Knowledge

Paul Kelly (American musician)

Source 📝

217:(who would later perform as Blowfly), heard Kelly rehearse, and asked him to fill in on lead vocals with his group, The Delmiros, whose lead singer had laryngitis. Kelly recorded a single, "Down with It, Can't Quit It"/"Sooner Or Later", which was released on Selma Records in 1963, under the name Clarence Reid & The Delmiros. Kelly began performing the song live in clubs and became associated with the song. Reid asked him to join The Delmiros on a permanent basis. 197:
Miami, Florida, the fourth of six siblings. Kelly was brought up by his grandmother. In about 1956, Kelly's brother Henry formed a vocal group, with Paul as lead vocalist. It only lasted a few months, before Henry left Miami to go to college. Paul then formed a group with school friends from
361:
radio DJ, Rockin' Robin. Although Kelly was now trying to push the b-side, "The Day After Forever", Rockin' Robin liked "Stealing," and played it several times in a row. As Kelly recalled, "Everybody started calling in and I never looked back after that." The single first appeared on the
465:, taking the name from the single, "(He Ain't Nothin' But) Dirt". Kelly's third Warner Bros. Records single, "Don't Burn Me" (1972), was also a minor hit. It was followed by an album of the same name. 487:'s co-arranger), but the material was never released. These events signalled a more general disagreement between Kelly and his record company, and the relationship was terminated. After a single for 468:
A 1974 single, "Hooked, Hogtied & Collared" was his second biggest self-recorded hit, and it too inspired an album by the same name, with controversial artwork — a drawing depicting
328:"That's been my way of thinking all the time," Kelly said about the song. "Thinking about what's wrong with church... And what they talk about and what they do are two different things..." 539:
In 1994, he suffered a heart failure and another in 1995, as well as a stroke. His vocal range suffered as a result of his health problems, which also caused Kelly to become a vegetarian.
210:
In 1960, Kelly left the group to go solo, recording the standard, "I'll String Along with You" for Dade Records, which was never released, following a dispute between Kelly and the label.
457:
In the wake of Kelly's major hit, Happy Tiger quickly released an album and three singles, but the label was in financial trouble and went out of business in 1971. Kelly was signed by
266:, New York City, and invited a songwriting collaborator, Juanita Rogers, to join him. They became a couple and moved in together. Kelly cut material in 1968 for Stan Watson's 513:
In 1983, Kelly started his own independent label, Laurence Records, using the pseudonym "Laurence Dunbar". The label had a minor hit with "Bring It on Home to Me", sung by
746: 220:
Kelly's official debut solo single, "It's My Baby" b/w "The Upset," appeared on the Lloyd label in 1965. It was inspired by the surprise boxing victory of
756: 731: 267: 491:, "Everybody Got a Jones"/"Shake Your Mind", Kelly decided to concentrate on songwriting and production. He did not perform live after 1977. 244:, "Thrills and Chills", by Helene Smith. Kelly released a third single, "Since I Found You" under the name Paul Kelly & the Rocketeers. 761: 331:
Kelly sold the rights to the song to Buddy Killen, and recorded it at Muscle Shoals. Killen got it released through the Hollywood-based
17: 736: 421:
Despite Kelly's stand in the lyrics of "Stealing in the Name of the Lord", another of his songs, "God Can", has been recorded by the
751: 199: 346:, recording as Annetta, released "Since There Is No More of You," a single written by Kelly, who sang background on the release. 766: 255:, including a ballad, "Nine Out of Ten Times," written by Kelly, Reid and Clarke). Meanwhile, Dial had released two singles by 149:
songs "Stealing in the Name of the Lord", which was a major hit in 1970, and "Hooked, Hogtied & Collared". He also wrote "
202:— The Spades, later known as The Valadeers. Another member was Jimmy Cherry, who later sang with The Fantastics. 741: 437:, also cut solo versions of Kelly's "We Got Love" and "I've Been to the Well Before" songs on her 1979 solo album, 259:, one of which,"We're Gonna Make It," was co-written with Kelly. At the time, Kelly often opened for Tex on tour. 31: 553:
in South Carolina and released it on Ripete Records. It included a remake of "Stealing in the Name of the Lord".
240:, who had also fallen out with Reid, approached Kelly about working together. Meanwhile, Lloyd Records issued an 495: 150: 479:
on the rise, Warner Bros. Records forced out Kelly's preferred producer, Buddy Killen. Kelly recorded with
398: 286: 35: 662: 252: 335:. However, R&B radio stations were worried that the song would offend sponsors, such as those on 228:. A second single, "Chills and Fever," written by Clarence Reid and Willie Clarke, was picked up by 383: 194: 726: 506:
recorded the song in 1982 and scored a No. 19 pop hit. Kelly recorded "Personally" on his 1993
499: 158: 697: 576: 721: 521: 458: 426: 370: 178: 8: 332: 229: 410:
club scene and in the 1980s became the basis for a song of the same name by an English
364: 214: 182: 687: 233: 101: 641: 430: 248: 170: 78: 517:
and written and produced by Kelly, in 1984/85. (He wound up the label in 1991.)
145:(born June 19, 1940) is an American singer-songwriter. He is best known for the 514: 469: 422: 394: 715: 613: 446: 434: 415: 407: 343: 279: 241: 166: 154: 503: 488: 442: 336: 290: 237: 225: 221: 174: 162: 484: 476: 631: 236:. Relations between Kelly and Reid became strained. Nashville producer 350: 146: 105: 97: 282:
in mind. However, Sam Moore, whom he had known in Miami, rejected it.
480: 411: 358: 354: 636: 263: 387: 256: 520:
In the late 1980s, Kelly and his family moved from Brooklyn to
273: 690:(annotated discography, with images of record sleeves), 560:, containing unreleased songs he recorded in that year. 494:
At around this time, Kelly also wrote a song called "
339:
shows. The record was consequently slow to take off.
278:
Kelly wrote "Stealing in the Name of the Lord", with
353:, who was about to undertake a promotional visit to 461:, which reissued the Happy Tiger album in 1972 as 713: 524:. Kelly continued to send out demos to labels. 556:In late 2011, Kelly released an album titled 542:Warner Bros. Records issued a 1996 CD titled 747:American rhythm and blues singer-songwriters 502:. Although it was not a major hit for her, 247:After this, Kelly released four singles on 757:20th-century African-American male singers 406:The song also became popular in England's 213:A Miami-based singer-songwriter/producer, 546:as part of their Warner Archives series. 732:African-American male singer-songwriters 612: 368:R&B charts on June 13, 1970, and in 14: 714: 618:Top R&B/Hip-Hop Singles: 1942-2004 536:, in New Orleans in July–August 1992. 527: 452: 27:American singer-songwriter (born 1940) 115:Musician, singer-songwriter, producer 587:website. Access date: June 26, 2007. 374:a week later. It peaked at No. 5 ( 173:. Other songs have been covered by 24: 762:20th-century American male singers 698:"Paul Kelly: On the Positive Side" 577:"Paul Kelly: On the Positive Side" 285:The song, whose title references " 274:"Stealing in the Name of the Lord" 262:In 1967, Kelly decided to move to 25: 778: 681: 737:American male singer-songwriters 349:"Stealing" received a push from 293:leaders. It includes the lines: 270:label, but it remains unissued. 157:, and was a hit for soul singer 752:Singer-songwriters from Florida 704:(magazine), 2003 (reprinted by 663:"Thelma Houston-Thelma Houston" 620:. Record Research. p. 317. 583:(magazine), 2003; cited by the 357:Along with Kelly, he visited a 351:Jerry "Swamp Dogg" Williams Jr. 319:God's gonna bless ya, children, 655: 624: 606: 590: 570: 549:Kelly recorded the 1998 album 205: 13: 1: 767:20th-century American singers 563: 397:on her eponymous 1972 album, 188: 321:If you put your faith in me. 289:", tackles the hypocrisy of 7: 10: 783: 58:Paul Laurence Dunbar Kelly 29: 18:Paul Kelly (U.S. musician) 532:Kelly recorded an album, 384:Best Selling Soul Singles 300:It's happenin' every day. 153:", which has been widely 127: 119: 111: 93: 85: 62: 52: 45: 393:The song was covered by 386:chart and No. 49 on the 287:Papa Was a Rollin' Stone 251:, produced by Killen in 81:, Florida, United States 30:Not to be confused with 742:American soul musicians 632:"Thelma Houston (1973)" 306:And look ya in the eye, 177:artists, including the 32:the Australian musician 544:The Best of Paul Kelly 342:Around the same time, 326: 161:and singer-songwriter 302:This man, he'll walk, 295: 123:Vocals, guitar, piano 551:Let's Celebrate Life 534:Gonna Stick and Stay 522:Ruby, South Carolina 508:Gonna Stick and Stay 498:", which he gave to 459:Warner Bros. Records 427:Mighty Clouds of Joy 179:Mighty Clouds of Joy 89:Ruby, South Carolina 528:Return to recording 453:The 1970s and 1980s 333:Happy Tiger Records 232:and distributed by 200:20th Street School 193:Kelly was born in 183:The Staple Singers 36:the Irish musician 439:Oh What a Feeling 310:On your shoulder, 137: 136: 16:(Redirected from 774: 694:(website), 2003. 675: 674: 672: 670: 659: 653: 652: 650: 648: 628: 622: 621: 610: 604: 594: 588: 574: 378:) and No. 14 on 130: 76: 72: 70: 55: 43: 42: 21: 782: 781: 777: 776: 775: 773: 772: 771: 712: 711: 702:In The Basement 684: 679: 678: 668: 666: 661: 660: 656: 646: 644: 642:All Media Guide 630: 629: 625: 611: 607: 597:In The Basement 595: 591: 581:In The Basement 575: 571: 566: 530: 455: 431:Dorothy Norwood 325: 322: 320: 318: 316: 315: 313: 311: 309: 307: 305: 303: 301: 299: 276: 249:Philips Records 208: 191: 171:Ronnie McDowell 140: 128: 79:Overtown, Miami 77: 74: 68: 66: 53: 48: 39: 28: 23: 22: 15: 12: 11: 5: 780: 770: 769: 764: 759: 754: 749: 744: 739: 734: 729: 724: 710: 709: 695: 683: 682:External links 680: 677: 676: 654: 623: 614:Whitburn, Joel 605: 589: 568: 567: 565: 562: 529: 526: 454: 451: 423:Staple Singers 400:Thelma Houston 395:Thelma Houston 317:He'll tell ya, 314:A big fat lie. 296: 280:Sam & Dave 275: 272: 207: 204: 190: 187: 139:Musical artist 138: 135: 134: 131: 125: 124: 121: 117: 116: 113: 109: 108: 95: 91: 90: 87: 83: 82: 64: 60: 59: 56: 50: 49: 46: 26: 9: 6: 4: 3: 2: 779: 768: 765: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 730: 728: 727:Living people 725: 723: 720: 719: 717: 707: 703: 699: 696: 693: 689: 686: 685: 664: 658: 643: 639: 638: 633: 627: 619: 615: 609: 602: 598: 593: 586: 582: 578: 573: 569: 561: 559: 554: 552: 547: 545: 540: 537: 535: 525: 523: 518: 516: 511: 509: 505: 501: 497: 492: 490: 486: 482: 478: 473: 471: 466: 464: 460: 450: 448: 447:Barry Beckett 444: 441:(produced by 440: 436: 435:Mavis Staples 432: 428: 424: 419: 417: 416:Yeah Yeah Noh 413: 409: 408:Northern Soul 404: 402: 401: 396: 391: 389: 385: 381: 377: 373: 372: 367: 366: 360: 356: 352: 347: 345: 344:Annette Snell 340: 338: 334: 329: 324: 308:Put his hand, 294: 292: 288: 283: 281: 271: 269: 268:Philly Groove 265: 260: 258: 254: 253:Muscle Shoals 250: 245: 243: 242:answer record 239: 235: 231: 227: 223: 218: 216: 215:Clarence Reid 211: 203: 201: 196: 186: 184: 180: 176: 172: 168: 164: 160: 156: 152: 148: 144: 132: 126: 122: 120:Instrument(s) 118: 114: 112:Occupation(s) 110: 107: 103: 99: 96: 92: 88: 84: 80: 75:(age 84) 73:June 19, 1940 65: 61: 57: 51: 44: 41: 37: 33: 19: 705: 701: 691: 688:"Paul Kelly" 667:. Retrieved 657: 645:. Retrieved 635: 626: 617: 608: 600: 596: 592: 584: 580: 572: 557: 555: 550: 548: 543: 541: 538: 533: 531: 519: 515:Carol Dennis 512: 507: 504:Karla Bonoff 500:Jackie Moore 493: 489:Epic Records 474: 467: 462: 456: 443:Jerry Wexler 438: 420: 405: 399: 392: 379: 375: 369: 363: 348: 341: 330: 327: 312:And tell ya, 297: 284: 277: 261: 246: 238:Buddy Killen 230:Dial Records 226:Sonny Liston 222:Cassius Clay 219: 212: 209: 192: 163:Karla Bonoff 159:Jackie Moore 142: 141: 129:Years active 40: 722:1940 births 706:Soul Cellar 692:Soul Cellar 585:Soul Cellar 485:Barry White 298:Oh, oh, oh. 206:Solo career 716:Categories 564:References 496:Personally 380:Billboard' 189:Early life 151:Personally 143:Paul Kelly 69:1940-06-19 54:Birth name 47:Paul Kelly 669:March 16, 665:. Discogs 647:March 16, 481:Gene Page 412:post-punk 371:Billboard 355:Baltimore 304:Up to ya, 133:1956–2012 637:Allmusic 616:(2004). 510:album.) 264:Brooklyn 234:Atlantic 195:Overtown 470:bondage 388:Hot 100 376:Cashbox 365:Cashbox 257:Joe Tex 169:singer 167:country 155:covered 102:R&B 425:, the 414:band, 337:gospel 291:church 175:gospel 94:Genres 477:disco 475:With 323:Huh! 224:over 671:2012 649:2012 601:Ibid 558:1984 463:Dirt 445:and 429:and 359:WWIN 181:and 165:and 147:soul 106:soul 98:Folk 86:Died 63:Born 449:). 34:or 718:: 708:). 700:, 640:. 634:. 599:, 579:, 472:. 433:. 418:. 403:. 390:. 382:s 185:. 104:, 100:, 71:) 673:. 651:. 603:. 483:( 67:( 38:. 20:)

Index

Paul Kelly (U.S. musician)
the Australian musician
the Irish musician
Overtown, Miami
Folk
R&B
soul
soul
Personally
covered
Jackie Moore
Karla Bonoff
country
Ronnie McDowell
gospel
Mighty Clouds of Joy
The Staple Singers
Overtown
20th Street School
Clarence Reid
Cassius Clay
Sonny Liston
Dial Records
Atlantic
Buddy Killen
answer record
Philips Records
Muscle Shoals
Joe Tex
Brooklyn

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.