33:
446:
553:
typically perform in pairs. Ustad Hamid Ali Khan explains: "Our ancestors devised this method of singing in pairs, so that the next generation always sticks together. So, while both partners have a full range, in public performances one would take care of the
121:
was originally founded by Mian Kallu, it is widely acknowledged that it was Ali Baksh Khan and Fateh Ali Khan who popularised the
Patiala tradition of singing and brought it acclaim and attention across the subcontinent. The Patiala
586:
have time and again experimented fearlessly. My father sang ghazals when it was not the taste of classical artistes. He was, in fact, criticised for that. Many classical vocalists were shocked and surprised when we sang
932:
525:(singing) is particularly difficult to master and requires dedicated, years-long practice and preparation. He notes that essential requirements of the Patiala manner of singing are correct enunciation (
486:
also has lyrical compositions that have been passed down from generation to generation, and even to disciples and students from outside the family. Singers in the
Patiala tradition especially excel in
1495:
1827:
582:
as we are adapting to modern music. As musicians, we have been embracing modern music. Nobody in my family objected to my singing pop or any other genre. In fact, musicians from
Patiala
1710:
1018:
164:
in
Hindustani classical music, the Patiala gharana is estimated to have the broadest and most prominent representation on both sides of the India-Pakistan border.
1620:
1211:
470:
are known for their emotionally evocative and sensual singing style, and particular emphasis is placed on clear diction and enunciation. Patiala exponent
543:(practice). Pandit Iman Das concurs and has stated that the Patiala technique of singing is "an extremely complex style to learn" and requires "rigorous
1738:
1237:
1853:
114:, the 9th Earl of Elgin, after the duo had enthralled him with their performance. Their pairing was popularly referred to as 'Ali-a-Fattu ki Jodi.'
706:
426:
exhibit the temperament of a painter. Each phrase is rendered like colouring a picture – vivid with imagery. There are certain features of this
1326:
1469:
1403:
574:
are known for their willingness to experiment and blend traditional musical forms with newer genres and styles of music. In an interview,
375:. Vocalists in the Patiala tradition sing in a strong, open-throated voice with intricate and analytical use of notes in three octaves.
1584:
1650:
1263:
1057:
1524:
1453:
1181:
1555:
1921:
1292:
1378:
965:
1931:
1911:
629:, also known as Khwājā Ghareeb Nawaz. Later and modern-day Patiala exponents have continued to incorporate elements of
198:(1907 – 1963). Ustad Bade Ghulam Ali Khan is generally acknowledged to be the most influential exponent of the Patiala
1152:
933:"Inside the lesser known tradition of Punjab's classical music, from Harballabh music festival to the Patiala gharana"
1684:
1118:
1813:
1936:
1916:
1906:
111:
17:
273:
The
Patiala technique of music is noted for its delicate style, use of intricate vocal embellishments (such as
1863:
1789:
1090:
990:
418:. Pandit Shantanu Bhattacharayya, a well-known Patiala vocalist, notes about the Patiala singing style that "
307:
from
Bangalore, India explains that the distinguishing features of the Patiala style of singing are "long
1352:
231:. The Patiala singing tradition is known for its creative improvisations by borrowing freely from other
60:
1926:
736:
700:
646:
107:
1764:
1891:
802:
742:
106:
and his close friend 'Colonel' Fateh Ali Khan, both of whom became court musicians in the court of
1901:
1814:
Article on
Patiala Gharana in Dawn (newspaper), 'Classical music has healing effect on listeners'
673:. "Mujrai Khalq Mein" and "Yeh Sochta Hoon" are among the most well known of these lamentations.
626:
611:'s compositions have recurring Sufi leitmotifs – most clearly evident in their signature raga,
270:
style of singing is said to have substantially altered the
Patiala approach to khayal singing.
139:
903:
836:
227:
is known to be an amalgamated vocal style of singing and is influenced to some extent by the
79:
was founded in the mid to late 19th century by Mian Kallu (also known as Kalu-miya Khan), a
1496:"Pandit Iman Das pays tribute to the late Rajan of the Rajan-Nagendra duo – Times of India"
878:
861:
712:
228:
191:
37:
1828:"Kaushiki Chakraborty: For me daily riyaz more important that rehearsals – Times of India"
478:
has a beautiful, emotive aspect, and you will see that in all the vocalists who sing this
8:
1941:
778:
766:
730:
454:
367:
are presented not through the throat but through the navel. Specifically, singers in the
179:
99:
83:
player of the Jaipur durbar. He received his musical training from the last Mughal king
888:
575:
84:
751:(1926–2013), disciple of Abdul Rehman Khan (1927–1996), disciple of Abdul Rehman Khan.
1658:
1592:
1449:
1300:
1065:
842:
724:
687:
670:
642:
103:
1896:
856:
852:
831:
796:
518:
482:. You can hear elation, sorrow and mischief, among others, all in the voice." The
1765:"Ustad Ashiq Ali Khan: Tribute to a maestro | Art & Culture | thenews.com.pk"
1443:
867:
808:
784:
760:
748:
718:
195:
175:
135:
110:. The titles of 'general' and 'colonel' of music were bestowed upon them by the
883:
873:
847:
790:
772:
666:
535:
505:
274:
202:
while Ustad Amanat Ali Khan is widely considered its most prominent scion. The
1739:"Remembering the grand maestro Ustad Amanat Ali Khan on his death anniversary"
690:(1850–1920), founder and member of "Ali-a-Fattu" duo with Fateh Ali "Karnail."
521:, a noted vocalist in the Patiala tradition today, has explained that Patiala
1885:
1662:
1596:
1304:
1069:
893:
814:
754:
658:
604:
471:
322:, and some elements of Punjabi folk interspersed with surprise elements like
243:
compositions of Ali Baksh Khan and Fateh Ali Khan were known for their swift
131:
92:
68:
32:
1711:"Sufi concert revives cultural fervour at relaunch of Patiala heritage fest"
898:
508:. Patiala vocalists are also known for their highly complex expositions of
408:
264:
245:
88:
827:
715:(1902–1968), disciple of Ali Baksh Khan, Kale Khan, and Ashiq Ali Khan.
630:
372:
1858:
966:"Remembering Ustad Fateh Ali Khan, Patriarch of the Patiala Gharana"
662:
387:
187:
390:
for their ornamentation. Other ragas popular with singers of this
171:
singing took on two distinct forms. One form gave the music world
40:(1902 – 1968), the most prominent exponent of the Patiala gharana
650:
617:
592:
292:
80:
64:
54:
1651:"How Padma awardee Ajoy Chakrabarty pursued music against odds"
450:
256:
236:
150:
144:
603:
The early
Patiala vocalists were known to be associated with
588:
545:
445:
287:
281:
251:
183:
172:
167:
In the latter half of the 20th century, the
Patiala style of
156:
102:. Eventually, the mantle was passed on to his son, 'General'
72:
394:
are Darbari Kanhra, Ramkali, Shuddha Kalyan, and Bageshree.
371:
tend to sing from the chest or diaphragm and not with their
1379:"Ibne Insha, Asad Amanat Ali and myth of the cursed ghazal"
654:
607:. This is reflected in the fact that lyrics of many of the
509:
494:
381:
298:
267:
1585:"Bade Ghulaam Ali Khan – Patriarch of the Patiala gharana"
1327:"Bade Ghulam Ali Khan's Repertoire Will Leave You Stunned"
721:(1908–1963), brother and disciple of Bade Ghulam Ali Khan.
1325:
Monica, Sarup; Phadtare Pandey, Kirti (25 April 2017).
1182:"The Uniqueness of Patiala Gharana of Hindustani Music"
1019:"Search Results for Paṭiālā gharānā – Oxford Reference"
615:
which was composed by Mian Kallu himself. In fact, the
1324:
1153:"The Maestro of the Patiala Gharana | Pakistan Today"
769:(1935–2017), son and disciple of Akhtar Hussain Khan.
763:(1922–1974), son and disciple of Akhtar Hussain Khan.
378:
The Patiala singing form tends to favour pentatonic
793:(b. 1953), son and disciple of Akhtar Hussain Khan.
413:
401:
395:
379:
362:
356:
350:
344:
338:
52:
337:approach to singing is its rendering of intricate
206:is now generally referred to as the Kasur-Patiala
98:) and went on to become the court musician to the
1353:"A rare gem from Pakistan: A lifetime on tiptoes"
126:was inspired from and influenced by four musical
1883:
817:(b. 1962), son and disciple of Munawar Ali Khan.
811:(b. 1962), son and disciple of Karamat Ali Khan.
805:(b. 1959), son and disciple of Karamat Ali Khan.
649:) has a generations-old tradition of performing
27:Classical music vocal traditional singing style
1816:Published 3 May 2008, Retrieved 14 August 2019
870:, grandson and disciple of Vasantrao Deshpande
775:(1937–2011), disciple of Bade Ghulam Ali Khan.
745:(1926–1997), disciple of Bade Ghulam Ali Khan.
303:. Pandit Iman Das, an exponent of the Patiala
235:and merging them aesthetically to enhance the
1404:"A tribute to Patiala-Kasur gharana founders"
461:
1556:"Patiala Gharana: Music Through Generations"
781:(b. 1940), disciple of Bade Ghulam Ali Khan.
676:
1238:"Fitting ode to Ustad Bade Ghulam Ali Khan"
864:, daughter and disciple of Ajoy Chakraborty
633:into their classical and pop compositions.
558:(fast tempo) while the other would take on
355:, and are not bound by the rhythmic cycle.
182:(1935 – 2017). The other, originating from
787:(b. 1950), disciple of Ikramul Majid Khan.
442:There is an element of unpredictability."
59:(tradition, school, or style of music) of
799:(1930–1989), son of Bade Ghulam Ali Khan.
160:styles of singing. Of the numerous vocal
1648:
1290:
739:(1924–1983), disciple of Ashiq Ali Khan.
733:(1920–1983), disciple of Ashiq Ali Khan.
727:, son and disciple of Ata Mohammad Khan.
444:
31:
1179:
1119:"Patiala Gharana: The Saga of the Raga"
142:, and it is particularly noted for its
14:
1884:
1851:
1733:
1731:
1708:
1644:
1642:
1615:
1613:
1553:
1518:
1516:
1441:
1286:
1284:
1206:
1204:
1202:
1055:
757:(b. 1929), disciple of Ashiq Ali Khan.
636:
488:Malkauns, Darbari, Adana, Des, Bhopali
1578:
1576:
1549:
1547:
1545:
1525:"Punjab's forgotten notes of history"
1437:
1435:
1433:
1431:
1429:
1427:
1425:
1261:
1175:
1173:
578:noted: "We are as much rooted to our
549:for years." Vocalists in the Patiala
178:(1922 – 1974) and his brother, Ustad
1649:Banerjee, Meena (27 February 2020).
1621:"Padma honours for Ajoy Chakraborty"
1582:
1350:
1344:
1147:
1145:
1143:
1141:
1139:
1113:
1111:
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1049:
1047:
1045:
1043:
1041:
1039:
1013:
1011:
960:
958:
956:
954:
927:
925:
923:
921:
919:
457:, an exponent of the Patiala gharana
194:(1902 – 1968) and his brother Ustad
1728:
1709:Khanna, Bharat (22 February 2018).
1685:"I will sing everything except rap"
1682:
1639:
1610:
1522:
1513:
1376:
1281:
1199:
641:The Patiala family (descendants of
533:), correct articulation of scales (
474:states: "the voice culture in this
24:
1573:
1554:Shuaib, Haroon (2 December 2020).
1542:
1488:
1422:
1262:Naidu, Jaywant (9 December 2019).
1170:
598:
591:, which again was a bold step for
565:
213:
25:
1953:
1825:
1291:Banerjee, Meena (27 April 2017).
1136:
1108:
1056:Khanna, Shailaja (2 March 2018).
1036:
1008:
951:
916:
562:(improvised sections of ragas)."
333:A special feature of the Patiala
297:– structure-bound "summaries" of
259:. The influence of these Punjabi
218:
1470:"The Patiala Gharana and beyond"
839:, son of Shafqat Amanat Ali Khan
665:to commemorate the martyrdom of
1852:Ganesh, Deepa (20 March 2003).
1845:
1819:
1807:
1782:
1757:
1702:
1676:
1583:Nair, Jyoti (1 February 2018).
1462:
1396:
1370:
1318:
1255:
1230:
1180:Bhaskar, Aditi (6 March 2021).
821:
694:
681:
1448:. APH Publishing. p. 94.
1083:
983:
669:and elegize the events of the
239:form of singing. The original
75:where it was established. The
13:
1:
1445:Tradition of Hindustani Music
909:
412:favoured by vocalists in the
1157:archive.pakistantoday.com.pk
1058:"An enchanting amalgamation"
625:devotion to the Sufi master
621:of this raga alludes to the
7:
1922:Classical music in Pakistan
1351:Rabe, Nate (6 March 2016).
539:) and above all, excellent
414:
402:
396:
380:
363:
357:
351:
345:
343:. These are very rhythmic,
339:
53:
10:
1958:
1264:"A classical extravaganza"
462:Singing style and training
320:shuddha aakar, bol-banavat
89:Qutub Bakhsh 'Tanras' Khan
63:, named after the city of
61:Hindustani classical music
1932:Pakistani styles of music
1912:Music schools in Pakistan
1529:Tribuneindia News Service
1377:Raj, Ali (7 April 2016).
737:Mohammad Hussain Sarahang
677:Patiala gharana exponents
570:Exponents of the Patiala
1442:Sharma, Manorma (2006).
529:), correct voice throw (
1523:Service, Tribune News.
1293:"Remembering the doyen"
889:Shafqat Amanat Ali Khan
430:that surface suddenly.
291:) and for its numerous
249:set in the traditional
108:Maharaja Rajinder Singh
1937:Indian styles of music
1917:Indian classical music
1907:Music schools in India
1242:The New Indian Express
458:
112:Victor Alexander Bruce
41:
904:Mohammad Aizaz Sohail
837:Sadaat Shafqat Amanat
448:
117:Although the Patiala
35:
1854:"His master's voice"
879:Asad Amanat Ali Khan
862:Kaushiki Chakraborty
713:Bade Ghulam Ali Khan
438:can intersperse the
406:are the most common
229:folk music of Punjab
192:Bade Ghulam Ali Khan
51:is one of the vocal
38:Bade Ghulam Ali Khan
1745:. 18 September 2018
1383:The Express Tribune
767:Bade Fateh Ali Khan
731:Vasantrao Deshpande
701:Akhtar Hussain Khan
688:Ali Baksh "Jarnail"
661:recitations during
637:Marsiya recitations
500:according to noted
420:akaars, bol banaavs
180:Bade Fateh Ali Khan
100:Maharaja of Patiala
1832:The Times of India
1715:The Times of India
1625:The Times of India
1560:youlinmagazine.com
1500:The Times of India
1218:. 13 December 2019
1216:The Indian Express
1186:indiaartreview.com
939:. 26 February 2022
576:Shafqat Amanat Ali
459:
349:(complicated) and
87:'s court musician
85:Bahadur Shah Zafar
42:
1627:. 26 January 2020
1455:978-81-7648-999-7
1212:"A life in music"
1123:outlookindia.com/
991:"Paṭiālā Gharānā"
843:Shiv Dayal Batish
725:Abdul Rehman Khan
671:Battle of Karbala
627:Moinuddin Chishti
190:, produced Ustad
16:(Redirected from
1949:
1927:Hindustani music
1876:
1875:
1873:
1871:
1862:. Archived from
1849:
1843:
1842:
1840:
1838:
1823:
1817:
1811:
1805:
1804:
1802:
1800:
1794:Oxford Reference
1790:"Ashiq Ali Khan"
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1780:
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1775:
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1535:
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1506:
1492:
1486:
1485:
1483:
1481:
1476:. 16 August 2014
1466:
1460:
1459:
1439:
1420:
1419:
1417:
1415:
1408:tribuneindia.com
1400:
1394:
1393:
1391:
1389:
1374:
1368:
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1365:
1363:
1348:
1342:
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1337:
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1311:
1288:
1279:
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1276:
1274:
1268:Deccan Chronicle
1259:
1253:
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1250:
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1234:
1228:
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1225:
1223:
1208:
1197:
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1163:
1149:
1134:
1133:
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1129:
1115:
1106:
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1103:
1101:
1095:Oxford Reference
1087:
1081:
1080:
1078:
1076:
1053:
1034:
1033:
1031:
1029:
1023:Oxford Reference
1015:
1006:
1005:
1003:
1001:
995:Oxford Reference
987:
981:
980:
978:
976:
962:
949:
948:
946:
944:
929:
857:Munawar Ali Khan
853:Ajoy Chakraborty
832:Munawar Ali Khan
797:Munawar Ali Khan
519:Ajoy Chakrabarty
417:
405:
399:
385:
366:
360:
354:
348:
342:
58:
21:
1957:
1956:
1952:
1951:
1950:
1948:
1947:
1946:
1892:Patiala gharana
1882:
1881:
1880:
1879:
1869:
1867:
1850:
1846:
1836:
1834:
1826:Ghosh, Sankha.
1824:
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1796:
1788:
1787:
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1533:
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1521:
1514:
1504:
1502:
1494:
1493:
1489:
1479:
1477:
1474:Hindustan Times
1468:
1467:
1463:
1456:
1440:
1423:
1413:
1411:
1410:. 18 March 2018
1402:
1401:
1397:
1387:
1385:
1375:
1371:
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1359:
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1345:
1335:
1333:
1323:
1319:
1309:
1307:
1289:
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1256:
1246:
1244:
1236:
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1231:
1221:
1219:
1210:
1209:
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1190:
1188:
1178:
1171:
1161:
1159:
1151:
1150:
1137:
1127:
1125:
1117:
1116:
1109:
1099:
1097:
1089:
1088:
1084:
1074:
1072:
1054:
1037:
1027:
1025:
1017:
1016:
1009:
999:
997:
989:
988:
984:
974:
972:
964:
963:
952:
942:
940:
931:
930:
917:
912:
868:Rahul Deshpande
824:
809:Jawaad Ali Khan
803:Mazhar Ali Khan
785:Parveen Sultana
761:Amanat Ali Khan
749:Lakshmi Shankar
743:Prasun Banerjee
719:Barkat Ali Khan
697:
684:
679:
639:
601:
599:Sufi traditions
568:
566:Experimentation
504:exponent Ustad
466:Singers in the
464:
315:, electrifying
263:as well as the
221:
216:
214:Characteristics
196:Barkat Ali Khan
176:Amanat Ali Khan
28:
23:
22:
18:Patiala Gharana
15:
12:
11:
5:
1955:
1945:
1944:
1939:
1934:
1929:
1924:
1919:
1914:
1909:
1904:
1902:Vocal gharanas
1899:
1894:
1878:
1877:
1844:
1818:
1806:
1781:
1769:thenews.com.pk
1756:
1727:
1701:
1683:Pioneer, The.
1675:
1638:
1609:
1572:
1541:
1512:
1487:
1461:
1454:
1421:
1395:
1369:
1343:
1317:
1280:
1254:
1229:
1198:
1169:
1135:
1107:
1082:
1035:
1007:
982:
950:
914:
913:
911:
908:
907:
906:
901:
896:
891:
886:
884:Johar Ali Khan
881:
876:
874:Sanjukta Ghosh
871:
865:
859:
855:, disciple of
850:
848:Som Dutt Battu
845:
840:
834:
830:, disciple of
823:
820:
819:
818:
812:
806:
800:
794:
791:Hamid Ali Khan
788:
782:
776:
773:Jagdish Prasad
770:
764:
758:
752:
746:
740:
734:
728:
722:
716:
710:
707:Ashiq Ali Khan
704:
696:
693:
692:
691:
683:
680:
678:
675:
667:Husayn ibn Ali
647:Akhtar Hussain
643:Ali Baksh Khan
638:
635:
600:
597:
567:
564:
506:Hamid Ali Khan
463:
460:
255:folk style of
220:
219:Improvisations
217:
215:
212:
104:Ali Baksh Khan
26:
9:
6:
4:
3:
2:
1954:
1943:
1940:
1938:
1935:
1933:
1930:
1928:
1925:
1923:
1920:
1918:
1915:
1913:
1910:
1908:
1905:
1903:
1900:
1898:
1895:
1893:
1890:
1889:
1887:
1866:on 7 May 2003
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1694:16 November
1689:The Pioneer
1602:23 November
1534:23 November
1414:2 September
1336:2 September
703:(1900–1974)
361:with clear
352:firat taans
1942:Sufi music
1886:Categories
1743:Dunya News
910:References
828:Sajjad Ali
779:Ghulam Ali
631:Sufi music
455:Ghulam Ali
373:head voice
1870:14 August
1859:The Hindu
1799:21 August
1749:19 August
1720:28 August
1663:0971-751X
1655:The Hindu
1597:0971-751X
1589:The Hindu
1565:3 October
1480:3 October
1388:19 August
1362:19 August
1357:Scroll.in
1305:0971-751X
1297:The Hindu
1273:26 August
1191:26 August
1162:3 October
1128:4 October
1100:3 October
1075:3 October
1070:0971-751X
1062:The Hindu
1028:3 October
1000:3 October
975:3 October
937:Firstpost
709:(d. 1948)
623:gharana's
613:Ram Saakh
449:Renowned
294:bandishes
1837:23 April
1774:23 April
1668:23 April
1631:23 April
1505:23 April
1331:TheQuint
1310:23 April
1247:23 April
1222:23 April
970:The Wire
943:23 April
663:Muharram
440:bandish.
436:boltaans
424:bolbants
403:teentaal
388:Malkauns
386:such as
311:, heavy
233:gharanas
200:gharana,
188:Pakistan
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397:Ektaal
324:murkis
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313:gamaks
309:meends
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265:Sindhi
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237:khayal
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546:riyaz
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511:ragas
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