Knowledge

Passamezzo antico

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The passamezzo antico chord changes are found, knowingly or not, in modern popular music culture:
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has two examples, "Before He Cheats" (a big U.S. hit in 2006) and "Starts with Goodbye".
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and known throughout Europe in the 16th century. The progression is a variant of the
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Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music
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is a variant of the passamezzo antico, where the first chord is the
16: 612: 456: 136: 709: 692: 286: 699: 685: 293: 279: 95:(For an explanation of this notation see 34: 15: 710: 300: 225: 223: 274: 231:The History of Keyboard Music to 1700 651: 220: 13: 257:, p.207. Oxford: Clarendon Press. 14: 734: 655: 233:, p.263. Trans. Tischler, Hans. 244: 1: 194:minor). A famous example is " 135:Though usually in the key of 89:The sequence consists of two 671:. You can help Knowledge by 70:that was popular during the 7: 10: 739: 650: 639:List of chord progressions 214: 636: 600: 509: 439: 371: 362: 308: 157: 154: 151: 148: 114: 111: 108: 105: 39:Passamezzo and Romanesca 82:variant is known as the 497:Tadd Dameron turnaround 592:Montgomery-Ward bridge 572:Royal road progression 467:Montgomery-Ward bridge 55: 32: 537:Borrowed (contrafact) 38: 19: 628:Irregular resolution 406:Backdoor progression 251:van der Merwe, Peter 229:Apel, Willi (1997). 72:Italian Renaissance 723:Music theory stubs 718:Chord progressions 562:Passamezzo moderno 522:Andalusian cadence 452:Andalusian cadence 431:Passamezzo moderno 331:Constant structure 302:Chord progressions 143:minor this gives: 84:passamezzo moderno 56: 33: 20:Passamezzo antico 680: 679: 645: 644: 622:Pachelbel's Canon 557:Passamezzo antico 505: 504: 472:Passamezzo antico 426:Sixteen-bar blues 391:V–IV–I turnaround 386:ii–V–I turnaround 176: 175: 133: 132: 97:Chord progression 68:chord progression 60:passamezzo antico 730: 701: 694: 687: 659: 652: 577:"Rhythm" changes 547:Coltrane changes 447:'50s progression 416:Twelve-bar blues 400: 399: 369: 368: 344: 295: 288: 281: 272: 271: 266: 248: 242: 227: 203:Carrie Underwood 146: 145: 139:, in the key of 103: 102: 53: 52: 51: 49: 31: 30: 29: 27: 738: 737: 733: 732: 731: 729: 728: 727: 708: 707: 706: 705: 648: 646: 641: 632: 608:Aeolian harmony 596: 501: 435: 411:Eight-bar blues 397: 396: 364: 358: 343:(Roman-numeral) 342: 304: 299: 269: 249: 245: 228: 221: 217: 205:'s debut album 190:major chord in 47: 44: 43: 41:melodic formula 25: 22: 21: 12: 11: 5: 736: 726: 725: 720: 704: 703: 696: 689: 681: 678: 677: 660: 643: 642: 637: 634: 633: 631: 630: 625: 615: 610: 604: 602: 598: 597: 595: 594: 589: 584: 579: 574: 569: 564: 559: 554: 549: 544: 539: 534: 532:"Bird" changes 529: 524: 519: 513: 511: 507: 506: 503: 502: 500: 499: 494: 489: 484: 474: 469: 464: 459: 454: 449: 443: 441: 437: 436: 434: 433: 428: 423: 420:"Bird" changes 413: 408: 403: 393: 388: 383: 377: 375: 366: 360: 359: 357: 356: 351: 346: 338: 333: 328: 323: 318: 312: 310: 306: 305: 298: 297: 290: 283: 275: 268: 267: 243: 218: 216: 213: 174: 173: 170: 167: 164: 160: 159: 156: 153: 150: 131: 130: 127: 124: 121: 117: 116: 113: 110: 107: 9: 6: 4: 3: 2: 735: 724: 721: 719: 716: 715: 713: 702: 697: 695: 690: 688: 683: 682: 676: 674: 670: 667:article is a 666: 661: 658: 654: 653: 649: 640: 635: 629: 626: 623: 619: 616: 614: 611: 609: 606: 605: 603: 599: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 548: 545: 543: 540: 538: 535: 533: 530: 528: 525: 523: 520: 518: 515: 514: 512: 508: 498: 495: 493: 490: 488: 485: 482: 478: 475: 473: 470: 468: 465: 463: 460: 458: 455: 453: 450: 448: 445: 444: 442: 438: 432: 429: 427: 424: 421: 417: 414: 412: 409: 407: 404: 402: 401:VII–V cadence 394: 392: 389: 387: 384: 382: 379: 378: 376: 374: 370: 367: 361: 355: 352: 350: 349:Rewrite rules 347: 345: 339: 337: 334: 332: 329: 327: 324: 322: 319: 317: 314: 313: 311: 307: 303: 296: 291: 289: 284: 282: 277: 276: 273: 264: 263:0-19-316121-4 260: 256: 252: 247: 240: 239:0-253-21141-7 236: 232: 226: 224: 219: 212: 210: 209: 204: 199: 197: 193: 189: 185: 181: 171: 168: 165: 162: 161: 147: 144: 142: 138: 128: 125: 122: 119: 118: 104: 101: 100: 98: 92: 87: 85: 81: 77: 73: 69: 65: 61: 50: 42: 37: 28: 18: 673:expanding it 665:music theory 662: 647: 587:Tadd-Dameron 556: 471: 336:Double tonic 254: 246: 230: 206: 200: 196:Greensleeves 191: 187: 183: 177: 140: 134: 94: 93:as follows: 88: 76:double tonic 59: 57: 618:Ground bass 487:IV–V–iii–vi 309:Terminology 208:Some Hearts 64:ground bass 712:Categories 354:Turnaround 169:Am E 80:major mode 492:Romanesca 477:I–V–vi–IV 462:vi–ii–V–I 365:of chords 363:By number 341:Notation 186:(e.g., a 180:romanesca 126:i V 613:Chaconne 527:Backdoor 398:♭ 381:I–IV–V–I 253:. 1989. 601:Related 567:Ragtime 552:Omnibus 510:By name 418: ( 326:Changes 321:Cadence 215:Sources 137:G minor 91:phrases 542:Circle 316:Bridge 261:  237:  78:: its 663:This 582:Stomp 457:Folía 373:Three 109:bVII 62:is a 669:stub 481:list 440:Four 259:ISBN 235:ISBN 178:The 123:bVII 58:The 48:Play 26:Play 517:50s 198:". 184:III 172:Am 155:Am 149:Am 120:III 66:or 714:: 222:^ 158:E 152:G 129:i 115:V 112:i 106:i 86:. 700:e 693:t 686:v 675:. 624:) 620:( 483:) 479:( 422:) 294:e 287:t 280:v 265:. 241:. 192:A 188:C 166:G 163:C 141:A 99:) 54:.

Index


Play

melodic formula
Play
ground bass
chord progression
Italian Renaissance
double tonic
major mode
passamezzo moderno
phrases
Chord progression
G minor
romanesca
Greensleeves
Carrie Underwood
Some Hearts


ISBN
0-253-21141-7
van der Merwe, Peter
ISBN
0-19-316121-4
v
t
e
Chord progressions
Bridge

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