. Petrushka attacks the Moor but soon realizes he is too small and weak. The Moor beats Petrushka. The ballerina faints. The clown-puppet flees for his life, with the Moor chasing him, and escapes from the room.
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For just a moment, Petrushka peers out of his room at the crowd assembled in
Admiralty Square (Stravinsky provides a brief reference to the "crowd music" of the first tableau). Then, Petrushka collapses as we hear a taunting reprise of the clarinets playing the "Petrushka Chord", followed by an odd
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The fourth and final scene returns to the carnival. Some time has passed; it is now early evening. The orchestra introduces a chain of colourful dances as a series of apparently unrelated characters come and go about the stage as snow begins to fall. The first and most prominent is the Wet-Nurses'
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At the other end of the stage, a second
Dancing Girl appears, accompanied by a music box (suggested in the orchestra by the celesta). The two Dancing Girls compete for the crowd's attention to the strains of a ribald French music-hall song about a woman with a wooden leg: "Une Jambe de bois". Both
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The squeaks of a street-organ are heard (clarinets and flutes) as an Organ-Grinder and
Dancing Girl emerge from the crowd, which at first pays little attention as the barker continues to shout. The Dancer moves downstage and begins to dance to another Russian folk-song, "Toward Evening, in Rainy
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in
Germany, and Petrushka in Russia. Whatever his name, he is a trickster, a rebel, and a wife beater. He enforces moral justice with a wooden club, speaks in a high-pitched, squeaky voice, and argues with the devil. His plays are formulaic and subversive. They repeat key scenes from one play to
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As the merrymaking reaches its peak, a cry is heard from the puppet-theater. Petrushka suddenly runs across the scene, followed by the Moor in hot pursuit brandishing his sword, and the terrified
Ballerina chasing after the Moor, fearful of what he might do. The crowd is horrified when the Moor
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brings music, dance, and design together in a unified whole. It is one of the most popular of the
Ballets Russes productions. It is usually performed today using the original designs and choreography. Grace Robert wrote in 1946, "Although more than thirty years have elapsed since
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In Fokine's choreography, they first begin to move their feet (while still hanging on the wall), then burst forth from the puppet theater into the midst of the crowd. The Moor (resplendent in turban and exaggerated pantaloons) is swashbuckling. The Ballerina dances perpetually
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Now completely alone, the Charlatan is terrified to see the leering ghost of Petrushka. He runs away while allowing himself a single frightened glance over his shoulder. The scene is hushed, leaving the audience to wonder who is "real" and who is not.
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is frequently cited as an example of the complete integration of libretto, music, choreography, and scenic design, Stravinsky had composed significant portions of the music (chiefly the second tableau) before Benois became involved with the project.
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during the spring of 1910, Stravinsky had a "vision" of a solemn pagan rite: sage elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of
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Suddenly, the festive music is interrupted by strident brass announcing the appearance of the Master of Ceremonies on the balcony of his booth. The equivalent of a carnival "barker", he boasts of the attractions to be seen within.
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Although Petrushka's room is inside the puppet theater, the Benois design is fantastical, portraying the night sky with stars and a half-moon; abstract icebergs (or snow-capped mountains), and a prominent portrait of the Magician.
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was first performed, its position as one of the greatest ballets remains unassailed. Its perfect fusion of music, choreography, and décor and its theme—the timeless tragedy of the human spirit—unite to make its appeal universal".
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In Fokine's original choreography, a group of Drunken Revelers emerges from the crowd, dancing to Stravinsky's adaptation of the folk-tune "Song of the Volochobniki" ("Dalalin' Dalalin'" from Rimsky-Korsakov Op. 24 No. 47).
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The curtain of the puppet theater rises to reveal three puppets hanging on the wall: the Moor, the Ballerina, and Petrushka. When the Magician touches them with his flute (to chirps in the orchestra), they seem to awaken.
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The astonished crowd watches as, with a wave of the Magician's hand, the three puppets begin a vigorous Russian Dance (based on two more Russian folk-tunes: "A Linden Tree Is in the Field" and "Song for St. John's Eve").
978:. Petrushka, on the other hand, is wooden and awkward. It becomes apparent Petrushka loves the Ballerina; but she has eyes only for the Moor. The Magician calls the dance to a halt; the curtain falls rapidly.
857:'s Admiralty Square during the 1830s. The stage set (also by Benois) depicts several hucksters' booths, a ferris-wheel, a carousel, and (upstage center) a puppet theater. A crowd has gathered for the
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Later, Stravinsky wrote: "n composing the music, I had in my mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of
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Another passage of arpeggios for piano grows into a second round of curses directed at the Magician, again represented musically by the "Petrushka Chord", this time scored for full orchestra.
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The Drunken Revelers return (again to the "Song of the Volochobniki") interrupted several times by the Barker's boasts. The street-hawkers' cries of the very opening are heard once more.
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The police question the Charlatan. The Charlatan seeks to restore calm by holding the "corpse" above his head and shaking it to remind everyone that Petrushka is but a puppet.
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The Charlatan places the Ballerina in the Moor's room. The Ballerina is attracted to the Moor's handsome appearance. She plays a saucy tune on a toy trumpet (represented by a
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major). Petrushka gets to his feet (although shakily) to the accompaniment of waves of arpeggios from the piano (revealing the music's origins in Stravinsky's
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Drumrolls announce the beginning of the second tableau. Without an Introduction, the music begins menacingly. "A foot kicks him onstage; Petrushka falls..."
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1073:. He then jumps to his feet and attempts to cut it with his scimitar. When he fails he believes that the coconut must be a god and proceeds to pray to it.
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As the Curtain rises, the door to Petrushka's room opens suddenly; a foot kicks him onstage; Petrushka falls and the door closes again behind him
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The music turns lyrical as Petrushka falls to his knees and mimes (in turn) his self-pity, love for the Ballerina, and hatred of the Magician.
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409:, Diaghilev immediately realized its theatrical potential. The notion of a puppet put Diaghilev in mind of Petrushka, the Russian version of
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begins with a festive orchestral introduction based, in part, on historical Russian street-hawkers' cries. The curtain rises to reveal
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The terrified Magician lets the Puppet-Petrushka drop from his hands, and exits quickly, casting frightened glances over his shoulder.
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tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830
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The dances break off. Petrushka dashes from the Little Theater, pursued by the Moor, whom the Ballerina tries to restrain.
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provided the ethnographic details of the Shrovetide Fair and the traditions of the Russian puppet theater. And although
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theme. Diaghilev accepted in principle and suggested that the premiere might take place during the Paris season of the
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The curtain of the Little Theater opens and the Crowd sees three puppets: Petrushka (Guignol), a Moor, and a Ballerina
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A Reveling Merchant and two Gypsy Women Enter. He irresponsibly amuses himself by throwing bank notes to the Crowd.
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Two Drummers, stepping up in front of the Little Theater, attract the attention of the Crowd by their drumrolls
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for concert performance, an almost complete version of the ballet but cutting the last three sections.
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Petrushka, the Moor, and the Ballerina suddenly begin to dance, to the great astonishment of the Crowd
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Dance, performed to the tune of the folk song "Down the Petersky Road". Then comes a peasant with his
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In 1946, he thinned the ballet's scoring, in part because the original was not covered everywhere by
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Above the Little Theater appears the Ghost of Petrushka, menacing, thumbing his nose at the Magician.
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Complete Book of Ballets: A Guide to the Principal Ballets of the Nineteenth and Twentieth Centuries
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During rehearsals for the 1911 premiere, Stravinsky and other pianists including Russian composer
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Taruskin, Richard. 1998. "'Entoiling the Falconet': Russian Musical Orientalism in Context". In
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either as a standalone performance or during their longer performances of the song King Kong.
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The Crowd continues to dance without taking notice of the cries coming from the Little Theater.
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The Magician remains alone on stage. He drags Petrushka's corpse toward the Little Theater.
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brought marionettes to Russia in the 18th century. These puppets were an amusement for the
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another. The plays usually end with a dog, a policeman, or the devil dragging him away.
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At the other end of the stage a Music Box plays, another Dancer dancing around it.
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2301:. New York: Nonesuch Records & Arbiter of Cultural Traditions. Archived from
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The Organ and Music Box stop playing; the Master of Ceremonies resumes his pitch
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In 1921, Stravinsky created a virtuosic and celebrated piano arrangement for
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catches up with Petrushka and slays him with a single stroke of his blade.
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Stravinsky composed the music during the winter of 1910–11 for Diaghilev's
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Stravinsky's 1946 version, published in 1947, is for a smaller orchestra.
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The Magician brings them to life by touching them lightly with his flute.
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in the original 1911 orchestration) and then dances with the Moor in a
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2444:. Evanston, Illinois: Northwestern University Press. pp. 67–113.
2202:. Popular Culture in the Contemporary World. Santa Barbara: ABC-CLIO.
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are played on banjo in the track "Russian Folk Themes and Yodel" on
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At the end of September 1910, Diaghilev went to visit Stravinsky in
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approached Stravinsky about a new ballet; the composer proposed the
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The Master of Ceremonies entertains the Crowd from his booth above
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As Petrushka gradually pulls himself together, we hear a strange
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In 1956, an animated version of the ballet appeared as part of
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The Fight between the Moor and Petrushka. The Ballerina faints.
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296:. He is a character known across Europe under different names:
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To Boulez and Beyond: Music in Europe Since The Rite of Spring
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version of the score. This has never been published, although
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puppetry that had formed a traditional part of the pre-Lenten
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At the front of the Little Theater appears the Old Magician.
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The Peasant plays the pipe. The Bear walks on his hind feet.
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Daubney, Kate; Rosar, William (2001). "Stothart, Herbert".
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The furious Moor seizes him and strikes him with his saber.
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30:"Petrouchka" redirects here. For the Soso Maness song, see
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1670:, studio recording from 1950 (London LLP 130) and 1957,
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The Gypsy Women dance. The Merchant plays the accordion.
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as the lead ballerina, Alexander Orlov as the Moor, and
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at Lincoln Center in 2001; it was performed as well at
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The Devil (Mummer) induces the Crowd to frolic with him
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device heralding the appearance of the main character.
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Stravinsky: Music for Four Hands. Jacobs & Oppens
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The Wet-Nurses dance with the Coachmen and the Grooms
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An Organ-Grinder appears in the Crowd with a Dancer
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1510:In 1988, Maddalena Fagandini directed a version of
1461:conclusion. Stravinsky also removed some difficult
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1015:" (consisting of juxtaposed triads of C major and F
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359:was not a straightforward matter. While completing
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1335:The rest of the Crowd joins in the Mummers' Dance
1274:The Moor throws Petrushka Out. Darkness. Curtain.
1065:In Fokine's choreography, the Moor reclines on a
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1292:A Peasant enters with a Bear. Everyone scatters.
285:Petrushka performance in a Russian village, 1908
2358:The New Grove Dictionary of Music and Musicians
2200:Pop Culture Russia!: Media, Arts, and Lifestyle
1577:in the original key was made by Don Patterson.
1161:The Dancer dances, beating time on the triangle
1265:The Moor and the Ballerina prick up their ears
373:Immediately following the stunning success of
201:. It was written for the 1911 Paris season of
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2385:"Bartók and Stravinsky: Odd Couple Reunited?"
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1573:A full transcription of the 1911 version for
1042:trumpet call signalling "blackout, curtain."
448:. The work is characterized by the so-called
2477:Senderovich, Savely (Winter 1999). "Review:
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1445:, and the 1946 version provides an optional
1359:A Policeman is sent to look for the Magician
2432:Taruskin, Richard (1998). "4. Stravinsky's
1365:He picks up Petrushka's corpse, shaking it.
1149:A group of Drunken Revelers passes, dancing
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2355:Walsh, Stephen. 2001. "Stravinsky, Igor".
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1062:desert: palm trees, exotic flowers, sand.
830:While the original idea was Stravinsky's,
209:company; the original choreography was by
2472:International Music Score Library Project
1167:The first Dancer plays the triangle again
2223:Beaumont, Cyril W. (1937). "Petrushka".
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1329:Buffoonery of the Mummers (Goat and Pig)
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2889:Concerto for Piano and Wind Instruments
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1259:Dance of the Ballerina (cornet in hand)
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1931:in studio sessions March 23-26, 1998,
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3239:Double Canon (in Memoriam Raoul Dufy)
2868:Variations: Aldous Huxley in memoriam
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2348:Stravinsky in Pictures and Documents.
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1898:, studio recording from 1995, London
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1605:, Petrushka is a major plot element.
1088:'s Op. 165 No. 1 and Op. 200 No. 1).
904:Autumn", while playing the triangle.
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417:festivities in 1830s St. Petersburg.
3648:Ballets designed by Alexandre Benois
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1499:'s 1960's iteration of his band the
1310:Dance of the Coachmen and the Grooms
1281:The Shrovetide Fair (Toward Evening)
1098:The Shrovetide Fair (Toward Evening)
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3043:A Sermon, a Narrative, and a Prayer
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424:. It was premièred in Paris at the
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1307:The Merchant and the Gypsies leave
1262:Waltz (the Ballerina and the Moor)
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213:and stage designs and costumes by
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3469:Coco Chanel & Igor Stravinsky
2894:Capriccio for Piano and Orchestra
2862:Movements for Piano and Orchestra
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1871:(1947 version mislabeled as 1911)
1707:September 1959, 35mm film master
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1332:The Mummers and the Maskers dance
458:major triads played together), a
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2484:Slavic and East European Journal
1558:debuted his puppetry version of
1468:Separately Stravinsky created a
1350:Petrushka falls, his head broken
1158:The Organ-Grinder begins to play
718:(3rd doubling bass clarinet in B
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3193:Three Pieces for String Quartet
2873:Canon on a Russian Popular Tune
2479:Petrushka: Sources and Contexts
2442:Petrushka: Sources and Contexts
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1298:The Peasant and the Bear leave.
703:3 flutes (3rd doubling piccolo)
444:. The title role was danced by
3256:Symphonies of Wind Instruments
3198:Three Pieces for Solo Clarinet
3140:Three Movements from Petrushka
2517:Trois mouvements de Petrouchka
2066:
2057:
2021:
1947:, studio recording from 1999,
1911:, studio recording from 1997,
1882:, studio recording from 1987,
1866:, studio recording from 1980,
1850:, studio recording from 1977,
1833:, studio recording from 1973,
1817:, live performance from 1973,
1801:, studio recording from 1971,
1785:, studio recording from 1970,
1769:, studio recording from 1969,
1753:, studio recording from 1962,
1751:Minneapolis Symphony Orchestra
1737:, studio recording from 1962,
1721:, studio recording from 1961,
1687:, studio recording from 1959,
1668:Orchestre de la Suisse Romande
1652:, live performance from 1953,
1635:, live performance from 1940,
1415:Trois mouvements de Petrouchka
1353:A crowd forms around Petrushka
1131:The work is divided into four
867:), the carnival (analogous to
331:
27:1911 ballet by Igor Stravinsky
13:
1:
3658:Compositions using folk songs
3628:Works set in Saint Petersburg
2350:New York: Simon and Schuster.
2337:New York: Simon and Schuster.
1981:Bergen Philharmonic Orchestra
1961:Cincinnati Symphony Orchestra
1896:Royal Concertgebouw Orchestra
1831:London Philharmonic Orchestra
1424:, who composed the score for
826:The Shrovetide Fair by Benois
2361:, second edition, edited by
2287:. New York: Alfred A. Knopf.
2074:V. Stravinsky and Craft 1978
1987:, Bergen, Norway from 2008,
1187:The Magician plays the flute
1126:
959:
942:
914:
885:
475:This is scored as follows:
452:(consisting of C major and F
7:
2827:The Song of the Nightingale
2782:Symphony in Three Movements
2526:education website from the
2520:, Alberto Cobo 2002 (piano)
2406:The Exotic in Western Music
2324:, orchestral score. Paris:
2238:. Oxford University Press.
1880:Montreal Symphony Orchestra
1719:Columbia Symphony Orchestra
1552:which was released in VHS.
1256:Appearance of the Ballerina
1207:Darkness, the Curtain falls
389:during the spring of 1912.
10:
3674:
3643:Ballets Russes productions
3633:Ballets by Igor Stravinsky
2326:Éditions russes de musique
2285:The Borzoi Book of Ballets
29:
3544:
3435:
3396:
3376:
3355:
3332:
3315:
3308:
3272:
3263:Fanfare for a New Theatre
3247:
3183:
3174:Two Sketches for a Sonata
3059:
2989:
2980:The Owl and the Pussy Cat
2934:
2881:
2790:
2752:
2652:
2583:
2570:
2002:London Symphony Orchestra
1945:Boston Symphony Orchestra
1864:London Symphony Orchestra
1783:Boston Symphony Orchestra
1711:(1911 "original" version)
1705:Walthamstow Assembly Hall
1701:London Symphony Orchestra
1685:Boston Symphony Orchestra
1548:) in the BBC puppet film
1503:, would frequently quote
1049:The Moor's Room by Benois
528:4 bassoons (4th doubling
194:
174:
164:
150:
142:
126:
116:
98:
90:
78:
68:
58:
46:
41:
3638:Ballets by Michel Fokine
3623:Fiction set in the 1830s
2333:Stravinsky, Igor. 1936.
2183:Daubney & Rosar 2001
2015:
3526:Charles Ferdinand Ramuz
3496:Monday Evening Concerts
3299:Monumentum pro Gesualdo
3156:Concerto for Two Pianos
2283:Robert, Grace. (1946).
2198:Beumers, Birgit. 2005.
2027:Balanchine 1952, p. 305
1848:Concertgebouw Orchestra
1815:Concertgebouw Orchestra
1650:RIAS Symphony Orchestra
1575:symphonic wind ensemble
1568:Fall for Dance Festival
1356:He dies, still moaning.
1268:Appearance of Petrushka
1173:The Merry Group returns
1084:(the themes taken from
964:download the audio file
947:download the audio file
919:download the audio file
890:download the audio file
436:, with choreography by
117:Original ballet company
2342:Stravinsky, Vera, and
1909:Philharmonia Orchestra
1633:NBC Symphony Orchestra
1619:Philadelphia Orchestra
1592:, released in 1955 on
1465:in the first tableau.
1050:
989:
827:
628:(tambourin) (offstage)
502:4 oboes (4th doubling
495:(3rd and 4th doubling
352:
286:
190:
3608:1911 ballet premieres
3168:Sonata for Two Pianos
2528:Klavier-Festival Ruhr
2118:Taruskin 1998, p. 696
1965:Cincinnati Music Hall
1929:Wiener Philharmoniker
1799:New York Philharmonic
1767:New York Philharmonic
1289:The Wet-Nurses' Dance
1048:
1031:The Ballerina (still
984:
825:
471:1911 original version
339:
284:
221:on 13 June 1911 with
94:Russian folk material
53:Nijinsky as Petrushka
3501:New York City Ballet
3397:Named for Stravinsky
3281:Bluebird Pas de Deux
2899:Violin Concerto in D
2573:List of compositions
2481:by Andrew Wachtel".
2369:. London: Macmillan.
2318:Stravinsky, Igor. .
1658:(1947 concert suite)
1640:(1911 concert suite)
1564:New York City Center
1501:Mothers of Invention
1482:Sol Hurok Music Hour
1368:The Crowd disperses.
1362:The Magician arrives
1232:The Ballerina leaves
1229:The Ballerina enters
985:Petrushka's Room by
908:tunes are repeated.
685:1946 revised version
557:and A (1st doubling
428:on 13 June 1911 the
394:Clarens, Switzerland
3422:Stravinsky Fountain
3417:Stravinsky (crater)
3413:(river cruise ship)
3368:Théodore Strawinsky
3291:The Sleeping Beauty
2799:Scherzo fantastique
2722:Danses concertantes
2636:The Rake's Progress
2383:. 25 October 1998.
2268:. Billboard Books.
2235:Oxford Music Online
2054:, pp. 160–161.
1868:Deutsche Grammophon
1654:Deutsche Grammophon
1517:The Sleeping Beauty
1235:Petrushka's despair
1141:The Shrovetide Fair
845:The Shrovetide Fair
622:(tambour de basque)
426:Théâtre du Châtelet
219:Théâtre du Châtelet
107:Théâtre du Châtelet
18:Petrouchka (ballet)
3363:Soulima Stravinsky
3340:Yekaterina Nosenko
2848:Scherzo à la russe
2771:Symphony of Psalms
2675:The Rite of Spring
2608:The Soldier's Tale
2390:The New York Times
1913:Abbey Road Studios
1735:Czech Philharmonic
1609:Notable recordings
1602:Goodbye, Petrushka
1463:metric modulations
1391:Nikolai Tcherepnin
1238:Darkness. Curtain.
1226:Petrushka's curses
1051:
990:
828:
818:Libretto and story
369:The Rite of Spring
353:
326:Russian Revolution
287:
3618:1947 compositions
3613:1911 compositions
3573:
3572:
3453:George Balanchine
3443:Earnest Andersson
3392:
3391:
3323:Fyodor Stravinsky
3119:Étude for Pianola
3105:Three Easy Pieces
3081:Piano Sonata in F
3050:Requiem Canticles
2966:Abraham and Isaac
2959:Berceuses du chat
2451:978-0-8101-1566-8
2426:978-1-555-53319-9
2418:978-1-555-53320-5
2381:Taruskin, Richard
2275:978-0-8230-7875-2
2253:978-1-56159-263-0
2227:. London: Putnam.
2216:978-1-85109-464-6
2208:978-1-85109-459-2
1811:Kirill Kondrashin
1763:Leonard Bernstein
1615:Leopold Stokowski
1599:In the 2022 film
1590:Goofing-Off Suite
1487:John David Wilson
1410:Arthur Rubinstein
968:
951:
923:
894:
814:
813:
681:
680:
430:Orchestre Colonne
355:The gestation of
182:
181:
32:Petrouchka (song)
16:(Redirected from
3665:
3590:
3589:
3588:
3581:
3563:
3552:
3551:
3481:Sergei Diaghilev
3427:Stravinsky Inlet
3313:
3312:
3112:Five Easy Pieces
3098:Valse des fleurs
3086:
3085:
2973:Elegy for J.F.K.
2912:"Dumbarton Oaks"
2909:
2908:
2855:Greeting Prelude
2791:Orchestral music
2765:
2764:
2729:Scènes de ballet
2708:The Fairy's Kiss
2557:
2550:
2543:
2534:
2533:
2508:
2470:: Scores at the
2455:
2410:Jonathan Bellman
2370:
2351:
2338:
2329:
2314:
2312:
2310:
2305:on March 2, 2012
2288:
2279:
2257:
2228:
2219:
2186:
2180:
2174:
2168:
2162:
2156:
2150:
2144:
2138:
2132:
2119:
2116:
2101:
2095:
2089:
2083:
2077:
2070:
2064:
2061:
2055:
2049:
2040:
2034:
2028:
2025:
1998:Sir Simon Rattle
1892:Riccardo Chailly
1629:Arturo Toscanini
1594:Folkways Records
1450:
1427:The Wizard of Oz
1422:Herbert Stothart
1279:Fourth tableau:
1245:The Moor's Room'
1217:Petrushka's Room
1215:Second tableau:
1096:Fourth tableau:
1020:
1019:
995:Petrushka's Room
993:Second tableau:
987:Alexandre Benois
832:Alexandre Benois
748:
747:
723:
722:
717:
716:
712:3 clarinets in B
693:
573:
572:
556:
555:
524:
523:
514:
513:
509:4 clarinets in B
479:
457:
456:
442:Alexandre Benois
432:under conductor
255:Saint Petersburg
235:Enrico Cecchetti
231:Tamara Karsavina
215:Alexandre Benois
203:Sergei Diaghilev
196:
178:Ballet burlesque
160:Shrovetide, 1830
157:Saint Petersburg
154:Admiralty Square
146:Alexandre Benois
112:
111:
85:Alexandre Benois
51:
39:
38:
21:
3673:
3672:
3668:
3667:
3666:
3664:
3663:
3662:
3598:
3597:
3596:
3592:Classical music
3586:
3584:
3576:
3574:
3569:
3540:
3531:Werner Reinhart
3516:Petrushka chord
3463:Nadia Boulanger
3448:Ernest Ansermet
3431:
3410:Igor Stravinsky
3404:4382 Stravinsky
3388:
3372:
3351:
3328:
3304:
3268:
3243:
3185:
3179:
3133:Les cinq doigts
3126:Piano-Rag-Music
3083:
3082:
3061:
3055:
3029:Canticum Sacrum
2985:
2936:
2930:
2906:
2905:
2877:
2786:
2762:
2761:
2748:
2648:
2594:The Nightingale
2585:
2579:
2575:
2566:
2564:Igor Stravinsky
2561:
2476:
2462:
2452:
2438:Wachtel, Andrew
2431:
2377:
2375:Further reading
2308:
2306:
2276:
2254:
2194:
2189:
2181:
2177:
2169:
2165:
2157:
2153:
2145:
2141:
2135:Stravinsky 1912
2133:
2122:
2117:
2104:
2096:
2092:
2086:Stravinsky 1936
2084:
2080:
2071:
2067:
2062:
2058:
2050:
2043:
2035:
2031:
2026:
2022:
2018:
2006:Barbican Centre
2004:, recording in
2000:conducting the
1983:, recording in
1979:conducting the
1963:, recording in
1959:conducting the
1943:conducting the
1927:conducting the
1907:conducting the
1894:conducting the
1878:conducting the
1862:conducting the
1846:conducting the
1829:conducting the
1827:Bernard Haitink
1813:conducting the
1797:conducting the
1781:conducting the
1765:conducting the
1749:conducting the
1733:conducting the
1717:conducting the
1715:Igor Stravinsky
1699:conducting the
1697:Eugene Goossens
1683:conducting the
1666:conducting the
1664:Ernest Ansermet
1648:conducting the
1631:conducting the
1617:conducting the
1611:
1491:Fine Arts Films
1446:
1395:piano four-hand
1387:
1341:
1322:
1318:
1311:
1253:The Moor dances
1243:Third tableau:
1210:
1200:
1196:
1183:
1182:The Magic Trick
1139:First tableau:
1129:
1101:
1069:playing with a
1059:
1056:The Moor's Room
1054:Third tableau:
1017:
1016:
1013:Petrushka chord
998:
971:
970:
969:
967:
954:
953:
952:
950:
926:
925:
924:
922:
897:
896:
895:
893:
861:Fair (known as
848:
843:First tableau:
820:
815:
759:
745:
744:
743:3 trumpets in B
730:1 contrabassoon
720:
719:
714:
713:
687:
682:
659:(2- and 4-hand)
584:
570:
569:
559:piccolo trumpet
553:
552:
551:2 trumpets in B
521:
520:
511:
510:
473:
468:
466:Instrumentation
454:
453:
450:Petrushka chord
446:Vaslav Nijinsky
347:in costume for
345:Vaslav Nijinsky
341:Igor Stravinsky
334:
279:
277:Russian puppets
237:the charlatan.
223:Vaslav Nijinsky
199:Igor Stravinsky
169:Vaslav Nijinsky
159:
155:
137:
135:
133:
109:
105:
104:
102:
83:
82:Igor Stravinsky
73:Igor Stravinsky
54:
35:
28:
23:
22:
15:
12:
11:
5:
3671:
3661:
3660:
3655:
3650:
3645:
3640:
3635:
3630:
3625:
3620:
3615:
3610:
3595:
3594:
3571:
3570:
3568:
3567:
3557:
3545:
3542:
3541:
3539:
3538:
3533:
3528:
3523:
3518:
3513:
3508:
3506:Pierre Monteux
3503:
3498:
3493:
3488:
3486:Samuel Dushkin
3483:
3478:
3473:
3465:
3460:
3458:Ballets Russes
3455:
3450:
3445:
3439:
3437:
3433:
3432:
3430:
3429:
3424:
3419:
3414:
3406:
3400:
3398:
3394:
3393:
3390:
3389:
3387:
3386:
3380:
3378:
3374:
3373:
3371:
3370:
3365:
3359:
3357:
3353:
3352:
3350:
3349:
3346:Vera Sudeikina
3343:
3336:
3334:
3330:
3329:
3327:
3326:
3319:
3317:
3310:
3306:
3305:
3303:
3302:
3295:
3276:
3274:
3270:
3269:
3267:
3266:
3259:
3251:
3249:
3245:
3244:
3242:
3241:
3236:
3229:
3224:
3217:
3215:Duo Concertant
3212:
3207:
3204:Lied ohne Name
3200:
3195:
3189:
3187:
3181:
3180:
3178:
3177:
3170:
3165:
3158:
3153:
3148:
3143:
3136:
3129:
3122:
3115:
3108:
3101:
3094:
3089:
3078:
3073:
3065:
3063:
3057:
3056:
3054:
3053:
3046:
3039:
3032:
3025:
3020:
3015:
3008:
3001:
2993:
2991:
2987:
2986:
2984:
2983:
2976:
2969:
2962:
2955:
2948:
2940:
2938:
2932:
2931:
2929:
2928:
2923:
2920:Ebony Concerto
2916:
2901:
2896:
2891:
2885:
2883:
2879:
2878:
2876:
2875:
2870:
2865:
2858:
2851:
2844:
2837:
2830:
2823:
2816:
2809:
2802:
2794:
2792:
2788:
2787:
2785:
2784:
2779:
2774:
2767:
2756:
2754:
2750:
2749:
2747:
2746:
2739:
2732:
2725:
2718:
2711:
2704:
2697:
2690:
2683:
2671:
2664:
2656:
2654:
2650:
2649:
2647:
2646:
2639:
2632:
2625:
2618:
2611:
2604:
2597:
2589:
2587:
2586:musical dramas
2581:
2580:
2571:
2568:
2567:
2560:
2559:
2552:
2545:
2537:
2531:
2530:
2521:
2509:
2497:10.2307/309449
2491:(4): 746–748.
2474:
2461:
2460:External links
2458:
2457:
2456:
2450:
2429:
2402:
2376:
2373:
2372:
2371:
2352:
2339:
2335:Autobiography.
2330:
2315:
2289:
2280:
2274:
2258:
2252:
2229:
2220:
2193:
2190:
2188:
2187:
2175:
2163:
2151:
2139:
2120:
2102:
2090:
2078:
2065:
2063:Stravinsky 47.
2056:
2041:
2039:, p. 231.
2029:
2019:
2017:
2014:
2013:
2012:
2010:(1947 version)
1995:
1993:(1911 version)
1974:
1972:(1947 version)
1954:
1952:(1947 version)
1938:
1936:(1911 version)
1922:
1920:(1947 version)
1902:
1900:(1947 version)
1889:
1887:(1911 version)
1876:Charles Dutoit
1873:
1860:Claudio Abbado
1857:
1855:(1947 version)
1840:
1838:(1911 version)
1824:
1822:(1947 version)
1808:
1806:(1911 version)
1792:
1790:(1947 version)
1776:
1774:(1947 version)
1771:Sony Classical
1760:
1758:(1947 version)
1744:
1742:(1947 version)
1728:
1726:(1947 version)
1712:
1694:
1692:(1911 version)
1681:Pierre Monteux
1678:
1676:(1911 version)
1661:
1646:Ferenc Fricsay
1643:
1626:
1623:(1911 version)
1610:
1607:
1532:the Mouse King
1527:The Nutcracker
1386:
1385:Other versions
1383:
1382:
1381:
1378:
1375:
1372:
1369:
1366:
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1360:
1357:
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991:
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855:St. Petersburg
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616:(one offstage)
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549:
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526:
515:(4th doubling
507:
500:
489:
487:
477:
472:
469:
467:
464:
434:Pierre Monteux
422:Ballets Russes
411:Punch and Judy
387:Ballets Russes
377:in June 1910,
333:
330:
278:
275:
207:Ballets Russes
180:
179:
176:
172:
171:
166:
162:
161:
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121:Ballets Russes
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3522:
3519:
3517:
3514:
3512:
3511:Neoclassicism
3509:
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3491:Arthur Lourié
3489:
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3151:Serenade in A
3149:
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3141:
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2942:
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2939:
2933:
2927:
2926:Concerto in D
2924:
2922:
2921:
2917:
2915:
2913:
2904:Concerto in E
2902:
2900:
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2796:
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2789:
2783:
2780:
2778:
2777:Symphony in C
2775:
2773:
2772:
2768:
2766:
2760:Symphony in E
2758:
2757:
2755:
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2745:
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2740:
2738:
2737:
2733:
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2715:Jeu de cartes
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2363:Stanley Sadie
2360:
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2160:
2159:Beaumont 1937
2155:
2149:, p. 75.
2148:
2143:
2136:
2131:
2129:
2127:
2125:
2115:
2113:
2111:
2109:
2107:
2099:
2094:
2088:, p. 48.
2087:
2082:
2075:
2069:
2060:
2053:
2048:
2046:
2038:
2033:
2024:
2020:
2011:
2007:
2003:
1999:
1996:
1994:
1990:
1986:
1982:
1978:
1977:Andrew Litton
1975:
1973:
1970:
1966:
1962:
1958:
1955:
1953:
1950:
1946:
1942:
1939:
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1930:
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1800:
1796:
1795:Pierre Boulez
1793:
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1551:
1550:Musical Tales
1547:
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1466:
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1456:
1455:
1454:fortississimo
1449:
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1440:
1435:
1433:
1429:
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1423:
1419:
1417:
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1411:
1406:
1404:
1403:Ursula Oppens
1400:
1396:
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1234:
1231:
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1225:
1222:
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1218:
1214:
1213:
1206:
1203:
1202:
1199:Russian Dance
1198:
1192:
1189:
1186:
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1181:
1178:
1175:
1172:
1169:
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1120:
1119:his carcass.
1116:
1113:
1109:
1107:
1099:
1093:
1089:
1087:
1086:Joseph Lanner
1083:
1079:
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764:
763:
762:
760:
754:
751:
742:
739:
737:
734:
733:
729:
726:
711:
709:1 cor anglais
708:
705:
702:
700:
697:
696:
695:
694:
690:
677:
672:
669:
668:
665:
661:
658:
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621:
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594:
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588:
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579:
576:
567:
563:
560:
550:
547:
543:
541:
539:
536:
535:
531:
530:contrabassoon
527:
518:
517:bass clarinet
508:
505:
501:
498:
494:
490:
488:
486:
483:
482:
481:
480:
476:
463:
461:
451:
447:
443:
439:
438:Michel Fokine
435:
431:
427:
423:
418:
416:
412:
408:
407:
402:
397:
395:
390:
388:
384:
380:
376:
372:
370:
364:
363:
358:
350:
346:
342:
338:
329:
327:
323:
319:
318:Anna Ivanovna
314:
311:
307:
303:
299:
295:
291:
283:
274:
271:
266:
262:
260:
256:
252:
251:
246:
242:
238:
236:
232:
228:
224:
220:
216:
212:
211:Michel Fokine
208:
204:
200:
192:
188:
187:
177:
173:
170:
167:
163:
158:
153:
149:
145:
141:
138:The Charlatan
134:The Ballerina
132:
129:
125:
122:
119:
115:
108:
101:
97:
93:
89:
86:
81:
77:
74:
71:
67:
64:
63:Michel Fokine
61:
59:Choreographer
57:
50:
45:
40:
37:
33:
19:
3521:Psalms chord
3476:Jean Cocteau
3467:
3408:
3384:Robert Craft
3297:
3289:
3279:
3273:Arrangements
3261:
3254:
3231:
3219:
3202:
3172:
3160:
3146:Piano Sonata
3138:
3131:
3124:
3117:
3110:
3103:
3048:
3041:
3034:
3027:
3010:
3003:
2996:
2971:
2964:
2957:
2950:
2943:
2918:
2911:
2860:
2853:
2846:
2839:
2834:Circus Polka
2832:
2825:
2818:
2813:Funeral Song
2811:
2804:
2797:
2769:
2741:
2734:
2727:
2720:
2713:
2706:
2699:
2692:
2685:
2673:
2667:
2666:
2661:The Firebird
2659:
2642:
2634:
2628:
2621:
2613:
2606:
2600:
2593:
2515:
2488:
2482:
2478:
2466:
2441:
2433:
2408:, edited by
2405:
2388:
2367:John Tyrrell
2356:
2347:
2344:Robert Craft
2334:
2319:
2307:. Retrieved
2303:the original
2297:
2293:Jacobs, Paul
2284:
2265:
2262:Peyser, Joan
2233:
2224:
2199:
2192:Bibliography
2178:
2173:, p. 5.
2166:
2154:
2142:
2093:
2081:
2076:, p. 66
2068:
2059:
2052:Beumers 2005
2032:
2023:
2009:
1992:
1971:
1951:
1935:
1925:Lorin Maazel
1919:
1905:Robert Craft
1899:
1886:
1870:
1854:
1837:
1821:
1805:
1789:
1773:
1757:
1747:Antal Doráti
1741:
1731:Karel Ančerl
1725:
1691:
1675:
1657:
1639:
1622:
1600:
1598:
1581:
1580:Themes from
1579:
1572:
1559:
1554:
1549:
1539:
1531:
1525:
1515:
1511:
1509:
1504:
1495:
1480:
1474:
1467:
1458:
1452:
1447:
1436:
1431:
1425:
1420:
1413:
1407:
1388:
1280:
1244:
1216:
1140:
1132:
1130:
1121:
1117:
1114:
1110:
1106:dancing bear
1102:
1097:
1090:
1075:
1064:
1060:
1055:
1040:
1037:
1032:
1030:
1027:
1023:Konzertstück
1022:
1006:
1003:
999:
994:
975:
972:
934:
930:
927:
906:
902:
898:
877:
871:) preceding
862:
850:
849:
844:
835:
829:
808:
758:
740:4 horns in F
688:
675:
644:Glockenspiel
583:
474:
440:and sets by
419:
406:Konzertstück
404:
398:
391:
382:
375:The Firebird
374:
367:
362:The Firebird
360:
356:
354:
348:
315:
302:Polichinelle
300:in England,
288:
269:
264:
263:
248:
240:
239:
185:
184:
183:
103:13 June 1911
36:
3286:Tchaikovsky
3092:Four Études
2820:Four Études
2680:discography
2622:Oedipus rex
2577:Discography
2309:January 28,
2171:Jacobs 2008
2147:Peyser 1999
2037:Robert 1946
2008:from 2017,
1989:BIS Records
1985:Grieghallen
1967:from 2002,
1957:Paavo Järvi
1941:Seiji Ozawa
1844:Colin Davis
1779:Seiji Ozawa
1586:Pete Seeger
1556:Basil Twist
1536:Tchaikovsky
1522:Tchaikovsky
1514:along with
1497:Frank Zappa
1457:) near the
1399:Paul Jacobs
1321:The Mummers
752:3 trombones
614:snare drums
577:3 trombones
504:cor anglais
332:Composition
322:aristocracy
304:in France,
193:; Russian:
165:Created for
3653:Pulcinella
3602:Categories
3377:Amanuensis
3233:Epitaphium
3070:Tarantella
2998:Zvezdoliki
2952:Pribaoutki
2753:Symphonies
2694:Pulcinella
2629:Perséphone
2584:Operas and
2098:Walsh 2001
2072:Quoted in
1915:, London,
869:Mardi Gras
864:Maslenitsa
859:Shrovetide
782:Tambourine
779:Snare drum
765:Percussion
727:2 bassoons
626:Tenor drum
620:Tambourine
590:Percussion
460:bitonality
308:in Italy,
306:Pulcinella
250:Maslenitsa
245:Shrovetide
191:Pétrouchka
127:Characters
3536:Serialism
3060:Piano and
3005:Ave Maria
2945:Pastorale
2882:Concertos
2806:Fireworks
2687:Les noces
2668:Petrushka
2643:The Flood
2524:Petrushka
2512:Recording
2467:Petrushka
2434:Petrushka
2420:(cloth);
2321:Petrushka
2210:(cloth);
1739:Supraphon
1703:, studio
1588:'s album
1582:Petrushka
1560:Petrushka
1512:Petrushka
1505:Petrushka
1439:copyright
1432:Petrushka
1127:Structure
1033:en pointe
976:en pointe
851:Petrushka
836:Petrushka
791:Xylophone
773:Bass drum
649:Xylophone
603:Bass drum
401:arpeggios
379:Diaghilev
357:Petrushka
349:Petrushka
290:Petrushka
270:Petrushka
265:Petrushka
241:Petrushka
227:Petrushka
189:(French:
186:Petrushka
131:Petrushka
42:Petrushka
3555:Category
3356:Children
3348:(second)
3325:(father)
3084:♯
2907:♭
2763:♭
2346:. 1978.
2295:(2008).
2264:(1999).
1566:'s 2009
1541:Coppélia
1133:tableaux
1018:♯
1009:arpeggio
785:Triangle
746:♭
721:♭
715:♭
698:Woodwind
632:Triangle
571:♭
554:♭
522:♭
512:♭
485:Woodwind
455:♯
415:Carnival
316:Empress
310:Kasperle
259:scimitar
195:Петрушка
136:The Moor
99:Premiere
91:Based on
79:Libretto
3436:Related
3342:(first)
3316:Parents
3184:Chamber
3076:Scherzo
3062:pianola
3023:Cantata
2736:Orpheus
2653:Ballets
2440:(ed.).
1852:Philips
1835:Philips
1819:Philips
1755:Mercury
1709:Everest
1546:Delibes
1393:used a
1380:Curtain
1071:coconut
805:Strings
797:Celesta
776:Cymbals
770:Timpani
706:2 oboes
671:Strings
657:Celesta
608:Cymbals
596:Timpani
566:cornets
497:piccolo
151:Setting
3578:Portal
3553:
3472:(film)
3309:Family
3284:(from
3227:Septet
3036:Threni
2990:Choral
2701:Apollo
2601:Renard
2505:309449
2503:
2448:
2436:". In
2428:(pbk).
2424:
2416:
2393:, pp.
2272:
2250:
2218:(pbk).
2214:
2206:
1969:Telarc
1660:(mono)
1642:(mono)
1625:(mono)
1538:) and
1443:cornet
1078:cornet
809:
788:Tamtam
755:1 tuba
676:
637:Tamtam
580:1 tuba
493:flutes
294:puppet
247:Fair (
143:Design
3565:Audio
3333:Wives
3248:Other
3221:Elegy
3210:Octet
3186:music
3162:Tango
3087:minor
3012:Babel
2937:vocal
2615:Mavra
2501:JSTOR
2016:Notes
1991:SACD
1917:Naxos
1884:Decca
1672:Decca
1530:(and
1489:with
1470:suite
1459:piano
1082:waltz
1067:divan
794:Piano
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