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had replaced almost all of its choirbooks with partbooks. The reduced cost also allowed each performer to have his own copy, and partbooks were more portable than a choirbook. They were, however, flimsy, and originals do not survive in large numbers.
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Choral scores completely replaced individual vocal parts during the 19th century. While instruments continue to use parts for ease of page turning, these are rarely bound into "books" and are no longer so called.
57:. The choirbook still followed the convention to notate the parts separately, but within a double page, likewise part books were arranged that they show the one extract of the composition on the same page.
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The production of partbooks appears to have been a cost-cutting measure, as large-scale printing was much more expensive. For example, by 1529,
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121:: a UK-based project to digitise, restore, reconstruct and analyse Tudor partbooks
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is a format for printing or copying music in which each book contains the
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for a single voice or instrument, especially popular during the
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94:. Bologna: Museo internazionale e biblioteca della musica.
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79:The Forrest-Heyther Partbooks: Lesser Composers
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49:. This format contrasts with the large
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16:Format for printing or copying music
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103:. Munich: MDZ. Archived from
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145:. You can help Knowledge by
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92:"Catalogo Gaspari on line"
62:King's College, Cambridge
119:Tudor Partbooks project
28:New York Public Library
99:Nägele, Reiner (ed.).
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137:This article about a
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101:"Partbook reader"
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197:Manuscript stubs
192:Musical notation
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24:Drexel 4180–4185
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109:. Retrieved
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43:Renaissance
186:Categories
139:manuscript
111:2015-10-05
73:References
51:choirbook
35:partbook
47:Baroque
141:is a
55:choir
143:stub
45:and
39:part
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33:A
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