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kill Porter, Hicks and Leary arrive, having found Lynn's body and questioned her dealer, and extort Porter for a cut of his money once he recovers it. Following Porter to Rosie's apartment, Val shoots her dog and threatens to rape her, but Porter shoots and wounds him. Giving up the names of Outfit bosses
Fairfax and Carter, Val is killed by Porter. Taking Rosie to his secret apartment, Porter finds a bomb rigged to the telephone by Carter's men, who call him from a car outside. Cutting their fuel line, Porter incinerates them with a lit cigarette.
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the organization's corporate structure, Carter calls
Bronson, the head of the Outfit. Porter repeatedly corrects them that all he wants is his half-share of the money Val stole, but Bronson refuses to pay, and Porter kills Carter. Framing Hicks and Leary for Val's death, Porter leaves Hicks' badge and the gun with Leary's fingerprints by the body.
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connection, who points him to Val's middle-man, Stegman. Porter finds
Stegman in the company of corrupt police detectives Hicks and Leary, and Val learns from Stegman that Porter is alive. Enlisting the help of Rosie, who is now affiliated with the Outfit, Porter ambushes Val during a session with Pearl, a Triad-connected
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face-to-face with
Bronson, who has brought a $ 140,000 ransom but swears Porter will never touch it. Porter reasons that all he wanted was the $ 70,000 Resnick took, but Bronson orders his men to hammer Porter's toes until he reveals Johnny's location; they smash two toes before he gives them an address.
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Bronson, Fairfax, and their men drive to the address, Porter's apartment, with Porter locked in the trunk. As they go inside, Porter breaks free and uses the car phone to dial his apartment phone; Bronson answers, triggering the bomb left by Carter's men, and the explosion kills
Bronson, Fairfax, and
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Val goes to Carter, a higher-up with the Outfit, who warns him to eliminate Porter on his own. However, after Val leaves he directs one of his men to take care of Porter himself. Desperate, Val directs Pearl to tell the Triads that Porter was responsible for the $ 140,000 heist. Before the Triads can
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Porter confronts Lynn, who has been consumed by guilt and become addicted to heroin. He tries to confiscate her drugs, but she finds some in a secondary stash. Porter awakes and finds her dead from an overdose the next morning. Believing that Val was funding her habit, Porter interrogates Lynn's drug
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Outside Carter's office, Porter is waylaid by Hicks, Leary, and
Stegman, who also demands a cut. Porter gives them his revolver to hold while he is inside, securing Leary's fingerprints on the gun that killed Val. Meeting with Carter, Porter disarms his guards and threatens to kill him. Deferring to
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Although credited as director, Brian
Helgeland's cut of the film was not the theatrical version released to audiences. Helgeland clashed with Mel Gibson over Gibson's ideas for the film. After the end of principal photography, Gibson admitted that he was instrumental in having Helgeland removed as
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During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where
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due to the false evidence Porter planted. Stegman captures Porter, but a shootout ensues with Pearl and the Triads, leaving
Stegman, his driver, and the Triads dead; holding Porter at gunpoint, Pearl is knocked unconscious when the Outfit arrives to abduct Porter. Badly beaten, Porter meets
392:, but Val manipulated Porter's wife Lynn into believing Porter was having an affair with Rosie, a call girl he used to protect. Lynn shot Porter, leaving him for dead as Val took the cash to pay off a debt to "the Outfit," a powerful organized crime syndicate.
575:. However, Paul Abascal has stated on his website that he in fact directed the new scenes. The new director reshot 30% of the film. The intent was to make the Porter character accessible.The film's tagline became: "Get Ready to Root for the Bad Guy."
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A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and
384:, has gunshot wounds treated by an unlicensed doctor, having been shot and betrayed for $ 70,000, and plans his revenge. After months of recuperating, Porter uses a series of petty thefts and
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During post-production, Helgeland was removed by Gibson and the producers, who rewrote and reshot substantial portions of the film, including a different third act and a new villain played by
367:, that differs substantially from the version released by the studio. This new version received a more positive reception, and is generally considered superior to the theatrical cut.
665:, does not include the voice-over by Porter and several Bronson-related scenes, and has a different film score composed by Scott Stambler. The film also features alternative
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a positive review, with an average rating of 5.9/10. The website's critical consensus states, "Sadistic violence and rote humor saddle a predictable action premise."
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With Rosie's assistance, Porter kidnaps
Bronson's son Johnny, which he reveals to Bronson on another call while he threatens Fairfax. Hicks and Leary are arrested by
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Note: This plot synopsis refers to the film's original theatrical cut. Plot differences between the theatrical and director's cut are noted later in the article.
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process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
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their men. Leaving Johnny cuffed to her radiator, Rosie joins Porter in starting a new life together, beginning by "going for breakfast...in Canada."
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assigned the film a weighted average score of 46 out of 100, based on 18 critics, indicating "mixed or average reviews". Audiences polled by
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was ordered. There was initially some uncertainty on who directed the reshoots, with some sources claiming it was the production designer
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637:, but Mel Gibson is the key. The movie wouldn't work with an actor who was heavy on his feet, or was too sincere about the material."
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603:. It eventually grossed $ 81,526,121 in North America and $ 80,100,000 in other territories, totaling $ 161,626,121 worldwide.
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to acquire cash, a new suit, and a revolver. He and his partner-in-crime Val
Resnick had stolen $ 140,000 from a local
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661:. The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by
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gave the film a three out of four stars, writing in his review: "There is much cleverness and ingenuity in
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Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in
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This article is about the 1999 film starring Mel Gibson. For the 1995 film by Anthony Hickox, see
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was well received at the box office. The film made $ 21,221,526 in its opening weekend in
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Porter is seriously wounded in a train station shootout and driven off by Rosie.
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551:." He noted that "people want a color image" and that the actual film used a
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Richard Stark, which had earlier been adapted into the 1967 film
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A June 4, 2012, look at "movies improved by directors' cuts" by
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on February 5, 1999, and received mixed reviews from critics.
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gave the film an average grade of "B−" on an A+ to F scale.
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The film was shot from September to November 1997, in
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In 2006, Helgeland issued a director's cut, entitled
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as "a marked improvement on the unrulier original."
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on April 10, 2007, after an October 2006 run at the
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1145:"Payback Movie Review & Film Summary (1999)"
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978:"Payback: Straight Up - The Director's Cut"
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356:. This version of the film was released by
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1806:Films with screenplays by Brian Helgeland
454:as Pearl (credited as 'Lucy Alexis Liu')
946:"GIBSON TELLS WHY HE TOOK OVER PAYBACK"
759:from the original on September 15, 2011
673:process present in the theatrical cut.
564:director before the film was released.
301:in his directorial debut, and starring
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708:"Payback (1999) - Overview - TCM.com"
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860:from the original on July 24, 2020
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380:Porter, a career thief and former
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1143:Ebert, Roger (February 5, 1999).
1054:"Mel Gibson's lost kick-ass film"
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791:from the original on 2019-10-22
647:Straight Up: The Director's Cut
163:Scott Stambler (director's cut)
160:Chris Boardman (theatrical cut)
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1716:American action thriller films
1052:Abel, Glenn (April 16, 2007).
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1821:1999 directorial debut films
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649:, was released on DVD,
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1776:Icon Productions films
1766:Films set in the 1970s
1560:Other film adaptations
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712:Turner Classic Movies
645:Helgeland's version,
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1186:Payback: Straight Up
958:on February 23, 2024
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688:Payback: Straight Up
659:Austin Film Festival
567:A script rewrite by
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925: 7321900173438
915:Mel Gibson (1999).
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1265:Donald E. Westlake
1147:. RogerEbert.com.
607:Critical reception
581:Kris Kristofferson
500:Kris Kristofferson
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472:as Detective Hicks
458:Deborah Kara Unger
358:Paramount Pictures
354:Kris Kristofferson
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1155:September 3,
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1062:the original
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323:David Paymer
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271:$ 90 million
234:Running time
211:Release date
200:Warner Bros.
138:Ericson Core
125:David Paymer
79:
1796:Triad films
1489:Screenplays
1321:Point Blank
962:26 December
864:January 27,
631:Roger Ebert
625:CinemaScore
569:Terry Hayes
542:Los Angeles
482:John Glover
476:Jack Conley
446:Maria Bello
440:Gregg Henry
382:U.S. Marine
346:Point Blank
311:Maria Bello
307:Gregg Henry
241:101 minutes
148:Kevin Stitt
120:Maria Bello
115:Gregg Henry
97:Bruce Davey
93:Produced by
66:Terry Hayes
46:Directed by
1701:1999 films
1695:Categories
1678:Finestkind
1423:Characters
1391:Characters
1363:Play Dirty
1342:Slayground
1335:The Outfit
1289:The Hunter
1213:Metacritic
1129:2021-11-28
1089:Metacritic
826:2019-10-22
795:2019-10-22
694:References
686:described
621:Metacritic
592:Box office
573:John Myhre
532:Production
524:Manu Tupou
502:as Bronson
431:Mel Gibson
398:dominatrix
386:short cons
339:using the
332:The Hunter
303:Mel Gibson
276:Box office
222:1999-02-05
172:Production
110:Mel Gibson
81:The Hunter
1654:The Order
1582:The Actor
1504:Hot Stuff
1454:Bank Shot
1328:The Split
815:The Onion
779:"Payback"
587:Reception
514:as Teller
490:as Carter
470:Bill Duke
341:pseudonym
144:Edited by
1568:The Hook
1149:Archived
1123:Archived
1068:March 5,
1037:March 5,
1027:CHUD.com
986:Archived
891:Archived
858:Archived
854:Flixster
820:Archived
789:Archived
763:March 5,
757:Archived
716:Archived
520:as Valet
452:Lucy Liu
448:as Rosie
315:Lucy Liu
292:neo-noir
260:Language
154:Music by
103:Starring
76:Based on
1638:Payback
1575:The Axe
1518:Why Me?
1468:Why Me?
1349:Payback
1224:Payback
1208:Payback
1197:Payback
1175:Payback
1099:July 2,
918:Payback
784:Variety
722:15 June
651:Blu-ray
635:Payback
617:Payback
597:Payback
538:Chicago
484:as Phil
287:Payback
263:English
252:Country
220: (
174:company
29:Payback
1681:(2023)
1673:(2015)
1670:Legend
1665:(2013)
1657:(2003)
1649:(2001)
1641:(1999)
1550:Memory
1398:Parker
1356:Parker
1281:Novels
655:HD DVD
653:, and
435:Porter
268:Budget
1191:IMDb
1180:IMDb
1157:2015
1101:2008
1070:2011
1039:2011
994:2015
964:2022
931:2014
899:2015
866:2019
765:2011
724:2019
540:and
424:Cast
371:Plot
325:and
1227:at
1211:at
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1189:at
1178:at
923:EAN
433:as
335:by
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